Ms. Taub is a different sort of songstress, a bit brassier and quite a lot darker.
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But the reality, unless your name is Gisele, may be a bit frizzier, drier, and brassier.
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As I mentioned on the day, this is a much deeper, brassier gold than the Apple Watch Edition.
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Two weeks after I left the salon, the soft platinum faded into a brassier color because I wasn't rinsing it out with filtered water.
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Once they graduated to the line, they adopted the brassier, saltier argot that cooking in conditions of extreme heat and pressure seemed to require.
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Some darkly rich tones provided dramatic dimension for her first-act work before a brighter, brassier sound underlined the character's hopeful delusions in the second act.
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"I believe we are going too fast and we're not thinking about the consequences of this law," said demonstrator Monique Brassier of the eastern city of Nancy.
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In Season 2, Brosnahan was even brasher and brassier than she was in the first season, reminding us why she anchors the show that bears her character's name.
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But this show felt bigger and brassier than either of those, as if the composer had decided to use every instrument in the orchestra and cast subtlety aside.
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Embodied by an expertly attuned cast that includes Zachary Levi, Jane Krakowski and a honey-throated Laura Benanti, this sumptuously produced work has a lingering and deeply satisfying sweetness usually lacking in brassier shows (19993:212).
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Embodied by an expertly attuned cast that includes Zachary Levi, Jane Krakowski and a honey-throated Laura Benanti, this sumptuously produced work has a lingering and deeply satisfying sweetness usually lacking in brassier shows (41053:41043).
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Embodied by an expertly attuned cast that includes Zachary Levi, Jane Krakowski and a honey-throated Laura Benanti, this sumptuously produced work has a lingering and deeply satisfying sweetness usually lacking in brassier shows (2420:24224).
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Embodied by an expertly attuned cast that includes Zachary Levi, Jane Krakowski and a honey-throated Laura Benanti, this sumptuously produced work has a lingering and deeply satisfying sweetness usually lacking in brassier shows (2:203).
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Embodied by an expertly attuned cast that includes Zachary Levi, Jane Krakowski and a honey-throated Laura Benanti, this sumptuously produced work has a lingering and deeply satisfying sweetness usually lacking in brassier shows (13:20).
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Embodied by an expertly attuned cast that includes Zachary Levi, Jane Krakowski and a honey-throated Laura Benanti, this sumptuously produced work has a lingering and deeply satisfying sweetness usually lacking in brassier shows (62003:20).
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Embodied by an expertly attuned cast that includes Zachary Levi, Jane Krakowski and a honey-throated Laura Benanti, this sumptuously produced work has a lingering and deeply satisfying sweetness usually lacking in brassier shows (2:20).
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But when embodied by a cast as expertly attuned as this one, which also includes a winning Zachary Levi and a scrumptious Jane Krakowski, it has a lingering and deeply satisfying sweetness usually lacking in brassier shows.
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The biggest problem, of course, is Trump, who seems happy to mold himself into a brassier American version of Vladimir Putin or Kim Jong Un. But this is a problem enabled by the GOP and right-wing media, too.
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Yet in their writings on art (by Timothy Morton, Steven Craig Hickman, Levi Bryant, Etienne Turpin, Graham Harman, and others) and noise music (by Ray Brassier), speculative realist thinkers incorporate into the banal an awareness that the cosmos is radically indifferent to our ego.
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Both the Museum of Modern Art's Contenders 2015 and the Museum of the Moving Image's Curator's Choice series tend to eschew the brassier studio fare for the likes of "In Jackson Heights" (Sunday at MoMA), Frederick Wiseman's homage to the ethnically diverse Queen's neighborhood; and "The Look of Silence," which Moving Image will show Sunday with the film's director, Joshua Oppenheimer, in attendance.
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Ray Brassier (2007), Nihil Unbound, 223–226, 234–238. Brassier then defends a radically anti-correlationist philosophy proposing that Thought is conjoined not with Being, but with Non-Being.
