It especially sucks when your boss is a male chauvinist pig.
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If he were a total male chauvinist pig he would never allow that.
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At the net, King handed Riggs a squirming piglet—code for male chauvinist pig.
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The campaign became a battle of two caricatures: male chauvinist pig against scheming, dishonest woman.
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" The commissioned article, by Morton Hunt, ran with the headline "Up Against the Wall, Male Chauvinist Pig.
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Carly Fiorina will get a chance to prove that it takes a female running mate to stop a male chauvinist pig.
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Published in the May 1970 edition, Hunt's "Up Against the Wall, Male Chauvinist Pig!" reads like something out of a men's rights chat room.
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Mr. Crumb's cartoonish, leering depictions of women's bodies — all powerhouse legs and enormous behinds — have wrongly earned him the moniker of "male chauvinist pig," she insisted.
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That was the same season she agreed to face 55-year-old Bobby Riggs, the self-proclaimed "male chauvinist pig," who routed her in straight sets in Ramona, Calif.
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Riggs had staked out a role as the "male chauvinist pig" in counterpoint to King, a renowned feminist and one of the best players in the history of women's tennis.
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This first-rate film very amusingly tells the true story of self-styled male-chauvinist pig Bobby Riggs's efforts to defeat Billie Jean King in a landmark singles-tennis matchup in 1973.
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She was a feminist symbol and the first female athlete to win more than $100,000 in a single year; he was a self-avowed male chauvinist pig who liked to gamble big.
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In an evening, the would-be first female president was shoved to the side by what a sizable chunk of the nation saw as that classic historical figure: the male chauvinist pig.
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And, on a September night at the Astrodome in Houston, she epitomized her crusade for gender equality when she handily beat Bobby Riggs, a self-described male chauvinist pig, in the Battle of the Sexes.
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And while it's a sad commentary on women's rights in America that "male chauvinist pig versus hairy-legged feminist," as Riggs puts it in the trailer, is a war still being fought today, at least we know this particular skirmish (decades-old spoiler alert!) has a happy ending.
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Men in crisis are nothing new and were certainly in abundance at the festival, including in "Battle of the Sexes," Valerie Faris and Jonathan Dayton's enjoyable fictional gloss on the tennis-court showdown between Billie Jean King (Emma Stone) and her self-declared male-chauvinist pig rival, Bobby Riggs (Steve Carell).
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Those who weren't alive or were barely cognizant in 1973 might be hard-pressed to believe the circus-like atmosphere that surrounded this televised showdown, with Riggs -- a notorious tennis hustler, looking for thrills and a payday at the age of 55 -- dreaming up the idea of playing against a top-ranked woman, eagerly feeding off the publicity as a male chauvinist pig eager to strike a blow against women's lib.
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When this film came out last year, audiences unfamiliar with the actual 1973 exhibition tennis match in which Billie Jean King, a 29-year-old feminist tennis star, faced off against Bobby Riggs, a 55-year-old self-proclaimed "male chauvinist pig," might have had trouble believing the historical accuracy of details like Riggs's "Sugar Daddy"-branded clothing and Ms. King's being lifted onto the court by a group of shirtless muscle men.
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Authors Ken Bielen and Ben Urish describe "Sisters, O Sisters" as a "cheerful feminist anthem." John Blaney calls it "Ono's open letter to her oppressed sisters." Before the song begins on the album there is spoken dialogue in which Ono refers to the "male chauvinist pig engineer" and Lennon responds "right on, sister." The song's lyrics encourage women to use their power to improve the world.
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Dawson also called Darren "an opportunist" and a "male chauvinist pig". Darren's earlier appearance including his "customary string vests and bling" (2009). On the character's transformation Dawson told Digital Spy that when Darren was younger he was "just a horrible child and he had nothing nice to say about anyone" before Darren matured and softened. Dawson added that it was nice to see a different side to the character.
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She explained that "it was only ever intended to be quite a short-term thing". Dawson also said that he was initially surprised when their characters were paired together, adding that the initial scene in which the pair got together was "absolutely hilarious. Darren just looked up and there she was!" Dawson explained that the two are "complete opposites" as Darren is a "male chauvinist pig" while Nancy is a "feminist" but "somewhere in all the madness, they seem to be on the same page".
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The next year, however, ABC decided to pair Reasoner with a new co-anchor, former Today Show co-host Barbara Walters; ABC had gone to great lengths to hire her away from NBC. Walters and Reasoner did not enjoy a close relationship; Reasoner did not like sharing the spotlight with a co-anchor and also was uncomfortable with Walters' celebrity status. Many also believed that Reasoner disliked the idea of a woman anchoring the network news; one woman at ABC told a reporter that he was a "male chauvinist pig." He had a history of antifeminist editorializing on air.
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Kaplan is a singer- songwriter, producer and composer and the instruments he plays are saxophone, Clarinet, flute and piccolo. His saxophone playing and sax solos can be heard on over 150 songs that made it to the top 10. The songs he has played on are "1-2-3" by Len Barry, "The Locomotion" by Little Eva, "Mandy" by Barry Manilow, "Breaking Up is Hard to Do" by Neil Sedaka and "Sunday Will Never Be the Same" by Spanky & Our Gang.Freenotes Kaplan, Artie In 1972 he released an album with the title Confessions of a Male Chauvinist Pig.
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Oscar released with his 1981 homonymous album the Bensonhurst Blues, written by Artie Kaplan & Artie Kornfeld, and produced by the EMI Records. The Bensonhurst Blues, which is considered to be Oscar’s best hit, was part of the soundtrack of the 1999 movie La Bûche. Earlier it was on the soundtrack of the film Pour la Peau d’un Flic (1979) which features Alain Delon. The earliest version of that song is that of Artie Kaplan in his 1973 album Confessions Of A Male Chauvinist Pig produced by the Hopi Records. The Italian singer Adriano Celentano, in his 2004 album C’é Sempre un Motivo, included an Italian version, named Vengo del Jazz.
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According to Keith Dunstan in The Best Australian Profiles (2004), this review was "[t]he most famous.... [Forshaw] described [The Female Eunuch] as 'the orchestrated over-the-back-fence grizzle... based on the curious fancy... we were all men, and then some fiend castrated half of us.'" Forshaw compared herself to Greer: "I'm not a middle-class lady defending her domain. My parents were working class.... I'm a housewife because I want to, I write because I want to, I love my husband who is a male, chauvinist pig and I love my two children." Thelma Forshaw died on 8 October 1995 of a stroke in her sleep, aged 72, and was survived by her husband George and their children Helene and Grea.
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