Dolorous Edd's question to a newly revived Jon Snow resonates here.
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Jon and Dolorous Edd dig in, while Sansa eyes it suspiciously.
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Did Affleck use up his store of dolorous winces in Manchester by the Sea?
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It will perhaps be a somewhat dolorous rose, but no less beautiful for that.
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Chance of death: 33.33% Man, was Dolorous Edd even a factor anywhere two weeks ago?!
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Chance of death: 47.62% Man, was Dolorous Edd even a factor anywhere two weeks ago?!
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Dolorous Edd, an audience stand-in here, wants to know pretty much the same things.
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"Where will you go?" she asks, echoing Dolorous Edd and you know, everyone on planet Earth.
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It's a wintry, melancholic scene made somewhat sadder by the tinkling of some dolorous piano music.
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After the deed is done, Jon turns to Dolorous Edd, who says they should burn the bodies.
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Leaving of all people Dolorous Edd in charge of the Watch, Jon is off to bigger and better things.
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But from 1619 to 1968, 349 years, whites — by law — subjected blacks to such dolorous conditions on a daily basis.
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Liar, LiarBack at Castle Black, Sansa and Jon are having a strategy meeting with Davos, Dolorous Edd, Brienne, and Tormund.
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Next to him is fellow Wall Watcher, Ben Crompton, who plays Dolorous Edd, the current Lord Commander of the Night's Watch.
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A trio of rare survivors—Meera Reed, Bran Stark, and Dolorous Edd—meet outside the Wall, after which the action turns to Winterfell.
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John Delaney as (Dolorous) Eddison Tollett You know both of them are involved in the story -- and have been since (almost) the beginning.
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Already this season we have significant characters meeting on screen for the first time (Euron and Cersei; Bran and Dolorous Edd; Jorah and Sam).
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"Dawn" (Loma Vista) "Dawn," the new album by the Australian songwriter and producer RY X (born Ry Cuming), floats in a gorgeous, dolorous haze.
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Either it doesn't or Jon didn't care, handing over the feathery cloak of leadership to Dolorous Edd after putting his killers to the rope.
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It's in Beria's every move and there when Malenkov puts on a dolorous face and a corset, setting the timer for his own end.
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He hands over his coat to Dolorous Edd, giving him control of the castle without much care for what actually happens as Jon walks away.
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So was most pictorial art about war until Jacques Callot and Francisco Goya presented their dolorous drawings and engravings in the 17th and 18th centuries.
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So sings the dolorous clown in Ruggero Leoncavallo's 1892 opera "Pagliacci," compelled to perform for a crowd at the very moment his heart has been broken.
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Filled with desolate vistas, a feathered and furred menagerie, and multiple aperture-like windows, these fragments quickly establish a moody tone and over time become dolorous refrains.
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The only indication we get that Jon Snow might be somewhat altered by his experience is a comment by Dolorous Edd: "Your eyes are still brown," he says.
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To wit: Sam Smith performed his new ballad "Pray" on Sunday night, but it was dolorous until the backing choir arrived to uplift him at the first chorus.
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But the franchise's three subsequent movies, all of them directed by Greengrass, lost much of what made Bourne distinctive, rendering him a more dolorous, "gritty" version of Bond himself.
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Images follow of gloomy-looking young women in that dolorous morning-after condition, flagellating themselves, we are to imagine, for submitting to so many glasses of Syrah that sapped so much productivity.
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Tormund, Dolorous Edd, and Beric Dondarrion are at House Umber's keep, Last Hearth, where they walk into something out of a Satanic ritual put on by a bunch of bored suburban kids gone wrong.
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Game of Thrones did a mostly okay job of showing the deaths of well-known characters like Dolorous Edd, but much of the rest of it was chaotic for the sake of being chaotic.
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Mr. Hoffman is excellent, but you're always aware that you're watching an aesthetic creation built on technique, executed with craft and aided by realistic accouterments like a leather jacket, bushy sideburns and dolorous mustache.
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Bearing most of the blame, though, is the screenwriter, Chris Sparling, who sends Arthur (a maudlin Matthew McConaughey), an American mathematics professor, into the forest with a bottle of pills and mouthfuls of dolorous dialogue.
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We begin with those precious couple of minutes where the recently-promoted-to-memorable Dolorous Edd begs Jon Snow to consider his future—will he hit up Amsterdam, get warm, go for a joyride, get his MFA?
