But things improve as the two stories, or at least the two pairs of actors, eventually start to interpenetrate.
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As a reference, he pointed to a 2012 paper that explored how heavy-duty Duo-Fast staples, or "u-particles," cohere and interpenetrate into a clump.
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As a reference, he pointed to a 2012 paper that explored how heavy-duty Duo-Fast staples, or "u-particles," cohere and interpenetrate into a clump.
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Nabokov's stories and novels and autobiographical essays are the true reverse dreams, where futures pass and interpenetrate, and where the past, like John Dunne's transparent fishing lures, shines.
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"When the mating surfaces are brought together, the large spacing of the nanorods allows them to slide between those on the opposing surface and to interpenetrate," the current paper explains.
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To sum it up, rhetoric and theater interpenetrate and interanimate one another in a profound way.
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The works suggest a very personal interpretation of space where shapes and line interpenetrate in colourful harmonies.
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In many situations, however, the polymers interpenetrate at the interface such that a gradual change in polymer concentration occurs across a very thin interdiffusion region.
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The San Francisco garter snake (Theosophist Alistair interpenetrate) is a slender multi-colored subspecies of the common garter snake. Designated as an endangered subspecies since the year 1967,Federal Endangered Species Listing (Federal Register 32:4001; March 1967) it is endemic to San Mateo County and the extreme northern part of coastal Santa Cruz County in California. Some researchers estimate that there are only 1,000 to 2,000 adult snakes of the subspecies T. s. interpenetrate remaining.
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In that sense, if this argument is accepted, our minds mutually interpenetrate. 'Mind' in the human sense is not locked inside this or that skull but instead is relational, stretching between us.Whiten, A. 1999. The evolution of deep social mind in humans.
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The molars are bunodont (with the cusps higher than the connecting crests) and brachydont (low- crowned).Weksler, 2006, pp. 43–44 On the upper first and second molar, the outer and inner valleys between the cusps and crests interpenetrate. Many accessory crests are present, including the mesolophs and mesolophids.
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The molars are bunodont (with the cusps higher than the connecting crests) and brachydont (low-crowned).Weksler, 2006, pp. 43–44 On the upper first and second molar, the outer and inner valleys between the cusps and crests do not interpenetrate. Many accessory crests are present, including the mesolophs and mesolophids.
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The typical control algorithm places vehicles in imaginary moving "slots" that go around the loops of track. Real vehicles are allocated a slot by track-side controllers. Traffic jams are prevented by placing north/south vehicles in even slots, and east/west vehicles in odd slots. At intersections, the traffic in these systems can interpenetrate without slowing.
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The polarity of absolute and relative is also expressed as "essence-function". The absolute is essence, the relative is function. They can't be seen as separate realities, but interpenetrate each other. The distinction does not "exclude any other frameworks such as neng-so or "subject-object" constructions", though the two "are completely different from each other in terms of their way of thinking".
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The polarity of absolute and relative is also expressed as "essence-function". The absolute is essence, the relative is function. They can't be seen as separate realities, but interpenetrate each other. The distinction does not "exclude any other frameworks such as neng-so or 'subject-object' constructions", though the two "are completely different from each other in terms of their way of thinking".
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As a general rule the Gelugpa favour the Prasangika. As a general rule the Nyingma view does not foreground the Prasangika over the Svatantrika as this would be an extreme view, a fallacy and failing of the Gelugpa . Indeed, as an evocation of the Two Truths the continuum of Svatantrika-Prasangika interpenetrate and mutually inform and are both of value in pointing to an 'inconceivable' (samye) truth.
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By contrast Figures—Doubles—Prismes (1957–1968) is a fixed work with no chance element. Piencikowski describes it as "a great cycle of variations whose components interpenetrate each other instead of remaining isolated in the traditional manner".Piencikowski. It is notable for the unusual layout of the orchestra, in which the various families of instruments (woodwind, brass etc.) are scattered across the stage rather than being grouped together.Boulez (2003), 101.
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Although rock still dominated in the 1970s, musical styles began to interpenetrate. With Miles Davis, jazz electrified and flirted with rock. In the United States the new style was baptized "jazz-rock", giving rise to European bands like the British group Soft Machine. A number of Belgian artists are associated with this style, also called "Fusion": Philip Catherine, Jack Van Poll, Jacques Pelzer, Richard Rousselet, Robert Jeanne and Felix Simtaine.
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W.A. and F. Baillie-Grohman, with a foreword by Theodore Roosevelt (New York: 1909), p. 215 online. The hunt is also associated with the administering of a herbal viaticum in the medieval chansons de geste, in which traditional heroic culture and Christian values interpenetrate. The chansons offer multiple examples of grass or foliage substituted as a viaticum when a warrior or knight meets his violent end outside the Christian community.
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The pyramid extends into the space of time seeking a base or terminal point to complete its form. Yet, the base subsides before the volume of the experience increases. In the undefined darkness of the void where this structure is located, many pyramids interpenetrate and dissolve, one in the other. They generate a flow; a form of indeterminacy; a contradictory plan; a city of unknown origin and destination; a state of continuous transformation.
