It was common to take clients, particularly those on overseas jollies.
|
|
But I'm not (just) getting my jollies at your expense, either.
|
|
The ranch isn't some place for ghost hunters to get their jollies.
|
|
A further 860,000 people lost forward bookings, and with them weddings, birthday jollies and more.
|
|
"Sport hunting" conjures up images of rich white guys getting their jollies killing lions and giraffes.
|
|
Let&aposs go back to getting our skincare jollies from something that isn&apost single-use only.
|
|
American enclaves in Ankara, and sailors' weekend jollies in Izmir and Istanbul, contributed to a change in public opinion.
|
|
And if that's as far as you need to dig to get your hardcore jollies, then fine—knock yourself out.
|
|
And if that's as far as you need to dig to get your hardcore jollies, then fine – knock yourself out.
|
|
And it's also not snuff, that quasi-mystical type of porn in which men "actually" murder women for viewers' sexual jollies.
|
|
Changes in searches and popular awareness seem to simply represent a shift in where and how this niche community gets its giant jollies.
|
|
For another, NASA might end up deciding to pay SpaceX for its Moon jollies, just as it pays for rides to the space station.
|
|
All three parts—comprising six episodes—of the late Swedish crime novelist Stieg Larsson's Millennium trilogy are on Netflix for your white-knuckled jollies.
|
|
But it's not worth getting my jollies off just to toodle around in a vehicle designed to intimidate other cars on the road for no good reason.
|
|
Which is a twisted way to look at nuclear blast planning programs, I know, but when it comes to nuclear armaggeddon, you take your jollies where you can.
|
|
The Cambridge natives failed to realize I wasn't a deviant sex criminal exposing myself for jollies, but rather a college student participating in the time-honored tradition of streaking.
|
|
LARS HENRIKSSONKristianstad, Sweden In my early days as a student in Bournemouth, we referred to the over 65s as Woopies and Jollies: Well Off Older People, and Jolly Old Ladies with Lots of Loot.
|
|
And a cocktail, not Pimms, but of other more worrying spirits means the old corporate freebies and jollies are potentially on the wane and the corporate boxes are perhaps a little bit thinner this year.
|
|
A cousin described how he was added to an all-male group full of office colleagues on the second day of a new job where men got their jollies by ranking female colleagues by ass size.
|
|
Giving up the wand meant falling back into the uncomfortable sex I'd been having for the jollies of cis males, who were rarely concerned with my pleasure and didn't want anything to do with gigantic vibrators.
|
|
Many popular upright Fuchsias such as 'Ernie', 'Jollies Nantes' and 'Maria Landy' are extremely tender (hardiness zone 10).
|
|
Two different routes are available. Jacks Pass is much the better. Jollies Pass is rough, poorly maintained and requires 4WD.
|
|
He was now engaged in drilling twelve of the most ruffianly and ill-conditioned of the crew, whom he called his jollies.
|
|
Memorial cairn near the graveyard which is in front of the trees to the left.. Eyre Creek is a locality in Southland, New Zealand, situated to the north-east of the Five Rivers Plain. It lies on , 18 km (11 miles) north of Lumsden. On its northern side is the Jollies Hill Pass (396m, 1300 ft), commonly known as the Jollies, which skirts the western flank of the Mid Dome.
|
|
A good number of Super Jollies were converted into Pave Low special-operations helicopters. PAVE or Pave is an Air Force code name for a number of weapons systems using advanced electronics.
|
|
That album did significantly better commercially than Hardcore Jollies and included "Undisco Kidd", an R&B; Top 30 single. In 1977, Westbound capitalized further by releasing the anthology The Best of the Early Years.
|
|
"Interpolation (replayed sample) of bass": Dr. Dre & Snoop Dogg feat. Daz Dillinger, Kurupt & Jewell, "Bitches Ain't Shit", The Chronic (Death Row, 1992) / Funkadelic, "Adolescent Funk", Hardcore Jollies (Warner Bros., 1976), WhoSampled.com, visited 11 Mar 2020.
|
|
Christmas Jollies II is the 10th studio album done by The Salsoul Orchestra, produced by disco producer Patrick Adams, recorded and released in December 1981 on Salsoul Records. It is the orchestra's second Christmas album. It is the follow-up to Christmas Jollies, but was not as successful as the first album, which was released in November 1976 and produced by Vincent Montana Jr.. Side one features lead vocals by Wendell Morrison and Marian Rolle, who were with The Players Association on the 1980 album, We've Got The Groove, plus Jocelyn Brown. Side two is instrumental, with flutist Art Webb, especially on two disco versions of two tracks, "The Salsoul Christmas Suite", based on "The Nutcracker Suite" and "Joyful Spirit", based on "Jesu, Joy of Man's Desiring".
