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"subversiveness" Definitions
  1. the desire to destroy or damage a government or political system by attacking it secretly or indirectly

59 Sentences With "subversiveness"

How to use subversiveness in a sentence? Find typical usage patterns (collocations)/phrases/context for "subversiveness" and check conjugation/comparative form for "subversiveness". Mastering all the usages of "subversiveness" from sentence examples published by news publications.

From traditional aspirations of marriage, and upward mobility to more radical subversiveness.
Street art is so popular now, especially online—has it lost its subversiveness?
"Radicalness and subversiveness today means creating something that grows and doesn't just shock."
Stettheimer never announces her subversiveness, because she is not interested in self-glory.
This humor has a revolutionary kind of subversiveness, and it offers a certain solace.
It's an ending that restores the subversiveness that's been so sorely lacking from recent seasons.
His films ask viewers to contend with ambiguity, which is part of their sly subversiveness.
Her subversiveness and underplayed chic have transformed the actress, an Oscar contender, into fashion's unlikely new muse.
The shipping of Pennywise the Clown from It with the Babadook marks the end of that meme's subversiveness.
This attendance to history and lack of subversiveness is precisely why Mary Poppins Returns is such a cinematic delight.
A new exhibition at the Fashion Institute of Technology exploits the glamour and subversiveness of this now ubiquitous color.
Inclined to subversiveness from an early age, Mr. Mekas worked for an underground newspaper published in Birzai, a northern Lithuanian city.
Success within the system was still a laudable act of subversiveness — whether as an investment banker, a corporate lawyer or a district attorney.
Despite this subversiveness, when compared to previous depictions of the Hasidim, "Menashe" is an honest yet respectful look at the heart of the community.
Is there more room with horror specifically for that subversiveness because it's already a genre that's so interested in exploring taboo topics head-on?
Jarry's subversiveness has long been hailed as a brilliant precursor to the Theater of the Absurd, in which logic was rendered meaningless on stage.
Advertise on Hyperallergic with Nectar Ads Forget bananas stuck to walls with duct tape and the would-be subversiveness of such now-tired, postmodernist gestures.
This current New York gallery show suggests that Toshio Yoshida's studious subversiveness both honored the Gutai group's idealistic motivating principles and further elaborated upon them.
At the same time, they unfastened the typical restraints on commercial radio disc jockeys, giving them unusual freedom and allowing a frenetic subversiveness to take hold.
And the winners will be ... [The New York Times] • Isabelle Huppert's subversiveness and underplayed chic have transformed the actress, an Oscar contender, into fashion's unlikely new muse.
There was a subversiveness going on, where people didn't like being around each other, and it was kind of like, 'Maybe this is what the band is turning into'.
Defending their supposed dadbods is merely promoting mainstream standards of desirability under the guise of subversiveness, repackaging thirst for the same conventionally hot bodies with a supposedly new twist.
I'd been depressed lately and the amount of time you have to spend researching a profile — reading the old articles, rewatching the movies — would help me avoid any kind of subversiveness.
This is not a sign of unwarranted paranoia, because any artistic act that is not understood by officials and that bears the slightest hint of subversiveness can lead to rebuke and delegitimation.
I don't believe that Daniel Larsen is too young to have a valentine — he's in his midteens — but I have to say that I admire his sense of subversiveness about the holiday.
That's a mighty heady direction for a kids' fantasy to take, and the conversation Sophie and her giant have about her future feels like the film's one strange concession to subversiveness and sadness.
I grew up in the 80s, so I was deeply inspired by the subversiveness and heightened sexuality of pop culture icons like Prince, Boy George, Madonna, Grace Jones, and later TLC, Ani Di Franco.
Although the series relies on a clear formula, it's almost refreshing to read a series that doesn't purport to dissect, invert, or upend conventional genre tropes, at a time when subversiveness has become the standard.
Amos Yadlin, former head of Israeli military intelligence, said there were many areas outside the deal where pressure could be applied on Iran to change what he called its negative behavior of "subversiveness, supporting terrorism".
A one-time Trotsky disclple who was involved in British politics during the 70s, he continues using his work to confront ideas surrounding government, revolution, war, sex, and popular culture with playful subversiveness and dark humor.
The subversiveness and cheekiness doesn't end with Gaston and LeFou (before he's turned into the Beast, the prince loves himself a formal gala and a smoky eye), allowing the playful spirit of the original to live on.
Devo was brilliant, not just for its paradigm-busting subversiveness, but for its ability to craft objectively powerful songs that mutated post-punk rhythms, uncharted electronic frontiers, and subtle social critiques into something riveting, and even beautiful.
