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"ratiocination" Definitions
  1. the process of thinking or arguing about something in a logical wayTopics Opinion and argumentc2

52 Sentences With "ratiocination"

How to use ratiocination in a sentence? Find typical usage patterns (collocations)/phrases/context for "ratiocination" and check conjugation/comparative form for "ratiocination". Mastering all the usages of "ratiocination" from sentence examples published by news publications.

This finding has multiple implications for how we combine ratiocination and sweat.
Careful ratiocination about moral and political theory just isn't part of what being political means to most people.
Screenwriters tend to believe that ratiocination is kid stuff, and that A.I.s won't really level up until they can cry.
So if the connectome project works, and we're transferred to silicon, we might be invulnerable to physical decay and capable of astounding feats of learning and ratiocination, yet shorn of that first memory of crocuses in a spring rain.
Preternaturally though typically calm (too calm, for some tastes), the ratiocination almost visible in his composed features, he was obliged to welcome into the Oval Office a successor who, by spearheading the "birther" movement, had contested his right to occupy it.
Their empiricism is often taken to be a peculiarly British kind of virtue, defining a difference between British and Continental philosophy that persists to this day: on the one hand, skepticism of knowledge that has no basis in experience and experiment; on the other, outlandish theories based on unrestrained ratiocination.
A mixed ratiocination is still a single ratiocination. It is not compound, that is, consisting of several ratiocinations. An example of a mixed ratiocination is: Nothing immortal is a man, Therefore, no man is immortal; (this is a negative conversion of the preceding premise) Socrates is a man, Therefore, Socrates is not immortal. A mixed ratiocination interposes an immediate inference, resulting in more than three propositions.
Of Pure and Mixed Ratiocination If one judgment can be immediately discerned from another judgment without the use of a middle term, then the inference is not a ratiocination. A direct, non-ratiocinative inference would, for example, be: "from the proposition that all airplanes have wings, it immediately follows that whatever has no wings is not an airplane." Pure ratiocination occurs by means of three propositions. Mixed ratiocination occurs by more than three propositions.
Of the Supreme Rules of all Ratiocination Kant declared that the primary, universal rule of all affirmative ratiocination is: A predicate of a predicate is a predicate of the subject (grammar). The primary, universal rule of all negative ratiocination is: Whatever is inconsistent with the predicate of a subject is inconsistent with the subject. Because proof is possible only through ratiocination, these rules can't be proved. Such a proof would assume the truth of these rules and would therefore be circular.
A complete concept is one which is made distinct by a ratiocination. The ratiocination can be simple or a chain of reasoning. The ability to understand and the ability to reason are both based on the ability to judge. Understanding is the immediate recognition that something is a predicate of a subject.
Murder for Pleasure: The Life and Times of the Detective Story. New York: D. Appleton-Century Company, 1941: 9. Nevertheless, the Legrand character is often compared to Poe's fictional detective C. Auguste Dupin due to his use of "ratiocination". "Ratiocination", a term Poe used to describe Dupin's method, is the process by which Dupin detects what others have not seen or what others have deemed unimportant.
However, a mixed ratiocination may show only three propositions if the fourth proposition is unspoken, unexpressed, and merely thought. For example, the ratiocination Nothing immortal is a man, Socrates is a man, Therefore, Socrates is not immortal is only valid if the fourth proposition Therefore, no man is immortal is covertly thought. This unspoken proposition should be inserted after the first proposition and is merely its negative converse.
This is a mixed ratiocination because an unexpressed proposition must be added in thought in order to arrive at the conclusion. If I say, No B is C, A is C, Therefore, A is not B My inference is valid only if I silently interpose the immediate inference No C is B after the first premise. It is merely the negative converse of the first premise. Without it, the ratiocination is invalid.
