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"male chauvinist" Definitions
  1. a man who believes men are more important, more intelligent or better than women

105 Sentences With "male chauvinist"

How to use male chauvinist in a sentence? Find typical usage patterns (collocations)/phrases/context for "male chauvinist" and check conjugation/comparative form for "male chauvinist". Mastering all the usages of "male chauvinist" from sentence examples published by news publications.

It especially sucks when your boss is a male chauvinist pig.
Yet the old, especially in male chauvinist form, never goes quietly.
The Louisville Zoo may have a male chauvinist gorilla in its midst.
We now know that Trump is no run-of-the-mill male chauvinist.
If he were a total male chauvinist pig he would never allow that.
At the net, King handed Riggs a squirming piglet—code for male chauvinist pig.
The campaign became a battle of two caricatures: male chauvinist pig against scheming, dishonest woman.
Riggs gave them permission to call themselves male chauvinist pigs and be proud of it.
Ricky Martin is such a male chauvinist that he f---- men because women don't measure up.
"For the record I'm far from a misogynist, a male chauvinist, or flat-out mean," he continued.
" The commissioned article, by Morton Hunt, ran with the headline "Up Against the Wall, Male Chauvinist Pig.
" Of Martin, Sobrino wrote: "[He] is such a male chauvinist that he f—- men because women don't measure up.
The Spanish legislator called the remarks "a racist and male-chauvinist insult to the southern countries, and their women".
Carly Fiorina will get a chance to prove that it takes a female running mate to stop a male chauvinist pig.
The character's name is Joan-Marc Miró-Puig, he of the cranky, parochial prejudices du jour, a bigoted, male chauvinist, homophobic rat.
On September 20, 1973, 50 million viewers tuned in to watch a male chauvinist go up against a much more qualified woman opponent.
Published in the May 1970 edition, Hunt's "Up Against the Wall, Male Chauvinist Pig!" reads like something out of a men's rights chat room.
I say that even though I have never been a huge fan of Jefferson, who was possibly the worst male chauvinist in Founding Fatherdom.
For the record I'm far from a misogynist, a male chauvinist or flat out mean….. My intentions were there but my delivery f—ing horrible….
The premise is simple: Extreme male chauvinist bumps his head on a Paris street sign, passes out and wakes up in a gender-reversed world.
Mr. Crumb's cartoonish, leering depictions of women's bodies — all powerhouse legs and enormous behinds — have wrongly earned him the moniker of "male chauvinist pig," she insisted.
Male chauvinist aggression in poor neighbourhoods force lesbians to be discreet about their love lives, said Juno Griz, attending the Ipanema mermaid competition with her girlfriend.
" In discussing Puerto Rican singer Ricky Martin's sexuality, Rosselló wrote, "Ricky Martin is such a male chauvinist that he f***ed men because women don't measure up.
This one is about the media circus around the exhibition tennis match between feminist pioneer Billie Jean King (Emma Stone) and self-styled male chauvinist Bobby Riggs (Steve Carell).
That was the same season she agreed to face 55-year-old Bobby Riggs, the self-proclaimed "male chauvinist pig," who routed her in straight sets in Ramona, Calif.
Riggs had staked out a role as the "male chauvinist pig" in counterpoint to King, a renowned feminist and one of the best players in the history of women's tennis.
Most of them are MCPs (male chauvinist pigs), and the people that need to blamed are those mothers and fathers who are inculcating these dated, old-school teachings to their sons.
This first-rate film very amusingly tells the true story of self-styled male-chauvinist pig Bobby Riggs's efforts to defeat Billie Jean King in a landmark singles-tennis matchup in 1973.
Since the #MeToo movement, his once celebrated film "Manhattan" has emerged as the archetypal work of male-chauvinist art, a byword, for some, for everything that's wrong with Hollywood and the patriarchy.
She was a feminist symbol and the first female athlete to win more than $100,000 in a single year; he was a self-avowed male chauvinist pig who liked to gamble big.
In an evening, the would-be first female president was shoved to the side by what a sizable chunk of the nation saw as that classic historical figure: the male chauvinist pig.
One time she cited Bret Easton Ellis as an inspiration in an interview, and when it caused a ripple of feminist backlash — how could she appreciate the work of a male chauvinist?
The men were members of a group called the "Proud Boys", a male-chauvinist organisation founded by Gavin McInnes, a co-founder of Vice (the media company cut ties with him in 2008).
