But sometimes garnets are marred with intricate traceries of microscopic tunnels.
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And having access to ever more traceries of metadata to link possible suspects to potential plots.
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Their many sculptures turned them into bibles of stone while the ribbing and traceries added amazing decorative energy.
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Often by hiring management consultants to cast an expert eye over digital traceries and deliver recommendations for improving core operations like logistics and production.
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Without the source painting across the room, you might not make out the traceries of its composition through the tangles of linear and color notations.
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It is sometimes a little startling to see that the traceries in the windows — rose and otherwise — of cathedrals like Amiens and Vendôme are alive with sinuous curves, arabesques and biomorphic shapes that could be given bodily interpretations.
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The study authors do caveat that as independent researchers it is difficult for them to guarantee 'beyond reasonable doubt' that the accounts they identified were Russian-linked fakes — not least because they've been deleted (and the study is based off of analysis of digital traceries left from online interactions).
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The other windows in the nave have a form of a pointed shape without traceries.
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The sanctuary of this massive brick structure faces east. Buttresses supporting the high walls alternate with Gothic windows decorated with original stone traceries. The largest Gothic window, adorned with rich traceries and stained glass, is at the church front. Romanian- Hungarian humanist and scholar Nicolaus Olahus (Nicholas, the Vlach) and Croatian cardinal, diplomat and writer Antun Vrančić are buried in the church.
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While lighter still in motive is a white set, also Worcester, besprent with dusky blue flowers and slim traceries of small gold leaves and tendrils.
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The areas of the surface containing pigment, including portions of the sky and the window traceries, may have been later additions, with the early 17th century Flemish painter Karel van Mander sometimes attributed.
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The 15th-century Gothic stone traceries are filled with stained glasses from the late 19th century made in Innsbruck. They depict the life and activity of St. Martin and his Patron Saint George: one window only has a wallpaper pattern.
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The interior of the church is decorated with baroque stucco and enriched by baroque furniture. Several altar paintings by Jan Jiří Heinsch are to be found in the building. The main altar however was built in 1872. Window traceries are also neogothic.
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The arcade is carrying smooth wall with small double windows which consist of different types of traceries, that illuminate the nave. South aisle is directly connected to monastic cloister. From the north aisle is possible to access the chapel of St. Anthony with octagonal plan.
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For many years it served as the church for Boston College. Immaculate Conception closed in 2007 and was later sold to developers who planned to convert it to apartments. In 2018, in response from objections raised by area residents, the South End Landmarks Commission denied the developer's request to remove the traceries from the side windows of the Church.Treffeissen, Beth. "South End Landmarks Denies Removal of Window Traceries on Immaculate Conception Church", The Boston Sun, March 10, 2018 Keely also designed the Jesuits Church of the Gesù (Montreal), the college chapel for the Collège Sainte-Marie de Montréal. Built in 1864, it was completed the following year.
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Lower cloister. Between the years 1517 and 1528 the cloister was built, which combines flowery Gothic in domes and pillars, with plateresque in the tracery of the arcs. Most gravestones of the mural tombs located there belong also to this style. The arcs, in the number of 24, are decorated with stone traceries, each one of different motifs.
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Pakistani craftsmen have the capacity to produce any type of carpet using all the popular motifs of gulls, medallions, paisleys, traceries, and geometric designs in various combinations.Stone, Peter F. The Oriental Rug Lexicon. Seattle: University of Washington Press, 1997. At the time of independence, manufacturing of carpets was set up in Sangla Hill, a small town of District Sheikhupura.
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The pointed windows have new simple Renaissance traceries, made from the remains of old ones. The main nave is supported by four simple columns in the south and three on the north. The oldest part of the construction are the remains of the Romanesque tower in the nord-west. There is a gallery located under the church.
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There is the Sternberg Chapel on the southern side of the presbytery, closed with three sides. In the corners there are supporting pillars, and between them, in each of the three fields are placed windows. Above the window-sill cornice, the pillars are decorated with triangular gables culminating in pinnacles. The traceries of the windows have similar Rayonnant motives.