In the so- called First Figure only Pure Ratiocinations are possible, in the remaining Figures only mixed Ratiocinations are possible. Pattern of First Figure: Subject...............Predicate Middle Term........Major Term........Major Premise Minor Term.........Middle Term........Minor Premise Minor Term........Major Term...........Conclusion A ratiocination is always in the first figure when it accords with the first rule of ratiocination: A predicate B of a predicate C of a subject A is a predicate of the subject A. This is a pure ratiocination. It has three propositions: C has the predicate B, A has the predicate C, Therefore, A has the predicate B. In the Second Figure only mixed Ratiocinations are possible. Pattern of Second Figure: Subject...............Predicate Major Term........Middle Term........Major Premise Minor Term.........Middle Term........Minor Premise Minor Term........Major Term...........Conclusion The rule of the second figure is: Whatever is inconsistent with the predicate of a subject is inconsistent with the subject.
"A Descent into the Maelström" is an 1841 short story by Edgar Allan Poe. In the tale, a man recounts how he survived a shipwreck and a whirlpool. It has been grouped with Poe's tales of ratiocination and also labeled an early form of science fiction.
The concept is a predicate that has been abstracted from the concepts that are contained under it. Whatever is inconsistent with this concept is inconsistent with the subject and therefore also with the predicates of the subject. This is based on the rule of negative ratiocination.
Of Poe's three tales of ratiocination, "The Mystery of Marie Rogêt" is generally considered the least successful. A modern critic wrote: > It might better be called an essay than a story. As an essay, it is an able > if tedious exercise in reasoning. As a story, it scarcely exists.
" The sun is a star that is luminous." Sun = subject Is = copula Star = immediate predicate (intermediate predicate) (middle term) Luminous = remote mediate predicate Kant calls this process ratiocination. It is the comparison of a remote, mediate predicate with a subject through the use of an intermediate predicate. The intermediate predicate is called the middle term of a rational inference.
General conception of the Nature of Ratiocination [Vernunftschlüsse] A judgment is the comparison of a subject or thing with a predicate or attribute [also called a "mark"]. The comparison is made by using the copula or linking verb "is" or its negative "is not." Therefore, a judgment is a declarative sentence, which is a categorical proposition. Example: The tiger is four-footed.
This is grounded on the rule of affirmative ratiocination. A concept that contains other concepts has been abstracted from them and is a predicate. Whatever belongs to this concept is a predicate of other predicates and therefore a predicate of the subject. The dictum de nullo says: Whatever is denied of a concept is also denied of everything that is contained under it.
"The Balloon-Hoax" is like one of Poe's "tales of ratiocination" (such as "The Murders in the Rue Morgue") in reverse: rather than taking things apart to solve a problem, Poe builds up fiction to make it seem true.Cornelius, Kay. "Biography of Edgar Allan Poe," collected in Bloom's BioCritiques: Edgar Allan Poe, Harold Bloom, ed. Philadelphia: Chelsea House Publishers, 2002: 34.
Like "The Murders in the Rue Morgue", "Thou Art the Man" is an experiment in the detective fiction genre which Poe invented and called "tales of ratiocination". This story, however, is narrated by the detective himself, who must mystify the reader by presenting a problem to which he already knows the solution.Hoffman, Daniel. Poe Poe Poe Poe Poe Poe Poe.
However, it can be shown that these rules are the primary, universal rules of all ratiocination. This can be done by showing that other rules, that were thought to be primary, are based on these rules. The dictum de omni is the highest principle of affirmative syllogisms. It says: Whatever is universally affirmed of a concept is also affirmed of everything contained under it.
"The Mystery of Marie Rogêt", often subtitled A Sequel to "The Murders in the Rue Morgue", is a short story by Edgar Allan Poe written in 1842. This is the first murder mystery based on the details of a real crime. It first appeared in Snowden's Ladies' Companion in three installments, November and December 1842 and February 1843. Poe referred to it as one of his "tales of ratiocination".
