LH: The mandorla and the ogee' or breast shape' are often the source of light.
|
|
A tree-lined paver courtyard leads to the 5,806-square-foot villa, which features ogee arches, columns and relief work.
|
|
There is some crosswordese in his grid (NENE, OGEE, OTOE, TEC), but overall, this was a nice way to open our solving week.
|
|
The formal dining room has a beamed ceiling, paneled wainscot, sponge-painted walls and a fireplace with an ogee-arch opening and antique Moroccan tiles.
|
|
For a more traditional look, counters can be fabricated with a variety of shaped edges, from a simple, rounded bullnose to the more decorative ogee — or S-shaped — edge preferred by Mr. Schafer.
|
|
" Monch remembers the recording process of his contribution, "Decisions," well: "DJ Ogee, from D.I.T.C. fame, gave me that beat and I felt it was simple but held so much emotion in the way the chords worked.
|
|
Ogee clock, framed with ogee moulding. Ogee is also a mathematical term, meaning an inflection point. In fluid mechanics, the term is used to refer to aerodynamic profiles that bear such shapes, e.g., as in the ogee profile of the Concorde supersonic aircraft.
|
|
Two uncontrolled ogee crest spillways are concrete lined and located on each abutment.
|
|
A three-seat sedilia and adjacent piscina, both with ogee-shaped heads, remain in the south wall, and there is a reredos with a carving of the Last Supper. An ogee- panelled porch and an octagonal font with carvings also survive.
|
|
A building's surface detailing, inside and outside, often includes decorative moulding, and these often contain ogee-shaped profiles—consisting (from low to high) of a concave arc flowing into a convex arc, with vertical ends; if the lower curve is convex and higher one concave, this is known as a Roman ogee, although frequently the terms are used as if they are interchangeable and for a variety of other shapes. Alternative names for such a true Roman ogee moulding include cyma reversa and talon. An unorthodox ogee arch in Kilfane Church, Ireland (13th century) The ogee curve is an analogue of a "cyma curve", the difference being that a cyma, or "cyma recta", has horizontal rather than vertical ends. The cyma reversa form occurs in antiquity.
|
|
The spillway is ogee-type concrete, with 4 vertical lift gates. The discharge capacity is .
|
|
The word was sometimes abbreviated as o-g as early as the 18th century, and in millwork trades associated with building construction, ogee is still sometimes written similarly (e.g., as O.G.). The term ogee is used in the naming of some manufactured products (e.g., ogee washers, clocks, and distillation pots), and is used with similar or related meanings in mathematics and fluid mechanics, as well as in the plastic surgery-specialisation of medicine.
|
|
The east window is part of Douglas' restoration; it consists of three lights with ogee heads.
|
|
"Ogee clocks" were a common type of weight-driven 19th-century pendulum clock presented in a simplified Gothic style, with the original design attributed to Chauncey Jerome. Ogee clocks were typically made in the United States, as mantelpieces or to mount to a wall bracket, and are one of the most commonly encountered varieties of American antique clocks. The overall design was rectangular, with framing by moulding with an ogee-profile surrounding a central glass door with a painted scene below the clock face, a door that protected the clock face and pendulum. Weights supported by pulleys fell inside the ogee moulding and so were hidden from view.
|
|
The north wall of the chancel contains a two-light and a three-light window and two blocked ogee-headed windows. The east window has four lights and contains Decorated tracery. In the south wall of the chancel are a two-light and a three-light window, two ogee-headed windows, and an ogee-headed doorway. The south wall of the nave contains a two-light 13th-century window with Y-tracery, The gabled porch dates from the 14th century.
|
|
They have cusped ogee- headed lights and spandrels. A square-set bellcote is partly supported by a central buttress at the west end and has similar cusped ogee-headed openings in square surrounds and spirelet with decorative lucarnes, and three-cusped ogee-headed lancets in the chancel. The church interior has a decorative arch- braced roof with moulded members and cusped wind-braces. There is a mock sepulchral recess in the north wall of the chancel with cusping and crocket ornament.
|
|
Ogee is the name given to bubble-shaped chambers of pot stills that connects the swan neck to the still pot, in distillation apparatus, that allow distillate to expand, condense, and fall back into the still pot. "Ogee washers" are heavy washers used in fasteners that have a large load-bearing surface; they are used in marine timber construction to prevent bolt heads or nuts from sinking into the face of timbers. The term ogee is used to describe the ogee shape giving rise to radial symmetry around the centre of the washer. Due to the size and shape of such washers, they are generally manufactured as a cast iron product (in accordance with ASTM A47 or A48).
|
|
There are thirty spillway gates built into the dam. Each of these spillway gates are of the Ogee type. It is a common and basic design which transfers excess water from behind the dam down a smooth incline into the river below. These are usually designed following an ogee curve.
|
|
The west side of the tower has three- light ogee windows on the bottom stage and single-light ogee on the middle stage. The early English chancel has three lancet windows, linked by string course, to the north, two to south and two-light Decorated in the corner with transept. The nave has three-light ogee 19th-century windows, flanking a large gabled porch and a small quatrefoil adjoining chancel to the north side. It has two large Decorated windows, also 19th-century on the south side.
|
|
This is a cusped ogee window with trefoils carved into the spandrels. The forth floor similarly has cusped ogee windows, however, on this floor they appear on each face, and are doubles. The top floor of the Clock Tower doubles as its roof, which can be reached via a 93 step spiral staircase.
|
|
In 1999 the mills were purchased for conversion. A new ogee cap was constructed and fitted to the windmill tower.
|
|
Small basilican triple nave is vaulted by four serveries of cross vault. Ogee moulded vaulting ribs are led into simple geometric console with polygonal cover. Eastern triple nave is ended by triumphal arch situated on ogee moulded semi-pillars. The nave is separated from its aisles by monumental cylindrical non profiled posts carrying Gothic arcade.
|
|
The protruding floor joists are concealed by plaster coving built up over shaped brackets and laths,McKenna, 1994, pp. 16–7, 24. in a fashion described by Pevsner as a "speciality of Cheshire". Decorative panels, featuring ogee design The upper storeys have ornamental panels featuring several different decorative motifs, including roundels and diagonal ogee braces.
|
|
The built-up edge then can be shaped to a rounded edge or an ogee. Fancier edge treatments are more expensive.
|
|
Lower down in the west wall is a two-light window with ogee heads and a square moulding with one mask.
|
|
Over the clock is a copper ogee cupola which is surmounted by a weather vane with lions rampant or on gules background.
|
|
Unlike Wind's other plantation homes, Eudora did not include a pediment. It did have other Wind signatures, such as siding set flush under the portico to resemble stone and a cantilever balcony over the front door. This door had an ogee- curved arch. While some elements of the house comply with Greek Revival, the ogee and entablature bracket curves depart from the style.
|
|
The south transept is east to west, and north to south. It contains on its east side a restored 14th-century window with ogee-headed twin lights and tracery within a square head. The south wall 14th-century window is of ogee-headed twin lights and tracery with an arch surround and hood mould. The south transept has twin- stepped diagonal buttresses.
|
|
As well, ogee curves are used to minimize water pressure on the downstream face of a dam spillway. In aesthetic facial surgery, the term is used to describe the malar or cheekbone prominence transitioning into the mid-cheek hollow. The aim of a mid-face rejuvenation is to restore the ogee curve and enhance the cheekbones, common parts of routine facelift surgery.
|
|
Other decorative metal details include four types of molding (dentil, egg and dart, ogee, and plain), a large floral frieze, and chamfered metal panels.
|
|
At the east end is a stepped buttress containing a round-arched lancet window, on each side of which is an ogee-headed window.
|
|
In the north wall of the vestry is an ogee-headed doorway and a cross window; in its east wall is a two-light window.
|
|
Engineers usually construct an ogee crest, which forms a clinging nappe. This increases discharge, reduces atmospheric pressure and decreases the chances of air cavitation occurring.
|
|
The flint church of St Mary's, is Grade I listed, most parts date between the 12th–14th centuries. It is within the diocese of Canterbury, and deanery of Ospringe. It features partly restored thirteen century triple lancet windows with ogee doorway and 14th century trefoil headed lancet windows with ogee surrounds. It contains a bibliologically inspired pictorial white memorial to Rt Hon Mary Elizabeth, Lady Sondes d.
|
|
They are of three lancets, with pointed heads, geometrical tracery—typically circular rosette devices dating from c.1250–1310—and hood moulds. Below the west wall south window is a late 14th-century door, now blocked, within an ogee-headed stone surround. The spandrels between the ogee and outer rectilinear enclosure contain on one side a dragon motif, and on the other, a shield.
|
|
They have one central bay and lateral four-storey turrets. The central bays contain two-storey canted bay windows, above which are pierced stone parapets, three-light mullioned windows, and shaped gables with pierced ogee finials. The turrets have bands between the stages, single-light windows and ogee caps with finials. Projecting forward on each side of the central block are two-storey service blocks.
|
|
Ogee doorway Kilfane Church is a long rectangle with sedilia, altar, book rest and piscina. The sedilia is believed to come from an older church and still has some medieval paint. Three original doorways in the north and south walls are headed by ogee stones. The castellated bell tower at the east end may have housed the presbytery/sacristy and provided residents in the upper storeys.
|
|
A corrugated metal ogee style timber framed veranda, supported on timber square posts with moulded tops over timber board flooring, covers the entire ground floor elevation. The upper floor level features two windows that match and align the ground floor windows. The Station Street elevation of the residence is also similar to the front elevation in its symmetrical fenestration and window and door joinery as well as the ogee style veranda. The differences are the additional central window on the first floor level, and the L-shaped ogee verandah turned around eastern elevation with timber board enclosure featuring a small ticket window on the Belmore Street elevation.
|
|
The octagonal windmill consiststhree-storey tower standing on a brick case and topped by an ogee cap. The cap carries the four sails. It has a fantail.
|
|
The initial part of the chancel, is square and covered with a sexpartite vault, leaves room for four ogee-shaped windows, on the facades north and south.
|
|
Harvey (1950) credits Master Michael with the innovation of using the ogee arch in gothic architecture, having a wide influence on French Flamboyant gothic and English Perpendicular.
|
|
The smaller windows show a variety of forms with an ogee arch, capped with a relief ornament, and the edges and zone boundaries are marked with ropework reliefs.
|
|
Copper Solar Ogee Deity plate found at Lake Jackson Mounds, Florida Several very similar plates later found at the Lake Jackson Mounds Site in Tallahassee, Florida are believed to have come to the site by way of trade with Etowah. One plate, the "Copper Solar Ogee Deity", is a high repoussé copper plate depicting the profile of a dancing winged figure, wielding a ceremonial mace in its right hand and a severed head in the left. The extended, curling nose resembles a proboscis and resembles another S.E.C.C. motif, the long-nosed god maskette. The figure's elaborate headdress includes a bi-lobed arrow motif and, at the top of the plate, an Ogee motif surrounded by a chambered circle.
|
|
The small pavilions with ogee domed roofs that flanked the demolished gatehouse still remain. They may have been intended as banqueting houses, but by the 1630s were used as bedrooms.
|
|
Erosion rates are often monitored, and the risk is ordinarily minimized, by shaping the downstream face of the spillway into a curve that minimizes turbulent flow, such as an ogee curve.
|
|
The three central bays are topped by a pediment. The north front is of rubble carrstone and includes four c. 17th-century ogee-headed sashes on the first floor. Renovations c.
|
|
The entrance to the second floor, beyond the main central staircase, consists of a low ogee arch over a solid wood door. A lower transom is etched with the Masonic symbol.
|
|
The midpoint of the two blocks on each side that compose the ogee, the point at which the overall curve changes direction, is the inflection point referred to in the lead. First seen in textiles in the 12th century, the use of ogee elements—in particular, in the design of arches—has been said to characterise various Gothic and Gothic Revival architectural styles. The shape has many such uses in architecture from those periods to the present day, including in the ogee arch in these architectural styles, where two ogees oriented as mirror images compose the sides of the arch, and in decorative molding designs, where single ogees are common profiles (see opening image). The term is also used in marine construction.
|
|
Ogee window The Mint is three storeys high and made mainly of limestone. There is a battlemented chemin de ronde on the roof, with loopholes for muskets. A doorway is protected by machicolation. The ground and first storey ogee windows (five in total) face onto the street, with carvings of a horse, a bust of a man, a bird, a snake and Celtic interlace ornament which reflects a revival of interest in Celtic art in the 15th–16th centuries.
|
|
Dining room Penally Abbey is built from Pembrokeshire limestone and consists of three buildings set in nearly 6 acres. It is noted for its large gothic windows and its ogee-headed doors.
|
|
The three plates are in the Classic Braden style associated with Cahokia, and it is generally thought that the plates were manufactured there before ending up at sites in the Southeast. The Lake Jackson plate depicts a winged dancing figure holding a ceremonial mace in one hand and a severed head in the other. The figure wears an elaborate headdress with an ogee symbol and a bi-lobed arrow motif. Actual copper ogee plates used as headdress were found in burials at Etowah.
|
|
The east end of the chancel has buttresses, and contains a three-light window with ogee arches under a flat head. The date 1577 is inscribed over the window, and at the apex of the gable is the fragment of a cross. The south wall of the chancel and the nave both contain a two-light window under ogee arches. The south doorway dates from the 12th century, and is in Norman style with a round arch and zigzag decoration.
|
|
On the top of the gable and slightly recessed is a timber louvred bell turret with a lead ogee cupola. The nave windows have semicircular heads. The flat-headed east window has seven lights.
|
|
The exterior is of "coursed rubble with a slate roof." and with a standard arrangement of nave, transepts and chancel. Ogee arches for windows and door cases proliferate. The short tower contains a belfry.
|
|
Majbølle Mølle is a three-storey smock mill on a two-storey base. There is a stage at second-floor level. The smock is clad in shingles. The ogee cap carries four Common sails.
|
|
The ogee and Roman ogee profiles are used in decorative moulding, often framed between mouldings with a square section. As such, it is part of the standard classical decorative vocabulary, adopted from architrave and cornice mouldings of the Ionic order and Corinthian order. Ogees are also often used in building interiors, in trim carpentry, for capping a baseboard or plinth elements, as a crown moulding trim piece where a wall meets a ceiling, and in similar fashion, at the tops of pieces of case furniture.
|
|
The mill stood over high to the top of the cap finial. It had an ogee cap winded by an eight bladed fantail. There were four Single Patent sails. The mill drove four pairs of millstones.
|
|
The spillway is concrete ogee controlled by 12 tainter gates, each . The dam includes two hydroelectric plants with a combined capacity of 2,300 kilowatts. The reservoir can safely store .The surface area of the reservoir is .
|
|
Architraves are an ogee pattern and all joinery is painted. The flooring is carpet over timber. Behind the main chamber is a corridor. It leads to a storeroom with a lower floor level and a concrete step.
|
|
Screens facing the stalls are of cusped ogee arches and quatrefoils in open fretwork moulding; the altar rail is of similar style. Behind the stalls are pews, originally belonging to the manor houses of Easton and Stoke Rochford. Between the aisles and chancel chapels at the north and south are 19th-century low wooden screens, with a run of seven double panels; plain below, those above with decorative insets, the central and outer of quatrefoils. Above the paneling runs open fretwork moulding of cusped ogee arches leading to quatrefoils between, below a top rail.
|
|
Waynflete's Tower () is a Grade I listed gatehouse, originally built at the same time as the late 15th-century house, but much modified by William Kent following Henry Pelham's purchase of the property. Kent designed the additions of the two three-bay ranges of three stories to each side and the one-story porch between the turrets with ogee-arched doorway, triple window above with ogee-headed lights (window spaces), and quatrefoil windows. The rib-vaulted entrance hall was the gateway in Wayneflete's time which Kent had stuccoed or plastered over.Nairn (2002), p. 222-23.
|
|
The roof is slate ending in coped verges. The front of the building has a number of bays ending in the chapel wing to the north, which includes tall lancet arch windows as well as an ogee-headed moulded stone door frame. The main entrance to the house is in one of the bays, with a studded door, in a similar ogee-headed moulded stone door frame. On the south side of the house there is a garderobe, also two storeys high, with a turret to the rear.
|
|
Porch in the south wall. Portions of the nave and chancel remain. The Alen vault is located at the east end of the chancel. The east gable has an ogee window, and the west gable has a belfry.
|
|
Built in 1785 in neo-Gothic style, Bretforton Hall is a Grade II listed property, standing in opposite the manor. Notable features include a full octagonal 3-storey Gothic tower with crenellated parapet, ogee headed windows and battlements.
|
|
Hurt Wood Mill is a four storey brick tower mill with an ogee cap. It had four Patent sails carried on a cast iron windshaft. The cap was winded by a fantail. The clasp arm Brake Wheel is wooden.
|
|
Barnet Gate Mill is a four-storey tower mill with an ogee cap which has a gallery. It has two Patent sails and two Common sails carried on a cast iron windshaft. The cap is winded by a fantail.
|
|
Bertie Wilkinson, The Chancery under Edward III (1929), p. 142 In 1856 a small medieval building survived at Caerforiog, then in use as an outhouse, which had a doorway with an ogee head, possibly dating from the 14th century.
|
|
The gate type is not exactly pronounced as either Ogee or Radial. This dam falls under the Parliamentary Constituency of Udupi Chikmagalur. The dam is classified as Earthen/ Gravity & Masonry. The reservoir created by the dam submerged 27 villages.
|
|
Local lumber was used, harvested in along the banks of the Peshtigo River. The first product was a modified lapstrake canoe, dubbed the "Anti-Leak" canoe by the brothers. Thompson badge on ogee-style deck Thompson Bros. Boat Mfg.
|
|
Buttrum's Mill is a six-storey tower mill with an ogee cap with a gallery. The tower is diameter internally at the base and diameter at curb level. It is high to the curb. The brickwork is thick at the base.
|
|
Generally, windows and doors have semicircular heads. Ogee hood moulds appear over the two entries to the church. The main roof is currently terra cotta Marseilles pattern tiles, but may have originally been slate. The roof over the vestry is colorbond.
|
|
They also neutralize the outward force of five massive ogee arches that once supported the large flat roof of the main hall. On each exterior of the long sides of the main hall are six recessed arches which hold doors in their lower sections and three slabs of open-work stone windows to let in air and light. A high wall holds battlements on the roof of the building. The ogee arches of the Hindola Mahal The crossbar of the Hindola Mahal is of about the same proportions as the main hall but is split into two tiers.
|
|
Around 1828, Joseph Ogee, a man of mixed French and Native American descent, established a ferry and a cabin along the banks of the Rock River. In 1829, an employee of Ogee was named postmaster at the newly constructed post office. John Dixon, the eponymous founder, bought Ogee's Ferry in the spring of 1830 and brought his family to his newly purchased establishment on April 11 of that year. Shortly after, the name of the post office was changed to Dixon's Ferry. On May 4, 1873, the Truesdell Bridge collapsed resulting in the deaths of 45 people.
|
|
These decoration covers a circular vent formed in the brickwork. The verandah iron has a bull-nose profile. The eaves are decorated with paired timber brackets and all guttering is of galvanised iron or splayed aluminum profiles. There are some ogee rainwater heads.
|
|
The windmill consists of an octagonal tower clad in shingles and topped by an ogee cap. The cap carries the four Common sails. It is winded by a tailpole. The mill stands on a stone case, which has an underpass for wagons.
|
|
Denver Windmill is a six-storey tower mill with a stage at third floor level. The tower is high to the curb. The ogee cap has a gallery and is winded by a fantail. The mill drives three pairs of overdrift millstones.
|
|
The album includes the guest appearances from his labelmates J. Cole and Cozz, along with The Hics. The sonic foundation of the album is produced by Ron Gilmore, Ogee Handz + DikC, Cedric Brown, Cam O’bi, Sounwave, Subdaio, The Hics, and K-Quick.
|
|
Nyetimber Mill is a four-storey brick tower mill with an ogee cap. It had four Patent sails and was winded by a fantail. The mill drove two pairs of millstones. An external pulley enabled the mill to be worked by an engine.
|
|
266 The other window in this aisle (on the western side of the door) is of about 1340. Below the windows in the south aisle are four 14th-century recesses with ogee heads which once probably held tombs.VHCB p.266? RCHM p.
|
|
The windmill consists of an octagonal tower clad in shingles and topped by an ogee cap. The cap carries the four Common sails. It is winded by a fantail. The mill stands on a dressed brick case, which has an underpass for wagons.
|
|
Long Clawson Windmill The village has a recently restored windmill that dominates the skyline from the south. The mill, located at Mill Farm, has a characteristic Lincolnshire-style cap (white painted ogee-shaped)Lincolnshire Mills Group website and is a Grade II listed building.
|
|
Slate roof. Central portion three windows three-storeys, steep hipped roof rising to a dome. Large decorated lucarne over second floor windows, bears inscription "The Kings Head". First floor three pairs of French windows open on to verandah with iron balustrade and ogee roof.
|
|
The rest of the roof has plain ceilings. The font has an ogee-shaped wooden cover and the south wall of the chancel contains a piscina. Two monumental brasses are set into the chancel floor dedicated to John and Dorothy Hooper (d. 1617 and 1648).
|
|
Then comes an upper tier of windows with Ionic pilasters and at the top a cornice and a plain parapet. In the east wall is a Palladian window. The tower is in cast iron and has octagonal and square stages with a slim ogee-cap.
|
|
The west window is similar, but narrower, and of two lights. The south wall windows are identical: rectangular chamfered openings within which are three lights with cusped ogee heads. The parapet is of a coping set above a repeated c.17th-century cusped fretwork device.
|
|
Hamilton (1952) 35; Brown (1996) 523b. He also wears a flat cap with a raised border around its top which has an "ogee" design in negative relief. Brown believes that this cap "appears to be a case for displaying a copper plate."Brown (1996) 523a.
|
|
It had a four-centred, local green sandstone ogee arch, pointed and chamfered arch tower, parapet corbelling of the roofs, and an "impressive perpendicular chimneypiece". George Herbert of Swansea inherited Candleston from Margaret and Sir Richard Herbert. Mathew Herbert, George's son then held Candleston.
|
|
Accolade over an arch in Portugal In architecture, an accolade is an embellishment of an arch, found most typically in late Gothic architecture. One kind of accolade forms a pair of reverse ogee curves over a three-centered arch, ending in a vertical finial.
|
|
The nave and transepts also have lancet windows. The chancel has three two-light windows to the south, trefoil-headed windows in an arched surrounds and ogee-headed windows in a square surrounds. The three-light east window has geometric tracery and a ballflower border.
|
|
The bays are split into five recessed or projecting ranges. Two square, pavilion towers form the near left and right bays, each tower crowned by a stone and leaded ogee-shaped cupola. Its gatepiers and house are separately listed by Historic England at Grade II.
|
|
The stairwell retains the original timber stair (painted) with vinyl covered, tapered treads. Balusters and newel posts are turned, and the stringers are plain. All doors are four panel, with inlaid mouldings, pivoted transoms and ogee architraves. Two double hung windows have no glazing bars.
|
|
The Mill Complex consists of several buildings of heritage interest. A two- storey commercial building in Victorian Georgian style extends along the Wallace Street frontage. It has a single-storey timber-framed veranda and ogee profiles roof. The columns are flat profile of Tuscan.
|
|
The main entrance, in the Gothic style, dates from the late 18th century. Stone steps lead to the door, which is headed by an ogee-arched moulding, with paired quatrefoil decorations above surmounted by a cornice. Nikolaus Pevsner describes the entrance as "pretty".Pevsner & Hubbard, p.
|
|
It has a symmetrical plan and is on three storeys. It is constructed of red brick with terracotta dressings; the hipped roofs are slate. The central bays are recessed between projecting wings. Towards the rear of the building there is a tower with an ogee cap.
|
|
The West Mitchell Street Bridge is a seven-span highway T-beam bridge constructed of reinforced concrete, with broad ogee arches supporting each span. It is long and wide. The deck is asphalt, lined by sidewalks and side balustrades. The bridge is extensively detailed, with Moderne features.
|
|
The KRP dam is 990.59 m long and Max Height of the dam is 29.26 meters above Foundation. Total Volume content of Dam is 509 TMC. The Spillway is ogee crest type and the crest level is 483.11 meters. The capacity of the Spillway is 4061 cu.
|
|
This frontage, albeit less decorated, offers more uniformity as far as architectural details are concerned. Facade shows high openings at each floor, topped by dormers with various shape: kernel, semi- circular with pediment or even grand ogee model. One can also make out some decorative rosettes.
|
|
The round tower is one of the earliest in Norfolk, being early 11th century. There is a pair of wall tablets in the chancel to John Motteux (died 1793) and John Motteux (died 1843) set beneath the crocketted ogee arches with carved head stops and fleurons.
|
|
The building is rectangular with a high-pitched gable roof. On the south is a small gabled bay and entry porch. It is a brick structure with a slate roof in a Tudor Revival style. The roofline is outlined by an ogee-shaped cornice with returns.
|
|
The Lewknor tomb has ogee mouldings and a series of carvings depicting the Pietà, the Resurrection of Jesus and the Trinity. The pulpit, made in the 18th century, dominates the interior with its size and positioning. The lower deck, an uncommon feature, serves as a separate priest's reading desk.
|
|
Black and white sketch from c.1730 looking east from alt= The cross stood in the centre of the town, at the crossroads of its four main streets (). The base was four octagonal piers with cusped ogee arches. The next tier contained alcoves with statues of English monarchs.
|
|
Great Bircham Mill is a five-storey tower mill with a stage at third floor level. The tower is to curb level and outside diameter at the base, with walls thick. It has an ogee cap with a gallery. The cap is winded by a six bladed fantail.
|
|
Suggett R and Stevenson G. (2010), pg.115, illustrated The porch is off-centre because the hall is twice as wide as the parlour. The porch has depressed ogee inner and outer doorheads. There are turned balusters set into the sides of the porch and internal side seats.
|
|
Peterson, p. 62. The dam had an ogee-shaped crest to permit improved water flow over the top. The new dam also had eight floodgates, and a pedestrian walkaway with railing was along the dam's crest to give maintenance workers access to the flashboards and dam.Peterson, p. 63.
|
|
This Subscription Mill was built c. 1816 as a three-storey brick tower windmill. With 3 pairs of millstones, it was working in 1892 but was dismantled some time during the First World War. It had 4 double patent sails, an ogee cap and an 8-bladed fantail.
