Up here the building feels freer and friskier, and the collection presentation does too.
|
|
Tenants also get lots of play time outside of the capsules, which helps the friskier ones stretch their legs.
|
|
In Season 2, which is set to return on March 3, the show expands everything that makes it good in a friskier, bolder manner.
|
|
If you feel a little friskier than usual as the end of the week approaches, it's not in your head — it's in the air, actually.
|
|
In June, Simon will release his thirteenth solo album, "Stranger to Stranger," which is friskier and funnier than its recent predecessors—his most danceable music in decades.
|
|
In a separate study, CRISPR pioneer Feng Zhang of the Broad Institute and his colleagues discovered a new version of CRISPR that can edit RNA, DNA's friskier cousin.
|
|
One of Dr. Westgarth's dogs, a 14-year-old spaniel mix, strolls more slowly than her younger, friskier dogs, she said, so she takes it on alternate days.
|
|
Against the Warriors, he was even friskier, ferociously dunking over Golden State's Eric Paschall and Alen Smailagic in the first half before coming up with key steals to seal the game late.
|
|
Scientists whose job it is to pay attention to these things have found that when the furry little creatures watch "panda porn," which is exactly what it sounds like, they tend to get friskier, increasing the chances that they'll breed.
|
|
" And in addition to friskier holiday fare, Ms. Grant offers a few bittersweet new ballads like "Melancholy Christmas," which sets the stage with a relatable couplet: "I post another picture from the quiet of my room/And wonder who'll like it, and wonder what to do.
|
|
" The Village Voice gave the album a positive review and stated, "If the choice of songs and beat and instrumentation were sometimes restrictive, still the piano and the voice endured." Blender gave it three-and-a-half stars out of five and said that its mood was "more or less the same, if slight friskier." Other reviews are average, mixed or negative: Uncut gave the album three stars out of five and stated that, "Yes, it's an unchallenging and even deeply conservative record. But its class is positively aristocratic.
|
|
Nate Chinen of The New York Times wrote that the song was "one of the friskier tunes" on the album. Dan Milliken of Country Universe gave the song a B grade, saying that it is the "closest he’s come in two albums to capturing his old uptempo spark." Coyne states the song could function as a "prequel to the melancholy, Til Summer Comes Around'". Billy Dukes of Taste of Country gave the song four and a half stars out of five, saying that the only criticism is the "early guitar work that runs beneath the song’s first verse".
|
|
Feeding the Gods is the sixth solo album by New Zealand singer/songwriter Tim Finn. After the release of Say It Is So Finn felt that he wanted to try something a bit "friskier" and more energetic. In the Frenz of the Enz released book Letters to My Frenz Finn stated that he was not completely happy with the songs he had written for the album, so he borrowed former Split Enz bandmate Phil Judd's song Incognito in California. After Judd left Split Enz in 1977, Mushroom Records boss Michael Gudinski paid him to live in the English countryside and demo songs.
|
|
" New Yorker critic Anthony Lane described the film as "running out of nimbleness and fun, and the promise contained in its title seems ever more tendentious." Kenneth Turan of the Los Angeles Times called the film "memorable in pieces but not as a whole" and said that its best element is the relationship between Peter and Gwen, while the Lizard "is not quite an opponent for the ages." Lisa Schwarzbaum of Entertainment Weekly gave the film an A- describing the film as "a friskier, sweeter-natured variation" when compared to Raimi's work. She explained that the most "amazing" element was not the "blockbuster wow!" but instead the "intimate awww.
|
|
Where the vast majority of artists from this era try out the synthesizer/keyboard/horn section soup and fail miserably, Collins seems to have the recipe down to a science," Hamilton adds. Robert Hilburn of The Los Angeles Times thought the song had a "friskier R&B; style" as compared to Collins's other songs, and agreed that it sounded very much like the Prince song. Michael R. Smith of The Daily Vault believed that "Sussudio" was the best track on the album, calling it a "monster track", also adding that: Other reviewers have criticised the song. David Fricke of Rolling Stone said that songs like "Sussudio", with the heavy use of a horn section, were "beginning to wear thin.
|
|
Richard S. Ginell reviewed the album for Allmusic and wrote that the album "...finds Brubeck in a friskier mood than in his previous, somewhat autumnal Telarcs, even willing to take us back to the bombs-away block-chorded Brubeck of the '50s and '60s on "It's Deja-Vu All Over Again." As an improvising pianist, he continues to be on his toes, sometimes falling back upon patented devices like those wide-screen moving tremolos, yet always finding interesting paths to develop". Ginnell felt that "...very few of his themes or conceptions stay in the mind" with the exception of "Marian McPartland" and "Waltzing", concluding that "Though not his best, So What's New is ample testimony to Brubeck's vitality in his Indian summer".
|
|
Royce Vavrek, the librettist, taking his cue from Stein's own short phrases and cells of text, created a playful, quick- witted libretto that pushed Mr. Gordon beyond his trademark melodies into a brighter, friskier style." Critic Scott Cantrell of The Dallas Morning News wrote that "27 is an unabashedly populist treatment of a yeasty artistic period, in musical idioms that wouldn't have raised an eyebrow in 1920s Paris," and further described Gordon's score as "tuneful, Frenchified neoclassicism" likening it to the work of Lennox Berkeley and Aaron Copland. All five singers received unanimous praise, with Blythe garnering rapturous notices for her portrayal of Stein, and Futral celebrated for her performance as Toklas: "It is no small matter that the piece was written for Stephanie Blythe, an outsize personality herself, whose grand, multifaceted mezzo brings the character to vibrant life." (Waleson, Wall Street Journal) "Stephanie Blythe is Gertrude; Elizabeth Futral is Alice.
|
|