And now we all live in disharmonious, Nazified, pop music hell.
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And yet if I'm completely honest, the coming disruptions won't be that disharmonious to my way of life.
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With a chaotic, refreshing 2.5D animation style, the film explores the disharmonious relationship between civilization and the natural world.
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But upstart vanguardists like Charles Ives and Henry Cowell instead took an idiosyncratic and disharmonious approach that shirked European models.
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He does that with the help of the subtly disharmonious backdrops, upsetting the natural order but nonetheless inciting the need to get up and wild out.
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"We must stay in the existing corridor and, once again, don't take society into a social rift, which makes us disharmonious, or makes us become disunited," he said.
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In the meantime, our Mr. Mooney slithers into the pub, bringing the disharmonious vibe of a swinging, sexed-up London into this frozen outpost of the middle-class 1950s.
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What we witness in the collective pretending is the result of individuals working together at a common task, in circumstances that, however grueling and disharmonious in the moment, are also utopian.
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Proponents of a "return to 432" run the gamut from New Age bloggers to paranoid pseudoscientists to digital snake-oil salesmen, but they all agree that 440 Hz music is disharmonious and damaging to humankind.
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At Williams, led by a disharmonious board that includes two activist hedge fund managers bent on selling the company and a longtime chief executive determined to keep it independent, the deal was hated by many from the start.
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Her obsession with blaming one or both of her daughters for the cut on her hand betrays her need to view herself as a fundamentally good person whose peace is only disturbed by the disharmonious actions of those who won't follow the status quo.
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Carson, developed a technique of "ripping, shredding and remaking letters" and using "overprinted, disharmonious letters" and experimental design approaches, including "deliberate 'mistakes' in alignment".Eskilon, Stephen. Graphic Design: A New History, Second Edition. Yale University Press, 2012.
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Isfet and Ma'at balanced each other. Ma'at was to overcome isfet, "that which is difficult," "evil," "disharmonious," and "troublesome." Isfet was to be overcome by good and to replace disunity with unity and disorder with order. Asante, Molefi Kete.
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He was also a Francophile, railing against Lawrence's "Francophobia, a hatred and an envy so irrational, so irresponsible and so unscrupulous that it is fair to say his attitude towards Syria was determined more by hatred of France than by devotion to the 'Arabs' - a convenient propaganda word which grouped many disharmonious and even mutually hostile tribes and peoples."Aldington, 1955, p. 134.
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Intraspecific antagonism means a disharmonious or antagonistic interaction between two individuals of the same species. As such, it could be a sociological term, but was actually coined by Alan Rayner and Norman Todd working at Exeter University in the late 1970s, to characterise a particular kind of zone line formed between wood-rotting fungal mycelia. Intraspecific antagonism is one of the expressions of a phenomenon known as vegetative or somatic incompatibility.
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Cicero's well-to-do father arranged for him to be educated with his brother in Rome, Athens and probably Rhodes in 79-77 BC.Haskell: H.J.: This Was Cicero (1964) p.83 Around 70 BC he married Pomponia (sister of his brother's friend Atticus), a dominant woman of strong personality.Everitt, Anthony: Cicero, A Turbulent Life p.xv (2001) He divorced her after a long disharmonious marriage with much bickering between the spouses in late 45 BC.Haskell,H.
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Like Rousseau, the classical liberal Adam Smith believed that the amassing of property in the hands of a minority naturally resulted in an disharmonious state of affairs where 'the affluence of the few supposes the indigence of many' and 'excites the indignation of the poor, who are often both driven by want, and prompted by envy, to invade [the rich man's] possessions.'Adam Smith. The Wealth of Nations, Book V, Chapter 1, Part 2. Project Gutenberg.
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This can produce bizarre sounds and render music disharmonious. There has been an experiment involving subjects with perfect pitch, the goal of which was to determine whether the pitch difference is truly distortive or linear, the results of which indicated that there is no clear relationship between perceived pitch and actual pitch. Aside from these, the most prevalent non-auditory effect is inner ear pressure (which has been painful in some instances, for example when combined with MDMA).
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On this date, chickens are sacrificed over a set of rocks which are said to mythically represent thunder and lightning. The feast of the Archangel Michael on 29 September marks the end of the rainy season as well as the harvest. There is animistic belief in spirits of the mountains, earth, corn, animals and other elements of nature. Health is considered to be more of a spiritual issue than physical, with illness mostly blamed on disharmonious actions.
