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33 Sentences With "eulogises"

How to use eulogises in a sentence? Find typical usage patterns (collocations)/phrases/context for "eulogises" and check conjugation/comparative form for "eulogises". Mastering all the usages of "eulogises" from sentence examples published by news publications.

As Kali Uchis eulogises at one point in the film, he doesn't care about trends—he does what he wants to do.
Free from the demands of the news agenda, "Mobituaries" eulogises individuals, characters and things (one episode contemplates "Neanderthals: death of a human species"; another "Death of a tree: roots of a rivalry").
Letitia Elizabeth Landon's poetical illustration, Langdale Pikes (1832), ignores the mountains and eulogises on the excellent trout fishing in the river.
As of 2015 Bhebhe's most popular song with Joyous Celebration is titled "Tambira Jehovah". In 2016 Bhebhe headlined the Celestial Praiz 2016 gospel event."Celestial Praiz 2016 eulogises Danny Nettey". Daily Guide Ghana, via ghanaweb.com.
The future national poet of Bulgaria, Ivan Vazov, eulogises his name and deeds in several of his poems written in 1876, following the April uprising and the Turkish atrocities in Rumelia, including one dedicated to his wife, Lady Strangford.
Despite Jazz's efforts to injure him, Megatron drags Jazz onto the tower and rips him in two, killing him. After the battle, Ironhide and Ratchet find Jazz’s remains lying on the ground, and Optimus halfheartedly eulogises him before moving on.
In Konkanabyudaya the author cited numerous Smritis and letters patent and bulls issued by Keladi rulers and pontiffs of some of the mutts at Udupi and of Satyabhinava Tirtha , Satyanatha Tirtha and others. The ' of is another work which eulogises Satyanatha Tirtha.
Milner, Vegetius, p. xiv. Vegetius emphasizes the shortcomings of the Roman Army in his lifetime. To do this, he eulogises the army of the early Empire. In particular, he stresses the high standard of the legionaries and the excellence of the training and the officer corps.
"London, 1802" is a poem by the English Romantic poet William Wordsworth. In the poem Wordsworth castigates the English people as stagnant and selfish, and eulogises seventeenth-century poet John Milton. Composed in 1802, "London, 1802" was published for the first time in Poems, in Two Volumes (1807).
Although he eulogises Dharmathakur in his poem, Chakrabarty was a devotee of Rama. In his version of Dharmamangalkavya, many incidents from the Ramayana and the Bhagavata are also described. Two major tales of Dharmamangalkavya i.e. the tales of Harishchandra and Lausen are told in 24 palas (Cantos) which are further subdivided into 9147 shlokas in his poem.
The extant Saura Purana, though proclaimed by Surya, eulogises Shiva and his shakti Parvati. This text praises Varanasi and describes its various sacred places and lingas. It consists of a version of the narrative of Urvasi and Pururavas in chapter 31. It also deals with Devi worship, merits of dānas (donations), vratas (vows) and brief descriptions of the Puranas.
The John MacLean MarchSometimes John MacLean's March; the title and all quotations here are as given in Henderson's version in Collected Poems and Songs (2000), which was transcribed from a recording. is a Scottish song written by Hamish Henderson in 1948. It eulogises the socialist organiser John Maclean, describing his funeral procession through Glasgow in 1923.
In this work he eulogises Stephen Duck's poetic fame, glorifies somebody's squirrel and a lady's canary, and laments over a dead cow. He fell from his horse in 1749, and seriously impaired his memory. In 1751, he was elected president of Sion College, and in 1752 resigned his warrant for chaplain. He says all his preferments together did not amount to £350.
The most notable work of Bharatchandra is Annadamangal or Annapurnamangal. This work, completed in 1752, is divided into three parts. The first part, which eulogises the goddess Annapurna is known as Annadamangal. The second part, which narrates the story of Vidya and Sundar is known as Kalikamangal and the third and the final part, which narrates the story of Man Singh I and Bhavananda Majumdar is known as Annapurnamangal.