How can I doubt > His when I am convinced of mine. Who so recognizes the effect recognizes the > cause. To doubt God is to doubt one's own conscience, and in consequence, it > would be to doubt everything; and then what is life for? Now then, my faith > in God, if the result of a ratiocination may be called faith, is blind, > blind in the sense of knowing nothing.
"The Murders in the Rue Morgue" is a short story by Edgar Allan Poe published in Graham's Magazine in 1841. It has been described as the first modern detective story; Poe referred to it as one of his "tales of ratiocination". C. Auguste Dupin is a man in Paris who solves the mystery of the brutal murder of two women. Numerous witnesses heard a suspect, though no one agrees on what language was spoken.
Prosper Jolyot Crebillon (1674-1762) wrote a tragedy "Atree et Thyeste" (1707), which is prominent in two tales of ratiocination by Edgar Allan Poe. In 1796, Ugo Foscolo (1778–1827) wrote a tragedy called Tieste that was first presented in Venice one year later. Caryl Churchill, a British dramatist, also wrote a rendition of Thyestes. Churchill's specific translation was performed at the Royal Court Theater Upstairs in London on June 7, 1994Seneca; Churchill, Caryl. Thyestes.
Poe biographer James Hutchisson equates "The Oblong Box" with Poe's series of "tales of ratiocination" or detective fiction stories, a series which includes "The Murders in the Rue Morgue".Hutchisson, James M. Poe. Jackson: University Press of Mississippi, 2005. Scott Peeples compares "The Oblong Box" to this genre as well but notes that it is not strictly a detective story because it did not emphasize the character of the detective and his method.
Poe defines Dupin's method, ratiocination, using the example of a card player: "the extent of information obtained; lies not so much in the validity of the inference as in the quality of the observation." Poe then provides a narrative example where Dupin explains how he knew the narrator was thinking about the actor Chantilly. Dupin then applies his method to the solving of this crime. Dupin's method emphasizes the importance of reading and the written word.
Poe also was beginning to create an analytic method that would eventually be used in his "tales of ratiocination",Krutch, Joseph Wood, Edgar Allan Poe: A Study in Genius, New York: Alfred A. Knopf, 1926: 99. the earliest form of a detective story, "The Gold-Bug" and "The Murders in the Rue Morgue". This point is furthered in that Poe particularly emphasized that a mind was operating the machine. Response at the time of its publication was strong.
One of his most important works, "The Murders in the Rue Morgue", was published in 1841 and is today considered the first modern detective story. Poe called it a "tale of ratiocination". Poe became a household name with the publication of "The Raven" in 1845, though it was not a financial success. The publishing industry at the time was a difficult career choice and much of Poe's work was written using themes specifically catered for mass market tastes.
Shakespeare's tragedy Titus Andronicus derives some of its plot elements from the story of Thyestes. In 1681, John Crowne wrote Thyestes, A Tragedy, based closely on Seneca's Thyestes, but with the incongruous addition of a love story. Prosper Jolyot Crebillon (1674-1762) wrote a tragedy "Atree et Thyeste" (1707), which is prominent in two tales of ratiocination by Edgar Allan Poe. In 1796, Ugo Foscolo (1778–1827) wrote a tragedy called Tieste that was represented first in Venice one year later.
36-7 The skillful patchworking impressed Jacques Barzun, who reported of the novel in his A Catalogue of Crime: "The exposition of the situation and character is done with remarkable pace and skill, even for Chandler. This superb tale moves through a maze of puzzles and disclosures to its perfect conclusion. Marlowe makes a greater use of physical clues and ratiocination in this exploit than in any other. It is Chandler's masterpiece."Quoted online The novel has also figured in fuller studies of Chandler’s work.