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The last two stills show Dolorous Edd and Alliser looking gloomy up at the Wall with the Night's Watch — because now that Jon Snow is gone, someone has to take up the mantle of the brotherhood's brooding face.
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Dolorous Edd, zombified Viserion, and countless Dothraki and Unsullied, not to mention how astronomically large the Battle of Winterfell was, episode four is probably going to be something of a table-setter, rather than another bout of war.
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Dylan Carlson, the lead (electric) guitarist and singer of Earth, the doom-drone metal band from Seattle, will ply his dolorous gifts in the spacious Pontaut Chapter House, where Benedictine monks once discussed issues both sacred and profane.
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And while its 10 half-hour episodes have a lot of the requisite look and feel — the enervated, dolorous mood and rhythms; the mysteries within mysteries; the handsomely filmed Southern California locations — the show harks back to Feldman's roots.
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But beyond the two of them, you had folks like Dolorous Edd, Lyanna Mormont, and Beric Dondarrion, all important characters in the life of the show, but hardly on the level of some of the biggest, most important characters.
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With the dragons disconnected from ground control and the Night King bearing down on ground zero, the rest of Winterfell's forces realize the grave error of their strategy and retreat back into the castle, but not before losing dear Dolorous Edd.
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Also on Thursday, HBO released some photos from Sunday's season premiere and Entertainment Weekly had the first look of Brienne sparring with Podrick at Winterfell, Daenerys approaching the throne at Dragonstone, Dolorous Edd bearing a torch, and Lyanna Mormont speaking up.
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So, yeah, the Bastard of Winterfell comes back to life after Melisandre reads the liner notes to Slayer backward to no apparent effect and Dolorous Edd, Davos, and Tormund let themselves out, followed at length by a thoroughly demoralized Melisandre.
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"Don't Let My Baby Do Rodeo," the second novel by the tender, dolorous, sharp and funny writer Boris Fishman, is the story of an adopted child and an adopted country; it is a tale of what it means to be foreign.
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Finally Tormund, Beric and company meet up with Dolorous Edd and company at an abandoned Castle Umber only to discover a gruesome version of "The Army of the Dead wuz here" in the form of little Ned Umber, impaled among a spiral of severed arms.
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At one point, an image of the girlfriend of Philando Castile — who died after being shot by an officer in front of her — haunted the screen as Ms. Roberts let out a blooming, dolorous melody, escaping the embrace of the whispery synthesizer underneath her.
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Although Fulks fits in, Greenhalgh is missed, and from Rico Bell's resigned "Reason walks with rabid dogs gnawing at its hands" to Sally Timms's dolorous "But he can't have a harboring here," the performances lack the full-bore joy-in-bitterness their cult fetishizes vinyl for.
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The assumption going into this whole thing was that we were going to be saying goodbye to a lot of our favorite characters, and while there were some notable deaths (Dolorous Edd, Beric, Jorah, bebe Lyanna Mormont, among others), the overall body count is a lot lighter than expected.
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Arya and the Hound; Arya and Beric Dondarrion; Jaime, Brienne and Tormund; Jorah and Lyanna Mormont (whose scathing "we're done here" made me cheer out loud); Sam, Jon and Dolorous Edd; Pod and Tyrion; Tyrion and Jaime; Jaime and Bran (who repeats the infamous "the things I do for love" back to him in the most hilariously deadpan way).
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The track played at least a couple of times at the Giant Center arena in Hershey, Pa., on Friday night, as we waited for Trump to arrive, and whenever the dolorous synths cut through the fried-dough-scented air, I felt as if I were at some hybrid of a monster-truck rally and a requiem Mass.
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Iwain; a Study in the Origins of Arthurian Romance., 1903. Brown, A. C. L: "Balin and the Dolorous Stroke." Modern Philology 7.2 (1909): 203-6.
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In another nod to his local work, the hyperbolic "Sue Speigel's Driveway" is apparently based on an actual event at an Armonk music class. Clarke has never performed the dolorous "Angel Parade" in public.
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It looks a little like a classical sarcophagus with a dolorous female figure base in marble on it. This figure symbolises science in mourning. Secondly, the great African explorer and curator of the Botanical Garden Georg Schweinfurth was entombed. He died in 1925.
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Depending on the period of construction, one can also distinguish between the churches done in the simplicity of Gothic style as in the Palayam church, Tiruvananthapuram, and the luxury of renaissance style as in the church of Our Lady of Dolorous at Trissoor.
