Your tenseness isn't a factor next to a trained cop.
|
|
Tenseness continues at Loom Gallery (Via Marsala 7, Milan) through January 30.
|
|
"Over time, that tenseness could cause a back ache or overall tension and discomfort," Dr. Monk says.
|
|
His fingers paused on his button fly, in a deceptively casual pose belied by the tenseness of his body.
|
|
Your IT band is strong, and McLaughlin says it's been compared to construction-grade steel in terms of tenseness and strength.
|
|
Writing in The New York Times, Bosley Crowther described the plot as "vague and confused," but said a tenseness permeated throughout.
|
|
"As (we) entered the town, (we) could sense an air of tenseness and foreboding among the inhabitants," he wrote in his memoir of the 1910 outbreak.
|
|
This forgetting of human experience, this perpetual present-tenseness, pervades the latest flashpoint in the culture war over the sexes — the new guidelines for treating male pathology from the American Psychological Association.
|
|
He begins to suspect that something is amiss with Grégoire (Olivier de Benoist), Marie's new boyfriend, who appears unusually upbeat about his and Marie's plans for the future, despite the tenseness of the moment.
|
|
Today that changes, because we're premiering Forever's EP. Similar to an artist like FKA twigs, Forever's soundscapes leap and bound, from simple and sparse to waves of embracing textures, all flecked with a varying degrees of lust and tenseness.
|
|
That's the delta they're trying to use, the delta that is causing millions of Californians to live with tenseness in their chest and a grinding of their teeth at night because they don't know if they can make a go of it here.
|
|
Nevertheless, Morelle's exhibition premise — taking the deconstruction of the concept of the white-cube gallery as a starting point — seems somewhat misleading, not only because the exhibition seems rather traditional, but also because reducing the performative nature of the objects and materials in the show to a reflection on "art about art" dovetails with the ability of Tenseness and its centerpiece installation to speak of a much broader world.
|
|
I don't understand how anyone can do this, because when my bus stop is coming up – when it is, say, only eight stops away, or 15 minutes – I immediately start packing all my shit up and sitting with a sort of palpable tenseness exuding off me, so much so that the person sitting next to me reflexively starts turning their legs away from me to give greater passage for me to exit our double-berther and unmake this horrible chair-sharing bond we have with each other, because I am a thoughtful bus user, and a genius.
|
|
Amidst failed negotiations, Georgia deployed troops in the villages near the border which only increased the tenseness of the situation.
|
|
The Sonority Controversy. p. 154 and 9 vowels. All of these vowels can be tense or lax. Tenseness is a phonemic feature in syllables with unaspirated initials.
|
|
Some researchers have argued that the contrast in German, traditionally described as voice ( vs. ), is in fact better analyzed as tenseness since the latter set is voiceless in Southern German. German linguists call the distinction fortis and lenis rather than tense and lax. Tenseness is especially used to explain stop consonants of the Alemannic German dialects because they have two series of them that are identically voiceless and unaspirated.
|
|
Occasionally, tenseness has been used to distinguish pairs of contrasting consonants in languages. Korean, for example, has a three-way contrast among stops and affricates; the three series are often transcribed as - - . The contrast between the series and the series is sometimes said to be a function of tenseness: the former are lax and the latter tense. In this case the definition of "tense" would have to include greater glottal tension; see Korean phonology.
|
|
Methyl-DOB produces many physical effects, such as mydriasis and muscle tenseness, but few psychoactive effects. Very little data exists about the pharmacological properties, metabolism, and toxicity of Methyl-DOB.
|
|
People with certain personality traits and vocal patterns may be more susceptible to the development of contact granulomas. Tenseness, high- stress, aggressiveness and impulsiveness are personality traits associated with contact granuloma.
|
|
English), whereas the vowels of the other languages (e.g. Spanish) cannot be described with respect to tenseness in any meaningful way. One may distinguish the English tense vs. lax vowels roughly, with its spelling.
|
|
In phonology, tenseness or tensing is, most broadly, the pronunciation of a sound with greater muscular effort or constriction than is typical.Matthews, Peter Hugoe (2014). The Concise Oxford Dictionary of Linguistics. Oxford University PRess. p. 403.