|
|
Yakovalı Hasan Paşa Mosque has a relatively simple structure, with a square base surmounted by a typical Turkish dome and ogee windows.The Mosque of Pasha Yakovali Hassan. Visit Pécs. Retrieved 19 May 2020 As with all mosques, it is orientated towards Mecca and thus has a northwest–southeast axis.
|
|
The east window has three lights under a segmental head. In the south wall of the chancel, and in the east and south walls of the south aisle, are three-light windows with ogee heads. The doorway in the south wall of the south aisle has a pointed head.
|
|
Development of the Concorde harnessed a then-new type of delta wing that was being developed at the RAE known as the ogee or ogival delta design. This design aimed to improve both supersonic performance through limited span, and low-speed performance through the creation of vortices between the wing and fuselage that increased air velocity over the wing and thereby increased lift. In order to make full use of this effect, the wing should be as long as possible, and highly swept at the root. Continued studies of this basic concept led to the ogee layout and it eventually become apparent that a series of full-scale flight tests would be necessary for its validation.
|
|
The exterior is classified as French Renaissance style with shaped gables, ogee domed cupolas and large pedimented dormers. It is constructed of red brick with stone bands and dressings. Its slated mansard roof has a high central tower topped with a wrought-iron crown. The pub has three stories and attic.
|
|
Ruskin Dam is a tall and long concrete gravity type. The dam creates a reservoir (Hayward Lake) with a capacity and surface area. The dam sits at the outlet of a catchment area and the reservoir extends . The dam's spillway is an ogee-type and consists of seven radial gates.
|
|
Above this is small ogee-headed window. The bell openings have two lights. The tower is surmounted by a 19th-century pyramidal spire and a lead finial. The windows on the sides of the church have two or three lights, and the east window has four lights with trefoil heads.
|
|
In the 2001 census, the parish had a population of 340, increasing slightly to 344 at the 2011 census. Dorrington Grade I listed Anglican church is dedicated to St James and St John. It is mainly in Decorated style. On the sides of the east window are ogee canopied niches.
|
|
The diversion structure of the system is an ogee-type, concrete weir constructed at the debouching point of the Kankai. It has a long, high weir. The canal system consists of a three-tier network of canals. The main canal length is with of secondary canals and of tertiary canals.
|
|
There are windows on each floor, with three windows on the south elevation. At its top there is a sawtooth cornice in brickwork, below curb track. The tower was topped with a white ogee cap which has been removed. A set of railings was installed around the top in 1980.
|
|
The head of each light is embellished with Gothic style tracery, composed of ogee curves. On both upper levels the windows extend from the floor to the ceiling. Decorated turrets flank the oriel window. The parapet is castellated and in the centre is a badge bearing the crest of the Society.
|
|
A quad gutter is located to the southern side and an ogee gutter to the northern side of the building. A new office with recent aluminium framed windows has been installed in the south-west corner. A corrugated galvanised iron tank on a steel stand is located near the shed.
|
|
The house contains a unique mix of Italianate elements, such as its square plan, large cupola and bracketed eaves, combined with Second Empire elements such as its unusual Mansard roof with ogee curve sides and pronounced dormers. The house was added to the National Register of Historic Places in 1985.
|
|
Burgh Mill is a seven storey tower mill with an ogee cap which has a gallery. It had four Patent sails and was winded by a fantail. The tower is diameter internally at ground floor level and diameter internally at curb level. The height of the tower is to the curb.
|
|
The tower rises from a central carriage arch with an ogee-shaped hood mould above the pointed arch. The lancet windows have intricate tracery. The tower is buttressed and rises in three stages to a belfry and a broach spire. The elaborate Ginnett family tomb is topped with a marble pony.
|
|
The exterior is clad in vertical board siding, which extends around to the insides of the portals. The siding ends short of the roof, providing an open strip between them. The projecting gable ends are cut in the shape of a reverse ogee. with The bridge was built in 1872.
|
|
The existing spillway was also upgraded by furnishing and installing three hydraulically operated spillway crest gates, constructing a new cast-in-place concrete ogee crest, and constructing a bridge across the spillway. In addition, the project also cleared approximately 300 acres (42 miles of shoreline) around the perimeter of the reservoir.
|
|
Gayton Mill was an eight storey tower mill with a stage at the third floor. The tower is inside diameter at base level, with walls thick. It had an ogee cap, and was winded by a six bladed fantail. It had four Patent sails and drove three pairs of overdrift millstones.
|
|
The main front rooms have french windows at the sides surmounted by cedar ogee pattern panels above. All reveals of doorways are panelled to correspond with the panelling of the doors. The front door, D1, is 5 panelled, the upper panels now glazed. It appears to be an Edwardian period replacement.
|
|
The Norman round-headed tower arches date from the 12th century. The west arch has three attached columns, and the east arch has a single column. At the base of the east arch is a pair of carved dogs. In the chapel are two ogee-headed niches and a cinquefoil- headed piscina.
|
|
The chancel roof retains a single 14th-century tie-beam but has otherwise been renewed. The east window of the chancel is an early-14th-century lancet with three trefoils. The exterior is hood-moulded. The north wall of the chancel also has a lancet window: this has quatrefoils and ogee headings.
|
|
On the long sides, this main arch is flanked by narrow arches. The corners of the cage have colonettes surmounted by tabernacle-like structures. The top of the cage consists of ogee-curved elements meeting at a central spire. The grave of another president, John Tyler, is located just a few yards away.
|
|
Allen (1998–99), pp. 51–52 All four sides of the quadrangle are Grade I listed buildings. Pevsner described the second quadrangle as "a uniform composition", noting the "regular fenestration by windows with round-arched lights, their hood-moulds forming a continuous frieze". The Dutch gables have ogee sides and semi-circular pediments.
|
|
The Dalgarven Arch was an ogee topped doorway with jambs of clustered gothic shafts. John Connel, builder of the present Kilwinning Tower, is said to have brought the stones here from Kilwinning Abbey. However, they do not appear to have been contemporary with Kilwinning Abbey. They are no longer situated at Dalgarven.
|
|
This area is associated with two saints, Abbán and Dalbach. The church at Coole Upper is the larger and was built in the 12th century as a single nave church and had antae. The chancel was added in the 13th century. It has a narrow two-light ogee window in the east gable.
|
|
Interior ornamentation included "arabesques, muqarnas, ogee arches, and geometric tiling". The ceiling of the 911-seat auditorium was embedded with thousands of tiny colored lights. The theater was the fourth in the United States to install the Vitaphone sound system; Huffman was the first theater owner to negotiate a contract with Vitaphone.
|
|
The mosque measures on each side. At the rear, the corners and sides of the mosque feature tall tapering semi-circular minars. The east, south, and west are decorated, and feature ogee arch openings, which are set into rectangular frames. The architecture combines bracket and lintel beams, blending Islamic and Hindu architectures.
|
|
The tympanum in each doorway is decorated with diapering. The font dates from the 13th century, and its ogee- shaped cover from the 17th century. The communion rail is from the 18th century. The monuments include the stone effigy of a knight in armour lying in a recess with his legs crossed.
|
|
1820, with rubble stone walls and an ogee-headed opening to each elevation. An entry also erroneously states that it was built by the Colthurst family to commemorate the death of a family member at the Battle of Trafalgar. The tower is not accessible to the public and is located on private property.
|
|
The weir of 30 m length with a maximum height of 2.5 m was constructed to divert water to the intake. The weir is a straight concrete gravity structure made of plum concrete with an ogee profile. In order to prevent silt and trash entering the channel, a trash screen was utilized.
|
|
The mill had an ogee cap with a gallery, winded by a fantail. The four double Patent sails drove three pairs of millstones. The lower two storeys of the mill were tarred, with the upper five painted white. The converted mill has a flat roof with a guard rail and a flagpole.
|
|
The staff (lunch) room has double hung timber framed windows to both the front and south elevations. There is a distinctive cast iron fireplace with an elaborately carved timber surround. The ceiling is strapped, and has a timber scotia cornice. There is a vinyl floor and skirting, covering the painted ogee skirting.
|
|
The chapterhouse is vaulted by star vault with eight serveries. In the corners there are ogee moulded vaulting ribs ended with simple geometric consoles. Other vaulting ribs are led simply into the wall. This vault was built in 1460 the original one was probably similar and was done in the half of 14th century.
|
|
Andrew County Courthouse is a historic courthouse located at Savannah, Andrew County, Missouri. It was built in 1898, and is a two-story, Romanesque Revival style rectangular brick and stone building. It projecting central entrance bay. It features a three-story clock tower with an octagonal ogee roof and similarly roofed smaller corner towers.
|
|
Double ogee tracery heads make an inventive display of circles, quatrefoils and wheels. The bressumer has intricate trails of running ornament, incorporating leaf designs, together with flower, vine, pomegranate and seaweed.the carving is still coloured in gold, red and green. A section of coving is also preserved, with its elaborate panels and drop scrolling.
|
|
The octagonal timber pulpit, dating from the 15th century, features crocketed ogee panels; it is the oldest in existence in Cheshire. The church also contains an 1855 monument to William H. Poole with a Gothic canopy. In the tower are charity boards, including a circular one dated 1777. There is a ring of six bells.
|
|
The house was originally built without a kitchen; it was said that Mrs. Holt did not care to cook. The Holts took all their meals in the dining hall of the Oak Ridge Institute. It features a three-story tower that rises through the porch roof and is topped with an ogee roof line.
|
|
Between 1890 and 1895 they created a glass building that would support "a luxuriant tropical growth, blending the whole into a natural grouping of Nature's loveliest forms". Silsbee gave the conservatory an exotic form by creating a series of trusses in the shape of ogee arches. A female sago palm in the fern room.
|
|
The spillway in the concrete section is wide. The non-overflow part of the concrete section includes a power intake structure. State Highway 151 crosses the dam, connecting State Highway 51 on the south with U.S. Highway 64 on the north. The spillway is a gated ogee weir, wide with eighteen tainter gates, each .
|
|
Burnham Overy Staithe Mill is a six-storey tower mill with an ogee cap with gallery. The cap is winded by a fantail and the four Double Patent sails of 12 bays are carried on a cast iron windshaft. The windshaft also carries a wooden clasp arm brake wheel. It drove three pairs of millstones.
|
|
The font consists of a baluster and a fluted bowl dated 1744. The reredos, altar table, and communion rail dating from 1946 were designed by Sir Charles Nicholson. Behind this reredos is an older one from 1820, in Gothic style, containing arcades with ogee heads. The pulpit dates from 1876 and contains carvings of apostles.
|
|
The wall, of brick with stone dressings, features arcading and has piers surmounted with ogee caps carved to match the tiles of the main hall tower. A further feature of the gardens to survive is a grade-II-listed sundial dating from the early 19th century, which stands to the rear of the house.
|
|
Some of those at the upper storeys have ogee heads. A trench is cut into the rock directly in front of the entrance door. The first floor is missing but the ceiling is vaulted and the corner windows have deep recesses. A spiral stairway, lit by narrow slits, rises in the corner to roof level.
|
|
North Leverton Windmill North Leverton windmill was built in 1813 by local farmers to mill their grain. The mill is located in North Leverton, Nottinghamshire. The mill has three floors and is built to the Lincolnshire style. It has four patent shuttered sails mounted on a cross, an Ogee cap and an eight bladed fantail.
|
|
Gordon 1959, p. 28. The dado of the apsidal east end is panelled and surmounted by a continuous canopy of ogee arches below a pierced parapet. The panelling of the central section above the holy table is the most detailed and contains a sculpture of an allegorical winged figure defeating a dragon which represents evil.
|
|
Throughout the town are various styles of corrugated iron roofs such as the smooth, round-edged bullnose, the curved ogee and the concave roof. Several Loxton buildings are also characterised by diamond windows on end walls, pedimented walls, classical pillars and balusters. Some of the old buildings also feature strong wooden shutters and sash windows.
|
|
It has cedar and hoop pine joinery throughout. The centrally located entrance hall has cedar stairs with a finely turned and carved balustrade. An ogee-shaped archway decorates the foot of the stairs. The Dining Room has a deep plaster cornice, and a fireplace with a finely carved mantelpiece, and tiled and cast iron surrounds.
|
|
The tower contained four storeys with timber floors supported on stone corbels. Each storey was lit by plain, narrow, flat-headed windows. Except for the top storey where there is a single ogee-headed light in each wall. It is broader at its base in order to accommodate the stairways and passage to the tower.
|
|
Its chief distinguishing feature is a two- story three-bay front porch with a deep spandrel at the top. The spandrel is cut out with ogee arches. A small balcony spans the upper level over the center-hall entrance. Double doors at the main entrance and off the balcony open into a center hall.
|
|
After services moved to the Bristol Royal Infirmary and to the new South Bristol Community Hospital, the hospital closed on 4 April 2012. The site was subsequently acquired by City & Country, a property developer, who have restored the ogee dome on the roof of the hospital as part of works to convert the hospital into apartments.
|
|
The tower is in three stages with diagonal buttresses and is surmounted by a battlemented parapet. In the lowest stage is a west door with a pointed arch over which is a window with ogee tracery. The middle stage has lancet windows and in the upper stage are two-light bell openings. The east window has three lights.
|
|
Bates County Courthouse is a historic courthouse located in Butler, Bates County, Missouri. It was built in 1902 and is a 2 1/2-story, Richardsonian Romanesque style Carthage limestone building over a raised basement. The building measures 84 feet by 104 feet. It features a central tower and four corner pavilions, all with ogee roofs.
|
|
It has a west entrance, and on the west face are paired lancet windows flanking a niche containing a statue. At the top of the tower is a frieze and an embattled parapet with gargoyles. There are lucarnes on the spire. The windows along the sides of the aisles have two or three lights with cusped ogee heads.
|
|
The stone is a cross-slab high, wide and thick. The slab is pedimented and carved on the cross face in relief, and the rear face bears incised symbols. It falls into John Romilly Allen and Joseph Anderson's classification system as a class II stone. The cross face bears a Celtic cross carved in relief with ogee armpits.
|
|
The manor house now has its own equestrian centre and a mini golf course. The village pubs are The Plough and the country pub, Caunton Beck, both on Main Street. Caunton Mill, also known as Sharp's Mill, was a 43 ft brick tower windmill, with an ogee cap, built before 1825. It was out of use in the 1930s.
|
|
These charges are exactly repeated on both sides. The canopy is of square form, flanked by buttresses pinnacled on their faces, and the groining within shews five fan-traceried pendants. At the east end is a large niche, the west is open. The doorway is surmounted by a rich ogee crocketted canopy with finial, and is panelled above.
|
|
The outlines of the chancel arch are also visible on the inside of the west wall. On each side of it are recesses incorporating re-used 13th-century masonry. In the south wall is a sedilia and in the sanctuary is a piscina, both of which have ogee heads. On the sanctuary floor are Minton tiles.
|
|
This lower speed would also speed development and allow their design to fly before the Americans. Finally, everyone involved agreed that Küchemann's ogee shaped wing was the right one. The only disagreements were over the size and range. The UK team was still focused on a 150-passenger design serving transatlantic routes, while the French were deliberately avoiding these.
|
|
On each side of the oriel window are niches with ogee curved heads similar to the tracery. At both ends, the facade culminates in a turret. The turrets are decorated with tracery, bands of floral ornamentation and are surmounted with a finial. The turrets originally extended from the street level, but the lower sections have been removed.
|
|
The 15th-century rood screen is of five bays. The open panels above have trefoiled ogee heads and the close panels below have cinquefoiled heads with carved foliated spandrels. The screen was formerly in a dilapidated condition and was repaired by the Rev. A. R. Pain with his own hands, after he was appointed to the living in 1845.
|
|
Hearing of Big Dog's fate, the team of marshals leave the trio alone when they emerge from the pipe. Jay and Bob hear that a Dr. Ogee at Provasic is offering a reward for Suzanne's capture. The two turn Suzanne in, get two bus tickets to Chicago as compensation and are on the road once again.
|
|
On the south face is a clock which is balanced by stained glass bull's eye windows in the other faces. Above these are louvred two-light belfry windows. At the top of the tower is an ogee cornice and a parapet with ball-topped finials at the corners. Over the north and south doors are bull's eye windows.
|
|
Wray Common Mill is a five-storey brick tower mill with an ogee cap with a gallery. It has four double Patent sails carried on a cast iron windshaft. The cap is winded by a fantail. The cast iron Brake Wheel alone remains of the machinery, although it is known that the millstones were driven overdrift.
|
|
Construction was completed about 1776. The shell-pink pavilion is located at the end of an alley leading to the main castle. The square building has five bays wide on each side. The high roof has an ogee profile, capped by an open cupola with a pair of Chinese figures under a parasol as a finial.
|
|
John Redmond Dam is an earth-fill embankment dam that stands above the streambed and long. At its crest, the dam has an elevation of . A section of the dam at its northeast end is a concrete spillway that empties into the Neosho River channel. The spillway is an ogee weir controlled by 14 by tainter gates.
|
|
The Perpendicular nave is defined at the exterior by its mid-15th- century clerestory. It is of three pairs of windows each side, separated by buttresses as gable-topped pilasters. Each pair is of shallow-arched openings with hood moulds incorporating both. Each window is of two ogee-headed lights and cusping, with central quatrefoils above.
|
|
This includes a panelled reading desk, pews dated 1619, and linenfold panelling on the east wall. The pews are arranged along three walls in the style of a college chapel. The communion table dates from the 17th century. The doorway leading to the vestry has an ogee head, and the vestry contains more early carved woodwork.
|
|
In the tower is a west doorway with a round arch, a three-light west window, and three-light bell openings. The windows in the sides of the aisles and clerestory corresponding to the nave have two lights, and those corresponding to the chancel have three lights. The east window has four lights containing Perpendicular tracery and ogee quatrefoils.
|
|
As at 24 July 2014, some new fibrous plaster ceilings and cornices, some original timber boarded ceilings and cornices, original cedar joinery, original galvanized corrugated iron roof and water tank sheeting, ogee gutters and round downpipes in parts and intrusive gutters with square downpipes elsewhere, painted timber linings, joinery and decorative timberwork, stone flagging and timber tank stands.
|
|
Plan at Medieval Bristol – St. Mary's Redcliffe The tower was added to the building in the 13th century. It has broad angle buttresses and Y tracery to the windows. The bell stage has ogee gables and polygonal corner pinnacles. After the collapse of the original spire in 1446 it remained truncated until the 1870s when George Godwin rebuilt it.
|
|
Including the nave and tower are a west porch and lower chancel. The windows of the church include a lancet window near the gabled porch, three trefoiled lights for the west window, ogee lights, chancel windows with 20th- century glass, and a south nave window with glass from 1890. Within the church, the lead-lined font is from 1689.
|
|
The south side has an ogee opening (moulded arch) with a window of 3 cinquefoil-headed lights. The east side has a traceried window with a triple cinquefoil symbol. The northside has a similar window. The chapel was originally linked to the hall wing of the manor house by a doorway, which is now blocked, along its north wall.
|
|
Today’s shape is irregular four nave church with tower above the western side of southern nave, with Sacristy by northern side of presbytery. From the outside, the temple appears to be plain without a distinct division. From facade stick up simple once graded supporting pillars with pent roofs. Prism shaped tower is covered with low ogee arch roof.
|
|
The famous iron pillar is located on the stone pavement in front of it, while Qutub Minar is located west of the main entrance. The central arch of the mosque is ogee in shape and is wide and tall. The side arches are smaller in size. The screen is sculpted with religious texts and floral patterns.
|
|
Over the fireplace are the carved arms of the Brunner and Tate families. Rising from the centre of the open- timber roof is a lantern surmounted by a cupola with an ogee-shaped roof. On the south side of the hall is a canted bay window, and on the east side is a smaller circular bay window.
|
|
On each side of the narthex is a two-light window, and above it is a four-light window. Above this is a stone cornice, and a brick gable with a stone coping. On the roof is a 20th-century octagonal wooden bellcote, with an ogee-headed cupola. At the corners of the chapel are stone quoins.
|
|
At the west end of the nave is a two-light window, above which is an ogee-headed niche containing a statue of the Virgin and Child. The bell turret is octagonal and has a stone spire. On each side of the turret are two tiers of openings. The spire contains lucarnes, and is surmounted by a cross finial.
|
|
The abbey is furnished with piscina, sedilia, carved heads and ogee and cusp-headed lancet windows. Clare Island Abbey contains a series of medieval wall and ceiling paintings. They depict mythical, human and animal figures including dragons, a cockerel, stags, men on foot and on horseback, a harper, birds and trees. Such ornamentation is unusual for a Cistercian foundation.
|
|
Also from that century is the rood screen, which still has traces of painted decoration. The pulpit, with its sounding board, dates from the 17th century. In the chancel is a two-bay sedilia, and a piscina with an ogee head. Attached to the screen is a wrought-iron hourglass stand which would have been used to time sermons.
|
|
The breadth decrease at each pavilion; 6 metres at the flight of steps to 3.6 metres at the pavilion. Each pavilion formed by four pilasters is 2.7 metres long. Due to height of 4.80 metre between two pavilion, the thick wall is necessary. There are slightly convex roofs on each kuta in ogee moulding formed by nine horizontal tiers.
|
|
Another view Roodstown Castle is a rectangular tower house of four storeys with small turrets at diagonally opposed corner: a spiral stairway in the SE and garderobes in the NW. The castle contained a vaulted ground-floor cellar or storage space, a murder-hole, a crenellated parapet, chemin de ronde. The upper floors have large ogee windows and fireplaces.
|
|
In the process of enclosing the front verandah with timber cladding and aluminium windows, a dowelled balustrade, verandah gate and decorative timber posts with capitals and fretwork brackets have been lost. Modern quad guttering has replaced the original ogee profile and acroteria. Timber stumps have been supplanted by concrete and the front fence has been replaced.
|
|
In the south wall of the chancel is a 14th-century two-light window with a cinquefoil above it. The south aisle has two-light windows with ogee heads in its east and south walls. The south doorway has a pointed arch. In both the north and south sides of the clerestory are two windows with paired lights.
|
|
Three arched openings are located on each side of the steps. Diamond-shaped infills are located below handrail height. A recent aluminium gate is located at the top of the steps and other openings have been screened with aluminium framed flyscreens. On the northern elevation the hipped roof extends beyond the wall to an ogee profile metal eaves gutter.
|
|
White Roding windmill is a five-storey brick tower mill which had an ogee cap winded by a six bladed Fantail. It had four Patent sails carried on a cast iron windshaft. The only remaining piece of machinery is the Brake Wheel, which is diameter with 115 cogs. All other machinery was removed shortly after the Second World War.
|
|
It includes relatively narrow bands of Romanesque work on the portals, richly carved borders of foliage mixed with figures to the ogee arches and other elements, and large shallow relief saints between the arches. Along the roofline, by contrast, there is a line of statues, many in their own small pavilions, culminating in Saint Mark flanked by six angels in the centre, above a large gilded winged lion (his symbol, and that of Venice). In the upper register, from the top of ogee arches, statues of Theological and Cardinal Virtues, four Warrior Saints, Constantine, Demetrius, George, Theodosius and St Mark watch over the city. Above the large central window of the façade, under St Mark, the Winged Lion (his symbol) holds the book quoting "Pax Tibi Marce Evangelista Meus" (Peace to you Mark my evangelist) .
|
|
The Bell Hill School is a single-story brick structure, measuring about by , resting on a granite foundation. It has a front-facing gable roof with low pitch, covered in asphalt shingles. The cornices are simple wooden boxes, with a piece of ogee moulding on the eave wall. The main (southern) facade has three bays, with a centered doorway flanked by sash windows.
|
|
The tower is in four stages, with string courses, corner buttresses, and a battlemented parapet with gargoyles at the corners. On top of the tower is a central lead-covered crocketed pinnacle. On the west side of the tower is a doorway, with a four-light window above it. The third stage contains small ogee-headed windows on the west and south sides.
|
|
Beebe windmill is a four-story smock mill with an ogee cap winded by a fantail. Four Common sails are carried on a wooden windshaft, as is the wooden clasp arm brake wheel. This drives a cast iron wallower carried at the top of the upright shaft. At its lower end the cast iron great spur wheel drives two pairs of overdrift millstones.
|
|
The windmill is a six storey tower mill with an ogee cap which has a gallery. There is a stage at third floor level. The mill had four double Patent sails carried on a cast iron windshaft. The windmill drove two pairs of French Burr millstones, and was also capable of driving the three pairs of French Burr millstones in the watermill.
|
|
The south aisle has a brick parapet and contains three two-light ogee-headed 14th-century windows. The south porch is gabled with corner buttresses. The east wall of the chancel was rebuilt in the 19th century, and contains a Decorated style window. In the south wall are two lancet windows, and there is a similar window on the north side.
|
|
It has ogee guttering and acroteria and is encircled by a veranda roof with quad guttering and acroteria. The ridge is defined by finials and diagonally battened, louvred gablets. At the southern end of the house, transverse roof vents with louvred projecting gables are decorated with finials and cresting. The gable on the southern elevation over the entrance contains a louvred vent.
|
|
The chancel is in the Perpendicular style, built of Old Red Sandstone and with square-headed windows and cinquefoiled ogee lights.John Newman, The Buildings of Wales: Gwent/Monmouthshire, Penguin Books, 2000, , p.602 The roof, supported by four pairs of hammer beams, is of unknown mediaeval date, restored in 1977. Monuments inside the church include one to George Milborne, who died in 1637.
|
|
While a far less ambitious project than Fonthill, Wycombe Abbey is a jewel of the romantic Gothic style. The castellated, three-storey central block has turrets on each corner and is seven bays wide, with sash windows. On the ground floor, they are ogee-topped in the ecclesiastical manner. There is a slightly incongruous oriel window in the centre of the second floor.
|
|
One of its two doors has been replaced with a flush panel door and splayed architraves. The other door, leading to the stairwell is a four-panel door, and has an ogee pattern architrave which is original. A suspended ceiling has been installed. The rear office is formed with plasterboard partitions and remnants of earlier decorative plaster detailing are visible.
|
|
The west end of the nave is buttressed flank with a four-centred arched doorway. The North nave is as the south with a two-story porch in the second bay. The central tower has paired windows each with two trefoiled lights with a quatrefoil in the arch and hoodmoulds. The tower has a clock face in an ogee crocketed canopy.
|
|
Interior of the inner church The inner church was completed in 1967; it contained Victorian pews, which have since been replaced. The south chancel aisle has an ogee-headed tomb niche. The north and south walls have offset windows and the roof skylights, positioned so not to be obscured by the ruins of the outer church. The walls are whitewashed.
