Here, counterfeit is the genuine article, and mutability is profound.
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But the industry's gatekeepers are less interested in this mutability.
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Evolution by natural selection hinges on the mutability of the genome.
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Harun is alive to the fundamental enigma and mutability of violence.
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Minax offers a rich cinematic language that conveys the mutability of memory.
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It's one instance in the exhibition that reveals the mutability of perception.
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This seems appropriate to a show about the mutability of perception and image.
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As for what he would have had to say about this mutability matter?
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Given that mutability, the risk of going to rocks may no longer make sense.
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Throughout, the restless, hopeful surge of immigration, and the mutability of cultures, gripped her imagination.
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Dancers just come and go, illustrating the mutability of things — a central point of Zen Buddhist philosophy.
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According to her, the mutability of clay feels trans-centric as it's often used to mimic other materials.
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In the video piece, Manifesto, Rosefeldt explores the great actress' mutability, transforming her into 13 completely distinct characters.
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Montaigne had to learn to master this system while recognizing its essential mutability or, if you prefer, hypocrisy.
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" He stresses that as a matter of simple logic, mutability is "by no means a good in itself.
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Apple's Photos app may do the best job of illustrating the fun, power and mutability of the Touch Bar.
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That, in turn, helps explain the conservatism of Icelandic (more like Facebook) and the mutability of English (more like Twitter).
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As such, its somewhat disordered churn affirms the state of androgynous mutability that is my standard of excellence for Michelangelo.
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Shot exclusively on film and completely unretouched, the images examine the mutability of identity with a sort of childish glee.
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It's this mutability, both in symbolism and in shape, that has made the snake an object of fascination throughout history.
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The law of the kingdom is mutability, signified by the many names its sovereign and her subjects are called by.
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To pay close attention to something is to alienate it, and in these photographs, Blanchon documents the mutability of absence.
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In "Grayling's Song," magic seems to have something to do with mutability — the capacity to shape-shift, invent, experiment and create.
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He sees in such innovations evidence of the only constant in language: its endless mutability, and its corresponding ability to surprise.
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But the mutability of his sound, the many angles of his attack, the rhythmic ebullience — they're well beyond Mr. Washington's playbook.
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Ms. Bourgogne showed more than 2200 works in various media, meditating on the mutability of the human body — particularly the skin.
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If there was consensus among the Radicals about the nature of their collective undertaking, it had something to do with mutability.
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The two artists span traditional boundaries between media, and they engage similarly intangible concepts — spirituality, the mutability of time, memory, and space.
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But for all the chatter about this hypefest's mutability, I doubt any "final" will be different enough to merit a second review.
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Combining the roles of Crow and Dad is an inspired choice, at least with a performer of Mr. Murphy's intensity and mutability.
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As a very general principle, the three disciplines that govern space projects are, in order of increasing mutability: engineering, finance and law.
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This larger truth about the mutability of our monuments is a somehow reassuring thought with which to greet the coming year. ♦
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The Noche Flamenca version isn't strict about the linkages, and it isn't a danced play, but the mutability of desire is nevertheless evoked.
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Dib's work evokes the larger structures of life — whether it's government, a physical environment, or other personal dilemmas — and the mutability of human nature.
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Presumably, she creates these microcosmal environments in order to play with scale and make the viewer aware of the mutability of their own perception.
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It's striking how many of the great love stories of our era are really breakup stories, meditations on love's mutability rather than its permanence.
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Brand names were often effaced, because to allow them entry would be to taint the story not only with the market, but with mutability.
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Superimposed with soundscapes of Sana'a, the resulting hazy footage of 18 rotating images illustrates the mutability of memory and the struggle to preserve the past.
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It concerns the twinned state of being for black people living in a white world and how our social mutability remains tied to our survival.
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Siegel's ability to suggest this infinitesimal mutability surely has something to do with the medium of clay, which of course is acutely responsive to touch.
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It openly relies on gendered assumptions that we are still comfortable making, despite knowing more about the mutability, expression, and diversity of gender across the spectrum.
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That is partly because flu, thanks to its mutability, is a fresh risk every year—and because each year's vaccine is reformulated and varies in effectiveness.
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The mutability of our moods is captured in the 14 lines of a poem that consoles because variability means not being stuck in one fixed lot.
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Lately, he says he's been especially inclined toward using text as a kind of of ready-made form for manipulation, exploring ideas of mutability and legibility throughout.
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" The narrator, similarly, notes "the language of the dance whispering its magic words," or he states: "I've come to believe in the total mutability of the self.
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But Hurston emphasizes race's mutability, how certain situations blacken her, while other situations and contexts leave her feeling un-blackened, like Zora of Eatonvile before the Hegira.
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New Orleans resident Bryan Camp, author of The City of Lost Fortunes, believes that the mutability of cities is what draws so many people to write about them.
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The Metropolitan Museum of Art's new show, "Thomas Cole's Journey: Atlantic Crossings" is gorgeous, politically right for right now, and a lesson in the mutability of art history.
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With each impression, the phrase gets messier, less visible, and broken into pieces: "I am not," and single words, "colored," alluding to the intertextuality and mutability of language.
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Delivered by a female performer in contemporary settings, the monologues demonstrate the mutability of language when those words come out of the mouths of the empowered versus the marginalized.
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New York's vast mutability is such a huge truth about the place that I think we have the right to marvel at it anew every five years or so.
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Unlike graffiti, which is meant to leave its mark on mostly urban environments for as long as possible, these installations attempt not to defy but to chronicle nature's mutability.
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"I could toggle between these alts with a freedom that was unavailable to me in off-line life, whose institutions tend to regard all mutability as suspicious," Snowden writes.
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This exhibition of works by Stan and Sara VanDerBeek shows how both artists span traditional boundaries between media and engage similarly intangible concepts: spirituality, the mutability of time, memory, and space.
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Yet there was electricity in the work's mutability, right up through the finale, when she emerged from a gyrating, climactic encounter with a chair to calmly wish us a pleasurable evening.
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For one Bitcoin bull, the intrinsic value of Bitcoin as an immutable, decentralized ledger acts as a more powerful draw than the perceived mutability and centralization that the Ethereum platform offers.
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The themes expressed are very much those of an artist in later life: mutability and mortality above all, but also the refuge of aesthetic expression and the vanity of human pursuits.
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Blanchett's embodiment of their words—moulding and adapting them to each scenario—demonstrates the mutability of language and invites viewers to consider the gendered, social, and political contexts that shape disruption.
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Setting aside the practical problem of getting such a bill through the Repblican majority Senate, there are two potential obstacles in Article I of the Constitution and the inherent mutability of legislation.
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Although uneven, the novel vividly captures the frenetic energy of one of the world's fastest-growing cities and provides a perceptive and engaging meditation on the mutability — and the stubborn persistence — of identity.
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It's more evidence, not that we needed it, of the strength and infinite mutability of Kurosawa's story structure, whether it's applied to a samurai epic, a gunslinging Western, or a modern superhero adventure.
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Described by the gallery as rife with the "mutability of reality," Nightshift is a dark and magical look at the transformative powers of nighttime, when the only source of exposing illumination is the moon.
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Perhaps this seeming lack of ego came from his extensive work with the Civilians, a genuinely collective company, whose journalistic approach to a variety of subjects was a perfect fit for Mr. Friedman's mutability.
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Mostly, though, the production fails the play, which is about mutability and the cycle of life, coming-of-age and coming into oneself, the roots that sustain us and the need for new growth.
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And with a mutability that never betrays an abiding common core, Ms. Bernstine turns into contemporary variations on the stern but solicitous caregiver: a nurse in a geriatric ward, a nanny on a playground.
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Though these qualities are generally positive—Pisces are also said to be the most psychic sign of the zodiac, and definitely among the most empathetic—its mutability can also manifest as a frustrating chameleon complex.
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During the process, they've come face to face with the dance's mutability over time; along with studying photographs of Taylor, they watched two videos of Mr. Frame dancing it: one from 1986, one from 1989.
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His architectural language suggests flexibility and organic mutability, an approach — not entirely unlike Zaha Hadid's — that can generate pleasing visual and spatial effects, particularly in relation to the literal immutability of monumental urban edifices and megastructures.
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Her own debut, "The Printmakers," a 1984 trio date with the drummer Andrew Cyrille and the bassist Anthony Cox, is a startling display of rhythmic and melodic mutability, as well as her inventiveness as a composer.