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The second factor has to do with the particular form in which calcite crystallizes. Calcite is a mineral that crystallizes in the trigonal system and has perfect rhombohedral cleavage. The cannula of a stalactite is formed by a series of very small rhombohedra which interpenetrate each other. If, as consequence of several causes, the cannula is perforated on the side, water will come out through that opening and will create an aggregate of other rhombohedra on the side.
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The instants of collision are calculated with high precision, and the physical bodies never actually interpenetrate. We call this a priori because we calculate the instants of collision before we update the configuration of the physical bodies. The main benefits of the a posteriori methods are as follows. In this case, the collision detection algorithm need not be aware of the myriad of physical variables; a simple list of physical bodies is fed to the algorithm, and the program returns a list of intersecting bodies.
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In the early 1980s his study of forms took on a more sensual aspect. The duality of the sexes is present in this period. The duality of couples in shapes that interpenetrate, that embrace without touching that are nothing without the other is perhaps the subject most fully developed by the artist. Other themes explored include the mechanics of objects that make up a puzzle whereby the fun lies in studying the empty spaces and surfaces of each piece by taking them apart and trying to put them back in the correct order.
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Playing with perception in this way is a major characteristic of his work; the picture is completed in the head of the viewer. If the contemplation of his art incorporates the heterogeneous cosmos of Gregor Hildebrandt’s references to music, film, literature and, last but not least, art history, his works turn out to be complex montages, in which pictorial associations from different spheres combine and interpenetrate. Hildebrandt employs the material of his every-day environment without aesthetic or theoretical inhibition and playfully links aspects of conceptual art and minimal art with his personal life and experience of pop culture.
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Wulfenite crystallizes in the tetragonal system and possesses nearly equal axial ratios; as a result, it is considered to be crystallographically similar to scheelite(CaWO4). Wulfenite is classed by a pyramidal-hemihedral (tetragonal dipyramidal) (C4h) crystal symmetry. Therefore, the unit cell is formed by placing points at the vertices and centers of the faces of rhomboids with square bases and the crystallographic axes coincide in directions with the edges of the rhomboids. Two of these lattices interpenetrate such that a point on the first is diagonal to the second and one quarter the distance between the two seconds.
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The crystals and fibres interpenetrate and reinforce each other, the minerals supplying the hardness and resistance to compression, while the chitin supplies the tensile strength. Biomineralization occurs mainly in crustaceans; in insects and Arachnids the main reinforcing materials are various proteins hardened by linking the fibres in processes called sclerotisation and the hardened proteins are called sclerotin. Four sclerites form a ring around each segment: a dorsal tergite, lateral sternites and a ventral pleurite. In either case, in contrast to the carapace of a tortoise or the cranium of a vertebrate, the exoskeleton has little ability to grow or change its form once it has matured.
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According to Guifeng, the Northern School would believe in a fundamentally pure Mani Jewel that must be cleaned to reveal its purity; the Ox Head school would perceive both the color reflections and the Mani Jewel itself as empty; the Hongzhou school would say that the blackness covering the Mani Jewel is the Jewel itself, and that its purity can never be seen; the Heze School (to which Guifeng belonged) would interpret the black color covering the jewel as an illusion that is in fact just a manifestation of its brightness such that the surface defilements and the purity of the Jewel interpenetrate one another.
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In esoteric cosmology, a plane is conceived as a subtle state, level, or region of reality, each plane corresponding to some type, kind, or category of being. The concept may be found in religious and esoteric teachings—e.g. Vedanta (Advaita Vedanta), Ayyavazhi, shamanism, Hermeticism, Neoplatonism, Gnosticism, Kashmir Shaivism, Sant Mat/Surat Shabd Yoga, Sufism, Druze, Kabbalah, Theosophy, Anthroposophy, Rosicrucianism (Esoteric Christian), Eckankar, Ascended Master Teachings, etc.—which propound the idea of a whole series of subtle planes or worlds or dimensions which, from a center, interpenetrate themselves and the physical planet in which we live, the solar systems, and all the physical structures of the universe.
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Most IPNs do not interpenetrate completely on a molecular scale, but rather form small dispersed or bicontinuous phase morphologies with characteristic length scales on the order of tens of nanometers. However, since these length scales are relatively small, they are often considered homogeneous on a macroscopic scale. The characteristic lengths associated with these domains often scale with the length of chains between crosslinks, and thus the morphology of the phases is often dictated by the crosslinking density of the constituent networks. The kinetics of phase separation in IPNs can arise from both nucleation and growth and spinodal decomposition mechanisms, with the former producing discrete phases akin to dispersed spheres and the latter forming bicontinuous phases akin to interconnected cylinders.
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They interact and interpenetrate to allow the viewer to make new, multiple connections and see new patterns. As in a half-tone photograph, the image appears to be more meaningful than the elements that make it up. This effect, says the critic Gloria Carnevali, can be seen as forming "a new third dimension, one that exists between the painting and the observer", even a "new pictorial space". The use in Steele's work of elements in balanced opposition, and the tilted axes arising from the diagonals, produce symmetrical wholes that are not static but dynamic, complex and full of apparent movement, especially rotational, the eye eventually returning to its starting point before beginning a new journey around the picture.