There are glimmers of friction between parent and child: Fadiman acknowledges, for example, that her father was a "male chauvinist" who belittled women and expected less of his daughter than of his sons.
"I ask myself and I ask you, is it possible for a Church that is still too male chauvinist to be able to question itself truthfully about this high demand by clients?" she said.
I know Jefferson was a great champion of freedom of speech, so I usually restrain myself from pointing out that he was possibly the most appalling male chauvinist even in his extremely chauvinistic age.
And, on a September night at the Astrodome in Houston, she epitomized her crusade for gender equality when she handily beat Bobby Riggs, a self-described male chauvinist pig, in the Battle of the Sexes.
In a long-ago era when Mel Gibson and Helen Hunt were both bankable movie stars, the pair teamed up for this romantic comedy, which depicted Gibson as a male chauvinist who becomes capable of psychically hearing women's thoughts after an accident with a hair dryer.
And while it's a sad commentary on women's rights in America that "male chauvinist pig versus hairy-legged feminist," as Riggs puts it in the trailer, is a war still being fought today, at least we know this particular skirmish (decades-old spoiler alert!) has a happy ending.
Men in crisis are nothing new and were certainly in abundance at the festival, including in "Battle of the Sexes," Valerie Faris and Jonathan Dayton's enjoyable fictional gloss on the tennis-court showdown between Billie Jean King (Emma Stone) and her self-declared male-chauvinist pig rival, Bobby Riggs (Steve Carell).
"Aside from asking for the governor to resign, we demand the government to declare a state of emergency over the male chauvinist (machista) violence in Puerto Rico, we want to abolish the Promesa law, pause the bankruptcy process taking place in a federal court during this crisis, and annul the bonus accords negotiated by the Junta until the debt is audited," Jaramillo said.
Those who weren't alive or were barely cognizant in 1973 might be hard-pressed to believe the circus-like atmosphere that surrounded this televised showdown, with Riggs -- a notorious tennis hustler, looking for thrills and a payday at the age of 55 -- dreaming up the idea of playing against a top-ranked woman, eagerly feeding off the publicity as a male chauvinist pig eager to strike a blow against women's lib.
When this film came out last year, audiences unfamiliar with the actual 1973 exhibition tennis match in which Billie Jean King, a 29-year-old feminist tennis star, faced off against Bobby Riggs, a 55-year-old self-proclaimed "male chauvinist pig," might have had trouble believing the historical accuracy of details like Riggs's "Sugar Daddy"-branded clothing and Ms. King's being lifted onto the court by a group of shirtless muscle men.
Spending controls are essential for solid and lasting wellbeing of the state * Guarantee coexistence in Catalonia and normalise political life there after a secession crisis by promoting dialogue and seeking understanding, always based on the Spanish Constitution * Strengthen autonomy of the regions, guaranteeing equality for all Spaniards * Fight corruption * Protect public services, especially in education and healthcare * Ensure the sustainability of the pension system and pension adjustments to the cost of living * Housing as a right and not a commodity * Fight climate change * Strengthen small and medium-sized companies, make a push for reindustrialisation * Ensure the right to dignified death, euthanasia * Safeguard diversity, fight male chauvinist violence, promote gender equality.
Mahkizmo, also known as the Nuclear Man, is a fictional character in the Marvel Universe. As his name suggests, he is an extreme male chauvinist.
Niharika Chatterjee is the wife of public prosecutor Arindam Chatterjee. Arindam is a dominating husband who is a male chauvinist. He dominates Niharika. Thus, Niharika is unhappy with her marriage life.
Pendulo tried to imbue the game with a feminist outlook; Monchan called Hollywood Monsters "a bit male chauvinist" in retrospect. The Next Big Thing launched in the United States on April 21, 2011. In late 2012, it received an iOS release under the name Hollywood Monsters.
Mailer's director character was considered a male chauvinist. At one point in the film, referring to his ability to analyze women, Kingsley says, "I wish women were horses. I would be a multi-millionaire." His take on the Hollywood casting couch portrayed a director conducting cruel interviews with women.
The series took a humorous approach to feminist topics during International Women's Year. One recurring segment featured Dave Broadfoot who portrayed a male chauvinist and was pied for his behaviour. Florynce Kennedy also hosted a regular opinion segment. A "Shiny Golden Porker" award was announced to identify cases of media sexism.
In 1978 she was made the captain of the team. She remains the third highest wicket taker in Tests. In 1986 Edulji was refused entry to the Lord's Pavilion while captaining India on their tour of England. She quipped that the MCC (Marylebone Cricket Club) should change its name to MCP ("male chauvinist pigs").