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The texts he recites — including Shelley's "Ozymandias," the story of Cain and Abel, Shakespeare's Sonnet 29, the Gettysburg Address — are perhaps included to deliver some sly commentary on brutality, mutability or the vanity of human ambition.
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What teems with associations to an ancient history is simultaneously imbued with a certain mutability, as if to assert that any past that we as human beings inherit may nevertheless be malleable and manipulated in the present.
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Historically, and in the present, we've observed suggestions of movement, mutability, and urban responsiveness within aspects of designs by Lloyd Wright, Le Corbusier, Niemeyer, Gaudi, Gehry, Libeskind, Hadid, Koolhaas, Diller Scofidio + Renfro, and Mayne/Morphosis, among others.
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The Met's exhibition of the nation's first major landscape artist and progenitor of what would be called the Hudson River School is gorgeous, politically right for right now and a lesson in the mutability of art history.
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Her stories bring readers into a world in which the linear and spatial limits of the urban environment are drastically altered; its transformation, in turn, serves as a metaphor for the mutability of familiar social and political structures.
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Although rooted in our oldest legends, they hold less appeal to adults in the twenty-first century than Le Guin's more critically celebrated works—her visionary novels exploring the mutability of gender and the glittering nightmare of market capitalism.
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Nazis, Klansmen, ISIS — all fundamentalists resent the mutability of human life and the fact that, in a technologized world, no manner of racial or ethnic or religious or cultural purity can ever be guaranteed, as if an "inalienable" right.
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In "Taj Mahal," the outrageous tell-all biography of a film director by his grandson shows, to the director's actor friends who were actually around for the events described, the mutability of recounted memory as it swallows lived experience.
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Documentarian Jennifer Fox released her HBO film The Tale at this year's Cannes Film Festival, a fictional retelling of her own very real trauma in which she explores the mutability of memory as it relates to her rape as a child.
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Sex and friendship are also at the center of Leah Sarbib's "Roadkill" (through Friday at the 64E4 Mainstage), an incisive and funny exploration of lust, commitment, double standards and the mutability of desire, seen through the prism of one young woman.
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Of course Mr. Centeno's food, which celebrates the richness and mutability of what began as a border cuisine, is thriving in Los Angeles, a landscape that is constantly shifting to accommodate more flavors, even as it changes them all in the process.
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Such spatial mutability is more refined in the "Homage to the Square" paintings, which often read simultaneously as receding, like a sunken walled court; protruding, like a flat-topped pyramid; and holding steady in a single slightly vibrating plane — a temple gate to another world.
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Rodriguez literally manifests this human mutability through mask making, performance, and photographic documentation of these performances, which draw on her study of the loas (or spirits that function as intermediaries between humans and a supreme creator) of Haitian Vodou and the Orishas of Santeria.
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As we contemplate those faces and places we are invited to reflect on the passage of time and the nature of memory, on the mutability of friendship and the durability of art, on the dignity of labor and the fate of the European working class.
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Fox News is hardly the first organization to take advantage of such mutability, but it was there—under the aegis of Roger Ailes, who was the chairman and C.E.O. from 1996 to 2016, and who died in 2017—that the reshaping of the actual was raised to a fine and furious art.
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The 59-year-old Mr McBurney stars in this strange and often mesmerising trip into the Amazon basin, which uses the story of one man's interactions with an elusive tribe to raise all sorts of questions about the nature of consciousness, the tyranny of time, the power of stories and the mutability of reality.
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"An experience that no one has asked the right questions for," exclaims Avery (an ethereal Tsebiyah Mishael Derry), who, along with the Smiling Tuxedoed Man (an impish Lori Sinclair Minor), helps Walker convey a sensuous evening filled with the promise of mutability, an existence without the restraints of what our skin color binds us to.
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"There's a reason that people move or people don't or people change or people stay the same completely," McMorrow muses as things come to a close; this album, with its subtle mutability, seems happy to meet people wherever they are in that reasoning, offering ideas, consolation, and spellbinding notes to keep coming back to.
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In 2004, she staged a soapbox-speech performance in Havana's Revolution Square to challenge stringent censorship laws; several years ago, she founded the Queens-based initiative Immigrant Movement International to empower undocumented families; and this summer, she designed a bright-blue flag that reimagines the planet as a sort of united, Pangea-like land mass to draw attention to the mutability of our borders.
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The entries along the diagonal of A do not correspond to mutations and can be left unfilled. In addition to these counts, data on the mutability and the frequency of the amino acids was obtained. The mutability of an amino acid is the ratio of the number of mutations it is involved in and the number of times it occurs in an alignment. Mutability measures how likely an amino acid is to mutate acceptably.
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The Andersen framework also makes a distinction between equitable and inequitable access. Equitable access is driven by demographic characteristics and need whereas inequitable access is a result of social structure, health beliefs, and enabling resources. Andersen also introduces the concept of mutability of his factors. The idea here being that if a concept has a high degree of mutability (can be easily changed) perhaps policy would be justified in using its resources to do rather than a factor with low mutability.
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One of the essential characteristics of cool is its mutability-- what is considered cool changes over time and varies among cultures and generations.
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This mutability, however, may only pertain to exceptional cases (i.e., car accident). Controllable events (i.e., intentional decision) are typically more mutable than uncontrollable events (i.e.
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These remixes were used for a 2018 re-release by Grönland Records of a double album set combining this album and Flux + Mutability, their subsequent 1989 release.
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Percy Shelley had written the Preface "Mutability". He also selected poetry passages such as the John Milton epigraph. However, these facts were not known at the time.
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Flux + Mutability is the second collaboration between David Sylvian and Holger Czukay. It was released in September 1989. The music consists of two instrumental tracks improvised by the participants.
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Joshi, Mularam. Emerson, the Poet. Delhi, India: Mital Publications, 1987: 15. Literary scholar Elisa New compares the poem to other "American mutability poems" like Philip Freneau's "Wild Honeysuckle" and William Cullen Bryant's "To a Fringed Gentian".
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The Gini coefficient was developed by Italian statistician and sociologist Corrado Gini and published in his 1912 paper Variability and Mutability ().Gini, C. (1909). "Concentration and dependency ratios" (in Italian). English translation in Rivista di Politica Economica, 87 (1997), 769–789.
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From 1946 to 1949, she was awarded a predoctoral fellowship by the National Cancer Institute. Her thesis was "Genetic control of mutability in the bacterium Escherichia coli." She completed her doctorate under the supervision of R. A. Brink, in 1950.
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This references the recent discovery by geologists of Earth's great age and mutability, a scientific wonder that underlay emerging ideas of nature and evolution.George P. Landow (2012). "The hills are shadows, and they flow from form to form, and nothing stands". Victorian Web.
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"Transience, Mutability and the Night". The Telegraph. 18 February 2012. The exhibition stretched across two floors and included photographs, multimedia installations, tall towers (some of which were covered in lush, textured layers made of fabric), oils leaking out of boxes, and projections of video, light, and sound.
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Spectral mutability is a desired capability where RF systems have the appropriate mix of both manual and automatic flexibility and agility to affect all aspects of their operating parameters (e.g. waveform, bandwidth, power, frequency, direction) and maximize efficiency of spectral use and maintain optimum compatibility between systems.
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Bate 1963 pp. 581–583 Scholars have noted a number of literary influences on "To Autumn", from Virgil's Georgics,O'Rourke 1998 p. 173 to Edmund Spenser's "Mutability Cantos",Helen Vendler, discussed in O'Rourke 1998 p. 165 to the language of Thomas Chatterton,Hartman 1975 p. 100, Bewell 1999 pp.
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He also warned against novice keyboard players who insert too many slides into their playing. After a discussion on the contextual mutability of slides, Türk concludes the section on slides with the wish that composers would notate slides in regular rhythms so as to remove doubt as to their correct execution.
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Trademarks of Australian companies using the boomerang as a symbol, emblem or logo proliferate, usually removed from Aboriginal context and symbolising 'returning'Jones, P. (1992). 'The boomerang's erratic flight: The mutability of ethnographic objects.' In Journal of Australian Studies, 16(35), 59-71. or to distinguish an Australian brand.Spearritt, P. (1997).
