That HAL 4013 gave me a serious case of techno-heebie-jeebies.
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"Talk about scaring the heebie-jeebies out of me," the manager said.
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He has a weird charm, but he gives Jane the heebie jeebies.
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"I get the heebie-jeebies thinking about it," said Mr. Singer, 218.
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But no matter your fright ... this story will give you the heebie-jeebies.
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But even Kawabata can't understand what produces the anti-aesthetic of heebie-jeebies.
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Just when you've had about all the heebie jeebies you can handle, there's Willam Dafoe.
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So we recommend shaking off the heebie jeebies of this experience by reclaiming that unwanted penis.
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Although their appearance tends to give people the heebie-jeebies, tarantulas aren't very dangerous to humans.
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The whole thing gave me the heebie-jeebies, and I don't want to think about it ever again.
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The clink of dental instruments and the idea of your orthodontist prodding inside your mouth gives us the heebie-jeebies.
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It gave me the heebie jeebies and felt oddly disrespectful to me, even though I'm sure that wasn't the intention.
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It's much better than sex education that's rooted in ideas of abstinence, or scaring the heebie-jeebies out of people.
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Heebie-jeebies is both the informal and the default technical term for a dysphoric response to an innocent-seeming stimulus.
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It may be spooky season ... but don't let these two almost identical images of Lea Michele give you the heebie-jeebies.
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To create and assemble soft surfaces designed to touch skin intimately—specifically, to make clothing—requires at least awareness of heebie-jeebies.
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As I can confirm when I think of hot, dry towels, heebie-jeebies can feel like an intimation of something plainly evil.
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He fell to his longtime Hungarian rival and admitted that he "got a little of the heebie-jeebies" during the gold medal match.
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If you're still getting the heebie-jeebies from this, Google does include ample privacy tools to limit what data it can collect and use.
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It sounds like a horror story, but this very real case of the heebie-jeebies appeared in the New England Journal of Medicine this week.
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If heebie-jeebies are screeches and creaks, soft things are a major chord, resonant with well-being, reassurance, forgiveness, and even—what the hay—love.
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But just because the thought of negotiating gives you the heebie-jeebies doesn't mean you have to accept whatever number the hiring manager lobs your way.
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In such a division it might seem natural to find America and Europe on the same side, even if such talk gives many Europeans the heebie-jeebies.
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A few years later when I was moved to the small room closest to that spot, I got the heebie jeebies and couldn't sleep without a lamp on.
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Monday's new trailer doesn't feature anything as grotesque or graphic as that, but it still manages to capture a mood guaranteed to give you the goddamn heebie-jeebies.
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Then, I heard that 'Ooooh sometiiiiiimes' [the Etta James sample that, besides the famous drop, keenly defines "Levels"]... I got rapid heebie jeebies, but didn't know the name of it.
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I have heard that many people (including one Jennifer Aniston) use Vaseline instead of eye cream, but personally, the thought of that texture on my face gives me the heebie-jeebies.
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Not just the technical problems (eliminating clutter, composing transitions) but the great existential agony and heebie-jeebies and humiliation involved — the inability to start, to finish, or to progress in the middle.
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For many of us, our smartphones may as well be attached to our bodies, but there is something about moving technology past the barrier of the skin that just gives people the heebie-jeebies.
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Like we said before, that fear can be difficult to describe, but what little research that's been done on the subject suggests that you aren't alone if you get the heebie jeebies after midnight.
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Books of The Times What Megan Abbott knows, as so many maestros of the heebie-jeebies do, is that it's not strangers who are scary; it's the people you think you know and love.
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"The heebie-jeebies got to me yesterday — what if New York is quarantined?" said Mark Hanna, 32, who works in health care and was standing outside a Brooklyn drugstore with four bottles of NyQuil.
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The primordial heebie-jeebies—revulsion perceived variously in the spine, the molars, the bristling of hairs on the back of the neck—are conjured best with images that beam the feeling straight to the flesh.
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When artists take too many liberties with the human face, things get creepy, but the work of Adam Pizurny crosses right through the uncanny valley and winds up somewhere between Ick Mountain and the Heebie Jeebies Lagoon.
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But Ms. Tariyal quickly realized that the "smart tampon," outfitted with chips and transmitters, gave her the heebie-jeebies — it sounded like a torture device from a David Cronenberg film — and customers would no doubt feel the same way.
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"I've been having the heebie jeebies about the idea of a therapist not knowing who their patients are," Leslie Wolf, professor of law and the director for the Center for Law, Health & Society at Georgia State University's College of Law, told The Verge.