|
|
Eden near Gardner, Louisiana is a house built perhaps around 1850. It was added to the National Register of Historic Places in 1984. It is a central hall plan house, two rooms deep, with a rear ell wing. While family history suggests it was built around 1830 by Pleasant H. Hunter, evidence such as its heavy ogee moldings suggest a later date.
|
|
From the meseta, a flight of balayong stairs led to the wide caida with its panoramic view of Balayan Bay. The hardwood floors of the upper floors, the elaborately carved and gilded foliated transoms over the double doors carved with ogee panels in the formal rooms and walls and ceilings stretched with handpainted canvas are typical of the 1850s Taal houses.
|
|
Inside the south wall of the nave are the arches of a two-bay arcade of an aisle that has been removed. The south wall of the chancel contains an ogee-headed piscina, and a small aumbry. The chancel roof dates from 1852, and the nave roof is medieval. The altar rail dates from the 17th century, and incorporates turned balusters.
|
|
It has an Ionic portico with a lunette in its tympanum. It is topped by a two-stage English Baroque-style cupola with an octagonal lantern with round arch openings and an ogee cap. Side wings with parapets were added later. with two photos and two maps The building is a local landmark, and has one of only two pedimented porticos in Tallulah.
|
|
The uppermost figure in the arch is a small nude figure. This is symbolic of a purified soul arising from Purgatory upwards towards a canopy, possibly the gates of Heaven. It may be Hamo de Hythe who commissioned the doorway.Tourist interpretation panel adjacent to the doorway Above the canopy the ogee outer arch rises to a final pinnacle bearing a pedestal.
|
|
The rock, and aggregate for concrete production, came from an on-site quarry. The geology of the reservoir is very variable. A long grout curtain incorporating 6,700 tonnes of cement was needed to seal against leakage. The main spillway is a concrete ogee structure long with energy dissipators, on the upper left flank of the dam about north of the river.
|
|
A straight reveal leads to a louvered twin-light window with trefoiled ogee head, and a quatrefoil device above. The south belfry window also contains the tower clock: circular, blue, with gold numerals and hands. The tower parapet is embattled with a pinnacle at each corner. It projects slightly at the eaves and contains one gargoyle each side offset to the right.
|
|
The frontage is symmetrical; the small wing at the left originally contained the caretaker's flat and a slipper bath. The ground floor contains two arched entrances, each with double doors and windows. Between the entrances is a pair of ogee-headed windows, over which is a stone panel containing the city's coat of arms. The upper storey is jettied and has three gables.
|
|
It opens into a central hallway with a natural-finish oak staircase rising two flights to the second story. Oak is also used for the paneled spaces below the stair's balustrade, which incorporates a small bench. All interior woodwork on the first floor is similar natural-finish oak. The door and window surrounds are flat pilasters with ogee-profile moldings at the entablature.
|
|
Inside the church are north and south galleries carried on cast iron posts. The arcades between the nave and the aisles are supported by tall octagonal piers. In the chancel is an ogee-headed piscina dating from the 14th or 15th century. The octagonal font is plain, and is said to be from the 17th century; it stands on a 20th-century base.
|
|
Clinging nappes have no air beneath, and the stream flows along the face of the weir. The shape that fills in this area is called an Ogee. Discharge for these weirs is approximately 25% to 30% more than free nappes. The geometry of a weir dictates the coefficient of discharge that passes through the crest, which is proportional to the nappe formation.
|
|
Inside the chapel is a wooden panelled reading desk on a moulded plinth with an ogee cornice. On each side of the reading desk is a flight of three steps with balusters and newels. The reredos is also panelled, the central panel being wider than the outer panels, and with a semicircular head. The reredos is decorated with motifs including garlands and roses.
|
|
However, the eight half-arches on top, which join at a typical monde and cross pattée, point upwards in the form of a Gothic ogee arch. The crown is the only crown of a British sovereign to have eight half-arches, in the style of continental European crowns, departing from the tradition of British crowns having two arches or four half-arches.
|
|
The Tinaroo Dam, officially the Tinaroo Falls Dam, is a major ungated concrete gravity dam with a central ogee spillway across the Barron River located on the Atherton Tableland in Far North Queensland, Australia. The dam's purpose includes irrigation for the Mareeba-Dimbulah Irrigation Scheme, water supply, hydroelectricity, and recreation. Completed between 1953 and 1958, the dam creates the impounded reservoir, Lake Tinaroo.
|
|
It comprises a square, four-storey main block, with narrow circular towers at each corner. These have ogee-shaped roofs, and the whole building is harled. The north front has a pair of crow-stepped gables, linked by a balustrade. An east wing was added first, then a western extension with a bay window, built around 1815, probably by James Gillespie Graham.
|
|
This is constructed in random flint rubble with stone dressings. Its plan consists of a nave, a chancel, north and south seven-bay aisles, a north sacristy, and a west tower. The tower is still intact and is in three principal stages, with buttresses and a battlemented parapet. On the south side of the middle stage is an ogee-headed opening.
|
|
In its middle stage are pairs of ogee-headed windows, clock faces, and a frieze of shields. The top stage contains louvred bell openings, one on the south side, and two in pairs on each of the other sides. Along the walls of the aisles are large four-light windows. The porch is tall with an embattled parapet, canted angles, and angle buttresses.
|
|
The main facade is three bays wide and symmetrically arranged, with entrances flanking a central sash window on the ground floor, and three windows above. The second-level windows are set in recesses and topped by distinctive recessed sunburst-patterned brickwork. The sills of these windows are formed out of ogee-shaped bricks. The windows on the side walls have the same features.
|
|
Some original features are still visible, such as the ceiling and tops of windows. The rear offices, mail room and loading area are open plan in form, and the former quarters are now utilised as store rooms, the lunch area, toilets and locker rooms. The cedar staircase is original. There are many original four-panel doors, with ogee inlaid mouldings and architraves.
|
|
The roofs throughout are corrugated galvanised iron, with ogee guttering and acroteria. Decorative soldered rainwater heads are also featured. A number of chimneystacks protrude though the roof. Early picture of the Great Hall of Ipswich Grammar School On the east-facing building's facade the Great Hall reads as an impressive notched parapeted gable that incorporates five tall, narrow triangular-headed windows.
|
|
The gable is topped with a finial. Detail showing upper storeys There is ornamental panelling to all storeys except the ground floor, which has a modern shop front. Motifs include ogee lozenges, similar to the decoration of Churche's Mansion, as well as quatrefoils and herringbone patterns. The first storey is flanked by a pair of fluted pilasters, which are in early Renaissance style.
|
|
The step well has a narrow entrance marked by four pillars. Stone elephant statues that face each other stand in the corners. Ogee brackets decorate all the archways of 46 m deep Raniji ki Baori, which is reputedly the largest Baori of Bundi. Baoris were significant social constructions in the medieval Bundi since they acted as assembly areas for the townsfolk.
|
|
Daigle House, also known as Revillon House or as La Maison Revillon, is a historic Creole cottage located at 1012 South Washington Street in Lafayette, Louisiana. Built in Greek Revival style c.1880 by Jules Revillon, it is a five bay structure with a center entrance. It has a full front gallery featuring Doric posts with ogee molded capitals and a nearly full entablature.
|
|
The east wall of the south aisle also has a crocketed parapet, and corner pinnacles. The west window of the aisle has three lights, and there are two three-light windows and one four-light window in the south wall. The south porch is gabled and contains benches along the sides. The door leading into the church has an ogee head and a round rear arch.
|
|
The second level triptych, showing scenes from the life of Christ, with the inscription from the crucifixion triptych above The panels on the upper triptych are bridged by ogee (s-shaped) arches.Braimbridge, Mark. "The Waddesdon Bequest at the British Museum Part 2". European Boxwood & Topiary Society, 2013. Reprinted from Topiarius volume 14, Summer 2010 pp. 15–17, and Topiarius volume 15, 2011 pp. 20–23.
|
|
The Great Hall (1889) with Jane Benham Hay's 'The Florentine Procession' on display. The College croquet lawn in Summer. The original Victorian Cavendish College buildings were constructed in 1876 in the Gothic Revival style, using a combination of red Suffolk brick and Bath stone dressings. One of the most notable features is an oak doorway with an ogee arch flanked above by ornamental grotesques.
|
|
Old Brick House is a historic home located at Elizabeth City, Pasquotank County, North Carolina. It was built about 1750, and is a 1 1/2-story frame dwelling with brick gable ends. It sits on a raised brick basement, has a gable roof with dormers, and two interior end chimneys with molded caps. The interior features a richly carved mantel with an elaborate broken ogee pediment.
|
|
It is erected in the south chancel aisle and comprises a tomb-chest in an ogee recess with quatrefoil decoration. The candelabra in brass was installed in 1701. In 1824 the outer north aisle was added. This north aisle was modified in 1869 by Sir Gilbert Scott who added additional seating which allowed for the removal of the western galleries and the galleries in the rood loft.
|
|
The school was built in 1869, with its entrance in Mount Street. It is constructed in red sandstone with a slate roof. The school is in two storeys and has a nine-bay front, the central bay projecting forward under a gable. The windows in the ground floor have three lights under ogee heads; those in the upper floor have two lights under cusped heads.
|
|
In 1849 Joseph Bazalgette proposed a sewerage system for London, that prevented run-off being channelled into the Thames. By the 1870s all houses were constructed with cast iron gutters and down pipes. The Victorian gutter was an ogee, 115 mm in width, that was fitted directly to the fascia boards eliminating the need for brackets. Square and half-round profiles were also available.
|
|
The Schuyler County Courthouse Complex is a historic courthouse complex located on North Frankln Street between 9th and 10th Streets in Watkins Glen in Schuyler County, New York. It consists of a three building government complex. The courthouse, built in 1855, is a two-story, rectangular brick building on a stone foundation. It features an inseted square tower with an ogee roof and weather vane.
|
|
In the lower stage is a lancet window on the west side. The upper stage contains single-light bell openings with ogee heads on each side. There are three-light windows in the north wall of the nave and at the east end, and two similar windows on the south wall of the nave. The doorway is on the south side, and has a pointed head.
|
|
The font and cover The single stemmed Decorated style octagonal font has each wave of a frieze filled with an ogee trefoil and with battlements above. Suspended by a rope from the roof above is a tall and highly ornate font cover in Perpendicular Gothic style with carved figures, some original, in niches between diagonal pierced vanes with rich crocheting topped by a spire and winged angel.
|
|
Holgate Mill is a five-storey tower mill including ground storey. The storeys are: meal floor, stones floor, bin floor, dust floor, and cap. The mill originally had a black ogee cap, since 1939 a white cap which was winded by a fantail. There were five Double Patent sails carried on a cast iron windshaft and mounted on a cross in the Lincolnshire style (Lincolnshire cross).
|
|
The doorway has a tympanum formed of square stones set diamondwise. The early 14th-century lectern at the east end of the nave is a rare example of its kind. It is of oak, carved in the front with five trefoiled arches, at one side with a trefoiled ogee-headed opening and on the other with oak leaves. The desk has a design of foliage.
|
|
Also original are the communion table, with doves carved on the legs, the communion rail, and the churchwardens' pews with iron hat stands. The font was made by the church's mason, Christopher Kempster, and has an ogee cover. The joiners for the original furnishings were Fuller and Cleer, and the carver William Newman.A. Saunders, The Art and Architecture of London (Phaidon 1988), p. 51.
|
|
The present owner of the Windmill has turned it into a private residence The windmill was built in 1821 and is of a brick construction and the outside was tarred. The mill stands over 5 storeys with a gallery stage on the second floor. The cap was of constructed of ogee planking and had a 6 bladed fan. The mill once had two pairs of patent sails.
|
|
A decorative frieze of serpentine foliage is set at the top. Above the reredos is the Perpendicular-style three-light east window with 19th-century stained glass. The north chapel contains a parish chest of wood held with metal straps, in the east wall a piscina with moulded and pointed surround, and against the north wall the church organ. The south chapel piscina is ogee-headed.
|
|
The east façade has a central projection in the centre rising a storey above the parapet, to form a tower.Pevsner, p.472 The tower's south angle is splayed to accommodate the main staircase and only the corbels of its parapet survive. The screen closing off the east entrance has a three-bay cusped arcade on the ground floor and three ogee arches on the shafts above.
|
|
Rood Screen of five lights survives, without cresting, but with five different ogee tracery heads robustly carved in oak. Crossley observed that the semicircular heads and boarding at the base are characteristic of the Dee valley screens and resemble the screen at Pennant Melangell.Crossley, F H & Ridgway, M H, 1947. Screens, lofts and stalls situated in Wales and Monmouthshire, Part V, Archaeologia Cambrensis 99, 221.
|
|
In the center of the front (south) facade is a recessed porch that serves as the main entrance. On its west side is a bay window with 36 separate panes of glass. The porch is screened by four fluted Corinthian columns. Above them the second story has a Gothic railing with four square latticework piers supporting the three ogee arches that shelter a small recessed balcony.
|
|
Pevsner, p. 144 The Dutch gables have ogee sides and semi-circular pediments. The writer Simon Jenkins said that the quadrangle has "the familiar Oxford Tudor windows and decorative Dutch gables, crowding the skyline like Welsh dragons' teeth and lightened by exuberant flower boxes". The Fellows' Library contains bookcases decorated with strapwork dating from about 1628, which were used in an earlier library in the college.
|
|
The font is Norman, and the pews 18th century. A tomb to Sir Edmund de Mauley lies in the south aisle; [de Mauley, Steward to Edward II, died at the Battle of Bannockburn in 1314]. The tomb has an ogee canopy, crocketed gable and flying angels holding the soul of Sir Edmund in a napkin. There is also a brass to Roger Godeale, died 1429.
|
|
The title of the book refers to the Line of Beauty — the double "S" of the ogee shape, a shape which "swings both ways". William Hogarth, in his 1753 book The Analysis of Beauty, describes how beauty itself is embodied in the shape,Bloomsbury Publishing, paperback edition, 176 which protagonist Nick Guest uses to describe Wani's body. In contrast, other characters describe lines of cocaine as "beautiful".
|
|
The garden is characterised by a herb potager, box- edged rose garden, and herbaceous borders. Other features of the English- inspired landscaping include a Red Garden (formerly white), ogee gazebo, pond, bridge, statues, stone and metal sculpture, and an Oamaru stonewall. The central lawn fronts the house's main façade, which has arched colonial verandas. A stream flows from the garden down to the harbour.
|
|
Inside the church the four-bay north arcade dates from the 15th century. It is carried on octagonal piers, and has 19th-century carved human heads. In the wall of the north aisle is a 14th-century pillar piscina with a crocketted ogee head surmounted by a finial. The plain octagonal font also dates from the 14th century, and the tower screen is from the 15th century.
|
|
Still surviving is the home he had built for him nearby in 1809. It is executed in the style of cottage orné and named The Hermitage (Grade II). Nikolaus Pevsner described it thus: "a peach of an early c19 Gothic thatched cottage with two pointed windows, a quatrefoil, and an ogee arched door, all on a minute scale. Inside, an octagonal hall and reception room".
|
|
Pugin's rood screen was moved to the west end in 1895-6. It is in Caen stone, painted brown, and has a wide central ogee arch flanked by three similar but smaller arches on each side. The painted rood figures, representing the Crucifixion, and also by Pugin, hang on the chancel arch. Pugin's altar has been moved into the Sacred Heart chapel, and has been altered.
|
|
The landing and stairwell retain an original double-hung window (without glazing bars) the original skirtings and cornice, and the cedar balustrade to the staircase. The ceiling has been replaced with sheet material. The toilets are modern and have been formed from a former box room and linen press. The locker room (maid's room) retains its original double-hung window with six-pane sashes and ogee architrave.
|
|
There are round-headed windows in the bottom stage on the west side, and in the middle stage on the south. The top stage contains two-light louvred bell openings with ogee heads and quatrefoils on each side. The north wall of the nave is rendered and contains a blocked doorway. In the north wall of the chancel is a 13th-century lancet window.
|
|
Johnson County Courthouse is a historic courthouse located at Warrensburg, Johnson County, Missouri. It was built between 1896 and 1898, and is a 2 1/2-story, Romanesque Revival style sandstone building. It has a cross-gabled building with a square tower rising from a central base. The building features the central tower's octagonal, ogee-shaped dome, plus four corner towers or pavilions with domes and finials.
|
|
J. W. Penycate 1976 one of the finest sets of almshouses in the country. It is sited at the top end of the High Street, opposite Holy Trinity church. The brick-built, three-storey entrance tower faces the church; a grand stone archway leads into the courtyard. On each corner of the tower there is an octagonal turret rising an extra floor, with lead ogee domes.
|
|
The octagonal font dates form the 13th century; it is plain and has a damaged Jacobean cover. In the chancel is a piscina with an ogee head, and a blocked south window. The church contains a memorial to the local poet Robert Bloomfield, and the royal arms of George II. The four bells have been dismounted; three of them are dated 1591, 1608 and 1730 respectively.
|
|
The windows are single-or double-hung sash units topped by ogee pediments and enclosed in square frames. The front entry doors are in round-head openings, woth the other doors in square-head openings. A front fporch runs across the full width of the house, and has chamfered posts and ornamented balusters. Three additional small entry porches are located on different sides of the house.
|
|
It is sheathed in unpainted weatherboards with five to five and a half inch exposure. The gable roof is covered with round-butt wood shingles with box cornice and crown moulding at the eaves and simple rake with ogee moulding at the gable ends. The first floor windows are 6/6 double hung sashes without shutters. A similar 6/9 double hung sash window is on the principal floor.
|
|
Joseph P. Winston House, also known as the Winston House, is a historic residence in Richmond, Virginia. It was built in 1873-1874 for wholesale grocer Joseph P. Winston, and is a 2 1/2-story, three bay, brick residence. It features a half-story, ogee-curved mansard roof with black slate shingles. It also has an elaborate cast-iron front porch and original cast-iron picket fence with gate.
|
|
The interior consists of a long nave flanked by tall aisles and arched stone columns. On the north wall is a stone tabernacle topped with a Gothic ogee arch, designed by David Bryce. There are marble monuments by Scottish sculptors Sir John Steell and David Watson Stevenson. In 1891-2, the east end of the church was extended by Peddie and Kinnear, turning the original chancel into a choir.
|
|
In 1899 a clock was added to the top of the gateway to celebrate the diamond jubilee of Queen Victoria two years earlier. It is carried on openwork iron pylons, has a clock face on all four sides, and a copper ogee cupola. The clock was designed by the Chester architect John Douglas. The whole structure, gateway and clock, was designated as a Grade I listed building on 28 July 1955.
|
|
1350, and of the three cinquefoiled ogee lights with leaf tracery in a two-centred head; the internal and external labels are chamfered. In the north wall is a Victorian doorway, and further west a two-centred arch of c. 1450 and two hollow chamfered orders; the responds are moulded and shafted, with moulded bases and capitals. In the south wall are two windows; the eastern is of c.
|
|
The present Bignell House may date from 1892, which is the date on a copper ogee dome on a turret on one corner of the building. In 1854 Lady Jersey had a school built for the parish. In 1933 it was reorganised as a junior school, since which time secondary school pupils from Chesterton have attended school in Bicester. The school is now a Church of England primary school.
|
|
St Saviour's, Retford St Saviour's is a Grade II listed church in Retford which is located on the top of Moorgate Hill. It was designed by the Lincoln architect Edward James Willson, FSA and was completed in 1829. It was the first major project by Willson and cost £4,000. At the West End of the building are a pair of octagonal towers which have ogee shaped, lead covered, caps.
|
|
Ivan Lake is also within the WMA and was formed after the completion of a 1,300 ft Ogee spillway across Caney Creek in 1958. The impoundment created a lake providing 55 square miles of area (35,200 acres) watershed.WLF: Lake Ivan- Retrieved 2018-05-16 The dam required repairs and the lake suffered from hydrilla infestation and eutrophication so was drained in 2004. The lake was refilled in 2012 and restocked.
|
|
It was cased in stone between 1320 and 1340 to prevent deforming of the base crucks under shear stress. The hall has two equal bays and the four two- light windows have been replaced in the twentieth century by three-light Perpendicular windows. The stonework of the northeastern doorway was largely renewed in the nineteenth century. It has wave-moulded jambs, voussoirs and an ogee-scroll hood mould.
|
|
Placing an ovolo directly above a cavetto forms a smooth s-shaped curve with vertical ends that is called an ogee or cyma reversa molding. Its shadow appears as a band light at the top and bottom but dark in the interior. Similarly, a cavetto above an ovolo forms an s with horizontal ends, called a cyma or cyma recta. Its shadow shows two dark bands with a light interior.
|
|
St Mary's is constructed in rubble and sandstone ashlar, with a lead roof. Its plan consists of a three-bay nave with a two-storey south porch, a three-bay chancel with a northeast vestry, and a west tower. The tower is in Perpendicular style. It has a two-light, ogee-arched bell opening on each side, an embattled parapet with pinnacles, and a stair turret on the southeast corner.
|
|
Time has not been kind to some of Bury's work. His Nelson Provincial Government Building was an ambitious structure for New Zealand in the 1850s. It was in the Jacobean style with an E-shaped plan like Aston Hall. It had ogee-roofed towers, bays and prominent nipped and curving gables and was made of wood decorated to resemble stone and was thus unusual as well as striking.
|
|
The south-west window has two complete apostles, one in green and yellow and the other in brown and lilac. The plain sedilia and piscina niche have ogee arches. In the southeast corner is a vestry with a Y-tracery window. Against the south wall is the tomb-chest of Dame Anne Browne (died 1623) with a black marble lid and an inscription in black lettering on the wall.
|
|
The lintels have an unusual ogee curve on their lower edge. All upper-story windows are one-over-one sash with stained glass border panes in the upper section. The fourth story's round-arched windows have an otherwise similar treatment with some differences in detailing. The panels below are more detailed than their third story counterparts, with a spiral foliate decoration at the center and owls at the sides.
|
|
The arcade between the nave and the north aisle has three bays with octagonal piers. The two bays to the east have late-12th-century rounded arches, and the west bay has a pointed arch, probably dating from the 13th century. The chancel arch is pointed and dates from the 19th century. In the chancel are a 14th-century piscina with two ogee arches, four brackets for statues, and an aumbry.
|
|
Candara’s verticals show both entasis and ekstasis on opposite sides of stems, high-branching arcades in the lowercase, large apertures in all open forms, and unique ogee curves on diagonals. Its italic includes many calligraphic and serif font influences, which are common in modern sans-serif typefaces. Calibri and Corbel, from the same family, have similar designs and spacing. The family supports most of the WGL4 character set.
|
|
The Afternoon Meal (in Spanish, La Merienda) is a mid-eighteenth-century still life painting by Spanish painter Luis Egidio Meléndez (1716–1780). It was created around 1772. Done in oil on canvas, the painting depicts an assortment of fruits and bread set before a stark background. The painting is a straight- sided ogee frame with sculpted Rococo corners and shallow-relief details, collected by the Metropolitan Museum of Art.
|
|
The purpose of the dam is to provide a reliable source of drinking water to 22 villages in the Tswapong area, and to provide irrigation water for a horticulture operation near Maunatlala. The dam is an earth fill embankment high and long, with an ungated long ogee crest spillway. The reservoir has active storage capacity. The dam was built by Sinohydro Corporation at a cost of about US$100.7 million.
|
|
In the north aisle scenes include that of St Anne teaching the Virgin. Another image refers to the Seven Deadly Sins and a 'Warning to Swearers', in the centre of which is a Pietà, with "devils and elegantly dressed youths" (Pevsner). A Tree of Jesse within an ogee pattern is depicted on the south aisle wall.Platts, Graham (1985); Land and People in Medieval Lincolnshire (History of Lincolnshire, volume 4), p.
|
|
On one of the walls of the building there is an inscribed panel bearing the town's Latin motto Arx celebris fontibus which can translate as "A citadel noted for its springs". The octagonal ogee dome is covered with copper tiles which replaced the original lead roof. In the centre of the roof there is an architectural feature known as a lantern which lets light down into the building.
|
|
Indian Islamic Arches as seen in the Buland Darvaza in Fatehpur Sikri built in the 16th Century Islamic arches, similar to columns, followed a style similar to Roman architecture. Arches became quite prominent to Islamic architecture during the 8th-10th centuries. There are three distinct shapes of Islamic arches which include horseshoe, keel, and polylobuled. However, in India, Islamic arches take shape after being pointed, lobed, or ogee.
|
|
The sandstone blocks used in the construction of Pringle Cottage are generally coursed rubble, with picked faces. The cottage sits on a plinth of margined rock faced sandstone. The eastern facade of the cottage, which faces Dragon Street, is dominated by the ogee or double curved corrugated iron verandah, supported on chamfered timber posts. The returns of the verandah, above the line of the posts are infilled with timber lattice panels.
|
|
Da Storm is the first studio album by American hip hop trio Originoo Gunn Clappaz. It was released on October 29, 1996 through Duck Down/Priority Records. Recording sessions took place at Chung King Studios, at D&D; Studios, at Platinum Island Studios and at Unique Studios in New York, and at WPGC FM in Washington. Production was handled by Da Beatminerz, DJ Ogee, E-Swift, Shaleek and Steele.
|
|
The maximum water depth is and at 100% capacity the dam wall impounds enough water from the Barron River to create a lake approximately 75% the size of Sydney Harbour with a capacity of of water at . The surface area of the Lake Tinaroo is and the catchment area is . The ungated, central ogee spillway is capable of discharging . Two radial gates serve as irrigation outlets that yield a annually.
|
|
A chute spillway is a common and basic design that transfers excess water from behind the dam down a smooth decline into the river below. These are usually designed following an ogee curve. Most often, they are lined on the bottom and sides with concrete to protect the dam and topography. They may have a controlling device and some are thinner and multiply-lined if space and funding are tight.
|
|
Other spillway types include an ogee crest, which over-tops a dam, a side channel that wraps around the topography of a dam, and a labyrinth, which uses a zig-zag design to increase the sill length for a thinner design and increased discharge. Also, a drop inlet, which resembles an intake for a hydroelectric power plant, transfers water from behind the dam directly through tunnels to the river downstream.
|
|
He also widened the wings, and built new stables and service courts to the north and south, creating a symmetrical structure. The main part of the house was recessed and, together with the wings, a large forecourt was created. The front of the house itself was refronted in Jacobean style. Mullioned windows replaced sash windows, and a ground floor loggia, and turrets with ogee caps and shaped gables were added.