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" Critic Steven Biller has stated that: "Without question, Colon's approach to shaping, forming, and coloring is advancing the trajectory of the resurgent Light and Space / Finish Fetish movement." In her essay "Notes, Thoughts, Observations Towards the Development, Conceptualization and Creation of Non- Specific Objects," Colon refers to her plastic sculptures "non-specific objects," further explaining, that "Non-Specificity [is] a quality brought about by the inherent mutability of the object." Art writer and biographer Hunter Drohojowska-Philp describes this phenomenon: "When the most recent iterations of the Glo-Pods are mounted on a white wall, the 'inherent mutability,' so desired as an effect by Colon, is indisputable. Depending on the combination of artificial and natural lighting, the colors slip and slide like an oil slick on water.
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The more mutable the antecedents of an outcome are, the greater availability there is of counterfactual thoughts. Wells and Gavanski (1989) studied counterfactual thinking in terms of mutability and causality. An event or antecedent is considered causal if mutating that event will lead to undoing the outcome. Some events are more mutable than others.
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Shakespeare deviates from a strictly obedient observation of Plutarch, though, by complicating a simple dominant/dominated dichotomy with formal choices. For instance, the quick exchange of dialogue might suggest a more dynamic political conflict. Furthermore, certain characteristics of the characters, like Antony whose "legs bestrid the ocean" (5.2.82) point to constant change and mutability.
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In this view, the intention of the teaching of Buddha nature is soteriological rather than theoretical. According to others, the potential of salvation depends on the ontological reality of a salvific, abiding core reality — the Buddha- nature, empty of all mutability and error, fully present within all beings.Yamamoto, Kosho (1975). Mahayanism, Tokyo: Karin Bunko, p.
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This is a > part of the great universal law of perpetual mutability in everything. Thus > it is needless to dispute and differ about new genera, species and > varieties. Every variety is a deviation which becomes a species as soon as > it is permanent by reproduction. Deviations in essential organs may thus > gradually become new genera.
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He tended toward new, radically anti-Aristotelian ways of thinking. He was the first Dane to publish a commentary on Copernicus, and he had no trouble accepting the new star of 1572 as evidence of celestial mutability. However he was not a systematic astronomer. In astrology he merged the Ptolemaic approach with a contemporary tradition of historical chronology.
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Selwood is known for developing a pictographic language of interiorized and unconscious drawings. Her work features drawing often in relation to photographic elements or live film footage. Her work is often rooted in art history, mythology, and women on the fringe. Her work deals with states of mutability in the human psyche, film noir, dada and surrealism.
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Godwin listed the author as "Mary Wollstonecraft Shelley". He made "114 substantive changes" to the 1818 edition. He decided to not credit Percy Bysshe Shelley as the author of the Preface. Godwin also did not cite Percy Shelley as the author of the poem "Mutability" which gave implications that Mary Shelley was the author of the poem.
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Petrie's work tends to be diverse, in form, technique, and subject matter. His poems, like the world they illuminate, are multifaceted and so are hard to sum up. If there is one theme that appears to be pervasive, it is mutability, the transience of everything, and the various ways we humans attempt to deal with it in our lives.Sally Wells (February 6, 1991).
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He argued that the overall themes are the often painful aspects of love and the pettiness of people, which here include the fairies. In 1970, R.A. Zimbardo viewed the play as full of symbols. The Moon and its phases alluded to in the play, in his view, stand for permanence in mutability. The play uses the principle of discordia concors in several of its key scenes.
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Ray has studied the ability of HIV to undergo high levels of mutation in its genomic sequence, exploring the health consequences of this mutability."HIV's Success Might Lie in Its Mutations," United Press International, November 5, 2002. In 1999, Ray and colleagues reported on the sequence diversity of HIV in India. They cautioned that different subtypes could combine, thwarting traditional efforts to develop vaccines.
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Mutability becomes an issue when trying to create interoperability between functional and object oriented languages. Languages like Haskell have no mutable types, where in C++ there are some constructs to flag classes as immutable but lack support of determining if something is mutable or not. Many functional types when bridged to object oriented languages can not guarantee that the underlying objects won't be modified.
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Impure functional languages usually include a more direct method of managing mutable state. Clojure, for example, uses managed references that can be updated by applying pure functions to the current state. This kind of approach enables mutability while still promoting the use of pure functions as the preferred way to express computations. Alternative methods such as Hoare logic and uniqueness have been developed to track side effects in programs.
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Commenting on the film's enduring appeal, Roeg described the film in 1998 as "a simple story about life and being alive, not covered with sophistry but addressing the most basic human themes; birth, death, mutability." More than 40 years after its release, on review aggregator Rotten Tomatoes, the film holds a score of 84% based on reviews from 37 critics, with an average rating of 8.2 out of 10.
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ASTs are trees and are thus incapable of representing shared terms. ASGs are usually directed acyclic graphs (DAG), although in some applications graphs containing cycles may be permitted. For example, a graph containing a cycle might be used to represent the recursive expressions that are commonly used in functional programming languages as non-looping iteration constructs. The mutability of these types of graphs, is studied in the field of graph rewriting.
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As Shelley wrote in "Mutability", mankind cannot achieve perfect happiness or bliss as human emotions and thoughts are never unalloyed with pain, sorrow, and loss: > We look before and after, And pine for what is not: Our sincerest laughter > With some pain is fraught; Our sweetest songs are those that tell of saddest > thought. Man, by contrast to the skylark, cannot achieve this perfect equanimity, serenity, or solace.
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Erika Vogt (born in 1973 in East Newark, New Jersey) is a sculptor, printmaker and video artist. She received her BFA from New York University and her MFA from California Institute of the Arts. She is represented at both Overduin & Co. in Los Angeles and Simone Subal Gallery in New York City. Vogt uses a range of media and techniques in order to explore the mutability of images and objects.
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For example, if a server makes twenty dollars more than a standard night, a positive affect will be evoked. If a student earns a lower grade than is typical, a negative affect will be evoked. Generally, upward counterfactuals are likely to result in a negative mood, while downward counterfactuals elicit positive moods. Kahneman and Miller (1986) also introduced the concept of mutability to describe the ease or difficulty of cognitively altering a given outcome.
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Apollo and Daphne (c. 1470–1480) by Antonio Pollaiuolo, one tale of transformation in the Metamorphoses—he lusts after her and she escapes him by turning into a bay laurel. The different genres and divisions in the narrative allow the Metamorphoses to display a wide range of themes. Scholar Stephen M. Wheeler notes that "metamorphosis, mutability, love, violence, artistry, and power are just some of the unifying themes that critics have proposed over the years".
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The evidence for specific medieval engines is scarce. There are citations of Arabs, Franks, and Saxons using ballistae, but because of the mutability of the terms (see Terminology below), it is uncertain whether torsion machines were indicated.Bradbury, 251. One good example is the siege of Paris in 885-886, in which Rollo pitted his forces against Charles the Fat, at one point impaling seven Danes at once with a bolt from a funda.
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Floyd James Davis. Who is Black?: one nation's definition. p. 101. Nonetheless, and in conjunction with recent emphases on genetic testing, a variety of social movements, government programs, and academic and popular initiatives have led to an increasing emphasis on historicity and ancestry in racial identification in Brazil and this has tended to counteract what many commentators have long sought to characterize—perhaps incorrectly, perhaps correctly—as a Brazilian racial mutability or malleability.
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Ostler argues that God cannot know what acts a person will freely do in the future. The first volume also expounds a Mormon Christology or theory of Christ as both fully human and fully divine at once. Ostler also assesses the attributes of divine power, divine mutability, divine pathos, divine temporality and human and divine nature. The second volume, The Love of God and the Problems of Theism, addresses Mormon soteriology or theory of salvation.
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The Oxford Companion to Classical Civilization Oxford University Press. (1998) pp. 383–84. In social satire, Myra Breckinridge (1968) explores the mutability of gender roles and sexual orientation as being social constructs established by social mores. In Burr (1973) and Lincoln (1984), each protagonist is presented as "A Man of the People" and as "A Man" in a narrative exploration of how the public and private facets of personality affect the national politics of the United States.
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World map of the GINI coefficients by country. Based on World Bank data ranging from 1992 to 2018. In economics, the Gini coefficient ( ), sometimes called the Gini index or Gini ratio, is a measure of statistical dispersion intended to represent the income inequality or wealth inequality within a nation or any other group of people. It was developed by the Italian statistician and sociologist Corrado Gini and published in his 1912 paper Variability and Mutability ().Gini, C. (1909).