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Instead, drawing on thinkers such as Alain Badiou, François Laruelle, Paul Churchland and Thomas Metzinger, Brassier defends a view of the world as inherently devoid of meaning. That is, rather than avoiding nihilism, Brassier embraces it as the truth of reality. Brassier concludes from his readings of Badiou and Laruelle that the universe is founded on the nothing,Ray Brassier (2007), Nihil Unbound, 148–149. but also that philosophy is the "organon of extinction," that it is only because life is conditioned by its own extinction that there is thought at all.
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Born in France, Brassier is of Togolese descent. He is a youth international for France.
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The Guys and Dolls Book. Methuen, 1982. p. 36. and brassier orchestrations with vintage yet innovative harmonies.Mordden, Ethan.
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Along with Quentin Meillassoux, Graham Harman, and Iain Hamilton Grant, Brassier is one of the foremost philosophers of contemporary Speculative realism interested in providing a robust defence of philosophical realism in the wake of the challenges posed to it by post-Kantian critical idealism, phenomenology, post- modernism, deconstruction, or, more broadly speaking, "correlationism". Brassier is generally credited with coining the term speculative realism, though Meillassoux had earlier used the phrase speculative materialism () to refer to his own position. Brassier himself, however, does not identify with the speculative realist movement, and, further, debates that there even is such a movement, stating Brassier is strongly critical of much of contemporary philosophy for what he regards as its attempt "to stave off the 'threat' of nihilism by safeguarding the experience of meaning – characterized as the defining feature of human existence – from the Enlightenment logic of disenchantment". According to Brassier, this tendency is exemplified above all by philosophers strongly influenced by Heidegger and Wittgenstein.
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A decade ago, he was described by Scottish philosopher Ray Brassier as "the most important unknown philosopher working in Europe today"Brassier 2003, p. 24. and was described by Gilles Deleuze and Félix Guattari as "engaged in one of the most interesting undertakings of contemporary philosophy."Gilles Deleuze and Félix Guattari, What is Philosophy?, Trans.
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Laruelle further argues that the decisional structure of philosophy can only be grasped non-philosophically. In this sense, non-philosophy is a science of philosophy. Non-philosophy is not metaphilosophy because, as Laruelle scholar Ray Brassier notes, "philosophy is already metaphilosophical through its constitutive reflexivity".Ray Brassier, 'Axiomatic Heresy: The Non-Philosophy of Francois Laruelle ', Radical Philosophy 121, Sep/Oct 2003. p.
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Lilian Brassier (born 2 November 1999) is a French professional footballer who plays as a defender for the French club Brest, on loan from Rennes.
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He first attained prominence as a leading authority on the works of François Laruelle. Brassier is of mixed French-Scottish ancestry, and his family name is pronounced in the French manner.
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Credit for the name "speculative realism" is generally ascribed to Brassier,Graham Harman, "brief SR/OOO tutorial." though Meillassoux had already used the term "speculative materialism" to describe his own position. A second conference, entitled "Speculative Realism/Speculative Materialism", took place at the UWE Bristol on Friday 24 April 2009, two years after the original event at Goldsmiths.Mark Fisher, "Speculative Realism," Frieze. The line-up consisted of Ray Brassier, Iain Hamilton Grant, Graham Harman, and (in place of Meillassoux, who was unable to attend) Alberto Toscano.
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Raymond Brassier (; born 1965) is a British philosopher. He is member of the philosophy faculty at the American University of Beirut, Lebanon, known for his work in philosophical realism. He was formerly Research Fellow at the Centre for Research in Modern European Philosophy at Middlesex University, London, England. Brassier is the author of Nihil Unbound: Enlightenment and Extinction and the translator of Alain Badiou's Saint Paul: The Foundation of Universalism and Theoretical Writings and Quentin Meillassoux's After Finitude: An Essay on the Necessity of Contingency.
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In Nihil Unbound: Extinction and Enlightenment, Ray Brassier defends transcendental nihilism.Michael Austin, Paul Ennis, Fabio Gironi (2012), Speculations III, punctum books, p. 257. He maintains that philosophy has avoided the traumatic idea of extinction, instead attempting to find meaning in a world conditioned by the very idea of its own annihilation. Thus Brassier critiques both the phenomenological and hermeneutic strands of continental philosophy as well as the vitality of thinkers like Gilles Deleuze, who work to ingrain meaning in the world and stave off the "threat" of nihilism.