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The paintings on the walls and domes of the church are preserved in a reasonable state. Extensive study was undertaken to understand the reason behind this phenomenon. The design of the traceries in the church replicates those found in nearby churches of Gher'alta, such as Debre Tsion church. There are more paintings depicting figures from the Old Testament than from the New Testament.
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The altarpiece retains part of the original structure and traceries and all the paintings executed by Jorge Inglés. Above the predella with the busts of the Fathers of the Church Íñigo López de Mendoza himself is depicted. This is the only surviving painted portrait of a Castilian nobleman. Also depicted is his wife, Catalina Suárez de Figueroa, kneeling before the Virgin.
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Glazed details draw attention to the regular friezes, pinnacles, traceries on the one hand and the geometric pattern thread embedded in the wall on the other hand.The richness of ceramics detail, wrought iron decorative elements are also remarkable. The facades on the riverside present biforium and triforium windows. Acute overhead arch windows are decorated with an alternating arrangement of red and glazed bricks.
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At present, hand-knotted carpets are made by Afghan refugees residing in Pakistan, making carpets and one of the country's leading export products. Hand-knotted rug manufacture is Pakistan's second- largest cottage and small industry. The craftsmen have the capacity to produce any type of carpet using all the popular motifs of guls, medallions, paisleys (botehs), traceries, and geometric designs in various combinations.
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The windows are quite wide, decorated with diverse and truly rich traceries with Rayonnant motives and each of them divided by two rods. The roof has not been preserved in its original form. Before the reconstruction it was only an “emergency” roof – shed roof. Today, it is a new tent slate roof, which fully applies the slender contour of the chapel.
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It was put on this list again in 1970. The tenement house was renovated between 1972 and 1973. During the works, its former spatial layout was restored, reconstructing, among others, a tall vestibule with a kitchen corner, a staircase and a wooden suspended room (ground floor). Renovation also included the building's façade decorated with a sharp-edged portal, brick friezes and vertical recesses decorated with traceries.
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Construction on Burgos' Gothic Cathedral began in 1221 and spanned mainly from the 13th to 15th centuries. It has been declared a UNESCO World Heritage Site. The west front is flanked by towers terminating in octagonal spires covered with open stonework traceries. The middle section, which serves as an entrance, has three alabaster pilasters, the intercolumnar spaces bearing panel-pictures representing the martyrdom of saints.
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The façade possessed ornate and fantastic surface decoration. The octagonal chapel of the Condestable, in florid, thus highly sculpted, Gothic design, has a roof finished with balustraded turrets, needle-pointed pinnacles and statues. In the lower portion, coats of arms, shields and crouching lions have been worked into the ensemble. The exterior of the sacristy is decorated with carved traceries, figures of angels and armoured knights.
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229x229px Until 1586, the church remained without a change, afterwards the emperor Rudolph II (1552-1612) donated 300 threescopes to the church. The wooden ceiling was replaced with a new Gothic vault with terracotta ribs supported by Tuscan semi columns. Due to this change, the Gothic windows had to be lowered down and their traceries had to be replaced, even the Romanesque tower was demolished. The reconstruction was led by master builder Karel Mělnický.
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Aitken is well known for his many photographs, which often explore spatial and temporal disruption and narrative suggestion like his installations. For example, Passenger, a group of still photographs made in 1999, shows planes in flight, most of which focus on the faint traceries of takeoffs and landings over desolate airport landscapes.Doug Aitken: Passenger (2004) Heilbrunn Timeline of Art History, Metropolitan Museum of Art. More recently, Aitken has created aluminum light boxes that combine photographic image and text.
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The presbytery itself is illuminated with Late Gothic stained glass windows with rich, original designed traceries. Oratory, choir and the entrance to the sacristy The Sacristy is dated back to the reconstruction around the year 1320. It has a rectangular floor plant and it is vaulted in three fields of cross ribs vault with wedge ribs that abut the tracery console. In the centre of the ribs are keystones with the motif of ram, moon and sun.