|
|
Do Suhee found that the Chungcheong dialect increases the tenseness of lax stops when in the initial position. For example, the lax stops <ㄱ,ㄷ,ㅂ> (k, t, p) transform into /ㄲ, ㄸ, ㅃ/ (kk, tt, pp) when in the word-initial position.
|
|
In the International Phonetic Alphabet, [b] is used to represent the voiced bilabial stop phone. In phonological transcription systems for specific languages, /b/ may be used to represent a lenis phoneme, not necessarily voiced, that contrasts with fortis /p/ (which may have greater aspiration, tenseness or duration).
|
|
Their tails help them balance when they are climbing. Tigers also use their tails to communicate with each other. An upright, slowly wagging tail indicates friendliness, while an outstretched, quickly wagging tail indicates excitement, and a tail that is barely moving and angled towards the ground indicates tenseness.
|
|
Standard Wa is a non-tonal language. However, tone has developed in some of the dialects. There is correspondence between tones in tonal dialects and tenseness in non-tonal dialects. In Wa, there are 44 phonemes;Ma Seng Mai, A Descriptive Grammar of Wa 35 consonantsSteve Parker, ed.
|
|
There is a hypothesis that the contrast between fortis and lenis consonants is related to the contrast between voiceless and voiced consonants. That relation is based on sound perception as well as on sound production, where consonant voice, tenseness and length are only different manifestations of a common sound feature.
|
|
Dimethoxy-4-amylamphetamine (DOAM) is a lesser-known psychedelic drug and a substituted amphetamine. DOAM was first synthesized by Alexander Shulgin. In his book PiHKAL (Phenethylamines i Have Known And Loved), the minimum dosage is listed as 10 mg, and the duration is unknown. DOAM produces a bare threshold and tenseness.
|
|
There are languages with two sets of contrasting obstruents that are labelled vs. even though there is no involvement of voice (or voice onset time) in that contrast. That happens, for instance, in several Alemannic German dialects. Because voice is not involved, this is explained as a contrast in tenseness, called a fortis and lenis contrast.
|
|
The terms checked vowel and free vowel originated in English phonetics and phonology. They are seldom used for the description of other languages even though a distinction between vowels that usually have to be followed by a consonant and other vowels is common in most Germanic languages. The terms checked vowel and free vowel correspond closely to the terms lax vowel and tense vowel respectively, but many linguists prefer to use the terms checked and free, as there is no clearcut phonetic definition of vowel tenseness and because by most attempted definitions of tenseness and are considered lax even though they behave in American English as free vowels. Checked vowels is also used to refer to a kind of very short glottalized vowels found in some Zapotecan languages that contrast with laryngealized vowels.
|
|
Retrieved on 04 abril 2017. and elsewhere. It has tense and lax vowels as well as voiced and voiceless consonants. In the system, tenseness is marked by colon (:) following the vowel sign: a, a:, ai, au, e, e:, i, i:, iu:, o, o:, oi, u, u:, v (pronounced as a schwa, not ), all corresponding to unique graphemes in the Bridges orthography.
|
|
Dutch has an extensive vowel inventory consisting of thirteen plain vowels and at least three diphthongs. Vowels can be grouped as front unrounded, front rounded, central and back. They are also traditionally distinguished by length or tenseness. The vowels are included in one of the diphthong charts further below because Northern SD realizes them as diphthongs, but they behave phonologically like the other long monophthongs.
|
|
In Ewe, and are articulated with a strong articulation, and , to better distinguish them from weaker and . In some dialects of Irish and Scottish Gaelic, there is a contrast between and . Again, the former set have sometimes been described as lax and the latter set as tense. It is not clear what phonetic characteristics other than greater duration would then be associated with tenseness.
|
|
The horizontal dimension of the vowel diagram includes tongue advancement and identifies how far forward the tongue is located in the oral cavity during production. Vowels are also categorized by the tenseness or laxness of the tongue. The schwa is in the center of the chart and is frequently referred to as the neutral vowel. Here, the vocal tract is in its neutral state and creates a near perfect tube.