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Unlike more mainstream philosophers such as John McDowell, who would press philosophy into service in an attempt to bring about a "re-enchantment of the world", Brassier's work aims to "push nihilism to its ultimate conclusion". According to Brassier, "the disenchantment of the world understood as a consequence of the process whereby the Enlightenment shattered the 'great chain of being' and defaced the 'book of the world' is a necessary consequence of the coruscating potency of reason, and hence an invigorating vector of intellectual discovery, rather than a calamitous diminishment".Brassier, Ray. Nihil Unbound: Enlightenment and Extinction.
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Barker is the author of Marx Returns. The story focuses on the life of Karl Marx and his struggle to write his major work on political economy, Capital. Philosopher Ray Brassier described it as "[c]urious, funny, perplexing, and irreverent"."Marx Returns".
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In the week of 20 June 2019, Brassier signed a professional contract with Rennes and immediately went on loan with Valenciennes FC. He made his professional debut with Valenciennes in a 1–1 Ligue 2 tie with AS Nancy on 2 August 2019.
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Although often categorized as purveyors of noise music, TLASILA have been noted to pursue an unorthodox approach, "construct(ing) songs around an overwhelming plethora of sonic detail, challenging the listener to engage with a surfeit of information,"Brassier, Ray. "Genre is Obsolete." Multitudes #28. March 2007: 47.
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"Breakthrough" was composed by Jan Baars, Rajan Muse, Ronnie Icon with lyrics written by Yu Shimoji. It was described as a dramatic, brassier electro-pop sound that puts the nonet's silky smooth vocals front and center and it's "meant to evoke the feelings of a cool summer night".
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With Berlin director Christopher Roth, he has produced the film Hyperstition (2016), which draws on ontology, science fiction, and sociology to question the concept of time. Screened at several festivals in Europe and the United States, the film consists of conversations with established as well as younger philosophers such as Nick Srnicek, Elie Ayache, Ray Brassier and others.
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Some fashion writers reflected on Payne's influence, and that of Abi Harding of the Zutons, on Liverpool's "underground band scene", drawing a contrast with the "brassier" style of local WAGs such as Alex Curran and Coleen McLoughlin (wives of footballers Steven Gerrard and Wayne Rooney). Sunday Times Style remarked early in 2008 that the fashionable Korova bar in the city's Fleet Street "is so cool, you can sense Liverpool evolving from a city full of in-your-face show-offs into something far more knowing": > The girls here are different from their brassier neighbours. Yet, if they're > indie, they're still a glossy version. Peroxide bobs, red lipstick, polka- > dot shirts, good heels ... They are inspired by local success stories such > as Abby [sic] from the Zutons and Candie Payne – and united in their dislike > of Curran and co ... "Lots of girls think she [Curran] is it, but it's a > pretty sad life to be 25 and only go shopping".
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François Laruelle, Jason Barker, Ray Brassier, Laurent Carraz, Hugues Choplin, Jacques Colette, Nathalie Depraz, Oliver Feltham, Gilles Grelet, Jean-Pierre Faye, Gilbert Hottois, Jean-Luc Rannou,Jean-Luc Rannou, La non-philosophie, simplement. Une introduction synthétique, 2005, p. 238 Pierre A. Riffard, Sandrine Roux and Jordanco Sekulovski. Since then, a slew of translations and new introductions have appeared from John Ó Maoilearca (Mullarkey), Anthony Paul Smith, Rocco Gangle, Katerina Kolozova, and Alexander Galloway.
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"Stablemates" is a 36-bar number in ABA form, with each A section lasting 14 bars; it contains several ii-V-I progressions. "The Very Thought of You" and "By Myself" are played by Farmer with a cup mute. "And Now..." is an up-tempo composition by Farmer over the chord changes from 'I Got Rhythm'. The ballad "Too Late Now" has a brassier trumpet performance from Farmer, as opposed to his breathier playing on the other tracks.
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Espinosa is also featured in several other films including Sea of Dreams (2006), La Vida Inmune (2006), El Brassier de Emma (2007), The Kid: Chamaco (2009), I Miss You (2010), Vete Más Lejos, Alicia (2010), and Asteroide (2014). She also co-produced, co-wrote and starred in Los Bañistas (2014). For her lead performance in the biopic Gloria, based on the life of Mexican singer-songwriter Gloria Trevi, she received the Diosa de Plata and the Ariel Award for Best Actress.
