At the time, I was cocktail waitressing at the sleaziest bar in Vancouver.
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He begins by describing the sleaziest for-profit law school he can imagine.
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Chappell stages an orgy that would make the sleaziest servant on "Downton Abbey" blush.
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Other platforms more readily admit that the sleaziest and most extreme content is regularly the most popular on social media.
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But above all they they could write and play some of the dirtiest, sleaziest, heaviest, most honest music on offer.
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Maybe there's just something in the air there that makes everyone who sniffs it want to commit the sleaziest crimes possible.
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He complies, opening his shirt open to a level unseen outside of the sleaziest of nightclubs or Eddie Murphy's jumpsuit in Delirious.
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The question is simply whether any of this money led to concrete benefits — or whether some of the world's sleaziest figures were just hopeful chumps.
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The movie, astonishingly enough, also has a scene in which the sleaziest driver (Larry Hagman) attempts sex with an unconscious coed who has overdosed on Seconal.
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Shit's gonna get a little mischievous on the Salsanera main floor when Cologne's craftiest, Andhim, teams up with master selector Butch, aka The Sleaziest Moustache in Dance Music.
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While everyone is great, McGregor is the only actor who comes close to Margot Robbie's level of energy, gleefully throwing himself into the sleaziest performance he can possibly give.
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Cambridge Analytica is getting the bulk of our attention for the moment, but it's far from the only company to profit from our information (even if it is the sleaziest).
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Algorithms can measure what content best "engages" each user and can target him or her individually in a way that the sleaziest editor of a broadcast medium could only dream of.
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That woman has written an account of her humiliation at Noah's hands — it was indeed a genuinely inexcusable act, one of the sleaziest things he has ever done — and Stacey reads it.
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I was about to call it sleaziest record on this list but that'd be doing the following track a massive disservice... Louie Austen was one of the stranger by-products of the electroclash phenomenon, which, let's be honest, is saying something.
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And the thing that I remember is landing at JFK, which at that time was the sleaziest, scuzziest, bus terminal of an airport you could possibly imagine, and looking out of the window and seeing the most glorious sunset of my life.
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As described by Paul Schrader, "Robert Aldrich's teasing direction carries noir to its sleaziest and most perversely erotic. Hammer overturns the underworld in search of the 'great whatsit' [which] turns out to be—joke of jokes—an exploding atomic bomb."Schrader (1972), p. 61. Orson Welles's baroquely styled Touch of Evil (1958) is frequently cited as the last noir of the classic period.
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The House of 1,000 Dolls is a 1967 Harry Alan Towers German-Spanish international co-production white slavery thriller starring Vincent Price. It has been described as "quite possibly the sleaziest movie AIP ever made". The film is set in Tangier. Released initially in Spain under the Spanish title La casa de las mil muñecas, it was not released in the United States until November 1967.
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Let Them Eat Pussy is the major label debut album by American rock and roll group Nashville Pussy, released on February 24, 1998. AllMusic, in a four-star review, said "Let Them Eat Pussy is all about sleaze, and it's the sleaziest record in years". The album helped to create a fanbase for the band, and the song "Fried Chicken and Coffee" was nominated for a Grammy Award in the category of Best Metal Performance.
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Sean Leonard from HorrorNews.net gave the film a positive review, writing, "The Gore Gore Girls features decent-at-best acting, some uncomfortable edits, and a plot that repeats itself over and over until it seems an ending might be necessary. At the same time, it features hilarious gory scenes right from the start, with ridiculousness and schlock around every corner." G. Noel Gross of DVD Talk rated the film four out of five stars, calling it a classic, and "One of the sickest, sleaziest movies it has been my pleasure to witness".
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The blog was co-founded in January 2006 by James Hoggan, president of the public relations firm Hoggan and Associates. In a February 2007 interview with the Vancouver Sun, Hoggan conveys his anger at industry interests who he believes mislead the public about the scientific understanding of global warming. He referred to this alleged misrepresentation of the facts as, "public relations at its sleaziest". Hoggan used his public relations skills to start a blog that would "clear the PR pollution that clouds the science of climate change" and expose organizations and individuals which he considered to be unethical.
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While promoting Woody Allen's Small Time Crooks (2000) on NBC's The Today Show in 2000, Grant told host Matt Lauer, "It's my millennium of bastards". Small Time Crooks starred Grant, in the words of film critic Andrew Sarris, as "a petty, petulant, faux-Pygmalion art dealer, David, [who] is one of the sleaziest and most unsympathetic characters Mr. Allen has ever created". In a role devoid of his comic attributes, the New York Times wrote: "Mr. Grant deftly imbues his character with exactly a perfect blend of charm and nasty calculation." In 2000, Grant also joined the Supervisory Board of IM Internationalmedia AG, the powerful Munich-based film and media company.
