15 Sentences With "jazziest"

How to use jazziest in a sentence? Find typical usage patterns (collocations)/phrases/context for "jazziest" and check conjugation/comparative form for "jazziest". Mastering all the usages of "jazziest" from sentence examples published by news publications.

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Electrical boards, though wildly useful, aren't the jazziest of things. from Mashable
Though Samsung phones already use rear-facing 3D depth cameras, Apple looks to be shooting for the jazziest version possible. from Business Insider
And so quantum computing, one of the jazziest and most mysterious concepts in modern science, struggles to come of age. from The New York Times
If Louis Armstrong established and defined jazz as a soloist's art, then even at the start, at their jazziest, the Necks weren't playing jazz. from The New York Times
On recordings, she was often backed by two of France's jazziest orchestras, led by Wal-Berg, the stage name of Voldemar Rosenberg, and Raymond Legrand. from The New York Times
Previously their music foregrounded its jazziest elements, from sampled classic horn flutters to fretless double bass plucking (on The Low End Theory, they hired Ron Carter!), incorporated into a grittier analog sound marked by vinyl scratches, tape hisses and the like. from Hyperallergic
The Berlin-based pair of Max Graef and Glenn Astro are pals for a good reason—together, often collaborating on their label(s) Tartelet and Money $ex Records, the two have been releasing some of the dustiest, jazziest, funkiest, and most hip-hop soaked house music around. from Vice
Hepburn stated that the role was "the jazziest of my career"Kane, Chris. Breakfast at Tiffany's, Screen Stories, December 1961 yet admitted: "I'm an introvert. Playing the extroverted girl was the hardest thing I ever did."Archer, Eugene.
Sarah Vaughan was overwhelmingly a critical success. In Bebop: The Best Musicians and Recordings, jazz commentator Scott Yanow notes simply of the album that "[e]verything works", making of it an "essential acquisition". Ink Blot Magazine, characterizing this as one of Vaughan's "jazziest" albums, describes it also as one of her greatest.Greilsamer, Marc.
The album was Basia's first studio release in nine years. The singer has described it as an album "about love – for life, for music and for people" and her jazziest record yet. She has also revealed that its original title was Be.Pop, after one of the songs and as a reference to subgenre of jazz music, but her record company wasn't keen on the idea. To compromise, Basia suggested Be.Pop Butterfly, but ultimately the title was changed to Butterflies.
At the University of Washington he studied short story writing with Jack Cady, play writing with David Wagoner, psychology with Elizabeth Loftus and dance with Ruthanna Boris and Tommy Rall.Time Capsule:Dennis Nyback Prescribes Six Doses of the Weirdest, Wackiest, Jazziest, Bits Early Cinema Has to Offer, Leigh Gosdorfer, Downtown Resident (New York) February 24 – March 2, 1998 He finished his college education in 1978 with a BA in Psychology.
Inside Out is an album released in 1973 by British singer-songwriter John Martyn. His fifth solo album, it was also his most experimental, and his jazziest release to date. The album features two that are favourites with his fans, "Fine Lines" and "Make No Mistake", as well as two songs that he enjoyed playing live as jazz epics, "Outside In" and "Look In". An 18-minute live version of "Outside In" appears on Martyn's self-distributed Live at Leeds album.
He changed a few of the lyrics though, to make them fit him even better. The song tells of a short-lived relationship that lingers in a boy's memory, as he wonders what might have happened had it not ended. Longing gives way to desperation on the album's penultimate track, "Dry Spell". Abrams said that it is "probably the jazziest [song] on the album" and that it tells the story of a man who is a "mess" and needs to "let loose".
And Do They Do consists of four linked "Songs" (although none of them are actually sung), that were used for Siobhan Davies's dance production, which the album photos suggest was done entirely in the nude. (The back cover of the booklet shows male full frontal nudity.) However, production photos and a video recording of the first performance in 1987 show that the dancers were fully clothed. The album cover art appears to have been taken from the stage design artwork for the play. The third song, although it has the jazziest qualities, is based on Robert Schumann's Nachtlied Opus 19, No.1, a "spin-off" from his opera, The Man Who Mistook His Wife for a Hat, which was written concurrently and in which Schumann's music is an important element of the story.
The trade name for them is "jazz"....Thereupon "Jazz" Marion sat > down and showed the bluest streak of blues ever heard beneath the blue. Or, > if you like this better: "Blue" Marion sat down and jazzed the jazziest > streak of jazz ever. Saxophone players since the advent of the "jazz blues" > have taken to wearing "jazz collars," neat decollate things that give the > throat and windpipe full play, so that the notes that issue from the tubes > may not suffer for want of blues – those wonderful blues. Examples in Chicago sources continued with the term reaching other cities by the end of 1916. By 1917 the term was in widespread use. The first known use in New Orleans, discovered by lexicographer Benjamin Zimmer in 2009, appeared in the New Orleans Times-Picayune on November 14, 1916: > Theatrical journals have taken cognizance of the "jas bands" and at first > these organizations of syncopation were credited with having originated in > Chicago, but any one ever having frequented the "tango belt" of New Orleans > knows that the real home of the "jas bands" is right here.