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Jon Wise of 'The People' observed her as bolder than Liz McDonald's (Beverley Callard) make-up and brassier than Leanne Battersby (Jane Danson). Michelle has also been nominated at the National Television Awards for Best Newcomer. The Daily Mirror added that she had gained a notable army of fans because of her character's personality and Keegan's natural acting style. On Digital Spy's 2012 end of year reader poll, Keegan was nominated for "Best Female Soap Actor" and came second with 14.2% of the vote.
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Later that year, the band performed it at The Girls Aloud Party TV special held by ITV1, and at the V Festival. For 2009's Out of Control Tour, the song was given a brassier, retro arrangement and included a dance break. On 14 December 2012, the band appeared on BBC Radio 1's Live Lounge, performing the song to promote their greatest hits album Ten, and also at The Graham Norton Show the same day. To further promote the greatest hits, "Love Machine" was also included on a promotional megamix.
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"Philosophy", exhorts Brassier, "would do well to desist from issuing any further injunctions about the need to re-establish the meaningfulness of existence, the purposefulness of life, or mend the shattered concord between man and nature. It should strive to be more than a sop to the pathetic twinge of human self-esteem. Nihilism is not an existential quandary but a speculative opportunity." Brassier's work attempts to fuse elements of post-war French philosophy with ideas arising from the (largely Anglo-American) traditions of philosophical naturalism, cognitive science, and neurophilosophy.
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The company began customizing the pace and style of the music provided throughout the workday in an effort to maintain productivity. The music was programmed in 15-minute blocks, gradually getting faster in tempo and louder and brassier in instrumentation, to encourage workers to speed up their pace. Following the completion of a 15-minute segment, the music would fall silent for 15 minutes. This was partly done for technical reasons, but company-funded research also showed that alternating music with silence limited listener fatigue, and made the "stimulus" effect of Stimulus Progression more effective.
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It was also used on KFSN-TV in Fresno, WJET-24 in Erie, and KTRK-TV in Houston. WPVI uses portions of the original theme to this day and the song is still immensely popular in Philadelphia. ;MCTYW '80: Debuting on ATV-10 in Melbourne, Australia where it was used from 1981 to early 1988, this version is brassier in instrumentation with a slightly more disco feel, and is performed in B minor. It has, to date, never been used in the United States. ;MCTYW '89: Debuted on WKBW-TV, where it was used from 1989 to 1995 during the "NewsChannel 7" era.
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But Bonfá's discography also attests to his uniquely inventive mastery of Brazilian jazz guitar. Bonfá's guitar style was brassier and more penetrating than that of his major contemporary, João Gilberto, and Bonfá was a frequent and adept soloist whereas Gilberto plays his own suave, intricate brand of rhythm guitar almost exclusively. Bonfá often played solo guitar in a polyphonic style, harmonizing melody lines in a manner similar to that made famous by Wes Montgomery in the US, or playing lead and rhythm parts simultaneously. As a composer and as a guitarist, Bonfá played a pivotal role in bridging the incumbent samba-canção style with the innovations of the bossa nova movement.
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Hugh Tomlinson and Graham Burchell (New York: Columbia University Press, 1994), p. 220n5. The first English-language reception of his work (Brassier's account of Laruelle in Radical Philosophy in 2003) has been followed with a slew of introductions from John Ó Maoilearca (Mullarkey), Anthony Paul Smith, Rocco Gangle, Katerina Kolozova, and Alexander R. Galloway, as well as Brassier's own subsequent book, Nihil Unbound.Ray Brassier, Nihil Unbound. Palgrave Macmillan, 2010 Today, Laruelle's international reception is growing with dozens of titles a year translated and published in English by such publishing houses as Polity Books, Edinburgh University Press, Continuum, Palgrave Macmillan, Columbia University Press, Urbanomic/Sequence and others.
