The pictures came back as transparencies on a 2-inch square cardboard mount.
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Then came the Transparencies, large, dreamy superimpositions of translucently painted image overlays on wood.
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The set of photos is mostly comprised of black-and-white negatives but includes some color positive transparencies.
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The Library of Congress announced the acquisition of nearly 100,000 photographs, negatives, and transparencies by photographer Shawn Walker.
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Commend strong passages, point out inconsistencies, transparencies characteristic of an undergrad first draft, which, after all, the story is.
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"The transparencies are super-beautiful," said Ms. Estévez, who is planning to recreate the performance at Redcat next year.
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Also, the Library of Congress acquired nearly 100,63 photographs, negatives, and transparencies by Kamoinge photographer Shawn Walker, and more.
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A portrait of Marlene Dietrich, reduced to a series of brightly layered lines, gives formal punch to the Transparencies technique.
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Your standard inkjet printer can mostly handle paper, occasionally transparencies, and maybe even blank DVDs while they were still a thing.
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Using various media such as embroidery thread, fluorescent paint or color transparencies, I create layered sculptures painted from digitally constructed images.
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In addition to placing transparencies over students' prints and scribble notes on them, these instructors would pen long letters of feedback.
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They show stills from televised sports, which Pindell has superimposed with transparencies that she's annotated with minuscule numbers and flying arrows.
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"I have a very large archive of negatives and transparencies, which a lot of my previous books have been based on," he said.
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Pindell would place transparencies on her television screen and draw numbers and arrows when certain scenes caught her eye; she then photographed these.
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Down the hall from the main room is a cold-storage locker, where original slides and transparencies are cataloged out of harm's way.
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You can find plenty of early "ghost" photographs where the novelty is evident; people draped in sheets emerge as transparencies to spook their posed friends.
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He expanded its airborne geometries throughout his life, in two and three dimensions, adding brighter colors, and layers of transparencies that reflected his love of light.
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They're the show's own Wizards of Oz, the illusion-makers who ply transparencies, shadow puppets, video, scrims and their own shadows to create an alternate universe.
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While in residence at Chaco during April 2019, Dawnja Burris created a re-photography project that involved shooting through transparencies from photos taken on a previous trip.
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If you have a flatbed scanner — but no attachment for scanning transparencies — Make Magazine's downloadable template for a do-it-yourself cardboard adapter is one inexpensive workaround.
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Binders stand on metal shelves, packed with transparencies from long-ago runway shows in New York and Paris, a chronicle of shifting necklines, hems and bejeweled bodices.
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Concept and form are mirrored in Beatrice Alemagna's "Child of Glass," as she uses both transparencies and traditional pages to tell the story of a fragile yet resilient girl.
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He also began his "Transparencies"—palimpsest-like pictures made by overlaying images, a trope that was revived in the sixties, to sensational effect, by the German artist Sigmar Polke.
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The men stood in the center of the office over a white tabletop that, on closer inspection, revealed itself to be a dormant light box for viewing photographic transparencies.
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Additionally, we preserve, research, and provide long-term care of the complete personal archives of Walker Evans and Diane Arbus, including all of their negatives and transparencies, papers, and collections.
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These transparencies are taken from macro-photographic images made possible by Di Luggo's use of a special lens adaptation for her camera, which she personally developed precisely for this project.
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Viewfinder 9 Photos View Slide Show ' All of the photos in Gary Perweiler's upcoming show, "Commercial Archive (Transparencies)," were originally shot for commercial clients in the '70s, '80s and '90s.
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At their table you'll find a stencil book consisting entirely of cutout pages and transparencies, a photo book of "urban peculiarities," and a psychedelic illustrated piece inspired by children's picture books.
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The library worked with the Photography Collections Preservation Project to purchase nearly 100,000 of Mr. Walker's photographs, negatives and transparencies that capture life, primarily in Harlem, between 1963 and the present.
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At the same time, my parents bought a set of encyclopedias that came with a medical encyclopedia as a bonus book, and I liked the transparencies of bones, muscles and blood vessels.
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They dispense with the niceties of Analytic Cubism — the transparencies, drifting brushwork, old master browns and delicate scaffoldings of line — for solid overlapping shapes whose radiant pinks and terra cottas seem lit from within.
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Zandi's talents are perhaps most distinctive in subtle portraits like "Transparencies": His father though a tall mancontained his tallness, carriedhimself in himself, like a jar, a small jar made of just glass and smallness.
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Like Ms. Di Santo, many designers abandoned the provocative cutouts, plummeting necklines and transparencies they once favored for high collars, covered arms, bodice-concealing wraps, hooded capes, gloves and other totems of bridal decorum.
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Then we do a series of filters to simulate light being projected on it from various angles to enhance the relief, and we combine these visualizations with transparencies and different ways of sharpening or enhancing them.
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Mr. Vadukul attended Enfield Grammar School, but by age 15 he had decided to pursue a career in photography instead of higher-level studies, hoping to build on his pocket-size portfolio of Kodachrome slide transparencies.
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The digitized collection includes 8,288 black-and-white negatives, 2,106 color slides and transparencies, and 339 black-and-white prints depicting the repertory of Alvin Ailey, choreographers, and iconic solo performers the company is known for.
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In the "Transparencies" series of 1927-30, Picabia shifts gears radically, smoothing his surfaces and layering together the outlines of images from the High Renaissance, popular culture and Catalan frescoes, combining Botticelli saints with half-dressed starlets.
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SO THAT LACK OF TRANSPARENCY, THAT LACK OF ENGAGING, YOU KNOW, THOSE CEOs OF HOUSEHOLDS, EVERY MOTHER OUT THERE THAT'S THINKING ABOUT HOW TO AFFORD AND PAY FOR, NEEDS THE TOOLS AND TRANSPARENCIES TO KNOW HOW TO SHOP.
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The film's interviews offer insight into Pitt's singular devotion to texture and temporality, both of which led her to explore a vast array of animation techniques — including stop-motion, film scratching, sand animation, and transparencies — throughout her career.
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And they were rewarded with some important materials, including his edited script and a stack of the original transparencies, with Letraset type that he used in London to flash onto the wall the name of each character speaking.
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I wanted the ghost to feel like a ghost, in spite of the fact that he's actually wearing a very practical costume, and we weren't using any transparencies or illusions to represent this idea of a phantom in a physical space.
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It is currently at the Tel Aviv Museum of Art, where examples of the decades-old transparencies are on view along with documents and other ephemera that together tell the technical, cultural, and human stories of this particular form of audio.
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The brand, part of French luxury goods group LVMH, alternated long overcoats with fur cuffs with mink coats, elaborate wool jumpers with short leather jackets, light long dresses with decorated kaftans as well as a few sleek black geometric designs with transparencies.
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Blind Vision is characterized by superb production values, with excellent audio quality (take an Italian translator with you) and purposefully built light boxes (a misnomer, as they are circular in form like the eyes they display) that carry the scintillating photographic color transparencies.
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She was filmed several times in the same setup — wearing a bright, floral dress, in front of a black backdrop — and then shots were layered atop each other with differing transparencies, creating a sort of visual row-row-row-your-boat effect.
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The resulting marriage is a pretty poor Photoshop job, with a weird smear of sheer fabric brushing Hadid's chin, and her face slightly stretched — the outcomes, I imagine, of the designer's attempts to tweak transparencies and make Hadid's head properly fit her garments.
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Over 20 years later, the museum teamed up with research groups at MIT and the University of Basel to digitally restore color transparencies of the works from 1964, and use projection mapping on the canvases to bring the original hues back to life.
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From 1950 to 1990, Kodak had huge 18-by-60-foot backlit Colorama transparencies installed in Grand Central Terminal that encouraged this documented travel experience, such as a 1959 image by Ansel Adams of Death Valley with a family playfully enjoying the otherworldly landscape.
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After they won the bid, with a forty-eighth-iteration proposal that was mildly tolerated by all—a black granite labyrinth, inset with dark transparencies, as if panels of the stone itself were made of glass, which, however badass that would have been, they weren't—Roy went out to St. Louis.
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It's not hard to trace a thread between the building and the layered transparencies and light play in the work of the Hungarian artist Laszlo Moholy-Nagy, who joined the Bauhaus in 1923 at age 28, replacing Itten, who had quit in protest of the school's shift toward industrial design.
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And it deals with full and complete transparencies, full sunlight on as many of the documents that don&apost endanger national security, which, you know, from our -- from our committee members, we&aposve sent a letter to the president, we don&apost believe that they&aposre going to jeopardize any sources or methods.
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Under the contract, Texstars will work alongside KAI to provide the KF-X fighter with birdstrike resistant transparencies with high-quality optics.Courtney Sturniolo, TEXAS "Texstars to develop canopy and windshield transparencies for the KF-X fighter" Texstars LLC, January 25, 2017.Ryan Maass, upi.com " KAI taps Texstars to develop KF-X fighter transparencies " upi.
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A study of the transparencies was carried out in 2011 by Robin Wootton for an article in the Report and Transactions of the Devonshire Association 143, where the transparencies were catalogued for the first time and twenty illustrated.
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The Hudson Transparencies are a collection of 58 large framed manila paper screens made by Hudson, circa 1880s, as teaching aids. Shapes were cut out of the manila paper and decorated with tissue paper, which was painted with watercolour designs. When the transparencies are backlit, striking images of microscopic organisms become apparent. The Hudson Transparencies are held in the University of Exeter Special Collections Department, reference number EUL MS 442.
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A further innovation was the fixing of transparencies on gas lamp glasses to denote stopping places.
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Transparencies can be printed on laser printers or copiers. Specialist transparencies are available for use with laser printers that are better able to handle the high temperatures present in the fuser unit. For inkjet printers, coated transparencies are available that can absorb and hold the liquid ink – although care must be taken to avoid excessive exposure to moisture, which can cause the transparency to become cloudy; they must also be loaded correctly into the printer as they are only usually coated on one side.
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Transparencies made with non- substantive films have an easily visible relief image on the emulsion side of the film. Kodachrome 64 and 200 can record a dynamic range of about 2.3D or 8 stops, as shown in the characteristic curves. Kodachrome transparencies have a dynamic range of around 12 stops, or 3.6–3.8D.
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Alternatively, the film is processed to invert the negative image, yielding positive transparencies. Such positive images are usually mounted in frames, called slides. Before recent advances in digital photography, transparencies were widely used by professionals because of their sharpness and accuracy of color rendition. Most photographs published in magazines were taken on color transparency film.
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The plaintiff, William Gasperini, was an American journalist and photographer for CBS News and the Christian Science Monitor who, during the course of seven years in Central America, took over 5,000 slide transparencies depicting war, political leaders and everyday life. In 1990, Gasperini supplied 300 of his original transparencies to The Center for Humanities for use in an educational video. The center agreed to return the transparencies, but they were lost. Gasperini commenced suit in the United States District Court for the Southern District of New York, invoking diversity jurisdiction.
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Following the class period, the transparencies are easily restored to their original unused state by washing off with soap and water.
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Brousseau was a keen photographer and amassed a collection of in excess of 20,000 color 35mm transparencies recording the native flora of California.
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Uses for transparencies are as varied as the organizations that use them. Certain classes, such as those associated with mathematics or history and geography use transparencies to illustrate a point or problem. Until the advent of LaTeX, math classes in particular used rolls of acetate to illustrate sufficiently long problems and to display mathematical symbols missing from common computer keyboards. Aerospace companies, like Boeing and Beechcraft, used transparencies for years in management meetings in order to brief engineers and relevant personnel about new aircraft designs and changes to existing designs, as well as bring up illustrated problems.
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Slide viewer with electric supply A slide viewer (also called transparency viewer) is a device for looking at film transparencies or similar photographic images.
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Scheme of a photographic enlarger. An enlarger is a specialized transparency projector used to produce photographic prints from film or glass negatives, or from transparencies.
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During the 1970s and 80s, Buchan's work was mostly performance and multimedia art. A 1978 performance piece, "Fruit Cocktails," featured a persona "Lamonte del Monte" which Buchan would continue to use into the future. Buchan also created photo-text pieces which parodied old advertising and commented on popular culture. In the mid-1980s, Buchan started making cibachrome transparencies and prints, and duro-transparencies, often large ones.
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Rotax 914 engines are an alternative. The nose and cabin transparencies are smoothly contoured, with no windscreen step, and entry is by an upward opening door on each side forward of the wing leading edge. There are transparencies aft of those in the doors, placed over the wing. A baggage space has a maximum volume of 0.20 m3 (7.0 cu ft), depending on layout details.
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By this time few amateur photographers made contact prints any more, preferring instead to take 35 mm transparencies (slides), which could be viewed on a slide projector.
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The blight created by carelessly discarded caustic-chemical-laden Polaroid negatives, which tended to accumulate most heavily at the prettiest, most snapshot-worthy locations, horrified Polaroid founder Edwin Land and prompted him to develop the later SX-70 system, which produced no separate negative to discard. Some currently available color films are designed to produce positive transparencies for use in a slide projector or magnifying viewer, although paper prints can also be made from them. Transparencies are preferred by some professional photographers who use film because they can be judged without having to print them first. Transparencies are also capable of a wider dynamic range and, therefore, of a greater degree of realism than the more convenient medium of prints on paper.
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A 35mm Kodachrome transparency, like other 35mm transparencies on films of comparable ISO rating, contains an equivalent of approximately 20 megapixels of data in the 24 mm x 36 mm image. Scanning Kodachrome transparencies can be problematic because of the film's tendency to scan with a blue color cast. Some software producers deliver special Kodachrome color profiles with their software to avoid this. An IT8 calibration with a special Kodachrome calibration target is necessary for accurate color reproduction.
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At first, the salon was limited to black-and-white prints. Starting in the 1954 International Exhibition, color slides (transparencies) were admitted as well. From 1959 a color print section was added.
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For more info see also: Chromogenic print Colour papers require specific chemical processing in proprietary chemicals. Today's processes are called RA-4, which is for printing colour negatives, and Ilfochrome, for colour transparencies.
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Photographing pro bono the old Pension Building, he helped save that structure and it later became the National Building Museum. His archive of 30,000 prints, transparencies and negatives was donated to the museum.
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The game was developed by Naxat Soft, and was directed by Kazuhiko Inoue who also wrote the story. The game features various graphical effects in the background, including parallax scrolling, and water transparencies.
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Dye transfer is a continuous-tone color photographic printing process. It was used to print Technicolor films, as well as to produce paper colour prints used in advertising, or large transparencies for display.
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Most of its features are now based on Simple DirectMedia Layer (SDL) which makes Fenix a very portable project. Other features include full 2D support (scaling, transparencies, blend ops...), 16 bpp color, sound (.ogg, .mod, .
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The way he uses the color is a remarkable characteristic, the contrast, transparencies and textures give live to mud or metal objects. Emerge imposing plaster figures, woods of feather, glass pearls and golden stones and caracoles.
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This was at first an alternative to overhead transparencies and 35 mm slides, but over time would come to replace them. The first three versions are described in the sidebar, "Presentation Formats and PowerPoint," p. 17.
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The photographs were reverse colored by hand, then backed with a layer of tissue paper and sandwiched between two double window cardboard mattes. This format of stereoview is known as a "tissue view" or "hold-to-light view" and is similar to modern day slides or transparencies. For added effect, the eyes of the skeletons and various other creatures were pierced and dabbed with colored gelatin, causing their eyes to glow red.Simonova-Bulat, Elena; Conservation Issues of Paper Stereo Transparencies The final product was then viewed through a stereoscope which produced a realistic 3D effect.
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The cabin has uninterrupted transparencies fore and aft, with a slender fuselage behind. The canopy is forward hinged. The tailplane is set just above the fuselage and the fin is swept. A small ventral fin doubles as a tail bumper.
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An archive of their firm's work during the period 1943–1963, the Phyllis and Robert Massar Photograph Collection of Pacific Northwest Architecture, is held at the University of Washington. It comprises some 6000 prints and negatives and some 400 color transparencies.
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Vectographs in their native form are transparencies, to be viewed by transmitted light or projected onto a suitable non-depolarizing screen, but by limiting the density of the images and backing the vectograph with a non-depolarizing aluminum-based paint, a print for viewing by reflected light can be produced. Vectographic prints and transparencies can serve many of the same purposes as their anaglyph equivalents, but with the visual advantage that they do not require the use of viewing filters which are of disturbingly different colors for each eye. However, while anaglyph images can be produced by virtually any photographic or mechanical printing process capable of producing a two-colored image, vectographic images require specialized materials and printing technologies, limiting their practical application. During World War II, stereoscopic aerial reconnaissance photographs were printed in the form of vectographs, both as reflective prints for use by troops in the field and as transparencies to be projected onto a screen for group viewing and discussion.
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Photographic paper prints have end-to-end gammas generally somewhat over 1. Projection transparencies for dark surround viewing have end-to-end gamma approximately 1.5. A full set of HD curves for a film shows how these vary with developer type and time.
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Film sandwich, made by placing (1) transparency of snowy farm on (2) transparency of sunlit rippling water and (3) photographing the result in a lightbox Sandwich printing is a non-digital photographic technique which combines two negatives or transparencies into a single image.
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She frequently layered transparencies of her own photographs—often of domestic subjects—with war and news images from magazines or sewed seemingly unrelated images onto print surfaces, reflecting feminist concerns.Frank, Peter. "Evidence Rooms," LA Weekly, December 5, 2007. Retrieved June 27, 2019.
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American Book Company is a textbook and software publishing company. Its main focus is on standardized test preparation materials. It offers books covering language arts, mathematics, science, and social studies tests. The company also produces transparencies, basic review books, and ACT and SAT preparation books.
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As these programs became more common in the late 1980s several companies set up services that would accept the shows on diskette and create slides using a film recorder or print transparencies. In the 1990s dedicated LCD-based screens that could be placed on the projectors started to replace the transparencies, and by the late 1990s they had almost all been replaced by video projectors. The first commercial computer software specifically intended for creating WYSIWYG presentations was developed at Hewlett Packard in 1979 and called BRUNO and later HP-Draw. The first microcomputer-based presentation software was Cromemco's Slidemaster, developed by John F. Dunn and released by Cromemco in 1981.
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To model shadows, refractive transparencies, and general specularity (e.g., mirrors), additional rays were cast. The first film to use ray tracing was Compleat Angler (1979), produced by Bell Labs engineer Turner Whitted. Until 2013, large scale global illumination was faked with additional lighting for major films.