Of the sixteen people contacted, thirteen people responded. One person – artist Janis Campbell – refused, accusing the group of being "male chauvinist pigs." General Idea took her response as an entry. The pageant was conceived of and executed as if it was a live-broadcast televised spectacle, and appropriated all of its conventions, including glamorous pre-show red carpet arrival.
Nightclub manager Darnell Wright (Martin Lawrence) is a perpetual playboy and hopeless male chauvinist. He works for a nightclub called Chocolate City and aspires to be its owner. He trades VIP privileges at the club for favors from women. Though he is an expert at conning women, he sometimes worries about what his childhood sweetheart Mia (Regina King) thinks of his adventures.
Their relationship turns into an affair, much to the dismay of Gail's mother (Sada Thompson) and her old friend, Ben (Barry Newman), a male chauvinist who is romantically pursuing her. ... Gail Who must decide between Marjorie and Ben, chooses neither. Again, her choice seems to be between lifestyles, not individuals. Like Gail, television was still not ready to commit either way.
Authors Ken Bielen and Ben Urish describe "Sisters, O Sisters" as a "cheerful feminist anthem." John Blaney calls it "Ono's open letter to her oppressed sisters." Before the song begins on the album there is spoken dialogue in which Ono refers to the "male chauvinist pig engineer" and Lennon responds "right on, sister." The song's lyrics encourage women to use their power to improve the world.
MacArthur has stated that he opposes "male chauvinist and feminist views". He has a complementarian view on gender roles and considers that the Bible does not allow women to preach to men or exercise authority in churches, and believes that the Biblical roles of elder and pastor are restricted to men. To this end he cites the biblical passage of 1 Timothy 2:11-12.
Dawson also called Darren "an opportunist" and a "male chauvinist pig". Darren's earlier appearance including his "customary string vests and bling" (2009). On the character's transformation Dawson told Digital Spy that when Darren was younger he was "just a horrible child and he had nothing nice to say about anyone" before Darren matured and softened. Dawson added that it was nice to see a different side to the character.
The male-chauvinist Vicky has no chance with the progressive-minded Navdeep. Even Singh, the man who she admires enough to call a friend, is in for a shock. Navdeep doesn’t want to get married; she’s intent on being the guardian of her loving parents because the family lacks a male heir. Singh tests his own view of women by agreeing to all of Navdeep’s demands, including becoming a ghar jamai.
She quipped that the MCC should change its name to MCP ("male chauvinist pigs"). In 2004, the pavilion was closed for a major refurbishment costing £8.2 million. The pavilion seating was extended to the upper levels and certain historic areas, such as the Long Room, were refurbished and redecorated. The only batsman to hit a ball over the top of the pavilion has been Albert Trott in 1889.
On Guard went on to publish their own newspaper with Hicks as the editor. In typical male chauvinist fashion, Sarah E. Wright was by-passed and her contribution as founder ignored. Hicks was executive director of the Monroe Defense Committee in support of Robert F. Williams, and was active in the Fair Play for Cuba Committee. He was one of the founders of Umbra Magazine, with poet and writer Tom Dent.
Thorkil Vanggaard (1910–1998) was a Danish psychiatrist and doctor. After becoming an MD in 1938, Vanggaard obtained the higher doctorate in 1941. After the war he studied psychoanalysis in the United States and in 1960 became a senior physician at the National Hospital in Copenhagen. Although his critics have called him arrogant and a male chauvinist, fellow psychiatrist Preben Hertoft in his memoirs described both good and bad qualities of Vanggaard.
Musically, it contains booming synthesizers, a four-on-the- floor chorus, while lyrically exploring themes of love. Comparisons were established between "Locked Out of Heaven" and the rock/reggae style used by English band The Police. "Gorilla" was described by Mars as being about "good old animalistic sex". The track portrays a midtempo rock and soft rock song, while lyrically expressing male chauvinist sentiments and making reference to his 2010 arrest for cocaine possession.
Clannad dedicated "Rí na Cruinne", the opening track, was included on the One World One Voice charity album to raise awareness of environmental issues. In 1991, Clannad released a duet with Paul Young, a cover version of the Joni Mitchell song "Both Sides Now". The track had been put together for the Blake Edwards film Switch, featuring Ellen Barkin. In the storyline, a nasty male chauvinist, is reincarnated as an attractive female.