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Gaheris, the brother of Gawain, should not be confused with a different character in the Mort Artu, Gaheris of Karaheu (Carahan, Caraheu, Carehew, Karehan), a minor Knight of the Round Table and brother of Mador de la Porte. In the Vulgate Lancelot, Gawain saves him from Galehaut, while the White Knight (that is, Lancelot) rescues him from the Dolorous Prison near Dolorous Gard and then again from the Vale of No Return. Later, in the Vulgate Mort Artu, he dies from eating a poisoned fruit that was destined for Gawain by the knight named Avarlan and was offered to him unknowingly by Guinevere.Frappier, pp 75–6, 291.
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Screenwriters Gibson and Benedict Fitzgerald said that they read many accounts of Christ's Passion for inspiration, including the devotional writings of Roman Catholic mystics. A principal source is The Dolorous Passion of Our Lord Jesus Christ the visions of Anne Catherine Emmerich (1774–1824), as written by the poet Clemens Brentano. A careful reading of Emmerich's book shows the film's high level of dependence on it.Movies in American History: An Encyclopedia edited by Philip C. DiMare 2011 page 909 However, Brentano's attribution of the book The Dolorous Passion of Our Lord Jesus Christ to Emmerich has been subject to dispute, with allegations that Brentano wrote much of the book himself; a Vatican investigation concluding that: "It is absolutely not certain that she ever wrote this".
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In 2019, Simge was among the artists who were featured on Ozan Doğulu's album 130 Bpm Kreşendo and performed the song "Ne Zamandır", written and composed by Ersay Üner. A music video for this song was later released in February 2019. Mayk Şişman from Milliyet believed that the song had "the taste of Gülşen's songs. Dolorous, cool, but also modern".
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Tormund and Beric manage to escape the Wall and retreat to Winterfell. Along the way, they stop at Last Hearth and find it has already been overwhelmed by the White Walkers. They encounter Dolorous Edd and the Night's Watch. Tormund realises that they must reach Winterfell to warn its defenders of the dead's proximity, and arrive on the eve of the White Walkers' arrival.
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As told in the Vulgate Cycle's Lancelot en prose and the works based on it, the Joyous Gard is given its name by the young Lancelot (who had just discovered his own identity) when he sets up his household at the castle. He does it after single-handedly capturing it against all odds and ending its evil enchantment during the task to prove his knighthood to King Arthur (even rescuing Arthur's illegitimate son in the process). Up until then, it had been known as Dolorous Gard (French Douloureuse Garde and other variants), belonging to the Saxon-allied king Brandin of the Isles; the various motifs and perceived symbolism of the Dolorous Gard episode were subjects of several analyses by modern scholars. In the prose stories of Tristan and Iseult, the pair later lives in the castle with Lancelot's permission as refugees from King Mark of Cornwall.
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In 1833, he published his first volume, The Dolorous Passion of Our Lord Jesus Christ According to the Meditations of Anne Catherine Emmerich. Brentano then prepared The Life of the Blessed Virgin Mary from the Visions of Anna Catherine Emmerich for publication, but he died in 1842. The book was published posthumously in 1852 in Munich. Catholic priest Father Karl Schmoger edited Brentano's manuscripts and from 1858 to 1880 published the three volumes of The Life of Our Lord.
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When Gawain wrongly accuses him of treason, he gives Gawain a severe face wound in a trial by combat in front of King Arthur. In the Vulgate Lancelot, noted as "very valorous and a good speaker", he is involved in the adventures of Kay and others. He is with Gawain when they are both captured and imprisoned in the Dolorous Prison until the rescue by Lancelot, who also later frees him from Turquine's captivity on another occasion.
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In the Vulgate Lancelot, Carados of the Dolorous Tower takes Melyans le Gai's wife as his mistress.Loomis (1997). p. 11. Another Meliant from the cycle is an ancestor of Gawain (himself is descended from Peter, an early Christian follower of Joseph of Arimathea) in the Vulgate Estoire del Saint Graal. In Perlesvaus, Meliant is an enemy lord of Arthur, allied with the traitorous Kay; he is killed by Lancelot who had previously also slain his evil father.
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Eddison Tollett, also known as "Dolorous Edd" for his melancholy temperament, sarcastic wit and pessimistic dry humor, is a squire from House Tollett and a steward of the Night's Watch. He is one of Jon Snow's closest friends at Castle Black. Edd survives the battle with the wights at the Fist of the First Men, and is among the survivors to make it back to Craster's Keep. In A Dance with Dragons Edd carries on his duties as the Lord Commander's steward.