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"Viriditas" appears several times in Gregory the Great's Moralia in Job, to refer to the spiritual health to which Job aspires. Augustine uses the term exactly once in City of God, to describe mutability. In a collection of over a hundred 12th-century love letters, said to be those between Héloïse and Abelard, the woman uses "viriditas" three times but the man does not use it. Abelard did use "viriditas" in at least one sermon, however.
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Ruminating on thoughts of death as the possible next step beyond dream to the supernatural world he tasted, the Poet notices a small boat ("little shallop") floating down a nearby river. Passively, he sits in the boat furiously being driven down the river by a smooth wave. Deeper and deeper into the very source of the natural world he rushes. Like the water's surface supports the boat, the supernatural world "cradles" the mutability both of nature and of man.
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Naturalists began to reject essentialism and consider the importance of extinction and the mutability of species. Cell theory provided a new perspective on the fundamental basis of life. These developments, as well as the results from embryology and paleontology, were synthesized in Charles Darwin's theory of evolution by natural selection. The end of the 19th century saw the fall of spontaneous generation and the rise of the germ theory of disease, though the mechanism of inheritance remained a mystery.
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New loops of recycled products and materials, energy recovery and knowledge renewal are being created within global-sourcing (GS) networks. Product reuse/remanufacture relies on a high residual value which gives a good head start for added value maximization. The system becomes organizationally closed and potentially long-term sustainable or even trans-generations self- sustainable. The "openness" and customization of the product design, upgradeable products, flexible product platforms, mutability and waste-free strategies are being implemented.
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He claimed that he only supervised the manuscript during its publication. The novel was first attributed to Percy Bysshe Shelley in an 1818 review by Walter Scott who recognized Shelley's style and ideas in the Preface and noticed Shelley's poem "Mutability" and poetry passages and citations in the book.Scott, Walter. "Remarks on Frankenstein, or The Modern Prometheus; A Novel", Blackwood's Edinburgh Magazine, Issue XII, Volume II, (March, 1818), pp. 613-20. Blackwood's Edinburgh Review, Issue XII, Volume II, March, 1818, p. 613.
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Explorer-naturalists such as Alexander von Humboldt investigated the interaction between organisms and their environment, and the ways this relationship depends on geography—laying the foundations for biogeography, ecology and ethology. Naturalists began to reject essentialism and consider the importance of extinction and the mutability of species. Cell theory provided a new perspective on the fundamental basis of life. These developments, as well as the results from embryology and paleontology, were synthesized in Charles Darwin's theory of evolution by natural selection.
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Marion J. Lamb (born 29 July 1939) was Senior Lecturer at Birkbeck, University of London, before her retirement. She studied the effect of environmental conditions such as heat, radiation and pollution on metabolic activity and genetic mutability in the fruit fly Drosophila. From the late 1980s, Lamb collaborated with Eva Jablonka, researching and writing on the inheritance of epigenetic variations, and in 2005 they co-authored the book Evolution in Four Dimensions, considered by some to be in the vanguard of an ongoing revolution within evolutionary biology.
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In computer science, a U-form is an abstract data type comprising a collection of attribute-value pairs associated with a universally-unique identifier (UUID). A U-form essentially comprises an associative array augmented with a UUID and with keys limited to strings. The UUID that is associated with a u-form is immutable, however all data "contained" in the u-form are mutable (including the keys/names). The mutability of contained data combined with an immutable identifier make implementations of fully mutable, replicable digital objects possible.
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300) Mussorgsky apparently did not take the new spelling seriously, and played on the "rubbish" connection in letters to Vladimir Stasov and to Stasov's family, routinely signing his name Musoryanin, roughly "garbage-dweller" (compare dvoryanin: "nobleman"). The first syllable of the name originally received the stress (i.e., MÚS-ər-skiy), and does so to this day in Russia, including the composer's home district. The mutability of the second-syllable vowel in the versions of the name mentioned above gives evidence that this syllable did not receive the stress.
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Norman Wilner describes Cockburn's work as "strange and recursive and curious and enthralling, and sometimes all at once." Alissa Firth-Eagland describes Cockburn's videos as "cleverly self-referential without being didactic"; she finds his performances intriguing: > I find there are many blind spots for me in all his onscreen > characterizations. A notable mutability of portrayer and portrayed is > evident in particular in his work The Impostor (hello goodbye): there's a > mysterious blurring of fact and fiction. I am always left wondering how much > of his onscreen personalities are, in fact, him.
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Machinery for draining the Pontine Marshes in Athanasius Kircher's "Latium" Kircher’s stated purpose in Latium was to use the physical remains of ancient Latium as illustrations of human mutability and transience. It was divided into five books. The first covered the origins and ancient history of the Latins. The second contained chapters describing (I) the region of Monte Cavo, Lake Albano and the ancient town of Alba Longa; (II) Tusculum; (III) the ancient Praeneste and the modern town of Palestrina, and (IV) the region of Labici and the ancient Hernici tribe.
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Along the way he muses over the mutability and seeming meaninglessness of all things, which have all the permanence of the smoke being blown forth by the train. Back in Russia Litvinov returns to his estate in time to see his elderly father pass away. On his land Litvinov slowly recovers and even begins gradually to implement some of the land management and agricultural techniques he had learned in Europe. One day he hears through a visiting relative that Tatiana is living not too far away on her own estate with Kapitolina.
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Characteristics that fall under demographics are quite difficult to change, however, enabling resources is assigned a high degree of mutability as the individual, community, or national policy can take steps to alter the level of enabling resources for an individual. For example, if the government decides to expand the Medicaid program an individual may experience an increase in enabling resources, which in turn may beget an increase in health services usage. The RAND Health Insurance Experiment (HIE) changed a highly mutable factor, out-of-pocket costs, which greatly changed individual rates of health services usage.
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The growing importance of natural theology, partly a response to the rise of mechanical philosophy, encouraged the growth of natural history (although it entrenched the argument from design). Over the 18th, 19th, and 20th centuries, zoology became an increasingly professional scientific discipline. Explorer-naturalists such as Alexander von Humboldt investigated the interaction between organisms and their environment, and the ways this relationship depends on geography, laying the foundations for biogeography, ecology and ethology. Naturalists began to reject essentialism and consider the importance of extinction and the mutability of species.
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Boas had studied anatomy with Virchow two years earlier while preparing for the Baffin Island expedition. At the time, Virchow was involved in a vociferous debate over evolution with his former student, Ernst Haeckel. Haeckel had abandoned his medical practice to study comparative anatomy after reading Charles Darwin's The Origin of Species, and vigorously promoted Darwin's ideas in Germany. However, like most other natural scientists prior to the rediscovery of Mendelian genetics in 1900 and the development of the modern synthesis, Virchow felt that Darwin's theories were weak because they lacked a theory of cellular mutability.
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Zinn presents his book as a questioning of what he sees as major myths in the understanding of Southern history, Southern culture, and possibilities for the future of race relations. Zinn begins his book by highlighting the continuing cruelty of Southern racism, especially in the continuation of the concept of biological differences between races. To demonstrate the possibility of massive future changes, Zinn puts aside historical tools of analysis in favor of the then-popular 'situational psychology' framework. This set of ideas emphasizes the mutability of human behavior, especially in comparison to the ideas of unconscious reaction supported by Freudian psychology.
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Repeated investigations of alphabet in Saito's work, both real and made-up, legible and obscured, speak to moments in his personal history. As a young immigrant in a country whose language he did not speak, Saito wrote space for himself in the already-established Color Field tradition by constructing his own painterly lexicon. Opposing motifs of free gestural brushtrokes and elegant, ordered lettering allude again to his double practice as painter and architect of poetic performance. Abstraction in Saito's work points to a meditation on the instabilities and impermanence of language and the mutability of meaning.
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The medieval French poet Jean de Meun retells the story of Adonis in his additions to the Roman de la Rose, written in around 1275. De Muen moralizes the story, using it as an example of how men should heed the warnings of the women they love. In Pierre de Ronsard's poem "Adonis" (1563), Venus laments that Adonis did not heed her warning, but ultimately blames herself for his death, declaring, "In need my counsel failed you." In the same poem, however, Venus quickly finds another shepherd as her lover, representing the widespread medieval belief in the fickleness and mutability of women.
