Europe imports about 29 percent of the British catch, a cornucopia of 22 species that is too exotic for most domestic consumers, such as the cuttlefish and megrim sole sold every morning at Newlyn's market in Cornwall.
|
|
The four-spot megrim (Lepidorhombus boscii) is a species of flatfish in the family Scophthalmidae. It is found a depths between in the northeast Atlantic and Mediterranean. It can be separated from its close relative, the megrim or whiff (L. whiffiagonis), by the dark spots towards the rear of the fins.
|
|
Edward Liveing (8 February 1832 – 2 April 1919) was an English physician who published a theory of migraine pathogenesis in his book On Megrim.
|
|
Liveing's famous book On Megrim was published in 1873. He was elected a fellow of Caius College in 1874. At King's College Hospital, he was made F.R.C.P. in 1874. In addition to his work as an assistant physician at King's College Hospital, Liveing served for the Royal College of Physicians as Assistant Registrar in 1886–1889 and then as Registrar in 1889–1909.
|
|
Family Trees (1984) dealt with family history research. Afterword, a witty two-hander about a writer under pressure from a benefits officer (a response to Vaclav Havel's play Conversation) was performed by Manchester University Drama Society in 1983. Megrim, set in a mythical matriarchy in the Welsh mountains, was performed at King Alfred's School of Speech and Drama, Winchester in 1984.Kay, Lucy (2005), "Maureen Duffy" in Dictionary of Literary Biography, Volume 310: British and Irish Dramatists since World War II, 4th Series.
|
|
In 1992 Jeff formed Megrim with Jason Weiner in Binghamton, New York and recorded original, heavy indie music in the vein of Sebadoh, Dinosaur Jr., and Sonic Youth. In 1994 upon moving to the East Village Jeff played the singer- songwriter scene and recorded another set of songs that earned him local gigs at Sin-é and other clubs (including one he rescheduled missing a gig with the dishwasher, Jeff Buckley.) Just after the New Year 1995 he drove across the country in a car with a hole in the floor to Portland, Oregon. He played the open mic scene there, eventually establishing his Hot Cocoa night at Meow Meow where he met Ben Barnett and other Portland musicians. His first full length came out on tape cassette on Jealous Butcher, Uneasy, and he made a name for himself in local publications.
|
|
However, that colour is also important when it comes to matching up coloured rings later in the game to magnify the effects of spell- casting. One particularly memorable quirk of the game is the ability granted to players to hold simple conversations with traders, other champions, and even enemies during combat. Stock pseudo-medieval phrases such as "Truly my courage is remarkable" and "Begone, thou oaf" are selected using a menu, and can be used in combination to flatter a desired companion, aggravate an enemy, or lower the price of an item which the player wishes to purchase. Many gameplayers have found that the price of a long sword (RRP 10 gold pieces) can fall to as little as 6 or 7 after the shopkeeper has been buttered-up with phrases such as "Thou seems fine" - particularly when this strategy is used in conjunction with the Beguile spell (most effectively cast by Megrim).
|
|
After two seasons in Philadelphia Twaits moved to New York where he appeared at the Park Theatre in June 1805 as Caleb Quotem in The Wags of Windsor opposite the British-born actress Mrs. Elizabeth Ann Westray Villiers (1783-1813) as Leonora. The widow of Thomas C. Villlers, a low comedian and theatre manager for Alexander Placide at the Charleston Theatre,Richard Phillip Sodders, 'The Theatre Management of Alexandre Placide in Charleston, 1794-1812. (Volumes I and II) (South Carolina)', Louisiana State University Historical Dissertations and Theses (1983) pg. 254 and the sister-in-law of William B. Wood, in May 1808 she and Twaits were to marry. Twaits remained at the Park Theatre throughout 1805 in such roles as Megrim in Blue Devils; Dominique in Paul and Virginia; Stave in The Shipwreck; Shelty in The Highland Reel; Goldfinch in The Road to Ruin; Trudge in Inkle and Yarico; Ruttekin in Robin Hood and Dick Dsshall in The Way to Get Married. The remainder of the winter 1805-06 season was spent acting in Boston with Twaits returning to the Vauxhall Theatre in New York in the summer of 1806. Here he played Sparkish in the first American production of The Country Girl in 1806 in New York.
|
|