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However, the analytical processing led to a predominantly left hemispherical preponderance (left temporal).Beisteiner R, Altenmüller E, Lang W, Lindinger G, Deecke L: Watching the musicians brain. Eur J Cogn Psychol 6: 311-327 (1994) The investigation of tonal versus atonal sequences of tones was also studied: The first three chords of a cadenza were delivered. By this a harmonious context is introduced, in whose succession a so-called target tone could be either harmonious or disharmonious.
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Occlusal adjustment Occlusal adjustment is the process of selectively modifying occlusal surfaces of teeth through grinding to eliminate disharmonious occlusion between upper and lower teeth. Occlusal adjustment is only indicated when mobility is associated with periodontal ligament widening. Occlusal adjustments will be unsuccessful if the mobility is caused by other aetiology such as loss of periodontal support or pathology. Splinting This is the procedure of increasing resistance of tooth to an applied force by fixing it to a neighbouring tooth/ teeth.
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Afterwards, Takahashi, who claimed to have attained Buddhahood under their guidance, embarked as a religious leader and starting writing about his experiences in the form of literary works. In addition, through his own lectures, Takahashi left behind many supposed miracles. He also claimed to have seen "spirits", which do not have physical bodies, and to have spoken to them, exorcising disharmonious spirits that possessed people. He claimed to preach shinri (divine principle) and hou (law) to these spirits and make them repent their faults.
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He spent 33 years in jail before he became known as musician. In jail, he converted to Christianity. In 2007, Oidupaa appeared at the Channel One Russia in Moscow in one of the contest programs, but was booed from the podium before he could finish his performance, and Tatyana Tolstaya, one of the jury members, arrogantly called his style "discordant" and "disharmonious". Oidupaa himself claimed later that he irritated her on purpose, to avoid the Channel broadcasting his records for free for two years in case he would win.
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Based on these kinds of disharmonious ideas and actions, Atlantis was covered in an immense, black consciousness, and as a counteraction, the continent of Atlantis sank. The people who escaped the downfall of Atlantis passed along their civilization to the Nile Valley in Egypt, and by integrating with other civilizations, they succeeded in building a utopia and germinating the Egyptian civilization. As angels of light that were sent at this time, there was Clario (another earlier incarnation of Jesus Christ) and Cleo Parota (which may have been the same being as Clario).
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They are outstanding works torn out of the daily drudgery and mark the artist's farewell to creative freedom. As though painted in haste in meaty oils is the painting "Roses", then in disharmonious colour comes the grotesque "Pinocchio and the doll" (circa 1943), "Black pudding on straw" (1960), and finally, "clay pots" (1970) were the last expressions of the artist's soul. Of her commissions in England, a certain "relic" remains in the form of a pastel drawing of the infant head of the future Diana, Princess of Wales.
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The Polish Baroque lasted from the early 17th to the mid-18th century. As with Baroque style elsewhere in Europe, Poland's Baroque emphasized the richness and triumphant power of contemporary art forms. In contrast to the previous, Renaissance style which sought to depict the beauty and harmony of nature, Baroque artists strove to create their own vision of the world. The result was manifold, regarded by some critics as grand and dramatic, but sometimes also chaotic and disharmonious and tinged with affectation and religious exaltation, thus reflecting the turbulent times of the 17th-century Europe.
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Properly forming statements requires effort similar to a mathematician keeping equations balanced. Stringently asserted is the idea that the number two to the atevi is disharmonious and as unnerving as fingernails on a chalkboard is to humans. The number three however is "felicitous", and ideas are spoken using felicitous numbers – unless the speaker wishes to convey disharmony or anti-social ideas to their audience. Another aspect of atevi culture that is critical to the stories, particularly the political thriller aspect, is that assassination is a legal and accepted means of settling disputes, provided proper protocol is followed.
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The tenor aria, "" (I hear, in the midst of my sorrows), is expressive with a prominent syncopated rhythmic motif which runs throughout the movement. The tenor line is part of a four-part texture with the oboes and continuo. The oboes play "continuously interwoven chromatic lines". Luther intended the contrasting ideas of the psalm to represent "contradictory and disharmonious things, for hope and despair are opposites", and wrote in his song that we must "hope in despair", because "hope which forms the new man, grows in the midst of fear that cuts down the old Adam".