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A.: > All her ingenuous traits, which could be annoying as well as endearing, > would be swept away by her courage, her clear perception of truth, and the > divine compassion which could flood her heart and lift her to the heights of > nobility. I am sure that she was frequently bewildered by the rapidity and > mutability of her own impulses. Possessed, as she was, of an intuitive > rather than an analytical intelligence, I doubt that she really understood > herself clearly, any more than did most of those who thought they knew her > intimately. An exception in this regard was Daphne du Maurier.
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247 "these are games that, for example, seek to make trenchant criticisms of ever-more flexible labour markets and to visualise and make playable the claims of queer theory about the mutability of sexual identity, pleasure and desire. Molleindustria explicitly position their work in opposition to the mainstream industry, which they see as having been invaded by global entertainment giants, and position their work alongside broader indymedia movements."} They feature games like Queer Power, Faith Fighter and the McDonald's Video Game. The games are often offered as freeware under a Creative Commons license, CC BY-NC-SA or CC BY-NC.
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As history, the idea of a sharp break has been criticized, but competing 'frequentist' and 'subjective' interpretations of probability still remain today. Foucault's approach to knowledge systems and power is also reflected in Hacking's work on the historical mutability of psychiatric disorders and institutional roles for statistical reasoning in the 19th century. He labels his approach to the human sciences transcendental nominalismSee Transcendence (philosophy) and Nominalism.A view that Hacking also ascribes to Thomas Kuhn (see D. Ginev, Robert S. Cohen (eds.), Issues and Images in the Philosophy of Science: Scientific and Philosophical Essays in Honour of Azarya Polikarov, Springer, 2012, pp. 313–315).
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Percy Shelley's 1816 poem "Mutability" is quoted, its theme of the role of the subconscious is discussed in prose and the monster quotes a passage from the poem. Percy Shelley's name never appeared as the author of the poem, although the novel credits other quoted poets by name. Samuel Taylor Coleridge's poem "The Rime of the Ancient Mariner" (1798) is associated with the theme of guilt and William Wordsworth's "Tintern Abbey" (1798) with that of innocence. Many writers and historians have attempted to associate several then popular natural philosophers (now called physical scientists) with Shelley's work on account of several notable similarities.
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He favored intense flamboyant prose over minimalist writing, which he regarded as generally vapid. His interest in the mutability of what is conventionally thought to be real led to an interest in Latin American fiction and its "penchant for the magical and improbable". Likewise, it led him to scientific studies of "the overwhelming abundance of the universe" from atoms to stars, a friendship with astronomer Carl Sagan, and the writing of The Universe, and Other Fictions and other work expressing amazement at existence. West told Madden that music was his favorite art and that he usually listened to music while writing.
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"School of Athens" Fresco in Apostolic Palace, Rome, Vatican City, by Raphael 1509–1510 Ancient Athens, of the 6th century BC, was the busy trade centre at the confluence of Egyptian, Mesopotamian and Minoan cultures at the height of Greek colonisation of the Mediterranean. The philosophical thought of this period ranged freely through many subjects. Empedocles (490-430 BC) foreshadowed Darwinian evolutionary theory in a crude formulation of the mutability of species and natural selection. The physician Hippocrates (460-370 BC) avoided the prevailing superstition of his day and approached healing by close observation and the test of experience.
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Of Mutability was Chadwick's first major solo exhibition, held at the Institute of Contemporary Arts in 1986. Chadwick utilised the ceremonial character of the elegant neo-classical rooms of the upper galleries to house an installation made up of a number of autonomous artworks. One room was at the centre of the exhibition and took the name of The Oval Court (1984–86), an ovoid platform that lay in the middle of the space. The platform presents a twelve-part collage of layered blue toned A4 photocopies made directly of the artist’s naked form, dead animals, plants and drapery suspended in an ovoid pool.
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Howard was not the first to attempt a classification of clouds—biologist Jean-Baptiste Lamarck (1744–1829) proposed a list of descriptive terms in French the same year that Howard presented his essay, containing five terms, four of which overlapped with Howard's system. The two were not known to have any contact, Lamarck working independently in France, and Howard working independently in England. Despite being presented in the same year, Howard's system gained popularity quickly and became far more widespread than Lamarck's. Howard's system's success has been said to be due to Howard's use of universal Latin, the Linnaean classification system, and his emphasis on the mutability of clouds.
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The Spy 2 cranium Since the first amateur investigations during the late 19th century numerous amateur and professional archaeologists have carried out excavations and removed all sediment deposits of the cave. In 1886 Neanderthal fossils of excellent quality were discovered, which contributed to the 19th century scientific community to occasion the paradigm shift and recognize the existing fossils Engis 2 and Neanderthal 1 and embrace the notion of the mutability of species in an evolutionary context. The excavation was conducted by Liège, archaeologist Marcel de Puydt and geologist Max Lohest. Paleontologist and zoologist Julien Fraipont published the specimen description in the American Anthropologist journal.
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He writes that these lines elucidate the three most important components in Bowie's quest for stardom. They highlight the themes of identity, the "mutability" of character" and a "sense of play" in both first and third person, signaling the creation of Bowie's future persona Ziggy Stardust. Buckley states: "Bowie plays up the self-made myth of his butterfly nature, his innate ambivalence, and his endless musical, sexual and political vacillation." Pegg notes that Bowie reflects on his inability to achieve success up to that point, being taken down "a million dead-end streets" and every time he thought he'd made it "it seemed the taste was not so sweet.
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For these reasons the project conceived as an immersive experience as expressed through video installations and a unique series of sepia and black and white related paintings by Songulashvili. The artist’s integration of a video installation and his paintings presents an interwoven vision, mediated by the extended metaphor of the self-regenerative "hydrozoan" medusa jellyfish. A creature not intended by the artist as a description as such, but as a symbolic metaphor, and an embodied form of signification that is representative of life and the nature of mutability and change. Songulashvili sees the Styx as emblematic of the interstices or in-between that is present in everyday life.
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The book's prologue muses on the mutability of fortune. Diodorus notes that bad events can have positive outcomes, like the prosperity of Greece which (he says) resulted from the Persian Wars. Diodorus account mostly focuses on mainland Greece, covering the end of the Pentecontaetia (1-7, 22, 27-28), the first half of the Peloponnesian War (30, 31–34, 38–51, 55–63, 66-73), and conflicts during the Peace of Nicias (74-84). Most of the side narratives concern events in southern Italy, relating to the foundation of Thurii (9-21, 23, 35) and the secession of the Plebs at Rome (24-25).
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According to Emil Torday (who studied the tribes of the Congo between 1908 and 1909),Turner 606 the Batetela originated on the right bank of the Lomami River and migrated to their present territory at some unknown date.Torday 372 In 1869–70, some Tetela groups came into contact with Tippu Tip, an Arab slave trader from Zanzibar.Turner 599; Note that Turner stresses the mutability of ethnic labels in this period, and argues that the term "Tetela" once referred to groups of the Songye people. Following this, the chieftain Gongo Lutete began working with Tip and the Arabs to lead the Batetela in slave raids against the Luba people in Kasai.
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They concentrated on how the idea of community belonging is differently constructed by individual members and how individuals within the group conceive ethnic boundaries. As a non-directive and flexible analytical tool, the concept of boundaries helps both to map and to define the changeability and mutability that are characteristic of people's experiences of the self in society. While identity is a volatile, flexible and abstract 'thing', its manifestations and the ways in which it is exercised are often open to view. Identity is made evident through the use of markers such as language, dress, behaviour and choice of space, whose effect depends on their recognition by other social beings.
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In Maria Tatar's The Annotated Classic Fairy Tales, the transformation of the little mermaid from sea creature to mermaid in human form, and then to a creature of the air, is believed to reflect Andersen's constant engagement with mutability and changes in identity.Tatar, Maria, The Annotated Classic Fairy Tales (New York, NY: W.W. Norton & Company, 2002), pp.308. Tatar also suggests that the Little Mermaid did not give up everything for love alone. Tatar's interpretation of the tale is one that presents a rare heroine with an investigative curiosity which is shown through the mermaid's fascination of the unknown, the forbidden, and her intent on broadening her horizons from the start.