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THNOC also maintains the substantial Clarence John Laughlin collection, which contains film negatives, transparencies, photographs and prints spanning the decades from the 1930s to the 1980s, taken both by and of Laughlin. The collection documents Laughlin's life and work throughout both New Orleans and the world.
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Group A was exposed to the AIDA diabetes simulator, while Group B (the control group) received conventional lessons with slides and transparencies. Six lessons were held for each group (one per week). At the beginning and end of the study all subjects had their glycated hemoglobin (HbA1c) measured.
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Most of the interiors were shot in a converted auto shop, even the living room set, and we did the automobile chases without transparencies, live, on the streets. It was exhausting. The camera was mounted on the back of a truck or in a car. We were constantly improvising . . .
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The E-6 process superseded Kodak's E-3 and E-4 processes. The E-3 process required fogging with light to accomplish image reversal and produced transparencies that faded quickly. The E-4 process used polluting chemicals, such as a highly toxic reversal agent borane tert-butylamine (TBAB).
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The techniques used throughout her work to create the final prints only created of a few images because of the continual difficulty of her illness. Blondeau produced a series in which she enlarged single 35mm frames to approximately 20x24 inches on high-contrast film and then placed these large transparencies on top of silver or gold mount board. Applying acrylic paint to the back of certain parts of the transparencies, Blondeau was able to focus attention on the most important aspects of the scene represented in the picture. Basic imagery and themes such as people seen on city sidewalks, suggest the existence of secret, private dramas involving both the observed and the observer.
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Since 2012, they have been working to organize the J. Shimon & J. Lindemann Archive Trust. The archive consists of approximately 65,000 negatives and transparencies and 5,500 signed prints made by J. Shimon & J. Lindemann using analog photographic processes including ambrotype, Cibachrome, cyanotype, gelatin silver, gum bichromate, platinum/palladium, and tintype.
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Extensive macro packages have been created for various document styles. A typical distribution of troff includes the me macros for formatting research papers, man and mdoc macros for creating Unix man pages, mv macros for creating mountable transparencies, and the ms and mm macros for letters, books, technical memoranda, and reports.
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Some images show it without its cockpit transparencies. On its earliest outings it was referred to as the Driggs-Johnson Jimmie. A developed version, the Driggs Dart 1, was flown in 1926; powered by a Anzani engine, this had a maximum speed of , though it was later fitted with a Wright-Morehouse engine.
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A side-exiting infrared suppressor integrated the exhausts and its tandem cockpit with the pilot in front had transparencies angled outward to eliminate optical glint. This presaged the US Army Boeing–Sikorsky RAH-66 Comanche, rolled out in 1995 and cancelled in 2004, while the fuselage shaping was retained for the NH90.
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PowerPoint was originally designed to provide visuals for group presentations within business organizations, but has come to be very widely used in many other communication situations, both in business and beyond. The impact of this much wider use of PowerPoint has been experienced as a powerful change throughout society, with strong reactions including advice that it should be used less, should be used differently, or should be used better. The first PowerPoint version (Macintosh 1987) was used to produce overhead transparencies, the second (Macintosh 1988, Windows 1990) could also produce color 35 mm slides. The third version (Windows and Macintosh 1992) introduced video output of virtual slideshows to digital projectors, which would over time completely replace physical transparencies and slides.
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They named the Mac version FileMaker and it soon became enormously successful. PowerPoint 1.0 was released in 1987 for the Apple Macintosh. It ran in black and white, generating text-and-graphics pages for overhead transparencies. A new full-color version of PowerPoint shipped a year later after the first color Macintosh came to market.
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Gleman Jun is an Italian artist in Second Life. In the dynamic effects of colors, lights and transparencies, he expresses his creativity in a constantly evolving and transforming himself. In his case, a work of art is composed of two different elements: vision and technique. "Vision" is the image that passes through his mind suddenly.
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There were proposals for a modern audiovisual presentation of the ghetto's history, but the available financial means ruled it out. Following a suggestion by Albin Glaser, backlit transparencies with accompanying texts were attached to the walls to illustrate the development of the ghetto. It took until 1974 to bring the exhibition to its desired Display.
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In this work, two rounded cibachrome transparencies were hung one above the other. The top one contained a ring of earthworms, while the bottom pictured someone's scalp with the center imploding. Both images appear similar, but by placing the worms above the human scalp the distinction upholding the human above the animal is no longer held.
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Thanks to this oligotrophy and the filtered spring inflows, the water is exceptionally clear with transparencies to a depth of as much as 22 meters (66 feet). Lake Ohrid lacks an annual deep water exchange which in other lakes can bring complete overturn; plunging rivers are also absent. Despite this, dissolved oxygen never drops below ~6 mg L−1.
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Rosenblum, Naomi. A World History of Photography (New York: Abbeville Press, 1984), 34, 197–198. Between 1864 and 1885 Woodbury took out more than 30 patents in Britain and abroad for inventions relating to balloon photography, transparencies, sensitised films and improvements in optical lanterns and stereoscopy. In addition to his inventions, Woodbury produced photographs documenting London's poor.
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In 2005, the city of Ottawa established the Karsh Award, honouring Ottawa photo-based artists, in honour of Malak and Yousuf Karsh."The Picture of Excellence," The Ottawa Citizen, 14 February 2005, p. B4. Library and Archives Canada have approximately 400,000 photographic images acquired in 1985 and 2015 from Malak's vast library of transparencies, negatives and prints.
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When film negatives are used, one image will appear in the shadows of the other image. This occurs as a result of the shadow areas being less dense than the highlighted areas of a negative. The more underexposed the shadows, the more clearly the image from the other negative will shine through. The opposite occurs when using transparencies.
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The Ann Roberts Archival Centre holds an extensive and growing number of archives. Currently there are over 8 fonds from individual artists, galleries, companies, scholars and organizations. They consist of unique primary materials such as personal papers, notebooks, sketchbooks, scrapbooks, drawings, blueprints, ephemera, photographs, slides, and transparencies. The archival collections are available for use by researchers.
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In 1969, N.E. Thing Company Ltd. produced 'Reflected Landscape: The Arctic Sun' as 35 mm slides, lithograph and transparencies. The image, which is now in a private collection, was taken in Inuvik with a mirror reflecting the Arctic sun on the arctic tundra. N.E. Thing Co. disbanded in 1978 when Iain and Ingrid ended their relationship.
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Rothe did not keep track of most of the paintings she sold, but the ones that are known show her interest in transparencies. Through allowing layers of paint to dry and using different types of strokes to achieve slight shifts in tones and hues, most of her city and nature landscapes, as well as portraits, display an intricate layering.
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Hudson's varied interests and sympathies made the school successful. Afterwards he lived at 6 Royal York Crescent, Clifton; in 1891 he moved to Dawlish, Devon, and in 1899 to Shanklin, Isle of Wight. During his later years he often gave lectures, chiefly at public schools, on natural history, which he illustrated with coloured transparencies of his own construction.
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Thomas has released minimalist electronic music under the name Plumbline on the Hydrogen Dukebox label. His recordings include Circles (2003), PinPoints (2004) the RePointed EP (2005) and two Roger Eno collaborations: Transparencies (2006), and Endless City/Concrete Garden (2013). All Dive Index albums so far have been released on the Los Angeles-based indie label Neutral Music.
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Office 2007, specifically, Excel 2007 includes a new integrated charting engine and the charts are native to the applications. The new engine supports advanced formatting, including 3D rendering, transparencies, and shadows. Chart layouts can also be customized to highlight various trends in the data. Microsoft Graph still exists for compatibility reasons, but the entry points are removed.
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Jane Austen: "Mansfield Park" Standard novels edition, London 1833, p.135 Accessed 7 October 2017 The function of the transparencies was to reproduce light effects, such as “fire light, moon light, and other glowing illusions”, created by painting areas of colour on the back of a commercial engraving and adding varnish to make specific areas translucent when suspended in front of a light source.Graphic Arts Since the Abbey was one of the buildings recommended for viewing by moonlight, it is possible that this was the subject of the one in Fanny’s room. In fact, a tinted print of the period such as those used for creating transparencies already existed in "Ibbetson's Picturesque Guide to Bath, Bristol &c;", in which the full moon is featured as seen through an arch of the east wing.
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Finally, visitors would wander through the exhibits and at the center of the pavilion was the theme Drive; a look into the province's potential. The path the visitors walked took on an important meaning, they were led on a promenade that allowed them to experience Quebec’s history. Films, photographs and transparencies were also used to visualize Quebec’s social, political, cultural and economical ripening.
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They got their name in 1998, 6 years after Zrinjski's work was restored. They took the name of the fan-based Ultras Movement in European football. The official song of Ultras, fans of HŠK Zrinjski Mostar, is "Gori brate", and they support their club from the grandstand - Stajanje. Colours used by Ultras on transparencies and boards are black, white and red.
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Rear control surfaces, like the ailerons are unbalanced; there is a large, centrally placed elevator trim tab. The cabin seats two side by side under a large, single-piece, forward-hinged canopy, with supplementary transparencies behind the seats where there is baggage space. Wing lockers provide further stowage space. The NG4 has a tricycle undercarriage with fuselage mounted cantilever spring legs.
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Just under 11,000 colour transparencies and 950 postcards by Goodall are held in the photographic archive of the Alexander Turnbull Library, Wellington. In the 1992 Queen's Birthday Honours, Goodall was awarded the Queen’s Service Medal for public services. She served as a justice of the peace from 1949 to 1999. Goodall died on 23 March 2015 at the age of 106.
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Her collection Transparencies was published in 2013 and featured her first published work to have both Scottish Gaelic and English poems. Her Scottish Gaelic poetry has appeared in several anthologies, including Other Tongues (1990) and Twenty of the Best (1990). She has also translated poems from Gaelic into English for An Anthology of Scottish Women Poets (1991) and The Harp's Cry (1993).
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The color illustrations have obviously had considerable hand-work done by the engravers and may have been entirely hand- colored using the original transparencies as a guide. As is evident from page 127, publication was delayed by more than a year. The 1895 date is confirmed by the publication of a lengthy abstract in Nature, November 28, 1895 53(1361):91–93.
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Its rudder extended down to the keel. The tailplane was mounted on the fin near the top of the fillet, carrying elevators that had a large cut-out for rudder movement. The Ghoppia's cockpit was over the wing, under a rather prominent canopy which opened by sliding rearwards. This had perspex transparencies forwards and to the sides but was opaque rearwards and above.
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Peter C. Borsari (1939 in Zürich – May 29, 2006 in Los Angeles) was an American-Swiss photographer. Borsari photographed people, places and events from 1965 to 1995, with subjects including Presley and Nixon. Peter estimated his archive contained approximately two million images; including transparencies, negatives, prints and contact sheets. Roughly 80% of these images feature celebrities in the entertainment industry.
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There was also a notification service. The various system services (including the GUI framework and communications subsystems) were implemented as Newi components. Throughout, there was a rigorous focus on making the programming of application components as simple as possible, with Newi providing many transparencies. From the start, Newi was targeted at both front-end GUI systems and back-end server systems.
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She was only seventeen. He later moved to larger premises in Albany Street near Regent's Park. During his career, Webb was involved in the production of photographic stills and projection transparencies for numerous films such as The Killing of Sister George (1968), Perfect Friday (1970) and Krull (1983). His television credits included Special Branch, Van der Valk and The Sweeney.
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In the early 60s, carousel slide projectors with a horizontally mounted tray was released by Kodak. In the late 1950s Roger Appeldorn was challenged by his boss at 3M to find a use for the transparencies that were the waste of their color copy process. Appeldorn developed a process for the projection of transparent sheets that led to 3M’s first marketable transparency film.
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Microsoft PowerPoint is a popular presentation program used to create slideshows composed of text, graphics, movies and other objects, which can be displayed on-screen and navigated through by the presenter or printed out on transparencies or slides. It too possesses a dominant market share. Movies, videos, sounds and music, as well as wordart and autoshapes can be added to slideshows.
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The fuselage becomes slender towards the fin and has a constant chord tailplane and elevators. The fin has sweep on its leading edge and extends into a small keel below the fuselage. The cockpit seats two in side-by-side configuration, with dual controls including a split, central control column. It is enclosed with a single-piece windscreen and deep side transparencies.
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XPS specifies a set of document layout functionality for paged, printable documents. It also has support for features such as color gradients, transparencies, CMYK color spaces, printer calibration, multiple-ink systems and print schemas. XPS supports the Windows Color System color management technology for color conversion precision across devices and higher dynamic range. It includes a software raster image processor (RIP) (downloadable separately).
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Interfoto delivered 47 photographic transparencies to Stiletto in a jiffy bag. Stiletto was planning to use them for a presentation, but in the event it did not. It never opened the transparency bag or read Interfoto's standard terms and conditions, which were inside the bag. Condition 2 said there was a holding fee of £5 per transparency for each day over fourteen days.
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A View-Master Model E of the 1950s Pairs of stereo views printed on a transparent base are viewed by transmitted light. One advantage of transparency viewing is the opportunity for a wider, more realistic dynamic range than is practical with prints on an opaque base; another is that a wider field of view may be presented since the images, being illuminated from the rear, may be placed much closer to the lenses. The practice of viewing film-based stereoscopic transparencies dates to at least as early as 1931, when Tru-Vue began to market sets of stereo views on strips of 35 mm film that were fed through a hand-held Bakelite viewer. In 1939, a modified and miniaturized variation of this technology, employing cardboard disks containing seven pairs of small Kodachrome color film transparencies, was introduced as the View-Master.
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It contains a conference table for nine people. Aft of the conference room is a projection room serving the conference room and the briefing room. The projection room had the capability of projecting computer graphics, overhead transparencies, or 35 mm slides to either the conference room or the briefing room either singularly or simultaneously. The projection screens have since been replaced with flat screen displays.
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These finely detailed illustrations will download quickly and include required fonts. PDF files of Glossary illustrations can be downloaded and saved for later uses, such as overhead transparencies, school reports, or for handouts in class or at a talk or other event. Each PDF file is formatted to print on regular printer paper or standard overhead transparency. Illustrations are also downloadable as PowerPoint slides.
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The paper then passes over the print drum, at which time the image is immediately transferred, or transfixed, to the page. Solid ink printers are most commonly used as color office printers and are excellent at printing on transparencies and other non-porous media. Solid ink printers can produce excellent results with text and images. Some solid ink printers have evolved to print 3D models.
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Increasingly, her canvases featured large forms of color freely overlaid with linear elements. Wide gestures expanded into increasingly larger spaces and loose textures. Combinations of colors often created subtle transparencies, giving her later works in particular a sense of luminosity. In 1958, Mohalyi received the , founded by (1903-1962), a director of the Museu de Arte Moderna de São Paulo (MAM) and a founder of the .
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Opening night is Bastards Karaoke Night with participants performing with The Bastards Karaoke Band. Powerpoint presentations are not allowed during the conference presentations but an overhead projector can be provided for transparencies. Many of the presentations enforce a social media black-out for reasons of permissions, ethics, consent, and sensitivity. The old-fashioned hourglass timer's purpose is to keep presenters at the 5 minutes or less mark.
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Some concern processes for making subtractive color transparencies, which do not require any special projection or viewing equipment. Examples of these were preserved by Prokudin-Gorsky's family and have recently appeared online.Prokudin-Gorsky.org forum page 10 (retrieved 26 September 2012, text in Russian only) shows twenty different examples. All are apparently glass-bound lantern slides, with at least one in the 3.25-inch-square British standard format.
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Giorgio Di Genova, Augusto Garau. Artista politecnico e scienziato: opere 1940-2008, Bologna: Bora, 2008 In the following years, Garau's constant research came to embrace the structural analysis of color. A number of patinings such as the series of the "spires," as well as a 1984 essay, titled Color Harmonies and published with an Arnheim's preface, reflect Garau's keen interest in chromatism, transparencies, and juxtapositions.
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Furthermore, the Arizona State Museum possesses a vast photographic collection, containing more than 350,000 prints, negatives, and transparencies illustrating the prehistory and ethnology of the American Southwest and northern Mexico (ASM Photographic Collection).. This number of photographic materials does not include the growing digital collection that the museum continues to develop. Noteworthy photographers in this collection includes Forman Hanna, Emil Haury, Helga Teiwes, and Greenville Goodwin.
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Access is by hinged transparencies. A straight edged, swept back fin carries both the horn-balanced rudder and, at about ⅓ height, the parallel chord, strongly dihedralled tailplane. The port elevator and, in production aircraft the rudder, have trim tabs. On water the Aleks-251 is stabilized by a pair of floats, each mounted on a single strut which rotates their float to the wing tip once airborne.
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Rothe spent approximately 500 hours working on each plate. Rothe expanded the technique's possibilities to achieve transparencies and an extensive variety of tonalities. By discovering a way to mix all colors in the same plate, from the darkest to the lightest, and hand-wiping them into one another, she was able to create highlights, hues, and tones impossible to get when inking each color separately.
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His book about the English, unfinished at the time of his death, was published posthumously by Thames & Hudson in 1974 as A Day Off: An English Journal. Ray-Jones' archive has been housed at the National Science and Media Museum in Bradford since 1993. It consists of 700 photographic prints, 1,700 negative sheets, 2,700 contact sheets, 10,000 colour transparencies and Ray-Jones' notebooks and correspondence.
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According to Henry Barnard, Samuel Colt's first biographer, Colt ordered and had installed on his new home ("Armsmear") in Hartford, Connecticut dozens of lithophanes he purchased in Berlin in 1855 and 1856.Samuel Colt's porcelain transparencies - Magazine Antiques, April, 2006, 169 no. 4, pp. 106-115The Home, The Arm, and the Armory of Samuel Colt, a Memorial by Barnard, Henry, New York 1866Houze, p.
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A View-Master reel holds 14 film transparencies in seven pairs, making up the seven stereoscopic images. The components of each pair are viewed simultaneously, one by each eye, thus simulating binocular depth perception. According to a 1960 court document, the Gruber-Sawyer partner venture began from that first meeting in 1938. Thereafter, Ed Mayer negotiated with Gruber while production methods and some marketing were developed.
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The two-step hull is also subdivided into watertight compartments. Two fixed underwing stepped floats at about 75% span stabilize the aircraft on water. The cabin is under the wing, with two long continuous transparencies, one on each side plus two shorter panels in the main entry hatch in the rear roof behind the trailing edge. There is seating for eight, including one or two pilots.
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The tenth production P-51B 43-12102, prototype for the P-51D, showing the modified rear fuselage and new canopy and windscreen. Following combat experience the P-51D series introduced a "teardrop", or "bubble", canopy to rectify problems with poor visibility to the rear of the aircraft.Kinzey 1997, p. 5. In America, new moulding techniques had been developed to form streamlined nose transparencies for bombers.