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Those that are particularly harmonious are considered as the world above (fourth dimension to the ninth dimension; a larger number indicates a higher degree of harmony), whereas the most disharmonious are considered to be in hell. Thus, the living circumstances in the real world after death change depending on the degree of harmony one had achieved. Through this cycle, human beings become closer to the existence of compassion and love. With regard to samsara, Takahashi compared the physical body to being just a boat for traveling through life, and life to a route for the soul, which is the essence of human beings.
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No-analog (variants may omit the hyphen and/or use the British English analogue) in paleoecology and ecological forecasting are those communities or climates that are compositionally different from a baseline for measurement of communities or climate, which is typically modern. Alternative naming conventions to describe no-analog communities and climates may include novel, emerging, mosaic, disharmonious and intermingled. Modern climates, communities and ecosystems are often studied in an attempt to understand no-analogs that have happened in the past and those that may occur in the future. This use of a modern analog to study the past draws on the concept of uniformitarianism.
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He writes in his articles and books that when the exhalation is full and natural, the inhalation usually takes place spontaneously in the most appropriate way for the demands of the moment.Empty Vessel Interview on Breathing with Dennis Lewis Lewis claims that most people are unaware of their breathing until they have some kind of major problem. This lack of breathing awareness, he believes, is a manifestation of a larger issue: a general lack of self-knowledge and self-awareness. Reflecting the teachings of G. I. Gurdjieff, Lewis maintains that people often live unconscious, mechanical, disharmonious lives, unaware of the miracle of their own being.
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This moisture source is not unlike the moisture source of today but due to more equitable seasonal temperatures and thus less evaporation in the summers, lakes reached greater depth over time than they would today. This may be a contributing factor to the ‘disharmonious assemblage’ that Smith & Patterson found among the fossil record for the Pliocene epoch. Sunfish and catfish were occupying the same waters, albeit different depths, as sculpins and trout at the same time. Sculpins reportedly went extinct at approximately 2 million years ago in this lake which may provide a signal for heightened summer temperatures and thus an increase in deep, cold-water temperatures in the ancient lake.
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However, the mission of each person is not specific, it is only to train the soul while living like a human being. “Training the soul” refers only to harmonizing one's own consciousness, harmonizing with others nearby, doing work that is suitable to harmonization, and based on this, stabilizing one's own economy, to create a peaceful environment. In such a way, it is not that Takahashi glorified particular religious austerities, but rather, he harshly criticized disharmonious austerities that would oppress everyday life, such as compulsive praying. In particular, he believed that no one should sell their soul to religious leaders who claim to be the only doorway to salvation.
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Siddhartha was born and raised as a ksatriya (warrior). Siddhartha grew up without his mother, Maya, who had died in exchange for Siddhartha's life, in a time of unceasing wars. Even if the inside of the palace at Kapilavastue, where he lived, was elegant, Siddhartha became overwhelmed with doubt about the poor people that he would see after taking one step outside of the palace, and made a decision to go into religion. After undergoing various different ascetic training programs for 6 years, Siddhartha, ready for death, sat under the tree of Buddha and reflected on his life of 36 years and purified himself of disharmonious thoughts and actions.
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Gilbert took as his main inspiration for City Hall the house designed in 1772 by Robert Adam for Sir Watkin Williams-Wynn at 20 St. James Square in London. "I have been studying a number of English examples of the Georgian period", he wrote to a friend, "and find so many in which the material was all brick or stone that I am justified in quoting this one as typical." He had wanted the facing to be entirely marble as well, but the city insisted on brick and stone, an alternation which Gilbert had felt would be disharmonious given the narrow window spaces. Adam's work also inspired the coffered ceilings inside.
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They should self-reflect on their thoughts and actions in their relations with other people by comparing them with the standards of each of the 8 views and concepts described above. If one finds that there were thoughts and actions that go against “righteousness,” they must determine the cause of such thoughts and actions, apologize to God, and make amends. Takahashi deemed that the “righteousness” of the hasshoudou is the righteousness according to the perspective of a well-intentioned third person. Jealousy, animosity, or blame that develops in one's mind represents self- preservation, and is rooted in a phenomenon that occurs when one's desires are not fulfilled this can also occur if the disharmonious words and actions of another person create a distortion in one's heart.