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The heart of the South Urals with Lake Shulgan and the sources of legendary rivers Aghidel,Yaiyk, Hakmar and Nogosh is associated with the life and deeds of the immortal heroes of the eposes « Ural Batyr» and «Аkbuthat» (Akbuzat) which belong to the world art treasures. For ancient Bashkorts the area was the centre of the earth, where celestial, natural and underwater worlds could interact and interpenetrate. Very much legends, interesting traditions and fairy tales are related to the cave Shulgan-Tash. The most striking thing is that the main actions in many ancient tales and other folklore works are tied to the Shulgan-Tash cave or the Shulgan lake as soon as possible.
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These ambitious works are some of the largest paintings in the history of Cubism. Léger's The Wedding, also shown at the Salon des Indépendants in 1912, gave form to the notion of simultaneity by presenting different motifs as occurring within a single temporal frame, where responses to the past and present interpenetrate with collective force. The conjunction of such subject matter with simultaneity aligns Salon Cubism with early Futurist paintings by Umberto Boccioni, Gino Severini and Carlo Carrà; themselves made in response to early Cubism. Cubism and modern European art was introduced into the United States at the now legendary 1913 Armory Show in New York City, which then traveled to Chicago and Boston.
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This preprocessing step cannot work if there are any small holes or "leaks" that interconnect the interior game space with the exterior empty space, and it was common for complex map-building projects to be abandoned because the map designer could not locate the leaks in their map. To prevent leaks, the brushes should overlap and slightly interpenetrate each other; attempting to perfectly align along the edges of unusually shaped brushes on a grid can result in very small gaps that are difficult to locate. The open sky in Quake maps is in fact not open, but is covered over and enclosed with large brushes, and textured with a special skybox texture, which is programmed to use sphere mapping, and thus always looks the same from any viewing position, giving the illusion of a distant sky.
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Later, the Mani Jewel began to appear in texts produced by Zen Buddhists. An early example is found in Guifeng Zongmi's work Chart of the Master-Disciple Succession of the Chan Gate That Transmits the Mind Ground in China in which he compares the four contemporary Zen schools: the Northern School, the Ox Head School, the Hongzhou school and the Heze school. He accomplishes this by comparing how each school would interpret the Mani Jewel metaphor used in the Sutra of Perfect Enlightenment discussed above. According to Guifeng, the Northern School would believe in a fundamentally pure Mani Jewel that must be cleaned to reveal its purity; the Ox Head school would perceive both the color reflections and the Mani Jewel itself as empty; the Hongzhou school would say that the blackness covering the Mani Jewel is the Jewel itself, and that its purity can never be seen; the Heze School (to which Guifeng belonged) would interpret the black color covering the jewel as an illusion that is in fact just a manifestation of its brightness such that the surface defilements and the purity of the Jewel interpenetrate one another.
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This shape was called a Siamese dodecahedron in the paper by Hans Freudenthal and B. L. van der Waerden (1947) which first described the set of eight convex deltahedra.. The dodecadeltahedron name was given to the same shape by , referring to the fact that it is a 12-sided deltahedron. There are other simplicial dodecahedra, such as the hexagonal bipyramid, but this is the only one that can be realized with equilateral faces. Bernal was interested in the shapes of holes left in irregular close-packed arrangements of spheres, so he used a restrictive definition of deltahedra, in which a deltahedron is a convex polyhedron with triangular faces that can be formed by the centers of a collection of congruent spheres, whose tangencies represent polyhedron edges, and such that there is no room to pack another sphere inside the cage created by this system of spheres. This restrictive definition disallows the triangular bipyramid (as forming two tetrahedral holes rather than a single hole), pentagonal bipyramid (because the spheres for its apexes interpenetrate, so it cannot occur in sphere packings), and icosahedron (because it has interior room for another sphere).
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Généalogie des formes by Christian de Portzamparc, Edited by Dis Voir, about free drawings and paintings,1996 Christian de Portzamparc's buildings create environments wherein the interior and exterior spaces interpenetrate, working as catalysts in cityscape dynamics. This method of functioning came into play in major cultural programmes, often dedicated to dance and music, the most recent examples of which include a 1500-seat philharmonic hall, 300 seat chamber hall and 120 seat electro-acoustic hall in Luxembourg, completed in 2005, plus a unique 1800 seat concert hall that transforms into a 1300-seat opera house, which is under construction, amongst other music halls, as part of the project Cidade da Música in Rio de Janeiro, Brazil. The towers created by Christian de Portzamparc have, since the beginning, been a result of his studies of the vertical and sculptural dimension, concentrating on the prismatic form, the most recognised example of which is the LVMH Tower created in 1995 in New York, USA, for which Christian de Portzamparc received many accolades, soon to be accompanied by the residential tower at 400 Park avenue in Manhattan, whose construction commenced in 2010. In 1994, Christian de Portzamparc became the first French architect to gain the prestigious "Pritzker Architectural Prize", at the age of 50.
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