It felt lighter, breezier, and had a lot more movement.
|
|
They're designed for warmth, which means they one-up your breezier bottoms.
|
|
Floorplan's breezier musical tone seemed to open Hood up spiritually as well.
|
|
" That system, she continued, gave "us cloudier conditions, breezier conditions and colder air.
|
|
And if you're in airports all the time, they make the TSA security checks just a little breezier.
|
|
The newsletter is limited to 2000 stories, meaning that it is, by design, significantly shorter and breezier than Playbook.
|
|
But if there's one thing we've learned, it's that a reliable bag can make your mornings (slightly) a little breezier.
|
|
At first I wasn't sure if I liked it, but the breezier version of the tune quickly grew on me.
|
|
In the historical episodes, it has some of the style and entertainment value of a breezier series on basic cable.
|
|
One of television's breezier comedies, NBC's "Superstore," becomes, well, really breezy for its Season 2 finale on Thursday, May 4.
|
|
Confidence: Low-Medium Friday should see more rain in the morning with mixed clouds in the afternoon, but turning breezier.
|
|
A breezier alternative is something in between, like the Glacial White Caviar Resort Cleansing Balm from the Barcelona company Miriam Quevedo ($60).
|
|
Marvel Comics stories tend to be set around New York City, and setting Runaways in Los Angeles gave the comic a breezier vibe.
|
|
Mr. Garber has a breezier take on Vandergelder than did David Hyde Pierce; the subtext of his bluster is never really in doubt.
|
|
The Amazon series returns with its breezier charms intact, but, in this third go-round, feeling like it could use some new material.
|
|
Phase 1 was John F. Kennedy going hatless for his inaugural address in 1961, signaling to all watchers that a new, breezier generation was in charge.
|
|
A breezier two-pack, "Summertime Magic" and "Feels Like Summer," followed, though little is known about the forthcoming Childish Gambino album, his first for RCA Records.
|
|
ENTERTAINMENT WEEKLY: "More Girls Like You" is your first single since Wild Ones finished its cycle last year, and it's much breezier than anything on that album.
|
|
While Washed Out is generally known for breezier, lighthearted music, the new album promises to be a little bit emotionally troubled if "Get Lost" is any indication.
|
|
Sunday sees morning to maybe midday showers, with partial clearing by afternoon and turning breezier as temperatures fall from highs in the 60s to the 40s by evening.
|
|
The alliance will make it breezier for Chinese tourists eager to pick up vitamin supplements and cosmetics from the pharmacy giant, doing away with the hassle of carrying cash.
|
|
To match the restaurant's breezier fare, the walls will be bathed in bright pops of blue and yellow, and the dark wood tables will be covered with loud floral tablecloths.
|
|
"Our Little Sister," which is played in a breezier, more comical key than those earlier films, settles in with three adult sisters who live together in the house where they grew up.
|
|
The new Life Will See You Now, out since February, is cheerier than its predecessor: tempos brisker, strings lighter, melodies breezier, songs unified by Lekman's force of persona rather than consistent narrative.
|
|
The decision not to have a host resulted in a faster, breezier event, and the surprise choice of Britain's Olivia Colman as Best Actress for "The Favourite" cemented her status as a national treasure.
|
|
But packing away your heavy-duty winter creams doesn't mean giving up on moisturizer altogether; instead, it's time to switch to something lighter and breezier, like the weightless water-based hydrators we're stocking up on right now.
|
|
We're devoted trouser-ites here on the Shopping team, and while we certainly love the odd short or two, there's nothing breezier than a pair of wide-legged pants that give your stems plenty of room to breathe while shielding them from the sun's powerful rays.
|
|
The imposing gloom of the earlier movie is replaced by a breezier attitude: if the world around you, or the nation next to you, seems just too hot and too complex to handle, try throwing a load of military muscle at the problem, and stand back.
|
|
For a breezier animal tale, try Lynne Rae Perkins's "Nuts to You," an adventure about two squirrels who leave their grove in search of their friend Jed, who — at the start of the book — is snatched away from his home and nearly becomes a hawk's lunch.
|
|
And so, starting this week, Grindr will offer to users a set of trademarked emoji, called Gaymoji — 500 icons that function as visual shorthand for terms and acts and states of being that seem funnier, breezier and less freighted with complication when rendered in cartoon form in place of words.