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The 10th revision of the International Classification of Diseases (ICD-10) of the World Health Organization (WHO) includes passive–aggressive personality disorder in the "other specific personality disorders" rubric (description: "a personality disorder that fits none of the specific rubrics: F60.0–F60.7"). ICD-10 code for "other specific personality disorders" is . For this psychiatric diagnosis a condition must meet the general criteria for personality disorder listed under F60 in the clinical descriptions and diagnostic guidelines. The general criteria for personality disorder includes markedly disharmonious behavior and attitudes (involving such areas of functioning as affectivity – ability to experience affects: emotions or feelings, involving ways of perceiving and thinking, impulse control, arousal, style of relating to others), the abnormal behavior pattern (enduring, of long standing), personal distress and the abnormal behavior pattern must be clearly maladaptive and pervasive.
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Colmenares writes that "the analysis of That's the Woman I Want [...] shows great pitfalls derived from the unavailability of studies on comedy as a genre", but that comedy was important within production at the time nevertheless. Colmenares then examines the genre of the film, writing that the plot is driven by a hypocrisy and moral double standard in some of its characters and by the humorous use of a more-stable facade by others, explaining that "ambiguity, deception and impersonation articulate the whole story" until the plots are resolved and truth uncovered. She concludes that the film, therefore, demonstrates the "beliefs and values of the petty bourgeoisie". In terms of storytelling, Colmenares notes the use of dramatic irony and juxtaposition, saying that: Colmenares compliments the use of this system, but notes that the film feels "disharmonious" because of a disparity between the styles of the Venezuelan and Argentine actors in it.
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However, some overtones in some instruments may not be of a close integer multiplication of the fundamental frequency, thus causing a small dissonance. "High quality" instruments are usually built in such a manner that their individual notes do not create disharmonious overtones. In fact, the flared end of a brass instrument is not to make the instrument sound louder, but to correct for tube length “end effects” that would otherwise make the overtones significantly different from integer harmonics. This is illustrated by the following: Consider a guitar string. Its idealized 1st overtone would be exactly twice its fundamental if its length were shortened by ½, perhaps by lightly pressing a guitar string at the 12th fret; however, if a vibrating string is examined, it will be seen that the string does not vibrate flush to the bridge and nut, but it instead has a small “dead length” of string at each end.
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Reviewing Harrison's career in a 2002 issue of Goldmine magazine, Dave Thompson termed "Piggies" "whimsically foreboding" and grouped it with late-period Beatles songs such as "Something" and "Long, Long, Long" that anticipated Harrison's successes as a solo artist after the group's break-up in 1970. Tim Riley describes the song's narrative as "smug anti-elitism outdone only by the dourness of John's 'Glass Onion' and 'Sexy Sadie'". With regard to George Martin's contention that The Beatles should have been edited down to a single disc, however, he views "Piggies" as one of the White Album "essentials" contributed by Harrison, along with "While My Guitar Gently Weeps" and "Savoy Truffle". Among reviewers of the 2009 remastered album, Sean Highkin of Beats Per Minute cites the track as evidence that, despite the disharmonious atmosphere within the group during 1968, "All four Beatles were working at their highest levels", with Harrison "at his most acerbic on 'Piggies'".
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Using the “hasshoudou” (seeing, hearing, and speaking of things properly) that Gotama Buddha taught, as a pivot, Takahashi preached that each person self- reflects, and returns the ideal being of their soul to a state that meets the laws of nature. Also, to seek the inner cause of one's own disharmonious notions and actions, becoming aware of the causal relationship between how one's notions and actions created discord in their surroundings and whether one was inflicting harm to themselves, repenting so that this kind of result does not occur again. Ideally, to reach a state where they can reasonably put the results of their repentance into practice. It is said that at this time, the person that is self-reflecting becomes aware of “self-reflecting” solely for the purpose of harmonization with the community. Takahashi warned of becoming attached to “self-reflection” itself and becoming careless in everyday life as a result.
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On two occasions the St Kilda Football Club, which played in the Victorian Football League and often endured a disharmonious relationship with its landlord, the St Kilda Cricket Club, considered a move to the ground: once in 1933, when its committee recommended it but the club did not proceed; and again in 1959, when a request to the council for a 50-year lease was rejected. Prahran played its VFA home games at the venue in 1948 when its home ground at Toorak Park was unavailable. In 1954, the Elsternwick Amateur Football Club was evicted from the main ground, and the Brighton Soccer Club leased the ground in its place, sharing it on alternate weekends with the Brighton Football Club; it was the first time a VFA team had shared a ground with a soccer team, which caused great concern within the VFA at the time. The venue was unavailable for football in 1961 due to re-surfacing works, and upon completion of the works, the Brighton Football Club, which by this time was struggling to survive, was not offered a new lease.
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