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"mightiness" Definitions
  1. the quality or state of being mighty

17 Sentences With "mightiness"

How to use mightiness in a sentence? Find typical usage patterns (collocations)/phrases/context for "mightiness" and check conjugation/comparative form for "mightiness". Mastering all the usages of "mightiness" from sentence examples published by news publications.

This may reflect Mr Xi's mightiness, or his weakness and insecurity.
Yet now, more than before, there is a defence for such mightiness.
In our household, steak tartare is about the pure, unobscured flavor of the beef itself, that metallic, bloody, iron-rich mightiness.
RuPaul relinquishes some high-and-mightiness in this 90-minute Season 2 premiere, which changes the format by putting the power of elimination into the hands of the contestants.
"The Source of Self-Regard" is a book of essays, lectures and meditations, a reminder that the old music is still the best, that in this time of tumult and sadness and continuous war, where tawdry words are blasted about like junk food, and the nation staggers from one crisis to the next, led by a president with all the grace of a Cyclops and a brain the size of a full-grown pea, the mightiness, the stillness, the pure power and beauty of words delivered in thought, reason and discourse, still carry the unstoppable force of a thousand hammer blows, spreading the salve of righteousness that can heal our nation and restore the future our children deserve.
According to another legend, Muhlenberg also suggested that the title of the President of the United States should be "Mr. President" instead of "His High Mightiness" or "His Elected Majesty", as John Adams had suggested.
According to the decree of the Presidium of Supreme Soviet of Ukrainian SSR on 21 November 1949, the blue in the bottom symbolises the mightiness and beauty of the people, and the blue banner of Bohdan Khmelnytsky.
However their historical mightiness was dampened as the material became brick not stone. Successive restorations of varying scale took place during the reigns of Empress Elizabeth and Alexander the First as well as the later Soviet and Russian times, preserving their original character and style.
275-278 Prince Ghica also attempted to improve the peasant situation by outlawing quit-rents and regulating that peasants could no longer be removed from the land they were working on. This measure produced little lasting effects; according to Kogălniceanu, "the cause [of this] should be sought in the all-mightiness of landowners, in the weakness of the government, who, through its very nature, was provisional, and thus powerless".
Considering the mightiness of the staircase the cross arch in the first floor was removed. Despite the reconstruction in the 19th century the second floor has its cohesive space with brick ground and beam ceiling from the period of regothisation. There is a bell tower inside the gothic octagon which contains where is nowadays the only bell St. Apollinaire. The bell is decorated by vegetable ornaments and a relief of St. Apollinaire.
In 1508, or 914 Hijri by the Muslim calendar, Kebir-Jami mosque was dedicated. Writing at the entrance of the mosque in Arabic language states: "This mosque was built for the Glory of the Mightiness of the Khan Meñli I Giray, may Allah forgive all sins of himself and his children in the month of Muharram in the year of nine hundred and fourteen". It is believed that the white walls of the mosque gave name to the medieval city of Aqmescit (White Mosque). Through the years the mosque has undergone reconstruction many times.
The Debt – 1917 In her youth she was a Broadway leading lady, starring in plays such as the 1915 comedy Sadie Love. In 1921, Dorothy Parker memorialized her in verse: > If all the tears you shed so lavishly / Were gathered, as they left each > brimming eye. / And were collected in a crystal sea, / The envious ocean > would curl up and dry— / So awful in its mightiness, that lake, / So > fathomless, that clear and salty deep. / For, oh, it seems your gentle heart > must break, / To see you weep.
Rejection of the gifts of God is called blasphemy of the Holy Spirit (gifts of grace, faith, life).We receive the grace of Christ in the Holy Spirit, and without the Holy Spirit no one can have faith in Christ (I Cor. 12:3)Cyril of Alexandria: "For it is unworkable for the soul of man to achieve any of the goods, namely, to control its own passions and to escape the mightiness of the sharp trap of the devil, unless he is fortified by the grace of the Holy Spirit and on this count he has Christ himself in his soul." (Against Julian, 3) The first who defined this teaching was John Cassian, 4th-century Church Father, and a pupil of John Chrysostom, and all Eastern Fathers accept it.
The "Magnus inscription", a Latin inscription on 15 voussoirs arranged as a semi-circular arch, rescued by a local antiquarian from the rubble when the chancel of the old church was demolished in 1587 and erected in the wall of the nave in 1635, was reset, also surrounding a grave-slab, in the east exterior wall of the new church. The original stones, dating from around 1200, are in a medieval Lombardic script, but several have been re-carved. The inscription reads "Clauditur hic miles Danorum regia proles Mangnus nomen ei mangne nota progeniei; deponens mangnum se moribus induit agnum, prepete pro vita fit parvulus anachorita", which translates as "There enters this cell a warrior of Denmark's royal race; Magnus his name, mark of mighty lineage. Casting off his Mightiness he takes the Lamb's mildness, and to gain everlasting life becomes a lowly anchorite".
The power struggle between the two key characters in Christ and Satan is emphasized through context, alliteration, and theme; with a heavy emphasis on the great measure (ametan) of God. From the very beginning of the piece, the reader is reminded and expected to know the power and mightiness of God, the creator of the universe: :“þæt wearð underne eorðbuendum :Þæt meotod hæfde miht and strengðo :Ða he gefastnade foldan sceatas” (1-3) :“It has become manifested to men of earth that the measurer had might :and strength when he put together the regions of the earth” In all three parts of Christ and Satan, Christ's might is triumphant against Satan and his demons.Sleeth 14 Alliteration combines and emphasizes these comparisons. The two words metan "meet" and ametan "measure" play with Satan's measuring of hell and his meeting of Christ,Wehlau 291 caritas and cupiditas,Sleeth 14.
The Magnus inscription One possible clue hints that Magnus may have survived these events and gone into religious retirement in Sussex, the original home of the House of Godwin. An ancient monument now built into an outer wall of the Church of St John sub Castro, Lewes has a Latin inscription which has been translated thus: > There enters this cell a warrior of Denmark's royal race; Magnus his name, > mark of mighty lineage. Casting off his Mightiness he takes the lamb's > mildness, and to gain everlasting life becomes a lowly anchorite. A tradition recorded in the early 19th century states that this was Magnus Haroldson, and certainly he was a relation of the Danish royal family through his greatuncle Ulf, father of King Sweyn II. This interpretation was taken seriously by the eminent historian Frank Barlow, though the style of lettering of the inscription may be of too late a date, perhaps c. 1200.
One critic wrote that this film's message was that a command to kill eighty-three Yemeni people was completely justified, since the Yemeni in this film were portrayed as hateful marine-killers as well as anti-American terrorists. Some film critics were outraged by the film and commented on how no attempts were made to humanize the Yemeni, but rather, portray them as stock villains; human cattle that were ready for herding and slaughter to demonstrate the righteousness and mightiness of the US officer's role. Hussein Ibish, who is a spokesman for the American-Arab Anti Discrimination Committee, described this film as one of the most racist films that was ever produced about Arabs. Other critics of the movie saw it as unrealistic and that the Hollywood industry was running out of villains to place in their films, so they just stuck with the violent Arab characters. Critics saw that the film was sending a message that as long as there is an Americans’ life at stake, it is acceptable to kill foreigners to save the American.

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