Mr. Creed's subversiveness gains a sharper political edge in the Library, where he has placed numerous small objects among the dense displays of mostly silver trophies, including two raised fists, one in bronze and the other in gilded bronze.
Her meandering conversational style can make it hard to keep track of the many interests she alludes to—from the subversiveness of The Shaggs to reading James Baldwin—but her high-tempo conversational voice and gestures make her enthusiasm infectious.
But what Grande, Hudson, and Hough, as well as newcomer Baillio, Hamilton alum Ephraim Sykes, and Disney channel triple threats Dove Cameron and Garrett Clayton, had in common was this fundamental understanding and commitment to the shiny hamminess and sly subversiveness of Hairspray.
L'Opéra du pauvre (English: Poor's Opera) is a piece for voices and orchestra formalized by Léo Ferré as a quadruple concept album released in 1983. This dreamlike and wry plea in favor of the Night, symbol of imagination and subversiveness for Ferré, synthesizes all aspects of the French poet and musician.
He was loved by the common people. He performed in street theatres and other open air venues in small portable booths or behind screens that could be easily assembled and just as easily disassembled. After the Russian Revolution, Soviet authorities forced Petrushka indoors. They wanted to be better able to monitor his subversiveness.
Mark McLelland describes this aesthetic as being seen as problematic in recent Western society. Yaoi fans tend to be younger than slash fans, and so are less shocked about depictions of underage sexuality. Jessica Bauwens-Sugimoto detects a tendency in both yaoi and slash fandoms to disparage the others' heteronormativity, potential for subversiveness or even the potential for enjoyment.
Perhaps because of the sheer rudeness of some of his verse Bocage is still a genuinely popular figure today, and not only in Setúbal. The subversiveness of his poems has meant that for much of the last 200 years they have not been (officially) available in Portugal: the erotic poetry was first published anonymously towards the end of the 19th century.
Angus's paintings of the family of Ramsay MacDonald and of John Piper hang in the National Portrait Gallery in London.Ramsay MacDonald with members of his family (includes Peggy Angus; Ishbel Allan MacDonald (Mrs Peterkin); Malcolm John MacDonald; Ramsay MacDonald), BBC Your paintings. retrieved 18 January 2014. Ishbel MacDonald was a lifelong friend; Angus occasionally stayed at Chequers with her and enjoyed the subversiveness of drawing cartoons for the Daily Worker while she was there.
FT A: > "Imaginary and Imagination at the Crossroads," p. 146. He argues that, in the last two centuries, ideas about autonomy again come to the fore: "This extraordinary profusion reaches a sort of pinnacle during the two centuries stretching between 1750 and 1950. This is a very specific period because of the very great density of cultural creation but also because of its very strong subversiveness."FT A: "Imaginary and Imagination at the Crossroads," p. 134.
Szeemann invented the modern-day Großausstellung ("great exhibition"), in which the artworks are tied to a central concept and are assembled into new and often surprising interrelationships. His over 200 exhibitions were distinguished by a great abundance of material and a broad range of themes. Important reference points were subversiveness, alternative lifestyles (for example Monte Verità), and the Gesamtkunstwerk ("total artwork", Wagner's concept of a work which spans all the arts, to which his own exhibitions were also indebted).
In media appearances, Ellroy has adopted an outsized, stylized public persona of hard-boiled nihilism and self- reflexive subversiveness. He frequently begins public appearances with a monologue such as: > Good evening peepers, prowlers, pederasts, panty-sniffers, punks and pimps. > I'm James Ellroy, the demon dog with the hog-log, the foul owl with the > death growl, the white knight of the far right, and the slick trick with the > donkey dick. I'm the author of 16 books, masterpieces all; they precede all > my future masterpieces.
Popular plowman literature constantly reasserts this view: English society is based on its regard for its foundation in the commons. As a sturdy working-class fellow in the popular culture, it is not surprising that Piers never made it into the works of the elite writers who predominate in the English literary canon. Moreover, Piers was even more archaic and parochial than Chaucer, with the added notoriety of political subversiveness and (now illegal) prophecy. University educated, aspiring courtier-writers with poorer, often rural, backgrounds (e.g.
In 1539, Dentière wrote an open letter to Marguerite of Navarre, sister of King Francis I of France. The letter, called the Epistre tres utile, or "very useful letter", called for an expulsion of Catholic clergy from France, advocated a greater role for women in the church, and criticized the foolishness of the Protestant clergy who compelled Calvin and Farel to leave Geneva. The letter was quickly suppressed due to its subversiveness. However her encouragement of women's involvement in writing and theology angered Genevan authorities.