Hari Singh Nalwa's life became a popular theme for martial ballads. His earliest biographers were poets, including Qadir Bakhsh urf Kadaryar, Misr Hari Chand urf Qadaryaar and Ram Dayal, all in the 19th century. In the 20th century, the song Mere Desh Ki Dharti from the 1967 Bollywood film Upkaar eulogises him. Amar Chitra Katha first published the biography of Hari Singh Nalwa in 1978 (see List of Amar Chitra Katha comics).
He published his own ideas in his Paroles de la philosophie positive in 1859. Four years later, in a work of greater length, he published Auguste Comte et la philosophie positive, which traces the origin of Comte's ideas through Turgot, Kant, and Saint-Simon. The work eulogises Comte's own life, his method of philosophy, his great services to the cause and the effect of his works, and proceeds to show where he himself differs from him.
Soon after that show, Brodsky left Converge in order to devote all his time to Cave In, now as not only the guitarist, but as the vocalist. McGrath and Ballou continued their duties with Cave In and Converge, respectively, and Redmond joined a new band called Eulcid. As Brodsky eulogises: "There was simply no time left in our schedules for Kid Kilowatt and the band collapsed". In November 1998, the band decided to try to record everything they had written together.
1369), a form first experimented with by the 12th century Hoysala poet Raghavanka. Bhima Kavi's work, a biography of Basavanna, is an important Veerashaiva purana. It was inspired by earlier biographies of Basavanna by the Hoysala poet Harihara (the author of the first biographical narrative poem of the protagonist's life called Basavaraja Ragale) and the Telugu writings of Palkuriki Somanatha of the 13th century. Bhima Kavi humbly acknowledges and eulogises his predecessors in a writing full of well-known personalities.
One of his queens, Vanavanmahadevi, a princess from the clan of Malaiyaman, committed sati at the king's death and her image was perhaps installed at the Thanjavur Temple by her daughter Kundavai. Another queen, a Chera princess survived him until 1001 CE. During Parantaka II's reign, literature both Sanskrit and Tamil received encouragement. The Buddhist work on Tamil grammar, Virasoliyam eulogises hims as a parton of letters and of Buddhism. The eulogy furnishes evidence for the friendly relationship between the Chola monarchs and the Buddhists.
McGrath and Ballou continued their duties with Cave In and Converge, respectively, and Redmond joined a new band called Eulcid. As Brodsky eulogises: "There was simply no time left in our schedules for Kid Kilowatt and the band collapsed". In November 1998, the band decided to try to record everything they had written as a band. Recording continued at GodCity until October 1999, occurring "completely sporadically; a week night here and there, maybe a full day during one weekend of a month or two".
The Actes and Deidis of the Illustre and Vallyeant Campioun Schir William Wallace (Modern ), also known as The Wallace, is a long "romantic biographical" poem by the fifteenth-century Scottish makar of the name Blind Harry probably at some time in the decade before 1488.Anne McKim (editor), The Wallace, Canongate Classics, 2003. p.viii As the title suggests, it commemorates and eulogises the life and actions of the Scottish freedom fighter William Wallace who lived a century and a half earlier. The poem is historically inaccurate, and mentions several events that never happened.
David Copperfield is the contemporary of two major memory- based works, William Wordsworth's The Prelude (1850),Actually Wordsworth began writing this work in 1798-99. an autobiographical poem about the formative experiences of his youth, and Tennyson's In Memoriam (1850) which eulogises the memory of his friend, Arthur Hallam. On the one hand, there's Wordsworth's romantic questioning on the personal development of the individual, on the other hand, there is Tennyson's Victorian confrontation with change and doubt. According to Andrew Sanders, David Copperfield reflects both types of response, which give this novel the privileged position of representing the hinge of the century.