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At first I thought Anne also had the heebie-jeebies about Mr. Phillips popping the question to Prissy in the middle of class, but it turns out that her grimace and general air of malaise is down to another pesky occurrence: Aunt Flo.
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The first reports of unusual clown sightings surfaced late in August in Greenville County, S.C., with stories that the costumed figures were offering children money to lure them into the woods or were lingering in places and giving residents the heebie-jeebies.
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As I study Kawabata's components, heebie-jeebies seem related to fabric's "shear"—the capacity of a material to impose stress when it runs along skin, thus scraping or chafing it, rather than when it comes at skin, which leads to pokes or punctures.
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Programs for which tickets remain available this weekend include shorts for ages 3 through 6, 5 through 10, 8 through 14, and 12 and older, as well as the programs "Girls' POV Shorts," a 13-year retrospective, and "Heebie Jeebies," which promises to deliver the same.
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The best scare sequence involves an ugly painting and is all the spookier because it's so wonderfully specific — we've all seen a piece of art that gave us the heebie-jeebies even if we couldn't quite explain why, and it was probably hanging in our mom's friend's living room when we were kids.
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Truthfully, watching it as a 29-year-old still gives me the heebie jeebies: The family in the window settling down to watch some HBO stokes my fear of what other people could be doing at any moment, the dramatic orchestral music sounds ominous and then terrifyingly bombastic, and the gigantic HBO logo that comes from the sky like a glowing scion of televised humanity makes me feel like HBO is coming to invade my town (or, at least, my dreams).
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"Heebie Jeebies" is a composition written by Boyd Atkins which achieved fame when it was recorded by Louis Armstrong in 1926. Armstrong also performed "Heebie Jeebies" as a number at the Vendome Theatre. The recording on Okeh Records by Louis Armstrong and his Hot Five includes a famous example of scat singing by Armstrong. After the success of the recording, an accompanying dance was choreographed and advertised by Okeh.
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Heebie Jeebies is a 2013 American science fiction horror film directed by Thomas L. Callaway and written by Trent Haaga. The film stars Robert Belushi, Cathy Shim, Evie Thompson, Olivia Ku, Lucille Soong, Michael Badalucco and Carl Savering.
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The personnel on this initial recording of "Georgia Grind" were Louis Armstrong (cornet, vocals), Kid Ory (trombone), Johnny Dodds (clarinet, alto saxophone) and Lil Hardin (piano, vocals) with Johnny St. Cyr (banjo). The recording was in the key of E♭ Major, and was made on February 26, 1926, in Chicago, Illinois, United States. Armstrong ignored large parts of the melody in the recording, largely talking his way through, hinting towards his scat work on his later recording, "Heebie Jeebies". Like "Heebie Jeebies," a dance was choreographed to the song as a way to assist in sales and popularity.
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Armstrong's band played Atkins' most famous tune, "Heebie Jeebies". Later in the 1920s he again led his own band, The Firecrackers. Between 1931 and 1934 he played with Eli Rice, and became a bandleader in Minneapolis in the middle of the decade. He also played with Rook Ganz there.
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The next session occurred on February 22, 1926 with the recording of "Come Back, Sweet Papa," composed by New Orleanian Paul Barbarin and Panamanian Luis Russell . The Hot Five's success was solidified as a result of the third session on February 26, 1926, which produced "Oriental Strut," "Georgia Grind," "Cornet Chop Suey," "Muskrat Ramble," "Heebie Jeebies," and "You're Next." In particular, "Heebie Jeebies," featuring Armstrong's famous scat chorus, made Armstrong a local celebrity in Chicago; it also became featured and advertised for Chicago's white market. As a result of the Hot Five's new fame, Okeh offered a five-year contract and brought them back into the studio on June 16, 1926 and June 23, 1926.
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Although it had no chart toppers like the LPs that came before and after it, two singles reached the Billboard Hot 100 chart. "Pandora's Golden Heebie Jeebies" reached #35 in late 1966 and "No Fair At All" peaked at #51 in early 1967.[ The Association USA chart history], Billboard.com. Retrieved June 2, 2012.
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Netflix again added overly detailed genres to its service, but all having something to do with John Stamos of Full House such as "Horror Movies that give John Stamos the Heebie-Jeebies" and "Movies that make John Stamos feel emotions." The next day, the site issued a humorous apology to Stamos in an exclusive video.
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Ron Wynn and Bruce Boyd Raeburn, writing for the All Music Guide to Jazz, note that "these recordings radically altered jazz's focus; instead of collective playing, Armstrong's spectacular instrumental (and vocal) improvisations redefined the music." Armstrong helped popularize scat singing in "Heebie Jeebies," and his solo on "Potato Head Blues" helped establish the stop-time technique in jazz.