Angles, Writing the Love of Boys, pp. 159-160. What struck critics as new about Ranpo’s debut story "The Two-Sen Copper Coin" was that it focused on the logical process of ratiocination used to solve a mystery within a story that is closely related to Japanese culture.Kozakai Fuboku, "'Ni-sen dōka' o yomu", Shin seinen 4.5 (Apr 1923): 264-65. The story involves an extensive description of an ingenious code based on a Buddhist chant known as the "nenbutsu" as well as Japanese-language Braille.
Dupin reappeared in "The Purloined Letter", which Poe called "perhaps the best of my tales of ratiocination" in a letter to James Russell Lowell in July 1844. The original manuscript of "The Murders in the Rue Morgue" which was used for its first printing in Graham's Magazine was discarded in a wastebasket. An apprentice at the office, J. M. Johnston, retrieved it and left it with his father for safekeeping. It was left in a music book, where it survived three house fires before being bought by George William Childs.
The comparison of a subject with a remote, mediate predicate occurs through three judgments: #Luminous is a predicate of star; #Star is a predicate of sun; #Luminous is a predicate of sun (the original judgment). This can be stated as an affirmative ratiocination: Every star is luminous; the sun is a star; consequently the sun is luminous. Note: Kant's examples utilized obscure subjects such as Soul, Spirit, and God and their supposed predicates. These do not facilitate easy comprehension because these subjects are not encountered in everyday experience and consequently their predicates are not evident.
The story, set on Sullivan's Island, South Carolina, is often compared with Poe's "tales of ratiocination" as an early form of detective fiction. Poe became aware of the public's interest in secret writing in 1840 and asked readers to challenge his skills as a code-breaker. He took advantage of the popularity of cryptography as he was writing "The Gold-Bug", and the success of the story centers on one such cryptogram. Modern critics have judged the characterization of Legrand's servant Jupiter as racist, especially because of his comical dialect speech.
After eliminating several possibilities, he meets Baron C.A. Dupin, a famous lawyer, and a detective with a similar name, Auguste Duponte. After a confrontation with the Baron Dupin and his female aide, Bonjour, Clark realizes that the Baron is not the character described in Poe's stories. He determines that Auguste Duponte, with his approach to problem-solving through ratiocination, was the real inspiration for the character. Clark and Duponte return to Baltimore to investigate Poe's final days, only to find that the Baron and Bonjour are already doing the same.
The affirmative mode of this fourth figure is not possible because a conclusion cannot be derived from the premises. The negative mode of this fourth figure is possible only if each premise is immediately followed by its unexpressed, unspoken converse as an immediate inference. In order to be valid, the negative mode ratiocination: No stupid man is learned, Some learned persons are pious, Therefore, some pious persons are not stupid must become: No stupid man is learned, Consequently, no learned person is stupid; Some learned persons are pious, Consequently, some pious persons are learned, Therefore, some pious persons are not stupid.
He also criticized the contributions by Glymour, Morton, Sartre, and Hampshire. Psychological Medicine wrote that while a few contributors to the book took "an overtly critical stand", the majority "indulge in tortuous ratiocination which does little more than transport the familiar arguments into their own conceptual spheres", concluding that in so doing they "tend to support Freud's own mistrust of philosophical inquiry." Baer maintained that while some contributors to the book tried to defend Freud, their contributions amounted to defenses of their own philosophical positions. He argued that they used discussing Freud as an opportunity to promote their personal opinions.
Nienstädt's conservative pessimism, inspired by Fichte, sees a break in cultural continuity around 1500 with the invention of printing, which made the Reformation possible, with the widespread use of gunpowder and with the Discovery of America by Christopher Columbus. He praises the falling away of religious dogmatism but deplores the competition, political jockeying, alienation and individualism brought about by the Enlightenment, which he sees as the victory of ratiocination over love and tradition. Nienstädt was a monarchist and rejected the French Revolution in its entirety. Only the Hohenstaufen dramas, inspired by the work of the historian Friedrich von Raumer, had any detectable influence on German literature of the ensuing decades.