Yuan, claiming subversiveness and betrayal, expelled adherents of the KMT from the parliament. Yuan dissolved the Nationalists in November (whose members had largely fled into exile in Japan) and dismissed the parliament early in 1914. Yuan Shikai proclaimed himself emperor in December 1915. While exiled in Japan in 1914, Sun established the Chinese Revolutionary Party on 8 July 1914, but many of his old revolutionary comrades, including Huang Xing, Wang Jingwei, Hu Hanmin and Chen Jiongming, refused to join him or support his efforts in inciting armed uprising against Yuan.
Treatment of colonial subjects continued to vary wildly as determined by race, and white settlers were continuously given preferential treatment in the distribution of land, job opportunities, etc. As British-administered schools were taking shape during the Interwar Period, a number of independent schools focusing on literacy and offering alternative curricula began to emerge. Such schools were thought of as a threat to the colonial system and colonial governments were worried that these so-called ‘outlaw’ schools would instill subversiveness and anti-colonial thought in the native populations.
Brazilian filmmakers modeled Cinema Novo after genres known for subversiveness: Italian neorealism and French New Wave. Johnson and Stam further claim that Cinema Novo has something in common "with Soviet film of the twenties," which like Italian neorealism and French New Wave had "a penchant for theorizing its own cinematic practice."Johnson & Stam, 55. Italian neorealist cinema often shot on location with nonprofessional actors and depicted working class citizens during the hard economic times following World War II. French New Wave drew heavily from Italian neorealism, as New Wave directors rejected classical cinema and embraced iconoclasm.
Popular among fans of European horror for their subversiveness and obscurity, these later Spanish films allowed political dissidents to criticize the fascist regime within the cloak of exploitation and horror. Unlike most exploitation directors, they were not trying to establish a reputation. They were already established in the art-house world and intentionally chose to work within paracinema as a reaction against the New Spanish Cinema, an artistic revival supported by the fascists. As late as the 1980s, critics still cited Pedro Almodóvar's anti-macho iconoclasm as a rebellion against fascist mores, as he grew from countercultural rebel to mainstream respectability.
The Plasmatics were soon selling out shows in Philadelphia, Boston, venues in New Jersey, and elsewhere in the Northeast. Chris Knowles of Classic Rock magazine wrote: the Plasmatics "were the biggest live attraction in New York... and the media was on them like white on rice... It's one thing to play at subversiveness, but The Plasmatics, unlike other Punk bands... put their Punk philosophy into action." Many U.S. record labels were reluctant to sign the band; The band was signed by Stiff Records, a British label, in March 1980, and appeared on the cover of Sounds in June of that year.Strong, Martin C. (2003) The Great Indie Discography, Canongate, , p.
Heaney once said that Kavanagh's poetry "had a transformative effect on the general culture and liberated the gifts of the poetic generations who came after him." Heaney noted: "Kavanagh is a truly representative modern figure in that his subversiveness was turned upon himself: dissatisfaction, both spiritual and artistic, is what inspired his growth.... His instruction and example helped us to see an essential difference between what he called the parochial and provincial mentalities". As Kavanagh put it: "All great civilizations are based on the parish". He concludes that Kavanagh's poetry vindicates his "indomitable faith in himself and in the art that made him so much more than himself".
The song was reviewed by Billboard in the 21 June 1986 issue, and was described as "contorted imagery presented in a Jackson Browne soundalike manner". In 2008, Lynn Peppas of the Welland Tribune stated that "Patio Lanterns" and other Mitchell songs ("Go for Soda", "All We Are", and "Rock 'n' Roll Duty") are "timeless summer rock anthems". In the article Across the Great Divide, author Barry Grant states that Canadian rock and roll differentiates itself from American rock and roll by its use of ironic subversiveness applied to the pop culture American genre. Jeannette Sloniowski and Joan Nicks state that Patio Lanterns fit that model, one of the few songs by popular Canadian rock musicians to do so.
Workers in industries such as agriculture, construction, and mining had their own means for learning to make bombs or steal dynamite. Literature professor Ann Larabee wrote that the idea that untrained laborers could create bombs at home was and remains impractical, no more than an intellectual exercise. The book did contain elements for neophytes, such as safety procedure and household uses for chemicals, which could double as cover stories and enhanced the handbook's subversiveness. There is no evidence that Galleanists relied on La Salute è in voi, but if they did, the fact that their bombs hit only themselves, bystanders, and never their intended capitalist and government targets would indicate that the handbook provided insufficient preparation for an attack.