|
|
More widespread among speakers of the Western United States, Canada, and the southern Midwest is a "continuous system," which also revolves around "short a" before nasal consonants but has a less-extreme raising of the tongue than the "nasal system." Most varieties of General American English fall under that category. The system resembles the nasal system in that is usually raised and tensed to before nasals, but instead of a sharp divide between a high, tense allophone before nasals and a low, lax one before other consonants, allophones of occupy a continuum of varying degrees of height and tenseness between both extremes, with a variety of phonetic and phonological factors interacting (sometimes differently in different dialects) to determine the height and tenseness of any particular example of . The pattern most characteristic of Southern American English does not use raising at all but uses what has been called the "Southern drawl" instead, wirh becoming in essence a triphthong .
|
|
Two vowel harmony patterns propagate in opposite directions: perseverative superclose vowel height harmony (left-to-right); and anticipatory ATR/RTR tenseness harmony, invoking mid vowels (right-to-left). In the first, 'supercloseness'—also a Sesotho vocalic property—in root-final position triggers suffix vowels of the same supercloseness value. In the second, all mid vowels uninterruptedly adjacent to the right edge of a phonological word are lax ([RTR]); all other mid vowels are tense ([ATR]).
|
|
Master Shigeru Egami defined the broad outlines of the new way of practising that he developed after having, in a number of tests, discovered the inefficiency of the karate method developed by other schools until that time. After years of research, Egami found an efficient way of striking by executing the movement in a relaxed state of mind and body. This is the basis of Shotokai. It focuses on suppleness and relaxation, as opposed to tenseness that generates force.
|
|
In Entry 26 of his compendium TiHKAL, which discussed LSD, chemist Alexander Shulgin touched briefly on the subject of ALD-52. His comments there are vague, second-hand accounts saying doses in the 50–175 µg range have resulted in various conclusions. One account found that there was less visual distortion than with LSD and it seemed to produce less anxiety and tenseness and that it was somewhat less potent. Another informant claimed it was more effective in increasing blood pressure.
|
|
The mortality rate for SIS approaches 50%, and morbidity (disability) is almost 100%. Since the condition is so rare, the connection between SIS and future disability has been difficult to establish and is therefore poorly understood. When SIS is not fatal, the effects similar to those of severe traumatic brain injury can occur, including persistent muscle spasms and tenseness, emotional instability, hallucinations, post-traumatic epilepsy, mental disability, paralysis,Tyler JH and Nelson ME (May 2000). Second impact syndrome: Sports confront consequences of concussions.
|
|
We wish some of the pictures were not quite so vividly black and white. Mayhap the tenseness of the situation hit the cameraman. Be that as it may, one thing is certain - there is no melodrama, but scenes out of real life." While the reviewer in this case refers to the scenario being drawn from real life, the happy ending is termed as a fantasy by reviewer in The Moving Picture World who states, "[It is one] of those pictures which thrill one despite their improbability.
|
|
Tungusic languages exhibit a complex pattern of vowel harmony, based on two parameters: vowel roundedness and vowel tenseness (in Ewenki, the contrast is back and front, rather). Tense and lax vowels do not occur in the same word; all vowels in a word, including suffixes, are either one or the other. Rounded vowels in the root of a word cause all the following vowels in the word to become rounded, but not those before the rounded vowel. Those rules are not absolute, and there are many individual exceptions.
|
|
Mark Lee's first novel, The Lost Tribe, was published in 1998 by Picador USA. The book describes an epic journey of Africans and Americans looking for the contemporary descendants of the Lost Tribes of Israel. In a review of The Lost Tribe published in the Washington Post Book World, the critic wrote: "Without overwriting, Lee can convey the sprinting pace of a brush fire, the horror of an elephant slaughter, the hair-trigger tenseness of a military checkpoint." Lee's second novel, The Canal House, was published by Algonquin Books of Chapel Hill in 2003.
|
|
As Mayor, Wilson introduced President-elect Abraham Lincoln from the balcony of the Monongahela House on a rain-soaked day in February 1861. The tenseness of the political campaign was eased for a moment when an 18-year-old Englishman traveling as "Baron Renfrew" Prince of Wales, later Edward VII of England arrived in Pittsburgh, en route to the White House. Mayor Wilson delivered an address of welcome upon his arrival. He was an elder and member and at First Presbyterian Church for a long time, and a founding elder and Sunday School Superintendent at Bellefield Presbyterian Church.
