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"self-disgust" Definitions
  1. a strong dislike or distaste for oneself or for one's actions

46 Sentences With "self disgust"

How to use self disgust in a sentence? Find typical usage patterns (collocations)/phrases/context for "self disgust" and check conjugation/comparative form for "self disgust". Mastering all the usages of "self disgust" from sentence examples published by news publications.

The second round is inevitably accompanied by doubt, intention, self-disgust.
Heathers conversely shows a woman spitting on her own reflection out of self-disgust.
As the punters drift away, Mr Grossman unearths the twisted roots of both men's self-disgust.
Any self-pity has to be earned and is inseparable from a tinge of self-disgust.
Maybe you've stopped experiencing that sweet, sweet wave of self-disgust after watching a juicy pimple popping video.
When he's not thrashing about in a tub of self-disgust, however, Mr. Brown is charming, thoughtful and edifying company.
Society has sexualized breasts and anyone's resentment and disappointment toward this act is nothing more than their own projection of self-disgust.
It is with a small shiver of self-disgust that I must sit down to write about the body of Alicia Vikander.
Not being able to write in the first person was very much about that, and self-disgust or anxiety about saying 'I.
She calls for an "informal social movement akin to the feminist Our Bodies movement: a movement against self-disgust" for the aging.
Maybe shame, embarrassment, and self-disgust over my current weight are just as terrible drivers of health as unhappiness was five years ago.
Left to our own devices, we eat "just one more" until we collapse in self-disgust and condemn ourselves to green juice for the rest of the week.
But they don't feel the dismay and exasperation they'd have felt in the past, enduring one another's mistakes—Scully's bad temper, Tyler's self-disgust, Luce and Heddi's anxiety.
All my happiest and worst memories were born in it: my biggest strokes of luck and gravest mistakes, epiphanic dawnings of art, resolve, and self-disgust, first and last kisses.
After he told Nirmala this, the guilt of having stolen from his family, the sense of self-disgust for being so weak that he could be blackmailed, dissipated almost immediately.
Weeks before this session, Salem stripped naked in their bedroom and, with a marker, scrawled "tranny" and "faggot" all over their body, slurs that were inaccurate but screamed their self-disgust.
What better encapsulates the very particular sense of self-disgust that comes from horizontally inhaling 12 slices of Meat Feast than a slightly deflated sex doll; eyes vacant and mouth hopefully agape?
Hannah Horvath called herself a capital G Girl, told us that we weren't watching TV but were instead looking in a mirror, and we threw a knife at it in self-disgust.
The comic goes beyond recreating an "old internet" aesthetic by examining its idiosyncrasies and rituals: the covert clicking on 4chan and the subsequent self-disgust; the strategically shrunken text, too small for parents notice across a room.
Schumer's humor takes the world that Phyllis Diller and Joan Rivers laid out and updates it with contemporary slang and less self-disgust: guys may like their dicks and Schumer may like their dicks, too, but their dicks don't equal her lady parts.
But, while much of the show is about trauma, it's more about a broader problem for women, of self-disgust, our deep collusion with misogyny: the horrifying feeling that we are all, as the old Palmolive dish-detergent ad put it, soaking in it. ♦
One minute, telling himself that he has cleverly used irony to subvert his apparent embrace of the regime's prescription of optimistic, old-fashioned music; the next, filled with self-disgust at having allowed himself to be displayed as a figurehead of Soviet values at a cultural conference in the United States or being bullied into joining the party.
When Robert was naked, rolling a condom onto a dick that was only half visible beneath the hairy shelf of his belly, she felt a wave of revulsion that she thought might actually break through her sense of pinned stasis, but then he shoved his finger in her again, not at all gently this time, and she imagined herself from above, naked and spread-eagled with this fat old man's finger inside her, and her revulsion turned to self-disgust and a humiliation that was a kind of perverse cousin to arousal.
Although limited research has been done on self-disgust, one study found that self-disgust and severity of moral judgments were negatively correlated. This is in contrast to findings related to disgust, which typically results in harsher judgments of transgressions. This implies that disgust directed towards the self functions very differently from disgust directed towards other people or objects. Self- disgust "may reflect a pervasive condition of self-loathing that makes it difficult to assign deserving punishment to others".
In other words, those who feel self-disgust cannot easily condemn others to punishment because they feel that they may also be deserving of punishment.
"Breakdown" is the debut single by post-grunge band Tantric and the lead single from their self-titled debut album. It is the band's most successful song, having reached number one on Billboards Mainstream Rock Tracks and helped the album achieve gold status in 2001. Lyrically, "Breakdown" describes a high school student filled with resentment and self-disgust. The music video found substantial airplay on MTV2.
Watsuki said that he "fell into bouts of self-disgust" while drawing Enishi. The author added that he felt attachment towards Enishi and that he would someday like to use Enishi in a future work. According to the author, Enishi's design model is "a slightly deviant, white-haired, pointy- haired, handsome young man, appearing in a fancy Kamijō Atsushi-sensei-like manga." In other words, Enishi had no specific design model.