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In the August GOP primary to succeed him, Hefley backed his long-time aide, former administrative director Jeff Crank, who lost in a contentious six-way race to State Senator Doug Lamborn. Hefley was incensed at the tactics used in the election, particularly a mailed brochure from the Christian Coalition of Colorado associating Crank with "public support for members and efforts of the homosexual agenda." Hefley said that he "suspected, but couldn't prove, collusion between Lamborn's campaign, which is managed by Jon Hotaling, and the Christian Coalition of Colorado, which is run by Hotaling's brother, Mark." Hefley called it "one of the sleaziest, most dishonest campaigns I've seen in a long time," and, as a result, refused to endorse Lamborn.
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"The offspring of a match made in hell between Fat White Family and Paranoid London", Warmduscher are Clams Baker Jr (Craig Louis Higgins Jr), Lightnin’ Jack Everett (Jack Everett), Quicksand (Adam J Harmer), Mr. Salt Fingers Lovecraft (Ben Romans-Hopcraft) and The Witherer aka Little Whiskers (Quinn Whalley). Formed on New Year's Eve 2014 as an impromptu band to play at a house party, the initial line up featured Higgins on vocals and Harmer on drums alongside Saul Adamczewski and Lias Kaci Saoudi of Fat White Family on bass and guitar respectively. The group then continued as a quintet, with Everett (drums), Romans-Hopcraft (bass) and Whalley (noise/electronics) replacing Harmer and Saoudi. Clash (magazine) called the group "the sleaziest, most debauched, and downright addictive experiences in London's guitar underground right now".
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Theodore Sturgeon, reviewing the Fantasy Press edition, wrote "This is a real lousy book", faulting its lack of characterization, suspense, and plot, and a writing style "such as would dry up the purple blood of the sleaziest fan magazine". "BUT --", he continued, "Islands is a voyage far afield and a catalogue of the marvels of other-where, ... a cornucopia of technological and mechanistic matter, both real and extrapolated, poured out prodigiously and with abandon, [and] a narrative which could not occur without its science -- the purest, and almost the rarest form of science fiction." Sturgeon concluded, "It is high time and past time for [science fiction] to infuse itself with the rich hot blood of the old space-opera"."On Hand: A Book", Venture Science Fiction, November 1957, p.
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Instead, Jace takes his brother to find a new place, deciding that the Chinese community would be the best for them; eventually an elderly Chinese businesswoman (Madame Chen) takes a liking to the pair of boys and gives Jace a part-time job and a place to stay. He also takes a job as a bike messenger, since he can be paid in cash for it. One night, Jace accepts a delivery just as he is about to go off-duty; it is a pickup from the office of one of L.A.'s sleaziest defense attorneys, Lenny Lowell. He is not happy about the late delivery since it is a wet miserable night, but the dispatcher tells him that everyone else has gone off duty, and he is the only one available.
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Moody had long served on the board of the charitable foundation, helping to direct millions of dollars in grants to just causes. However the Internal Revenue Service accused him making millions of dollars of grants to himself, and therefore owing more than $14 million in taxes and penalties. After a trial that included accusations of witchcraft, Moody singing a risque song he had commissioned about the legal profession, and threats to "blow the legs off" former Watergate attorney Douglas Caddy, a federal appellate court overturned the convictions. In 1987, Moody was featured on the cover of Texas Monthly magazine and proclaimed "the sleaziest man in Texas" and in November 1989, after an investigation spanning more than a decade, he was convicted of bankruptcy fraud in connection with the now defunct Empire Life Insurance Company.
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And "I'm a Rapist" (sic)is musically the track "Blood for You" but with new lyrics (both originally appeared on 1986's self-released cassette EP The Sleaziest, Loosest Sluts by GG Allin & The Cedar Street Sluts. "Beer Picnic" is a faithful, if slower, version of a song by obscure NYC punk band Bad Tuna Experience. (G.G. asked for—but did not receive—permission to record the song; he bought a cassette tape from Bad Tuna members after reading the lyrics, written by Bad Tuna's Carolyn and No Thanks' Donna Damage, in Maximum RockNRoll sometime in the mid-1980s.) The other cover version, "Garbage Dump", was written and originally recorded by Charles Manson on his infamous Lie album. While most of the song titles are self-explanatory, "Suck Dog" is reportedly about writer and performance artist Lisa Crystal Carver.
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As with The Last Hurrah, it is not a roman à clef but the clan is certainly reminiscent of the Kennedy family. "Edwin O'Connor, the author of The Last Hurrah, summed up the era in his final novel, All in the Family: 'Corruption here had a shoddy, penny-ante quality it did not have in other states....Here everything was up for grabs and nothing was too small to steal....In our politics there seemed to be a depthless cushion of street-corner cynicism, a special kind of tainted, small-time fellowship which sent out a complex of vines and shoots so interconnected that even the sleaziest poolroom bookie managed, in some way, however obscure, to be in touch with the mayor's office or the governor's chair.'"Howie Carr (2013), The Brothers Bulger: How They Terrorized and Corrupted Boston for a Quarter Century, with a new afterword, New York: Grand Central, p. 41, .
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