Following the comment he was forced to resign from his post on the Democratic National Committee's Committee on National Priorities. His assertion was refuted by leaders of the women's movement, including endocrinologist Estelle Ramey. Berman self-identified as a male chauvinist and wrote the 1982 book The Compleat Chauvinist: A Survival Guide for the Bedeviled Male. He considered the book to be revenge against "militant feminists", who he referred to as "Steingreers" and "Steinzugs".
The expedition was organised by Arlene Blum after she returned from an Everest expedition "marred by male chauvinist traits". Irene Miller recommended Komarkova immediately as they had ascended Mount Doonerak together and her Alaskan exploits were well known. To raise funds for the 1978 expedition, the team sold T-shirts with the slogan "A woman's place is on top". The T-shirts sales raised $60,000, which was over 75% of the estimated costs of the expedition.
2013 saw him star in another ABC sitcom, Back in the Game, opposite James Caan and Maggie Lawson. He had a significant arc on Showtime's Masters of Sex as teacher and football coach Paul Edley, and played male chauvinist Brent throughout the final season of The Good Place. Koldyke was seen on the big screen in 2016 in a supporting role for Disney's The Finest Hours alongside Chris Pine, Casey Affleck, Eric Bana, and Ben Foster.
He is portrayed as an incorrigible male chauvinist whose only long-term female relationship is with his mother. He dates Connie Poirier for a time after her relationship with Phil Richards ends. However, Connie has shown more interest in another man, and Ted starts a relationship with his secretary Irene; marrying her just months before Connie moves to Thunder Bay. Ted is unfaithful to Irene and she walks out on him, later divorcing him for adultery.
Gafurov is generally believed to be the prototype of the main hero of Darya Mitina's humoristic short stories - "The highest level of relations" and "Talks in bed". He is depicted as a simple-minded, naive, henpecked husband who pretends to be an ultra male chauvinist putting him in funny situations because of it. Gafurov is a frontman at Russian Internet-TV weekly shows at www.pravda.ru : Point of view: Orient, Point of view: Economy and Point of view: Behind the Ocean.
In 1958, Hofmann closed his schools in order to devote himself exclusively to his own creative work. In 1963, The Museum of Modern Art curated the traveling exhibit "Hans Hofmann and His Students," which included 58 works representing 51 artists. Despite being credited with teaching a number of the most gifted women artists of the period—at a time when they were still somewhat rare—Hofmann has sometimes been described as exhibiting a “straightforward male chauvinist posture.”Gaze, Delia (Editor).
In the miniseries "Thanos Quest" he killed off an entire planetary population of soldiers just for sport."Thanos Quest," Volume I, Issue 1: "Schemes and Dreams." Later he assumed leadership of another planet and indifferently set the population to civil war, to provoke worthy challengers into seeking him out to put a stop to it. He is a strong male chauvinist, and does not consider women as opponents worthy of him, only "appreciating" their value as courtesans or breeding-stock.
Boomerang is a 1992 American romantic comedy film directed by Reginald Hudlin. The film stars Eddie Murphy as Marcus Graham, a hotshot advertising executive who also happens to be an insatiable womanizer and male chauvinist. When he meets his new boss, Jacqueline Broyer (Robin Givens), Marcus discovers that she is essentially a female version of himself, and realizes he is receiving the same treatment that he delivers to others. The film also features Halle Berry, David Alan Grier, Martin Lawrence, Grace Jones, and Chris Rock.
Marina decides to leave Adeel thinking him as a male chauvinist but Salman tells her that it is she who is a problem in living with and must not leave Adeel as he truly loves her. Marina apologizes to Adeel for her headstrong behavior and lives a happy life with him and even plans for a child. Soni and Naeel refuse to stay with Hashim and stay with Henna and often meet Zee. Soni tells Henna to get back with Salman as he is a nice person.
The articles included both a positive modern review of the artist's work, as well as a biographical section which included why the artist was looked over. The Feminist Art Journal was also used as a space where gender discrimination within the art world was called out. In the first two editions of The Feminist Art Journal a column called "Male Chauvinist Exposé" was featured in the journal. Both individual people and institutions, spanning newspapers, museums, and universities were denounced for sexist language and actions.
Molly Thatcher (Lee Remick) is a stockbroker languishing in a New York company run by male chauvinist Bullard Bear (Jim Backus). When the company does poorly, he has to fire somebody. As the only female broker, Molly is the obvious choice since dismissing a male broker would make people think the company is in trouble. He assigns her the seemingly impossible task of unloading shares of an obscure company called Universal Widgets, figuring that she will fail, and he will have an excuse to fire her.