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The traceries are mostly Rayonnant, Spherical and Cloverleafed. Although the side portals are nowadays located in the interior of the ante-rooms, they were originally designed as the parts of the frontage, and that is why it is important to describe them together with the frontages. The southern portal is richer than the northern one, because it used to be opened into a greater area of the square. Therefore, the decorativeness of this part was much more important.
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Bluestone for the chapter house was quarried at Redan, and Waurn Ponds stone was used for the doors, arches and traceries. When funds ran out in 1904, and no support was forthcoming from England, the grand cathedral plan was abandoned. The portion of the plan that was erected was called the Manifold Chapter House in 1908, when the first Synod was held in the building in November 1908. It was dedicated on 10 November 1908, at a cost of £12,000.
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The nave continues as a long rectangular presbytery which is vaulted by three serveries of cross vault and is ended by pentagonal end with sexpartite vaulting. Walls of the presbytery were structured by round thin vaulting shaft, that remained still only in the tips and inside triumphal arch. Vault ribs are led into the consoles decorated with vegetal and animal motives. Triple windows with different traceries are late Gothic whereas the pillars supporting the presbytery on the outside are early Gothic.
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St. Joseph's Cathedral was built not only on the side of a hill, but also in a gully. His pioneering work with concrete and steel was of enormous value in a country where earthquakes were a constant risk. Petre's buildings, in whatever style, all have one common denominator: an attention to the smallest detail. It was said that his drawings of stones, window traceries, arches and ornamentation were so precise that stonemasons could execute his intentions from one single drawing.
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Lahore is the hub of handmade carpet manufacturing in Pakistan. At present, hand-knitted carpets produced in and around Lahore are among Pakistan's leading export products, and their manufacturing is the second-largest cottage and small industry. Craftsmen in Lahore produce almost every type of handmade carpet using popular motifs such as medallions, paisleys, traceries, and geometric designs. The Lahore Design Centre at the Punjab Small Industries Corporation maintains a separate section of carpet designing to experiment with new designs.
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Prominent avant-corps are noticeable from Jagiellońska street, lowerones are present on Pocztowa's facade. The ensemble is covered by a gable roof with embedded dormers. The decoration of the facade is simplified in comparaison with the older building, but the same decorative repertoire is partly repeated. It uses wimpergs, pinnacles, pointed arches, arched windows and portals, along with a diverse combination of brick traceries, iron rose window and color friezes with rhythmically repetitive arrangements of red and green glazed bricks.
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Iglesia de San Andrés Tower of the church The iglesia de San Andrés is a church located in the city of Toledo, in Castile-La Mancha, Spain. The iglesia de San Andrés, as is common in this city, is a mix of different styles. On the one hand, there are present Mudéjar and Gothic architecture, and also, the Baroque, following a remodeling of the 17th century. After the last restoration traceries appeared in the facade that evoke the eclecticism of the crossing.
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Their traceries are quite similar, the main motif is a spherical triangle, for example in case of the middle window decorated with double or triple leaves. Two windows on the north and one window on the south are walled. In case of the southern window, this happened due to the adjustment of the connection of the presbytery with the nave, which was extended beyond the original plan. The pillars of the presbytery are smaller than pillars in the other parts of the cathedral.
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The northern wing is the shortest one; it has wide hollows with ogival traceries in Gothic style, dating to the 14th century. The western side, the most recent one, was built in the 15th century in proto-Renaissance style. The capitals of the columns show the heraldic symbols of the Caldés family, who produced the monastery's abbesses during that period. The Capitular Hall is accessed from the cloister through a Gothic gate built under abbess Anglesola in the 14th century, and has a cross-vault cover.
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Stone pear groins fit on the wall's five sided tracery console and on the tops they are tied by moderately appearing circular pins. Pseudogothic gallery on the west of the nave is created by two pointed profiled arcades with central pillars culminate with parapet decorated by fields of odd traceries. Semi-pillar is approaching to the central pillar and carries profiled socle of an oriel which was originally set as platform altar. The organs located on the church-gallery are from the end of the 19th century.