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The "Dolorous Passion" is claimed to reveal a "clear antisemitic strain throughout",Melissa Croteau, Apocalyptic Shakespeare: Essays of Vision and Chaos in Recent Film Adaptations, McFarland, 2009 with Brentano writing that Emmerich believed that "Jews ... strangled Christian children and used their blood for all sorts of suspicious and diabolical practices."Paula Frederiksen, On the Passion of the Christ, California, 2006, p. 203 ;1834: The 1834 looting of Safed was a month-long attack on the Jewish population of Safed by local Arab and Druze villagers.
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Davos Seaworth, Dolorous Edd Tollett, and other brothers of the Watch loyal to Jon barricade themselves in a room with Ghost and Jon's body, and an attack by Thorne and his men is thwarted by the arrival of Tormund and his wildlings. Davos encourages Melisandre to attempt to resurrect Jon. The ritual seemingly fails but Jon suddenly awakens. After hanging Thorne and the other ringleaders of Jon's assassination, Jon passes his command to Edd and declares he has been released from his Night's Watch vows by death.
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Emmerich, Anne Catherine, and Clemens Brentano. The Dolorous Passion of Our Lord Jesus Christ. Anvil Publishers, Georgia, 2005 pages 49–56John Thavis, Catholic News Service February 4, 2004: "Vatican confirms papal plans to beatify nun who inspired Gibson film" John Thavis, Catholic News Service October 4, 2004: "Pope beatifies five, including German nun who inspired Gibson film" In his review of the film in the Catholic publication America, Jesuit priest John O'Malley used the terms "devout fiction" and "well-intentioned fraud" to refer to the writings of Clemens Brentano.
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In 1819 the poet Clemens Brentano was inspired to visit her and began to write her visions in his words, with her approval. In 1833, after her death, the book The Dolorous Passion of Our Lord Jesus Christ was released by Brentano and was used in part by Mel Gibson for his movie The Passion of the Christ in 2004. In 1852 the book The Life of The Blessed Virgin Mary was published. Emmerich's visions allegedly led a French priest Abbé Julien Gouyet to discover a house near Ephesus in Turkey in 1881.
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Galeschin (Galeshin, Galescin, Galessin, Galachin, Galathin, Galescalain, Galeschalains, Galaas, etc.) is a nephew of King Arthur, son of the king's half-sister Elaine and King Nentres of Garlot. He appears in the story of the Dolorous Tower in the Vulgate Cycle, as he and his cousin Yvain attempt to rescue Gawain from the wicked Carados but are taken captive as well; the trio are eventually rescued by Lancelot. Galeschin is referred to as the Duke of ClarenceLoomis (1997), p. 63. (an anachronism as the duchy of Clarence was not created until 1362).
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Saint Hermann (of Niederaltaich) lived from 1324 until his death in 1326 as a hermit in a monastic cell in the ancient forest. His successor, Hartwig of Degenberg, built a chapel for a miraculous figure, "Our Dear Lady" (Unserer lieben Frau), the Blessed Virgin Mary. The region of "Our Dear Lady of Au" (Unsere liebe Frau Au) belonged to Niederaltaich Abbey on the River Danube. From the 14th century to the late 18th century, the miraculous image of the "Dolorous Mother of God" (schmerzhafte Muttergottes) was the destination of a pilgrimage.
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Corbenic's seaward gate is guarded by two lions, aided by either a dwarf (Morte, Caxton XVII) or a flaming hand (Lancelot-Grail). Lancelot's arrival results in his and Elaine's conception of Galahad, the new Grail hero of the prose cycles. It is unclear whether Corbenic is to be identified with the castle inadvertently levelled by Balin when he delivers the Dolorous Stroke upon King Pellam in the Post-Vulgate Merlin (Morte, Caxton II); if so, then Corbenic is in Listeneise (and is presumably rebuilt at some point). The Lancelot-Grail gives the name of its kingdom only as the Land Beyond.
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A Romantic portrayal of Jaufre singing to his love Nineteenth-century Romanticism found his legend irresistible. It was the subject of poems by Ludwig Uhland, Heinrich Heine, Robert Browning (Rudel to the Lady of Tripoli) and Giosué Carducci (Jaufré Rudel). Algernon Charles Swinburne returned several times to the story in his poetry, in The Triumph of Time, The Death of Rudel and the now-lost Rudel in Paradise (also titled The Golden House). In The Triumph of Time, he summarises the legend: > There lived a singer in France of old By the tideless dolorous midland sea.