|
|
The two shop fronts have face brick with aluminium framed glazing, with a recessed entry to the west tenancy and central corridor. An aluminium awning is slung from the facade replacing an earlier ogee awning on timber posts. Internally, the building has a central corridor with office space to the west, with a hairdresser behind, and a coffee shop to the east. Walls are rendered masonry or partition.
|
|
Between 1696 to 1698, John Keith, 1st Earl of Kintore added wings and distinctive ogee capped towers to create a small mansion. Later, plans for alterations were prepared by William Adam but were not executed. In 1788, John Paterson made repairs to the structure for the 5th Earl of Kintore. Between 1806 and 1812, architect John Smith designed alterations for the residence for the 6th Earl of Kintore.
|
|
The 2½-story frame Queen Anne features an irregular plan, a brick-faced limestone foundation, and an octagonal tower with an ogee shaped roof. The circular window on the second story projection is framed with three balconies, one above and one on either side. The wrap-around porch has a projecting gable roof supported by turned columns. A two-story bay window is located on the east elevation.
|
|
The hillfort and chapel were designated as a scheduled ancient monument in 1925. Chisbury Manor farmhouse, also within the hillfort site, is a two-storey brick building from the mid 18th century. Knowle Farm, about northwest of Chisbury, has a 14th-century chapel which is now an outbuilding of the farmhouse. A blocked ogee-headed north window and the surround of the east window are the only surviving features.
|
|
The main entrance is at the center, flanked by sidelight windows and topped by an entablature and granite lintel. Windows are set in rectangular openings, with granite sills, and granite lintels on the first floor windows. The street-facing east facade has a pedimented brick gable with a deep recess at the center and ogee crown moulding along the rake edge. The house was built by Charles Graham about 1836.
|
|
The original plaster walls and double-hung window are in-situ, the last with its ogee architrave. The Post Master's office is divided from the retail space by a modern plasterboard partition. Original details which have been retained include the double hung window. To the first floor, the original rooms retain plaster walls, skirtings, cornices, fire surrounds, walls vents and window and French doors, albeit with some partitions.
|
|
Inside the church is a four-bay arcade with pointed arches supported by octagonal columns without bases or capitals. There is an ogee-headed piscina in the south chancel wall, and a simple piscina in the wall of the south aisle. The church is floored with Victorian encaustic tiles. In the windows of the south aisle are small shields in painted glass dating possibly from the medieval period.
|
|
These motifs are also found on sculptures and shell engravings from the Spiro site, such as the ogee headdress-wearing "Resting Warrior or Big Boy statue". The ogee is usually associated with underworld figures. The figure also appears to be wearing a long-nosed god maskette (an object thought to be associated with ritual adoption and also worn as ear-rings by the Resting Warrior) and clothing which are all motifs associated with the falcon dancer/warrior/chunkey player including the columnella pendant, large shell beads, bellows apron (scalp motif), and the long-waist sash. This plate was one of 14 recovered from the mound, along with 11 copper axes, many copper headdress ornaments, a few polished-stone celts, marine-shell drinking cups of the type historically used for the black drink ritual, and pottery vessels and a few non-local materials such as mica, graphite pigment, red ocher and stone discoidals.
|
|
The Applegate Drugstore is a historic commercial building at 116 South First Street in Rogers, Arkansas. It is a two-story masonry building, with brick sidewalls and a limestone facade. Pilasters of alternating rough and smooth stone delineate the first floor elements of the storefront, rising to a freeze and dentillated ogee course between the floors. The second floor has two large bays, each with a pair of sash windows, delineated by Corinthian pilasters.
|
|
All windows on the façade have recessed lintels filled with stucco. A denticulated cornice with ogee modillions is repeated on the rear of the house, an unusual feature for an early 19th-century country house. The main portion of the house has two rooms on either side of a central hall on both floors. The house originally had a detached kitchen; it was rebuilt in 1873 to be closer to the house and later joined.
|
|
At the rear of the building, there is a 3-storey 3-bay pent-roofed extension which houses a square clock tower. The tower itself is crowned with an ogee roofed open cupola and timber columns. The schoolroom block of the main building is 2 storeys tall and has a 3 bay front. The windows are once again 12 pane sashes with differences in size and moulding between the first and second floors.
|
|
The hipped roof is clad with corrugated iron and has two roof ventilators on the ridge and new ogee gutters and acroteria. The main entry is a through a porch with a curved corrugated iron roof on the verandah facing Brown Street. There are also stairs at the centre of the rear verandah, and at the southern corner. At the centre of each end is a pair of French doors into the hall.
|
|
Beneath and attached to the ogee head are three grotesque bosses—a probable fourth is missing—as stops to the foiled moulding. The nave south wall is surmounted by a plain parapet holding projecting gargoyles. It contains two windows, each of four lights—one Decorated, the other with Perpendicular tracery—and both with hood moulds. Two small 15th-century windows sit beneath the easterly window, one of two lights, the other single.
|
|
The brick extension at the rear housed a couple of showers and a sunken team bath. This bath had originally been tiled but over the years the tiles had broken and been removed leaving a rough concrete surface. For some obscure design reason there was an open roofed area which housed a unique urinal, composed of a length of ogee guttering with a household tap at one end. It was primitive but it worked.
|
|
The station was opened in 1912 by the Pennsylvania Railroad as part of a project to elevate the right-of-way as it passed through Greensburg. William Holmes Cookman served as architect. The depot is constructed of red brick laid in a Flemish bond pattern with stone trim and quoins on the building's corners; the overall architectural style is Jacobean Revival. A tall square clock tower is topped by a copper ogee dome with finial.
|
|
Two ogee-headed windows dating from about 1330, and representing "a further advance in design" on the slightly earlier windows of the Lady chapel, are in the wall of the south aisle. The "heavy, low" two- stage tower, again built of sandstone rubble, is supported by four-stage diagonal buttresses. It is topped with ashlar; the shingled broach spire sits on this. There are some small 15th- and 16th-century windows of various styles.
|
|
It now features a projecting gable roofed room on the eastern side, a classically detailed entry porch in the centre and an attached rotunda with an ogee profiled cupola on the south west corner. These picturesquely arranged elements are connected by an open verandah. Verandahs on the west and north are enclosed. The interior of the house is intact with the exception of the reception rooms and hall which have been remodelled.
|
|
Still surviving is the home he had built in 1809 which lies 500 ft west of the church along Church Road. It is executed in the style of cottage orné and named The Hermitage (Grade II). Nikolaus Pevsner described it thus: “a peach of an early c19 Gothic thatched cottage with two pointed windows, a quatrefoil, and an ogee arched door, all on a minute scale. Inside, an octagonal hall and reception room”.
|
|
The dam project was assigned to Knight Piésold by the Botswana Department of Water Affairs. Knight Piésold undertook the Feasibility study in 1996–97, assisted in the tender process, prepared the detailed design and supervised construction between 2004 and 2009. The dam is a roller- compacted concrete dam high, with a central ogee spillway. PPC Cement of South Africa, which has a blending and packing plant in Gaborone, supplied the cement for the project.
|
|
The tower has diagonal corner buttresses, and is divided into three stages by string courses. There is a three-light window in each of the outer faces in the bottom stage, and also in all the faces of the middle stage. In the top stage are two-light bell openings on each side, flanked by niches. Above all these windows and bell openings are crocketed ogee gablets flanked by pinnacles; they all contain Perpendicular tracery.
|
|
On the summit of the truncated spire is a lead ogee cap with ball finial. On the south side of the tower, between the bottom and middle stages is a clock carried on a bracket. The two-storey south porch is gabled and has an arched entrance containing iron gates. Inside the porch is a 12th-century arched doorway over which is a tympanum containing a carving depicting the Agnus Dei and foliage.
|
|
The present 13th-century font has an octagonal limestone marble bowl with two pointed arched panels in each face. The font's base has a cylindrical central pier with 19th-century peripheral shafts. The font's sub-base possibly incorporates the bowl of the earlier font which may well have been in use in the earliest church on this site. The restored octagonal ogee font cover with crocketed ribs and finial is probably 16th-century.
|
|
The windows on the first floor have stylized ogee-arched tops. The sidewalls are predominantly painted brick and abut the walls of the neighbouring buildings, a two-storey former bank built in the mid twentieth century to the northwest and a modest single storey commercial building and timber sheds on the southeast. The northwest sidewall is notable for a painted Moreton Rubber sign, a local landmark. Most of the shopfronts have been rebuilt over time.
|
|
The upper floors contain guest rooms. Both street frontages are fenced with a low rendered masonry retaining wall with square piers and cast iron balustrade infill. The Alice Street main entrance features an ogee shaped cast iron arch with a central light fitting and swing gates. A section of the George Street carpark is bounded by a wire fence and a large fig tree is located in the Alice and George Street corner garden.
|
|
Profiles made in wood by several common router bits. Two typical router bits: (top) a ¼-inch shaft Roman Ogee with bearing, (bottom) 1/4-inch shaft dovetail bit. Router bits come in sixteen thousand of varieties model to create either decorative effects or joinery aids. Generally, they are classified as either high-speed steel (HSS) or carbide-tipped, however some recent innovations such as solid carbide bits provide even more variety for specialized tasks.
|
|
On the facade, the columns are complemented by two fluted Corinthian pilasters. Between them is the main entrance, a leaded half- glass door with quarter pilasters and sidelights topped by an elliptical transom above a small cornice of ogee and drillwork molding with a volute keystone. The stained glass in the transom is supported by Adamesque cames with haunched panels above. Atop this whole entrance is a balcony with a balustrade similar to the others.
|
|
The mill tower The seven-stage mill tower is constructed in gault brick and has Yorkshire sash windows with segmental heads on each level. It is topped with an ogee cap made of white painted timber and canvas and has five sails and a fan tail. At the third floor level is a wooden cantilevered balcony on timber brackets. The mill is accessed by a pair of planked doors up three stone steps.
|
|
The chancel contains a trefoil headed piscina. A more recent feature for such an ancient church is the Victorian stone pulpit with ogee-panelled sides which, in Nairn’s opinion, fits in perfectly. In 1628 a bell was cast for the church by bell founders Thomas Wakefield and Bryan Eldridge. There were also two other bells, one dated 1620 and one unmarked, but all three have been taken down because of weakness in the bell tower.
|
|
Shortly after, the press (who have been camped outside the Feddens' home), publish a story on Wani and Nick, causing greater scandal. The Feddens use Nick as a scapegoat for their own grossly irresponsible lifestyle. As a result Nick moves out after Gerald accuses him of attaching himself to the family and then wrecking them because of his homosexuality. Nick goes to live with Wani and views the first and final issue of Ogee.
|
|
The Bandstand is an ornamental pavilion in Queen's Park, Maryborough which was originally constructed as shade over the Melville Memorial Fountain. The pavilion comprises a cast iron ogee curved shade supported on cast iron columns bedded in a concrete plinth. The Melville Fountain is located in near the south-eastern corner of Queen's Park. It is cast iron and form the centre of a large basin a column rises with griffin heads around the cap.
|
|
Later, she did the voices of Maw Rugg and her daughter Floral Rugg on a rural cartoon, The Hillbilly Bears and Winsome Witch; both shows were part of The Atom Ant/Secret Squirrel Show (1965–1967). Jean Vander Pyl was also the voice of Little Ogee on The Magilla Gorilla Show. In 1969, Vander Pyl guest starred on the Scooby- Doo, Where Are You! episode "Foul Play in Funland", playing Sarah Jenkins.
|
|
The former Greene County Courthouse is located at Courthouse Square in the center of Paragould, the county seat of Greene County, Arkansas. It is a large two-story Georgian Revival structure, built out of red brick. It has a low- pitch hip roof with small gables at three corners, as well as above the entrances. The roof is topped by a square tower with a clock and belfry, topped by an ogee roof and spire.
|
|
The ground floor verandah frieze is of plain timber slats with feature fretwork slats, below which are diagonally cut timber panels. One bay of the ground floor verandah space has been infilled with rendered and scribed brickwork. The verandah to the upper floor has an ogee curved profile awning, balustrading of similar detail to the frieze below, and slatted timber brackets and frieze. A rudimentary rear verandah is accessed by a straight timber stair.
|
|
The main two-storey building, with attics, has a frontage in an "E" shape which is long. The roofs are covered in slate and have ogee- shaped gables and finials, with stone chimney stacks. The stone chapel, which is joined to the main building by a covered walkway, is supported by two-stage buttresses and has a spire on the crossing tower. There is also a lodge at the entrance to the site.
|
|
It has a heavily moulded ogee-arched and tall finialed surround. There is a large oculus in the side elevation and north pointed doorway. The second stage of the tower has pointed Y-traceried windows with sill string and an oculus above. The belfry stage has similar windows with louvred openings and above is a panelled frieze and embattled parapet with crocketted corner pinnacles which was restored in the mid-20th century.
|
|
The present building was erected c.1874 near the site of the old manor house. It was designed in a neo-Jacobean style by the architect Walter F K Ryan and it built in red brick with Bath stone dressings. Architectural features include a half-timbered jettied top floor; tall decorated brick chimney pots; a square tower with an ogee-shaped lead roof; ornamental herringbone brickwork, carved Jacobean-style Ionic pilasters and stucco panels.
|
|
An ogive or ogival arch is a pointed, "Gothic" arch, drawn with compasses as outlined above, or with arcs of an ellipse as described. A very narrow, steeply pointed ogive arch is sometimes called a "lancet arch". The most common form is an equilateral arch, where the radius is the same as the width. In the later Flamboyant Gothic style, an "ogee arch", an arch with a pointed head, like S-shaped curves, became prevalent.
|
|
Internal doors are 4 panelled with panels at matching levels in the reveals. The doors to the rear verandah are 6 panelled flush beaded type. Windows are generally 12 pane double hung type but panelled inside to the floor. There are french doors to the side verandahs which have wide architraves reaching to the picture rail line the space below to the head being infilled by a cedar board of ogee pattern.
|
|
The North and South walls of the nave have, in each wall, one window of three cinquefoil lights in ogee arches and square head. The clunch tracery and the mullion and architrave are of limestone, which may indicate they are part of an earlier restoration. The gabled, brick and rubblestone north porch is 19th century. The chancel has in the north wall two windows, each of two cinquefoil lights in four centred arch.
|
|
The main entrance, at the north end of the main block's east face, is a 2½-inch-thick () recessed panel wooden door with a ceramic knob. It is flanked by sidelights and pilasters, with a transom atop. It opens into a foyer floored in random-width red pine with beveled-edge baseboard topped by a curved molding on the walls. The doors from it have wide wooden trim and an ogee-topped architrave.
|
|
The same windows illuminate the chapterhouse from the eastern side. Presbytery is separated from the nave by triumph Gothic arch which is composed of ogee moulded profile and flute profile which is connected to round vaulting shaft of the nave. There could still be found late Gothic scenes from life of St. Barbara from after 1460 on the walls and on the vaulting serveries. The chapel and the presbytery are illuminated by two-part Gothic windows.
|
|
The Perpendicular east window is large, with six lights, almost filling the east wall of the chancel. There are gables at the east and west ends of both aisles, which contain three-light Perpendicular windows. In the north aisle are three-light Perpendicular windows, an ogee-arched crocketted doorway, a pierced parapet, and crocketted finials. The chapel projects from the south side of the church, with diagonal buttresses, a pierced parapet, and a five-light transomed south window.
|
|
The chancel is in decorated style. It has four windows, its east window having three lights and reticulated tracery, plus an ogee-headed priest's doorway on the south side. One of the chancel's stained glass windows is from Knaresborough Priory.Mentioned in William Grainge, Harrogate and the Forest of Knaresborough, 1871 It is a small window in the point of an arch, showing a coat of arms with two oaks above a red and blue Trinitarian cross.
|
|
Map of the Merced River watershed, including location of Lake McClure New Exchequer Dam stands high from the foundations and above the Merced River. The dam is long, wide at the crest, wide at the base and is composed of of fill. High water releases are controlled by an ogee-type, gated overflow spillway located about north of the dam. The dam's power station has a capacity of 94.5 megawatts and generates about 316 million kilowatt hours annually.
|
|
Left bay in 19th-century brick now painted black and white in imitation of timber frame. The Lack, Brompton/Churchstoke The windows are late 19th century casements; first-floor window of right gable end has a moulded wooden cill of an earlier window. Brick addition has segmental- headed casement. The interior has been considerably altered in the early 20th century with new staircase and fireplaces but retains chamfered cross-beam ceiling with ogee stops to right ground-floor room.
|
|
The piers are composed of five columns each with circular rolled capitals. The arches are moulded and pointed, with the nave arch bordered by a hood mould with label stops. There are mason marks on both nave-side pillars. To the south of the west crossing arch at the east of the nave, above and behind the Sir Charles Hussey monument, is a blocked entrance for a previous rood screen loft, indicated by an ogee head moulding.
|
|
In the early 19th century an ogee-roofed belfry was built at the top of the stair tower, and a Venetian window inserted in the south façade. W. D. Simpson noted similarities between Abergeldie and the Castle of Balfluig at Alford, suggesting that they may have shared a designer. The estate grounds extend along Deeside, and consist of 11,700 acres planted with Scotch pine, larch, and birch, mixed in the private grounds with spruce, ash, plane, and sycamore.
|
|
The project was built from 1972 to 1998. It is a composite dam of masonry and earth-fill dams. The masonry dam of 58.6 m height with a spillway in the gorge section of the river of 350 m length; the spillway, with an ogee shape and a roller bucket for energy dissipation, is designed to rout a Probable Maximum Flood (PMF) discharge of 25,850 cumecs (cubic meters per second) controlled by 10 radial gates each of size .
|
|
Tower from the west The tower is of three stages. The lower stages might be part of an 11th- century previously unbuttressed tower, and contains at its west side an early 15th-century chamfered reveal window opening with pointed arch surrounded by a hood mould with label stops in human form. The inset Perpendicular window is of three lights of panel tracery below, and six above. The panels are headed with trefoils, the lower within ogee heads.
|
|
The chancel south arcade is 15th-century. Its piers are Perpendicular, with polygonal piers and capitals and chamfered arches. The furthest east south arcade contains within it a supplementary Decorative arch springing from the piers, this of ogee form with multi-rounded moulding, topped with a twin run of decorative battlements leading to a flat topped finial; this arch was rebuilt in the 19th century. At each side within the westernmost chancel bays are 19th-century wooden choir stalls.
|
|
Black Weir over in 2007. Black Weir, formerly Black School Weir, is the most upstream weir of those on Ross River. Built in the early 1930s, Black Weir is a hollow buttress weir with an ogee shaped face on the downstream side, a sloped face on the upstream face and stone pitched abutments. The weir's name is derived from the name of Black School which abutted Ross River near the location of weir when it was constructed.
|
|
Bulbous domes bulge out beyond their base diameters, offering a profile greater than a hemisphere. An onion dome is a greater than hemispherical dome with a pointed top in an ogee profile. They are found in the Near East, Middle East, Persia, and India and may not have had a single point of origin. Their appearance in northern Russian architecture predates the Tatar occupation of Russia and so is not easily explained as the result of that influence.
|
|
The two remaining pavilions flanked a large gatehouse; this long-demolished structure contained secondary lodgings. In turn, the entrance court and gatehouse were approached through a larger outer court. The courts were however not fortified, but bordered by ornate balustrading, which with the ogee roofs of the pavilions, which in reality were follies, were a purely ornamental and domestic acknowledgement of the fortified courts and approaches found in earlier medieval English manors and castles.Nicolson (1965), p. 78\.
|
|
Partially preserved are also polychrome (saturated red and blue colors) niches. The oratory has two groin vaults with ogee moulded vaulting ribs, yielded by brackets with once again vegetal patterns. The northern boss is speculated that to have been shaped like the sun, while the southern boss like a crowned face. It is also speculated that other chambers of the first floor served for private purposes, except for the unpreserved transverse hall located in the west wing.
|
|
Each house has two sash windows with glazing bars in a pointed-arched style in keeping with the Gothic Revival architecture of the houses. The two houses in the middle have just six windows between them, three on each storey, and also have a centrally placed ogee-headed entrance. Each house also has its own entrance set under a smaller pointed arch. The roof is of slate, and a chimneystack sits on top of each party wall.
|
|
The centre bay has an ogee- arched entrance and a commemorative inscription. The almshouses are simple, "plain" two-storey cottages of yellow stock brick laid in the Flemish bond pattern. The six original houses have an 11-bay range and feature castellation along the parapet. The later houses on the south and north sides were added in the same style, so the façade is now of 23 bays in a 4–2–3–5–2–4 pattern.
|
|
Striped ogee awnings across the footpath were supported by decorative posts with cast iron infill. Each shop had a separate roof, some lit by lanterns and the individual tenancies were also marked by the visual separation of the facades by the use of classic revival pediments, urns, and balustrades. Gorrie occupied one of his shops himself as a baker and confectioner. This shop was occupied by hairdresser and barber William Lloyd, whose premises had been destroyed in the fire.
|
|
Ca' d'Oro Venetian Gothic architecture found favor quite late, as a splendid flamboyant Gothic ("gotico fiorito") beginning with the southern façade of the Doge's Palace. The verticality and the illumination characterizing the Gothic style are found in the porticos and loggias of fondaco houses: columns get thinner, elongated arches are replaced by pointed or ogee or lobed ones. Porticos rise gently intertwining and drawing open marbles in quatrefoils or similar figures. Façades were plastered in brilliant colors.
|
|
Webster's remaining wing is in roughcast stone with ashlar dressings and a slate roof. Paley and Austin's west wing is in variegated red sandstone. Its entrance front faces the east has a porch placed asymmetrically, which is flanked by turrets with domes and pinnacles. Behind the porch is a tower with a copper- covered ogee-shaped cupola, and to the right of this is another tower, which is broad and square with a lead-covered pyramidal roof.
|
|
It is built as an embankment dam with a rock-fill concrete- face on the upstream side. The volumetric content of the dam structure is 7.5 million m³. The dam has a length of with a wide crest. The spillway, located on the left bank of the dam, is not gated and flood is routed over the crest of the ogee shaped spillway through a concrete lined chute with a flip bucket and a stilling basin at its terminus.
|
|
The Union Meetinghouse is one of the most prominent features of Ferrisburg's small town center, standing facing west at the northeast corner of US 7 and Middlebrook Road. It is a two-story brick building, with a gabled roof and limestone foundation. A two-stage belltower, a replica of the original (destroyed by fire in 1976) rises from the ridgeline, with a belfry featuring ogee-arched louvered openings. The brick of the walls is laid in American bond.
|
|
Exterior detailing includes the use of bricks of special profile to give an ogee to the lower course under a window or an elegant scotia to the lower edge of an abutment. The interior of the main spaces are formed by the iron framed sawtooth roofing, supported on four arcades of cast iron circular columns. The northernmost row has had most of the columns replaced with fabricated welded steel RSJ posts. The surrounding walls are painted brickwork.
|
|
Shenandoah County Courthouse is a historic courthouse building located at Woodstock, Shenandoah County, Virginia. It was built about 1790, as a single pile, two-story, seven bay, structure with a facade of rough-hewn coursed limestone ashlar. A projecting tetrastyle Tuscan portico was added in 1929 to the central three bays. Atop the gable roof is a handsome hexagonal cupola with ogee-shaped roof above the belfry and surmounted by a short spire topped by a ball finial.
|
|
The Hermitage is a cottage orné in Hanwell, London built by rector George Glasse in 1809 on the site of a previous house called the Elms. Nikolaus Pevsner described the house as "a peach of an early c19 Gothic thatched cottage with two pointed windows, a quatrefoil, and an ogee arched door, all on a minute scale. Inside, an octagonal hall and reception room." It is Grade II listed building on Historic England's National Heritage List.
|
|
There is no chancel arch, and the chancel is longer than the nave. The wall of the south aisle was rebuilt in about 1325–50, incorporating an ogee-arched tomb recess containing the effigy of a lady wearing a wimple. Two new windows were added to the church in the 14th century, and two more including the Perpendicular Gothic east window of the chancel in the 15th century. The church has a Perpendicular Gothic rood screen.
|
|
In the 16th century the west tower and nave clerestory were built. In the tower are three bells cast in 1666 by William I Eldridge, who had bell-foundries at Wokingham and Chertsey. Early in the 18th century the fourth stage of the tower was added. On the north side of the chancel are two vestries: the first added in 1705 and the second about 1730. Fittings include 15th-century choir stalls with cusped ogee arches and panelling in the spandrels said to have come from Winchester, a complete set of late medieval pews, restored, and very restored rood screen of circa 1500, fine Flemish altar rails with C-scroll carving on the newels, very deep rich carving depicting the 10 commandments and eagles in chancel of circa 1700, an early Georgian wooden pulpit with arcaded tracery and small narrow high window into the south-east angle between nave and chancel to provide light, an Octagonal stone font with elaborate quatrefoil pierced and crocketed font cover of ogee domed section above, on a square pier, a hatchment on North tower wall.
|
|
Copper Solar Ogee Deity plate found at Lake Jackson Mounds, Florida Although at the periphery of the Mississippian world, Florida has been the site of the discovery many S.E.C.C. associated copper artworks. Archaeologists believe that this is because of the busycon shell trade, the shells being a valuable ritual and high status trade good to Mississippian elites. It has even been proposed that the Fort Walton culture founders of the Lake Jackson Mounds Site moved east and founded the settlement in approximately 1100 CE to strategically position themselves in this trade network. Lake Jackson trade for copper pieces seems to have taken place almost exclusively with the Etowah polity of north central Georgia. When Mound 3 at the site was excavated it yielded fourteen copper plates, deposited in the burial mound sometime between 1300—1500 CE. The so-called "Copper Solar Ogee Deity," a high repoussé copper plate, depicts the profile of a dancing winged figure, wielding a ceremonial mace in its right hand and a severed head in the left.
|
|
The north wall contains a blocked 12th-century round-arched doorway and a blocked rectangular window. In the east wall is a four-light window with trefoil heads, and there is a similar two-light window in the south wall of the chancel. The south wall of the nave is supported by a brick buttress, to the left of which is a two-light window dating from the 14th century. The porch is gabled and has a 14th-century ogee-arched doorway.
|
|
He commemorated the completion of the work by having his initials and the year engraved on the base of the tower, which are still visible today. The tower's clock did not accompany it to Swanage and its four faces were replaced with circular windows. The spire was removed in 1904 for unknown reasons, possibly due to storm damage and possibly because the then owners - who were fervent Christians - found it sacrilegious. It was replaced by an ogee-shaped copper cupola.