She explained that "it was only ever intended to be quite a short-term thing". Dawson also said that he was initially surprised when their characters were paired together, adding that the initial scene in which the pair got together was "absolutely hilarious. Darren just looked up and there she was!" Dawson explained that the two are "complete opposites" as Darren is a "male chauvinist pig" while Nancy is a "feminist" but "somewhere in all the madness, they seem to be on the same page".
The implication is that her father's death caused Andrews's character to renounce childhood and become a cold, frigid person. A second scene, taking place at the end of the film, has Sally's character arrive at the home of her would-be lover after the dream, where he reveals that he still loves her, "despite everything." When Felix rewrites the film to make it into soft porn, changes are made: Sally's character goes from sexually frigid to being a nymphomaniac. Her lover goes from male chauvinist to being a secret cross dresser.
London: Puffin Modern Classics. . In later printings of the same edition, however, this part of the afterword is excised. In the New York Times Book Review essay "Male Chauvinist Rabbits", Selma G. Lanes alleges that the does are only "instruments of reproduction to save his male rabbits' triumph from becoming a hollow victory." Lanes argued that this view of female rabbits came from Adams rather than his source text, Ronald Lockley's The Private Life of the Rabbit in which the rabbit world is matriarchal, and new warrens are initiated by dissatisfied young females.
Lena made detective in only eight years, when she became the youngest person (at 33) and only woman on the senior squad. She was teamed up with Frank Wallace, a male chauvinist two years from retirement who didn't think women had any business being on the force, much less being partnered with him. Predictably, they butted heads at every turn, but also developed a grudging respect for each other. Sibyl, who was gay, lived with her lover Nan Thomas, something Lena was never comfortable with and was selfishly homophobic in regards to the loving couple.
He came to the conclusion that the puzzles, inventory, characters and overall quality fell below current standards. Monchan also believed that the first game was "a bit male chauvinist" in its use of female characters, particularly Sue Bergman, whom he considered an ornamental, submissive woman whose agency in the plot was vastly overshadowed by that of the male lead. The team later stated that she "left a lot to be desired" as a character. In one of its first major changes to the Hollywood Monsters formula, Pendulo chose to replace the protagonists.
Joan Semmel, like said before, contained a fascination with the human body and including it within her art pieces in a sensual form. But, unlike her male chauvinist counterparts, she believed that women need to be represented how they should have always been presented within the art community; without categorizing females as a whole. Semmel takes us back to looking at the whole concept between an individual who is naked and one who is nude. The “Ways of Seeing” allows us to understand that “To be naked is to be oneself.
Moby had two cameo appearances in the 2010s: the first one was in an Italian story from 2010,Coa-Inducks - Page to the comic story Zio Paperone imperatore domestico and the second one was in the Darkwing Duck / Ducktales crossover called "Dangerous Currency" from 2011. Moby has a quick temper and he can be really rude sometimes, not showing any remorse when he acts this way. He also shows a male chauvinist behavior in some stories. Moby is a disaster as a whaler, but a good sailor in general.
Yasmine Kandil began her career working in Cairo with Mohammed Sobhy, with one of the country's leading directors. While doing this work, she discovered that "the mainstream milieu of theatre directors, actors, and producers was quite corrupt, sexist, and male chauvinist" (Kandil, 2015). This provoked her to move away from mainstream theatre and to commit to the development of theatre that reflected her values and beliefs. She then worked with a group of theatre graduates and friends to create Yaaru, an independent devised theatre company which trained themselves in the art of improvisation and devising skills.
I've been called a > sexist and a male chauvinist. There was a really great article in San > Francisco's paper the Guardian, which was called "10 Reasons Why You Should > Not Like Louis XIV"; it was one of my favorite articles I've ever read about > us. As it was all about the music being some of the best in the last 20 > years, but that we were irresponsible morally, so everyone should avoid it. > Its so far from the truth but I've even been called a racist when I used the > terms "Chocolate Girl" and "Vanilla Girl".
Pendulo began developing The Next Big Thing in the late 2000s. Hollywood Monsters had been a success in Southern Europe, and Pendulo reported consistent fan requests for a sequel in the following years. The company planned The Next Big Thing as a remake, but decided that the original's flaws—both in design and in what the developers retrospectively called its "male chauvinist" outlook—necessitated an overhaul. As a result, Pendulo reworked the puzzles, game structure, plot and characters; significant time was dedicated to writing the new female protagonist Liz Allaire, to imbue the game with a feminist ethos.