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The Blues Serenaders developed their own unique sound within the jazz genre. They strayed away from the typical jazz band paradigm. Austin worked with many other top jazz musicians of the 1920s, including Louis Armstrong, with whom she worked on the song "Heebie Jeebies". Austin's skills as songwriter can be heard in the classic "Down Hearted Blues", a tune she co-wrote with Alberta Hunter.
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As a result of the aforementioned 1977 occultation, a small moon around Hebe was reported by Paul D. Maley.W. R. Johnston Other reports of Asteroid/TNO Companions It was nicknamed "Jebe" (see heebie-jeebies). This was the first modern-day suggestion that asteroids have satellites. It was 17 years later when the first asteroid moon was formally discovered (Dactyl, the satellite of 243 Ida).
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The Rough Guide (2005) lists Louis Armstrong's 1925 recording of "Heebie Jeebies" in its timeline of hip hop. In the 1970s, The Last Poets and Gil Scott-Heron placed spoken word and rhymed poetry over jazzy backing tracks. There are also parallels between jazz and the improvised phrasings of freestyle rap. Despite these disparate threads, jazz rap did not coalesce as a genre until the late 1980s.
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She left that group after being asked to perform more in the style of a 1920s-era flapper, although her tastes ran to more sincere music. Then she moved to New York to perform on stage. Her off-Broadway productions included Heebie Jeebies, Manhattan Music, and Swingtime Canteen. On Broadway (billed as Mary-Cleere Haran), she portrayed Ann Collier in The 1940's Radio Hour (1979).
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In 2009, Rubin starred in the film Transmorphers: Fall of Man. The following year, Rubin appeared in the documentary Never Sleep Again: The Elm Street Legacy. In 2013, Rubin starred in the television film Heebie Jeebies and was cast as Dr. Paula Bellman in the 2014 film Untold. Rubin was in Chris Isaak's music video for "Somebody's Crying" (1995) and Bruce Hornsby's music video for "Harbor Lights" (1993).
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The version of "Enter the Young" that is on this collection is a re-recording of a track from their first LP. Despite the title, the album does not include the singles "Pandora's Golden Heebie Jeebies" (which charted at #35 in late 1966) or "Looking Glass" (which was a regional hit), using non-hits such as "Like Always" and "We Love Us" instead. Some recordings on this album were encoded with the Haeco-CSG process.
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The group followed with their second album, Renaissance, released in November 1966. The band changed producers, dropping Boettcher in favor of Jerry Yester (brother of Jim and formerly of the Modern Folk Quartet and later, a member of the Lovin' Spoonful). The album did not spawn any major hits (the highest charting single, "Pandora's Golden Heebie Jeebies" stalled at No. 35), and the album only reached No. 34, compared with the No. 5 showing for And Then... Along Comes the Association.
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"Heebie Jeebies" was recorded with band members such as Plas Johnson on tenor saxophone and Jewel Grant on baritone, René Hall and Howard Roberts on guitars, Gerald Wilson on trumpet, Ernie Freeman or Williams himself on piano, and Earl Palmer on drums. After he was arrested for possession of narcotics and guns in 1959, he was dropped from Specialty. He recorded for Chess Records but no hits were produced. Williams then served a three-year jail term, setting back his career considerably.
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The act usually ended with a song by Susie that showed that the two really were happily married, followed by Butterbeans's trademark song-and-dance number, "The Heebie Jeebies" or "The Itch". During this dance, Butterbeans thrust his hands in his pockets and began to scratch himself in time with the music. As the tempo increased, he pulled the hands back out and scratched the rest of his body. According to Stearns, this was the moment when the audience "flipped".
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Born in Natick, Massachusetts, into a Jewish family, Steven Lee Beeber, The Heebie-Jeebies at CBGB's: A Secret History of Jewish Punk, Chicago Review Press, 2008, pp.49-62 Richman began playing music and writing his own songs in the mid-1960s. He became infatuated with the Velvet Underground, and in 1969, he moved to New York City, lived on the couch of their manager, Steve Sesnick, worked odd jobs and tried to break in as a professional musician. Failing at this, he returned to Boston.
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Shortly after beginning to record his Hot Five records, Louis Armstrong began playing in the Carroll Dickerson Orchestra at the Sunset Cafe in 1926, with Earl Hines on piano. In July of that year, Percy Venable staged and produced Jazzmania, which had a finale with the whole cast supporting Armstrong as he sang "Heebie Jeebies." Venable would also later design a show with a "prime attraction," or Armstrong, singing "Big Butter and Egg Man" with Mae Alix. The band with Hines as musical director was soon renamed Louis Armstrong and his Stompers.