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The SARS archive contains the original records from the society's survey and excavation projects, as well as a large number of photographs, negatives and transparencies from numerous scholars and travelers between the 1930s and 1980s. Many record sites long since destroyed, particularly those in the region of Lake Nubia/Nasser and at Suakin. It also holds a large number of plans and elevations, maps, aerial photographs and satellite images.
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Others show it uncowled. The two crew sat in a cockpit at the wing leading edge, the wing itself raised a little above the general fuselage line on a low fairing over the cabin, which seated eight and was lit by long strips of transparencies on each side. Access was via a rear starboard side door. Like the rest of the fuselage the empennage was steel framed and fabric covered.
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Multiple exposure technique can also be used when scanning transparencies like slides, film or negatives using a film scanner for increasing dynamic range. With multiple exposure the original gets scanned several times with different exposure intensities. An overexposed scan lights the shadow areas of the image and enables the scanner to capture more image information here. Afterwards the data can be calculated into a single HDR image with increased dynamic range.
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This series was exhibited and a book was released with a text by Michel Butor, Pliages d'Ombres (Folding Shadows). Since then, his personal photographic work was based upon experimentation with shadows and transparencies. He tried to use several emulsion techniques (solarisations, jets of developer). In the mid-1950s Villers began a set of carvings titled Ex-Photos that were exhibited in 1970 at the Loeb Gallery in Paris.
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This was the sixth album cover created by Paul Olsen. When asked to create a cover for the album, Paul presented transparencies of a batch of paintings, intending for the photos to be a starting point. However, Robin picked a specific one that he wanted. Afterwards, Paul researched the original design, and discovered he had actually created the basic design in 1974, yet had not painted it until 1990.
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Seats are in tandem with the forward one well ahead of the wing and the raised rear seat just forward of its leading edge. The canopy, with a smooth and rising profile, is divided into two single-piece transparencies. A 60 kW (80 hp) Rotax 912 flat-four engine is mounted immediately behind and above the rear seat in pusher configuration. The fuselage is a wholly composite structure.
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Sawyer's, Inc. was an American manufacturer and retailer of slide projectors, scenic slides, View-Master reels and viewers, postcards, and related products, based in Portland, Oregon. Founded in 1914 as a photo-finishing company, Sawyer's began producing and selling View-Masters in 1939, and that soon became its primary product. It later diversified into other photographic products, mostly related to film transparencies, and established manufacturing plants in Europe, Japan and India.
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The blue separation negative was exposed through the green unsharp mask. The purpose of the contrast reducing masks was to reduce the contrast range of the original transparencies to a level that could be handled by reflected copy material. By swapping the masks, colour correction was achieved to compensate for deficiencies in the dyes. The 8 x 10 separation negatives were placed in an enlarger to expose the printing matrices.
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Entrance to the LRC-Extension (outdated look) Reading areas of the LRC-Extension The Br. Fidelis Leddy Learning Resource Center (LRC) is the multimedia resource center and library of the college. It provides access to conventional printed materials, such as books and periodicals, and other forms of storage media, such as transparencies, videotapes, compact discs, and other electronic/digital materials. The LRC's audio-visual equipment can be borrowed. The LRC has facilities on each campus.
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It therefore represents a whole Amiga icon system Datatype capable of supporting various types of icons. This includes png icons with alpha channel and transparencies, and scalable icons (the aforementioned NewIcons and GlowIcons). Italian programmer Elena Novaretti, author of ZoneXPlorer fractal software, stated in the article she donated source code for loading and viewing 32-bit PowerIcons based on PNG files to the developers of the Scalos desktop environment. Scalos is also fully truecolor-compliant.
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The standard Viper is powered by a 60 kW (81 hp) Rotax 912UL flat four engine but the more powerful 75 kW (100 hp) Rotax 912ULS is an option. The forward fuselage is a monocoque, the rear a tube structure with an aluminium skin. The cockpit seats two in side-by-side configuration under a framed single piece canopy, with further transparencies in the fuselage immediately aft. The main undercarriage legs are cantilever springs.
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Film recorders are available for a variety of film types and formats. The 35mm negative film and transparencies are popular because they can be processed by any photo shop. Single-image 4×5 film and 8×10 are often used for high-quality, large format printing. Some models have detachable film holders to handle multiple formats with the same camera or with Polaroid backs to provide on-site review of output before exposing film.
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The twenty-four service bureaus were consolidated to a 20,000 square foot facility next to the FedEx hub in Memphis, Tennessee. This allowed PowerPoint slide orders to be received until 10pm and delivered across the United States by the following morning. In 1995, InFocus registered www.genigraphics.com and was among the first to offer a form of ecommerce allowing 35mm slides, color prints and transparencies, printed booklets, and digital projectors to be purchased online.
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Brake was careful to retain his negatives and transparencies, as well as copyright, wherever possible. His entire collection of photographs is now housed at the Museum of New Zealand Te Papa Tongarewa. The Museum showed his China work in a 1995 exhibition, Brian Brake: China, the 1950s (with an accompanying book of the same title), and in 1998, Monsoon: Brian Brake's images of India. Images from this series were published independently in 2007 as Monsoon.
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Color theory has not developed an explicit explanation of how specific media affect color appearance: colors have always been defined in the abstract, and whether the colors were inks or paints, oils or watercolors, transparencies or reflecting prints, computer displays or movie theaters, was not considered especially relevant. Josef Albers investigated the effects of relative contrast and color saturation on the illusion of transparency, but this is an exception to the rule.
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A View-Master Model E of the 1950s Some stereoscopes are designed for viewing transparent photographs on film or glass, known as transparencies or diapositives and commonly called slides. Some of the earliest stereoscope views, issued in the 1850s, were on glass. In the early 20th century, 45x107 mm and 6x13 cm glass slides were common formats for amateur stereo photography, especially in Europe. In later years, several film-based formats were in use.
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Decals can be attached on top of other surface styles to produce a variety of rendering effects, such as labels on objects, graffiti on walls, partially reflective surfaces, masked transparencies, and more. State of the art shaders are used to render surfaces and other effects. A surface style is defined by up to four layers of shaders, which produce color, reflections, transparency, and bump effects. They can be applied independently or can be correlated.
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A music transposer is a software program, physical or electronic device for the transposition of musical notes and/or chords from one note/key to another. It simply consists of two identical scales which can be moved in relation to each other to give the required result. Until 1994 transposers consisted of sliding three transparencies alongside each other. In November 1994 the circular transposer was invented by Terence Tranter, a British resident in Australia.
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There is now the option of an all-carbon fibre wing. The early Fk9 marks also had a steel tube, fabric covered fuselage, but this has been replaced with an all- glass fibre structure, apart from a steel cabin frame. Access to the dual control cabin, which has overhead transparencies, is via top-hinged doors on each side. The fin and rudder are swept, mostly on the leading edge; the elevators are horn balanced.
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The description of the international exhibits spans 51 pages of the guide and is the second longest section after the description of Industrial Exhibits. It lists some 45 pavilions. Not all of the international pavilions listed are hosted by nations. Thus there is a description for a Pavilion hosted by Berlin, which offers: "Film and color transparencies depict day-to-day life in this outpost of freedom," but none of Germany, Belgium or France.
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In the production of photographic prints, spotting is a type of retouching concerned with correcting minor flaws in the finished print with specially made paints, dyes, pencils and pens. White spots on gelatin-silver prints made from negatives are caused by dust adhering to the negative or paper during exposure. Prints from positive transparencies exhibit black marks. White spots can be carefully darkened using a fine paintbrush and a dye of the appropriate colour.
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Jonathan David Klein (born 1960) is co-founder and Chairman of Getty Images, Inc., a global digital media company. Born in Johannesburg, South Africa, Klein received a degree in law from Cambridge University. He co-founded Getty Images with former Chairman Mark Getty in March 1995 and since then has led the company's growth from an analog image collection with transparencies, laboratories and print catalogs, to a multibillion-dollar, global digital business.
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Party > emulation made every political rally the occasion for carefully arranged > parades through banner-bedecked streets, torchlight processions, elaborate > floats and transparencies, blaring bands, and fireworks.Kenneth Stampp, > Indiana Politics During the Civil War (1949) p 45 By the midpoint of the 1860 campaign, Republicans bragged that they had Wide Awake chapters in every county of every Northern (free) state. By the day of Lincoln's election as president there were 500,000 members. The group remained active for several decades.
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For many years national campaigns included itinerant stumpspeakers, live animals, fife-and-drum corps, red fire, floats, transparencies and rousing mass meetings in courthouses and town halls. Glee clubs were organized to introduce campaign songs and to lead audiences and matchers in singing them. The songs were real factors in holding the interest of crowds, emphasizing issues, developing enthusiasm and satirizing opponents. With changes in the methods of campaigning, the campaign song declined as a popular expression.
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She also wrote about experimental film history; her essay "The Experimental Film: A New Art in Transition" was published in Arizona Quarterly 3, no. 2 (Summer 1947). Arledge was noted for her glass slide transparencies created by layering pieces of multicolored stage-light gelatins and baking them on glass slides. The artist then draws on the surface of the gels with a variety of objects and seals the images by covering them with another set of glass slides.
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An image being edited in GIMP can consist of many layers in a stack. The user manual suggests that "A good way to visualize a GIMP image is as a stack of transparencies," where in GIMP terminology, each level (analogous to a transparency) is called a layer. Each layer in an image is made up of several channels. In an RGB image, there are normally 3 or 4 channels, each consisting of a red, green and blue channel.
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On the other hand, "Lionheart Remake Enhanced" attempts to provide a faithful port of the original game, while offering options like higher resolutions and transparencies in place of interlacing effects. The same author has started another remake in Java, which promises better compatibility. Following the release of Lionheart, Erwin Kloibhofer, Henk Nieborg and Matthias Steinwachs created Flink (1994) for the Mega Drive. In 1996, Kloibhofer and Nieborg collaborated one last time on Lomax for the PlayStation and Windows.
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Vitro was incorporated in 1950 as the Vitro Manufacturing Company. Its main product was slide transparencies for overhead projectors. For some time prior to incorporation, the founders had produced tinted lighting gels for the theater and stage industry, and were known for their leadership in the production of gels used to replicate the lighting characteristics of the outdoors on a sunny day. These gels had this quality because of the admixture of salts of uranium, which are bright yellow.
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Negative film is therefore more suitable for casual use by amateurs. Virtually all single-use cameras employ negative film. Photographic transparencies can be made from negatives by printing them on special "positive film", but this has always been unusual outside of the motion picture industry and commercial service to do it for still images may no longer be available. Negative films and paper prints are by far the most common form of color film photography today.
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Dye destruction or dye bleach is a photographic printing process, in which dyes embedded in the paper are bleached (destroyed) in processing. Because the dyes are fully formed in the paper prior to processing, they may be formulated with few constraints, compared to the complex dye couplers that must react in chromogenic processing. This method has allowed the use of richly colored, highly stable dyes. It is a reversal process, meaning that it is used in printing transparencies (diapositives).
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Vidal has been considered a Catalan modernism painter, based on the chosen themes, the colour tones and luminous transparencies used. With Joaquim Mir, Oriol Junyent, Joan González, Xavier Gosé, R. Canals and Ramon Pichot, Vidal has been considered as a member of the second Catalan modernism generation. Even some of her works had been attributed to Ramon Casas, as both artists show the influence of Diego Velázquez, John Singer Sargent, James McNeill Whistler or Édouard Manet.
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PVP binds to polar molecules exceptionally well, owing to its polarity. This has led to its application in coatings for photo-quality ink-jet papers and transparencies, as well as in inks for inkjet printers. PVP is also used in personal care products, such as shampoos and toothpastes, in paints, and adhesives that must be moistened, such as old-style postage stamps and envelopes. It has also been used in contact lens solutions and in steel-quenching solutions.
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Finished transparencies are most frequently displayed by projection. Some projectors use a sliding mechanism to manually pull the transparency out of the side of the machine, where it is replaced by the next image. Modern, advanced projectors typically use a carousel that holds a large number of slides; a mechanism automatically pulls a single slide from the carousel and places it in front of the lamp. Small externally lit or battery-powered magnifying viewers are available.
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ArenaPAL is a UK company, based in London, which specialises in the licensing of performing arts images, both in the UK and throughout the world. Its collection falls under the main categories of opera, theatre, classical and contemporary music, classical and contemporary dance, as well as educational imagery covering all categories. It manages a library of 10 million images with over 750,000 currently viewable online. The library also holds thousands of unscanned prints, negatives and transparencies.
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Helmer-Petersen was the son of department head (later counsellor of legation) Kai Helmer-Petersen and Estred Charlotte Andersen. He was married to the television/theatre director Birthe Adelsteen Dalsgaard. Together they had two sons, Jan and Finn. Today, Jan Helmer- Petersen manages and promotes Helmer-Petersen’s work after his death. Helmer- Petersen’s archives were donated to the Royal Danish Library, which has digitized and provided public access to a major part of his negatives and transparencies.
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By the end of July, he was back in Sydney, taking more photographs for the exhibition and working on a series of large three- foot transparent photographs, hundreds of which were intended for Holtermann's Exposition.Unknown, ‘Notes of the Week’, The Sydney Morning Herald, (2 August 1873), 5. The positive transparencies were created by enlarging his original negatives and their size was noted by those that saw the early examples produced by Merlin.Unknown, ‘Holtermann's Exhibition’, Empire, (23 July 1873), 2.
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Selection of themes available for Gmail Google started offering users a choice of themes on November 19, 2008 with 31 different themes, ranging from the original light blue color to designs with image backgrounds and transparencies. Many of these themes are dynamic. Gmail uses the location provided by the user to correctly time theme changes with the local sunrise, sunset, or weather. In June 2012, Gmail introduced custom themes, enabling users to set their own backgrounds.
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From 1958 to 1963, Blohm became a darkroom technician and manager. But when he dared ask for a raise he was instantly fired. With his portfolio in hand, he went around Ottawa knocking on doors. He was close to getting discouraged when the National Film Board of Canada (Stills Division) offered him $600 for a selection of his transparencies for featured publication in Year of the Land and Call them Canadians, two pictorial books about Canada.
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He paints watercolors very large formats, mainly landscapes, poetic character to return in the best transparencies and lighting. His watercolors are made on site during various trips, ( Italy, Greece, Spain, Brittany, Le Crotoy Baie of Somme, Provence...). "With Risch , seduction comes first, in his art of reproducing transparency, fluidity, and the most subtle, the most refined shades of light he consequently creates an intense emotional appeal.", Emmanuel Robles, writer 1914 – 1995 – member of the Academy Goncourt.
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The National Library of Australia has an archive of more than 50,000 of Sievers' negatives and transparencies. Sievers was active in Australia, Germany and Austria with research into the emigration of war criminals to Australia from 1990 to 1998. In 2007, he donated several hundred photographs from his archive, worth up to A$1 million, to raise money for justice and civil liberties causes. Wolfgang Sievers died at the age of 93, a month short of his 94th birthday.
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However, libraries have found that it is scarcely used, and reviewers have recommended that it be dropped from the encyclopaedia. The also has color transparencies of human anatomy and several appendices listing the staff members, advisors, and contributors to all three parts of the Britannica. Taken together, the and comprise roughly 40 million words and 24,000 images. The two-volume index has 2,350 pages, listing the 228,274 topics covered in the Britannica, together with 474,675 subentries under those topics.
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The French nuclear power is almost entirely owned by the French government and its electricity is sold to the government. According to Al Gore the degree of the government subsidy is difficult to ascertain because of a lack of transparencies in the finances of the operation.Al Gore: Our Choice, A plan to solve the climate crises, Bloomsbury 2009 page 156 The Commissariat à l’Énergie Atomique is the national authority in France. Nuclear companies include EdF and Areva.
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Users could then zoom and pan to their area of interest, turn layers on and off, adjust transparencies, and save that map view to a URL, which they can e-mail to their colleagues to show how various priority maps compare. When their colleagues click the link, exactly the same map view opens, allowing them to work with the live map, perhaps adding map services or posting the link to the map view on their Web site.
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This organisation is widely regarded by the public for its efforts to conserve and promote Australian culture as represented in film, television, radio and sound recordings. The building houses items of enduring cultural significance to Australians. In addition to discs, films, videos, audio tapes, phonograph cylinders and wire recordings, the Archive's collection includes supporting documents and artefacts, such as photographic stills, transparencies, posters, lobby cards, publicity, scripts, costumes, props, memorabilia and sound, video and film equipment.
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Because of their semi-permanent nature, wet wipe markers are often used to draw a template, especially in school classrooms or on calendars (to mark the boxes). Dry erase markers can usually be applied on top of the wet wipe marker, and erased without touching the wet wipe marks. Wet wipe markers were often used on overhead projector transparencies, as they could be stored and transported easily, unlike a traditional chalkboard. With the rise of computerized slide-shows (e.g.
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1, July 1981. From 1822 to 1823 Hubbard formed a business partnership with ornamental and sign painters Samuel Curtis and B.B. Curtis as "Curtis's & Hubbard" (also known as "Curtises & Hubbard"). They produced a variety of painting, "in a plain and neat, or rich and ornamental style as may be requested," including "military standard, plain and ornamental sign, fancy, masonic, landscape, glass, clock and timepiece dial; designs and drawings for cards, diplomas, &c; transparencies ... for window curtains."Columbian Centinel, March 27, 1822Copartnership dissolved.
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Then came electrical failures, caused by faulty Cannon plugs, which supplied connections throughout the ten miles (16 km) of wiring in each B-29. Sub- standard glass in the cockpit transparencies meant the pilots had problems due to the distortion. A minor "beef-up" was found to be needed on the wing structures. Along with the main problems constant alterations to other components were needed as the Army changed requirements and as updated components from external suppliers replaced those already in use.
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Early on he worked for clients such as Roger Charity, Mark LeBon and Eamon McCabe, producing creative prints that utilized different filtrations to the norm. Pope is credited with being the first printer to use the technique of “painting with light” on black and white Polapan transparencies to produce complex color prints. Matchless Prints moved to Bloomsbury in 1990 and in 2001 Pope opened another Matchless Prints studio in Milan. In 2006 Pope opened Steidlville London, the first showcase bookstore for publisher, Steidl.