The next year, however, ABC decided to pair Reasoner with a new co-anchor, former Today Show co-host Barbara Walters; ABC had gone to great lengths to hire her away from NBC. Walters and Reasoner did not enjoy a close relationship; Reasoner did not like sharing the spotlight with a co-anchor and also was uncomfortable with Walters' celebrity status. Many also believed that Reasoner disliked the idea of a woman anchoring the network news; one woman at ABC told a reporter that he was a "male chauvinist pig." He had a history of antifeminist editorializing on air.
He, being a male chauvinist, always viewed the more family oriented Nick as his heir apparent. Her struggle to get her father’s recognition is what fueled her." She also stated that while watching the series, there was "the sense that women could, if that was what interested them, be power players". Of Victoria's choice to leave Newman Enterprises, Bibel wrote: "For Victoria, it came across as giving up Peggy Olsen’s life for Betty Draper’s. I was also peeved by her telling her mother that she didn’t have the first idea of how to become an author.
Kaplan is a singer- songwriter, producer and composer and the instruments he plays are saxophone, Clarinet, flute and piccolo. His saxophone playing and sax solos can be heard on over 150 songs that made it to the top 10. The songs he has played on are "1-2-3" by Len Barry, "The Locomotion" by Little Eva, "Mandy" by Barry Manilow, "Breaking Up is Hard to Do" by Neil Sedaka and "Sunday Will Never Be the Same" by Spanky & Our Gang.Freenotes Kaplan, Artie In 1972 he released an album with the title Confessions of a Male Chauvinist Pig.
In 1986 Diana Edulji was refused entry to the Lord's Pavilion while captaining India on their tour of England, because at that time women were not allowed inside the building. She quipped that the MCC should change its name to MCP ("male chauvinist pigs"). The club's members persistently refused to allow female membership well into the 1990s, with club ballots on the change unable to attract the two-thirds majority amongst the membership required for implementation. The move to change was spearheaded by Rachael Heyhoe Flint who applied as "R Flint" to slip into the male-only application system.
A young female softball player Paula Fradkin (Robyn Barto) is obsessed with baseball. Paula travels to Fort Lauderdale during Spring Training and tries to convince the Denver Devil's owner Sandy (Harry Hamlin) and manager Lou (Dana Elcar) to let her try-out for the team. Her assault major league's gender barrier is finally made possible when team owner Sandy, a male-chauvinist and bachelor, is attracted to Fradkin's personal manager Liz (Mimi Rogers). Paula performs well in training, but the fact that the new player at second base is female leads to resentment among both players and officials.
Inés, Eva and Carmen, three women of different generations, work as private detectives for an investigation agency run by Valbuena, their male chauvinist boss. Inés, the youngest and most ambitious of the three is assigned to work undercover as an employee in a factory to spy on the activities of its union leaders. However, her investigation brings her face to face with a difficult emotional and ethical decision. Initially, she hoped to move through the ranks by working on this case, but her plans go awry when she begins to empathize with and develop feelings for Manuel, one of the key union members she is investigating.
Oscar released with his 1981 homonymous album the Bensonhurst Blues, written by Artie Kaplan & Artie Kornfeld, and produced by the EMI Records. The Bensonhurst Blues, which is considered to be Oscar’s best hit, was part of the soundtrack of the 1999 movie La Bûche. Earlier it was on the soundtrack of the film Pour la Peau d’un Flic (1979) which features Alain Delon. The earliest version of that song is that of Artie Kaplan in his 1973 album Confessions Of A Male Chauvinist Pig produced by the Hopi Records. The Italian singer Adriano Celentano, in his 2004 album C’é Sempre un Motivo, included an Italian version, named Vengo del Jazz.
The principles discovered by Price and Moore were later used to design and develop hormonal birth control. Although Price originally came up with the negative feedback theory to explain her and Moore's contradictory data, the framework was termed "Moore-Price theory" and Moore was first author on all published papers. Later, Price would be quoted saying that at that time, "women were not really considered scientifically equal to men", Moore was a "male chauvinist" but "did not realize the depth of his own prejudice". However, Moore and Price had a positive research relationship, and she wrote his memorial biography for the National Academy of Sciences.
They played "a sleazoid male chauvinist comedy duo who exchange off-color ethnic jokes and prance around in suits and ties like Steve Martin on PCP". His brother, Dave, performed in the show and in a separate act. Higgins was praised for his ability of knowing "when to go over the top and when to rein it in", and how he was able to be "acutely tuned in to the comings and goings around them and know how to play off each other". Soon after, Higgins went on to become a writer for the short-lived MTV programs Trashed and The Jon Stewart Show.
