The song itself is a rollicking ride through the clubbier end of the minimal wave spectrum.
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The wine world was smaller and clubbier then, with far fewer wines available in the United States.
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Coming on like a clubbier Ryuchi Sakamoto record, it's one of our favourites of the year so far.
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The Rotunda Room acquired a warmer, clubbier, more enveloping feel with Deco-style tub chairs and swag drapery.
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Subdued salsa shifts into clubbier disco, hip-hop and electronic music as the night wears on and partyers arrive.
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His delivery vacillates between effortless bars for the boom bap set and energetic ramp-ups for the clubbier trap fare.
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Even when indulging clubbier impulses or in collaboration with friends, her work has always left a lot of space—favoring slow, thick synth lines and swooning production flourishes.
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As the sunny, sporty feminists stake their rightful claim — holding press conferences, drumming up support, winning and winning some more — a rather dark, clubbier male world comes into view.
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Now they've released a remix EP, which takes things in a clubbier direction—the highlight is a remix "Spitting Image" by Neana and TD_Nasty from the buzzy British dance outfit Gang Fatale.
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It's pretty varied stuff, bouncing from clubbier fare to new agey grunge ballads ("Water"), a bubbly pop song featuring Memphis legend La Chat, and something Schwarz himself calls "216 mall punk," which is as gleaming and emotive as the name suggests.
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Today's art showrooms, relics of a smaller, clubbier art scene, have lately been challenged by the proliferation of global art fairs, by online shopping's assault on all brick-and-mortar retailers and by the inexorable rise in real estate prices.
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The Masters may be America's top corporate-hospitality event; because it's a golf tournament, it attracts a clubbier cohort than the Super Bowl or the Final Four, and because the competition lasts four days rather than two minutes, like the Kentucky Derby, it can please more of them.
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Lead single "Love Me Right" is an affront to a non-committal fuckwit of a now-ex-boyfriend, matched with soul soothing pianos and subtle beats, while "All The Work" is a clubbier fusion of loungey Ibiza rhythms that push Amber's vocals down in the mix, layering them up in endless loops.
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More solo work—proggier, hairier, wilder solo work—followed, and last year he hooked up with Emil Nikolaisen and Todd Rundgren for the wonderfully beguiling, beguilingly wonderful Runddans LP. Next month sees Lindstrøm return to slightly clubbier fare with the Smalltown Supersound released Windings EP, a spacey and seductive three tracker that's been enjoying repeat plays our way ever since we go our hands on it.
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In Trance We Trust (ITWT) is a Dutch record label owned by Tijs Verwest and Arny Bink. It is a sublabel of Black Hole Recordings, established in 1998 and best known for its clubbier and a little harder side of trance music, and for its compilation of the same name.
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Astrix says his music has solid, driving basslines and ascending melodies. Many would consider his style to be a crossover between "full-on" and the "clubbier" end of Trance, exemplified by his Psychedelic Academy Mix. Author Graham St John, of the book The Local Scenes and Global Culture of Psytrance, noted about Astrix's sound, "crisp spacious acoustics".
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In September 2020, Callie Ahlgrim of Business Insider named "Levitating" one of the best songs of 2020 at the times, labelling it Future Nostalgias "most enchanting track" and one of Lipa's "best ever" songs. She went on to praise it for getting better with every listen and her use of pet-names, as well as calling the song "sugary", "upbeat", and "unabashed". The Blessed Madonna's remix of "Levitating" was met with mixed reviews from music critics. In Rolling Stone, Brittany Spanos viewed the Blessed Madonna "Levitating" remix as "tongue-twistingly", a "fast-paced romp", and "clubbier" than the original, while also labelling Elliott's verse "flirty" and "freaky".
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A few weeks after the release, Matt unveiled a bonus track called "Backdraft" and was exclusively distributed on Bandcamp, on a pay-what-you-want payment basis. Almost two months after the unveiling of the last EP, Armin van Buuren and Above & Beyond premiered the Horizon/Blimp EP in their respective radio shows. The EP was released on 8 July on Colorize, and showed a less deeper and more Balearic, soulful and almost clubbier sound than the "Careless / Huntdown" EP. The EP made the Beatport Progressive House Top 100 in only 4 days, and the title track Horizon been ranked 27 in the Progressive House tracks on Beatport, making it Matt's best-selling track. On 21 June, he was invited on Gareth Emery radio show Electric for Life and debuted his remix of his track "Hands", which was then released on 15 July.
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