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Aeolian harps are featured in at least two Romantic-era poems: "The Eolian Harp" and "Dejection, an Ode", both by Samuel Taylor Coleridge. In William Heinesen's novel The Lost Musicians, set in Tórshavn, Kornelius Isaksen takes his three sons to a little church where, in the tower, they sit listening to the "capriciously varying sounds of an Aeolian harp", which leads the boys into a lifelong passion for music. A lyre is mentioned in Percy Bysshe Shelley's "Ode to the West Wind", which is another name for an Aeolian harp. The Aeolian harp is also mentioned in Shelley poem "Mutability", alongside his essay "A Defence of Poetry".
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The work of Vinyoli is that of a self-taught writer. Initially very much influenced by the poetic language of German symbolism (Hölderlin, Goethe and Rilke, whose verse Vinyoli translated into Catalan), he afterwards leaned more and more towards the sort of realism that is capable of using everyday language to offer a distinctive vision of the human condition. The recurrent subjects of his poetry are love, the fleetingness of time and memory. His meditation is not so much on death -and in this he differs from Espriu- as on mutability: the way in which all things pass away, are lost, and become part of memory.
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Several computational methods have been proposed for solving this decomposition problem. The first implementation of Non-negative Matrix Factorization (NMF) method is available in Sanger Institute Mutational Signature Framework in the form of a MATLAB package. On the other hand, if mutations from a single tumor sample are only available, the DeconstructSigs R package and MutaGene server may provide the identification of contributions of different mutational signatures for a single tumor sample. In addition, MutaGene server provides mutagen or cancer-specific mutational background models and signatures that can be applied to calculate expected DNA and protein site mutability to decouple relative contributions of mutagenesis and selection in carcinogenesis.
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More new lands were opening up to European colonial powers, the botanical riches being returned to European botanists for description. This was a romantic era of botanical explorers, intrepid plant hunters and gardener-botanists. Significant botanical collections came from: the West Indies (Hans Sloane (1660–1753)); China (James Cunningham); the spice islands of the East Indies (Moluccas, George Rumphius (1627–1702)); China and Mozambique (João de Loureiro (1717–1791)); West Africa (Michel Adanson (1727–1806)) who devised his own classification scheme and forwarded a crude theory of the mutability of species; Canada, Hebrides, Iceland, New Zealand by Captain James Cook's chief botanist Joseph Banks (1743–1820).
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Partridge also observed, "Dylan has always loved American mythology and all things archaic, and his best songs on recent albums have been rooted in pre-rock pop. When he gets wistful on "The Night We Called It a Day" or grabs hold of moonbeams on the South Pacific favorite "Some Enchanted Evening", he's natural and sincere." Alexis Petridis of The Guardian praised the album, stating that "it may be the most straightforwardly enjoyable album Dylan's made since Time Out of Mind". Jesse Cataldo of Slant Magazine thought that the album "deepens the innate sorrow of these old tunes by establishing them on a long, irregular continuum, possessing the same inherent mutability as the folk songs of Dylan's early days".
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The World of Robert Jordan's The Wheel of Time is a reference book for the bestselling The Wheel of Time epic fantasy series of novels by Robert Jordan. It is published in the United States by Tor Books and in the United Kingdom by Orbit Books. The bulk of the text was written by Teresa Patterson based on notes and information provided by Jordan, who also serving as overall editor on the project. While the information in the guide is broadly canonical, the book is deliberately written with vague, biased or even downright false (or guessed) information in places, as Patterson felt this would reflect a key theme of the series (the mutability of knowledge across time and distance).
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He wrote several books on language, and grammar textbooks of English, French, German, and Sanskrit. His Sanskrit Grammar (1879) is notable in part for the criticism it contains of the Ashtadhyayi, the Sanskrit grammar attributed to Panini. Whitney describes the Ashtadhyayi as "containing the facts of the language cast into the highly artful and difficult form of about four thousand algebraic-like rules (in the statement and arrangement of which brevity alone is had in view at the cost of distinctness and unambiguousness)." In his Course in General Linguistics in the chapter on the 'Immutability and Mutability of the Sign', Ferdinand de Saussure credits Whitney with insisting on the arbitrary nature of linguistic signs.
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While previous sonnets of this sequence act to console against attempt to circumvent time's inevitable destructive victory, scholars have argued that 126 concedes the point. Rather than suggest that the boy can indeed find a way around time, "here the speaker makes no such proposals; this twelve-line poem lacks the final two lines where, in the sonnet, the speaker often constructs his consolations. By the end of this subsequence, mutability has proved to be the speaker's ally rather than a foe to be defeated. Instead of seeking consolations for the destruction of beauty, the final three couplets simply warn the young man of nature's inevitable defeat at the hands of time".
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This interpretation would be more historically realistic in that it would reflect a very Christian view of the destruction, a common theme in Old English poems. Talentino states, "His [the author's] view of what once was and his thoughts about it indicate that the city's former inhabitants caused its fall, that crumbling walls are, in part at least, the effect of a crumbling social structure."Talentino, Arnold V. Moral Irony in The Ruin. Papers on Language and Literature 14 (1978): 171-80 Another critic points out the irony of a poem about ruins being found on a burned manuscript page, saying that the burn is "an eloquent image of the theme of mutability with which the poem is concerned" as both evoke destruction.
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While some of his characters collected things having at least an association with high culture, Vaginov explored the intersection between the mutability of matter and minds haunted by monuments, even those in ruins. Solomon Volkov writes: > He likened the victory of the Russian Revolution, which ruined his family, > to the triumph of the barbaric tribes over the Roman Empire. For Vaginov, > Petersburg had been a magical stage for that cultural tragedy, and he sang > the praises of the spectral city in dadaist poems (which also showed the > influence of Mandelstam), in which "pale blue sails of dead ships" appeared > tellingly. Mandelstam, in turn, rated Vaginov highly, including him as a > poet "not for today but forever" in a list with Akhmatova, Pasternak, > Gumilyov, and Khodasevich.
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In the Greek language the indeclinable word () is used as the currency's name. It was decided to use omega (ω) rather than omicron (ο) as the last letter of the word, partly because a noun ending with omicron would encourage mutability, and partly to stress the origin of the euro in the Greek word (Eurōpē, Europe) which is also spelt with omega and it is actually written on the euro notes in Greek as . Also, the spelling (resulting in a plural ) on the notes could have confused other Europeans, who might read it as a string of Latin letters: eypo. A plural form evra, as if from a regular declinable neuter noun in -o, is sometimes used in a jocular way.
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In his treatise on the comet of 1618, Astronomischer Discurs von dem Cometen, so in Anno 1618, Michael Maestlin made reference to the work of Fabricius and cited sunspots as evidence of the mutability of the heavens. He made no reference to the work of either Scheiner or Galileo, although he was aware of both. He concluded that sunspots are definitely on or near the Sun, and not a phenomenon of the earth's atmosphere; that it is only thanks to the telescope that they can be studied, but that they are not a new phenomenon; and that whether they are on the surface of the Sun or move around it is a question to which there is no reliable answer.
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Percy Bysshe Shelley's 1816 poem "Mutability" in a draft of Frankenstein with his changes to the text in his handwriting. Bodleian. Oxford. The Frankenstein authorship question refers to the historical uncertainty that exists around Percy Bysshe Shelley's contributions to Frankenstein; or, The Modern Prometheus, a novel attributed to Shelley's wife, Mary Shelley. Author Duncan Wu claims the uncertainty ended with the publication of transcribed manuscripts in 1996 which he says make it evident that Mary Shelley was the creative force behind the work, while Percy Shelley provided contributions which were editorial in nature. Advocates who continue to maintain that Percy Shelley had a much greater role - even the majority role - in the creation of the text have been dismissed by some mainstream scholars.
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One of the ways to read the imperialist themes of the play is through a historical, political context with an eye for intertextuality. Many scholars suggest that Shakespeare possessed an extensive knowledge of the story of Antony and Cleopatra through the historian Plutarch, and used Plutarch's account as a blueprint for his own play. A closer look at this intertextual link reveals that Shakespeare used, for instance, Plutarch's assertion that Antony claimed a genealogy that led back to Hercules, and constructed a parallel to Cleopatra by often associating her with Dionysus in his play. The implication of this historical mutability is that Shakespeare is transposing non-Romans upon his Roman characters, and thus his play assumes a political agenda rather than merely committing itself to a historical recreation.
