No begging, though I can't say I didn't fantasise about it.
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On that particular run, I began to fantasise about a night-time male curfew.
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When my children were small, I would fantasise about a whole day on my own.
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Londoners who fantasise about living in Bristol and working in the capital may be unable to resist.
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I really don't like the fact that, in the fashion industry, we always fantasise and portray a fake fantasy in campaigns.
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Sisters, co-workers and co-conspirators, they fantasise about killing their mistress out of envy and as an act of self-determination.
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They send these data to a pilot in the control centre, who sees them displayed on a multi-screen console of the sort gamers can only fantasise about.
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As a kid, did you ever fantasise about a series of unusual events—possibly the result of negligent parenting—that culminated with you finding yourself unsupervised in a fully stocked supermarket?
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To stop constantly regarding myself when I fantasise; to try to look outside of myself and identify what I might actually desire; to find what I want to do, rather than what I want to have done to me.
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For much of that time it has offered those yet to get over the 113 election a chance to fantasise about an alternative ending to the Trump presidency, one in which the good guys get the bad guys and justice is served.
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But an enthusiastic passenger, navigator and, of course, dashboard DJ. I often fantasise about starting a club night called simply, 'Volvo', where a DJ stands behind a set of decks embedded into the moulded plastic of an L-reg Volvo, blasting out the family favourites that typify summer holiday drives.
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He and other experienced members challenge the beliefs that enable abuse ("paedophiles are very good at deluding themselves that a kid is coming on to them") and share tips: always act as if a child's parent is in the room; avoid situations such as children's birthday parties; never fantasise about a child you know.
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Some Brexiteers still fantasise about reverting to an echo of the 1930s world of imperial preference, through free trade with countries like Australia, Canada, India and New Zealand—apparently ignoring the 45% of British exports that now go to the world's largest free-trade block, the EU. Upgrade your inbox and get our Daily Dispatch and Editor's Picks.
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D omination, totally controlling your partner sexually or being completely at your partner's mercy, is a situation that many people fantasise about.
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A further four out of ten fantasise daily about shopping sprees and one in six fantasises 15 or more times each day about going shopping.
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Necrophilia is often assumed to be rare, but no data for its prevalence in the general population exists. Some necrophiliacs only fantasise about the act, without carrying it out. In 1958, Klaf and Brown commented that, although rarely described, necrophiliac fantasies may occur more often than is generally supposed. Rosman and Resnick (1989) reviewed 122 cases of necrophilia.
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He begins to fantasise about her and one day decides to follow her while she is out shopping. He sees her buying an egg in a shop, goes inside briefly after she leaves, and then follows her home. As she looks for her key, he tells her, "Excuse me, Mademoiselle, you dropped this." And he hands her an egg.
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The smell of latex rubber is also a turn-on for some rubber fetishists, and such garments are usually impregnated with chemicals to enhance the odour. Some rubberists also enjoy the idea of exhibitionism and some fantasise about going out in public wearing fetish attire. Some do this, especially in the more liberal areas (e.g., Berlin, New York, Montreal, San Francisco).
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However, there are still gender differences that have been found. Men are more likely than women to imagine being in a dominant or active role, whereas women are more likely to imagine themselves as passive participants. Women's fantasies have significantly more affection and commitment, whereas men are more likely to fantasise using visual imagery and explicit detail. One explanation of this difference comes from the evolutionary perspective.
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This is, in confidence, all I have to tell you.Fay, p 231 Moscow, Cheryomushki is perhaps one of the most revealing examples of Shostakovich's enduring compositional fascination with parody, referencing and quotation. In the first fantasy sequence, Shostakovich parodies the choreographed style of classical ballet, with an imitation of Tchaikovsky’s The Sleeping Beauty. Here the newly married couple, Sasha and Masha, fantasise of the apartment where they will one day live.