|
|
The 27th floor contains terracotta ogee arches that project outward and act as a canopy. Above the 28th floor, the canopies are topped by a two-story-tall copper roof with complex tracery in the Gothic style. The 29th and 30th stories of the north and south wings are of similar depth to the six narrow bays on the Park Place and Barclay Street sides, but contain five bays. These wings are capped by a small tower with three bays.
|
|
The Castle is built from pre-cast black copper-slag blocks from Reeve's foundry at Crew's Hole. Designed in Gothic Revival style, the building is symmetrical in plan with crenellated circular towers at each corner that link two-storey blocks to form a square courtyard. The front and back blocks have larger crenellated entrance towers with moulded archways through. Above the front arch is a blank panel with ogee head and a two-centre arch on the second storey with perpendicular tracery.
|
|
At the base they are supported by double-angled buttresses on their corners topped with crocketed pinnacles three stories above. The first two stories have paired windows topped by a small quatrefoil under a pointed dripstone. At the third story this pattern changes to double windows under cusped arches topped by a crocketed ogee arch, above which is a line of plain corbels. The fourth story windows, surrounding the belfry, consist of three narrow louvered arches with a cusped dripstone and gable.
|
|
The porch has a pointed arch opening, with rosettes to reveals, and a decorative ogee arch surround with blind niches. On the east wall there is a carved stone Holy water stoup. On the west wall there is a Norman capital of a colonnette above which is a carved stone panel depicting the Agnus Dei thought to be the centre of a tympanum. Two Norman colonnettes, with Romanesque capitals are incorporated into the wall on each side of the doorway.
|
|
The nave and chancel have battlemented parapets and a pantiled roof built in 1781, supported by kingposts on arched ties, which solved earlier problems caused by the width of the nave. The nave has three large three-light windows on each side with Curvilinear tracery based on the petal motif. The west door is of Perpendicular style opening into the nave through a tall narrow tower arch. There are both north and south doors with porches, all having boldly cusped ogee arches.
|
|
The nave measures by , the aisles are wide, the chancel is by , and the south chapel measures by . The architectural style is mainly Perpendicular, and there are elements of Decorated style (in the tracery of the west window), and Art Nouveau style (above doorways and in the aisle windows). The west front is symmetrical with angle buttresses, and contains a tall six-light window. Above the window is a gable containing two ogee-headed niches and a small lancet window.
|
|
As Chicago Tribune architectural critic Paul Gapp wrote (Arts and Books, July 31, 1983), "The architectural style is an eclectic mélange of Italian, Spanish and Pardon-My-Fantasy put together with passion." The actual style is called atmospheric. The dark blue, cove-lit ceiling with "twinkling stars" and moving cloud formations suggests a night sky. The plaster ornamentation of the sidewalls, round towers, faux- marble loggia and ogee arched organ chambers are, by Hollywood standards, reminiscent of the walls surrounding an Italian courtyard.
|
|
Chancel altar chest tomb of unknown origin Within the chancel are two 15th-century stone chest tombs, one either side of the altar. The tomb at the north is panelled with quatrefoils enclosing plain shields; that at the south panelled with cusped ogee arches and plain shields. There are no inscriptions, and no information on their origin. Brasses on chancel burial slabs are to Oliver St John (d.1497), his wife Elizabeth (d.1503), and Elizabeth's former husband Henry Rochford (d.1470).
|
|
Orme (2008) is one of the few commentators who has attempted to decide the matter, and he selected the westernmost (left-hand) effigy, under the arched canopy, as representing Raleigh, thus assigning de Bohun to the easternmost effigy, under the ogee- shaped canopy. The cross-legged and "lively" form of these effigies, of which several exist elsewhere in England, most notably in the Temple Church in the City of London, are generally supposed to represent crusaders, possibly members of the Knights Templar order.
|
|
Tower House, "Brighton's finest example of a grand Edwardian house", is an "imposing and richly detailed" building which—despite being set back from the main London Road—forms a local landmark due to its tall corner tower with a large lead cupola. This has ogee curves and sits on top of an octagonal timber roof lantern. The house is constructed of red brick in the Edwardian/Queen Anne Revival style. It rises to 3–4 storeys and has a six-window range.
|
|
The church is constructed in brick, and faced with local grey-green ashlar stone; it has slate roofs. The "external stonework was intended to be left 'untooled' (rough)", because the architect "wished the church to appear as if it had sprung out of the soil, instead of being planted down on it". Its plan consists of a nave with north and south porches, and a chancel with north and south transepts. In the west end are two tiers of ogee-headed windows.
|
|
The chancel, nave and aisles were rebuilt (to the same dimensions as the original building) when English Gothic architecture was at its height, and the chamfered arches, octagonal pillars, chancel arch, blind arches and mouldings are considered good examples of their kind. The king post roof of the nave has also been praised. Interior fittings include a 14th-century Easter sepulchre with an ogee-arched roof, part of a sedilia, some Norman friezework, and a 12th-century square font in good condition.
|
|
Various additions were made to the structure in the 14th and 15th centuries, primarily to the walls and ogee windows. A scratch dial was added to the south-west buttress in the 14th century. The church features architecture by Edward Doran Webb and stained glass by Charles Eamer Kempe. The Forster Chapel, a lady chapel added to the south face in the 13th century, contains the alabaster effigial monument of Sir George Forster and his wife Elizabeth which was built in 1530.
|
|
Close up of sails Alford Windmill is a seven- storeyed Lincolnshire type tower windmill with a stage - featuring a slender, tapering brick tower, tarred to keep the moisture out, covered with a white onion-shaped (ogee) cap with fan-stage, huge fantail, and white sails. She has five patent-shutter sails and originally three, later on four, pairs of stones (two pairs of grey or peak stones (cut from rock found in the Peak District) and two French "quartzite" stones).
|
|
William Penn There is a rectangular 13th-century porch on either side of the nave. The north porch has an inner component dating from 1200, with black Purbeck Marble columns, and an outer hexagonal portion built in 1325 which is ogee-cusped with a Moorish appearance. The outer polygonal part of the north porch was built in the 14th century. It has crocketed gables to the buttresses and is richly decorated with pinnacles and a quatrefoil parapet above a lierne vault.
|
|
The stables were circular, 84 ft in diameter, with triangular merlons, ogee windows again, and with an external covered passage (with cast-iron stations) all round, where horses – even with carriages - could be exercised out of the rain. The loose-boxes were arranged radially, in a round-house. Today, only the mid-C19 brick farm buildings survive. The arrangement is a huge three-sided courtyard, entered between barns at the top; at the ends of the arms are two cottages.
|
|
The thickness of the buttress sidewalls ranges from at the base to at the crest. Inside of each buttress are thick transverse walls that act as "stiffeners". The buttresses were the widest of their type prior to 1938 and are designed to withstand . Overhead of dam complex including auxiliary spillways The main spillway, part of the eastern end of the dam, is a long Ogee-type and utilizes twenty-one tall and wide tainter gates that are operated by two 60-ton hoists.
|
|
It is linked to the entrance arch by flint and terracotta walls. The mortuary chapel, built in 1900, is also listed at Grade II. The Gothic Revival building has a square west tower with an octagonal spire and lancet windows, an arched entrance and a two-bay nave with an ogee-headed east window. The walls are of flint with prominent red-brick courses and quoins. Burials in the cemetery include Violet Kaye, victim of one of the Brighton trunk murders of 1934.
|
|
The Mandhry Mosque, built in 1570, has a minaret that contains a regionally specific ogee arch. This suggests that Swahili architecture was an indigenous African product and disproves assertions that non-African Muslims brought stone architecture to the Swahili Coast. During the pre-modern period, Mombasa was an important centre for the trade in spices, gold, and ivory. Its trade links reached as far as India and China and oral historians today can still recall this period of local history.
|
|
The wall mosaics are lined with green onyx and a zigzag pattern. In the arched chancel area there is a Cosmatesque pillar piscina. Set into an ogee arch is an aumbry adorned with an image of the Pelican in her Piety carved in white marble which was installed in memory of Prince Francis of Teck, the brother of Queen Mary, who died in 1910. Set into roundels beneath the arches are sculpted busts of the Twelve Apostles and the Old Testament prophets.
|
|
Striped ogee awnings across the footpath were supported by decorative posts with cast iron infill. Each shop had a separate roof, some lit by lanterns and the individual tenancies were also marked by the visual separation of the facades by the use of classic revival pediments, urns, and balustrades. Gorrie rented out one of his shops to hairdresser and barber William Lloyd, whose premises had been destroyed in the fire. This shop he occupied himself as A.E. Gorrie, baker and confectioner.
|
|
The combination of flint and red brick is characteristic of Worthing. In particular, walls built alongside streets or to mark out boundaries were almost always built of flint with brick dressings, especially in the late 19th and early 20th centuries. Boat porches are a unique architectural feature of Worthing. These structures surround the entrance doors of some early 19th-century houses, and take the form of a stuccoed porch with an ogee-headed roof which resembles the bottom of a boat.
|
|
When the Paradise Dam is full, water is released over a stepped spillway followed by a stilling basin. The spillway chute is wide with a smooth ogee profile, ending a few small steps leading to 1V:0.64Hstepped chute with a step height of . The chute is followed by a stilling basin before rejoinging the natural river course. Between 2010 and 2013, the spillway system passed four major events, thus mitigating the effects of flood in the downstream catchment including the city of Bundaberg.
|
|
The corbels elsewhere in the nave have an uncertain function; they possibly supported the centring over which the vault was built. As well as a piscina on the south side of the chancel, there are piscinae in both transepts (indicating that they would originally have had altars); the piscina in the south transept has an ogee arch and recesses for aumbries. The font has a 14th-century appearance, but may be older. Around the walls are plaques dating from the 18th and 19th centuries.
|
|
This was supported on hexagonal piers. Several windows with flat headers and ogee-arched lights also date from this era, and the slim, tall spire is believed to be contemporary as well. It is slightly recessed within the castellated parapet of the tower, and is of the broach spire type. The external roofline was changed in the late 15th century: the walls of the aisles were built up, and the roof was brought down in a single sweep from the ridge to the eaves.
|
|
The George Seaverns House is located in the village of Mechanic Falls, on a rise on the west side of High Street, a residential side street overlooking the village center. It is a 1-1/2 story wood frame structure, with a gabled roof, clapboard siding, and a brick foundation. The house occupies a sloping site which would have overlooked Elm Street, a major thoroughfare, when it was built. The house is stylistically Gothic Revival in character, with decorative vergeboard, window hoods, and ogee brackets.
|
|
Two roof ventilators are positioned along the ridge of the middle bay. A timber-framed corrugated iron clad awning with ogee eaves gutter supported on posts (one early timber post survives) extends over each footpath. Two entrances are located on Caroline Street accessed by stairs and a connecting ramp. The kerbing to both streets is made from local stone and cast iron gutter covers inscribed with the words "Normanton Municipal Council" span the channel between the asphalt concrete road surface and concrete path to the footpath.
|
|
The exterior is polychrome and was constructed from brick, terracotta and faience. The ground floor has a full- width tiled fascia continuing along to the neighbouring building; this 20th- century alteration may conceal earlier detail. The arcaded first floor has sash windows with sloping sills in the Gothic faience arcade, clasping rings and crocket capitals to the nookshafts, alternate block jambs, raised pointed arches and roll-moulded dripstring. The ogee window heads have fleur-de-lys finials in front of lozenge-patterned terracotta spandrels.
|
|
Château de Mayrac, overview from the south The Château de Mayrac is a castle dating from the second half of the 15th century in the commune of Mayrac in the Lot département of France.Ministry of Culture: Château The castle comprises two corps de logis at right angles, linked by a round tower. The entrance is in the base of the tower, with profiled uprights resting on prismatic bases. The door is surmounted by an ogee and a pediment decorated with florets, accompanied on each side with pilasters.
|
|
The earliest surviving chaitya arch, at the entrance to the Lomas Rishi Cave, 3rd century BC In Indian architecture, gavaksha or chandrashala (kudu in Tamil, also nāsī)properly: candraśālās, gavākṣa, kūḍu. Harle, 49, 166, 276. Harle restricts use of candraśālā to examples from the Gupta period, when contemporary texts use that term. are the terms most often used to describe the motif centred on an ogee, circular or horseshoe arch that decorates many examples of Indian rock-cut architecture and later Indian structural temples and other buildings.
|
|
The reservoir formed behind the dam has a conservation storage of , a maximum capacity of , and can reach elevations of above sea level. Normal water releases from the dam are controlled by a cone (Howell- Bunger) valve with a capacity of at maximum pool. Any higher water will flow over an uncontrolled ogee crest spillway cut into the rock of the San Joaquin Canyon about a quarter of a mile to the west of the main dam. The spillway is wide and has a capacity of approximately .
|
|
It appears to be built of brick,Photograph in infobox but the structure actually relies on limestone for its foundation and walls, with a roof of ceramic tile and occasional elements of wood. Located on a corner lot, the building features a tower on the corner facing the intersection; worshippers can enter by climbing a small flight of stairs to the base of the tower. Large gabled sections with fat ogee-arched windows face both streets, with a functional addition to the rear., Ohio Historical Society, 2007.
|
|
Some parts of the old priory were incorporated into the house by James Wyatt, including the undercroft of the monastic refectory, featuring two aisles, seven bays and a rib-vaulted ceiling, which he repurposed as a beer cellar below the dining room and drawing room. The mansion is built of ashlar faced with Totternhoe stone with a castellated parapet and low-pitched slate roofs. It features a variety of casement windows including pointed arch and ogee lights typical of the early Gothic Revival style.
|
|
The chapel is constructed in coursed rubble stone with tile roofs, and consists of a nave and a smaller and lower chancel. In the west wall are two small rectangular windows with a larger rectangular window above. In the north wall of the nave is a two-light window with ogee arches and, to the east in a slightly projecting bay is a single-light window with a pointed arch. The north wall of the chancel contains a two-light window under a flat arch.
|
|
The spillway is designed with an ogee crest to allow controlled discharge of surplus water from the watershed. The lake is also designed with an emergency spillway that would discharge excess floodwater away from the toe of the dam to ensure a safe operation in flooding conditions. The local fishing club provides an annual fish rescue for gamefish that have escaped the lake flowing over the spillway throughout the year. The rescue is performed below the dam in the stilling basin before entering the creek below.
|
|
Roode Elsberg Dam is located on the Sanddrift River, some 10 km north west of the town of De Doorns in the Western Cape. The catchment is medium-sized (139 km2) and the dam functions primarily as storage for domestic and irrigation use. The dam completed in 1969, was designed, built and is owned by the Department of Water Affairs and operated by the Hex Valley Water Users Association. The dam wall is a double curvature arch dam with an uncontrolled ogee spillway in the river section.
|
|
He was a prolific designer of buildings for the town and "was probably responsible for a number of distinctive local building features, such as ogee-profiled verandah roofs, close-spaced studs with cut-in angle braces and a distinctive colour scheme of cream walls and red roofs." The church was substantial but simple in design. It was to be constructed of brick and rendered in concrete with Gothic detailing. Tenders were called and the lowest tender of a Mr J. McMorrine of £1905 was accepted.
|
|
In a south aisle recess, beneath an ogee arch with carved small figures, is an effigy of a lady in 14th-century costume, her head resting on two small cushions. An alabaster war memorial plaque to parish war dead of the First World War hangs in the church. Further church memorials include a commemorative brass plate on a choir pew to a soldier killed in battle at Arras in 1917. A south wall stained glass window was erected in 1949 in memory of Sgt.
|
|
The church contains an ogee-headed tomb recess dating from about 1322 that has been moved from the older church. It contains a "supposed" Roman altar. On the walls are two sgraffiti, one in the south aisle dated 1883, and the other in the north aisle, dated 1906. The stained glass in the west window is dated 1853, and is possibly by David Evans; the glass in the east window is from 1865. Three windows in the south aisle, dated 1851, are by Wailes.
|
|
Use of the ogee was especially common. in the late 15th and early 16th centuries, Flamboyant forms spread from France to the Iberian Peninsula, where the Isabelline style became the dominant mode of prestige construction in the Crown of Castile, the portion of Spain governed by Isabella I of Castille. During the same period, Flamboyant features also appeared in Manueline style in the Kingdom of Portugal. In Central Europe, the Sondergotik ("Special Gothic") style was contemporaneous with Flamboyant in France and the Isabelline in Spain.
|
|
Boondah is a single-storeyed weatherboard house with a corrugated iron gabled roof. The building sits on concrete stumps with timber batten infill and is sited on a ridge with the ground sloping to the northeast. The symmetrical north elevation has two corner octagonal ogee shaped cupola's with tall timber finials and a central front entrance porch with a projecting gable roof. The building has verandahs with corrugated iron skillion roofs to the north, east and west which encircle the octagonal shaped corner bays.
|
|
Ogee trim also tops all windows save those in the inside of the porch and balcony, both sided in flushboard. The roofline's overhanging eaves are trimmed with decorative hand-sawn vergeboard. Inside, the house is laid out with a living room, dining room and kitchen in line from front to back on the first floor of the stem of the T. The east wing has a parlor; the west a family room. Many rooms, particularly the living room, retain their original "grained"] Gothic-style woodwork.
|
|
On both east and west sides is a small twin-light window with ogee trefoiled head arches within a rectilinear frame. The porch roof is steeply pitched and surmounted by a cross of Celtic appearance. Within the porch, to the right of the nave door opening is a 15th-century stoup with worn basin within a pointed recess. Immediately to the east of the porch is three-light flat-arched window with cinquefoil heads, dated to the 15th century with reused 13th-century material.
|
|
It was originally used as the refectory, with a window being added by Bishop Beckington in the 15th century, and later became a coal store. The hall also has arches into bays and an ogee-headed recess which may have been an aumbry. At the eastern end of the hall is a parlour on the ground floor and, on the first floor, is a dormitory. The chapel next to the dormitory can be see through a squint which is unusually combined with a piscina.
|
|
He was not removed from the Worcestershire commission of the peace and was summoned to a council meeting in 1401. He made his will on 7 April 1404 and died at his second wife’s home of Letheringham in Suffolk on 31 January 1405, his body being taken to Strensham for burial. His memorial brass in the chancel floor showed a knight in armour under a crocketed ogee canopy with side pinnacles and named his three wives. His widow lived on, holding his lands, until 1423.
|
|
Internal modifications reflected in the external reconstruction work can still be seen on the south facade. The reconstruction of the entrance hall on the ground floor of Volflin house terminated in the construction of a new portal in the Late Gothic style, the predominant style of urban architecture in the Czech Lands for over 100 years. The Gothic arch of the portal has archivolts rich in stone ornaments. Decorated brackets support the outer arch which is a typical late-Gothic ogee arch crowned by an imposing finial.
|
|
The rounded doorway is decorated with figures of a bird, a dog and a human face on the left, and a cherub on the right. Inside, the nave is separated from the chancel by a step, and the sanctuary is itself raised one step above the chancel. The roof timbers can be seen from inside. The window at the east end has three lights (vertical sections separated by mullions) topped with ogee curves, and is set within a pointed arch with an external hoodmould.
|
|
A verandah runs across the front of the house with a recent cross braced balustrade replacing an earlier dowel balustrade. The cottage is clad externally in weatherboards and has ogee-profile steel window hoods surmounting the windows, which are double hung timber sashes. The detached kitchen is located at the back of the house, connected by a raised, covered walkway that has been enclosed in horizontal, corrugated iron sheeting. On the western side this area is abutted by a bathroom also sheeted in corrugated iron.
|
|
The northeast bay contains a small lancet window, and in the north bay is a two-light window with ogee heads. There are windows with Y-tracery dating from about 1300 in the east and west windows of the north aisle. In its north wall are a two-light window with Y-tracery, two lancet windows, and a blocked round-headed doorway dating from the 12th century. The Norman south doorway also dates from the 12th century, and is described as being "very fine".
|
|
A strong hood mould with carved label stops highlights the opening. The two window bays are carved in an ogee arch form with a trefoil head.While the source of the sandstone is unknown, that used in the original building at least may have come from a nearby quarry, one known to have supplied good quality stone for several local structures. It is quite possible that the stone employed in the subsequent stages, if not for the initial element, may have been cut at Ravensfield near Farley.
|
|
The southern (entrance) bay is narrower, shorter and has a very steep hipped roof; a drawing in the architects' journal Building News in 1873 showed a tall flèche on top of this roof. The door is set into an ogee-headed white-painted arch; the tympanum formed by the space between the arch and the door is decorated with carved scrolls and a shield. Around the door, columns terminate in intricate foliated capitals. A first-floor window with three lights has similar decoration above.
|
|
The flooring and interior walls and ceilings are all constructed out of plain pine wood. Each of the fireplaces in the main rooms is topped by a wooden mantel adorned with ogee curves and flanked by wooden pilasters. A defining feature of the interior is the decorative paintings on many walls and ceilings of the two main rooms of the house. The southern room includes a twisted rope pattern as an artificial picture rail and a wainscot along the lower portion of the walls.
|
|
The four faces of the base have insets with two centred and shouldered arches. Floral carved relief are located in the cusp of the shouldered arches and above the two centred arches. The base is surmounted by ogee hood moulds which have a cyma recta profile and tracery below. Working-order water fountains with semi- circular bowls finished in a leaf pattern are located on the north and south faces, and there is an inscribed marble panel on each of the east and west faces.
|
|
The building is constructed of load-bearing, red face brick walls laid in a Flemish bond; and features contrasting bands and voussoirs of a lighter, cream-coloured face brick. The Dutch-gable roofs of each wing are clad in corrugated metal sheeting and have ventilated gablets. Two sets of dormer windows are located in the north-facing roof plane of the northeast wing. The central wing features a prominent roof fleche in the centre of the roof, in the form of an octagonal ogee roof supported by miniature columns and topped by a finial.
|
|
Liquidators ran the business for three and a half years, during which time turnover increased and profits of £9,419 were made. In September 1883, the second Yorkshire Engine Company was launched, by issuing 2,400 shares valued at £25, giving a capital of £60,000. Few locomotive manufacturers were profitable at the time. Early YEC locomotives produced for the UK market consisted mainly of 0-4-0ST and 0-6-0ST types. The style of these was typical of small locomotives of the time with the so-call ‘ogee’ tanks and very little protection for the driver.
|
|
This style of panel is commonly made from man-made materials such as MDF or plywood but may also be made from solid wood or tongue and groove planks. Panels made from MDF will be painted to hide their appearance, but panels of hardwood-veneer plywood will be stained and finished to match the solid wood rails and stiles. A raised panel has a profile cut into its edge so that the panel surface is flush with or proud of the frame. Some popular profiles are the ogee, chamfer, and scoop or cove.
|
|
The earliest style was characterised by windows resembling a lancet "in its length, breadth, and principal proportions". These windows might be single, or in groups of two, three, five, or seven. This style he termed the "Lancet Period".. During the next period, tracery appeared in the windows, and originally consisted of simple geometric forms, in particular the circle. This period he called the "Geometrical Period".. Later the tracery became more complex, including the ogee curve; the characteristic feature being the "sinuosity of form" in the windows and elsewhere.
|
|
On the north side of presbytery there is late Renaissance chapel of holy trinity which was built 1611 and is standing on the basis of original Gothic chapel. It is possible to access the chapel from presbytery through the monumental Gothic portal with ogee moulded profile. The arch is decorated with crockets and top flower and it is finished with consoles with vegetal motif. Further, on the north side of presbytery in the corner of aisle there is rectangular tower reinforced by supportive pillars (today's Baroque look comes from 1676).
|
|
In the walls of the sanctuary are two corbels which have been re-set, and they may indicate the use of a Lenten veil. On the sanctuary floor are early 20th century memorial mosaics, with a crypt below. The chancel contains a 14th century piscina with an ogee opening, but the piscina and the top of the sedilia are low on the wall to the right of the altar, indicating a raising of the stone floor which has 17th and 19th century ledgers. It has scribed render walls.
|
|
Whitefish Bay National Guard Armory was located at 1225 East Henry Clay Street, on six acres of land at the southwest corner of Henry Clay Street and Ardmore Avenue, in Whitefish Bay, Wisconsin. The red brick building with crenelated top and central tower was called "the finest armory in the state". Inside were well-lit classrooms off wide terrazzo corridors, double staircase with ornate ogee window, gymnasium, kitchen, and lounge with beamed ceiling and mammoth fireplace. Built in 1928, it was designed by prolific local architect Herbert W. Tullgren.
|
|
Older elements include the Latin cross floor plan with three naves and an octagonal cupola. The recessed facade is covered in tezontle with fillets of cantera (a grey-white stone). Above the main portal there is a relief done in cantera which depicts the apparition of a cross-bearing Christ to Saint Ignatius of Loyola, flanked by statues of Saint Gertrude and Saint Barbara. Between this and the main doors is an ogee arch supported by two columns which are simple Classic on the first level but show elaborate vegetative decoration on the second level.
|
|
The later high wooden outer domes with lead roofing and cupolas were added to St. Mark's Basilica between 1210 and 1270, allowing the church to be seen from a great distance. In addition to allowing for a more imposing exterior, building two distinct shells in a dome improved weather protection. It was a rare practice before the 11th century. The fluted and onion-shaped cupolas of the domes may have been added in the mid-fifteenth century to complement the ogee arches added to the facade in the late Gothic period.
|
|
The lower two levels were enclosed by walls and the uppermost level, within which a statue of Wellington was to stand, left open. One face of the lowest (ground) level contained a door with an ogee canopy, the other three faces contained a single arch window in the centre. The second level (first floor) had an arched window on each face, above which were circular apertures for the clock faces, surmounted by crocketted gables. The faces were transparent to allow the clock to be lit from within the tower.
|
|
Classical detailing appears in the cornice and in the porch. The boxed cornice has brackets and a frieze decorated by dentils. A pediment with Classical Revival decoration on its tympanum and dentils on its frieze is located above the steps leading to the main entrance. Of particular note in the fenestration are the second story windows which have a triangular top above which the brickwork is in the configuration of a four-center ogee and a key-hole, and an oval stained glass window on the south wall of the first floor.
|
|
As early as 1958, the RAE and Fairey began discussions about converting one of the Delta 2 prototypes to support the ogee wing.Jarrett 2002, p. 179. Fairey proposed stretching the fuselage a further three feet to better match the long planform, with the wing extending out onto the drooping nose. However, calculations showed that this extension was not great enough to counter the forward moving centre of pressure (CoP) that resulted from the extended planform, and there were also concerns that the over-wing engine intakes would swallow the vortex above the wing.