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Beginning in the first half of the 20th century, a number of contemporary artists sought to incorporate kinetic techniques into their work in an attempt to overcome what they saw as the predominantly static nature of art. Alexander Calder's mobiles are among the most widely known demonstrations of physical dynamism in the visual arts, in which form has the potential to continually vary through perpetual motion, sometimes even without the agency of the human hand. Jean Tinguely's efforts to create a self-destructive art machine constitute perhaps the ultimate expression of art's mutability, in this case by taking the form of its total eradication. Victor Vasarely postulated in his Manifest Jaune in 1955 in Paris that works of art should feature the properties of being multiplicable and repeatable in series.
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The Government cannot have legislative functions, except for a limited times and for specific purposes established in cases of necessity and urgency, and cannot issue a decree having the force of a law without an enabling actBut if a law of delegation is passed through "on the assumption that it is exercised in a certain way, it ignores the limits consubstantial to the mutability of human affairs and political ones in particular": from the Parliament. Temporary measures shall lose effect from the beginning if not transposed into law by the Parliament within sixty days of their publication. Parliament may regulate the legal relations arisen from the rejected measures. The Constitution gives to the Parliament the authority to declare a state of war and to vest the necessary powers into the Government.
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Indeed an earlier venture into this form of argument by Galileo had been stopped by the Church. In the manuscript for Letters on Sunspots (1613), he argued that "flaws" in the Sun demonstrated that the heavens were not immutable, as had previously been thought. A paragraph in which Galileo supported this by claiming that the scriptures supported the mutability of the heavens was removed by the Inquisition censors. On 14 December 1613 Galileo's friend and former pupil Benedetto Castelli wrote to him to say that at a recent dinner in Pisa with the Grand Duke Cosimo II de' Medici a conversation had taken place in which Cosimo Boscaglia, a professor of philosophy, argued that the motion of the Earth could not be true, as it was contrary to the Bible.
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In a critical study of his prose and poems, the subjects depicted his nostalgia for the past, church rituals, legends, the mysterious, the different shades of evil, the power of the basic emotions over culture, the freedom of the will against fate, the mutability of the human body compared to the spirit, and the like. They are often set in old Manila, the walled city of Intramuros, and sometimes Paco – as a symbol of congruence, the glory and culture of the past, rather than a geographical concept. His characters are mostly cultured intellectuals of past generations, while the opposing characters are usually from the materialistic modern age. Unless they are portrayed to adjust better than old men, women seldom have significant roles in this cultured world of the past.
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As he traveled Europe, he was influenced by various philosophers, cultures, and religions, like Buddhism, causing him to question his Christian beliefs. While never claiming to be an atheist, his public questioning and critique of the most fundamental Christian values put him at odds with some in the Greek Orthodox church, and many of his critics. Scholars theorize that Kazantzakis' difficult relationship with many members of the clergy, and the more religiously conservative literary critics, came from his questioning. In his book, Broken Hallelujah: Nikos Kazantzakis and Christian Theology, author Darren Middleton theorizes that, "Where the majority of Christian writers focus on God's immutability, Jesus' deity, and our salvation through God's grace, Kazantzakis emphasized divine mutability, Jesus' humanity, and God's own redemption through our effort," highlighting Kazantzakis' uncommon interpretation of traditional Orthodox Christian beliefs.
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140-223 In the four primary schools of Sunni fiqh (Islamic jurisprudence) and the two primary schools of Shi'a fiqh, certain types of crimes mandate capital punishment. Certain hudud crimes, for example, are considered crimes against Allah and require capital punishment in public.Mohamed El-Awa (1993), Punishment in Islamic Law, American Trust Publications, , pp 1-68 These include apostasy (leaving Islam to become an atheist or convert to another religion),David Forte, Islam's Trajectory, Revue des Sciences Politiques, No. 29 (2011), pages 92-101 fasad (mischief in the land, or moral corruption against Allah, social disturbance and creating disorder within the Muslim state)Oliver Leaman (2013), Controversies in Contemporary Islam, Routledge, , Chapter 9Marion Katz (2006), Corruption of the Times and the Mutability of the Shari'a, The. Cardozo Law Review, 28:171-188 and zina (consensual heterosexual or homosexual relations not allowed by Islam).
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Kotlin supports the specification of a "primary constructor" as part of the class definition itself, consisting of an argument list following the class name. This argument list supports an expanded syntax on Kotlin's standard function argument lists, that enables declaration of class properties in the primary constructor, including visibility, extensibility and mutability attributes. Additionally, when defining a subclass, properties in super- interfaces and super-classes can be overridden in the primary constructor. // Example of class using primary constructor syntax // (Only one constructor required for this class) open class PowerUser : User ( protected val nickname: String, final override var isSubscribed: Boolean = true) { ... } However, in cases where more than one constructor is needed for a class, a more general constructor can be used called secondary constructor syntax which closely resembles the constructor syntax used in most object-oriented languages like C++, C#, and Java.
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Maria Tatar, professor of German studies at Harvard University, explains that it is precisely the handing from generation to generation and the genesis in the oral tradition that gives folk tales an important mutability. Versions of tales differ from region to region, "picking up bits and pieces of local culture and lore, drawing a turn of phrase from a song or another story and fleshing out characters with features taken from the audience witnessing their performance." However, as Tatar explains, the Grimms appropriated stories as being uniquely German, such as "Little Red Riding Hood", which had existed in many versions and regions throughout Europe, because they believed that such stories were reflections of Germanic culture. Furthermore, the brothers saw fragments of old religions and faiths reflected in the stories, which they thought continued to exist and survive through the telling of stories.
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In 1896, the year before she died, a well-illustrated edition of The Manchester Man was published with forty-six plates and three maps. The book is still read throughout the world (following republication in 1991 and again in 1998), and its heroes, Jabez Clegg and Joshua Brooks, are commemorated locally in the names of Manchester public houses.Jabez Clegg, Dover Street, M13; Joshua Brooks, 106 Princess Street, M1 A quotation from the novel ('Mutability is the epitaph of worlds / Change alone is changeless / People drop out of the history of a life as of a land though their work or their influence remains') forms the epitaph on the tombstone of Tony Wilson, one of the founders of Factory Records in Manchester. Anthony Trollope greatly admired Isabella Banks's contribution to literature, and is reported to have observed that her "reward in literary life had fallen short of [her] deserts".
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The DFA version, mixed by British DJ Tim Goldsworthy and LCD Soundsystems member, American musician James Murphy, was later added to their remix album The DFA Remixes: Chapter One (2006). This remix received much praise from critics, with Billboards Kerri Mason singling it out as "the soundtrack to a 20-something hipster walking the downtown streets, iPod in pocket" that also "sounds like a Paradise Garage-era Peter Brown record". Tim Finney from Pitchfork highly praised the "Pearsonesque remix" as the "synth-laden Balearic house number that shimmers with unabashed gorgeousness". Along with another lengthy song on the album, the remix for Hot Chips "(Just Like We) Breakdown", both were said in a review by Zeth Lundy of PopMatters to "unfold with a delicate subtext manufactured by the slow-building minimalism—they're patient dedications to the mutability of the groove, never boring and always fascinating to experience".
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The law and literature movement focuses on the interdisciplinary connection between law and literature. This field has roots in two major developments in the intellectual history of law—first, the growing doubt about whether law in isolation is a source of value and meaning, or whether it must be plugged into a large cultural or philosophical or social-science context to give it value and meaning; and, second, the growing focus on the mutability of meaning in all texts, whether literary or legal. Those who work in the field stress one or the other of two complementary perspectives: Law in literature (understanding enduring issues as they are explored in great literary texts) and law as literature (understanding legal texts by reference to methods of literary interpretation, analysis, and critique). This movement has broad and potentially far reaching implications with regards to future teaching methods, scholarship, and interpretations of legal texts.
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The third movement, setting this elegy, is longer and more complex, questioning how eternal truth is to be found within human mutability. The chorus sings four independent layers of text in twelve parts, "colliding and chaotic" (according to the score's instructions) against the soprano's cantabile, then adopts a more settled four-part texture to complete the movement as an aria with choral accompaniment. The fourth movement returns to the slower tempo and fragmented manner of the second movement, only now adding the chorus to the soprano and orchestra. It consists of two large sections of text setting, separated by a two-minute wordless interlude for chorus and orchestra. The concluding text once again ends with the words Broch uses to introduce the following elegiac verse “car ce n'est que dans l'erreur, ce n'est que par erreur” (because only amidst error, it is only through error).