Louis instead feeds on Claudia, much to his self-disgust, and leaves her for dead. However, her life is saved by Lestat de Lioncourt, Louis's maker. Claudia is taken to the vampires' wealthy townhouse in the heart of New Orleans, and there she is turned into a vampire by Lestat. Lestat tells her that she is his and Louis's "daughter" and that now that she is in their family, Louis can not leave them.
In the morning, in self-disgust, he tells her that he's leaving her and that he fooled her only as an act of revenge. He reserves a flight to Rome, packs her into his car, and takes her to Heathrow airport to send her back to her life as the Princess Della Romita. At the airport, Diana is hounded by the press, who address her reverentially as Princess. She boards the plane to leave.
113-114 The movement was characterized by self-disgust, sickness at the world, general skepticism, delight in perversion, and employment of crude humor and a belief in the superiority of human creativity over logic and the natural world. Central to the decadent movement was the view that art is totally opposed to nature in the sense both of biological nature and of the standard, or "natural", norms of morality and sexual behaviour.
This is the first time > that the tone of my novel First Blood has been used in any of the movies. > It's spot-on in terms of how I imagined the character — angry, burned-out, > and filled with self-disgust because Rambo hates what he is and yet knows > it's the only thing he does well. ... I think some elements could have been > done better, [but] I think this film deserves a solid three stars.
The scenarios and narration of West End Jungle are sensational, evoking the lurid pulp fiction of the time. The film warns, for example: “by getting in that car she is taking the irrevocable step to degradation and eventual self-disgust”. But the casualties are more often men. Either senior ones taken in by young women who secretly regard them with contempt, or gullible businessmen lured into clubs where hostesses working on commission cajole them into paying for overpriced drinks.
The band released a boxed set of ten cassettes titled We Spit on Their Graves in 1982 on Come Organisation, which was then bootlegged into a ten-vinyl LP boxed set later on, both of which now change hands for large sums. Sutcliffe Jugend have played live all over the world, including Singapore, Bankok, Japan, Germany, Holland, Italy, France, Poland, USA. The band released songs which refer to serial killers and extreme sexual violence, self disgust and reflection.
Thus, people feeling uncomfortable with their bodies may result in suffering from body dissatisfaction and may develop a certain drive for thinness. Consequently, body dissatisfaction coupled with a drive for thinness is thought to promote dieting and negative effects, which could eventually lead to bulimic symptoms such as purging or bingeing. Binges lead to self-disgust which causes purging to prevent weight gain. A study dedicated to investigating the thin ideal internalization as a factor of bulimia nervosa is Thompson's and Stice's research.
All the original recordings were discarded and the resulting self-disgust resulted in the band going on hiatus till early 2002. The same year the band performed its one and only "true" live show by opening up for Knurl and Merzbow in Ottawa, Canada. In 2002, Zaraza restarted its activities and tackled again the task of re-recording and remixing the entire No Paradise To Lose album from scratch. In November 2003, No Paradise To Lose was finally released, containing 50 minutes of experimental industrial doom death metal, to critical acclaim.
While in Flotsam, she found Tanis disguised as one of her own soldiers and assumed that he too had enlisted. This meeting rekindled their feelings for each other, and she encouraged Tanis to stay with her as her lover. But Tanis came to his senses shortly after, and fled from Kitiara in self-disgust to rejoin his companions on their flight into the Blood Sea. In the North, Kitiara was finally allowed to attack the High Clerist Tower, the defence of which was now commanded by Sturm Brightblade and Laurana.
She had told him that she knew that he did not love her, and that he asked for her hand, not for her sake, but for her money. Robert had walked away filled with a sense of humiliation, even as he knew that she was right. This self-disgust had driven Robert away to London, where he realised that restoring the family name was not as important as maintaining his self-respect. He had returned home determined to close the mill if he had to, and go away to Canada to make his fortune.
He suggested a new approach: abandoning subsidies and appealing to the better nature of villagers and their sense of self-disgust to bring about change. The CTLS Foundation is the organisation set up by Kar to promote these ideas. Kar and Robert Chambers stated in their 2008 CLTS Handbook: In time, NGOs and governments began to see the value of the approach and ran their own schemes in various countries, some with less aversion to subsidies than Kamal Kar. Community-led Total Sanitation as an idea had grown beyond its founder and is now often being run in slightly different ways, e.g.
Toward the end of season 1, Gob, in a series of escalating dares, marries a woman who deals in trained seals (played by then-real-life wife Amy Poehler). The two immediately and permanently become estranged from each other and she later becomes infatuated with Tobias Fünke, Gob's brother-in-law, and joins the army in the hopes of avoiding her attraction. A running joke throughout the series is that Gob never learns his wife's name. Any time his self-esteem is shattered or challenged, Gob will burst into tears and cry with self-loathing, or take extreme and often self-destructive measures to cease the self-disgust he feels.