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Romeo and Juliet's love seems to be expressing the "Religion of Love" view rather than the Catholic view. Another point is that, although their love is passionate, it is only consummated in marriage, which keeps them from losing the audience's sympathy. The play arguably equates love and sex with death. Throughout the story, both Romeo and Juliet, along with the other characters, fantasise about it as a dark being, often equating it with a lover.
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Ray Moseley, The Last Days of Mussolini, 224 By mid April, the Valtellina plan was no longer a realistic possibility. Although Mussolini continued to fantasise about dying a heroic death there, the plan had no serious support. When Mussolini left Milan on 25 April, heading north, it was assumed he was going to the Valtellina, but his intentions were never made clear. He told some people he would go to Bolzano, in the province of Bolzano, to join up with German forces.
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The pair are discussing their reckless use of money and planning how to get out of the fix. Niko overhears their conversation and recognises the men. Yet he does not go to talk to them, since the innkeeper at that moment goes over to the pair to talk to them about a highwayman who has been seen wandering around the area and who has a huge bounty on his head. The innkeeper describes the thief, and the men fantasise about the relief that the reward would provide.
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The new program will have a change of name with the ACT Education Minister saying it, "won't be defined as a program because then that implies that you're delivering a class or a program on something". In August 2017 Liberal politician Elizabeth Kikkert speaking in the ACT Legislative Assembly said that "13-year-old girls [were asked] to fantasise about sexual intercourse". Opposition education spokesman Andrew Wall tabled a petition and asked the ACT government to withdraw support for the program. In response, Deputy Chief Minister, Yvette Berry said Mr Wall should be "ashamed of himself" for bringing the petition forward.
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"Holler" was written by the members of the group Victoria Beckham, Melanie Brown, Emma Bunton, Melanie Chisholm, along with Rodney Jerkins, LaShawn Daniels and Fred Jerkins III. Production was handled by Jerkins under his stage name "Darkchild", while vocal production was done by LaShawn Daniels. "Holler" represents a shift from the bubblegum pop to a more mature pop and R&B; sound, added with a "funky and up-beat". Lyrically, the song talks about making a boyfriend have a sexual pleasure, with the girls asking their boyfriends to fantasise being with them and to not be shy.
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Michael stated that his early fantasies were about women, which "led me to believe I was on the path to heterosexuality", but at puberty he started to fantasise about men, which he later said "had something to do with my environment". At the age of 19, Michael told Andrew Ridgeley that he was bisexual. Michael also told one of his two sisters, but he was advised not to tell his parents about his sexuality. In a 1999 interview with The Advocate, Michael told the Editor in Chief, Judy Wieder, that it was "falling in love with a man that ended his conflict over bisexuality".
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When walking through the train, he meets Elvis (Liam Boyle), and Carty reminisces about how they met in a series of flashbacks. We learnt that Carty has always been fascinated by The Pack, observing them at Tranmere games when they fight and trying to dress like them, at which point Baby Millan (Oliver Lee), taunts Carty and threatens him but Elvis leads the other lads away and Carty stands his ground. Carty eventually meets Elvis at a club night and the pair realise they have many things in common from music taste to wanting out of Birkenhead. The pair fantasise about leaving for Berlin.
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Glasgow Docks, John Atkinson Grimshaw, 1881 The poem narrates a lonely evening stroll undertaken by the poetic persona, a flâneur. As he does so, he describes his surroundings; not only the physical but also the social landscape, with special focus on the scenes of human hardship. The poem opens with "Vespers", as dusk begins to fall and the city is cloaked in shadows, the narrator is overcome with a surge of melancholy that gives him "an absurd desire to suffer". By the Tagus riverfront, he observes the bustle of the crowd and it makes the narrator's mind wander: the hired coaches that take people to the railway station make the narrator fantasise about foreign cities, exhibitions, modernity; the dirty workers leaving the shipyards evoke by contrast the glorious past of Portugal during the Age of Discovery, in the days of the chivarlous Camões, when carracks would depart from Lisbon to explore the unknown.
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