Another Gore painting, with the same title (Richmond Park), painted in 1914, is at the Ashmolean Museum. His painting Wood in Richmond Park is in the Birmingham Art Gallery's collection. Two of Gore's artworks, Brighton Pier and Richmond Houses, appear in the first number of the landmark modernist journal, BLAST, published some three months after Gore's death. There features also an obituary piece by Wyndham Lewis, who edited the magazine, and who eulogises Gore's "dogged, almost romantic industry, his passion for the delicate objects set in the London atmosphere around him, his grey conception of the artist's life, his gentleness and fineness, [which] would have matured into an abundant personal art".
Film scholar Marc Gervais wrote that Cries and Whispers has no definitive solution of whether suffering and death have any meaning, citing the pastor who expresses his own doubts and fears when he eulogises Agnes. Gervais likened this to the protagonist of Bergman's earlier Winter Light, Bergman's own conflicted feelings and his relationship to his father, Erik, a minister of the Church of Sweden. According to Gervais, the ending presents Bergman's solution: a touch, on certain occasions, can make life worthwhile. Törnqvist compared the ending to that of Bergman's 1957 Wild Strawberries; it "points to the past, to a paradisaic existence in this life, to the communion inherent in childhood that has later been lost".
From there the gods travel to 'the northern bank of the Ksiroda Ocean, in the northern direction, where the Creator of the universe is present... the region known as Amrta'. There, knowing 'Lord Narayana, the thousand-eyed god' could only be realised through spiritual union, practiced holy vows and recited the Vedas for 1,000 years (4). Kasyapa also eulogises Vishnu by reciting many of His names, including 'Devadeva' ('God of gods') and 'Prasitara' ('the Eater of the oblation at the sacrifice') and states the importance of sacrifice (5). Narayana agrees to the request of Kasyapa to 'be born as the younger brother of Indra, the promoter of the happiness of the relatives, and the dear son of Aditi'.
Relatio de Standardo ("An Account of the [Battle of the] Standard"), or De bello standardii ("on the Battle of the Standard"), is a text composed probably in 1153 or 1154 by the Cistercian monk Aelred of Rievaulx, describing the Battle of the Standard, fought near Northallerton in 1138 between David I, King of Scotland, and a Norman army fighting in support of King Stephen of England. It is notable for being one of Aelred's two most seriously historical or political works, the other being his "Genealogy of the Kings of the English".Gransden, Historical Writing, p. 215. The work has no known patron, though it eulogises Walter Espec and Eustace fitz John and gives a good account of King David; it is hostile towards William fitz Duncan.
Sen (1999), p. 393Kamath (2001), pp. 45, 114–115Sastri 1955, p. 356Narasimhacharya (1988), p. 18 Ranna is famous for writing Ajitha purana (993), which recounts the life of the second Jain tirthankar Ajitanatha. However, it is in his magnum opus, the work Sahasa Bhima Vijaya ("Victory of bold Bhima", also called Gada Yudda or "Conflict of Clubs'", 982) that he reaches his zenith of poetic grace while describing the conflict between Pandava Bhima and Kaurava prince Duryodhana in his Jain version of the Hindu epic Mahabharata.Rice E.P. (1921), p. 32Sahitya Akademi (1987), p. 620 Unlike Pampa who glorifies Arjuna and Karna in his writing, Ranna eulogises his patron King Satyashraya and favourably compares him to Bhima, whom he crowns at the end of the Mahabharata war.
Gladstanes, in his connection with the university of St. Andrews, revived the professorship of canon law, to which he nominated his own son-in-law, and he also made great efforts for the restoration of degrees in divinity. On this subject he wrote in 1607, requesting his majesty in his ‘incomparable wisdom’ to send him ‘the form and order of making bachelors and doctors of divinity,’ that he might ‘create one or two doctors to incite others to the same honour, and to encourage our ignorant clergy to learning’. But the royal permission was not granted until the year following Gladstanes' death. Spotiswood, his successor, eulogises him as a man of good learning, ready utterance, and great invention, but of too easy a nature.