Dissatisfied with being a widow, Shen remarried but found her second husband, Xu Qingyu (), too much of a male chauvinist; the relationship ended in divorce in 1931. After her father's company filed for bankruptcy, Shen moved to Shanghai where she was recruited as assistant editor and Japanese translator for the Chinese-language current affairs journal Shishi leibian () published by the Zhongshan Culture and Education Bureau. In Shishi and elsewhere, Shen would occasionally use the pseudonym "Chenyan" or simply sign off as "Zi". In Shanghai, while keenly following the May Fourth Movement, Shen acquainted herself with leftists and Communist Party of China (CPC) members alike; with their support, she became founding editor of the women's magazine Funü shenghuo () in 1935.
Three friends from Iowa go to California for the summer, rent an apartment together and teach at the same high school. PE teacher Conklin (Candice Rialson) coaches an all-girl football team despite the opposition of the resident coach (Dick Miller), and romances one of the male teachers. Sally (Pat Anderson) teaches photography and despite being engaged to a man back home, has affairs with an eccentric rock star with a food fetish, and with a male chauvinist teacher who talks her into posing nude for some photos. Chemistry teacher Denise (Rhonda Leigh Hopkins) becomes involved with one of her students, a juvenile delinquent, who is falsely accused of participating in car stealing.
Several idioms related to pigs have entered the English language, often with negative connotations of dirt, greed, or the monopolisation of resources, as in "road hog" or "server hog". As the scholar Richard Horwitz puts it, people all over the world have made pigs stand for "extremes of human joy or fear, celebration, ridicule, and repulsion". Pig names are used as epithets for negative human attributes, especially greed, gluttony, and uncleanliness, and these ascribed attributes have often led to critical comparisons between pigs and humans. "Pig" is used as a slang term for either a police officer or a male chauvinist, the latter term adopted originally by the women's liberation movement in the 1960s.
According to Keith Dunstan in The Best Australian Profiles (2004), this review was "[t]he most famous.... [Forshaw] described [The Female Eunuch] as 'the orchestrated over-the-back-fence grizzle... based on the curious fancy... we were all men, and then some fiend castrated half of us.'" Forshaw compared herself to Greer: "I'm not a middle-class lady defending her domain. My parents were working class.... I'm a housewife because I want to, I write because I want to, I love my husband who is a male, chauvinist pig and I love my two children." Thelma Forshaw died on 8 October 1995 of a stroke in her sleep, aged 72, and was survived by her husband George and their children Helene and Grea.
In interviews, Quintanilla, Jr. expressed how he feared Pérez could be a machista (Spanish for a male chauvinist), who would force Selena to end her career and music goals, a move that prevented Quintanilla, Jr. to accept Pérez as being suitable for Selena at the time. Quintanilla, Jr. later approached Pérez, apologized, accepted the marriage, and took Pérez back into the band. A month after her elopement, Selena released her third studio album, Entre a Mi Mundo, in May 1992. The album was critically acclaimed as her "breakthrough album". The recording peaked at number one on the US Billboard Regional Mexican Albums chart for eight consecutive months; it was certified 10x platinum by the RIAA for sales of 600,000 album-equivalent units, while in Mexico, the album sold 385,000 units.
El derecho de nacer tells the story of the del Junco family: Rafael (Carlos Bracho), a powerful man, a despot, and a male chauvinist; his wife Clemencia (Diana Bracho), who flees her reality with drugs; and their daughters María Elena (Kate del Castillo) and Matilde (Maite Embil), victims of their father's oppression. Their father is, to the public, a pillar of society, but in secret gives free rein to his base instincts. María Elena is seduced by Alfredo Martínez (Hugo Acosta), a compulsive gambler who flees the city in order to escape his debts, leaving the minor pregnant. Upon finding out, Don Rafael tries to abort his daughter's child, but it's too late, so he sends her to his farm so that the baby will be born there.
They argue about politics; Jack is very right wing and something of a male chauvinist, whereas Polly is a pacifist and feminist. Polly's beliefs oppose everything he stands for, and he tells her that people like her are what has brought America to ruin. When she complains that he cannot just reappear in her life after such a long absence, he comes to the point of his visit: he intends to kill her to prevent the details of his relationship with her becoming public. At the time they knew each other, Polly was an anarchist and below the legal age of consent for sex in America (at the time of their affair, Jack was stationed in England), and if Jack's involvement with her is found out, his career could be ruined.