|
|
They were ascetic communities and meditated in the Barabar caves.Analayo (2004), Satipaṭṭhāna: The Direct Path to Realization, , pp. 207-208 Still, the Lomas Rishi cave lacks an explicit epigraphical dedication to the Ajivikas, contrary to most other Barabar Caves, and may rather have been built by Ashoka for the Buddhists. The hut-style facade at the entrance to the cave is the earliest survival of the ogee shaped "chaitya arch" or chandrashala that was to be an important feature of Indian rock-cut architecture and sculptural decoration for centuries.
|
|
The house faces St Margaret's Church and is oriented north–south on West Street, on which it is the only building to "[make] a major effect". There are projecting wings to the west and east, of which the latter has a brick entrance porch with an ogee-headed hood mould above an arch. This may have been moved here from an older building. The building is largely late-16th-century and is of timber frame construction filled with plasterwork, and with some brickwork and studding to the ground floor.
|
|
Like many Elizabethan mansions, Barrington is built in an 'E' shape with large projecting wings with square projections that contain staircases. The house is not truly symmetrical as the hall has two lights and the buttery one. The south front has seven gables supported by octagonal buttresses and decorated with twisted finials with ogee scale-work caps and English Crockets. Its central entry porch leads into a screens passage with the hall on the left and, an innovation, a service passage leading to the kitchen wing that occupies the right wing.
|
|
In the churchyard is a baluster sundial, and a South African War Memorial from the early 1900s, which is probably by Douglas and Minshull. The south gates to the churchyard, dating from 1877, were by Douglas. To the northwest of the church is a lychgate designed by Sir Herbert Baker in 1929, consisting of a pyramidal roof on ogee timber framing. The churchyard contains 57 Commonwealth war graves of service personnel, 9 from World War I and 48 (predominately Royal Air Force) from World War II. CWGC Cemetery report, details from casualty record.
|
|
Cox, J. Charles (1916) Lincolnshire pp. 126, 127; Methuen & Co. LtdKelly's Directory of Lincolnshire with the port of Hull 1885, p. 394 In 1964 Pevsner noted 1798 repairs and considered the church "over-restored". He dated a chancel rebuild to 1843, questioned if it was "done correctly", and recorded Victorian tracery in the aisle windows, a blocked doorway to a previous chapel in the chancel, "fine busts of great variety", a Decorated- style sedilia and piscina with ogee arches and crocketed gables, a reredos dated 1790, and a defaced 14th-century effigy.
|
|
The Eastgate Street face of the bank has a four-light mullioned and transomed window with a basket arch on the ground floor. On the first floor is a five-light oriel window, above this is a six-light window with casements and the whole is surmounted by a gable with a carved bargeboard. Set at an angle on the corner between the streets is the doorway with a moulded basket arch over which are three ogee arches. Curving round the corner on the first floor is a three-light window.
|
|
The table pedestal is faced with twelve twinned column reliefs, leading to ogee headed and cusped arches, with quatrefoils in circular devices between each. Above are three decorative gabled and pinnacled relief structures supported by slender columns, with inset niches containing saints, inscriptions, and geometric and floriated details, separated by a crocketed frieze. Two panels between contain roundels with profile relief portraits within a circular moulding. North chapel floor slab perhaps to John and Elizabeth de Neville The Christopher Turnor monument sits on a black-and-white marble-tiled raised level.
|
|
An emergency spillway with fuse plug (bottom) and an auxiliary ogee spillway (top) at New Waddell Dam A fuse plug is a collapsible dam installed on spillways in dams to increase the dam's capacity. The principle behind the fuse plug is that the majority of water that overflows a dam's spillway can be safely dammed except in high flood conditions. The fuse plug may be a sand- filled container, a steel structure or a concrete block. Under normal flow conditions the water will spill over the fuse plug and down the spillway.
|
|
These include a fine early 17th-century monument to the Anderson family, spiro-form carvings on the exterior of the Ogee window of possible Rosicrucian significance, and the unidentified tombstone of a crusading knight. It is possible that this is a memorial to Sir William Keith, a companion of Sir James Douglas on his campaign to take the heart of Robert the Bruce to the Holy Land. Upon the failure of that mission Keith brought back the heart of Bruce to Melrose Abbey, and the body of Douglas to St Bride's Church, Douglas.
|
|
In the south wall is a 14th-century piscina with cusped head, set within an ogee headed recess. The north aisle, also 13th-century, contains within the north side of the chancel arch pier a further piscina with a seven-cusped arch surround with spandrels within a rectilinear frame, this sitting on a projecting ledge, with above, an entablature containing three floriate carvings; running on the entablature are crenellations. In the north wall is a further aumbry with wooden door. At the west end of the north aisle sits the church organ.
|
|
The arched priest's doorway is pointed in shape with a plank door central to the south wall, with a 2-light window to the left having quatrefoil tracery head in a square opening, and a small ogee-headed lancet to right in the north chancel wall. There is a plain black marble memorial over the door. There are box pews in the nave and an octagonal stone pulpit with arcaded top and base both dating from the 19th century. The interior walls were scraped and partially re-plastered in the 19th century restorations.
|
|
Wenham Museum and Claflin–Richards House Rear side view. The Claflin–Richards House, also known as the Claflin–Gerrish–Richards House, is a historic First Period house located at 132 Main Street, Wenham, Massachusetts. It is now part of the nonprofit Wenham Museum and may be toured by appointment (regular tour hours are Tuesday–Friday at 11:00am and 2:00pm and Saturday & Sunday at 11:30am, 1:30pm and 2:30pm). The Claflin–Richards House was constructed circa 1690 with ogee braces, an architectural hallmark of 16th- and 17th-century English dwellings.
|
|
Britton & Morris, 2000, 33–4 Changes that the Rudds made to the house in the late nineteenth century include replacement, or covering of the shingle roof with corrugated iron and replacement of the original timber-trimmed veranda with one of Victorian design. The new veranda featured an ogee corrugated iron roof and trim of cast iron filigree that were fashionable at the time. Rudd's daughter Elizabeth Britten died young in 1886, but his widow survived until 1902. The estate passed to William Rudd's grandchildren Walter William and Emma Mary Harrington Britten.
|
|
On 1 April 1957, Fairey were informed by officials within the Ministry of Supply that their proposals were the favourite to meet Operational Requirement F.155.Wood 1975, p. 85. However, on 4 April 1957, Duncan Sandys, the Minister of Defence, announced the effective termination of nearly all fighter aircraft development for the RAF, instantly removing the F.155 requirement. The Delta 2 became a key development platform for what would later be known as Concorde, an early supersonic airliner, which harnessed a cutting-edge ogee or ogival delta wing design.
|
|
Monarchy Distribution launched their first studio "Assence Films" in February, 2012 in a partnership with Exile Distribution. Assence's first title "Anal Artists" starring Sasha Grey gained notoriety for the studio brand when Kulich offered a portion of the proceeds to the National Education Association and the donation was rejected. In March 2012, Monarchy launched 'OGEE Studios' on the heels of the success of Assence Films. In April 2012, Monarchy announced that they had signed a deal with Blue Coyote Pictures to handle the distribution for a new Transsexual line called Tranny Factory.
|
|
Wild Cowboys is the solo debut album by Brand Nubian member Sadat X, released on July 16, 1996, on Loud Records. Though the album did not receive much mainstream attention, it was a popular underground release, partly due to the album's guest producers, which included D.I.T.C. members Buckwild, Diamond D and Showbiz, as well as underground legends Pete Rock, Da Beatminerz and O.Gee / DJ Ogee. Wild Cowboys features the singles "Hang 'Em High", "Stages & Lights" and "The Lump Lump". A sequel to the album, Wild Cowboys II, was released on March 23, 2010.
|
|
5 Colliergate was originally built in the 16th- century, and is also noted for its modern ogee arched doorway. The street continues with building remodelled in the Georgian era: 6 and 7, 8, 9, 10, 11, and 13 and 14, of which 9 and 11 contain some Mediaeval material. On the east side, all the buildings are listed, most being Georgian. Nikolaus Pevsner describes number 18 and 19 Colliergate as the best building, built in 1748 by Ralph Yoward, while 23 is notable for its staircase, built in 1700.
|
|
The two-storey façade is false, as it is substantially higher than the nave behind it. It features eight Corinthian pilasters, the inner two pairs flanking the door being double. The entrance has a segmental pediment crowned by a coat of arms in stucco featuring an angel, and in between the pilasters are two pairs of round-headed niches crowned by triangular pediments. The top storey has one window with triangular pediment, flanked by six pilasters (inner ones double) and crowned by an ogee pediment with a little segment on top.
|
|
The smooth, rather bare walls were faced with yellow-grey stone, probably from the Cefn quarry near Minera. The windows have flat ogee profiles and arched merlons with ball- finials. From the centre of the south front the saloon projected - turreted, and with a vast traceried window, above which, the crenellation rose and fell. A veranda along this front was wrapped round the octagonal bows at either end. There is a resemblance to Thomas Johnes’ Hafod in Ceredigion, which was gothicised by John Nash (architect) in 1791-4.
|
|
He incorporated Holt's blending of new and ornate Italianate and Gothic Revival styles with the traditional Greek Revival into the home design. A trefoil theme was used to model the porch, creating an ogee arch. The doors are painted to resemble various woods, such as rosewood and the baseboards are made to resemble gray or black marble. The interior decoration was simple but elegant, showcasing the Victorian taste for artificiality The piano for the composer or pianist to play was placed in the front hall, and the first thing visitors see upon entering the house.
|
|
The towers are composed of two complementary elements, a central cylinder rising through the tiers in a series of stacked drums, and paired Corinthian columns at the corners, with buttresses above them, which serve to unify the drum shape with the square plinth on which it stands. The entablature above the columns breaks forward over them to express both elements, tying them together in a single horizontal band. The cap, an ogee- shaped dome, supports a gilded pine cone-shaped finial. It is unclear whether the final is pine cone or a pineapple.
|
|
The bishop's throne dates from 1340, and has a panelled, canted front and stone doorway, and a deep nodding cusped ogee canopy above it, with three- stepped statue niches and pinnacles. The throne was restored by Anthony Salvin around 1850. Opposite the throne is a 19th-century octagonal pulpit on a coved base with panelled sides, and steps up from the north aisle. The round font in the south transept is from the former Saxon cathedral and has an arcade of round-headed arches, on a round plinth.
|
|
In 1987 on election day Nick goes to vote and does not vote for the Conservative candidate but a member of the Green party. He is visited by Leo's sister at the Ogee office where he learns that Leo died a few weeks before of AIDS and his sister is trying to warn all his former lovers. Nick spends election night at home alone with Catherine. Nick watches as his former gay university friend Polly is elected an MP at 28 and Gerald barely scrapes back in his seat.
|
|
Chute spillways carry supercritical flow through the steep slope of an open channel. There are four main components of a chute spillway: The elements of a spillway are the inlet, the vertical curve section (ogee curve), the steep-sloped channel and the outlet. In order to avoid a hydraulic jump, the slope of the spillway must be steep enough for the flow to remain supercritical. Proper spillways help with flood control, prevent erosion at the ends of terraces, outlets, and waterways, reduce runoff over drainage ditch banks and are simple to construct.
|
|
Jean Thurston Vander Pyl (October 11, 1919 - April 10, 1999) was an American actress and voice actress. Although her career spanned many decades, she is best known as the voice of Wilma Flintstone for the Hanna-Barbera cartoon The Flintstones. In addition to Wilma Flintstone, she also provided the voices of Pebbles Flintstone, Rosie the robot maid on the animated series The Jetsons, Goldie, Lola Glamour, Nurse LaRue and other characters in Top Cat, Winsome Witch on The Secret Squirrel Show and Ogee on The Magilla Gorilla Show.
|
|
Dittmer's Store fronts Churchill Street, the main street of Childers, to the north with rear access off Macrossan Street to the South. The single-storeyed masonry building, with an ogee-shaped corrugated iron awning, is located within a cohesive group of predominantly 1900s shops with street awnings and decorative rendered facades. The building has a corrugated iron gabled roof with a central clerestory skylight to the east and west. The rendered street facade is surmounted by a parapet with a heavy cornice, balustrade and a rounded broken pediment supporting a single urn.
|
|
The bakery is one shop within a row of single story masonry shops built conjointly on the south side of Churchill Street, adjoining the Palace Hotel. It has a corrugated iron roof concealed by a parapet. In common with a number of shops on this side of the street, this building has classical revival pediments, some curved and some triangular, linked by a balustraded parapet topped by urns. The shop front is shaded by an ogee profile corrugated iron awning supported by posts to the street, although the cast iron valance is no longer present.
|
|
In the archaic Greek Ionic order, the abacus is rectangular in plan, owing to the greater width of the capital, and consists of a carved ovolo moulding. In later examples, the slab is thinner and the abacus remains square, except where there are angled volutes, where the slab is slightly curved. In the Roman and Renaissance Ionic capital, the abacus is square with a fillet on the top of an ogee moulding with curved edges over angled volutes. Individual sections of the column and as constructed by ancient Egyptians, Greeks and Romans.
|
|
The spillway discharges into the Mukurumudzi River. It is located on the left flank with a wide, uncontrolled concrete overflow, ogee spillway crest and spillway channel lined with reinforced concrete for the first . The dam impounds some 8.4 x 106 m³ at full supply level and has a catchment area of 133 km². The maximum water level is set at above sea level and the top of the dam embankment wall is at above sea level which gives a dam wall height of , a wall length of and a maximum contained volume of .
|
|
Weybridge Town Hall stands on the west side of Quaker Village Road in a dispersed village setting in northern Weybridge, arrayed mainly on the east bank of Otter Creek. It is a single-story wood frame structure with a gabled roof and clapboarded exterior. The roof is capped by a tower that rises from a low flushboarded square base to a six-sided louvered belfry to an ogee-shaped dome. The main facade has paneled corner pilasters rising to an entablature and a fully pedimented gable with sunburst planking.
|
|
The galvanised steel verandah roofs have a distinctive ogee shape and the wide verandahs possess deep pointed timber valence boards with cast iron columns, panels and frieze which impart an air of lightness contrasting with the solid massing of the bays. The house interior is lined with horizontal beaded timber boards throughout which were originally stained. The major rooms are grand in scale (up to 10m by 9m) with the generous ceiling height of 4.8m throughout. All these rooms contain rich Victorian marble mantelpieces to the fireplaces with pattern inlays to sides and hearth.
|
|
This leads to the traditional cartridge layout with the bullet or shell at the front, and a tapering cylindrical casing behind it. As the round is pushed forward, the tapering shape of the bullet and casing guides it into the center of the chamber. Rikhter's 261P design did the opposite, feeding the round rearward. To accomplish this, GSKB-398 (today's GNPP “PRIBOR”) designed a round with the bullet completely enclosed in a galvanized steel casing, which was tapered to a bullet-like ogee at the rear and tipped by the electrically-fired primer.
|
|
The corner is surmounted by a pavilion, consisting of paired arches, rendered balustrade and a rebuilt ogee shaped roof with diamond pattern metal tiles. The corner nightclub entrance below has a mosaic style tiled floor and steel gates. The facade of the three-storeyed Flinders Street section, consists of four bays separated by paired pilasters with a deep cornice at the roofline concealing a curved corrugated iron roof, which is evident on the southwest end elevation. Each bay, except the second last bay, houses a pair of aluminium framed windows per floor.
|
|
Alchi Hydroelectric Power Plant The Nimoo Bazgo Power Project is a run-of-the- river power project on the Indus River situated at Alchi village, from Leh in the Indian Union Territory of Ladakh. The project was conceived on 1 July 2001 and approved on 8 June 2005, and construction began on 23rd Sept, 2006. The project involves construction of a concrete dam with five spillway blocks of each having ogee profile. The Nimoo Bazgo power project envisages utilizing a rated net head of to generate in a 90% dependable year.
|
|
In the west wall of the tower is a 15th-century window, with a 14th-century ogee-headed window above it. The north wall of the nave contains a blocked 14th-century doorway with a pointed arch, and two 15th-century two-light windows. The chapel has a 16th- century two-light west window, and an east window dating from about 1800. The chancel contains more two-light windows, one at the east end, and two in the south wall, and there are two similar windows in the south wall of the nave.
|
|
The extended, curling nose resembles a proboscis and resembles another S.E.C.C. motif, the long- nosed god maskette. The figures elaborate headdress includes a bi-lobed arrow motif and, at the top of the plate, an ogee motif surrounded by a chambered circle. Some art historians have argued that this plate and one of the Rogan plates may represent a female or "Birdwoman" because the breast on the figure protrudes slightly more than it does on other examples, while others have argued that the plate may represent a third gender or "two-spirit" tradition.
|
|
It is a simple, white, frame building that has withstood > the test of time and has undergone no structural changes in one hundred > years. With the exception of electricity and a propane space heater, it is > today as it was then in 1895. The vestibule with its decorative hardware on > the doors and an ogee arch window, and the sanctuary with its pointed arch > windows and rounded ceiling that exhibit the Gothic influence still show the > original design and construction. It is the only church in Adair County with > such a distinction.
|
|
The Bardwell–Ferrant House is a house in the Phillips West neighborhood of Minneapolis, Minnesota, United States. It was built in 1883 at 1800 Park Avenue for its first owner, Charles Bardwell, and its original plan was in the Queen Anne style. In 1890 its second owner, Emil Ferrant, had the house remodeled in the Moorish Revival style that was popular at the time. Norwegian-born architect Carl F. Struck added two onion domed towers, a wraparound porch with spindlework columns, ogee arches, and deep-toned stained glass windows.
|
|
The third floor has single windows with rounded heads and rope- moulded architraves and the second floor has ogee-headed windows with floreated stringcourses and projecting balconies to single windows, and the first floor has trefoil headed windows with capped columns arranged in Venetian manner either side of a splayed oriel window. British Listed Buildings [hlistedbuildings.co.uk/300013778-nos24-26-queen-street-chambers- castle#.XwhYlCMwiIE] Plas Castell Gatehouse, Denbigh Terraced housing, Kerry, Montgomeryshire The use of patterned or polychrome brickwork, sometimes associated terracotta was popular in the towns in Montgomeryshire and North Eastern Wales in the 1870s and 1880s.
|
|
Above this rises a square tower, supported by eight flying buttresses springing from pinnacles; in each face is a triple pointed opening divided by small foliate-capitaled columns. Above these openings are large circular oculi in which the clock (now entirely disappeared) displayed its four faces. The tower is surmounted by acute angled gable-pediments, with five-lobed ogee centre pieces; four corner pinnacles, the crockets now missing; and a pyramidal roof terminating in ornate cresting. There are few High Victorian monuments of equal merit and importance in Ulster, and this one well deserves to be repaired and restored.
|
|
With a delta wing running most of the length of the fuselage, this was no longer easy; moving the wing would leave it in front of the nose or behind the tail. Studying the various layouts in terms of CG changes, both during design and changes due to fuel use during flight, the ogee planform immediately came to the fore. Plan-view silhouette of the Bristol Type 223 SST project While the wing planform was evolving, so was the basic SST concept. Bristol's original Type 198 was a small design with an almost pure slender delta wing,J.
|
|
The motor and control unit were housed on the roof in a centrally located square tower with a lower wing projecting from the west side. Waters' design called for a two-tier, ogee- style roof but it is unclear whether this was ever built, and from at least the 1920s the elevator tower had a shallow, hipped roof. The interior of the building was open plan, with the floors and roof being supported by iron girders and large internal columns of reinforced concrete. The floors, like the roof, were of concrete slab construction, and also early examples of their type in Queensland.
|
|
Poust, Mary Ann. "Come One, Come All, St. Catherine of Genoa Has a Place for Everyone" Catholic New York (November 28, 2012) Services were held in a local movie theater until a church could be built. The church was constructed between 1889 and 1890 in an Eclectic style, to the designs by Thomas H. Poole. The design is particularly marked by the building's wide crow-stepped gable and ogee-headed openings, very similar to Poole's more compact Our Lady of Good Counsel (1892), and a predecessor to Poole's grander-scaled St. Thomas the Apostle in Harlem, now closed.
|
|
The project won a large Heritage Lottery Fund grant, which, along with many fundraising events has meant that the "Friends of Moulton Mill" campaign has succeeded in raising enough money to restore and refurbish the mill's structure and add a new cap. The new white ogee cap, (which weighs 14 ton) is visible for miles across the flat Fenland landscape. A café and shop has also been built, and the mill has disabled access, allowing disabled visitors to see some of the mill's inner workings. The Friends of Moulton Mill have encouraged local people to "sponsor" a sail shutter.
|
|
Ventanilla or "little windows" beneath the window sill are faced with iron grillwork wrought in the palmette motif with cast-lead ornamentation typical of the 1870s. The neo-Gothic ogee arches are carved on the main double doors replicated those in the older Villavicencio House. The house is unusual because the town main double doors of the zaguan are built on either side of the a central bay sporting a large decorative wrought-iron grills with a palmatte motif decorated with cast-lead ornaments. The left door led to that part of the zaguan where the carriage was kept when not in use.
|
|
It collapsed subsequent to a Spring flood. Its ruins remained submerged and decomposing, until such time as the current dam was built in 1962, as a part of the Stratton project dam system which was designed to keep the river navigable from the Wisconsin border to the confluence with the Illinois River. The original dam had a modified ogee crest and a spillway length of , which created turbulence at the base of the dam. As a result, there were a number of fatal accidents caused when kayakers or canoers sailed over the dam, and at least 26 people have drowned at the dam.
|
|
The north aisle, comprising two medieval (the east-most) and two modern arches, has stiff-leaf decoration on the capitals of the former. St Paul's had a tower and belfry and there was a room over the church door. Inside, there is a fourteenth-century doorway to a former rood loft stair. In the south east corner where the altar stood (and stands) are three piscina recesses presumably credences with carved chamfered ogee heads of the fourteenth century. The remains (the lower halves) of two “good fourteenth century figures”Pevsner, Nikolaus; Harris, John; The Buildings of England, Lincolnshire.
|
|
The Joseph D. Yerkes house was a two-story, hip-roof, Italianate structure with a projecting three-story mansard-roofed tower in the center of the facade. The main section measured 34 feet by 32 feet, with a 1-1/2 story rear kitchen ell measuring 20 feet by 21 feet. The front entrance was through double doors in the base of the tower, to one side of which was a small front porch has Gothic, ogee-arch detailing. The windows in the facade were all tall, narrow, double-hung one-over-one units with projecting caps supported by small brackets.
|
|
He wears a cape of feathers on his back, similar to actual examples found in the Craig Mound during excavations. He has Long-nosed god maskette earrings, strings of beads around his neck, and strapped to his head is a sacred bundle incorporating what is thought to be a copperplate with an Ogee motif at its center. The hair is done up in a bun on the back of the figures head and a long braid over the left shoulder. The earrings and the braid are the reason many archaeologist identify the figure as Red Horn.
|
|
In the first half of the fourteenth century, stone blocks replaced bricks as the primary building material in the dome construction of Mamluk Egypt and, over the course of 250 years, around 400 domes were built in Cairo to cover the tombs of Mamluk sultans and emirs. Dome profiles were varied, with "keel-shaped", bulbous, ogee, stilted domes, and others being used. On the drum, angles were chamfered, or sometimes stepped, externally and triple windows were used in a tri-lobed arrangement on the faces. Bulbous cupolas on minarets were used in Egypt beginning around 1330, spreading to Syria in the following century.
|
|
Half a mile south of Liff is House of Gray, a large neoclassical mansion built by the 10th Lord Gray between 1714 and 1716. It was one of many houses built or owned by the Gray family over the centuries in the area, including Fowlis Castle, Broughty Castle, Castle Huntly and Kinfauns Castle. McKean and Walker call it 'an excellent example of Scottish architecture in transition', noting its principal pedimented rectangular block flanked by ogee-capped stair-towers. House of Gray, south of Liff, Dundee, Scotland It was unfinished in 1722 when John Macky, spy, travel writer, and expatriate Scot, viewed it.
|
|
The Decorated tracery of the East window and the distinctive ogee (onion shaped) arch of the Sacristy doorway in the north wall of the Sanctuary are part of a re-modelling of circa 1340, but earlier is the North Aisle with its windows with Y tracery of the early 14th century. The Nave with the addition of the Clerestory and magnificent Roof is a re-building in two stages in the 15th century. The three Eastern bays with their arcade of unusual basket arches dates to circa 1413–18. The Western bay (circa 1480) is where the tower originally stood.
|
|
Gothic influence on French Renaissance design. A basket-handle portal is surmounted by a floral ogee hood moulding. Gothic influences on both period and revived Renaissance architecture are readily apparent, first as much building occurred during the period of transition from the Gothic to the Renaissance style; and also as Renaissance−era design took the form of the addition of Renaissance ornamentation to Gothic−era buildings thus creating an accretion of details from disparate sources. Architects who designed in the Renaissance Revival style usually avoided any references to Gothic Revival architecture, drawing instead on a variety of other classically based styles.
|
|
In Britain and France, government-subsidized SST programs quickly settled on the delta wing in most studies, including the Sud Aviation Super-Caravelle and Bristol Type 223, although Armstrong-Whitworth proposed a more radical design, the Mach 1.2 M-Wing. Avro Canada proposed several designs to TWA that included Mach 1.6 double-ogee wing and Mach 1.2 delta-wing with separate tail and four under-wing engine configurations. Avro's team moved to the UK where its design formed the basis of Hawker Siddeley's designs.Whitcomb, Randall. Cold War Tech War: The Politics of America's Air Defense, pp. 226–9.
|
|
The dam is built on a shattered rock based with a central masonry spillway. It has an earthen embankment on the left side and a rock hillock on the opposite side. The Ogee type spillway in the middle section of the river has been provided with four numbers of vertical lift gates over a width of and designed for a discharge of /s. In addition, two number river sluices are also provided to pass a discharge of /s. The annual siltation load considered in the design is 10.78 million cubic feet per square kilometer of catchment area.
|
|
These factors, with the canals and the great wealth of the city, made for unique building styles. Venice has a rich and diverse architectural style, the most prominent of which is the Gothic style. Venetian Gothic architecture is a term given to a Venetian building style combining the use of the Gothic lancet arch with the curved ogee arch, due to Byzantine and Ottoman influences. The style originated in 14th-century Venice, with a confluence of Byzantine style from Constantinople, Islamic influences from Spain and Venice's eastern trading partners, and early Gothic forms from mainland Italy.