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Windows Vista includes a redesigned print architecture, built around Windows Presentation Foundation. It provides high-fidelity color printing through improved use of color management, removes limitations of the current GDI-based print subsystem, enhances support for printing advanced effects such as gradients, transparencies, etc., and for color laser printers through the use of XML Paper Specification (XPS). The print subsystem in Windows Vista implements the new XPS print path as well as the legacy GDI print path for legacy support.
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Two of these works were to be transparencies, designed to be artificially lit from behind. Goodman recorded that his cleaning lady almost ruined some of these works due to her over-zealousness and his own forgetfulness. The Emperor never sat for Goodman in person – all paintings were executed with help of the many photographs of Napoleon III that were to be found in London at the time. The paintings were intended for a Continental show and were destined to be shipped to Odessa.
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But the stunner is just how descriptive the new paintings really are, not simply their depicted forms but their glowing passages of light. She's painting with the brush, almost staining in some areas, in glistening transparencies that achieve an old masterish luminosity as they build up. The forms she's painting now call to mind water, spores, suns, spirit shapes, and mountains. The iconography recalls Dove, Hartley, and O'Keeffe, but the materiality of Gold's paint, its wetness and fluidity, is much more in evidence.
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The mid-1930s saw the introduction of Kodachrome and Agfacolor Neu, the first easy-to-use color films of the modern multi-layer chromogenic type. These early processes produced transparencies for use in slide projectors and viewing devices, but color prints became increasingly popular after the introduction of chromogenic color print paper in the 1940s. The needs of the motion picture industry generated a number of special processes and systems, perhaps the best-known being the now-obsolete three-strip Technicolor process.
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Before Kodachrome film was marketed in 1935, most color photography had been achieved using additive methods and materials such as Autochrome and Dufaycolor, which were the first practical color processes. These had several disadvantages because they used a réseau filter made from discrete color elements that were visible upon enlargement. The finished transparencies absorbed between 70% and 80% of light upon projection, requiring very bright projection lamps, especially for large projections. Using the subtractive method, these disadvantages could be avoided.
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The WLM-1 has a ply-covered, oval section, semi-monocoque fuselage. The cockpit is its most unusual feature, with the pilot on raised seating under a fighter-style bubble canopy with three separate, unbroken transparencies. The windscreen and aft parts, the latter reaching back above the wing almost to the rear spar, are fixed and the central hood removable; the resulting all-round view is exceptional. The cockpit is richly instrumented by glider standards to familiarize pilots with the standard fighter layout.
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In 1851, Davie expanded from taking photographs to manufacturing the chemicals used in the daguerreotype process. An innovator in photographic technology, he is credited with such inventions and improvements as the plate vise, the buffing lathe, a camera stand, and refined rotten stone. His most elaborate invention may have been an award-winning device called the American Photographer that clipped, crimped, cleaned, and buffed photographic plates. Davie also learned and experimented with the techniques for making albumen prints and stereoscopic transparencies.
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There were access doors and rear view transparencies on both sides. At the rear, the tailplane was mounted at mid-fuselage and the fin and deep rudder were straight tapered except near the keel and almost triangular above the fuselage. The first and only SE-2300 had a fixed conventional undercarriage with oleo-pneumatic springing, faired main legs and wheels and a swivelling tailwheel. The two SE-2310s had tricycle undercarriages, the first unfaired but the second with faired legs and spats.
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Overhead projector in operation, with a transparency being flashed A transparency, also known variously as a viewfoil, foil, or viewgraph, is a thin sheet of transparent flexible material, typically cellulose acetate, onto which figures can be drawn. These are then placed on an overhead projector for display to an audience. Many companies and small organizations use a system of projectors and transparencies in meetings and other groupings of people, though this system is being largely replaced by video projectors and interactive whiteboards.
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View of an in-flight H175, 2013 Airbus Helicopters is responsible for the H175's main gearbox, tail rotor, avionics, autopilot, hydraulic and electrical systems, doors and transparencies. Airbus Helicopters is also the technical lead and system integrator, and built two of the three prototypes (the first and third). HAIG is responsible for the airframe, tail and intermediate gearboxes, main rotor, fuel system, flight controls and landing gear. Each firm separately handles marketing, customer support, and certification efforts for the type.
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Print ads were the first awards; transparencies of the winning entries were displayed, sometimes backwards or out of focus. As each image appeared on screen, the owner of the work was asked to come to the stage, pick up their Clio, and identify themselves and their agency. Eventually, advertising executives, intent on the Clios that remained, rushed the stage and grabbed any that had not been claimed. The event for television commercials, scheduled a few days later, was called off.
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The authors write that, "Transcendental Meditation has achieved international recognition through commercial exploitation" and "poor scientific procedures". The book notes that physiological changes observed due to partaking in TM methodology are very small. Persinger, Carrey, and Suess conclude in TM and Cult Mania, "science has been used as a sham for propaganda by the TM movement." A positive capsule review in the Los Angeles Times noted that the authors use logic to point out transparencies in the assertions of Transcendental Meditation.
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When he was not working in his family business, Oglesby spent as much time as he could on his hobbies of fishing, shooting and photography. In 1950 he began to combine these hobbies by taking photos of angling subjects. His first commission was for ICI where he sold some transparencies for their calendar. He then began to submit articles for magazines such as The Field, Creel and Angling, Shooting Times, Amateur Photographer and the American Field & Stream, becoming their European editor.
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Backlighting can also be applied beneath the compound platform to create special visual effects. Photograph of downtown Rochester shows two of the scene plots used in the film: a zoom to horizon and pan across, and a street-corner zoom from medium close-up. Verticals, diagonal pans, up-zooms and other combinations were used to abstract several scenes from a few 4X5 color transparencies taken by aerial photographer---effectively simulating smooth helicopter and aircraft cinematography at a fraction of the cost.
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The series was shown at Barbara Gladstone Gallery in 1982, and a selection of the works was also included in the 1983 Whitney Biennial. In 1985, Brooks installed lightboxes of photo transparencies as a site-specific window display at the New Museum of Contemporary Art's then-location on Broadway. Using highly staged iconography appropriated from various cultural intersections of art and commerce, the display's location was meant to address the work's position to commercial interests, both metaphorically and in terms of its physical siting.
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In 2013, a new futsal field was added to expand the ever-growing Seisen campus, as well as to provide further opportunities for physical exercise, including PE classes and extracurriculars. The school’s libraries together have a collection of more than 18,000 volumes and subscribe to 65 periodicals and 6 newspapers. The media center houses filmstrips, records, cassettes, maps, transparencies, and audiovisual equipment. Sports facilities include tennis courts, three playgrounds, a kindergarten play area (with sandbox and play equipment), and a full-size gymnasium with a locker room.
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It continues to shape its era and ranks among the most sought after by art collectors. The paintings sometimes win in rhythm and color, whereas they sometimes overflow of emotions. They are heightened by a spellbinding light and bear witness to an ingenious construct: The paintings reveal a spatial network that consists of overlapping and overlaying cells that form a subtle play of transparencies. Painter of international renown, Lyonel Laurenceau has won numerous prizes worldwide and is considered to be one of the best of his generation.
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Pablo Ortíz Monasterio was born in Mexico City in 1952 and is the fourth son of the plastic surgeon Fernando Ortiz Monasterio and Leonor Prieto. In his youth, his parents used to travel frequently and narrate their experiences to their children using transparencies. He says that the possibility of narrating experiences using images was something that marked him forever. When Monasterio was 16, he discovered the work of French photographer Bernard Plossu, and that is when he decided that he wanted to be a photographer.
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Forged Subjectivity is an exhibition employing multiple screens, photo-transparencies, paintings, medical artifacts, and text to expose the compulsory nature of identifying and institutionalizing sexual difference, and the consequent perpetuation of gender roles. Constructing a fictional biography of a cross-dressing Member of Parliament named John White, née Eliza McCormick, Wyngaarden erodes masculine and heterosexual influences in the writing of history. John White's life is used as an entry point into the examination of the omission of cross-dressed women and lesbians from collective history.
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Point Lobos (1946) by Weston In February 1946, Weston's major retrospective opened at the Museum of Modern Art in New York. He and Beaumont Newhall selected 313 prints for the exhibition, and eventually 250 photographs were displayed along with 11 negatives. At that time many of his prints were still for sale, and he sold 97 prints from the exhibit at $25 per print. Later that year, Weston was asked by Dr. George L. Waters of Kodak to produce 8 × 10 Kodachrome transparencies for their advertising campaign.
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A presentation program is supposed to help both the speaker with an easier access to his ideas and the participants with visual information which complements the talk. There are many different types of presentations including professional (work-related), education, entertainment, and for general communication. Presentation programs can either supplement or replace the use of older visual-aid technology, such as pamphlets, handouts, chalkboards, flip charts, posters, slides and overhead transparencies. Text, graphics, movies, and other objects are positioned on individual pages or "slides" or "foils".
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Today, Jackson's Detroit photographs are housed at the U.S. Library of Congress. This collection of photographs includes more than 25,000 glass negatives and transparencies along with some 300 color photolithograph prints, mostly of the eastern United States. The Jackson/Detroit collection also includes a small group that includes some 900 Mammoth Plate photographs that were taken along several railroad lines in the United States and Mexico in the 1880s and 1890s. The collection also includes views of California, Wyoming and the Canadian Rocky Mountains.
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Almost all Adamson's personal papers, photographs and other artefacts, including hundreds of photographic transparencies of works (including of many now lost) were at the Adamson's Hollywood Road studio, where Timlin still lives. Adamson Collection Trust records were in Trustees' homes across the country. Adamson's library of books and journals has been secured at AVAM since 1996. Since 2010, the Trust has been collaborating with the Wellcome Library to secure the archives, and the Collection - in need of rescue for the third time in its history.
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Despite rising investments, foreign investors still regard Vietnam as a risky destination, as confirmed by recent survey by the Japan External Trade Organization of Japanese companies operating in Vietnam. Many of the respondents complained about high costs of utilities, office rentals and skilled labor. Corruption, bureaucracy, lack of transparent regulations and the failure to enforce investor rights are additional obstacles to investment, according to the U.S. State Department. Vietnam tied with several nations for the 102nd place in Transparencies International's Corruption Perceptions Index in 2004.
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Film-based versions were introduced in the early 1930s and the sensitivity was later improved. These were "mosaic screen" additive color products, which used a simple layer of black-and-white emulsion in combination with a layer of microscopically small color filter elements. The resulting transparencies or "slides" were very dark because the color filter mosaic layer absorbed most of the light passing through. The last films of this type were discontinued in the 1950s, but Polachrome "instant" slide film, introduced in 1983, temporarily revived the technology.
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All its flying surfaces were straight tapered and square tipped; the wing carried flaps. Its Pratt & Whitney R-1340 Wasp nine cylinder radial engines were mounted ahead of the wing leading edges, with cowlings which extended rearwards, both above and below the wing, nearly to the trailing edge. Its main wheels retracted backwards into the lower cowling and the tail wheel also retracted. Its crew compartment was in the extreme nose of a deepened forward fuselage, with multiple transparencies to provide good sideways and downward vision.
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A capsule review of the book for the Los Angeles Times, Phil Freshman commented, "Using hard logic and crackling humor, a trio of Canadian laboratory researchers cogently deflates Transcendental Meditation; they spotlight transparencies in its claims and warn of its latent hazards to those in wobbly mental health." In his book Rational Mysticism, author John Horgan comments that although Persinger says he's neutral toward religious belief, he's more biased than other neurotheologians and that his two books "cast religious belief and spiritual practices in a psychopathological light".
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In 2004, David Chaum proposed a solution that allows a voter to verify that the vote is cast appropriately and that the vote is accurately counted using visual cryptography. After the voter selects their candidates, a DRE machine prints out a specially formatted version of the ballot on two transparencies. When the layers are stacked, they show the human-readable vote. However, each transparency is encrypted with a form of visual cryptography so that it alone does not reveal any information unless it is decrypted.
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The west front has three portals, a rose window and one tower, on the southern side. The eastern end, which is built over a crypt, is apsidal, surrounded by an ambulatory and a chevet of nine radiating chapels. The basilica retains stained glass of many periods (although most of the panels from Suger's time have been removed for long-term conservation and replaced with photographic transparencies), including exceptional modern glass, and a set of 12 misericords. The basilica measures 108 metres long, and its width is 39 metres.
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However, it was ideal for industrial applications, such as monitoring the bright interior of an industrial furnace. Due to their poor light sensitivity, image dissectors were rarely used in television broadcasting, except to scan film and other transparencies. In April 1933, Farnsworth submitted a patent application also entitled Image Dissector, but which actually detailed a CRT-type camera tube. This is among the first patents to propose the use of a "low-velocity" scanning beam and RCA had to buy it in order to sell image orthicon tubes to the general public.
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Reston, VA Today the United States Geological Survey Library's users have access to over 3 million items: over 1.7 million books and journals, 700,000 maps, 370,000 microforms, 270,000 pamphlets, 260,000 black-and-white photographs, 60,000 color transparencies, 15,000 field record notebooks, and 250 videocassettes. Materials include USGS publications as well as those produced by state and foreign geological surveys, scientific societies, museums, academic institutions, and government scientific agencies. The libraries in Reston and Menlo Park have been designated as official Federal Government Depositories providing public access to selected U.S. Government publications.
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Ilfochrome (also commonly known as Cibachrome) is a dye destruction positive- to-positive photographic process used for the reproduction of film transparencies on photographic paper. The prints are made on a dimensionally stable polyester base as opposed to traditional paper base. Since it uses 13 layers of azo dyes sealed in a polyester base, the print will not fade, discolour, or deteriorate for an extended time. Accelerated aging tests conducted by Henry Wilhelm rated the process as producing prints which, framed under glass, would last for 29 years before color shifts could be detected.
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She lived in New York in the early 1950 and was a representational painter when abstract expressionists emerged within the art world. She married the Belgian Roger Jospé in 1958 and relocated to London five years later. Jospé's marriage and the birth of her three children stopped her from working as a creative artist until she enrolled on a part-time degree in professional photography at the Polytechnic of Central London (now the University of Westminster). She learnt how to print color transparencies and was intrigued in 5x4 camera technology.
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ISSCO's Tellagraf is an early software package designed to allow end-users to "turn out full color, professional quality charts" with initial results displayed on a screen, modified as needed, and then "a final 'hard-copy' can be made .. or made into 35mm color transparencies for projection onto a screen." Users of Tellagraf often had access to CueChart and Disspla software. Terminals with varying degrees of graphics, such as the DEC's VT100 and Tektronix's Tektronix 4xxx family of text and graphics terminals. were supported, and the software ran on popular computing platforms.
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White gradually became an adherent of Gurdjieff's teachings and started to incorporate Gurdjieff's thinking into the design and implementation of his workshops.Gassan, 108–114 Gurdjieff's concepts, for White, were not just intellectual exercises but guides to experience, and they greatly influenced much of his approach to teaching and photography throughout the rest of his life.Hall, 40 During this same period White began making his first color images. Although he is better known for his black-and-white photography, he produced many color photographs. His archive contains nearly 9,000 35mm transparencies taken between 1955 and 1975.
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White Chevy – Red Trailer (1975), Airbrushed acrylic on canvas. Salt's pictures generally feature wrecked cars and decrepit mobile homes in semi- rural locations in the United States. They are produced from photographs by projecting transparencies onto canvas and using an airbrush and stencils to reproduce the colour – a painstaking process that can take up to two years to complete. The result is that Salt's pictures have an extreme level of detail and precision that lends them a heightened sense of reality and eliminates as far as possible the self-expression of the artist.
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When all n shares were overlaid, the original image would appear. There are several generalizations of the basic scheme including k-out-of-n visual cryptography, and using opaque sheets but illuminating them by multiple sets of identical illumination patterns under the recording of only one single-pixel detector. Using a similar idea, transparencies can be used to implement a one-time pad encryption, where one transparency is a shared random pad, and another transparency acts as the ciphertext. Normally, there is an expansion of space requirement in visual cryptography.
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The Coccinelle's fuselage has a rectangular section throughout and its profile is straight edged except under the engine, where it curves upwards. The side-by-side seats are ahead of the wing leading edge and largely enclosed under a one piece, rear hinged, part bubble type canopy. Behind this are further transparencies which can vary from builder to builder but extend rearwards a little way into the wing. Most Coccinelles have a tail wheel undercarriage with front wheels on thin, steel cantilever legs, though a tricycle undercarriage is an option.
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The first seems to have been referred to as the Caproni Vizzola MF; the second was certainly the Caproni Vizzola 2. In both, the rear of the cockpit was under the wing leading edge with the pilot's head against the pedestal. On the MF the cockpit was open with just a small windscreen but the Caproni Vizzola 2 had a deeper and longer cockpit enclosed by a framed canopy and with three small transparencies in the nose. Behind the wing the pedestal fell away gently as the fuselage tapered to the tail.
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Tamar Bair (21 April 1912 – 13 October 1998), a native of Tamaqua, Pennsylvania, was a nursing instructor and nurse in Bethlehem, Pennsylvania. An amateur historian and photographer, she documented significant events in the transformation of Bethlehem in the middle of the 20th century using Kodachrome transparencies and other photographic media. Her maternal grandfather, Robert Moyer, owned the Nile Theater (60 West Broad Street, Bethlehem) and the Globe Theater (405 Wyandotte Street at Broadway in Bethlehem's South Side). Bair enjoyed unprecedented access to the Nile Theater during its years of operation.
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A single slide, showing a color transparency in a plastic frame Slide projector, showing the lens and a typical double slide carrier In photography, reversal film or slide film is a type of photographic film that produces a positive image on a transparent base. Instead of negatives and prints, reversal film is processed to produce transparencies or diapositives . Reversal film is produced in various sizes, from 35 mm to roll film to 8×10 inch sheet film. A slide is a specially mounted individual transparency intended for projection onto a screen using a slide projector.
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A slide copier is a simple optical device that can be fastened to the lens mount of a camera to enable slide duplicates to be made. Whilst these devices were formerly used to make duplicates on to slide film, they are often now used in conjunction with digital cameras to digitize images from film-based transparencies. This method usually gives better resolution than using attachments for digital A4 flat-bed scanners. The devices are typically about 30cm long, and screw into an intermediate 't-mount' attached to the camera.
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This port was of excellent quality and looked much better than PlayStation racing games of the same era. It ran in smooth 30 frames per second (25 frames in Europe due to the PAL system) and looked very much like the arcade original. Exceptions are non-transparent windows, since SEGA's Saturn could not generate transparencies in 3D graphics, as well as the draw distance, which was shorter than in the arcade game. Also, the screen resolution had to be cut in half, and the 3D models were scaled down.