|
|
In linguistics, fortis and lenis (; Latin for "strong" and "weak"), sometimes identified with tense and lax, are pronunciations of consonants with relatively greater and lesser energy. English has fortis consonants, such as the p in pat, with a corresponding lenis consonant, such as the b in bat. Fortis and lenis consonants may be distinguished by tenseness or other characteristics, such as voicing, aspiration, glottalization, velarization, length, and length of nearby vowels. Fortis and lenis were coined for languages where the contrast between sounds such as p and b does not involve voicing (vibration of the vocal cords).
|
|
Sunday at the Museum, Honoré Daumier The physiological response of surprise falls under the category of the startle response. The main function of surprise or the startle response is to interrupt an ongoing action and reorient attention to a new, possibly significant event. There is an automatic redirection of focus to the new stimuli and, for a brief moment, this causes tenseness in the muscles, especially the neck muscles. Studies show that this response happens extremely fast, with information (in this case a loud noise) reaching the pons within 3 to 8 ms and the full startle reflex occurring in less than two tenths of a second.
|
|
The song begins with a bass drum and cymbal rhythm, accompanied by acoustic guitar; David Whiteway of Renowned for Sound wrote that the song's beginning is "saturated in a sense of hesitance and tenseness, a parallel to how his relationship with Liza stood at the time". As a driving bass line emerges, lyrically Wainwright references his father's "connection" to Minnelli years ago. The chorus describes the "perils" that come with fame and being members of well-known families. Wainwright sings that he and "Liza" are now friends, that he looks forward to their next reunion, and that they will be "famous til the day that [they] die".
|
|
Conducting for Yvonne Minton, Georg Solti elicited an accompaniment that seemed to taunt that song's rejected lover: while Minton sang of heartbreak, Solti's Chicago Symphony Orchestra celebrated the prospect of the wedding over which Minton was grieving. In "Ich hab' ein glühend Messer", Solti's Chicagoans provided a bite and virtuosity unequalled by any of their competitors. Like "Um Mitternacht", this song demanded more from von Stade than she was able to deliver, although she made up for her lack of decibels by "the tenseness of her tone in the more turbulent passages". She was just as skillful in the first song of the cycle, colouring her voice "most resourcefully and movingly".
|
|
In a large cross-sectional study comparing over 50,000 children, ages 12 and 15, living in either a shared or sole custody arrangement, Dr. Malin Bergström found that children with shared parenting had better outcomes for physical health, psychological well-being, moods and emotions, self-perception, autonomy, parental relations, material outcomes, peer relations, school satisfaction and social acceptance. Using data from the same cross-sectional survey, Bergström did a follow-up study focusing on psychosomatic problems of concentration, sleeping, headaches, stomach aches, tenseness, lack of appetite, sadness and dizziness. They found that both boys and girls did better living in a shared parenting versus sole custody arrangement. Both studies adjusted for selected socio-economic variables.
|
|
Dida has a ten-vowel system: nine vowels distinguished by "tenseness", likely either pharyngealization or supra-glottal phonation (contraction of the larynx) of the type described as retracted tongue root, plus an uncommon mid-central vowel . The non-contracted vowels are , and the contracted vowels . (These could be analyzed as , but here are transcribed with lower vowels to reflect their phonetic realization. There is no tense contrast with the low vowel.) The formants of the tense vowels show them to be lower than their non-tense counterparts: the formants of the highest tense vowels overlap the formants of the non-tense mid vowels, but there is visible tension in the lips and throat when these are enunciated carefully.
|
|
Other mammals phonate using vocal folds, as opposed to the vocal cords seen in birds and reptiles. The movement or tenseness of the vocal folds can result in many sounds such as purring and screaming. Mammals can change the position of the larynx, allowing them to breathe through the nose while swallowing through the mouth, and to form both oral and nasal sounds; nasal sounds, such as a dog whine, are generally soft sounds, and oral sounds, such as a dog bark, are generally loud. Beluga whale echolocation sounds Some mammals have a large larynx and thus a low-pitched voice, namely the hammer-headed bat (Hypsignathus monstrosus) where the larynx can take up the entirety of the thoracic cavity while pushing the lungs, heart, and trachea into the abdomen.