Colonel John "Tinker" Fox (1610–1650), confused by some sources with the MP Thomas Fox, was a parliamentarian soldier during the English Civil War. Commanding a garrison at Edgbaston House in Warwickshire – a location that guarded the main roads from strongly parliamentarian Birmingham to royalist Worcestershire – Fox operated largely independently of the parliamentarian hierarchy, all factions of which tended to view him with suspicion. Though lauded by the parliamentarian press for his "continual motion and action", to royalist propagandists Fox became an icon of dangerous and uncontrolled subversiveness, being decried as a "low-born tinker" whose troops "rob and pillage very sufficiently". By 1649 Fox's notoriety was such that he was widely, though wrongly, rumoured to be one of the executioners of Charles I.
Like Mr. Krabs, Pearl has also been considered a stereotyped character; Sharon Lamb and Lyn Mikel Brown wrote in their 2007 book Packaging Girlhood that Pearl exhibits the traits of an archetypal girly girl. A study by the federal office of gender equality in Mexico, El Instituto Nacional de las Mujeres, found that Pearl's roles sometimes rely on characteristics associated with stereotypes of women, such as vanity and materialism. In an article for Complex, Debbie Encalada praised the SpongeBob series for challenging social norms; the portrayal of the Krabses as a single-parent family was specifically highlighted as an example of the show's "subversiveness by subtly challenging the idea of the nuclear family". Psychologist Steve Harriman covers the Krabs family dynamic in the 2005 Berkley Book Absorbing SpongeBob.
Writing for The New York Times, American critic Vincent Canby described the production as "uncharacterized and murky". Nevertheless, Romanian critics saw Danieliuc's production as an accomplished piece of subversiveness, arguing that the director had used a Socialist realist pretext to comment on the conflict between the Ceauşescu regime and the Jiu Valley miners (see Jiu Valley miners' strike of 1977). Bogza's trial has been the subject of an episode in the series București, strict secret ("Bucharest, Top Secret"), produced by writer and political scientist Stelian Tănase and aired by Realitatea TV in 2007. Magdalena Popa Buluc, "Istoria nu este o ladă cu vechituri din pod, este ceva foarte viu" (interview with Stelian Tănase) , in Adevărul, July 11, 2007 A school in Bucharest and one in Bălan were named in Bogza's honor, as were a culture house and a street in Câmpina.
Bean sprouts were uncommon in Brisbane; no-one recognised the error in the name, nor the association with hippies, so posters were printed with the erroneous name which stuck. The ‘Beans performed regularly at Brisbane’s "underground" venues throughout 1985 and ’86, progressing from support to headline act largely on the strength of a bizarre stage show and repertoire. As a film student, guitarist Evan Clarry had access to elaborate cinematic props, which embellished the simulated sex and violence characterising Beans’ gigs. And, while the theatre was often tongue-in-cheek, perceptions of subversiveness in a conservative, heavily policed Brisbane led to undercover police often infiltrating Mungabeans’ gigs. The band’s early repertoire was dominated by covers of kitsch glam and Australian rock songs of the early 1970s, largely to irritate elements of the self-conscious underground music set who reviled the material. Over time, Grogan’s compositions replaced the covers, as the band became more ambitious.
Derek and Clive Come Again, subtitled on the CD reissue as "Further Ejaculations From......" is the second record released by Derek and Clive, a pair of characters created by comedy duo Peter Cook and Dudley Moore. Although the first album, Derek and Clive (Live), was reasonably good-natured in its blasphemous subversiveness, Come Again was released at the height of the punk rock phenomenon and Cook, in particular, seems keen to elevate the excess to new heights of jaw-dropping offensiveness. To that end, he improvises routines about raping the victims of road traffic accidents and cross-dressing members of the aristocracy masturbating rent boys in taxi cabs, not to mention several extended routines on cancer in all its variations. Moore, on the other hand, improvises a smutty rhyme about his mother sucking his penis, oral sex performed in lavatory cubicles and how he masturbates with the aid of a greased toilet roll connected to his electric train-set.
This first part of the book ends when Lola is found dead, hanging in the closet; she has left her diary in the narrator's suitcase. Having supposedly committed suicide and thus betrayed her country and her party, Lola is publicly denounced in a school ceremony. Soon after, the narrator shares Lola's diary with three male friends, Edgar, Georg, and Kurt; Lola's life becomes an escape for them as they attend college and engage in mildly subversive activities—"harbouring unsuitable German books, humming scraps of banned songs, writing to one another in crude code, taking photographs of the blacked-out buses which carry prisoners between the prison and the construction sites." The four are from German-speaking communities; all receive mail from their mothers complaining about their various illnesses and how their children's subversiveness is causing them trouble; all have fathers who had been members of the Nazi SS in Romania during World War II. They hide the diary and other documents, including photographs and books, in the well of a deserted summerhouse in town.

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