Yvonne, feeling guilty at costing him all his money, runs out in tears and tries to keep away from him. But he, by now hopelessly in love with her, finds her at the diner and tells her that the money means nothing to him, and they declare their love for each other. While ruminating about their future at the diner and considering a possible move to Buffalo, they graciously provide a hungry and poor customer with some soup, which he eats at the special table. He is none other than disguised reporter Angel Dupree (Isaac Hayes), who takes photos of them and in the next day's newspapers publicly eulogises their willingness to feed a hungry and poor man even in their darkest hour.
This complex web of flattery and highly ambiguous assurance persuades Chanticleir to perform the foolish act, allowing Lowrence swiftly to hint him be the throte and hy with him to the wood. Hearing the resultant commotion of the flock, the widow discovers the theft and faints. There is then a brief excursus as the three hens in Chanticleir's harem, Pertok, Sprutok and Toppok, deliver rhetorical responses on the loss of their husband. Pertok eulogises the cock and laments his death, but Sprutok counters this with a strong critical condemnation of the cock, advising Pertok simply to forget him now that he is gone; counsel which persuades Pertok to alter her memory of Chanticleir and resolve, before the week is out, to get ane berne (man) suld better claw oure breik (line 529).
The worship of Vaishravana, the keeper of celestial treasure was for acquiring moral and religious merit (punya), the worship of Dharnendra was for acquiring sons and of Shridevi for warding off influences of evil deities (vairi devategal).Adiga 2006, p264 The author eulogises his preceptor Ajitasena Munindra thus :"He removes the stain of karma and awakens the spirit of those close to him (aptavarga), he astonishes rival disputants and secures the goddess of liberation (mokshalakshmi) to those desiring it. O Bhavya, worship the lotus feet of Ajitasena Munindra with a pure mind".Adiga (2006), p273 The earliest known Kannada writer from this dynasty is King Durvinita of the 6th century. Kavirajamarga of 850 CE, refers to him as an early writer in Kannada prose.Sastri (1955), p355Kamath (2001), p40 It is claimed that the name Durvinita is found only in Kavirajamarga and Western Ganga inscriptions prior to the Magadi inscription of 966.
Through his published pieces, Dalton reveals his occupation with, what could be redolent of, the idioms of a Queensland architecture as well as the concerns he has regarding the state of Australian architecture at the time. Dalton sensitively documents the particulars of building in Queensland, in doing so, he reflects on the "characteristic qualities" of Queensland architecture in a period of changing semblances, covers the minutiae of building in and responding to the local climate, as well as exploring the sensitivity of the ubiquitous verandah. Beyond Queensland, Dalton engages in a consistent critique of the attitudes and behaviours of the profession, through the reviewing of buildings within Australia and overseas, Dalton exemplifies a disdain for the conservative and eulogises works which possess an intricate understanding of the relationship between building and place. Additionally, he admonishes the scheming bureaucratic processes in which authorities allow for the development of cities (particularly in Brisbane), as well as bluntly lambasting the lack of concern the profession in Australia has for the future, pleading for "foresight" in the midst of "hindsight and insight" and a framework for supposition and experimentation.
" It eulogises Hardenbergh as "a zealous preacher of the Gospel, and his life and conversation afforded, from his earliest days, to all who knew him, a bright example of real piety...a steady patriot, and in his public and private conduct he manifested himself to be the enemy of tyranny and oppression, the lover of freedom, and the friend of his country." At the time of his death, Hardenbergh was a wealthy man—largely due to monies and property inherited from his father and grandfather—and was the owner of 40,000 acres of land in Ulster County that was once part of his grandfather's patent.Bergen, James J. "The Somerset 'Lottery Field'", Somerset County Historical Quarterly 4(2) (April 1915): 96–97. Hardenbergh's great-great-grandson, architect Henry Janeway Hardenbergh (1847–1918) was hired by the trustees of Rutgers College to design three buildings for the campus—Geology Hall (1871–72), Kirkpatrick Chapel (1873), an addition to the grammar school (now Alexander Johnston Hall)—and to design Suydam Hall (demolished) on the former campus of the New Brunswick Theological Seminary, before a career designing large hotels and buildings in New York City.Staff. "H.

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