He comes to this approach naturally, for two reasons: first, as a percussionist he is comfortable with notation which diverges from the traditional mainstream in a number of ways; and second, as a jazz performer he is at home with improvisation. There is even a third reason, perhaps somewhat less obvious than these: because poetic consciousness is so fundamental to Smith, his musical thinking often results in compositions that seem to transcend music itself. This leads him to a view of artistic composition which is not tied either to ratiocination or to expression. It is not that his art is lacking in logic or in expressive effect but rather that its center of gravity is elsewhere.
Cuvier wrote, in 1834, in the context of the new science of paleontology: T. H. Huxley, the proponent of Darwin's theories of evolution, also found Zadig's approach instructive, and wrote in his 1880 article "The method of Zadig": Edgar Allan Poe in his turn was probably inspired by Zadig when he created C. Auguste Dupin in "The Murders in the Rue Morgue", calling it a "tale of ratiocination" wherein "the extent of information obtained lies not so much in the validity of the inference as in the quality of the observation." Poe's M. Dupin stories mark the start of the modern detective fiction genre. Émile Gaboriau, and Arthur Conan Doyle were perhaps also influenced by Zadig.
Poirot's name was derived from two other fictional detectives of the time: Marie Belloc Lowndes' Hercule Popeau and Frank Howel Evans' Monsieur Poiret, a retired Belgian police officer living in London. A more obvious influence on the early Poirot stories is that of Arthur Conan Doyle. In An Autobiography, Christie states, "I was still writing in the Sherlock Holmes tradition – eccentric detective, stooge assistant, with a Lestrade-type Scotland Yard detective, Inspector Japp".Reproduced as the "Introduction" to For his part, Conan Doyle acknowledged basing his detective stories on the model of Edgar Allan Poe's C. Auguste Dupin and his anonymous narrator, and basing his character Sherlock Holmes on Joseph Bell, who in his use of "ratiocination" prefigured Poirot's reliance on his "little grey cells".
The detective work portrayed in Zadig was influential. Marquis de Sade refers directly to Voltaire's work in the first pages of Justine ou les Malheurs de la vertu, 1791.French Wikisource Georges Cuvier wrote, in 1834, in the context of the new science of paleontology: T. H. Huxley, the proponent of Darwin's theories of evolution, also found Zadig's approach instructive, and wrote in his 1880 article "On the Method of Zadig": Edgar Allan Poe may have been inspired by Zadig when he created C. Auguste Dupin in "The Murders in the Rue Morgue", which Poe called a "tale of ratiocination" and which established the modern detective fiction genre. Émile Gaboriau and Arthur Conan Doyle were perhaps also influenced by Zadig.
She was thus made an intellectual convert to the doctrines of the Revolution, and became a most useful and capable counsellor to Allen, in the subsequent critical periods of his life. Her mind was, indeed, a counterpart, in its boldness and originality, to that of her husband, whose intuitive mode of reaching conclusions enabled him to put into the shape of acts, what it might have sorely puzzled him sometimes to reason out; and what, indeed, if he could have reasoned ever so well, his bold and fiery zeal, and crushing rapidity of action, put him out of all temper to submit to the slow process of ratiocination. He also felt the happy influences of manners, opinions, and sentiments at once dignified and frank, yet mild and persuasive. In 1789, Gen.
In May 1844, just before its first publication, Poe wrote to James Russell Lowell that he considered "The Purloined Letter" "perhaps the best of my tales of ratiocination." When it was republished in The Gift in 1845, the editor called it "one of the aptest illustrations which could well be conceived of that curious play of two minds in one person." Poe's story provoked a debate among literary theorists in the 1960s and 1970s. Jacques Lacan argued in Ecrits that the content of the queen's letter is irrelevant to the story and that the proper "place" of the signifier (the letter itself) is determined by the symbolic structure in which it exists and is displaced, first by the minister and then by Dupin.Jacques Lacan, "Le seminaire sur 'La Lettre volee'" from Ecrits (Paris: Editions du Seuil, 1966), pp.