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Puerto Rican music became an important part of his life and is reflected in his art. A large amount of his collection is made up of musical themes interpreted through the plastic arts. Professor Judy Betts (a renowned writer and Watercolorist from Louisiana, U.S.) served as a great influence his use of blends and transparencies in watercolour paintings, for which he is well known. Broccoli Porto eventually decided to use his maternal surname, Porto, as his artist signature because of its ties to the island of Puerto Rico.
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Her first mezzotints with transparencies were completed in 1972 and soon garnered a lot of attention. A good friend in New York gave her the name Gatja, which she adopted in signing most of her work. Believing that people might taker her more seriously if they assumed she was a man, she then decided to use the initials G. H. and her last name. In 1973 her husband died and her son Peter moved in with her. At the time she was designing jewelry for Tiffany’s and other jewelers.
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Overhead projectors were once a common fixture in most classrooms and business conference rooms in the United States, but in 2000s they were slowly being replaced by document cameras, dedicated computer projection systems and interactive whiteboards. Such systems allow the presenter to project video directly from a computer file, typically produced using software such as Microsoft PowerPoint and LibreOffice. Such presentations can also include animations, interactive components, or even video clips, with ease of paging between slides. The relatively expensive printing or photocopying of color transparencies is eliminated.
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The transparencies were difficult to see through at night, particularly when trying to keep watch for enemy night fighters that appeared without notice astern and below the aircraft when getting into position to open fire. This removal of perspex from the turret was called the "Gransden Lodge" modification. Ammunition for the tail turret was 2,500 rounds per gun. Due to the weight, the ammunition was stored in tanks situated near the mid-upper turret's position and fed rearward in runways down the back of the fuselage to the turret.
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Once the railway had arrived in the vicinity, steam excursions were organised in the 1880s to Tintern station so as to view the harvest moon through the rose window.Wye Valley, Old Station Tintern - history, at overlookingthewye.org.uk Accessed 7 October 2017 Earlier in the century, the light effects made possible by transparencies (a forerunner of the modern photographic negative) had been deployed to underline such aspects of the picturesque. Among those described in the novel Mansfield Park (1814) as decorating its heroine’s sitting room, one was of Tintern Abbey.
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Bf 109G-2/Trop "Black 6", Now on static display RAF Hendon London The Bf 109 G-series was developed from the largely identical F-series airframe, although there were detail differences. Modifications included a reinforced wing structure, an internal bullet-proof windscreen, the use of heavier, welded framing for the cockpit transparencies, and additional light-alloy armour for the fuel tank. It was originally intended that the wheel wells would incorporate small doors to cover the outer portion of the wheels when retracted. To incorporate these the outer wheel bays were squared off.
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A small area along the western edge of the town drains to the Narraguagus River via Schoodic Lake. Camp development and blueberry agriculture could pose a serious threat to the water quality of this cold water lake. According to the ME-DEP Lake Water Quality Monitoring Report for Schoodic Lake provided by the PEARL spatial database, water quality monitoring data for Schoodic Lake has been collected since 1977. During this period, five years of basic chemical information was collected, in addition to 8 years of Secchi Disk Transparencies (SDT).
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These mechanisms were computerized upon the advent of computers due to inefficiencies in the methods, such as the inability to overlay a large number of transparencies. In order to feed a growing population that is pushing on the ability to extensively farm, suitability analysis is becoming more necessary to utilize the most productive land to its fullest potential, matching the needs of the plants more carefully to the existing assets in the environment. This technique is known as precision farming. Suitability analysis can also be used to track and label potential hazards, like earthquakes, contamination, or even crime.
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From November 22 to December 6, 1965, Phillips headed a tiger team investigating the causes of inadequate quality, schedule delays, and cost overruns in both the Apollo CSM and the Saturn V second stage, for which North American was prime contractor. He gave an oral presentation (with transparencies) of his team's findings to his boss, NASA Office of Manned Space Flight Administrator George E. Mueller, and Mueller's boss, NASA Deputy Director Robert Seamans, and also presented them in a letter to North American president Lee Atwood, to which Mueller appended his own strongly worded letter to Atwood.
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After working in Dundalk, for six years teaching art, O'Sullivan returned to Limerick where he was a member of Contact Studios for six years. He has been a portrait artist for twenty years, but later moved into life painting, combining non-traditional techniques, including dripping paints, splats and blobs of paint, scraping, scratching as well as more conventional painting methods into a complex layering process. He also works with various transparencies and glazes, drying at different rates to achieve a contrast of textures. Amongst these textures and colours, sometimes hidden, sometimes not, are figures within the scene.
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The format was mainly used for amateur cameras like the Brownie or the Zeiss Ikon Kolibri, with the Exakta SLR, the “Baby” Rolleiflex, the Yashica 44 TLR, the Komaflex-S SLR and the Primo jr as possible exceptions. 127 color transparencies can be mounted in standard 2” square slide mounts, and projected in an ordinary 35 mm projector. Because of their much greater area, the projected image is larger and more brilliant than a 35 mm slide, and they are popularly called "Superslides", a name once reserved for 40 × 40 mm slides cut down from 120 film.
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The woman appears simultaneously clothed and unclothed in an interplay of transparencies, visual, tactile, and motor spaces, evoking a series of mind- associations between past present and future not atypical of Metzinger's earlier works.Mark Antliff, Patricia Dee Leighten, Cubism and Culture, Thames & Hudson, 2001 Her left breast is seen both from the front and from the side simultaneously. Her pose is elegant. Her face is eminently stylized, her neck is tubiform, her hair almost realistic in appearance as if combed onto the canvas; her shoulders, decidedly cubic from which emanate long slender arms superimposed with geometric elements that compose the background.
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Enríquez' signature visual language was mainly composed by fluid lines, overlapping color forms, transparencies and dynamic figure compositions. His works usually aimed at depicting the Cuban countryside's history, myths and folklore. Poor peasants, bandits, sensual women, restless horses, and landscapes of palm trees and rolling hills were his common subjects. One of the foremost examples of Enríquez's romancero guajiro and of his painting in general is El Rapto de las mulatas (1938), in which Enríquez includes some of the above named elements of his iconography: aggressive rural men, sensual mulatto women, restless horses, and windswept landscape of rolling hills.
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Nonetheless, D-10-125, the first of the H.IILs, was continuously modified. One of the first changes was to the central leading edge transparencies, which were reduced to two separate panels on either side of ply skinning. Early photographs of it show a fully transparent leading edge and later images the revisions. It was much involved in the 1944 development of the Horten IX twin-jet fighter-bomber; most notably it was flown as a "wind-tunnel substitute" for the H.IX V-6, with its extended, pointed nose, dummy air-intakes and exhausts, and twin small fins.
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In the photographic procedure, the amount of blurring can be controlled by changing the "softness" or "hardness" (from point source to fully diffuse) of the light source used for the initial unsharp mask exposure, while the strength of the effect can be controlled by changing the contrast and density (i.e., exposure and development) of the unsharp mask. For traditional photography, unsharp masking is usually used on monochrome materials; special panchromatic soft-working black-and-white films have been available for masking photographic colour transparencies. This has been especially useful to control the density range of a transparency intended for photomechanical reproduction.
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It is incorrect to call an image a negative solely because it is on a transparent material. Transparent prints can be made by printing a negative onto special positive film, as is done to make traditional motion picture film prints for use in theaters. Some films used in cameras are designed to be developed by reversal processing, which produces the final positive, instead of a negative, on the original film. Positives on film or glass are known as transparencies or diapositives, and if mounted in small frames designed for use in a slide projector or magnifying viewer they are commonly called slides.
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In 1818 Uwins resigned from the Old watercolour society to concentrate on paying off a debt relating to a security given to the Society of Arts. Continual work on miniatures seriously injured his eyesight, and in 1820 he went to Scotland to make topographical drawings to illustrate works by Sir Walter Scott, with whom he became well acquainted. He spent two years in Edinburgh painting and drawing portraits with much success, and on the occasion of the visit of George IV to Edinburgh in 1822, be executed two transparencies, one of which was twelve feet high.
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The crew were seated in tandem in a cabin with a wrap-around windscreen and two rectangular windows on each side. The rear seat was under the wing, with entry from above via a hatch provided with transparencies to give some upward view. The prototype Canguro and those built entirely post-war had a rubber sprung skid for landing, which extended aft beyond the cabin; a drop away wheeled dolly was used for take-off. Those originally intended for the I.A.F. had a fixed wheel at the rear of a shorter skid, though this proved too small.
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The composition nodes contain rendering instructions, such as clipping and transformation instructions, along with other visual attributes. Thus the entire application is represented as a collection of composition nodes, which are stored in a buffer in the system memory. Periodically, MIL walks the tree and executes the rendering instructions in each node, thus compositing each element on to a DirectX surface, which is then rendered on screen. MIL uses the painter's algorithm, where all the components are rendered from back of the screen to the front, which allows complex effects like transparencies to be easily achieved.
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The actual production included scanned transparencies of famous pieces of artwork, each scanned transparency being up to 300 MB in size. The resulting images were photoshopped and digitally rendered. A last step involved stock footage clips being compiled and digitally incorporated into the sequence. The opening title sequence itself begins with a deck of Tarot cards falling into the sand, while the camera moves in and enters one card into a separate world presenting layers of artwork and footage from iconic moments of the American Depression era; the camera then moves back out of a different card and repeats the procedure several times.
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Photo paper is inkjet paper specifically for printing photographs. It is a bright white due to bleaching or pigments such as titanium dioxide, and has been coated with a highly absorbent material that limits diffusion of the ink. Highly refined clay is a common coating to prevent ink spread. The best of these papers, with suitable pigment-based ink systems, can match or exceed the image quality and longevity of photographic gelatin-based silver halide continuous tone printing methods used for color photographs, such as Fuji CrystalArchive (for color prints from negatives) and Cibachrome/Ilfochrome (for color prints from positive transparencies).
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Unlike Kodachrome, the color couplers in Agfacolor Neu were incorporated into the emulsion layers during manufacture, which greatly simplified the processing. Currently, available color films still employ a multi-layer emulsion and the same principles, most closely resembling Agfa's product. Instant color film, used in a special camera which yielded a unique finished color print only a minute or two after the exposure, was introduced by Polaroid in 1963. Color photography may form images as positive transparencies, which can be used in a slide projector, or as color negatives intended for use in creating positive color enlargements on specially coated paper.
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Graphically, GoldenEye 007 was praised for its varied and detailed environments, realistic animations, and special effects such as glass transparencies and lingering smoke. Nintendo Power said the frame rate in multiplayer games was high, while Electronic Gaming Monthly described it as somewhat choppy and sluggish. The zoomable sniper rifle was praised as one of the game's most impressive and entertaining features, with Edge describing it as a "novel twist" and Jeff Gerstmann of GameSpot noting its ability to alleviate the game's distance fog. The game's music was praised for its inclusion of the "James Bond Theme" and for adding ambience to the game.
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The player looks through a large periscope to aim at ships moving across the virtual sea line at the top of the screen, using a thumb button on the right handle of the scope to fire torpedoes. The periscope swivels to the right and left, providing horizontal motion of a targeting cross-hair. The cabinet features a mixture of video game and older electro-mechanical technology for player feedback. Using back-lit transparencies reflected inside the scope, the number of torpedoes remaining are displayed, as well as a red "RELOAD" light which lights up momentarily when the player has launched five torpedoes.
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Light is used in association with photomasks, opaque plates with holes or transparencies that allow light to shine through in a defined pattern. A series of chemical treatments then enables deposition of the protein in the desired pattern upon the material underneath the photomask. The capture molecules arrayed on the solid surface may be antibodies, antigens, aptamers (nucleic acid-based ligands), affibodies (small molecules engineered to mimic monoclonal antibodies), or full length proteins. Sources of such proteins include cell-based expression systems for recombinant proteins, purification from natural sources, production in vitro by cell-free translation systems, and synthetic methods for peptides.
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In Ektachrome- type (E-6 process) transparencies, the film is first processed in an unusual developer containing phenidone and Hydroquinone-monosulfonate. This black and white developer is used for 6:00 at 100.4°F (38°C), with more time yielding "push" processing to increase the apparent film speed by reducing the Dmax, or maximum density. The first developer is the most critical step in Process E-6. The solution is essentially a black-and-white film developer, because it forms only a negative silver image in each layer of the film; no dye images are yet formed.
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Turner's biographer, Alfred Whitman, dismisses a tradition in the artist's family that he was apprenticed to George Jones, who was in fact younger than Turner, but suggests that he may have come under the influence of George Jones' father John Jones, who was a notable exponent both of mezzotint and stipple, without making any mention of any formal apprenticeship.Whitman 1907, p.4 In 1798 he was employed by the publisher Edward Orme to produce the first plates for his "transparencies", a new type of varnished and coloured print designed to be illuminated from behind.Whitman 1907, p.
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In 1771 he settled in London, where David Garrick paid him £500 a year to design scenery and costumes and oversee the stage machinery at the Drury Lane Theatre. His stage effects attracted the admiration not just of the general public, but also of artists, including Joshua Reynolds. He devised scenic effects in which, for instance, green trees gradually became russet and the moon rose and lit the edges of passing clouds: illusions achieved through the use of coloured lantern-slides and the ingenious lighting of transparencies. He continued to work at the theatre until 1785.
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The Norélic was a prototype two-seat, single rotor helicopter with an unusual anti-torque system, without a manual cyclic pitch control. Its two crew sat side by side with large, single curvature transparencies in front of them but with open cockpit sides. The Mathis G.7R seven-cylinder radial engine was immediately behind them, with its crankshaft vertical; the Norélic was the first French helicopter with its engine in this orientation. The driveshaft rose through the fuselage to the rotor hub, which was slightly offset forwards on a two side-by-side pillar, faired support.
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The pair worked as architectural photographers under the professional name Dearborn-Massar, focusing their efforts on the Pacific Northwest from the early 1940s through the early 1960s. They shot negatives and transparencies of the interiors and exteriors of both homes and businesses, and their oeuvre profusely documents the regional version of modernist architecture that is sometimes called the Northwest Contemporary style. Architects whose work they photographed include Ralph Anderson, Pietro Belluschi, Mary Lund Davis, J. Lister Holmes, Paul Hayden Kirk, Wendell Lovett, Ellsworth P. Storey, Victor Steinbrueck, Roland Terry, and Paul Thiry. Robert died June 11, 2002, and Phyllis died January 8, 2011.
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CC_ALPHA (gives the best control over complex alpha transparencies at four bits-per-texel): A 4×8 texel block is represented by two bits-per-texel for opaque and transparent textures. Each block stores three 20-bit colors stored in a 5555 format. The first and second 20-bit colors are used for the primary colors of the left 4x4 block, while the second and third colors are used for the primary colors of the right 4×4 block. Two additional colors are created in each block by interpolating between the two primary colors for that block.
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Its multi-glazed enclosure included long transparencies behind the rear seat, ending close to the tail. Access to each seat was via a side door, to starboard for the forward seat and port for the aft, which when opened also raised the corresponding roof panel; the two roof panels could be opened independently of the doors in flight to allow escapes by parachute. As an alternative arrangement, users could specify open cockpits. The rear fuselage tapered strongly in profile and ended wider than deep; the leading edge of the high aspect ratio horizontal tail, overall trapezoidal in plan and with rounded tips, was joined to it.
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The concept of the Fair Value Hierarchy there for is introduced in paragraphs 22 through 31 in SFAS No. 157. To provide the financial statement user with more insight into the valuation techniques and to create comparability among financial statements, SFAS No. 157 requires the fair value assets and liabilities to be allocated to different levels or hierarchies based on the transparencies of the inputs to valuing the assets/liabilities. Level 1, the highest on the hierarchy, indicates assets/liabilities with the most transparent and tangible valuation techniques. A Level 1 financial instrument typically has quoted prices and active markets – for example, an equity stock.
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NTIB Library, established in 1960, is the knowledge repository of the Institute and acts as the Information Support Centre of the Institute and oversees the publications and the dissemination of information. It is accessible to the faculty and staff of the Institute, trainees, medical students, research scholars, health care providers, patients and public. The Library stocks 4,000 reference books and 10,000 bound volumes on Tuberculosis related topics such as Public Health, Radiology, Bacteriology, Statistics, Sociology, Epidemiology, Fugitive and Grey literature. It subscribes to 20 international and 35 national periodicals and has a collection of 120 audiovisual packages, 700 slides, 30 CDs and 150 transparencies, other than the NTIB publications.
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Document cameras, also known as visual presenters, visualisers (in the United Kingdom), digital overheads, or docucams, are real-time image capture devices for displaying an object to a large audience. Like an opaque projector, a document camera is able to magnify and project the images of actual, three- dimensional objects, as well as transparencies.. They are, in essence, high resolution web cams, mounted on arms so as to facilitate their placement over a page. This allows a teacher, lecturer or presenter to write on a sheet of paper or to display a two or three-dimensional object while the audience watches. Theoretically, all objects can be displayed by a document camera.
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The surface as seen from space during the landing sequence was created by painting a globe white, then mixing chemicals and dyes onto transparencies and projecting them onto it. The planetoid was not named in the film, but some drafts of the script gave it the name Acheron after the river which in Greek mythology is described as the "stream of woe"; it is a branch of the river Styx, and forms the border of Hell in Dante's Inferno. The 1986 sequel Aliens named the planetoid as "LV-426", and both names have been used for it in subsequent expanded-universe media such as comic books and video games.
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350pages provides customizable templates and every object on the web page can be customized with borders, backgrounds, transparencies, orientation and they can be resized in real-time. Web page objects include customizable graphics such as headings, navigation buttons, logos and dividers, rich text editor, photo editor, framed images, forms and e-commerce functions. The auto- format automatically formats the web page content regardless of the size of web browser, and the free-format enables the user to drag and drop the page objects to any fixed position on the web page. The websites created using the 350pages tools are industry standard HTML that is recognised by the search engines.
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In 1786 Coppin moved to Rampant Horse Street in Norwich to be near to the family's ornamental painting business. Coppin was one of several artists who were responsible for the creation of the transparencies for the Norwich celebrations of the British victory in Battle of the Nile in 1798 and declaration of peace in 1801. In 1803 his friend John Crome and Robert Ladbrooke formed the Norwich Society of Artists, a group that also included Coppin as well as Robert Dixon, Charles Hodgson, James Stark and George Vincent. Their first exhibition, in 1805, marked the start of the Norwich School of painters, the first art movement created outside London.