|
|
The ballad "Sunshine above" from the show was popular parlour song. Jones's style was similar in technique to the music of Arthur Sullivan and Cellier, which Jones had conducted for so long, but it was lighter and breezier, appealing to the popular tastes of the time.
|
|
While often overshadowed by neighboring Tavel, some critics, such as wine expert Oz Clarke, describe them as having noticeable strawberry notes and being "breezier, more refreshing" than its more prominent neighbor. However, rosés usually account for less than a fifth of this region's yearly production. Here in the sandy soil on the banks of the Rhône, Grenache makes up to 40% of the blend with Cinsault, Mourvedre, Syrah and Carignan making up the remainder.
|
|
It was broadcast live from the seats of the eminent or titled. He took over from Richard Dimbleby, the original caller who had given the programme a respectful tone. But, according to his obituary, Smith was altogether "cheerier, breezier and renowned as a charmer. When he went calling, his manner conveyed a faint threat that he might stir his tea with his pencil or absent-mindedly pinch her ladyship's bottom, thus giving the proceedings a hint of the danger that all good live TV needs".
|
|
The popular locals, recently relocated from Switzerland, have been described as a 'breath of fresh air' and a 'breezier alternative' to the prior local power couple (disgraced former residents Luke and Clarke Scholes). The village name is derived from the Old English "cwead+haefer+ingas" (Muddy settlement of Haefer),Quadring, genuki.org.uk; retrieved 25 June 2011 and is recorded in the Domesday Book as Quadheveringe and Quedhaveringe. The Grade I listed village church,"Church of St Margaret, Quadring", British Listed Buildings; retrieved 25 June 2011 dedicated to St Margaret of Antioch,"History of St Margarets Parish Church" , fenlander.
|
|
As on his previous album Human Emotions, Coe gave each side of Spectrum VII a theme: side one was called “Land Side” and side two was christened “Ocean Side.” However, unlike that album, the lyrics on Spectrum VII were breezier and more reflective. The ocean theme is apparent on the LP’s cover, which displays a shirtless Coe on a tropical beach, and in the music, as Coe had been incorporating Caribbean sounds into his delinquent mix of stone country and southern rock material. This became a bone of contention for Jimmy Buffett, who accused Coe of stealing the melody from his song “Changes in Latitudes, Changes in Attitudes" for Coe’s “Divers Do It Deeper," which appeared on the 1978 LP Family Album.
|
|
A benefit show to commemorate the 20th anniversary of human rights organisation Amnesty International, the latter was conceived by British producer Martin Lewis and was the first-ever rock concert held at the abbey. The landmark event resulted in Sky receiving considerable positive media coverage: it was also videotaped for a BBC TV special and subsequently released on home video and laserdisc. The Westminster Abbey concert was also the launch event for the band's third album, Sky 3. A generally brighter and breezier album than its predecessors, the record demonstrated Steve Gray's new and prominent compositional role within Sky, moving away from the harpsichordal and psychedelic elements of the Monkman years and taking the band towards a more jazz-influenced sound.
|
|
Edwardes also engaged Ivan Caryll as resident composer and music director at the Gaiety and soon put Caryll together with the writing team of Owen Hall, Harry Greenbank, Ross and Lionel Monckton. Edwardes and this team created a series of musical shows similar to Dorothy, but taking its lighter, breezier style a step further. These shows featured fashionable characters, tuneful music, romantic lyrics, witty banter and pretty dancing. The success of the first of these, A Gaiety Girl (1893), which played at other theatres, confirmed Edwardes on the path he was taking. For the next two decades, the "girl" musicals packed the Gaiety Theatre, including titles like The Shop Girl (1894), My Girl (1896),Hollingshead (1903), p. 74 The Circus Girl (1896), and A Runaway Girl (1898).
|
|
The Washington Post calls it "a compelling and informative attempt to make sense of the regional divides in North America in general and this country in particular", noting how American Nations builds on the foundation of David Hackett Fischer's Albion's Seed and addresses immigration and mobility with the argument that new arrivals adapt to the existing cultures. The review, like others, identifies a bias in Yankee Woodard's characterizations of Deep South. The Wall Street Journal compares American Nations to Albion's Seed and The Nine Nations and concludes, "Mr. Woodard's approach is breezier than Mr. Fischer's and more historical than Mr. Garreau's, but he has earned a place on the shelf between them", yet identifies "enough annoying errors to make one wary of its often original analysis".