Verse II.vi.145 of Sri Bhakti-rasamrta-sindhu states – the steadiness of heart arising from attaining realization of the Lord, from absence of suffering in attaining the realization of the Lord, and from realizing prema with the Lord is called dhrti; in this state there is no lamentation for things not attained or for things that have disappeared. Ksama ('tolerance') is included in dhrti-bhava. The three types of rati ('relationship of love', 'attraction') are priti ('affection'), sakhya ('friendship') and vatsalya, dhrti along with vitarka ('conjecture'), mati ('scriptural conclusion'), nirveda ('self-disgust'), smrti ('remembrance'), harsa ('joy'), and the type of bodha arising from destruction of ignorance become somewhat causes of rati.
By his own admission, an incompetent soldier who failed in his duties as a cook, Liebman never saw action. However, like many other gay Americans in World War II, his military service was a "national coming out" as he discovered other gay men for the first time, easing his feelings of shame and self-disgust. In Italy, homosexuality was not illegal, through it was considered to be shameful, and Liebman enjoyed being part of the gay subculture in Naples, where he first had sex. While in Cairo at an Air Corps base, his commanding officer discovered a series of love letters written by Liebman that revealed his homosexuality.
Cooper, p. 28 Hilary emerges as saviour rather than seducer, as a campaigner against male oppression, and as a figure who "deviates from the cultural norms [yet] can triumph over those who adopt conventional attitudes".Cooper, p. 30 The scenes with sexual content or innuendo are largely confined to the earlier parts of the story. The later parts, which introduce the male characters "Clive" and Hilary's other admirer, the contemptible "Creature" are, according to Motion, overlaid with male self- disgust, a theme apparent in Larkin's two published novels and in his later poetry. Motion suggests that the loss of erotic impetus, and Larkin's apparent fading of interest, are the main reasons why the story peters out.
Empirical findings support the existence of the behavioral/characterological distinction in self-blame. For one, BSB is much more common than CSB Tilghman-Osbourne, 2008) A factor analyses of individuals’ attributions of blame and their ability to predict psychological symptoms have identified two clusters of self-blame: a factor of blame for the type of victim, correlated with self-contempt and self-disgust; and a factor of blame towards poor judgment or choices of the victim, correlated with guilt.Tilghman-Osborne, C., Cole, D. A., Felton, F. W., & Ciesla, J. A. (2008). Relation of guilt, shame, behavioral and characterological self-blame to depressive symptoms in adolescents over time. Journal of Social Clinical Psychology, 27(8), 809-842. doi:10.1521/jscp.2008.27.
Lynn Barber of the Daily Telegraph said that "Wilson's forte is the character and he brilliantly conveys Betjeman's odd mixture of introspection and sociability, gaiety and melancholia, exhibition and self-disgust ..." In The Times (London), James Marriott called his book Resolution "a work of genius". Kathryn Hughes wrote in The Guardian of Wilson's biography of Queen Victoria, Victoria: A Life, "Subtle, thoughtful ... a shimmering and rather wonderful biography." Daisy Goodwin in The Sunday Times review stated that "This won't be the last biography of Victoria but it is certainly the most interesting and original in a long time." Wilson's Hitler: A Short Biography was criticised by the historian Richard J. Evans in a review in the New Statesman for factual inaccuracies, lack of original research and analysis as well as personal biases.
The novel was highly praised, and was quickly translated. The English-language version, published under the title Bitter Victory, was described by Time magazine as "one of the strongest French novels since Celine's Journey to the End of the Night... it has much in common with Celine's masterpiece in its mood of intense disgust, its savage satirical portraits, its hatred of hypocrisy and its wild, grotesque humor."Time, Nov, 1936 A second English translation, Blood Dark, translated by Laura Marris, with an introduction by Alice Kaplan, was published by New York Review Books Classics in 2017. The contrast between the self-disgust of Cripure and the nominal hero, Lucien, who aspires to work for a better future has caused much comment, since the self-excoriating visions of Cripure are repeatedly portrayed as more powerful and compelling than Lucien's idealism.
Both groups were given headphones to unknowingly listen to a recorded discussion about animal sexual behaviour, which the researchers designed to be dull and banal. As the subjects of the experiment, the groups of people were told that the animal- sexuality discussion actually was occurring in the next room. The subjects whose strong initiation required reading aloud obscene words evaluated the people of their group as more-interesting persons than the people of the group who underwent the mild initiation to the discussion group. In Washing Away Your Sins: Threatened Morality and Physical Cleansing (2006), the results indicated that a person washing his or her hands is an action that helps resolve post-decisional cognitive dissonance because the mental stress usually was caused by the person's ethical–moral self-disgust, which is an emotion related to the physical disgust caused by a dirty environment.

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