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The film was a big box office success and was later remade as Alaska Seas (1954).Everett Aaker, The Films of George Raft, McFarland & Company, 2013 p 79 The special effects and production team who worked on Spawn of the North received an Academy Honorary Award at the 11th Academy Awards for their efforts. The award was given to the special effects artist Gordon Jennings, with assistance from Jan Domela, Dev Jennings, Irmin Roberts and Art Smith; the transparencies artist Farciot Edouart, with assistance from Loyal Griggs and the sound effects artist Loren L. Ryder, with assistance from Harry D. Mills, Louis Mesenkop and Walter Oberst.
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Shores, Louis. (1973) Audiovisual Librarianship. pp. 15-18. Littleton, CO: Libraries Unlimited In 1947, Shores put his philosophy to work when setting up the library at FSU. He called the library the “Materials Center” to be more inclusive of all the kinds of resources therein, including 16mm films, filmstrips, discs, tapes, slides and transparencies among others.Shores, Louis. (1973) Audiovisual Librarianship. pp. 11-14. Littleton, CO: Libraries Unlimited. The Materials Center used color-coding to indicate the format of a resource in the card catalog and had the equipment necessary to use audiovisual materials, including one of the earliest “listening posts” where you could listen to recordings over headphones.
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PowerPoint has become the ubiquitous solution for professionals to present their ideas, companies and products alike to their audience. Since its inception in 1984 and although purely electronic, PowerPoint has followed the thought process of its physical predecessor, the overhead projector, in which a presenter physically wrote the text and diagrams of the story board sequence on a roll of acetate transparencies. In both scenarios, the presenter is mandated to follow the sequential flow of the presentation slide material. In modern business environments, the audience is often likely to ask questions out of sequence and for a PowerPoint presenter, this can be dealt with in one of three ways.
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Stampfer also suggested using the stroboscopic principle on "transparencies" and Plateau thought it might find application in phantasmagoria. It seemed a simple and logical next step, but in practice it turned out to be relatively complicated. Apart from mica and glass there were hardly any transparent materials that could be used and it took years before mechanisms were developed that enabled fluent animation to be projected. In 1843, T.W. Naylor (an experimenter from Newcastle about whom little else is known) published details and an illustration of his plan for a "Phantasmagoria for the projection of moving figures" (by then, the word "phantasmagoria" was often used for a type of magic lanterns).
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Chris Ashley is an artist who creates his work through the use of coding with simple instruction to create shapes, add colors and texture to his paintings. Through the use of this new medium, he is able to create freedoms and use this freedom to diffuse and inject his artwork with new fresh meaning. His style is productive but his behavior is strongly expressionist. “Transparencies 2007” is a two-image work of art where Ashley displays the ability to use contrast to convey meaning. In “Cinematic Dataculture”, the shape of a cake, the blue and soft pink layer floats between two areas of the acrylic.
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Early practitioners made money both by selling their art, and also selling patterns used to create intarsia. In France Georges Vriz proposed a new method which revolutionise the marquetry. Contrary to all the other techniques, based on the generally accepted idea of a decoration "flat" made of wood or other matters, George VRIZ brings an important innovation: Thanks to the superposition of the layers of wood, and with the possibility offered by plating to create "transparencies", these means make it possible to bring thus sometimes the light, the color, a veil, a depth. These made impossible to create with a traditional method are made using judicious but controlled sandpaperings.
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Pope completed Foundation Studies in Fine Art at Falmouth School of Art in 1980, where he practiced painting in a photo realist style. Following that, Pope worked on a Manpower Services Project, painting murals on canvas for a hospice in the East End. Working from transparencies taken locally in the East End, It was here that Pope taught himself how to make Cibrachrome prints from the slides as reference material to paint from. In 1983, Pope launched Matchless Prints Ltd in Clerkenwell Road, London, following the support of Terry Donovan, who encouraged him to go into business, despite his lack of formal training, and disregarding the fact he was only 23.
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The E-6 process (often abbreviated to E-6) is a chromogenic photographic process for developing Ektachrome, Fujichrome and other color reversal (also called slide or transparency) photographic film. Unlike some color reversal processes (such as Kodachrome K-14) that produce positive transparencies, E-6 processing can be performed by individual users with the same equipment that is used for processing black and white negative film or C-41 color negative film. The process is highly sensitive to temperature variations: A heated water bath is mandatory to stabilize the temperature at 100.0 °F (37.8 °C) for the first developer and first wash to maintain process tolerances.
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He also composed a half-hour orchestral suite based on music from his first opera UBU also for the BBC conducted by IIan Volkov. Longer terms compositions include an opera 'Narrow Rooms' based on a novel by James Purdy to a libretto by Michael Finnissy and a collection of poetry settings for voice/violin (or viola) as well as a range of compositions for chamber ensemble and solo instruments. Other commissions have included Acrobats, for CoMA, mini opera I'll be there for you, commissioned by English Touring Opera, solo violin work Transparencies written for an exhibition of artist Julian Grater, and Noh for solo cello written for sculptor John Davies.
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A gallery owner and friend suggested that, if she wanted to earn a living from her artwork, it might be more efficient to create prints than paintings. As she delved into different printmaking techniques, Rothe became intrigued by mezzotint, which, while requiring a high level of skill and patience working by hand directly on the copper, permits the nuance of every line and detail to be seen. Combining the knowledge from her studies in anatomy, art history, goldsmithing, and drawing, she arrived at an original process that allowed her to achieve detailed transparencies with mezzotint. Another innovation was a method of applying and hand-wiping all colors on the same plate.
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The widest part of the lake is in New Hampshire. The lake narrows to the east in Maine, creating the First, Second and Third basins. Great East Lake is the largest of the Salmon Falls headwater lakes. Great East Lake supports abundant wildlife, and 21 fish species including lake trout (togue), rainbow trout, smallmouth bass, largemouth bass, American eel, hornpout, white perch, black crappie and chain pickerel. Water quality monitoring data has been collected since 1974, including 29 years of secchi disk transparencies, 23 years of total phosphorus (TP) data, 20 years of chlorophyll-a (Chl-a) data and 7 years of dissolved oxygen (DO) profiles.
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The Composing Room employed advanced type-setting methods that boasted quick turnarounds and high-quality work for high-circulation magazines including Vogue, Vanity Fair, and House and Garden. The Composing Room worked directly with font foundries like Linotype and encouraged ligatures to be created for bad letter combinations. It was the first typography house to be able to produce a range of font sizes (5-144pt) at all times; a proofing press for transparencies; and the first to install the All-Purpose-Linotype (APL) machines. In 1934, the type shop created their own magazine, called PM (later A-D magazine) with co- editor Percy Seitlin for art directors and production people.
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The cockpit was just ahead of the wing, under a largely ply fairing smoothly integrated into the nose and fuselage; its only transparencies were portholes in its slightly concave sides. The cockpit fairing was removable for access; aft, it blended immediately into the fuselage line without the long fairing of the Sperber Senior. A tapered, round tipped and largely fabric covered horizontal tail was mounted on top of the fuselage, far enough forward to place the trailing edges of its elevators at the rudder hinge line. The latter was mounted on a narrow ply covered fin, carefully faired into the fuselage and extending below it to form a tail bumper.
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A Defense News report stated that the AESA radar would be a particular challenge; it was developed by Hanwha Systems with assistance from other domestic firms and support from foreign companies. Elta Systems helped to test the prototype AESA, and Saab worked with LIG Nex1 on software development and evaluation.defenseworld.net " Saab To Support S Korean KF-X Fighter Jet's AESA Radar Development" www.defenseworld.net, Dec 23, 2017. In addition to working on the AESA, LIG Nex1 is to develop a radio jammer."Electronic Warfare" LigNex1, Aug 2019."LigNex1 Avionics" LigNex1, Aug 2019. US aerospace contractor Texstars was selected by KAI to develop canopy and windshield transparencies for KF-X.
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A photomask A schematic illustration of a photomask (top) and an integrated circuit created using that mask (bottom) A photomask is an opaque plate with holes or transparencies that allow light to shine through in a defined pattern. They are commonly used in photolithography and the production of integrated circuits (ICs or "chips") in particular. Masks are used to produce a pattern on a substrate, normally a thin slice of silicon known as a wafer in the case of chip manufacturing. Several masks are used in turn, each one reproducing a layer of the completed design, and together they are known as a mask set.
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His style differs from the simplicity and severity of earlier times, exhibiting instead the floridity of the later Renaissance. Schnorr's biblical drawings and cartoons for frescoes formed a natural prelude to designs for church windows, and his renown in Germany secured commissions in Great Britain. Schnorr was one of ten artists who provided designs for a scheme of stained-glass for Glasgow Cathedral, commissioned in 1856–7 and manufactured at the royal factory in Munich, and he later designed windows for St Paul's Cathedral in London. This Munich glass provoked controversy: medievalists objected to its lack of lustre, and stigmatized the windows as mere coloured blinds and picture transparencies.
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Musterle's wing was mounted over the fuselage on a low, ply covered pylon which blended into the fuselage and extended well behind the wing trailing edge, gradually decreasing in height. The fuselage was ply covered and ovoid in cross section, formed by ply covering over three longerons held in transverse frames; it was distinctly pointed on its underside and tapered aft. The cockpit was just ahead of the wing under a removable, largely ply cover; the only transparencies were the windscreen and a small rectangular roof window, though there were open circular portholes on either side. All tail surfaces were built in a similar way to the wing.
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Since graduating from Sheridan College's animation program, Elliott has amassed a collection of murals and public artworks that have come to help define Toronto's cityscape. Moving beyond notions of the streets being his only canvas, Elliott has exhibited works at The Art Gallery of Ontario, The Royal Ontario Museum, and LE Gallery. Elliott has also acted as an arts educator working with the Art Gallery of Ontario's "Free After Three" youth arts program, and the Toronto Jazz Festival, teaching youth aerosol paint techniques. Elliot's most notable works can be described as a highly improvised collage of soft characters and organic shapes, layered and blended through transparencies.
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A positive is a film or paper record of a scene that represents the color and luminance of objects in that scene with the same colors and luminances (as near as the medium will allow). Color transparencies are an example of positive photography: the range of colors presented in the medium is limited by the tonal range of the original image (dark and light areas correspond). It is opposed to a negative where colors and luminances are reversed: this is due to the chemical or electrical processes involved in recording the scene. Positives can be turned into negatives by appropriate chemical or electronic processes.
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"Magic lantern shows" also served as a form of home entertainment and were especially popular with children. They continued to have a place among commercial public amusements even after the coming of projected "moving pictures". Between films, early movie theaters often featured "illustrated songs", which were community sing-alongs with the lyrics and illustrations provided by a series of projected lantern slides. Theaters also used their lanterns to project advertising slides and messages such as "Ladies, kindly remove your hats". After 35 mm Kodachrome color film was introduced in 1936, a new standard 2×2 inch (5×5 cm) miniature lantern slide format was created to better suit the very small transparencies the film produced.
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Suitability Analysis is the process and procedures used to establish the suitability of a system – that is, the ability of a system to meet the needs of a stakeholder or other user. Before GIS (a computerized method that helps to determine suitability analysis) was widely used in the mid to late 20th century, city planners communicated their suitability analysis ideas by laying transparencies in increasing darkness over maps of the present conditions. This technique's descendant is used in a GIS application called multicriteria decision analysis. In the 1960s, a mechanism called the ecological inventory process was developed to document existing surrounding land conditions to help inform the analysis for the land in question.
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Her most recognized films were Introspection (1941–47) and What Is A Man? (1958). Introspection was the first abstract dance film made in the United States, and it pioneered the "cine-dance" genre (along with Maya Deren's A Study in Choreography for Camera, released in 1946). Arledge also painted throughout her career and worked in the media of glass slide transparencies, which combined attributes of painting and filmmaking that interested her. According to film historian David E. James, "almost all the European avant-garde filmmakers of the 1920s were visual artists," and Arledge was one of the only Los Angeles visual artists to continue experimenting with the film medium after the 1920s.
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It is unusual, among other things, for showing the Four Evangelists on a side in a hilly landscape with a horizon, which creates the illusion of each of the four being in his own room. The landscape lines the horizon line with shadowy, almost silhouetted, trees in front of a rosy evening sky. Through the differing transparencies of the paint, sketches are visible which show that an architectural background in the form of crenellated walls was originally planned. The Evangelists are depicted with white halos in different stages of life from youth to old age and also as personifications of the four temperaments, wearing loose white togae in the manner of ancient philosophers.
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Let There Be Stars was an early television series which aired on the ABC television network in 1949. It was a high-budget show for its time, and used new production techniques such as "Teleparencies", transparencies which could be displayed in the background, faded in or out or dissolved, and changed on the fly. The idea of the program was to highlight up-and-coming actors and actresses who had been found by a talent scout working to cast new performers in Broadway shows. The first program got a rave review from Variety magazine, but quality dropped off, and the show only lasted a little more than a month, from October 16, 1949 through November 27.
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In 1905 Keystone View Company began its Educational Department, selling views and glass lantern slides (the 4 x 3.25 inch ancestors of the better-known 2 x 2 inch slides containing transparencies on film, which eventually replaced them) to schools throughout the country. They also produced lantern slide projection equipment. Selling stereoviews and lantern slides to schools was a field pioneered by Underwood & Underwood, and for several years Underwood and Keystone were competitors for the growing educational market. According to the 1953 Keystone Sales Manual the more aggressive sales methods and the more progressive editorial policies of the Keystone View Company soon made it the acknowledged leader in the work, and Underwood & Underwood decided to give up the contest.
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In 2003, while living in the Costa Brava region of Spain, Zener became interested in watching bathers, and began a series of paintings of water, and of people interacting with water. Many paintings from this period depict women swimming underwater amidst air bubbles, or diving into the water, and have been described as reminiscent of Hudson River School and Barbizon School painters. For a second, more "experimental" series of water images, Zener painted over photographic transparencies that had been mounted on a wooden box covered with silver leaf, then covered with resin. Other subjects for Zener have included beach scenes, and businessmen in various unexpected settings, such as by swimming pools or on tightropes.
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The Spacebus spaceplane concept is the largest, most ambitious, costly and difficult project proposed by the company. It has a similar, but scaled up design to Spacecab with a "carrier" craft accelerating up to mach 4 with Ramjet engines and then up to mach 6 with rocket engines. The smaller "orbiter" would then detach and accelerate into orbit with LOX/LH2 rocket engines with a payload of up to 5000 kg or 50 passengers. Despite requiring a new Ramjet design and significant developments with the heatshield, rocket engines, hydrogen fuel system and transparencies, Spacebus is still claimed to be considerably more feasible and cheaper than other ongoing spaceplane projects such as Skylon.
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In 2017, the game was released worldwide on the Sega Dreamcast featuring graphic assets and cutscenes taken from the MS-DOS version and music from the Amiga version. An updated port titled Flashback: Remastered Edition was released for Nintendo Switch on June 7, 2018, for PlayStation 4 on November 20, 2018 and for Windows on November 29, 2018. Originally advertised as a "CD-ROM game on a cartridge", the game features fully hand-drawn backdrops and all animation is rotoscoped, giving movements an unusual fluidity, similar to that of the earlier Prince of Persia. The capture technique of Flashback was invented independently of Prince of Persia and used a more complicated method of first tracing video images onto transparencies.
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The same three images taken through red, green and blue filters which are used for additive color synthesis may also be used to produce color prints and transparencies by the subtractive method, in which colors are subtracted from white light by dyes or pigments. In photography, the dye colors are normally cyan, a greenish-blue which absorbs red; magenta, a purplish-pink which absorbs green; and yellow, which absorbs blue. The red-filtered image is used to create a cyan dye image, the green-filtered image to create a magenta dye image, and the blue-filtered image to create a yellow dye image. When the three dye images are superimposed they form a complete color image.
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During her time as an editor and author, Bridgeman discovered the need for easier access to illustrations of works of art. There was no central and convenient way to obtain colour transparencies or black-and-white prints other than by going from museum to museum. The concept of the Bridgeman Art Library emerged in 1972 and developed to allow users to access thousands of images at the same time providing extra income for the museums, collections, artists and institutions which it represents. The library now has offices in Germany, France, Italy, England, and the United States and Lady Bridgeman continues to travel internationally in order to support the development of collections and the access to arts generally.
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Murphy practiced medicine for a short time as an intern at St. Francis Hospital in Honolulu and later, at Peter Bent Brigham Hospital in Boston (now Brigham & Women’s Hospital). While at St. Francis, he developed his first medical invention—a projector for presenting full-size x-rays to large audiences. Murphy and the other interns were regularly required to show x-rays of their patients to doctors. To simplify this task, Murphy created a projector that was capable of showing a full-size x-ray on the screen and was easy to use—quite an accomplishment at that time, since a prompt means for converting x-rays to transparencies did not exist.
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The fuselage is a plywood covered wooden monocoque with an oval cross section; the wing is mounted at the highest point immediately behind the cockpit, which places instructor and pupil in side-by-side seats ahead of the leading edge, equipped with dual control and covered by a short, upward opening, rear hinged, multi-piece canopy. There is another pair of opening fuselage transparencies immediately below the canopy. Behind the wing the fuselage tapers, initially quickly, to the tail where the narrow chord, round tipped tailplane is mounted, with some dihedral, on top of it. The broader, split elevators are ahead of a straight edged, blunt tipped narrow fin and wide rudder.
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Her 1978 multimedia work, She, presented at the Hayward Gallery, London, in 1978 was an early example of performance that incorporated live video and slide projections. Transparencies of neon signs, poetry and images of shop windows featuring mannequins were projected on a wall before which Keane performed, while video of the performance played on monitors surmounted with neon texts. Keane has said that the work brought into play "the actual and the recorded, the shop dummy, and the person, the illusion and the reality" Transposition, first presented at the Museum of Modern Art, Vienna, in 1992, used the body as a screen with video projected onto the naked backs of men as they glide sideways standing on a travelator.
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Webb replied he did not, and deferred to his subordinates on the witness panel. Mueller and Phillips responded they too were unaware of any such "report". However, in late 1965, just over a year before the accident, Phillips had headed a "tiger team" investigating the causes of inadequate quality, schedule delays, and cost overruns in both the Apollo CSM and the Saturn V second stage (for which North American was also prime contractor). He gave an oral presentation (with transparencies) of his team's findings to Mueller and Seamans, and also presented them in a memo to North American president John L. Atwood, to which Mueller appended his own strongly worded memo to Atwood.