|
|
The Super Jollies made headlines in November 1970 in the unsuccessful raid into North Vietnam to rescue prisoners-of-war from the Son Tay prison camp, as well as in the operation to rescue the crew of the freighter SS Mayagüez from Cambodian Khmer Rouge fighters in May 1975. The Air Force lost 17 Super Jollies in the conflict, with 14 lost in combat – including one that was shot down by a North Vietnamese MiG-21 on 28 January 1970 while on a CSAR mission over Laos – and three lost in accidents. The HH-53B, HH-53C, and CH-53C remained in Air Force service into the late 1980s. Super Jollies operating in front-line service were painted in various camouflage color schemes, while those in stateside rescue service were painted in an overall gray scheme with a yellow tailband. The first nine HH-53H Pave Lows became operational on 1 July 1980, and were transferred from the Military Airlift Command, where they were to have been CSAR assets, to the 1st Special Operations Wing in the aftermath of the Operation Eagle Claw disaster. Two of the HH-53Hs were lost in training accidents in 1984, and so two CH-53Cs were brought up to HH-53H standard as replacements.
|
|
Whether there was an intentional adaptation of these plays is unclear, but this was repeated the following year with If I Were You (argued to be derived from The Jollies). Whatever the reason for such a light play, it fitted in with the Stephen Joseph Theatre's 50th anniversary season, along with a revival of another Ayckbourn comedy, Time and Time Again.
|
|
The Jollies is a 2002 children's play by British playwright Alan Ayckbourn. It is about a young girl, Polly Jollie, where a magic trick gone awry at her brother's birthday party causes her brother, Billy, to age 25 years, and her mother, Jilly, to become 25 years younger. The play is viewed by some as the inspiration for his 2006 adult play If I Were You.
|
|
The gatherers of the 'Jolly Green Giants' have systems very like that of the eyes, but serve a different purpose. They are used as the hands for the gatherer, and are for more delicate tasks than the 'roots' of the main body can perform. they are also used for speaking, as they are the only part of the 'Jollies' that can generate a sound suitable for the purpose.
|
|
In 1975 Michael Hampton, a teen guitar prodigy, replaced Hazel as the premier lead guitarist in Parliament-Funkadelic, and was a major contributor to the next several Funkadelic albums. Funkadelic left Westbound in 1976 and moved to Warner Brothers. Their first album for Warner was Hardcore Jollies in 1976. Just before leaving Westbound, Clinton provided that label with a collection of recently recorded outtakes, which Westbound released as the album Tales of Kidd Funkadelic.
|
|
Mothership Connection Newberg Session is a live album by George Clinton and Parliament-Funkadelic. It was recorded in Hangar E at Stewart Airfield in Newburgh, New York on September 26, 1976 during the rehearsals for the P-Funk Earth Tour. The live album was released by P-Vine Records in Japan on December 25, 1995. One song that was recorded during the rehearsal, "Cosmic Slop," was released in 1976 on the Funkadelic album Hardcore Jollies.
|
|
In the next several years, Hazel appeared occasionally on Parliament-Funkadelic albums, although his guitar work was rarely featured. One song that featured Hazel's lead guitar is "Comin' Round the Mountain" on Hardcore Jollies (1976). In 1977, Hazel recorded a "solo" album, Game, Dames and Guitar Thangs, with support from other members of Parliament-Funkadelic, including vocals from the Brides of Funkenstein. He was completely absent from One Nation Under a Groove (1978), Funkadelic's most commercially successful album.
|
|
Tommy McCabe (Dennis Morgan) is a cocky nightclub singer who gets his jollies out of making fun of the local police force. In fact, his act includes a parody of a policeman. This does not prove amusing to pretty Jerry Sullivan (Gloria Dickson), the daughter of a police lieutenant (Harry Shannon), nor to Jerry's flatfoot boyfriend Bill Morrissey (John Payne). Tommy falls in love with Jerry, but initially receives a cool reception from her father and brothers, who are also police officers.
|
|
Tales of Kidd Funkadelic is the eighth studio album by the band Funkadelic, released in September 1976 on the Westbound record label. It was actually released after Funkadelic had left the label, in order to capitalize on Funkadelic's new-found fame. The tracks were outtakes recorded around the same time as Hardcore Jollies and given to Westbound by George Clinton as a contractual obligation. The tracks were belatedly thrown together by Westbound to form another album for release, Tales of Kidd Funkadelic.
|
|
Imperial Tobacco, who already sponsored the World Snooker Championship with their Embassy brand were also interested and with Watterson promoting the event Imperial also signed up to the darts version, which they were to sponsor for 25 years. Once again, Watterson arranged the sponsorship and TV contract with the BBC. The tournament was originally held at the Heart of the Midlands nightclub in Nottingham, which belonged to his late friend Derrick Wright. He then took it to Jollies in Stoke-on-Trent.
|
|
It can be ridden in either direction: West over Jacks Pass (869m) or East over Jollies Pass (850m). As the entire ride is at high elevation (700 meters above sea level) it is subject to extreme and sudden changes in the weather which have caught riders out who were not prepared. Hanmer Springs is the starting point (or end point) for both the Molesworth Muster cycle trail and the Rainbow Trail. These are also part of Nga Haerenga The New Zealand Cycle Trail.