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DeBeck brought in Sweet Mama, which initially created a stir, and certain papers dropped the strip, but after the phrase swept the nation, the strip's popularity only increased. Over the years, DeBeck was credited with introducing more neologisms and catchphrases, such as "heebie-jeebies", "horsefeathers", "balls of fire" and "time's a-wastin'". In 1923, Billy Rose penned a Tin Pan Alley pop hit called "Barney Google (with the Goo-Goo-Googly Eyes)". A series of Barney Google live-action films starring Barney Hellum appeared in 1928 and 1929.
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He is also a proficient knitter, once knitting an entire condor-shaped handpuppet in a matter of seconds. He is afraid of many things, notably spiders and the Heebie-Jeebies Forest, and tends to bang his tail on the ground when worried. He also has many allergies, the most prominent apparently being to golden rod.Paradise Found/Luck Before You Leap As Iggy and Jiggers are searching for the fabled Lost City of the Kookamunga, and after falling down a mountain, Iggy points out that there is golden rod on the ground.
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Millie Dollar started producing in 2006 with a weekly burlesque show at Heebie Jeebies Liverpool called The Girl Can't Help It which hosted many up and coming acts of the time such as Diva Hollywood and Anna Fur Laxis. In 2007 she created a bi-monthly Burlesque and Variety show called The Martini Lounge. starting out in The Royal Court downstairs bar that was also used for Rawhide comedy club. This ran there until 2010, when the show moved into the Concert Room of St George's Hall, Liverpool.
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"Muskrat Ramble" is a jazz composition written by Kid Ory in 1926. It was first recorded on February 26, 1926, by Louis Armstrong and his Hot Five, and became the group's most frequently recorded piece. It was paired on the flip side with another one of Armstrong's hits, "Heebie Jeebies." It was a prominent part of the Dixieland revival repertoire in the 1930s and 1940s, and was recorded by Bob Crosby, Roy Eldridge, Lionel Hampton, Woody Herman, Muggsy Spanier, Chet Atkins, Lu Watters, the Andrews Sisters, Harry James, and Al Hirt,Al Hirt, Our Man in New Orleans Retrieved April 10, 2013.
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Although Louis Armstrong's 1926 recording of "Heebie Jeebies" is often cited as the first song to employ scatting, there are many earlier examples. One early master of ragtime scat singing was Gene Greene who recorded scat choruses in his song "King of the Bungaloos" and several others between 1911 and 1917. Entertainer Al Jolson scatted through a few bars in the middle of his 1911 recording of "That Haunting Melody." Gene Green's 1917 "From Here to Shanghai," which featured faux-Chinese scatting, and Gene Rodemich's 1924 "Scissor Grinder Joe" and "Some of These Days" also pre-date Armstrong.
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From 1921 to 1932, this series included music by Williams, Lonnie Johnson, King Oliver, and Louis Armstrong. Also recording for the label were Bix Beiderbecke, Bennie Moten, Frankie Trumbauer, and Eddie Lang. One of the more popular series was Louis Armstrong's Hot Five and Hot Seven, who recorded about 3 sessions per year between 1925-1928, which included popular hits such as "Heebie Jeebies," "Cornet Chop Suey," and "West End Blues." After the success of these records, Armstrong's records were transferred to the popular series as well, which was marketed towards a white audience in 1928.
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"I'm gonna hit a note that nobody ever heard before," he tells Doris Day's character. Mezz Mezzrow recounted in his autobiography driving 53 miles to Hudson Lake, Indiana with Frank Teschemacher in order to play Armstrong's "Heebie Jeebies" for Beiderbecke when it was released. In addition to listening to Armstrong's records, Beiderbecke and other white musicians patronized the Sunset Café on Fridays to listen to Armstrong and his band. Paul Mares of the New Orleans Rhythm Kings insisted that Beiderbecke's chief influence was the New Orleans cornetist Emmett Hardy, who died in 1925 at the age of 23.
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Some such as country singer Roy Acuff objected that the strip perpetuated stereotypes of hillbilly culture. DeBeck is credited with introducing or popularizing a number of neologisms and catchphrases via Barney Google, including "heebie-jeebies", "horsefeathers", "hotsy totsy", "balls of fire", "time's a-wastin'", "touched in the head", and "bodacious". Charles M. Schulz, creator of the Peanuts comic strip, was nicknamed "Sparky" after DeBeck's racehorse character, and DeBeck's drawing style has been an influence on contemporary cartooning and popular culture, and on such later cartoonists as Robert Crumb and Bobby London. The Barney Google Sunday page for September 18, 1938 was placed in the time capsule at the 1939 World's Fair.