|
|
The spillway of the dam The irrigation project's head works consists of an earth masonry dam of length with the earthen section extending over a total length of . The masonry part of this composite dam is in length including the spillway in length, has a maximum height of above the deepest foundation level. The spillway, which is an Ogee shaped structure, and is designed for passing a flood discharge of per second and operated with three gates of size fitted over a crest level of EL . The total quantity of material used in the dam is 6,240 TMC.
|
|
The former hardware store extends through three bays of a set of 5 single story masonry shops built conjointly on the south side of Churchill Street adjoining the Palace Hotel. It has a corrugated iron roof concealed by a parapet. In common with a number of shops on this side of the street, this building has classical revival pediments, some curved and some triangular, linked by a balustraded parapet topped by urns. The shop front has been modernised and is shaded by an ogee profile corrugated iron awning supported by posts to the street, although the cast iron valance is no longer present.
|
|
The west window of three lights is also of the 14th century, with a two-centred rear arch, but the tracery has been much restored in cement, as have the belfry windows also. Outside the church in the wall of the north aisle is a 14th-century recess with an ogee arch, of which the jambs are restored. Set in the recess is a 14th-century coffin lid with a cross in relief. Also outside in the wall of the south aisle are two recesses, probably of the 15th century, of which the stonework has been renewed.
|
|
Some elements of the Queen Anne style remain popular in modern furniture production. Carved shell and S-scroll features on a walnut Philadelphia Queen Anne compass-seat chair, c1750 (Private collection) Curved lines, in feet, legs, arms, crest rails, and pediments, along with restrained ornament (often in a shell shape) emphasizing the material, are characteristic of Queen Anne style. In contrast to William and Mary furniture, which was marked by rectilinearity (straight lines) and use of curves for decoration, Queen Anne furniture uses C-scroll, S-scrolls, and ogee (S-curve) shapes in the structure of the furniture itself.
|
|
The house mostly sits on timber stumps with concrete footings, but the perimeter stumps have been replaced by brick piers with arched timber battening between. A centrally positioned divided brick stair, with a gabled portico above, gives access to the front verandah and front entrance. The front elevation is dominated by a deep, open verandah with large rotundas or pavilions at the southwest and southeast corners, which take advantage of the views and river breezes. This verandah has simple timber valances, posts and balusters, and the rotundas have ogee-shaped cupolas above a frieze of pink and green glass panels.
|
|
Later used by the Leeds Permanent Building Society and now by a bookmaker, the three-storey building has elevations to North Street and New Road, and a corner bay in which the entrance is set between Tuscan columns and beneath an arched pediment. At each corner is a tower; another topped with a copper dome sits above the entrance bay. ;Branch Tavern, London Road, Brighton (1905) One of several pubs on the stretch of London Road south of Preston Circus, this corner-site building is distinguished by a corner turret of square form with an ogee-shaped cap. The gables are timber-framed.
|
|
The rectangular building stands four storeys high. with turrets situated at the north-west and south-west angles, the main entrance was protected by a machicolation on the outside, with a 'murder-hole' on the interior. The ground floor has a rounded barrel vault, and access to the upper storeys is by means of a stairway in the north-west turret. As the structure has been in continuous use, most of the windows have been replaced and modernized over time, however a twin-light ogee-arched window survives at ground level and three single looped, internal splay windows survive on the fourth floor.
|
|
The King Edward VII Wing, a substantial additional clinical facility, followed in 1914, just before the start of the First World War. The ogee dome on the roof of the hospital was completely destroyed and the roof badly damaged during the Second World War. Although for much of the post-war period the hospital continued to be one of the main providers of clinical services to the Bristol and North Somerset area, in later years it became a specialist rehabilitation hospital. In 2008, the hospital was used as the filming location for the BBC Three drama series Being Human, which was broadcast in early 2009.
|
|
The view from Barnweil Hill looking south Robert Snodgrass senior in 1855-7,Close, Page 54 built a square plan Gothic tower from polished sandstone ashlar blocks, 3-stage, wide at the base, high,Cuthbertson, Page 148 with a pinnacled parapet. Base course; string courses; corbelled, shouldered band course between 2nd and 3rd stages; machicolated, crenellated parapet with thistle-finialled, conical-capped circular angle pinnacles and ball-finialled, ogee-capped square-plan wallhead pinnacles. Diagonally-boarded timber door in Tudor-arched, roll-moulded doorway with hoodmould to the south-east elevation; similar inscription recesses at other elevations. Round-arched recesses at 2nd stage; paired round-arched recesses at 3rd stage.
|
|
Edward I Parliament House, Rhuddlan, 1238 Another building that might be of considerable antiquity is the Parliament House of Edward III in Rhuddlan where it was thought that the Statute of Rhuddlan was promulgated. Thomas Pennant remarks in 1778, "A piece of antient building called the Parlement is still to be seen in Rhuddlan: probably where the king sat in council."Pennant T. (1778–84)A Tour in Wales, pp 15–16 Pennant was to get John Ingleby to provide a watercolour of the building. Today the building still partially stands in Parliament Street, with a late 13th-century doorway and a 14th-century cusped ogee door head.
|
|
Concorde 001 first flight in 1969 The design work was supported by a preceding research programme studying the flight characteristics of low ratio delta wings. A supersonic Fairey Delta 2 was modified to carry the ogee planform, and, renamed as the BAC 221, used for flight tests of the high speed flight envelope, the Handley Page HP.115 also provided valuable information on low speed performance. Construction of two prototypes began in February 1965: 001, built by Aérospatiale at Toulouse, and 002, by BAC at Filton, Bristol. Concorde 001 made its first test flight from Toulouse on 2 March 1969, piloted by André Turcat, and first went supersonic on 1 October.
|
|
Portal The church's portal rose in year 1486 and was originally located on left side of the monastery, providing access to faithfuls directly from outside the monastery. It consists of pointed archivolts decorated with plants, animals and some human figurative motifs located under a big ogee with poaceaes. In the tympanum represents the motive of the Compassion of the Virgin, which according to late-Medieval iconographic canons, shows the Virgin sitting with her died Son in her arms, accompanied by the symbols of the moon and sun. Stylistically it is linked to the works of the Colonia (father and son), who participated in the rising of the monastery.
|
|
This former church has an exceptionally good interior with all its fittings and galleries. It has a conventional rectangular plan with shallow canted apse, faced in Bath stone which is enlivened by spirelet pinnacled buttresses diving the windows and with octagonal pinnacled turrets holding the corners whilst a larger pair flank the effectively recessed full height entrance bay under the parapeted gable. The soffit has a lrerne pattern of ribs over the large decorated west window, the tracery of cast iron. The porch proper is shallow and contained within the recess, a tripartite composition with an ogee arch to the central doorway with an ornate finial.
|
|
In the south chapel there is a commemorative brass plaque to William Strood and his wife Agnes, both of whom died in 1448. Also are three marble tablets to the Gregory family. One has an ogee-arched head with cinquefoil and bosses surmounted by a foliate cross, with square columns either side each topped with a crocketted pinnacle. The second--in the shape of a tomb face, of white marble and topped with coat of arms, sitting on and set in front of a black marble support--is dedicated to Daniel Gregory (died 9 June 1819, aged 72), the fourth son of George Gregory of Harlaxton and his wife, Anne.
|
|
Monuments include a tomb lid with an inscription which refers to Nicholas de Kyngestone, rector late 13th century; a brass to Joan Swan, 1497; a black marble slab for Anne Brunsell, 1667, wife of a rector, and sister of Sir Christopher Wren. The church is part of the Ely team ministry along with the nearby St George's Church, Little Thetford. The Stretham Windmill (now a private home) at the top of High Street where it meets the A10 is a Grade II Listed Building (listed in 1988). It dates from 1881 and consists of four storeys of tarred brick and a metal ogee cap and fantail.
|
|
The vestry window at the south is of a single light with panes of glear glazing set in square muntins, within a double chamfered arched surround with hood mould. At the west side of the vestry is a plank door within an ogee-headed moulded doorway. North chapel from north-west The 1448 south chapel sits on a moulded plinth which runs over two twin- stepped buttresses, one angled and central to the south wall, the other diagonal on the south-east corner. The buttresses are topped by square-based pinnacles with blind cusped panels, crocketed above gables at each side, the pinnacle at the south-east finished with a finial.
|
|
The entablature resting on the columns has three parts: a plain architrave divided into two, or more generally three, bands, with a frieze resting on it that may be richly sculptural, and a cornice built up with dentils (like the closely spaced ends of joists), with a corona ("crown") and cyma ("ogee") molding to support the projecting roof. Pictorial often narrative bas-relief frieze carving provides a characteristic feature of the Ionic order, in the area where the Doric order is articulated with triglyphs. Roman and Renaissance practice condensed the height of the entablature by reducing the proportions of the architrave, which made the frieze more prominent.
|
|
The 13th-century north aisle is of limestone and ironstone work, with a string course at the eaves, and a plinth--defined by a simple raised band below the line of the windows--broken by an blocked chamfered and arched doorway to the west end. Both ends of the aisle are supported by clasping buttresses terminated with gables. An angled buttress of the same style sits between the two identical rectangular north windows, each of three lights with cusped ogee heads. The north aisle pointed west window opening has a chamfered reveal and a hood mould, with an inset window of two simple pointed lights.
|
|
Dating to , it commemorates a priest, thought to be either William de la Mare, Provost of Beverley or his brother Thomas, vicar of Welwick. It is of the highest quality and enriched with flowing tracery, foliate carving, figures of saints and angels, the symbols of the Evangelists and the Passion, and heraldry. Under an ogee canopy with a ribbed vault lies the effigy of a priest in mass vestments. Pevsner attributes the monument to one of the carvers of the Percy tomb in Beverley Minster, and assigns the south doorway with its sculpture (described above) to the same Beverley workshop which produced these tombs.
|
|
The building is constructed in ashlar stone with a slate roof in an "exuberant free style" of architecture. It has a combination of two and three storeys, with attics and cellar. There are ten bays along Hope Street and three along Hardman Street. Its external features include a variety of windows, most with mullions, and some with elaborate architraves, a two-storey oriel window at the junction of the streets, stepped gables, turrets with ogee domes, a balustraded parapet above the second storey, a serpentine balcony (also balustraded) above the main entrance in Hope Street, and a low relief sculpture of musicians and musical instruments.
|
|
The main part of the south (front) face has seven bays, with a balustraded parapet running along the entire façade at eaves level. In the centre of the five east bays is a canted bay window beneath a shaped gable; the flanking bays have single-mullion, double-transomed windows. The two west bays are set backwards and have a central oriel window on the first floor with two single-mullion, double-transomed windows on the ground floor. The western wing is dominated by a square tower of stone-dressed brick which rises two storeys above the roof and is capped by an ogee spirelet surrounded by four corner chimneys.
|
|
There is a mural stair in the turret in the re-entrant angle of the south gable; this gave access to the second floor room and the third-floor watch-room. The two 1679 wings to the west enclose a courtyard, the entrance to which is an arched gateway, marked with the initials of John Gordon and Anne, and the date, on the inner side. It has renaissance detail, a semi- circular tympanum above entablature with ball finials. The south wing is a single storey high. The replacement entrance, decorated with an ogee-headed panel containing a winged angel’s head, is in the centre of the west face.
|
|
The main entrance to the building is via the ground floor loggia which is heavily decorated with painted cement rendered arches, columns and balusters and secured with cast iron grilles. Tessellated tiles line the floor. Additional arched entrances to bar areas are located either side of the loggia with a further entrance located off Waghorn street which currently opens into a more recently constructed beer garden that is fenced off from street access. The ground floor verandah to Brisbane and Waghorn Street elevations has timber posts, a cast iron valance and a recently replaced steel roof structure with curved Colorbond roof sheeting and slotted ogee guttering.
|
|
To cover their relationship Wani pretends Nick is helping him write a screenplay of The Spoils of Poynton as well as helping him establish Ogee, a luxury magazine Wani wants to create. Nick discovers by accident that Gerald is having an affair with his assistant, Penny, which disturbs his view of the Feddens. Catherine has now been diagnosed as being bipolar and is on lithium, which helps to control her mood swings. She realizes that Nick is having an affair with Wani when the two of them spend time at the Feddens French country home and urges him to be careful after her godfather dies of AIDS.
|
|
It is the north and west ranges of the house that have never received the architectural acclaim they deserve, remodelled circa 1750 to a design by the architect Thomas Iremonger, with battlements and ogee topped windows, they are a form of gothic known as Strawberry Hill. This style predates the so-called invention of Strawberry Hill Gothic at Horace Walpole's house by nearly twenty years. The interior of the house was also remodelled at this time, when a suite of magnificent state rooms were created with remarkable rococo ceilings, and superb marble fireplaces. One fireplace is of especial note carved by Sir Henry Cheere.
|
|
In about 1340 the chancel and north aisle were rebuilt and the chancel arch was enlarged. The Decorated east window, an ogee- headed south window and matching tomb recess in the chancel, and one of the windows in the north aisle, all date from this time. In the 15th century three of the single lancets on the north side of the clerestory were replaced with two-light square-headed windows, two large windows were inserted in the south wall of the south chapel and one in the south wall of the chancel. Also 15th century are the piscinas in the chancel and south chapel, and the octagonal font.
|
|
That the eventual design for the chapel avoided the temptation towards eclectic over- adornment sometimes associated with excesses of romantic mediaevalism, for which the derogatory term Gothick can be used. By satisfying the Abney Park Cemetery Company Directors' preference for a low gothic style, William Hosking helped focus visual attention on the chapel's one elaborately designed elevation – the crenelated and decorated south elevation. This facade was set between two octagonal stair turrets, with newell staircases inside, illuminated by simple oculus windows. These led to dramatic viewpoints over Dr Watts' Walk, as well as to an internal viewing platform above an ogee arch with trefoil panels and quatrafoil.
|
|
The > influence of Venice was then at its height. Even in the relatively hostile > Republic of Ragusa the Romanesque of the custom-house and Rectors' palace is > combined with Venetian Gothic, while the graceful balconies and ogee windows > of the Prijeki closely follow their Venetian models. In 1441 Giorgio Orsini > of Zadar, summoned from Venice to design the cathedral of Šibenik, brought > with him the influence of the Italian Renaissance. The new forms which he > introduced were eagerly imitated and developed by other architects, until > the period of decadence – which virtually concludes the history of Dalmatian > art – set in during the latter half of the 17th century.
|
|
The sleep-outs have casement windows above balustrade height, and different overall detailing to each floor; the ground floor has recessed arches to the front and side; the first floor has a rectangular moulding to the balustrade section; and the second floor has an infilled lattice pattern to the balustrade section. A recessed, covered entry is located centrally, and consists of paired timber panelled doors and sidelights with glass panels to the upper section. The glass panels to the doors have ogee shaped framing to the outer, upper corners. The entrance has a shaped arch, stylistically similar to the shaped gable to the parapet above, and is accessed via a flight of three brick steps.
|
|
Tom Tower seen from Tom Quad Print of 1675, before Wren's additions, David Loggan, Oxonia Illustrata St Aldates Tom Tower is a bell tower in Oxford, England, named after its bell, Great Tom. It is over Tom Gate, on St Aldates, the main entrance of Christ Church, Oxford, which leads into Tom Quad. This square tower with an octagonal lantern and facetted ogee dome was designed by Christopher Wren and built 1681–82. The strength of Oxford architectural tradition and Christ Church's connection to its founder, Henry VIII, motivated the decision to complete the gatehouse structure, left unfinished by Cardinal Wolsey at the date of his fall from power in 1529, and which had remained roofless since.
|
|
Wren never came to supervise the structure as it was being erected by the stonemason he had recommended, Christopher Kempster of Burford.Seven letters of Wren to John Fell, Bishop of Oxford, and other documents were published in Wren Society 5 (1928). Tom Tower seen from immediately adjacent to the St Aldates entrance to Tom Quad Christ Church, beneath Tom Tower, looking in towards Tom Quad. In 1732–34, when William Kent was called upon to make sympathetic reconstruction of the east range of Clock Court in Wolsey's Tudor Hampton Court Palace, he naturally turned to the precedent of Tom Tower for his "central ogee dome with its coronet of pilaster-like gothick finials".
|
|
In 14th century Egypt, the Mamluks began building stone domes, rather than brick, for the tombs of sultans and emirs and would construct hundreds of them over the next two and a half centuries. Externally, their supporting structures are distinguished by chamfered or stepped angles and round windows in a triangular arrangement. A variety of shapes for the dome itself were used, including bulbous, ogee, and keel-shaped, and included carved patterns in spirals, zigzags, and floral designs. Bulbous minarets from Egypt spread to Syria in the 15th century and would influence the use of bulbous domes in the architecture of northwest Europe, having become associated with the Holy Land by pilgrims.
|
|
The domes were constructed in circular rings, with the sizes decreasing towards the top of the dome and, because of this, it is possible that elaborate centering may not have been needed. Collapsed remains of some domes has revealed a layer of brick beneath the external stone, which could have supported and aligned the heavier stone during construction. Although the earliest stone domes do not have them, horizontal connections between the ashlar stone blocks were introduced in the fourteenth century, such as those made of teak wood in a dovetail shape used in the Mausoleum of Farag Ibn Barquq. Dome profiles were varied, with "keel-shaped", bulbous, ogee, stilted domes, and others being used.
|
|
The artwork is stylistically akin to the tomb carving in nearby St. Johannisberg (constituent community of Hochstetten-Dhaun) and at the Pfaffen-Schwabenheim collegiate church. The motif of the crockets along the ogee, on the viewer's left turned away and on his right opened towards him, are otherwise only found on the west portal of St. Valentin in Kiedrich in the Rheingau. Brought to light in 1985 during restoration work beneath the tympanum was an atlas in the shape of a male figure, which because of his arm warmers reaching down over his palms is described as the Bauhandwerker – roughly "construction worker". The atlas was, after painstaking analysis, walled up again for conservational reasons.
|
|
There is little evidence of the building work that must have been done in the early 1700s following a period of near-disuse and it may have been restricted to repairs. Substantial alterations in the 1760s and 1770s included the replacement and repitching of the great hall roof, the new gothic south window of the great hall complete with the ogee parapet above it and the provision of a ceiling within the hall. At the same time, the west wing façade was remodelled in "Chinese Gothic" style. Sir Arthur Elton (7th Bt) began updating the house before 1850 (and the lodge at the gate dates from 1851) but it was in 1860s that he made major changes.
|
|
The mill in 2005 Moulton Windmill Moulton Windmill in the Lincolnshire village of Moulton, between Spalding and Holbeach is a restored windmill claimed to be the tallest tower mill in the United Kingdom. The nine-storeyed mill is 80 ft (24.4 metres) to the curb and 100 ft (29.6 metres) to top of the ogee cap. In full working order again with its (or her) four patent sails on, Moulton mill is the tallest working windmill in Great Britain and one of the tallest worldwide. (The 9-storey tower windmill at Sutton, near Stalham, Norfolk has about 67 ft 6 in to the curb, 79 ft 6 in to the top of the Norfolk boat-shaped cap).
|
|
The house typical three-bayed bahay na bato, its ground-floor walls of adobe blocks support an upper story of carved acanthus consoles of molaveseemingy support the windows sills. The Ventanilla or "little windows" beneath the window sill are a typical of the 1850s. The ogee arches carved on the doors were inspired on the facade of Bauan Church, where it first appeared in Batangas. The doors of the central bay lead to a short flight of stairs to the meseta or landing with its doors opening to the entresuelo or mezzanine chamber that had capiz windows opening to the zaguan and a window on the street side with a wrought iron rejas na buntis.
|
|
Day often employed popular design motifs such as ogee curves, serpentine curvatures, and spur motifs; the latter two are commonly seen on Day's chairs. With each of his personal stylistic motifs, Day worked to create balance within motion, and method and symmetry within improvisational spontaneity in his furniture. Another common design tool employed by Day is the interplay between positive and negative space, where positive space is created by actual wood, and negative space is created by the empty spaces between wooden elements on his pieces. By bordering the positive spaces on his furniture with curvatures, Day formed eye-catching negative spaces as well that were meant to again create a sense of balance within the piece.
|
|
Trinity Abbey, Vendôme, highlighting the flame-like motifs associated with the Flamboyant style (completed 1507) Great West Window, York Minster (1338) Flamboyant (from ) is an ornate architectural style that was developed in Europe in the Late Middle Ages and Renaissance, from around 1375 to the mid-16th century. A form of late Gothic architecture, it is characterized by double curves forming flame-like shapes in the bar-tracery, which give the style its name. Flamboyant tracery is recognizable for its flowing forms, which are influenced by the earlier curvilinear tracery of the Second Gothic (or Second Pointed) styles. Very tall and narrow pointed arches and gables, particularly double-curved ogee arches, are common in buildings of the Flamboyant style.
|
|
Wild men support coats of arms in the side panels of a portrait by Albrecht Dürer, 1499 (Alte Pinakothek, Munich). The wild man (also wildman, or "wildman of the woods") is a mythical figure that appears in the artwork and literature of medieval Europe, comparable to the satyr or faun type in classical mythology and to Silvanus, the Roman god of the woodlands. The defining characteristic of the figure is its "wildness"; from the 12th century they were consistently depicted as being covered with hair. Images of wild men appear in the carved and painted roof bosses where intersecting ogee vaults meet in Canterbury Cathedral, in positions where one is also likely to encounter the vegetal Green Man.
|
|
The volume content of the dams is . The gross storage capacity created is at the Full Reservoir Level (FRL) of . The spillway, structure has an Ogee shaped downstream slope designed to dispose a design flood discharge of (the maximum probable flood discharge of and a breaching section is provided between the NOF block and the earth dam section, controlled by 41 radial gates of x size erected over the crest of the dam. In addition, four river sluices (gate controlled) are also provided in the body of the spillway pier numbers 3, 4, 5 and 6 with outlet level at , with each sluice designed for a discharge capacity of for silt flushing.
|
|
CO.UK While at first glance there appear some anomalies of design, such as the ogee domes which, though Gothic in shape, are more redolent of the English Renaissance style, the house was actually in the Strawberry Hill Gothic style popularized by Horace Walpole. George Durant bought the estate at Tong in 1764 and commissioned Lancelot "Capability" Brown to provide plans for rebuilding the castle and to improve the landscape around the castle in 1765. Brown's account book shows a charge to Durant in 1765 for "Various Plans for the alterations of Tong Castle. My Journeys there several times" covering both the house and grounds, and making it Brown's first commission in Shropshire.
|
|
Original built in the 12th century, St Donat's retains architectural features from all five of its different stages of growth. The chancel arch is evidence of its 12th century construction, plain, round-headed with primitive caps. The double headed double-chamfered tower arch is believed to be early 14th century, while the north chancel chapel, with its square-headed three light eastern window, was added later that century. The chancel was reconstructed in the 15th century with many features from that build still in evidence: the piscina (altar basin) with cusped ogee hood, the nave with its north porch, the corbelled parapets to the nave with gargoyles and the corbelled tower battlements.
|
|
The design involved a symmetrical frontage with eleven bays facing South Beach; the central section featured a round-headed doorway on the ground floor flanked by turreted bays; there were four triple-windows, each with an ogee moulding, on the first floor; the building also turreted corner bays and a central clock tower with a cupola. Internally, the principal room was the public hall, which was in the centre of the building, lying parallel with the main frontage. The clock tower gained some fame from the song Lovely Stornoway which was sung by Calum Kennedy in the 1960s. The building served as the headquarters of Stornoway Town Council until it was absorbed into Comhairle nan Eilean Siar in 1975.
|
|
Striped ogee awnings across the footpath were supported by decorative posts with cast iron infill. Each shop had a separate roof, some lit by lanterns and the individual tenancies were also marked by the visual separation of the facades by the use of classic revival pediments, urns, and balustrades. Although this row of shops was designed as five tenancies, two were owned by Albert Gorrie, who conducted a bakery in one and leased the other, and three by Thomas Gaydon, which were occupied as a single tenancy by Wyper Brothers, ironmongers, who also sold furniture and hardware. Pettigrew's Hardware who succeeded them in the 1920s, also used all of the Gaydon owned space, which practice seems to have continued.
|
|
The Elijah Kellogg Church is located in Harpswell Center, on the east side of Harpswell Neck Road, opposite the 1750s Harpswell Meetinghouse. It is a single-story wood frame structure, with a gable roof, exterior mostly finished in clapboards, and a granite foundation. The roof is capped by a multi-stage tower, whose short first stage is finished in matchboard, with a taller second stage with corner pilasters, and an open square belfry with an entablatured cornice supported by pilastered posts, and a steeple above. The most prominent feature of the main facade is the entrance, which is set in an ogee-carved archway with tracery windows above and flanking the doors.
|
|
Nolichucky Dam is a dam on the Nolichucky River near Greeneville, Tennessee, maintained by the Tennessee Valley Authority (TVA).Nolichucky River, in Tennessee Watersheds - EAST, Tennessee Department of Environment and Conservation website The dam is located just over upstream from the mouth of the Nolichucky, and impounds Davy Crockett Lake, which extends upstream from the dam. The dam is a concrete gravity overflow type dam high and long.Nolichucky Dam and Davy Crockett Reservoir, Tennessee Valley Authority website The dam has an ogee-type spillway with a flashboard crest. Its reservoir, Davy Crockett Lake (named for the folk figure who was born a few miles upstream from the modern dam site in 1786), has roughly of water surface.
|
|
Minshull Vernon United Reformed Church Minshull Vernon United Reformed Church is located at the junction of Cross Lane, Brookhouse Lane and Eardswick Lane. Originally a Congregational Chapel, the grade-II-listed church dates from 1809–1810 and was substantially altered in around 1880. It is in brown brick with Victorian stained-glass windows featuring ogee tracery; a single original arched window with "Y" tracery survives in the north gable.Images of England: Minshull United Reformed Church (accessed 4 March 2009)Cheshire County Council: Revealing Cheshire's Past: Minshull United Reformed Church (accessed 5 March 2009) The Church of England parish church of St Peter, Leighton-cum-Minshull Vernon, on Middlewich Road north of Bradfield Green was founded in 1840.
|
|
The sinister supporter appears to be the Courtenay dolphin. This porch was erected with a chantry chapel in 1517 by John Greenway (1460–1529), a merchant of Tiverton, whose monogram is visible in the spandrels either side of the ogee arch. He added the Courtenay heraldry to his building as a sign of deference to the powerful Earl, lord of the manor of Tiverton, whose seat of Tiverton Castle was situated adjacent to the north of the church William Courtenay, 1st Earl of Devon (1475 – 9 June 1511), feudal baron of Okehampton and feudal baron of Plympton,Pole, Sir William (d.1635), Collections Towards a Description of the County of Devon, Sir John-William de la Pole (ed.), London, 1791, p.