|
|
The main stage, Fletcher Hall In 1923, the city of Durham chose to construct an auditorium on a lot adjacent to Morris Street School. Bids for construction were accepted on May 1, 1925 and the $250,000 budget was set. The building was completed in 1926 and opened on February 2 of that year with the Kiwanis Jollies. The theater's popularity rose during the World War II years and soldiers from Camp Butner were moved to the theater to watch movies.
|
|
The 'Jolly Green Giants', as named by the humans, are large, intelligent, tree-like creatures. They use some tools, such as knives, and move very slowly as compared to the humans. The 'Jollies' use six hydraulically operated roots to move, walking by holding the front middle and left and right rear roots on the ground and moving the other three roots forward. They then hold those to the ground and move the front middle and left and right rear roots forward, then repeating the process.
|
|
The charm of past titles is there and the platforming is a solid experience. The game is definitely worth a look if you own a[n] Xbox 360." The Digital Fix gave it eight out of ten and said, "Games have been around long enough to poke fun at themselves and their cinematic predecessors, and while other titles like Viewtiful Joe and Saints Row: The Third have both got their fair share of jollies from doing this, it's arguable that no game until now as done so with such vigour as BattleBlock Theater.
|
|
This play was one of several attempts Alan Ayckbourn made to write a play involving swapping bodies. In 1990, Body Language was premiered, where a fat woman and a thin woman swap bodies from the neck down following a botched operation. And in 2002's The Jollies, a young boy is transported into an adult's body whilst his mother is transported into a young girl's body. The play was written in January 2006, initially with the title If I Were You, which was then altered to I to I before reverting to the original.
|
|
It is also possible to turn the ride into a longer adventure with the option of making it a two-day trip, stopping overnight in campsites or one of three huts. There is an extensive network of mountain bike trails ranging from easy to expert runs in the forests surrounding Hanmer Springs. Alligator Alley, Upper Dog Stream, Detox and the Tank Track are particularly popular. The Jacks Pass - Clarence River - Jollies Pass Loop is a 25 kilometer loop which is not technically challenging however it takes between two to four hours to complete.
|
|
Ayckbourn wrote Sugar Daddies in early 2003, shortly after concluding his family play The Jollies and shortly before starting rehearsals for Tim Firth's The Safari Party.Allen, Paul (2004) A Pocket Guide to Alan Ayckbourn Plays Faber & Faber In some respects, it can be considered a follow-on from the Damsels in Distress trilogy.Sugar Daddies history on official Ayckbourn site It again features a young female leading character in some kind of danger, and shares the theme of East End crime that frequently arose throughout the trilogy. The original productions also shared Alison Pargeter as one of the leading roles, but this had influence far beyond making Sugar Daddies a companion piece.
|
|
Michael A. Gonzales from Vibe said the album "glows a vision of blackness that is superbad, mad smooth, and crazy sexy". He described it as "a wonderland of harmonic delights, softcore jollies, and slow-jam fever floating on the tip of Cupid's arrow", showing the group "exploring the sensuality of black pop without sounding like boulevard bullies stalking their objects of desire". At the end of 1996, House of Music was voted the 30th best album of the year in The Village Voices annual Pazz & Jop poll, which polled 236 American critics nationwide. Robert Christgau, the poll's supervisor, ranked it 10th on his own year-end list.
|
|
The event was stopped by security, who had the twelve contestants removed from the building. Boston Mayor Thomas Menino declared the segment degraded and humiliated the contestants, and that it was immoral to hold such an event on the same day the city was to do a census count of the homeless townspeople. The 2008 edition of the spree was planned, but was shelved by lawyers who argued it could only take place if a mall gave permission.No holiday humor in radio pair’s jollies over degrading homeless Boston Herald Opie and Anthony continued to grow in 2000, receiving increased industry exposure and became a top rated show in the 18–34 male demographic.
|
|
Whilst in hospital, Ayckbourn decided to use his latest play as a goal to work towards. I to I was scheduled for the autumn slot vacated by Woman in Mind in June, rehearsed at the rehearsal studio at his home, and the play was announced to the public, now retitled as If I Were You, in July.BBC News, 31 July 2006 It has been argued that If I Were You is part of a trend of Ayckbourn's adult plays taking inspiration from his family plays (in this case, The Jollies, which also deals with the adjustments and insights of being someone else) – the first example being Improbable Fiction and its derivation from The Boy Who Fell into A Book and My Very Own Story.
|
|
The majority of Benning's shorts combined performance, experimental narrative, handwriting, and cut-up music to explore, among other subjects, gender and sexuality. Benning's work has been included in the Whitney Biennial on four occasions (1993, 2000, 2006), and they were the youngest artist included in the well-known and controversial 1993 Whitney Biennial. Benning's earlier videos – A New Year, Living Inside, Me and Rubyfruit, Jollies, and If Every Girl Had a Diary - used Benning's isolated surroundings and the effect this had on Benning as a focus for their theme. In Benning's earliest work, A New Year, Benning shied away from being in front of the camera, instead focusing on their surroundings – primarily the confines of their room and bedroom window – to portray their feelings of angst, confusion and alienation.
|
|