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A damp proof course, of sheet lead in asphalt was inserted to all the walls. The church was designed in a style described at the time of its construction as a revival of Gothic architecture practiced between 1274 and 1377, or Decorated or Middle Pointed Gothic. This is evident in the traceries and mouldings around the church. Major departures from this style include the internal nave piers, thought to be of earlier, Norman influence and the entrance porch of the later 15th century pointed Gothic.
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Günther Kühne and Elisabeth Stephani, Evangelische Kirchen in Berlin (11978), Berlin: CZV-Verlag, 21986, p. 388. . According to the style, Orth oscillates between forms of Romanesque Revivalism with round arch windows and neo-Brick Gothic with traceries and rib vaults. The eastern choir is formed like a polygonal apse, illuminated by three coloured windows of stained glass (as of 1893) and surrounded by an ambulatory, which houses the sacristy and other rooms for purposes of the congregation.Sibylle Badstübner-Gröger, Michael Bollé, Ralph Paschke et al.
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Interior of the cathedral Sanctuary The cathedral's architect was Henry A. Walsh of Cleveland, Ohio, who designed the cathedral in a Norman Gothic style. Due to the length of the construction, Walsh was unable to see the project to completion, and Detroit architect George Diehl was chosen to succeed him for the construction of the towers in 1950. The building's exterior is made of Ohio sandstone, with Indiana limestone used for buttress facings, traceries, and doorways. The cathedral includes external and internal statuary by sculptor Corrado Parducci.
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The western front with its layered decoration is a majestic composition, based loosely on that of York Minster. The strongly projecting rectangular buttresses, which transform by stages into lofty octagonally-sectioned pinnacles, and the complex molding around the portals casts varied shadows in the bright Australian sunlight. Kinsela describes it as “a grand façade with superb towers…Covered with a profusion of ornanament, blind traceries and tiny attached pinnacles, in a light-hearted yet elegant manner.” Bishop Broughton did not live to consecrate St Andrew's.
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The main hall The Chamber was part of the Episcopal complex founded in 1433 by order of Euthymius II, Archbishop of Novgorod. According to the Second Novgorodian Chronicle, foreign artisans took part in the building process. It is also indicated by the European Gothic wimpergs, fan traceries, lancet windows and other architectural features typical of the style. The ancient Novgorodian icon, "The vision by Tarasuis the sexton", which contains an image of the Chamber, shows that in the past the building had stepped gables with lancet niches, which are further Gothic features of the period.
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Constructed of stuccoed brick with cast iron roof structure, cantilevered galleries, cast iron and carved balustrades, and timber framed shopfronts, the arcade looks like a row of Victorian terraces with cast -iron balconies. Neo-classical fluted cast iron columns, and elaborate traceries of ornamental lacework cast delicate shadows in the sunlight from the vast glass panelled roof. The concourse lighting consisted of chandeliers suspended from the crown of the roof trusses and lit by fifty gas and fifty electric lamps in each. Some of the light fittings, which still exist, were designed by the architect.
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Over twenty wagonloads of furniture and household items were removed from the building and sold at a public auction. All that was saved were bust portraits of John Adams and Martin Van Buren. A proposal was made to build a new residence south of the White House, but it failed to gain support. In the fall of 1882 work was done on the main corridor, including tinting the walls pale olive and adding squares of gold leaf, and decorating the ceiling in gold and silver, and colorful traceries woven to spell "USA".
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The exterior redwood siding was painted in three coats of white lead and linseed oil; two of those coats were covered in "clean white sand" to provide texture and durability. Mirrored glass as well as plated, gilded and cast metal ornamental features were shipped around the Horn from France and England. Cast plaster rosettes, bosses and medallions detail the ceiling which otherwise is composed of geometric traceries of wood on smooth plaster. The main interior staircase is composed of three flights in a square 'U' shape and is finished in oak handrails supported by gothic arch balusters.