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This version of "Lies" was previewed on an NME compilation cassette given away free with their 6 May 1995 issue, almost a year before the album was released. Following gigs in Spain and Japan, the band headed back to the studio in May 1995 to begin work on further material for inclusion on the album, which, at that point, was titled In Colour. Numerous tracks recorded in this period feature the highly renowned session musicians, The Kick Horns and The Phantom Horns, adding a brassier undertone to the featured songs and marking a notable change in sound to that of the band's previous output.
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Following a successful performance while performing at the Motortown Revue, the Vandellas scored a hit with their second single, "Come and Get These Memories". The song, one of the first major compositions by the team of Holland-Dozier-Holland, charted at the top ten of the American R&B; singles chart. Their second hit, "(Love Is Like a) Heat Wave", helped the group to distinguish themselves from the other girl groups in the label including the pop-oriented Marvelettes and the doo-wop-influenced Supremes with a rougher, brassier gospel-influenced sound. Reeves was a brassy alto while Annette was a deep contralto, and Rosalind was a high soprano.
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" Maura Johnston of The Village Voice described the video as a direct homage to New Edition's "If It Isn't Love" but added that when the song's key changes start, "Beyoncé and her posse of backup dancers get a bit brassier and fancier". She further wrote that the video was something that Phil Collins "would be proud" of. Comparing the video with works by Stevie Wonder, Matthew Perpetua of Rolling Stone wrote, "compared to the over-the-top sensory overload of 'Countdown, ' the 'Love on Top' clip is very simple and straightforward, with the singer performing with backup singers and dancers in a spare room. Still, she changes wardrobe with every key change as the song reaches its euphoric climax.
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Boyz II Men's first album, Cooleyhighharmony, was released on Motown in 1991 and was produced by Michael Bivins. Cooleyhighharmonys drum-heavy new jack swing sound and multi- layered sampled backdrops were similar to that of Bell Biv DeVoe's own work, but featured classic-soul styled vocals in place of BBD's rapping and brassier singing. This style was dubbed "hip hop doo-wop" by the group and Bivins, who presented Boyz II Men and adolescent R&B; group Another Bad Creation to the public as BBD's protégés. From the beginning, Boyz II Men featured all four members as leads, avoiding the usual R&B; group arrangement of one or two lead singers and a team of background singers.
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Retrieved 1/4/07. The growth of the cable television industry in the 1980s helped support the low- budget film market, as many B movies quickly wound up as "filler" material for 24-hour cable channels or were made expressly for that purpose. The broadcast version of the midnight movie remained popular: the nationally syndicated Movie Macabre package starring Cassandra Peterson—aka Elvira, Mistress of the Dark—was essentially a brassier copy of The Vampira Show, presenting mostly low-budget horror films interspersed with Elvira's satiric commentary and abundant display of cleavage. The video rental market was also becoming central to B-film economics: Empire's financial model, for instance, relied on seeing a profit not from theatrical rentals, but only later, at the video store.
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Haunting lyrics, not exactly corny but sticky love pleas, all combined with tints of the era, still the reminiscent New Wave and adult Pop provide a cohesive and maybe more authentic album than the previous ventures. Hoodoo is the end of childlike pop and the beginning of what mature music might look like..." Speaking of the 2016 deluxe edition, Attitude writer Josh Lee stated: "...on Hoodoo she went for a rawer, more aggressive sound – like Kylie's switch from pop princess to IndieKylie but with more anger and a brassier soul sound. It's a great album but it alienated many fans and displeased the record company." Gay Times writer Darren Howard wrote: "Hoodoo is now seen as a modern classic that slightly under-performed.
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743–766: "Analytic philosophy is rediscovering Hegel. [There is] a particularly strong thread of new analytic Hegelianism, sometimes called 'Pittsburgh Hegelianism' ... The sociality and historicity of reason, the proper treatment of space and time, conceptual holism, inferentialism, the reality of conceptual structure, the structure of experience, and the nature of normativity are the central concerns of Pittsburgh Hegelianism." Other philosophers strongly influenced by Sellars span the full spectrum of contemporary English-speaking philosophy, from neopragmatism (Richard Rorty) to eliminative materialism (Paul Churchland) to rationalism (Laurence BonJour). Sellars's philosophical heirs also include Ruth Millikan, Héctor-Neri Castañeda, Bruce Aune, Jay Rosenberg, Johanna Seibt, Matthew Burstein, Ray Brassier, Andrew Chrucky, Jeffrey Sicha, Pedro Amaral, Thomas Vinci, Willem A. de Vries, David Rosenthal, Ken Wilber and Michael Williams.