|
|
Küchemann and others at the RAE continued their work on the slender delta throughout this period, considering three basic shapes; the classic straight-edge delta, the "gothic delta" that was rounded outwards to appear like a gothic arch, and the "ogival wing" that was compound-rounded into the shape of an ogee. Each of these planforms had its own advantages and disadvantages in terms of aerodynamics. As they worked with these shapes, a practical concern grew to become so important that it forced selection of one of these designs. Generally one wants to have the wing's centre of pressure (CP, or "lift point") close to the aircraft's centre of gravity (CG, or "balance point") to reduce the amount of control force required to pitch the aircraft.
|
|
These included a first floor walkway decorated with ornamental arches, distinctive ogee domed 'onions' which topped sanitorium towers, and can be seen from many points in the locality, slim spiky gables above the tall chapel windows, elaborate strapwork in the Dutch gables of the staff houses, turrets and balconies. It was constructed of Leicester red brick with dressings of Ancaster stone, in a neo-Flemish style. The hospital was designed with a symmetrical, pavilion layout consisting of a large central administrative block flanked by two blocks (pavilions) of Nightingale wards on either side. An open walkway acted as a spine connecting the administration block to the ward blocks - spanning the whole width of the building's five blocks (1/8 mile).
|
|
The vast majority of the church as seen from the south elevation is of new stone dating from this rebuild in the 1530s. However, the east bay of the north aisle uses stonework dating from the 14th century, and the west bay from the 15th century, suggesting that much of the masonry of the earlier structure was incorporated into the new Tudor building. The smaller windows, rough joint with the tower, lack of embattled parapets, and large sections of arch mouldings which make up the North wall all suggest that this was the case. Within the chancel, a 15th-century sedilia and piscina in a four-arch arcade, and an ogee-arched aumbry are located to the South of the altar and predate the current structure.
|
|
Goodman's Buildings is a two-storey rendered brick commercial and residential building with Victorian Filigree details, high parapet and façade which curves around the Parramatta Road and Johnston Street corner. The building houses thirteen separate shops and residences above with renovated shopfronts on the ground floor with suspended awnings and narrow balconies over on the Parramatta Road frontage and wide posted balconies along the Johnston Street frontage. The first floor balconies all feature cast iron lace balustrade and posts which support the corrugated iron roof (ogee profile). Large double hung timber framed windows are regularly spaced along the first floor facades topped by rendered cornice and mouldings and bayed parapet with moulded cement balustrade and decorative urns at the end of each bay.
|
|
The middle bar has one large opening with a roller door, and the southern bar has been incorporated into the adjoining Royal George Hotel. The southern bar has a raised timber deck constructed over the footpath, and the front wall consists of two sets of folding timber framed glass doors either side of a timber framed window servery. The first floor elevation is original and comprises a central cantilevered verandah with turned timber posts and balusters, and an ogee shaped corrugated iron awning with oversized dentils to the eaves. A pediment with oversized dentils to the entablature surmounts the awning fronting the parapet, and is flanked by the letters WR on the southern side, and the date 1901 on the northern side.
|
|
Dome supporting elements and all the openings on the building end in characteristic ogee oriental arches. Minaret - a thin tower with conical roof, with a circular terrace at the top, from which the faithful are called to prayer by the muezzin - is located on the northwest exterior side. Opposite the entrance, in the interior of the mosque, there is the most sacred space - the mihrab, a shallow niche with elaborate vault decoration, set in the direction of the holy city of Mecca to the southeast, while the raised wooden pulpit (minber or mimbar) is set to the right of the mihrab, in the south-west corner. Above the entrance, there is a wooden gallery (mahfil) from which one can come to the serefa, terrace on the minaret.
|
|
The house was built sometime during 1622–1625 for George Calvert, Secretary of State to James I, who later became first Lord Baltimore and founder of Maryland in what is now part of the United States. Initially built as a hunting lodge it was a slightly rectangular building fashioned of red brick with diamond patterning known as diapering formed from blue-black headers incorporated into the brick bond. Kiplin had four towers, which unusually, were not placed at the corners of the structure, but at the centre of each of the four walls – the north and south towers containing staircases, whilst the east and west comprised part of the rooms in which they were contained. At the summit of each tower is an ogee dome.
|
|
The focal point of the facade, the gatehouse, has multi-faceted turrets at its corners, In 1885, the gatehouse was given a Gothic makeover, which included raising its height and adding the fan vaulting to the ceiling of the passage leading, not to a great base court, as such grandiose architectural feature would suggest, but to a small glazed inner courtyard (the Winter Garden). The north wing was included in the remodelling work of 1805 and given ogee headed windows in the delicate Strawberry Hill Gothic style, popular at turn of the 19th century; it was a forerunner of the more medieval ecclesiastical Gothic style that was to characterise the architecture of the 19th century, and employed at Ashton Court during the 1885 alterations.
|
|
John Smith was the architect of Banchory Ternan East Church, and his 1825 plans showing the seating arrangements for the heritors and their tenants are held by the congregation. The style of the building is very typical of his work: the ogee profile of the coping stones on the front boundary wall is his personal "trade mark" being found on most of his buildings. John Smith (1781–1852), known as "Tudor Johnie", was Aberdeen's first city architect. Most of his churches are in the Perpendicular Gothic style; Udny and Nigg are not unlike Banchory, while Aberdeen South in Belmont Street (now a theme pub), St Clement's in Footdee (closed), and Fourdon (=Auchenblae) Parish Church are more grandiose exercise of the same genre.
|
|
For many years Gothic architecture had been moving toward the low lines of the Tudor style, somewhat impelled by the widespread effects of the Italian trecento. Yet the physical and mental insularity of England made absolute change a very slow process, and it was not entirely achieved during the reign of Elizabeth I. Thus, instead of the exquisite lightness of the pointed and ogee arches, an arch from the time of Henry VIII barely lifts itself above the level of a straight lintel, under square spandrels. The effects of the Italian Renaissance spread slowly to England, although the Artists of the Tudor court included many immigrants from more advanced milieus. Pietro Torrigiano, Holbein and others were in touch with the latest movements on the Continent.
|
|
San Diego residents had initially rejected proposals to build the San Vicente Dam in 1939 but after the realization of the city's growing population, voters quickly approved funding for the San Vicente Dam in 1940. Construction on the dam included pouring concrete into blocks measuring and incorporating a wide uncontrolled ogee-type spillway on the dam's downstream face. The outlet works, which release water for municipal use, connected the reservoir intake on the upstream side of the crest with San Vicente Pipelines 1 and 2 via three cast-iron pipes in diameter. In 1944, the San Diego County Water Authority (SDCWA) was formed and would soon begin construction on an aqueduct from the Colorado River Aqueduct called the San Diego Aqueduct to supply projected future water needs.
|
|
The former barber shop is now a jewellers and is one shop within a row of five single story masonry shops built conjointly on the south side of Churchill Street, Childers' main street adjoining the Palace Hotel. It has a corrugated iron roof concealed by a parapet and in common with the other shops in this group and other buildings on this side of the street, has a classical revival pediment with a balustraded parapet topped by urns. The interior is lit by a lantern in the roof and appears to have changed little. The shopfront is also much as original and is shaded by an ogee profile corrugated iron awning to the street supported by posts, although the cast iron valance is no longer present.
|
|
Ogee arches and balconies containing human figures, rear view, circa 2nd century BCE, found from archeological excavation of Katra Keshavdeva. Now in left left According to Hindu traditions, Krishna was born to Devaki and Vasudeva in a prison cell where they were confined by his maternal uncle Kansa, a king of Mathura, due to prophecy of his death by the child of Devaki, and a temple dedicated to Krishna was built the birthplace by his great grandson Vajranabh. The present site known as Krishna Janmasthan () was known as Katra () Keshavdeva. The archaeological excavations of the site had revealed pottery and terracotta from 6th century BC. It also produced some Jain sculptures as well as a large Buddhist complex including Yasha Vihara, a monastery, belonging to Gupta period ().
|
|
The Lomas Rishi doorway, states James Harle, the "earliest example of the caitya arch", later to develop into the gavaska (ogee arch in European Gothic architecture), a feature that later became "the most ubiquitous of all Indian architectural motifs". According to Arthur Basham, the elephant and other motifs carved at the entrance caitya arch and the walls of the Lomas Rishi cave are those of Ajivika, and this taken with the inscription of Ashoka giving nearby caves to them, suggests they were the original inhabitants. They abandoned the caves at some point, then Buddhists used it because there are the Bodhimula and Klesa- kantara inscriptions in this cave's door jamb. Thereafter a Hindu king named Anantavarman, of Maukhari dynasty, dedicated a Krishna murti to the cave, states Basham, in the 5th or 6th century.
|
|
Made with two horizontal rails connected by several vertical rails with two diagonal bracing rails, it is heaved into place by feeding the two horizontal rails into two larger holes in one gate post, and then heaved in the other direction tightly into two smaller holes in the other gate post. From the seventeenth century, a type of building material called 'mathematical tiles' were used, and their use in Sussex became very common in the closing years of the 18th century. The architectural feature known as the 'boat porch' is a type of ogee-arched rendered porch found only in Worthing. Important Norman architecture in Sussex includes Chichester Cathedral, the ruins of Lewes Priory and Battle Abbey as well as Norman remains in the castles at Arundel, Bramber, Lewes, Pevensey and Hastings.
|
|
Windows became larger, increasing the number of mullions (the vertical bars dividing the main part of the window) between the lights; above them, within the arch of the window, the tracery was formed using shapes styled 'daggers' and 'mouchettes', trefoils and quadrifoils; completely circular rose windows were made, incorporating all manner of shapes. More formal reticulated (netlike) tracery can also be found, as in Wells Cathedral. Exotic forms included the ogee arch, in which the curves of the arch are reversed in the upper part thus meeting at an acute angle at the apex; others included so-called Kentish tracery with its insertion of spikey points between the rounded lobes of trefoils and quatrefoils. Larger windows inevitably weakened the walls which were now supported by large exterior buttresses which came to be a feature.
|
|
The upper chamber over the main entrance has on both fronts a single tall arched window of pierced stone tracery: a central mullion branches to form two equal cusped ogee arches supporting a circular member in the head of the main window arch, intersected by a sigmoid curve in the north side and by a triskele device in the southern window. Externally this appears (on both fronts) as the central window in an arcade of three equal arches filling the breadth of the wall. The outer arches are executed in blind flushwork tracery: those of the north front both have a fourfold division of the upper circle, but with opposing or mirrored rotation. On the south front the flushwork tracery represents windows with paired mullions branching into a lattice of cusped quatrefoils above.
|
|
Walpole's Gothic house at Strawberry Hill was begun in 1749, expanded in 1760, and completed in 1776. Thus the comparatively early date of 1765 for Tong Castle to be erected in this fairly rare style would today have made Tong of the highest architectural grading class. The crenellated towers and pediments coupled with the paned, rather than traditional Gothic leaded, windows crowned by ogee curves are typical of this style, as too are the generous bay windows with circular windows and cruciform motifs in the upper levels. The later 19th-century Gothic tended to be more ecclesiastical and sombre in mood, with dark rooms lit by lancet windows while the earlier Gothic had larger windows and a "joie de vivre" of design not found in later versions of the style.
|
|
The main hall was completed in 1688 according to Nicholas Pevsner, and the adjoining farmhouse is dated "IC 1691", It is built of grey ashlar, with a graduated stone slate roof. The hall is a 2-storey building, with 7 bays on each floor, and a central door displaying a coat of arms and a steep broken swan-neck pediment. 6 of the ground floor windows are fitted with light ogee mullion and transom windows, with marginal glazing bars and keystones, and all of the 7 first floor windows are sash windows with marginal glazing bars, cyma-moulded surrounds and keystones. On the rear is a wing, with a hipped roof and quoins, mullion and transom windows; the 2 storey farmhouse extends from this wing, with 3 bays on each floor, and a central chimney stack.
|
|
The East front: the original approach to the mansion once faced a large entrance court Built in what came to be considered the English Renaissance style, the east front, the intended principal façade, is distinguished by its Dutch gables decorated with clambering stone monkeys and other animals. Architecture during the early English Renaissance was far less formal than that of mainland Europe and drew from a greater selection of motifs both ancient and modern, with less emphasis placed on the strict observance of rules derived from antique architecture. This has led to an argument that the style was an evolution of Gothic rather than an innovation imported from Europe. This argument is evident at Montacute, where Gothic pinnacles, albeit obelisk in form, are combined with Renaissance gables, pediments, classical statuary, ogee roofs and windows appearing as bands of glass.
|
|
Mount Coot-tha Lookout, 1930 Looking at the view has been the most popular and continuing form of recreation on Mount Coot-tha, and in 1882 the Duke of Clarence and Prince George (later King George V) commemorated their visit to Mount Coot-tha by planting two Moreton Bay Fig trees on the summit. By 1902 the viewing spot had been formalised by the erection of a stone pillar topped with a metal plate engraved with directional lines pointing to distant landmarks and views. There were also protective railings and a pay-as-you-look telescope. Their Royal Highnesses the Duke and Duchess of York enjoy a morning at Mt. Coot-tha April 1927 A small viewing gazebo with an ogee shaped roof, stone base, open balustrades, pergola entrance, and housing a telescope was constructed c.1918.
|
|
In its interior on both sides are located several sepulchers. On the right wall of the Epistle, on the door that leads to the ambulatory, there is the Gothic- Burgundian burial, of the bishop Alfonso Carrillo de Albornoz, cardinal of San Eustaquio, (1424 - 1434); was commissioned by his nephew the bishop Alfonso Carrillo de Acuña, is the recumbent figure treated with great realism, and is held as an example of Castilian Gothic funerary sculpture of the 15th century, at its sides are the statues of St. Peter and St. Paul and above these some pinnacles ending in a row of blind arcades the sepulcher is inside an ogee Among others is also the sepulcher of Bishop Peter of Leucate, first builder of the cathedral, although the recumbent image was made, later, by order of Cardinal Mendoza, with pontifical dress, mitre and crosier, therefore with vestments after his death.
|
|
Inner courtyard of Casa Quintana in 2012 The remaining building preserves little of the century of its origin, the XVI century. Of this the most striking is a door on the left side of the inner courtyard that is topped by a late Gothic arc of memories, specifically those known as ogee arch.Article of the Quintana House in the Historical Heritage portal of the Gran Canaria council Source: Cabildo of Gran Canaria The architecture conforms to the traditional domestic architecture of the well-to-do class of the Canary Islands: through its main facade crosses the vestibule that gives access to the interior courtyard, from which various rooms depart, as well as the staircase that leads to the upper floor. On this floor are found interesting Mudejar wood paneling with rococo details as well as the cupboard attached or recessed in the dining room.
|
|
The writer Simon Jenkins said that the quadrangle has "the familiar Oxford Tudor windows and decorative Dutch gables, crowding the skyline like Welsh dragons' teeth and lightened by exuberant flower boxes". Betjeman, describing the first and second quadrangles, said that they had "what look like Cotswold manors on all sides", adding that "The clearness of the planning of Jesus College and the relation of the heights of the buildings to the size of the quadrangles make what would be undistinguished buildings judged on their detail, into something distinguished". The 19th-century antiquarian Rowley Lascelles, however, described the ogee gables as "dismal" and called for them to be cut down into "battlements" (crenellations) to match those on the hall bay window; he went further, saying that "this whole College requires to be gothicised, as it is called; that is, mannered into the pointed style. It is a good subject for it".
|
|
Personal communication from Roy Bertorelli, onetime owner of Creeksea Place A short distance from Creeksea Place at is the parish church of All Saints, entirely rebuilt in 1878, but retaining features from the original church built on the site, such as the 14th century South doorway, cinquefoiled ogee lights on either side of the archway and various artifacts within the church. The square stone bowl of the original font, believed to date from the year 1125, was found on the Cricksea glebe being used as a step to the barn. The church stands behind the building known as Creeksea Hall (), another building of considerable vintage, and all to be found in the area of Essex known as the Dengie Hundred. Following brief occupation by Lindisfarne College, Creeksea Place was used by British military units during World War II but, since that time, the main building has been uninhabited.
|
|
These are original, though the chancel roof has been restored. The Lady Chapel in the form of a small apse in the south transept aisle has an original structural stone reredos, its own stone vault, and a very fine late 13th century statue of the Virgin and Child. (This statue, relocated from the exterior below the east window, has been 'linked stylistically' by Pevsner to a similar statue over the south door of St Mary's Church, Welwick, and attributed to a school of Beverley masons who produced numerous sculptures and monuments in the area, including the famous Percy tomb in Beverley Minster.) An extra bay between the crossing and the chancel arch, corresponding to the transept aisles, adds a surprisingly satisfying depth to the composition. In the chancel are sedilia and piscina with low ogee gables and much crocketing, opposite a stone Easter Sepulchre in the same spirit.
|
|
Detail of the south facade The exterior of the west facade of the basilica is divided in three registers: lower, upper, and domes. In the lower register of the façade, five round-arched portals, enveloped by polychrome marble columns, open into the narthex through bronze-fashioned doors. The upper level of mosaics in the lunettes of the lateral ogee arches has scenes from the Life of Christ (all post-Renaissance replacements) culminating in a 19th-century replacement Last Judgment lower down over the main portal that replaced a damaged one with the same subject (during the centuries many mosaics had to be replaced inside and outside the basilica, but subjects were rarely changed). Mosaics with scenes showing the history of the relics of Saint Mark from right to left fill the lunettes of the lateral portals; the first on the left is the only one on the façade still surviving from the 13th century.
|
|
The new "high ground floor" thus created lies at the level of the sills of the Gothic windows. Likewise about 1566, in an attempt to gain more stabling room, a wooden middle floor was built in, which is now important to the building's history for both its age and its shaping in the Renaissance style. Since both the later building jobs – the vaulted cellar and the middle floor – came to be in the course of the chapel's profanation after the Reformation was introduced, they can also be considered witnesses to the local denominational history. The west portal's outer tympanum, which shows, under a mighty ogee, in the style of the Frankfurt School, a calvary with Jesus, Mary Mother of God and John the Apostle as well as two thurible-swinging angels attending, is the only one with carved ornamentation in the Nahe-Glan region that has been preserved from the Middle Ages.
|
|
From the inlet a 1 890 mm diameter tunnel leads to a control room 91.44 m downstream of the inlet. The control room is accessed by a tunnel from the left bank downstream of the dam wall. In the control room the water flows through a 1 219 mm steel pipe. thumb General Owner: Department of Water Affairs Designer: Department of Water Affairs Type: Double curvature arch dam Built by: Department of Water Affairs Region: Western Cape Nearest Town: De Doorns Completion date: 1969 Purpose: Irrigation and domestic use Size: Large Classification: Category 3 Capacity 7.73 x 10'6 m3 Concrete arch Spillway type: Uncontrolled ogee Non-overspill crest level: RL 577.492 m Full supply level: RL 572.92 m Freeboard between NOC and FSL: 7.572 m Height above riverbed: 65.53 m Effective crest length of spillway: 74.371 m Capacity of spillway: 1 659 m3/s Roode Els Berg Dam is dam in South Africa.
|
|
The Barabar Hill Caves are the oldest surviving rock-cut caves in India, dating from the Maurya Empire (322–185 BCE), some with Ashokan inscriptions, located in the Makhdumpur region of Jehanabad district, Bihar, India, north of Gaya. These caves are situated in the twin hills of Barabar (four caves) and Nagarjuni (three caves); caves of the -distant Nagarjuni Hill are sometimes singled out as the Nagarjuni Caves. These rock-cut chambers bear dedicatory inscriptions in the name of "King Piyadasi" for the Barabar group, and "Devanampiya Dasaratha" for the Nagarjuni group, thought to date back to the 3rd century BCE during the Maurya period, and to correspond respectively to Ashoka (reigned 273–232 BCE) and his grandson, Dasharatha Maurya. The sculptured surround to the entrance to the Lomas Rishi Cave is the earliest survival of the ogee shaped "chaitra arch" or chandrashala that was to be an important feature of Indian rock-cut architecture and sculptural decoration for centuries.
|
|
The imposing façade has a Neoclassical style; on the ground floor there are three openings: an entrance with an ogee arch, small cornices formed by several elements, and two rolling shutters leading into two big rooms. The balcony on the first floor is very large, and its landings are supported by stone brackets, with decorations; the banister is made with wrought iron.Roberto Calia: I Palazzi dell'aristocrazia e della borghesia alcamese; Alcamo, Carrubba, 1997 On the north side, in Via Arco Itria, there are four recent windows, four balconies on the first floor (two of them smaller and decorated); behind the main façade, in Via Stefano Polizzi, there are three front doors leading to some warehouses, and a small entrance leading to the second floor. The whole façade ends with a cornice dominated by eight torch-standers: these decorative elements are similar to those of Palazzo Pastore, located in Corso 6 Aprile, and the other ones in the main façade of Mother church.
|
|
The frontal design of the station is comparable with that of local buildings in the same architectural style, such as the Railway Administration Building directly across the road (left) and various administrative buildings around Merdeka Square. When originally completed in 1910, the Kuala Lumpur railway station consisted of a main terminal building at the front and three platforms serving four railway tracks at the back. The main structure, which contains a main hall, ticket counters, railway offices and the railway hotel, is primarily designed in a "Raj" styling, mixture of Western and Mughal similar to Moorish Revival or Indo- Saracenic architecture. Dominated by horseshoe and ogee arches, and large chhatris (six originally, with two added later) at the corners of the building accompanying smaller variations at the front, the station is comparable to its contemporaries like the Sultan Abdul Samad Building, surrounding structures constructed around the Merdeka Square and the Railway Administration Building directly across the street.
|
|
Close up on a bottle of Conti de Salis-Soglio Amarone della Valpolicella, 2007. The label features the Count's full heraldic achievement and one of the ogee arched topped windows of the facade of Verona's Palazzo Salis-Soglio. John Bernard Philip Humbert de Salis, 9th Count de Salis-Soglio,Genealogisches Handbuch des Adels, Gräfliche Häuser, Band XIX, 2009 TD, John da Buri, Graf v. Salis-Soglio, (London, 16 November 1947-Cà Buri, Mezzane di Sotto, Veneto, Italy 14 March 2014); SRI Comes, Illustris et Magnificus; former ICRC delegate and envoy; Knight Grand Cross of Honour and Devotion (2000) of the Sovereign Military Order of Malta (knight, 1974), and Knight Grand Cross of the Order of Merit of the Order of Malta with Swords, first ambassador of the Order to Thailand 1986-98, Cambodia 1993-98, president of its Swiss Association (1995-2000) and of CIOMAL (Comité International de l'Ordre de Malte), 2000–08; British soldier and lawyer; Valpolicella vigneron and hereditary Knight of the Golden Spur.
|
|
Southeast Hampshire had a "flourishing local sculptural tradition" in the Georgian era, specialising in memorial tablets and monuments for churches and notable for "excellent lettering and decorative details", and St Thomas à Becket Church has a significant collection inside and in the churchyard. There are two 14th- century tomb effigies: one, in a segmental-arched recess, of Purbeck Marble depicting a praying figure in a long gown, with a later carving of angels raising a soul to Heaven in a napkin at the back of the recess; and another in an ogee-arched recess showing a lady lying with her "finely delineated" hands by her sides (showing a level of detail of "quite unusual excellence") and with her facial features still visible, although the effigy is worn. One historian states they may be daughters of Robert Aguillon of the Aguillon family, who owned land at Emsworth. On the walls are several cartouches of the late 18th and early 19th centuries, at least one signed by J. Morey, a member of a family of sculptors who is buried in the churchyard.
|
|
The church features a mixture of architectural styles due to additions and renovations over several centuries. The floor plan is Cruciform, including a four-bay nave with north and south porches, wide aisles, a tower in the south transept position, a north transept and a three-bay chancel with organ chamber and vestry. The walls are rubble built, the roof is Cotswold stone, and the ashlar tower has parapets. The remaining Norman work is confined to the buttresses and some chip-carved string at the west end of the church. The south porch is gabled, and the shallow north porch from the 17th century masks a 13th-century moulding on the north door, which is framed by yew trees. The north aisle features three late tracery windows and one small 13th century lancet, and the south aisle features 14th century tracery. The chancel includes tall 14th century windows which have been restored, and a flowing east window designed by Pearson. The west window is from the 14th century and reticulated with an ogee arch which ends in a canopied niche.
|
|
The present window has three trefoil-headed lights under a pointed arch. The memorial window to Rev. Ash On both the north and south walls of the chancel can be seen the remains of the original Norman windows, which were exposed during the 1896 improvements. In each case, three of the western jamb stones and two voussoirs are now visible. The present chancel windows are slightly to the west of the originals and are 14th-century single light windows with ogee trefoil heads. At the western end of the south wall of the chancel, there is a second lower window which dates from the 13th century, with a pointed trefoil head and rebated jambs. This contains the only stained glass in the church, the work of James Powell, installed in 1896 to commemorate Rev. Richard Drummond Ash. The image represents Richard de Wych who was Bishop of Chichester from 1244 to 1253, although the face is that of Richard Durnford, the Bishop of the Diocese who had recently died. The inscription below the window reads: > In memory of Richard Robert Drummond Ash, M.A. rector of this parish for 28 > years A.D. 1860–1888.
|
|
Savage men detail The facade, plain facing and topped with a crest, stands out above all for its spectacular main facade, which by its stylistic features it sets regarding the workshop of Gil de Siloé, a Flemish origin artist, who was at that time in Burgos dealing with the royal sepulchers of the Miraflores Charterhouse and is known to have been commissioned to make the defunct altarpiece of the chapel, very in connection with which the sculptor had made in the Conception's chapel or of Bishop Acuña in the Cathedral of Burgos and has obvious similarities to the upper of the main facade of San Gregorio. Perhaps evoking the triumphal arches of the architectures at that time were developing in Central Europe, or perhaps the Islamic Madrasas, architects of this building applying an individually decorated of the Castilian late-Gothic (Isabelline), it has a complex symbolic significance in that mix contemporary figures, saints, allegories, wild men, abundant symbolic of power, etc. It has two bodies framed by two buttresses. The lower hosts a vain lintel decorated with fleur-de-lys, the founder's symbol repeated often enough, covered with three-centered arch in turn covered by another ogee trefoil.
|
|