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To create the series, Charlesworth scoured news wires and the archives of the New York Public Library for images of people plunging through the air, having jumped out of a windows to commit suicide or because of a catastrophe like fire. After appropriating the photograph, she would crop or tear it, often leaving the edges ragged so that it appeared to be haphazardly torn like a homemade clipping. She would then rephotograph the image and enlarge it. Charlesworth later expanded the series, printing an eighth work from her original source material in 2009 and – as a commission of the Art Institute of Chicago – creating a set of six new ones from the original transparencies that were never printed.
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Diagram of transmission laser welding of polymers Through transmission laser welding of polymers is a method to create a joint at the interface between two polymer components with different transparencies to laser wavelengths. The upper component is transparent to the laser wavelength between 0.8 µm to 1.05 µm, and the lower component is either opaque in nature, or modified by the addition of colorants which promote the absorption of laser radiation. A typical colorant is carbon black that absorb most of the electromagnetic wavelength. When the joint is irradiated by the laser, the transparent layer passes the light with minimal loss while the opaque layer absorbs the laser energy and heats up.
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Two figures have prevented McBean from gaining more fame: Cecil Beaton (thanks to his lavish lifestyle and work for Vogue and the British Royal Family); and David Bailey, who much later (1960s) was close to Cecil Beaton both personally and in terms of style. McBean did not enjoy this level of fame either in his life or after death, even though he was arguably the better technically and artistically. Additionally McBean's focus on the world of theatre (particularly London's West End) did not give him international recognition. In 2007, seven original colour transparencies (slides) of his photographs for the Beatles album cover Please Please Me were accidentally thrown in the bin at the headquarters of EMI.
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Other numeric-display technologies concurrently in use included backlit columnar transparencies ("thermometer displays"), light pipes, rear-projection and edge-lit lightguide displays (all using individual incandescent or neon light bulbs for illumination), Numitron incandescent filament readouts, Panaplex seven-segment displays, and vacuum fluorescent display tubes. Before Nixie tubes became prominent, most numeric displays were electromechanical, using stepping mechanisms to display digits either directly by use of cylinders bearing printed numerals attached to their rotors, or indirectly by wiring the outputs of stepping switches to indicator bulbs. Later, a few vintage clocks even used a form of stepping switch to drive Nixie tubes. Nixie tubes were superseded in the 1970s by light-emitting diodes (LEDs) and vacuum fluorescent displays (VFDs), often in the form of seven-segment displays.
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In this incarnation, however, Buffy is a swashbuckling princess whose scream saves the town. (Joss Whedon reported in the DVD commentary that the actual scream was dubbed from another actor.) Instead of being the damsel in distress she is the hero, breaking through a boarded-up window in the belfry, then grabbing a rope and swinging across the room to kill one of The Gentlemen's footmen by smashing her feet into his chest. In many Buffy episodes, understanding why evil has appeared is important in knowing how to fight it, but the reasons for The Gentlemen's arrival and their need to take seven human hearts are never made explicit; they are simply there. According to Giles' overhead transparencies, they can appear in any town.
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A View-Master Model E of the 1950s The practice of viewing stereoscopic film-based transparencies through a small magnifying viewer dates to at least as early as 1931, when Tru-Vue began to market black-and-white 35 mm filmstrips that were fed through a handheld viewer made of Bakelite. In 1939, a radically different viewer, also designed for use with commercially prepared stereo images, was introduced as the View- Master. Images in color on small pieces of Kodachrome film came mounted in rectangular openings near the edge of a cardboard disk, which, despite being quite flat, was officially known as a View-Master "reel". Each reel contained seven image pairs, the left-eye and right-eye images being diametrically opposite.
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The choice of print technology has a great effect on the cost of the printer and cost of operation, speed, quality and permanence of documents, and noise. Some printer technologies do not work with certain types of physical media, such as carbon paper or transparencies. A second aspect of printer technology that is often forgotten is resistance to alteration: liquid ink, such as from an inkjet head or fabric ribbon, becomes absorbed by the paper fibers, so documents printed with liquid ink are more difficult to alter than documents printed with toner or solid inks, which do not penetrate below the paper surface. Cheques can be printed with liquid ink or on special cheque paper with toner anchorage so that alterations may be detected.
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He influenced the teaching of Esperanto, and was behind the launching of the first televised course in Esperanto in China. In the 1980s, he wrote textbooks.Curso fundamental de esperanto del maestro Tibor Sekelj para los países iberoamericanos, Mexico 1970, instituted the Youth Esperanto Association of Mexico; Kurso de Esperanto – laŭ aŭdvida struktura metodo (Course of Esperanto – according to audiovisual structural method) was issued in form of sheets since 1966 (later combined as complete material) The authors were A. and T. Sekelj and Klas Aleksandar and Novak Koloman did the illustrations. The course existed also in form of transparencies – actually movies – one can project. He led many Master Esperanto classes wherever he travelled and also took part in the improvement of the «Zagreb method» textbook.
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Many glass panels from Laurelton Hall are also there; for many years some were on display in local restaurants and businesses in Central Florida. Some were replaced by full-scale color transparencies after the museum opened. A major exhibit at New York's Metropolitan Museum of Art on Laurelton Hall opened in November 2006. An exhibit at the New-York Historical Society in 2007 featured new information about the women who worked for Tiffany and their contribution to designs credited to Tiffany; the Society holds and exhibits a major collection of Tiffany's work. In addition, since 1995 the Queens Museum of Art has featured a permanent collection of Tiffany objects, which continues Tiffany's presence in Corona, Queens where the company's studios were once located.
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Turner views the selection of attire as reflective of the Beatles "still dressing similarly yet with an individual stamp"; he identifies the choice of sunglasses as another example of a unified yet personalised look, whereby the styles ranged from oblong- shaped lenses, for Lennon, to an oval-shaped pair worn by Starr. Gould, who describes Starr's glasses as "ludicrously bug-eyed", considers the cover design to be consistent with the "break with the past" ethos that had guided the album's creation. During the same photo shoot, Whitaker took pictures of the Beatles examining orange transparencies of his "butcher cover" design for Yesterday and Today. The latter image proved instantly controversial in America due to its depiction of dismembered baby dolls and raw meat.
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In 1902, it took the name of the town to become Ilford Limited, despite the objections of the local council.. Production of roll films commenced in 1912 and the Mobberley (Rajar) factory was acquired in 1928. Box of 35mm Ilford film – expired: September 1957 On 1959 ICI acquired a majority share holding in Ilford. In 1963 Ciba AG, Switzerland, who had bought Lumiere, France the preceding year, and who already owned Swiss photographic coating company Tellko, begin to acquire shares in ILFORD as part of a commercial co-operation between Ciba and ILFORD to develop Ciba's dye-bleach print material (for making prints directly from colour transparencies). Originally called Cilchrome ('Cil' derived from the names Ciba, ILFORD and Lumière) the eventual product name was Cibachrome.
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A teaching kit is a teaching resource developed by a museum education department with the intention of creating cross-curricular learning. Such kits often include many resources, such as an educators' guide, a CD-ROM with works of art and primary sources (letters, maps, period photographs), overhead transparencies, posters, curricula, and step-by-step lesson plans. The projects are founded on the belief that art and material culture can be a valuable lens through which to study a historical moment. As N. Elizabeth Schlatter, the author of Museum Careers: A Practical Guide for Students and Novices, explains, the role of museums is to make “a unique contribution to the public by collecting, preserving, and interpreting the things of this world.
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Hinton received his first camera, a 35mm Argus C3, on his 25th birthday in 1935. He later moved on to a Leica, then a Canon 35mm range- finder, and by the 1960s to a Nikon F. Between 1935 and 1999 Hinton took thousands of photographs, approximately 60,000 of which now comprise the Milton J. Hinton Photographic Collection, co-directed by David G. Berger and Holly Maxson. The Collection includes 35mm black and white negatives and color transparencies, reference and exhibition-quality prints, and photographs given to and collected by Hinton throughout his life. The work depicts an extensive range of jazz artists and popular performers in varied settings - on the road, in recording studios, at parties, and at home - over a period of six decades.
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He is the author of a series of monographs on great Maserati cars. In co-operation with publisher Iconografix, Ludvigsen has established a series of photographic books now numbering some nineteen titles, including books on Indy racing cars from the Speedway's first contest in 1911 through the 1970s, the Indy Novis, Chevrolet's Corvair and Corvette, the Mercedes-Benz 300SLs of 1952 and 1954–64, the Porsche Spyders and Porsche 917, the Ferrari Factory, Can-Am racing cars, the sports-racers of Briggs Cunningham and Jim Hall's Chaparral cars. More titles are in preparation. Ludvigsen has collected his library of the same name throughout his career and it now holds extensive original negatives and transparencies from the 1950s forward with special strengths in motor sports, American cars and sports cars.
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He painted large transparencies, apparently to be lighted from behind, for the "Grand Revolving Temple of Concord" built in Green Park for the visit of several sovereigns to celebrate (prematurely) the defeat of Napoleon.Picture of Temple, and others This was, according to some accounts, destroyed by,Royal Parks Official website and according to others only saved by the cavalry from, "the multitudes of idle and dissolute spectators of all sorts".Rev. Joseph Nightingale, The Beauties of England and Wales: Or, Original Delineations, Topographical, Historical and Descriptive, of each County, London 1815, pp. 111 (mentions Howard) to 115 (for mob)Digitized He also worked on a Solar System for the ceiling of Stafford House in 1835, then housing a superb art collection open to the public, as well as several other ceiling projects.
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This U.S. government photography project was headed for most of its existence by Roy Stryker, who guided the effort in a succession of government agencies: the Resettlement Administration (1935–1937), the Farm Security Administration (1937–1942), and the Office of War Information (1942–1944). The collection also includes photographs acquired from other governmental and nongovernmental sources, including the News Bureau at the Offices of Emergency Management (OEM), various branches of the military, and industrial corporations. In total, the black-and-white portion of the collection consists of about 175,000 black-and-white film negatives, encompassing both negatives that were printed for FSA-OWI use and those that were not printed at the time. Color transparencies also made by the FSA/OWI are available in a separate section of the catalog: FSA/OWI Color Photographs.
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From 1906, Personnaz practiced the colour Autochrome process invented by Auguste and Louis Lumière (used by photographers from 1893 but only patented in 1904) and was amongst those, including Jules Gervais- Courtellemont, Léon Gimpel and Jacques-Henri Lartigue, who would raise their autochromes to the status of artistic works. He first exhibited such pictures, made in Madrid, by projection at the S.F.P. that year (the process produced transparencies, not prints). Personnaz believed that the colour image, when projected and enlarged on a screen to a scale similar to that of a painting, its atmospheric depth is enhanced. Overall he produced more than a thousand plates in that medium, the grainy rendering of which lends it an Impressionist quality,N. Boulouch, “Antonin Personnaz ou l’aventure d’un autochromiste”, Histoire de l’art, 13-14, 1991, p. 67-76.
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An overhead projector works on the same principle as a slide projector, in which a focusing lens projects light from an illuminated slide onto a projection screen where a real image is formed. However some differences are necessitated by the much larger size of the transparencies used (generally the size of a printed page), and the requirement that the transparency be placed face up (and readable to the presenter). For the latter purpose, the projector includes a mirror just before or after the focusing lens to fold the optical system toward the horizontal. That mirror also accomplishes a reversal of the image in order that the image projected onto the screen corresponds to that of the slide as seen by the presenter looking down at it, rather than a mirror image thereof.
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Burkett requires "absolute material accuracy" and has since 1980 evolved into one of the greatest color printers in the history of the medium, creating Cibachrome color prints of unprecedented dimension (40x50) from his brilliant 8x10 transparencies. "The best of Christopher Burkett's photographs have an almost mystical sense of connection to us, one that cannot fully be conveyed through words or reproductions.Jim Alinder "Paradise Found" "All of Christopher's photographs, is able to act across distance, to illumine a viewer standing fifty or a hundred feet away, to transcend the physical dimensions of its frame."James Reid "Vital Form and Radiant Light: A Painter Explores the Photographs of Christopher Burkett" Burkett is also a former brother in an Orthodox Christian religious order who, Vincent Rossi writes, has "transformed photographic technique into a spiritual endeavor.
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Based on the research, it is clear that the social sector lacks adequate capital to address the needs of Americans and maintain its role as a safety net and economic engine. To reverse this trend, the Office of Social Innovation has laid out a strategy to optimize the flow of scarce public dollars and to increase the flow of incremental private dollars. This dual track is enabled by a five-part framework: #Better Information #New Instruments #Strong Intermediaries #Institutional Capital #Impact at Scale Harnessing better information, taking into account transparencies provided by technology, data and evidence can support what programs are working, and which are in need of iteration or reform. Better information can lead to evidence that a program is working, and can help the government better allocate grants to support successful programs.
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Amiga Workbench 2.0 (1990) Amiga Workbench 4.1 (2009) Later releases added improvements over the original Workbench, like support for high-color Workbench screens, context menus, and embossed 2D icons with pseudo-3D aspect. Some Amiga users preferred alternative interfaces to standard Workbench, such as Directory Opus Magellan. The use of improved, third-party GUI engines became common amongst users who preferred more attractive interfaces – such as Magic User Interface (MUI), and ReAction. These object-oriented graphic engines driven by user interface classes and methods were then standardized into the Amiga environment and changed Amiga Workbench to a complete and modern guided interface, with new standard gadgets, animated buttons, true 24-bit-color icons, increased use of wallpapers for screens and windows, alpha channel, transparencies and shadows as any modern GUI provides.
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In 1634, Thomas Heywood turned the tale of Cupid and Psyche into a masque for the court of Charles I.Entry on "Apuleius," Classical Tradition, p. 57. Lully's Psyché (1678) is a Baroque French opera (a "tragédie lyrique") based on the 1671 play by Molière, which had musical intermèdes by Lully. Matthew Locke's semi-opera Psyche (1675) is a loose reworking from the 1671 production. In 1800, Ludwig Abeille premièred his four-act German opera (singspiel) Amor und Psyche, with a libretto by Franz Carl Hiemer based on Apuleius. Bouguereau In the 19th century, Cupid and Psyche was a source for "transformations," visual interludes involving tableaux vivants, transparencies and stage machinery that were presented between the scenes of a pantomime but extraneous to the plot.Anita Callaway, Visual Ephemera: Theatrical Art in Nineteenth-Century Australia (University of New South Wales Press, 2000), p. 177.
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The following morning in a campus classroom, Giles uses a series of overhead transparencies to explain to the others that The Gentlemen steal the townspeople's voices so no one can scream as they gather the hearts they need, and that folklore indicates that they have been vanquished before when a princess screamed: the only thing that will kill them is a live human voice. That evening, Anya falls asleep on Giles' sofa while Spike takes a mugful of blood from the refrigerator. Xander enters Giles' apartment as Spike, his mouth wet with blood, bends down to pick up something that he dropped in front of the sofa where Anya sleeps. Inferring that Spike bit and drank from Anya, Xander pummels him ferociously until Anya wakes and stops him; excited that he fought to defend her, Anya gestures that they should go have sex.
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Several posthumous exhibitions have been devoted to the artist, including one organized in 2006 in Guardiagrele for the 34th exhibithion named Mostra dell'Artigianato Artistico Abruzzese, or the more recent one organized in 2007 under the name Harmónia és áttetszőség (in English Harmonies and transparencies) at the famous Cafe New York Palace Boscolo Luxury Hotel, Budapest, together with the works and sculptures of his son Clodoveo Masciarelli, as his father a sculptor. In the month of November 2013 during the XXI International Competition of Painting and Sculpture "Premio G. D'Annunzio" was dedicated a retrospective exhibition of the artist at the Museum MU.MI Michetti in Francavilla al Mare, in which they were exposed his most important works such as: The Venus, Diogenes #2, Homage to Picasso #2, Our Lady of the mirror, Toros y Toreros and The Fly.
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Premium editions of Windows Vista include a redesigned user interface and visual style, named Windows Aero (Authentic, Energetic, Reflective and Open). Aero is intended to be cleaner and more aesthetically pleasing than previous Windows versions, including glass-like transparencies and window animations. Windows Aero also features a new default font (Segoe UI) with a slightly larger size, a streamlined style for wizards, and a change in the tone and phrasing of most of the dialogs and control panels. In addition to the Windows Aero visual style, Windows Vista Home Basic exclusively includes a "Windows Vista Standard" theme which has the same hardware requirements as "Windows Aero", and therefore uses Desktop Window Manager for desktop composition, but does not include the ability to generate live thumbnails of running applications, nor does it allow transparency of the window frame.
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Wexler was among the original artists to adopt digital image editing technology as a tool in the creative process. During 1987 Wexler was introduced to digital imaging technology by Tony Redhead, who in 1986 founded Electric Paint, the first U.S. company to use digital imaging technology and a Quantel Paintbox to create digital transparencies for print.Opportunities in Film Career, by Jan Boon, Ana Fernandez During 1992 Glen Wexler Studio established in-house digital imaging using Apple Inc. computers, and began employing full-time digital artists to assist with the retouching and photocomposition of Wexler’s projects.Take Great Pictures interview with James Cotter Credited as a worldwide leader and noted “pioneer” in the field, Wexler has lectured at the Seybold Conferences in New York and San Francisco, the PhotoPlus Expos in New York and Los Angeles, and at colleges in the United States.
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Since many of the X-rays taken during the course of the autopsy included Kennedy's teeth, it was possible to determine, using his dental records, that the X-rays were of the President. As soon as the forensic dentist and anthropologists had determined that the autopsy photographs and X-rays were of the President, photographic scientists and radiologists examined the original autopsy photographs, negatives, transparencies, and X-rays for signs of alteration. They concluded that there was no evidence of the photographic or radiographic materials having been altered, so the committee determined that the autopsy X-rays and photographs were a valid basis for the conclusions of the committee's forensic pathology panel. While the examination of the autopsy X-rays and photographs was mainly based on its analysis, the forensic pathology panel also had access to all relevant witness testimony.
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The English version received generally positive reception in North America, earning a 73% average score from aggregate review website GameRankings. IGN gave the game a 7.5 of 10, stating the game was "Highly recommended, as long as you're a fan of the classic Super NES". IGN praised the game for its gameplay, story, and sound, but criticized the graphics for not being much better than what the Super NES was capable of, and the frequency of the battles. RPGFan gave the game an 88% rating overall, calling the battle system "a blast to play" and "well- balanced", but had mixed feelings on the graphics, calling it "...not even as good as some of the SNES" on in the game, but saying it improves farther into the game, stating "Transparencies, lighting, reflections and beautifully drawn textures make each area interesting".