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Speculative realism is a movement in contemporary Continental-inspired philosophy (also known as post-Continental philosophy)Paul John Ennis, Post- continental Voices: Selected Interviews, John Hunt Publishing, 2010, p. 18. that defines itself loosely in its stance of metaphysical realism against the dominant forms of post-Kantian philosophy (or what it terms "correlationism"). Speculative realism takes its name from a conference held at Goldsmiths College, University of London in April 2007.College & Research Libraries News - ACRL The conference was moderated by Alberto Toscano of Goldsmiths College, and featured presentations by Ray Brassier of American University of Beirut (then at Middlesex University), Iain Hamilton Grant of the University of the West of England, Graham Harman of the American University in Cairo, and Quentin Meillassoux of the École Normale Supérieure in Paris.
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Espinosa appeared in the short film Cuidado con el Tren, written and directed by Ignacio Ortiz in 2004, and in the films Sea of Dreams and La Vida Inmune, in 2006. At age 15, after six months in a workshop with Maryse Systach and Clarissa Malheiros, Espinosa starred in her first lead role in La Niña en la Piedra (Nadie Te Ve), which was co-directed by Systach and José Buil and is the last chapter of the trilogy about teenagers in Mexico that started with Perfume de Violetas (Nadie Te Oye) (2001) and Manos Libres (Nadie Te Escucha) (2003). Espinosa was nominated for the Ariel Award for Best Actress for her work in the film. Espinosa and Systach re-teamed for the film El Brassier de Emma.
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After Rosengarden left the band to become the conductor on ABC's Dick Cavett Show, Grady Tate became a frequent presence in the drum chair. In 1966, Henderson (and Severinsen) left the show as the conductor from the original NBC late- night show from 1951, Broadway Open House, Milton DeLugg came in for one year. In 1967 Severinsen returned, this time as conductor, and with basically the same personnel nonetheless inaugurated a somewhat more aggressive sound (using, for example, an electric bass, and a brassier version of the "Here's Johnny" theme). In Burbank, for Carson's last two decades as host, the Severinsen-led band included the core that had moved from New York along with such noted jazz players as saxophonists Ernie Watts, Pete Christlieb, and Bill Perkins; trumpeters Conte Candoli and John Audino; guitarist Bob Bain, and bassist Joel Di Bartolo.
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Esther Delisle, a French-Canadian PhD student at Université Laval, wrote a thesis that discussed the "fascist" and anti-semitic published writings by intellectuals and leading newspapers in Quebec in the decade before World War II. She published a book, The Traitor and the Jew (1992) based on that work, which examined the articles and beliefs of Lionel Groulx, an important intellectual in the history of French-Canadian Catholicism and nationalism. Groulx is a revered figure to many French Quebecers, who consider him a father of Quebec nationalism, although his works are seldom read today. In order to separate his political and literary activities from his academic work, Groulx was known to write journalism and novels under numerous pseudonyms. In her book, Delisle claimed that Groulx, under the pseudonym Jacques Brassier, had written in 1933 in L'Action nationale: > Within six months or a year, the Jewish problem could be resolved, not only > in Montreal but from one end of the province of Quebec to the other.
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" The first book proposes an ontology of a flat world, in which all things are seen as being equally things, where the second book describes more specific objects, like animals, class, and gender.Harman "Object-Oriented France," 12-13 Graham Harman, in a review of the French edition of Form and Object, claimed that it is "an intricate piece of work by an emerging philosopher who is now a force to reckon with."Harman, "Object-Oriented France," 20 Nathan Brown criticized Form and Object for maintaining a division between objects and their conditions; for Brown, Garcia claims to solve the problems of our conditions of knowledge by fiat: Garcia simply resolves "to treat objects and things objectively while treating conditions of objectivity as secondary." Contrary to Garcia, following Alfred North Whitehead and Ray Brassier, Brown maintains that these two problems can never be separated: "Speculative philosophy sets out from and returns to the crossroads of metaphysics and epistemology; it has to travel both roads at once.
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