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Armstrong also played with Erskine Tate's Little Symphony, which played mostly at the Vendome Theatre. They furnished music for silent movies and live shows, including jazz versions of classical music, such as "Madame Butterfly", which gave Armstrong experience with longer forms of music and with hosting before a large audience. He began to scat sing (improvised vocal jazz using nonsensical words) and was among the first to record it, on the Hot Five recording "Heebie Jeebies" in 1926. The recording was so popular that the group became the most famous jazz band in the United States, even though they had not performed live to any great extent.
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Along with his other white counterparts, such as Eddie Condon and Frank Teschemacher, Mezzrow would visit the Sunset Café to learn from and listen to Louis Armstrong and his Hot Five. He admired Armstrong so much that after the release of "Heebie Jeebies", he, along with Teschemacher, drove 53 miles to Indiana in order to play it for Bix Beiderbecke. Mezzrow organized and took part in recording sessions involving black musicians in the 1930s and 1940s, including Benny Carter, Teddy Wilson, Frankie Newton, Tommy Ladnier and Sidney Bechet. Mezzrow's 1938 sessions for the French jazz critic Hugues Panassie involved Bechet and Ladnier and helped spark the "New Orleans revival".
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The Heebie-Jeebies at CBGB: a Secret History of Jewish Punk (Chicago Review Press, 2006), p. 78 Although little interest was initially shown in the band by American record labels,See, for instance, This Must be the Place: The Adventures of the Talking Heads in the Twentieth Century (HarperCollins, 2001), p. 70. The Shirts were featured on a double compilation album featuring the major bands of the CBGB scene in the mid-70s, Live at CBGB. However, Nick Mobbs at EMI (who had signed the Sex Pistols to the label) signed the band to EMI's Harvest label in the fall of 1977, and assigned Mike Thorne (who had also worked on Sex Pistols albums) to produce their first album.
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As his music progressed and popularity grew, his singing also became very important. Armstrong was not the first to record scat singing, but he was masterful at it and helped popularize it with the first recording on which he scatted, "Heebie Jeebies". At a recording session for Okeh Records, when the sheet music supposedly fell on the floor and the music began before he could pick up the pages, Armstrong simply started singing nonsense syllables while Okeh president E.A. Fearn, who was at the session, kept telling him to continue. Armstrong did, thinking the track would be discarded, but that was the version that was pressed to disc, sold, and became an unexpected hit.
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Liverpool has a thriving and varied nightlife, with the majority of the city's late night bars, pubs, nightclubs, live music venues and comedy clubs being located in a number of distinct districts. A 2011 TripAdvisor poll voted Liverpool as having the best nightlife of any UK city, ahead of Manchester, Leeds and even London. Concert Square, St. Peter's Square and the adjoining Seel, Duke and Hardman Streets are home to some of Liverpool's largest and most famed nightclubs including Alma de Cuba, Blue Angel, Bumper, Chibuku, Heebie Jeebies, Korova, The Krazyhouse (Now Electrik Warehouse), The Magnet, Nation (home of the Cream brand, and Medication, the UK's largest and longest running weekly student event), Popworld as well as countless other smaller establishments and chain bars. Another popular nightlife destination in the city centre is Mathew Street and the Gay Quarter, located close to the city's commercial district, this area is famed for The Cavern Club alongside numerous gay bars including Garlands and G-Bar.
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Dancing the jitterbug, Los Angeles, 1939 According to the Oxford English Dictionary (OED) the word "jitterbug" is a combination of the words "jitter" and "bug"; both words are of unknown origin. The first use of the word "jitters" quoted by the OED is from 1929, Act II of the play Strictly Dishonorable by Preston Sturges where the character Isabelle says: "Willie's got the jitters" is answered by a judge "Jitters?" to which Isabelle answers "You know, he makes faces all the time." The second quote in the OED is from the N.Y. Press from 2 April 1930: "The game is played only after the mugs and wenches have taken on too much gin and they arrive at the state of jitters, a disease known among the common herd as heebie jeebies." According to H. W. Fry in his review of Dictionary of Word Origins by Joseph Twadell Shipley in 1945 the word "jitters" "is from a spoonerism ['bin and jitters' for 'gin and bitters']...and originally referred to one under the influence of gin and bitters".
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