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The Michele Valori archive, which has been declared as an item of great historical interest (“a precious resource for the history of architecture and urbanism in Italy”), was acquired for MAXXI’s collections in 2006 by the Ministry of Cultural Heritage and Activities. It documents the architect’s professional activity between the years of 1949 and 1979 and is testament to his involvement in debates surrounding architecture and town planning in Italy. Available to scholars and the general public, the archive is made up of more than 2,700 designs for over 100 projects, kept in files and tubes that are methodically sorted and subdivided, and supporting diagrams such as surveys and maps. It also includes more than 5,000 photographic items such as negatives, photographic plates and diapositives (photographic slides and transparencies), amongst which are teaching materials, documentation of travel and construction sites and prints.
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The Cubist considerations manifested prior to the outset of World War I—such as the fourth dimension, dynamism of modern life, the occult, and Henri Bergson's concept of duration—had now been vacated, replaced by a purely formal reference frame. This clarity and sense of order spread to almost all on the artists under contract with Léonce Rosenberg—including Juan Gris, Jacques Lipchitz, Henri Laurens, Auguste Herbin, Joseph Csaky and Gino Severini—leading to the descriptive term 'Crystal Cubism', coined by the critic Maurice Raynal. Femme au miroir, as other works by Metzinger of the same period, relate to those of his colleague and friend Juan Gris, whose Portrait of Josette Gris was painted just six months after Metzinger's canvas, and with Gris' Seated Woman of 1917. The works of Gris and Metzinger painted during the war employ transparencies that blur the distinction between the background and the figure.
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Maloff’s aesthetic style is characterized by geometric compositions, the illusion of back lighting, transparencies, and spatial ambiguity. She has worked in various artistic media, including aquatint, ceramics, oils, and acrylics. However, since 2002 she has devoted herself almost entirely to the medium of digital painting. Her work has been exhibited in several solo exhibitions, including a show in August 2007 at the Thomas Knight Gallery in California, in 2010 in Virtuous Realities at the Jung Center in Texas, and also in 2014 at Mill and Leaf in the Arboretum in Austin, TX. At the VIII Salón de Arte Digital, Museo de Arte Contemporáneo del Zulia in Maracaibo, Venezuela, her work was commended by the jurors for its “poetic abstract expression and purity of execution.” In 2008 her work was included in the inaugural exhibit of the Museum of Computer Art in New York City.
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Using this device, Alvin Liberman, Frank Cooper, and Pierre Delattre (later joined by Katherine Safford Harris, Leigh Lisker, and others) were able to discover acoustic cues for the perception of phonetic segments (consonants and vowels). This research was fundamental to the development of modern techniques of speech synthesis, reading machines for the blind, the study of speech perception and speech recognition, and the development of the motor theory of speech perception. To create sound, the pattern playback machine uses an arc light source which is directed against a rotating disk with 50 concentric tracks whose transparencies vary systematically in order to produce 50 harmonics of a fundamental frequency. The light is further projected against a spectrogram whose reflectance corresponds to the sound pressure level of the partial of the signal, and is then directed towards a photovoltaic cell by which the light variation is converted into sound pressure variations.
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In color photography, electronic sensors or light-sensitive chemicals record color information at the time of exposure. This is usually done by analyzing the spectrum of colors into three channels of information, one dominated by red, another by green and the third by blue, in imitation of the way the normal human eye senses color. The recorded information is then used to reproduce the original colors by mixing various proportions of red, green and blue light (RGB color, used by video displays, digital projectors and some historical photographic processes), or by using dyes or pigments to remove various proportions of the red, green and blue which are present in white light (CMY color, used for prints on paper and transparencies on film). Monochrome images which have been "colorized" by tinting selected areas by hand or mechanically or with the aid of a computer are "colored photographs", not "color photographs".
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Critics have drawn parallels between Social Security and Ponzi schemes,Daniel Indiviglio Perry Is Right: Social Security Is a Lot Like a Ponzi Scheme The Atlantic, August 15, 2011 e.g.: One criticism of the analogy is that while Ponzi schemes and Social Security have similar structures (in particular, a sustainability problem when the number of new people paying in is declining), they have different transparencies. In the case of a Ponzi scheme, the fact that there is no return-generating mechanism other than contributions from new entrants is obscured whereas Social Security payouts have always been openly underwritten by incoming tax revenue and the interest on the Treasury bonds held by or for the Social Security system. The sudden loss of confidence resulting in a collapse of a conventional Ponzi scheme when the scheme's true nature is revealed is unlikely to occur in the case of the Social Security system.
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The Lignel 46 was the last aircraft produced by Société Française de Construction Aéronautique (SFCA). It was a cantilever low wing monoplane, seating four in two side-by-side rows under a multipart glazed canopy. The two main transparencies opened away from each other on vertical, forward hinges for cabin access. There was a Mathis G8R or Mathis G8 20 inverted V-8 engine, driving an automatic variable pitch propeller in the nose; behind the cabin the fuselage tapered linearly from the full cabin depth. The Lignel 46 was a wooden aircraft and its monocoque fuselage was built using a composite shell composed of perforated cork sheets between inner and outer shaped plywood layers, a method patented by Jean Broudeau and one that SFCA had explored before World War II. The wings of the Lignel 46 were broadly similar to those of the SFCA Lignel 20.
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Already limited by memory concerns on the Xbox 360 that prevented further variations on the core infected models, the team devised a system of using textures with transparencies combined with ellipsoid culling from any infected character model to simulate the wounds, with several graphical process simplifications to avoid taxing the rendering system. This allowed the team to simulate up to two such wounds on each infected using only 13% of the memory resources of the based system in Left 4 Dead. Another visual aspect that the Valve team explored was the rendering of water, particularly in the "Swamp Fever" campaign, which takes place mostly in a large swamp area. Valve found early play-testers would become confused with the large, tree- covered map, but by adding hints of water movement in the direction they were to go, there was a significant reduction in players becoming lost on the map.
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Lee Passmore (January 9, 1874 – December 12, 1958) was an American photographer and field naturalist who worked with scientists and staff at the San Diego Natural History Museum documenting the flora and fauna of southern California. Passmore published photo essays on natural history subjects in popular magazines from the 1920s to the 1940s, and contributed photographs to several natural history monographs. Passmore donated his extensive collection of photographic negatives, glass slides, and Kodachrome transparencies to the San Diego Natural History Museum in 1958; these include significant collections of images on the natural history of the trapdoor spider, the carpenter bee, and the tomato sphinx moth. Passmore also photographed life in early 20th-century San Diego; subjects include the 1915 Panama-California Exposition in Balboa Park, Old Town San Diego, the Old Mission Dam, Sunset Cliffs, the tuna industry, and the San Diego harbor and boats.
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After a music interlude, and accompanied by her entourage, 8 musicians and 10 dancers, the show continues with "Boomerang" and "Tu Revolución" and leaves the stage. Espósito comes back to the stage to perform a medley of ballads from her previous record A Bailar which includes "Del Otro Lado", "Cielo Salvador" and "Desamor". The ballad act continues as the singer performs "Cree en Mí", creating an intimate atmosphere dominated by red and yellow lights, in which Espósito deploys all her glamor wearing a long dress, with transparencies and brightnesses. The next songs to be performed are "Bomba", in which twerking predominates as dance style, and "Mi Religión", while Espósito descends from the ceiling by commanding a DJ console surrounded by lights, smoke and special effects, which is described as "a 100% energetic moment that brings everyone to their feet for a party-like atmosphere".
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Teale's papers consume in the University of Connecticut Archives & Special Collections at the Thomas J. Dodd Research Center in Storrs, Connecticut and include: > ... field notes and drafts for each of his books, early childhood writings, > professional writings for magazines, newspapers and book reviews, > correspondence- both personal and professional, personal and family > documents, scrapbooks, and memorabilia, as well as his photographs (prints, > negatives, and transparencies) and his personal library. There is also one > box of original John Burroughs material Teale collected over the > years.University of Connecticut, Archives & Special Collections , Thomas J. > Dodd Research Center, accessed 3/2/2008 Teale's last will and testament of September, 1980, bequested to The Concord Free Public Library, Concord, Massachusetts, his > ... collection of Henry Thoreau books, letters, correspondence, momentos > [sic] and any other material dealing with Henry Thoreau, all ... material > dealing with Ralph Waldo Emerson and all other material ... dealing with or > relating to Concord, Massachusetts. The collection consumes including 12 > containers, plus 108 printed books and pamphlets.
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In New York City, he studied with Kenneth Hayes Miller and Thomas Hart Benton. Benton’s sinewy anatomical style influenced McCrady’s work, while Miller introduced McCrady to a multistage technique used to paint oil transparencies over a tempera underpainting—a technique McCrady continued for the rest of his life. McCrady developed a style influenced by the Regionalism movement; he often painted the religious and social life of African-Americans and, received positive reviews for his work. He worked for the Federal Art Project, creating a mural depicting an 1889 panoramic view of Amory, Mississippi's main street commissioned by Treasury Section of Fine Arts in the Amory, Mississippi post office titled Amory, Mississippi, 1889 and created murals for other federal buildings. He earned a Guggenheim Fellowship in 1939 “to paint the life and faith of the southern Negro.” In 1940 he joined the Associated American Artists and he was encouraged by Caroline Durieux to experiment with lithography.
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Brewster-type stereoscope, 1870 Contrary to a common assertion, David Brewster did not invent the stereoscope, as he himself was often at pains to make clear. A rival of Wheatstone, Brewster credited the invention of the device to a Mr. Elliot, a "Teacher of Mathematics" from Edinburgh, who, according to Brewster, conceived of the idea as early as 1823 and, in 1839, constructed "a simple stereoscope without lenses or mirrors", consisting of a wooden box long, wide and high, which was used to view drawn landscape transparencies, since photography had yet to become widespread. Brewster's personal contribution was the suggestion to use lenses for uniting the dissimilar pictures in 1849; and accordingly the lenticular stereoscope (lens- based) may fairly be said to be his invention. This allowed a reduction in size, creating hand-held devices, which became known as Brewster Stereoscopes, much admired by Queen Victoria when they were demonstrated at the Great Exhibition of 1851.
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The chic and the look of his lines are reinforced by the play on the geometric shapes, the graphic prints and transparencies The choice of colour used by Octavio Pizarro is representative of his identity and of his Franco- Chilean heritage. He plays around with natural tones. “My colour code is composed of black, white, grey … And I am also very much attracted by strong, flashy colours such as lime green, yellow, dark red...” The density of the black defines his chromatic sphere, the way Soulages used to paint. Inspired by his trips and the people he has met, the geometry of abstract lines and the Art deco style, Octavio Pizarro creates for a resolutely modern woman. « I like dressing women with personality, who feel beautiful, who like being watched, which is to say « una mujer salvaje ». In summary, he suggests an enchanting vision of a woman, « free, sensual and who isn't scared to show it ».
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Accessed 1 August 2011 The Brewster stereoscope, 1849. An instrument of more significance, the stereoscope, which – though of much later date (1849) – along with the kaleidoscope did more than anything else to popularise his name, was not as has often been asserted the invention of Brewster. Sir Charles Wheatstone discovered its principle and applied it as early as 1838 to the construction of a cumbersome but effective instrument, in which the binocular pictures were made to combine by means of mirrors. A dogged rival of Wheatstone's, Brewster was unwilling to credit him with the invention, however, and proposed that the true author of the stereoscope was a Mr. Elliot, a "Teacher of Mathematics" from Edinburgh, who, according to Brewster, had conceived of the principles as early as 1823 and had constructed a lensless and mirrorless prototype in 1839, through which one could view drawn landscape transparencies, since photography had yet to be invented.
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Air Cuan Dubh Drilseach was launched at a series of events in three separate locations: at the Aye Write book festival in Glasgow with Aonghas 'Dubh' MacNeacail presiding; at two punk rock gigs on the same day in Edinburgh; and at Sabhal Mòr Ostaig on the Isle of Skye at an event also marking the launch of Meg Bateman's new book of poetry, Transparencies. The book was launched in Edinburgh through a collaboration between CLÀR and anarcho-punk band Oi Polloi at two all-Scottish-Gaelic gig events on Saturday 27 April 2013, at Elvis Shakespeare on Leith Walk and on The Cruz Boat at the Shore in Leith. The (now legendary amongst the Leith community) Leith Walk gig took place while Hibernian F.C. played out a 3-3 draw against St. Mirren F.C., inadvertently diverting police resources at a crucial time and allowing the anarcho-punk, Oi!, punk rock, street celebration to continue uninhibited, proving a significant landmark in Gaelic culture.
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The rearmost canopy transparencies, on either side of the pilot's seat, had large oval holes in them but the Karakán was one of the first gliders with enclosed seating. Drag from the wing/fuselage junction troubled designers of the day and Lippisch mounted the wings of the Wien from a parallel sided pylon rising rather abruptly from the fuselage; Rotter extended the upper fuselage frames smoothly inwards then outwards into a stub wing, with a span about the same as the maximum fuselage width, to ease the transition from fuselage to wing. The fuselages of both designs became slender rearwards, the Wien's more than the Karakán; sections through the latter's fuselage were more biconvex or almond shaped than the Wien's oval, making it narrower. The Wien and the Karakán had very similar vertical tails, with balanced rudders, large and rounded apart from a straight underside to avoid the ground, mounted on small, short fins.
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Illustration from Kircher's 1671 Ars Magna Lucis et Umbrae - projection of hellfire or purgatory Illustration from Kircher's 1671 Ars Magna Lucis et Umbrae - projection of Death One of Christiaan Huygens' contacts imagined how Athanasius Kircher would use the magic lantern: "If he would know about the invention of the Lantern he would surely frighten the cardinals with specters." Kircher would eventually learn about the existence of the magic lantern via Thomas Walgensten and introduced it as "Lucerna Magica" in the widespread 1671 second edition of his book Ars Magna Lucis et Umbrae. Kircher claimed that Thomas Walgensten reworked his ideas from the previous edition of this book into a better lantern. Kircher described this improved lantern, but it was illustrated in a confusing manner: the pictures seem technically incorrect—with both the projected image and the transparencies (H) shown upright (while the text states that they should be inverted), the hollow mirror is too high in one picture and absent in the other, and the lens (I) is at the wrong side of the slide.
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Mr. Sutton, who is vice-president, took the chair..... Mr Sutton very kindly placed his large veranda at the disposal of the members, together with the use of his dark-room for practical demonstrations on the nights of meeting, and also his optical lanterns for exhibitions of transparencies, which generous offer was accepted with a hearty vote of thanks." The Telegraph 17 Mar 1886: "The monthly meeting of the Queensland Photographic Society was held at Mr. J. W. Sutton's house on Monday evening. That gentleman presided....... Mr. Sutton exhibited specimens of prints done with Morgan and Kidd's contact paper, and promised to give a practical demonstration of the process on the next meeting night." The Brisbane Courier 27 July 1886: "A CONVERSAZIONE was held last night at the School of Arts by the Queensland Photographic Society to celebrate the first anniversary of their formation..... The society, which had just completed its first year, at first encountered great difficulties, but through the kindness of several of their members – notably Mr. J. W. Sutton, who had placed many facilities they could not otherwise have obtained at their disposal, they had been very successful.
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Brooks co-authored a textbook (with George T. Renner), Directed Studies in Introductory College Geography (1958), as well as (with Bertrand P. Boucher) Field Trips in New Jersey (1962), and (with Richard Keppel) Effective Teaching With Aero-View Transparencies: A Comprehensive Visual Presentation of the Geography, History and Economic Assets of the United States of America (1964). While consulting with McGraw-Hill, Sadlier, and Grolier in the late 1960s, he developed several textbooks for younger students, including Africa: A High School Geography (1966), Africa: A Junior High School Geography (1966), and The Old World: Africa (1968). He co-authored several books on African geography and culture: (with Michael G. Mensoian) Arab World, New Africa (1969); (with Yosef ben-Jochannan and Kempton Webb) Africa: Lands, Peoples, and Cultures of the World (1969); and (with William Norris, and David Dicker) The People of New Africa (1972). Brooks also produced three books with colleagues from St. John's: (co-editor with Yassin El-Ayouty) Refugees South of the Sahara: An African Dilemma (1970); (co-editor with Yassin El-Ayouty) Africa and International Organization (1974); and (with Francis A. Lees) The Economic and Political Development of the Sudan (1977).
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Mike was successful in getting some new national ads for CJDC-TV and hired Australian-born Val Wake as the first news editor of the station's newscast. At the start the only visuals used by the newscast were 35mm transparencies. The station was originally part of a two-station "sub-network" called Northern Television (NTV) since the early 1990s, until 2002, when it was disbanded and re-launched as Great West Television (joined by CKPG-TV). NTV and GWTV's programming consisted of mainly American shows imported and aired on CHUM Limited's NewNet/A-Channel stations, mixed with CBC's own programming. Great West Television itself would later become virtually non-existent in October 2006, when the CBC expanded its programming schedule to 24 hours a day and the GWTV affiliates accordingly dropped all syndicated programming to accommodate the new CBC schedule, leaving only local news as the remaining parts of GWTV. CJDC was owned by Standard Broadcasting from 2002ARCHIVED – Broadcasting Decision CRTC 2002–91 until the fall of 2007, when Astral Media acquired most of the company's assets.ARCHIVED – Broadcasting Decision CRTC 2007-359 On March 16, 2012, it was announced Bell Canada would be acquiring Astral Media for $3.38 billion. However, the deal was rejected by the Canadian Radio-television and Telecommunications Commission (CRTC) that fall.
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The fin and rudder are swept. The straight tapered tailplane is set on top of the fuselage, the port elevator carrying a trim tab. The Bulgarian company ACS started producing the Skyleader 600 at the state owned TEREM-Letets aircraft factory in Sofia in July 2015 under a licence agreement. The original Sova/Skyleader 150 has staggered side- by-side configuration seating with the starboard seat 200 mm (8 in) aft of the other, but a widened fuselage allows the Skyleader 200 to have true side-by- side seating. The earlier version has a forward-hinged canopy with fixed rear transparencies; the Skyleader 200 has a single-piece canopy. Both these variants normally have an electrically actuated tricycle undercarriage with a steerable nosewheel, though a fixed version is an option and is standard on the later Skyleader 500 and 600 variants. The standard engine for the 150/200 variants is a 60 kW (80 hp) Rotax 912UL, though the more powerful Rotax 912ULS or Rotax 914 can be fitted, all driving a choice of two-blade propellers. The 500/600 variants can also use the Rotax 912 UL or Rotax 912S; the Jabiru 2200 or 3300 engines may also be fitted.
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