How to use insistency in a sentence? Find typical usage patterns (collocations)/phrases/context for "insistency" and check conjugation/comparative form for "insistency". Mastering all the usages of "insistency" from sentence examples published by news publications.
Fear permeates every page with a leaking, lethal insistency, and you sense that all her assiduousness is to keep it at bay.
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In Czech, they ask for my papers with that insistency that suggests you're going to get in trouble no matter what you do.
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A large metal drum kit with two bass drums. The rhythm in metal songs is emphatic, with deliberate stresses on beats by the drummer and other rhythm section players. Weinstein observes that the wide array of sonic effects available to metal drummers enables the "rhythmic pattern to take on a complexity within its elemental drive and insistency". In many heavy metal songs, the main groove is characterized by short, two-note or three-note rhythmic figures—generally made up of 8th or 16th notes.
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Virgin Media gave the album 4 out of 5 stars, they said: "Sticks + Stones is a very pleasant shock. It's sparky and restless and sustains Lloyd's mini rapping firebrand/cute crooner aesthetic through a quickfire run of 10 top-notch songs." NME gave the album 5 out of 10, they said: ‘Grow Up’, a grossly irritating slice of tweenish ragga-pop driven home with are-we-there-yet insistency, still-hideous ‘Swagger Jagger’ and bulldozing dubstep territory on ‘Dub On The Track’ but when Sticks + Stones stops charging about the place, there's evidence to suggest Cher is actually quite good at this pop malarkey. ‘Want U Back’ is a sassy bit of bubble-drunk pop, while ‘End Up Here’ finds Cher adopting a Beyoncé-aping vocal style with not-at-all-bad results.
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Her first three New York solo exhibitions (1972–6) largely featured paintings in which she drew parallel lines, dots, dashes or numbers in crayon (sometimes forming shapes), covered them over with a layer of white gesso, and then scraped with emphatic, varying marks using a palette knife to bring together the two layers. Reviewers described the resulting work as surprisingly compelling given her easily comprehended, simple method; in conceptual terms, they noted Korman's emphasis on arbitrariness and seeming nonchalance about the end product, which ran counter to the more heroic narratives of minimalism. Hilton Kramer described both an "appealing delicacy and purity" and pictorial insistency in Korman's spare forms (like stems and stitches) and pale, close-value colors, which recalled work by Agnes Martin and Eva Hesse; Roberta Smith wrote that Korman's work—denser, less taut, and more confident and inattentive—advanced Martin's, yielding "quietly radiant surfaces" that pulsate between fragility and robustness like breathing. Harriet Korman, untitled, oil on canvas, 72" x 72", 1996.
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