Like most conservatives (and liberals, and others) portrayed in Breathed's work, Steve's political positions do not appear to stem from actual convictions. As a lawyer, Steve took on hopeless cases defending psychotic and obviously guilty criminals and murderers, much to the chagrin of his overbearing mother. On one occasion, he did win a case (his client had allegedly murdered her husband with an axe), but only because the jury cared more about what the woman wore than whether or not she was innocent (at one point, she found a plastic picnic knife and supposedly tried to make a fillet out of a CNN cameraman). A bachelor throughout the entire run of the strip, he was the most aggressive womanizer and most blatant male chauvinist of all the eligible males in the cartoon.
Little is seen of the movie which is the focus of the plot, except for an extended dream sequence and a brief shot close to the end. The title is Night Wind, which provokes the headline "Critics Break Wind" seen on a copy of Variety at the start of S.O.B. after the initial flop. The plot of Night Wind is kept vague; it involves a frigid businesswoman (played by Sally) whose inability to love a "male chauvinist" rival executive stems from a childhood trauma that led to her sexual detachment. The climax of Night Wind is the first scene of S.O.B., an elaborate song and dance sequence set to "Polly Wolly Doodle", in which Sally wanders through a room full of giant toys (several of which come to life), singing the song while dressed as a tomboy.
Luther Arkwright made his first appearance in the mid-1970s in "The Papist Affair",Reprinted in Bryan Talbot's Brainstorm: The complete Chester P Hackenbush and other underground classics, a short strip for Brainstorm Comix where Arkwright teamed up with a group of cigar-chewing biker nuns to recover the sacred relics of St. Adolf of Nuremberg from "a buncha male chauvinist priests". The first parts of The Adventures of Luther Arkwright followed as a serial in the British underground comic Near Myths in 1978, were later continued in pssst! magazine, then interrupted in 1982, less than half complete. Between 1987 and 1989 Bryan Talbot completed the story, which was published as a series of nine standard comic books by Valkyrie Press, followed, at readers' request, by a tenth issue containing articles about the history and production of the comic and some extended back story and character information.
Both Sides of Time takes place in Stratton Point in 1895 which was inspired by a beach named Tod's Point, according to Caroline B. Cooney, who stated that as a child she used to live some miles away from this beach. This area had Cooney initially choose to have Mr. Tod as a villain, but further research on him changed her mind when she discovered his characteristics that opposed that of a typical villain. Therefore the name of the setting was changed to Stratton Point, because in the book Mr. Stratton the owner is displayed as a male chauvinist with evil traits and plays the role of one of the antagonists. The novel describes Stratton point through the eyes of Annie Lockwood, who tells of a mansion that takes up much of the area, which in 1895 was home to Hiram Stratton and his daughter and son, but in her own time, it is to be torn down due to old age.
Sara Bibel of Xfinity wrote that Victor is a male chauvinist. Although he is often considered malicious, Braeden stated that "Bill Bell was a very wise man" and that "he created someone in Victor who is a very lonely man yet also a man who can be affectionate and loving and forgiving". Shelly Fralic of the Winnipeg Free Press described Victor in 2009, stating: Fralic also described the character as being "quixotic", who is "deeply layered with arrogance and angst, imbued with all the failings and bravado that a true villain possesses, his dastardly deeds leaving him most recently responsible not only for the death of his own heart donor, but for the near-death of his granddaughter Summer from peanut poisoning". She also noted that he's been jailed, thrown in a psychiatric ward and shot, had amnesia, epilepsy among other events, but "like all villains worth their salt, he's survived it all and inspired respect, if not adoration".
The clip was thought to be "the most accessible version of the star the public had ever seen." Foster Kamer of Complex declared it a "really simple formula" and "decidedly lo-fi" in comparison to Jackson's "high-tech repertoire." Described as "just a bunch of ladies, kicking it in Janet's loft, dancing around to music", the clip was praised as "all at once golden" for Jackson's "power of seemingly limitless charisma, especially when metered out and not unleashed full-force." The publication concluded "And yet: Janet oozes sexuality as she dances with the ladies around the apartment, leaning on walls, looking up at the ceiling, possibly thinking thoughts about her then-husband René Elizondo Jr." Robert Christgau considered it among Jackson's videos which displayed "a gender equality that's almost progressive by video's pitiful male-chauvinist standards" due to Jackson's dominance over her male counterparts, in which two male dancers compete for her and seven female dancer's attention.

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