"I want her, she's the Women's Libber leader," he said.
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"I'm no women's libber," she reassures the audience, using a term that surely no woman of the 1930s ever spoke.
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"She said, 'It wasn't that I was a women's libber, it's that this is what I love to do and it's my calling,' " Ms. Day said.
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However, even though I'm a "women's libber" from the late '60s, and I feel that we should have had a female president by now, Hillary Clinton was not worthy.
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She grew up in Oklahoma in the late '70s and early '80s with her skater/bull-rider brother, her "women's libber" mother, and her part-Cherokee truck-driving father.
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Non-too- bright Secret Agent Freddy Fairweather and Women's Libber Marigold Muffett get involved in hair-raising adventures as the drama unfolds, and the planet heads for nuclear war.
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As the name of the Center suggests, its intention was to support research in women's studies. In addition to supporting scholarship, discussions, counseling, and lectures were on the agenda. In the student newspaper's "Faculty Forum" column on January 19, 1978, Pat Coontz shot down the "Women's Libber" stereotype, noting that extremist views were not characteristic of the majority of feminists. She then called out her male colleagues for contributing to a sexist campus culture.
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Ishka was conceived as a Ferengi "women's libber" that Robert Hewitt Wolfe described as transcending the stereotypical protester. Ishka did not want to end the Ferengi profit-making way of life, but wanted Ferengi females to be able to take part in it. It was immediately after Ishka's introduction in "Family Business" the idea of bringing her together with Grand Nagus Zek came about. René Auberjonois (Odo) even anticipated the pairing in an interview with Starlog for their January 1996 issue.
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Fellow doctor and ultra- militant women's libber Debby organizes a disruptive swimsuit protest at the club, to which the police respond, including Jerry. He sees a bikini-clad Jane participating at the protest and sends her home in a taxicab instead of arresting her, infuriating her. An upset Jane calls her father to talk, which makes him concerned enough to drive into town. Prostitute and aspiring porn actress Lilah asks Jerry to arrest her so she has someplace to sleep.
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Let the murdering be! Talk to the otherman .. Otherman talks to you..." Another major work is the PopArt related speaking object "Emanze" (Women's libber, 1990) which is brightly coloured on both front and back as well as Krieg – auch Tiere leiden (War animals suffer too, 1986) and also the three-dimensional installation Rocker's Tod (The death of the biker, 1989). The artist and gallery owner Peter Luft said Hünerfauth's art resembles Picasso's in spirit, wit, irony, simplicity, cogency and excursiveness. However, Luft believes that the artist transcends Picasso's stylistic devices precisely with the complexity of her speaking boxes: "The circle of her style is, as I feel, related to Picasso's.
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Speaking box The artist at work on the painting "The mongol crosses the street", 1974 Women's libber, 1990. Speaking object Irma Hünerfauth, also known as "IRMAnipulations" (31 December 1907 – 11 December 1998) was a German painter, sculptor and object artist who turned junkyard scrap into sculptures, machines and kinetic art objects that mocked consumer society. She opposed traditional academic art, rebelled against academism and followed radical contemporary art trends in post-war Germany. Through her work she is related with the concept of artists from the post-war modernity (Abstract expressionism, Fluxus, Informalism, Tachisme) as well as the Nouveau Réalisme group of artists, such as Niki de Saint-Phalle, Jean Tinguely, Arman as well as Daniel Spoerri.cf.
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