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His books include The Embroidery and Bead work of Kutch and Saurashtra (1966), The Riddle of the Temple of Somanātha (1974), The Indian temple forms in Karṇātạ inscriptions and architecture (1987), Encyclopaedia of Indian temple architecture with Michael Meister, The Indian temple Traceries (2005), Complexities Surrounding the Vimalavasahī Temple at Mt. Abu (1980), Arhat Pārśva and Dharaṇendra nexus, Nirgranth Aitihāsik Lekh-Samuccay, Professor Nirmal Kumar Bose and His Contribution to Indian Temple Architecture: The Pratiṣṭhạ̄-Lakṣaṇasamuccaya and the Architecture of Kaliṅga (1998), The Temples in Kumbhāriyā (2001), Saptaka (1997), Shani Mekhla and Tamra Shashan (2011). The last two were fiction.
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Of these three buildings, St. Paul's is the most derivative of other Victorian models, the arrangement of triple aisles of almost equal height, each with an open timber roof is repeated many times in the work of Pugin and his followers. However, the window traceries, which are of the most complex of the three English styles and for which drawings still exist, display Blacket's mastery of Gothic design. For St Mark's, Darling Point, Blacket showed the committee a design based upon an engraving of the church at Horncastle, Lincolnshire. Unlike St. Paul's, St Mark's has a high nave lit by small clerestory windows with trefoil lights above the aisles.
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The Chapel of Saint James is of a very pure and select Flamboyant style, one of the best examples that exist in Spain.The Flamboyant style came late to Spain from northern Europe and disappeared quickly being replaced by Isabelline Gothic in Spain and by Manueline in Portugal. This most elaborate Gothic style is reflected in the entrance arches with their openwork traceries and in the skylight of the blind arches of the interior, in the gables, the ornaments (openwork and hanging festoon), and the structural ribs rising from the floor that cross the vault forming a star. Nevertheless, the exterior features are austere, and completely Hispanic.
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Imád-ul-Mulk Rúmi, Ulugh Khán, and others joined to oppose him, and when marching against them he was cut down by Shirwán Khán. Mahmúd's persecutions had raised such bitter hate among the Hindus, that they regarded Burhán as a saviour. Mahmúd moved his capital from Áhmedábád to Mehmudabad, eighteen miles south of Áhmedábád where he built a palace and enclosed a deer park. At each corner of the park he raised a palace the stone walls and ceilings of which were ornamented with beautiful and precious gold traceries and arabesques. His strict regard for public morals led him to forbid Muslim women visiting saints’ tombs as the practice gave rise to irregularities.
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Before 1637, there are no records regarding building specifications, and the first mention of the make-up of the castle comes during the 17th-century renovation of the structure by Johann Dietrich von Merode-Houffalize. These records detail the castle's numerous structural defects, noting that the buildings were (with the exception of the Bergfried) without roofs and that many of the walls had collapsed. Makeshift traceries consisting of twigs covered the windows, and numerous beams were rotten. The interior chapel on the second story (like most of the rooms on this floor) could not be entered because of the danger of collapse, which meant that a thorough review of the higher floors was also not possible.
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Inner geometrical structure then defined significant places and was visible mainly on a 3D decor. For example, the heads instead of capitals are placed on the archivolt of the triumphal arch and also on the top of the Golden ratio square. The church being dedicated to Christ the Redeemer is an attempt of the Přemyslid dynasty to support the power of its own kin and a follow up of Carolingian Renaissance. Likewise, a picture of the ruler is placed above the entrance opposite to the altar (in the same height as Jesus). In the middle of the end a place for the ruler’s gravestone is left. Few symbols of Christ’s resurrection could be found: five-pointed stars in traceries of windows in the end or lilies with five leaves under Agnes‘ portrait. The whole space is decorated with frescos of Christ’s life. These have, however, survived only in fragments.
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