|
|
" Ed Potton of The Times found Super Critical to be "breezier and more coherent [than Sounds from Nowheresville], sticking mainly to the kind of insouciant disco-funk-pop that [The Ting Tings] do so well." Sputnikmusic's Raul Stanciu viewed the album as "a short and rather sweet effort that might not launch them to the top of the charts once again, but at least confirms us they're not yet ready to fade into obscurity", while commending The Ting Tings for "creating a consistent record that not only manages to mend the damage done by its faulty predecessor, but also create a coherent, fun atmosphere." Virgin Media's Matthew Horton felt that "what Super Critical misses is one really great tune. The closest it comes is 'Green Poison's soulful grind, strangely reminiscent of Stock Aitken & Waterman's 'Roadblock', yet no cigar.
|
|
Music, called the song a "classic Sugababes: ballsy, tuneful, sassy, slightly amateurish around the edges and generally better than 99.9 per cent of whatever else masquerades under the title of pop music in 2007". Though he noted a lack of edge, blunted by the departure of former band member Mutya Buena, Webb went on declaring it "a short, sharp jolt of classic, perfect pop", giving it seven stars out of ten. By contrast, IndieLondon gave a mixed reception to the song, writing that "it taps into a breezier sound that's designed to fizz with synths, guitars and perky beats. But it doesn't work as well as past hits and lacks the same crossover appeal of earlier cuts "Round, Round" or, most notably, "Freak like Me." Tom Young of BBC called "About You Now" a "fierce opening shot.
|
|
Alexander's vocal performance drew frequent comparisons to Billy Corgan of The Smashing Pumpkins, while a review by AllMusic suggested his vocals were similar to Mick Jagger's. In Consequence of Sound, critic Justin Gerber commented that the album "made Gregg Alexander the 90's answer to Phil Spector, without the bad rap of murdering people". Many critics also compared Alexander's songwriting and vocal performance to those in earlier R&B;: The Virgin Encyclopedia of Nineties Music compared "In Need of a Miracle" to "the blue- eyed soul side of Todd Rundgren", and likened "Mother We Just Can't Get Enough" to "Style Council's breezier moments", while Spin felt "Technicolor Lover" was influenced by Prince and Paul Smith. Music critic Robert Christgau also felt that Todd Rundgren, as well as Hall & Oates, were clear influences to Alexander, also comparing the lyrics to Bob Dylan and Meat Loaf.
|
|
Classic Rock rated the album a 4/5, and believes "The Burning sounds vastly more punchy and powerful than its predecessor, while also giving the distinct impression that British Lion have evolved into a fiery and characterful ensemble with a strong identity of their own". The review continued by stating that "we are still firmly in traditional rock territory here, and Harris's love of UFO and Golden Earring remains as cheerfully conspicuous as ever, but thanks to a brighter, breezier sound and unmistakable hints of looseness and swagger, everything from the briskly uplifting title track to the brooding hulk of "Bible Black" sparkles with freshness and weirdly youthful vigour". Cryptic Rock said British Lion are one of the more interesting and intriguing side projects in Hard rock and Heavy metal today. Arguably the most dynamic and engaging bassist of his time, Steve Harris is best known for emphatically standing on stage with his foot on the amp while pounding out ferocious bass riffs for Iron Maiden.
|
|
His breezier canvases have been compared to Philip Guston's transitional pictures from the mid-1960s (and also sometimes evoke Per Kirkeby or Joan Mitchell). Richard Aldrich, Untitled, 2008, Oil and wax on panel, 19⅝ x 13½ inchesAlthough mostly abstract and casual, Aldrich's paintings also betray a distinctly literary sensibility, even as he targets what he has called the essential "unwordliness of experience." Snippets of text and random words-UFO, the numeral 4-appear as decals or pencil scrawls, while lines incised with the back of a brush suggest writing once removed. Taciturn pictures carry evocative and ungainly verbal appendages in the form of elliptical press releases or titles like Large Obsessed with Hector Guimard, 2008, a nod to the architect of Paris's Art Nouveau metro stations, or If I Paint Crowned I've Had It, Got Me, 2008, a telling paraphrase of Cézanne explaining he would be ruined if he tried to paint the "crowned" effect of a still life rather than the thing itself. Aldrich’s work proceeds from the assumption that aesthetic experience is no longer localized in any self-sufficient surface or material.
|
|