|
|
The previous government's belief that free trade unionism compromised national security was always an unjustified slur against the trade union movement and GCHQ staff in particular." Civil and Public Services Association general secretary Barry Reamsbottom said: "We have waited 13 long years for this dark stain on our democratic society to be removed." TUC former general secretary Brendan Barber said: "Of all the 1980s government attacks on trade unions, the GCHQ ban was the most spiteful..." Public and Commercial Services Union (PCS) Deputy general secretary Hugh Lanning said: "The successful restoration of trade union rights, jobs, and pensions in 1997, was a huge achievement following a long-running campaign, and we now have a thriving organisation in GCHQ." Mike Grindley said: "It's been a mixture of tenseness, tiredness, excitement and endurance.
|
|
But after meeting him, their tenseness ran out of their shoulders, and now they just act normal (chapter 32). :She easily defeats Katayama in chapter 8 but he came back in chapters 10 and 12 for more revenge. :When Kuroda asks her out in chapter 9, she rejects him since she will only go out with a man stronger than her. : She is the first to see Kitano's true kind nature in chapter 11. After Kitano defeats Katayama in chapter 12, she finds out that Kitano is stronger in both power and heart, like an angel. She doesn’t try to tell people of his true nature because “if people always think that what they see is everything, then they don’t realize they can’t see what’s truly important” (chapter 13).
|
|
Nonverbal expectancy violations theory was a theory developed by Judee K Burgoon, a professor of Communication and of Family Studies and Human Development at the University of Arizona and her colleagues. This theory consisted of five assumptions and was first published in the late 1980s. The model of Nonverbal Expectancy Violations “posits that people hold expectations about the nonverbal behaviors of others” (Burgoon.J &Hale; 1988) An example of a non verbal expectation or violation can be found in the definition of Expectancy Theory. In the definition the example of a judge’s body language is transmitting a negative cue or signal by way of his gaze or his tense mouth and the manner in which his body may seem cut off, as in when an individual crosses their arms in an attempt to convey a tenseness they are not deciding to communicate verbally.
|
|
All accounts agree that some property of the fortis sonorant is being transferred to the preceding vowel, but the details about what property that is vary from researcher to researcher. also repeated in argue that the fortis sonorant is tense (a term only vaguely defined phonetically) and that this tenseness is transferred to the vowel, where it is realized phonetically as vowel length and/or diphthongization. argues that the triggering consonant is underlyingly associated with a unit of syllable weight called a mora; this mora then shifts to the vowel, creating a long vowel or a diphthong. expands on that analysis to argue that the fortis sonorants have an advanced tongue root (that is, the bottom of the tongue is pushed upward during articulation of the consonant) and that diphthongization is an articulatory effect of this tongue movement.
|
|
As had been the case with Robert Sheldon, Berdella invited him inside his house, and, noting Wallace's acute state of tenseness and depression, volunteered to inject him with chlorpromazine with the explanation this would "calm down and relax" him. Wallace willingly accepted the offer and, 30 minutes later, Berdella decided to render him captive. Wallace was carried to the second floor bedroom where he endured almost a day of captivity and torture including the application of alligator clips to his nipples to facilitate electrical shocks to his body at any point at which Wallace began regressing into a state of unconsciousness. According to Berdella, one hour after his "experimenting" with hypodermic needles by inserting them into various muscles upon his victim's back, Mark Wallace died through a combination of "the drugs, the gag, and the lack of oxygen".
|
|
These are not merely accurate drawings of horses- from the cow pony to the hunter, the Percheron and the race- but character studies... There is real art in his appreciation of horse expression as revealed by toss of head, look of eyes, and tenseness or ease of muscles..."The book is also full of good horse humor..." "The Eugene Field Society conferred an honorary membership on Muller for 'outstanding contribution to contemporary literature...". Muller had a second book published in 1938, "Chico of the +Up Ranch". Although fictional, the "+Up Ranch" is where Muller states he was born, and the +Up logo appears in a number of Muller's artworks. About 1942 Muller relocated to Port Washington, Wisconsin. During the 1940s and into the 1950s Muller did dozens of cover paintings and illustrated stories for Zane Grey's Western Magazine, again sharing the honor with other western art notables such as Nicholas Firfires, Leonard Reedy and the aforementioned Wieghorst. Muller illustrated a 1945 edition of Black Beauty by Anna Sewell. He also illustrated the book "Gene Autry and the Thief River Outlaws" in 1944. In 1948 the third of Muller's books, "My Life with Buffalo Bill" was published.
|
|