A contemporary of Descartes, Thomas Hobbes described reason as a broader version of "addition and subtraction" which is not limited to numbers.: "We must not therefore think that computation, that is, ratiocination, has place only in numbers, as if man were distinguished from other living creatures (which is said to have been the opinion of Pythagoras) by nothing but the faculty of numbering; for magnitude, body, motion, time, degrees of quality, action, conception, proportion, speech and names (in which all the kinds of philosophy consist) are capable of addition and substraction . Now such things as we add or substract, that is, which we put into an account, we are said to consider, in Greek λογίζεσθαι [logizesthai], in which language also συλλογίζεσθι [syllogizesthai] signifies to compute, reason, or reckon." This understanding of reason is sometimes termed "calculative" reason.
This process of thinking is a consequence of motion and mechanics more than a conscious exercise of choice. Ratiocination leads individuals to uncover the Laws of Nature, which Hobbes deems “the true moral philosophy”. Hobbes’s understanding of human nature establishes the foundations for his political philosophy by explaining the essence of conflict (in the state of nature) and cooperation (in a commonwealth). Because human beings will always pursue what is ‘good’ for them, this philosophy asserts that individuals share overarching desires or goals, such as security and safety (especially from death). This is the point in which Hobbes’s moral and political philosophy intersect: in “our shared conception of ourselves as rational agents”. It is rational to “pursue the necessary means to our dominant shared ends”, in which case the “necessary means” is submission to a sovereign authority.
Although the plot of the story is modelled on the classic ratiocination stories of Conan Doyle, there are two separate mysteries in the book, only one of which the Holmes character is able to solve by the end. The story opens with the description of a chance encounter between the old man and the young boy Linus Steinman, who, we find out moments later, is a German-Jewish refugee staying with a local Anglican priest and his family. Because the parrot sitting on the boy's shoulder is in the habit of rattling off German numbers in no obvious order — "zwei eins sieben fünf vier sieben drei" ("two one seven five four seven three") — the old man quickly deduces the boy's reason for being in England. After we are introduced to the priest, his wife, son and two lodgers sitting at dinner, we find out that the numbers may have some significance.
Thereby it depends on fashion in paradigms and goes in circles over time. It is more intellectual and respectable but, like the first two methods, sustains accidental and capricious beliefs, destining some minds to doubt it. # The method of – wherein inquiry supposes that the real is discoverable but independent of particular opinion, such that, unlike in the other methods, inquiry can, by its own account, go wrong (fallibilism), not only right, and thus purposely tests itself and criticizes, corrects, and improves itself. Peirce held that, in practical affairs, slow and stumbling ratiocination is often dangerously inferior to instinct and traditional sentiment, and that the scientific method is best suited to theoretical research,Peirce, "Philosophy and the Conduct of Life", Lecture 1 of the 1898 Cambridge (MA) Conferences Lectures, Collected Papers of Charles Sanders Peirce, 1.616–48 in part and Reasoning and the Logic of Things, 105–22, reprinted in The Essential Peirce, 2:27–41.
John Bowring, in an 1830 review in the Westminster Review discussing the One Life concept present within the poem, wrote, "If there has ever been a pure and true theology upon earth-a theology which can abide the strictest application of the rules of ratiocination to its evidences, and of the principle of utility to its influences, it is that inculcated in the 'Religious Musings'".Jackson 1996, qtd. p. 543. In 1981, David Aers, Jonathan Cook, and David Punter view Religious Musings in terms of Coleridge's other political poems and claim, "Although the position arrived at by the end of 'France: an Ode' is recognisably different from, and, in an important sense, more decisive than the awkward social engagement of 'Religious Musings', the two poems can be read as different moments within the same poetic mode, a mode which can incorporate both Coleridge's radicalism and his withdrawal from political concerns."Aers, Cook and Punter 1981, p. 93.

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