Stone devotes much of his show each day to the perfidies of the deep state.
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This emphasis on class antagonism, on the perfidies of the elite and their threat to American democracy, is what defines Sanders's vision.
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Swinton Byrne's own reactions to her fictional lover's perfidies were more indignant, and less compliant, than what we see onscreen as Julie's.
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Rather than the perfidies of billionaires and hundred-millionaires, the charges illustrate the anxieties afflicting people who are just below society's tippy-top rung.
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The whole purpose of Trump's Supreme Court selection process has been to eliminate the possibility of nominating someone who might commit Kennedy's perfidies of moderation.
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Never discovered your favorite punk band, spouted your first post-Structuralist literary jargon, bought that unfortunate futon sofa, discovered Sam Shepard or charted the perfidies of New York's elected officials.
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They would gather at the Civil War's 150th anniversary commemorations, discussing the perfidies of the Union and the theories of what truly motivated the South's secession — taxes and tariffs were common culprits.
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So why should we be urged to adopt it for ourselves, lest a raging argument about impeachment and any other number of Trump's crimes, calumnies, and perfidies dispel the false cheer around the mistletoe or menorah?
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Devin Nunes, the Republican chairman of the House Intelligence Committee, supposedly accuses the F.B.I. of anti-Trump perfidies in a secret four-page memo, but he won't share the memo with the director of the F.B.I. — who's also a Trump appointee.
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The goal seemed to be threefold: emphasize Iranian perfidies in an effort to get Mr. Trump, with Congress's support, to scuttle the nuclear deal; signal to Tehran's government Israel's ability to penetrate its deepest secrets; and flaunt a major intelligence feat by Mossad.
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The protagonists of Werner’s novels have quit their jobs. From their perspectives Werner laconically describes everyday life, at turns astonished, with distress, and with humour. The results are strictly calculated scenes and episodes in which the course of the world appears in too sharp and sometimes laughable details, situations that Werner’s protagonists simply cannot deal with. Seemingly harmless everyday perfidies break down Werner's characters: the deaf ears of their fellow men, their cold, headstrong souls.
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In 1762, his poem Patriotism brought him to the attention of the Duc de Choiseul and earned him a biting satire to which he responded in his Epître à Minette (Letter to Minette). Returned to Pithiviers in 1766, he wrote a comedy in five acts and in verse, Les perfidies à la mode, which was not performed. In 1770, he put into verse the first two parts of Edward Young's Night-Thoughts, whose French translation had just been published. In 1772 he published a Temple de Gnide composed a decade earlier, adapted from Montesquieu, as the poem by Nicolas- Germain Léonard appeared shortly before.
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When Iraqi President Saddam Hussein invades neighboring Kuwait, Swofford's unit is deployed to the Arabian Peninsula as a part of "Operation Desert Shield" in the First Persian Gulf War (1990-1991). Eager for combat, the Marines find themselves bored with remedial training, constant drills, and a routine monotony that feeds their boredom, and prompts them to talk about the unfaithful girlfriends and wives waiting for them at home. They even erect a bulletin board featuring photographs and brief notes telling what perfidies the women had committed (known in military slang as a "Jodie Wall"). Swofford obtains unauthorized alcohol and organizes an impromptu Christmas party, arranging for Fergus to cover his watch so he can celebrate.
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See complete nominations list of 2007 Ty Burr from Entertainment Weekly graded it a C+ and wrote that the film "covers primal issues of abandonment, infanticide, motherly love, and self-respect, pounds you with pathos [and] is extremely faithful to the novel". Burr found the story "exhausting" and preachy, he criticized the "cringingly bald, full of self-help blather" dialogue, and deemed male characters as "perfidies". However, he found the acting "generous [and] intelligent", and picked the segment of Rosalind Chao and Lisa Lu as "the only one that feels genuinely cinematic [yet] too late to save the movie". David Denby from The New Yorker called the film "a superb achievement" and praised the director's "impressive visual skills".
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