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Wheel of fortune in Sebastian Brant`s Narrenschiff, woodcut by A. Dürer William Shakespeare in Hamlet wrote of the "slings and arrows of outrageous fortune" and, of fortune personified, to "break all the spokes and fellies from her wheel." And in Henry V, Act 3 Scene VI are the lines: :Pistol: :Bardolph, a soldier firm and sound of heart :And of buxom valor, hath by cruel fate :And giddy Fortune's furious fickle wheel :That goddess blind, :That stands upon the rolling restless stone— :Fluellen: :By your patience, Aunchient Pistol. Fortune is painted blind, with a muffler afore his eyes, to signify to you that Fortune is blind; and she is painted also with a wheel, to signify to you, which is the moral of it, that she is turning, and inconstant, and mutability, and variation. And her foot, look you, is fixed upon a spherical stone, which rolls, and rolls, and rolls.
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In 1970, he moved to Los Angeles and began to experiment with color theory, but continued teaching classes part- time at San Jose State University. Spratt was informed by the formalist art of Josef Albers, minimalist painting by Ellsworth Kelly and Ad Reinhardt, and abstract expressionist painting by Barnett Newman; his work was also deeply influenced by his early days as a sign painter.Peter Selz, West Coast Report: Plastics into Art (New York: Art in America, May–June 1968) 114 Spratt's color theory work is regarded for its mutability—changing with the available light, time of day and season of year, with each viewer and with each viewing. During the 1960s in Los Angeles, many California artists were creating work that focused on the surface qualities of a work of art—a tendency that generated the descriptive phrase "finish fetish"—an immaculate, glistening, often translucent surface which conveys the look of a refined industrial process.
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Apart from "Rip Van Winkle" and "The Legend of Sleepy Hollow" the pieces which made both Irving and The Sketch Book famous the collection of tales includes "Roscoe", "The Broken Heart", "The Art of Book-making", "A Royal Poet", "The Spectre Bridegroom", "Westminster Abbey", "Little Britain", and "John Bull". Irving's stories were highly influenced by German folktales; "The Legend of Sleepy Hollow" was inspired by a folktale recorded by Karl Musäus. Stories range from the maudlin (such as "The Wife" and "The Widow and Her Son") to the picaresque ("Little Britain") and the comical ("The Mutability of Literature"), but the common thread running through The Sketch Book and a key part of its attraction to readers is the personality of Irving's pseudonymous narrator, Geoffrey Crayon. Erudite, charming, and never one to make himself more interesting than his tales, Crayon holds The Sketch Book together through the sheer power of his personality and Irving would, for the rest of his life, seamlessly enmesh Crayon's persona with his own public reputation.
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Later, Murdock and Douglas R. White developed the standard cross-cultural sample as a way to refine this method. French anthropologist Claude Lévi-Strauss's structuralist anthropology brought together ideas of Boas (especially Boas's belief in the mutability of cultural forms, and Bastian's belief in the psychic unity of humankind) and French sociologist's Émile Durkheim's focus on social structures (institutionalized relationships among persons and groups of persons). Instead of making generalizations that applied to large numbers of societies, Lévi- Strauss sought to derive from concrete cases increasingly abstract models of human nature. His method begins with the supposition that culture exists in two different forms: the many distinct structures that could be inferred from observing members of the same society interact (and of which members of a society are themselves aware), and abstract structures developed by analyzing shared ways (such as myths and rituals) members of a society represent their social life (and of which members of a society are not only not consciously aware, but which moreover typically stand in opposition to, or negate, the social structures of which people are aware).
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The New Annotated Frankenstein. New York: Liveright, 2017. Proponents of Percy Shelley's authorship such as Scott de Hart and Joseph P. Farrell claim that he was obsessed with electricity, galvanism, and the reanimation of corpses, and point to the influence of James Lind, Percy Shelley's former teacher at Eton College. Advocates of Percy Shelley's authorship also point out that the novel contains his poetry such as "Mutability" as well as poetry by others, that the novel was imbued with the themes of atheism, social tolerance, social justice, reform, and antipathy to monarchism that only he advocated, and that there were noticeable motifs and subjects in the novel which only he espoused, such as vegetarianism, pantheism, alchemy, incest, male friendship, and scientific discovery. However, editor Marilyn Butler, in her introduction and explanatory notes to the Oxford Press "1818 Text" edition of the novel, attributes these apparent coincidences to Percy's admiration and emulation of Mary's father, novelist William Godwin, whose works share numerous similarities in style, ideology, and subject matter with the novels of both Percy and Mary.
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The criteria of having narrative content through spoken language or text as part of the theatrical event is meant not to limit the range of what is already considered standard theatre (as there are examples in the works of Samuel Beckett in which the limits of verbal expression are tested), but to differentiate between that which is digital theatre and the currently more developed fields of digital dance9 and Art Technology.(10) This is necessary because of the mutability between art forms utilizing technology. It is also meant to suggest a wide range of works including dance theatre involving technology and spoken words such as Troika Ranch’s The Chemical Wedding of Christian Rosenkreutz (Troika Ranch, 2000), to the creation of original text-based works online by performers like the Plain Text Players or collaborations such as Art Grid’s Interplay: Hallucinations, to pre-scripted works such as the classics (A Midsummer Night’s Dream, The Tempest) staged with technology at the University of Kansas and the University of Georgia. The Participatory Virtual Theatre efforts at the Rochester Institute of Technology take a different approach by have live actors use motion capture to control avatars on a virtual stage.
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The idea of mutability and possession of an independent sense of emergent identity is of great concern to Songulashvili, particularly as it relates to the recent re-emergence of Georgia as an independent and autonomous state in 1991 — the year of the artist’s birth. The paintings of Levan Songulashvili engage with powerful and abstracted themes relates to the prescient concerns of passage and presence. That is to say from states of consciousness to the unconscious. He deals allusively with a sense of boundary and transition, the immersive nature of the world, the psychical element of water, the idea of flow and flux. As an artist he holds a mastery of affect and transience, having created painted works consisting of large- scale canvases that feature large expanses of grey-black washes infused with an otherworldly light; vast tonal shifts; and a primordial glow that hovers between the mythic and the bioluminescent, which also evoke feelings of the underworld, phantom-like blurred apparitions, images of the so-called “Shades” (Umbra), faces or presences that exist in an interstitial reality, an in between world of spectral dreams.
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Interestingly, Beachy Head does not appear to be the only poem in which Smith features the character of the hermit; in her poem "Sonnet: On Being Cautioned Against Walking on an Headland Overlooking the Sea, Because It Was Frequented by a Lunatic" the character of the hermit is similarly used as a figure who has been totally isolated from the world around him, more envious of the world around him than afraid of it. Kari Lokke writes in “The Figure of the Hermit in Charlotte Smith’s Beachy Head”: > Twenty years before Beachy Head, we find in Mary Wollstonecraft's “Cave of > Fancy” a strange and suggestive precursor to Smith's hermit in the figure of > the seaside recluse Sagestus. In this gothic morality tale, a fragment begun > in 1787, published posthumously in 1798, Wollstonecraft, like Smith, sets > her hermit against a backdrop of disillusionment and mutability. Lokke continues: > Beachy Head moves spectacularly from a sweeping and panoramic cosmological, > geographical, and historical vision, to a regional portrait of the Sussex > Downs, to a series of village vignettes, before concluding with the single > and isolated figure of "the lone Hermit" in the final lines of the poem.
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With limited specimens in existence at the time and most owned by Pauw, his refusal to sell any flowers, despite wildly escalating offers, is believed by some to have sparked the mania. By contrast to other flowers such as the coneflower or lotus, tulips have historically been capable of genetically reinventing themselves to suit changes in aesthetic values. In his 1597 herbal, John Gerard says of the tulip that “nature seems to play more with this flower than with any other that I do know.” When in the Netherlands, beauty was defined by marbleized swirls of vivid contrasting colours, the petals of tulips were able to become "feathered" and "flamed." However, in the 19th century, when the English desired tulips for carpet bedding and massing, the tulips were able to once again accommodate this by evolving into “paint filled boxes with the brightest, fattest dabs of pure pigment.” This inherent mutability of the tulip even led the Ottoman Turks to believe that nature cherished this flower above all others. The Tulip is also viewed prominently in a number of the Major Arcana cards of the Oswald Wirth Tarot deck.
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