And many bodies will coagulate upon commixture, whose separated natures promise no concretion.
|
|
The mode and time of the commixture are matters altogether beyond our knowledge.
|
|
The opposition of colours, though not the commixture, may be called a war.
|
|
The commixture of peat extract and adhesive was tested for adhesion at room temperature.
|
|
There is rarely any rising, but by a commixture of good and evil arts.
|
|
In the spiritual world a variety and commixture of affections is distinctly perceived in sound.
|
|
Though injured by the commixture of foreign elements, A has still much of the original story.
|
|
The repaired crenellations, the inserted patches of the walls of the outer circle, sufficiently express this commixture.
|
|
Chinese Buddhism is often spoken of as a strange and corrupt degeneration, a commixture of Indian and foreign ideas.
|
|
Prayer, Pacem mandasti, pacem dedisti, etc. The Commixture. Commixtio corporis et sanguinis D.N.J.C. sit nobis salus in vitam perpetuam. These words are not in the Bobbio or the St. Gall fragment but in the latter the commixture is ordered to be made here (mittit sacerdos sancta in calicem), and then the Pax to be given.
|
|
Neither do we this by chance, but we know beforehand of what matter and commixture, what kind of those creatures will arise.
|
|
Likewise, when sharing the eucharist, beyond the elemental commixture of bread and wine, through the sacrament of the church, one mysteriously becomes a concelebrant in the banquet of true joy.
|
|
The Leabhar Breac omits all this and only speaks (as does the Stowe tract earlier) of a fraction in two-halves, a reuniting and a commixture, the last of which in the Stowe Canon comes after the Pater Noster. There is nothing about any fraction or commixture in the Bobbio, which, like the Gelasian, goes on from the Per quem haec omnia clause to the introduction of the pater noster. In the Ambrosian rite both the breaking of bread and mingling of wine occur at this point, instead of after the pater noster, as in the Roman. [In the St. Gall fragment there are three collects (found in the Gelasian, Leonine, and Gregorian books), and a Collectio ante orationem dominicam, which ends with the same introduction to the pater noster as in Stowe and Bobbio.
|
|
The extension to the more particular "weaving" of a voice has led to a commixture of tessitura and voice type. For example, the volume (loudness) that a singer is able to maintain for dramatic effect will often influence which Fach (voice type) or tessitura they specialize in. For example, a lyric tenor may have the vocal range to sing Wagner or other dramatic roles, but to maintain the loudness required for dramatic intensity over the span of an opera performance could either inflict vocal damage or be beyond ability.
|
|
A characteristic is the commixture of grammatical and sociolinguistic aspects, as well as of linguistic and political-ideological convictions. Battisti and Salvioni's research was influenced by sympathies for the Italian irredentism, leading to the demand that speakers of Romansh should accept Italian as a Dachsprache because of their Italianity, and subsequently to linguistically justified political claims that the Romansh-speaking Graubünden should become part of Italy.Ricarda Liver (1999), Rätoromanisch – Eine Einführung in das Bündnerromanische, Tübingen: Gunter Narr, , p. 17 On the other hand, Swiss linguists regarded mere grammatical features as subordinated to sociolinguistic and historic considerations, and they strongly supported the idea of a separate "language".
|
|
It is however likely that outside crosses with Hounds or Pointers did influence its development. William Taplin in The Sportsman's Cabinet (1803–04) maintained that it was "originally produced by a commixture between the Spanish pointer and the larger breed of the English spaniel". Gordon Setter portrait We now really need not to go back to the Spaniel and its specialised development into the setting-dog, as it was called, and can be found in the work by the famous French sportsman, Gaston de Foix, Vicomte de Béarn (1331–91), who it is said owned about 1500 dogs 'brought from all countries of Europe' and was known as 'Gaston Phèbus' owing to his love for the chase. This work is called Livre de Chasse or Miroir de Phèbus, and was started in 1387.
|
|
Com: Our Sunday Visitor's Catholic Encyclopedia, pg. 255 The origins of this rite [liturgical commixture] are to be found in fermentum, during which a piece of the consecrated Bread was broken off and sent to be part of another Eucharistic celebration to show the essential unity of the Church in the Eucharistic Sacrifice. When this was no longer done, the piece was dropped into the chalice and medieval allegorical explanations were developed to explain the practice. In the 2nd century, popes sent the Eucharist to other bishops as a pledge of unity of faith, this being the origin of the expression to be in communion with each other, and such communion already considered essential to Christianity in the 2nd-century writings of St. Ignatius of Antioch and St. Irenaeus.
|
|
To be prepared for partaking of the Eucharist, the faithful bow while the celebrant says in low voice the prayer of submission, then the priest and the participants offer each other a wish of peace and the priest inaudibly prays the Father for the forgiveness of sins (The Absolution to the Father). The Elevation is similar to that in the Byzantine Rite, with the celebrant who raises the portion of the Lamb engraved with a cross (the ispadikon) crying: "The holy things for the holy ones". The priest makes a second consignation and puts gently the ispakidon in the chalice (the commixture), then he recites aloud a Confession of faith. The partaking of the Eucharist follows, first the Body of Christ given to the celebrants, to the deacons and to the faithful who approach the sanctuary without shoes and then the Blood of Christ in the same order.
|
|