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King Mark of Cornwall appears and builds a tomb for the fallen knight and his damsel. Then Merlin appears and prophesies that Sir Lancelot and Sir Tristram will do battle on this very same site and that because of the death of the damsel, Balin will strike the most Dolorous Stroke ever committed by man, except for the Stroke which pierced Christ's Side on the Cross. Merlin then vanishes. King Mark asks Balin his name before he departs and Balan answers that, because he wears two swords, his brother should be known as the Knight with the Two Swords.
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Soon after the funeral of the rebel kings, Balin sets out to avenge a man slain by an invisible knight while travelling under his protection. The villain is the brother of the Grail king Pellam, and Balin kills him at a feast in Pellam's castle. Pellam immediately seeks revenge for this act, breaking the weapon Balin used. Searching for a weapon with which to defend himself, Balin unknowingly grabs the Spear of Longinus and stabs Pellam with it: this is the Dolorous Stroke that maims Pellam, turns the Grail kingdom into the Wasteland, and brings the castle down on Balin's and Pellam's heads.
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Another issue that had to be addressed were the intense physical and emotional reactions to conviction experienced during the Awakening. Samuel Blair described such responses to his preaching in 1740, "Several would be overcome and fainting; others deeply sobbing, hardly able to contain, others crying in a most dolorous manner, many others more silently weeping. ... And sometimes the soul exercises of some, thought comparatively but very few, would so far affect their bodies, as to occasion some strange, unusual bodily motions." Moderate evangelicals took a cautious approach to this issue, neither encouraging or discouraging these responses, but they recognized that people might express their conviction in different ways.
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This episode introduces several prominent characters, most notably Stannis Baratheon (Stephen Dillane), Ser Davos Seaworth (Liam Cunningham), and Melisandre (Carice van Houten). The three of them represent the head of an entirely new storyline that intertwines with other plotlines as the season progresses. Other recurring characters introduced in this episode are drunken knight Ser Dontos Hollard (Tony Way), the Starks' captive Alton Lannister (Karl Davies), Melisandre's opponent Maester Cressen (Oliver Ford Davies), Davos's son Matthos Seaworth (Kerr Logan), Night's Watch member Dolorous Edd (Ben Crompton), Wildling Craster (Robert Pugh), and his daughter and wife Gilly (Hannah Murray). The episode also marks the upgrade of several returning characters to the main cast.
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Emmerich, Anne Catherine, and Clemens Brentano. The Dolorous Passion of Our Lord Jesus Christ. Anvil Publishers, Georgia, 2005 pages 49-56 (Note: the hard copy of this book has a wrong ISBN printed within its frontmatter, but the text (and the wrong ISBN) show up on Google books as published by Anvil Press) The latter part of his life he spent in Regensburg, Frankfurt and Munich, actively engaged in promoting the Catholic faith. Brentano assisted Ludwig Achim von Arnim, his brother-in-law, in the collection of folk-songs forming Des Knaben Wunderhorn (1805–1808), which Gustav Mahler drew upon for his song cycle.
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He is to go to the House of Dolorous and retrieve (but not kill) an old man believe to have secrets of a great weapon from the First Folk, wild people who live in the hills, that can kill the Line engines, which are the alternate version of the Gun. Down the Line, Lowry is tasked with the same mission. He goes about it in the opposite way from Creedmoor, as an army is essentially brought in to support him. Creedmoor, having continued to ride through the death of several horses, reaching the town of Kloan and decides he needs a break, contrary to his master's wishes.
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Rather, in the strange music of these poems I think Smith is trying to walk us close to the edge of death-in- life, the force of hovering death in both the personal and social realms, admitting its inevitability and sometimes-proximity, and understand its manifestations in quotidian acts. This dark force is nonetheless a life force, which, in the poem 'Flores Woman,' concludes 'Like a dark star. I want to last' If Duende were wine, it would certainly be red; if edible, it would be meat cooked rare, coffee taken black, stinky cheese, bittersweet chocolate. Tracy K. Smith's music is wholly her own, and Duende is a dolorous, beautiful book.
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He only refers to two works, whereas Bresdin produced one hundred and forty etchings, twenty lithographs and a number of pen and ink drawings difficult to estimate. Bresdin was, in part, a product of the Breton countryside with its sagacious, bardic folklore traditions, later beloved of Gauguin and his circle, and in part a refugee from the Paris Bohemia of Henri Murger with its dolorous, witty intonations. His portrayals of the household interiors of the rural poor show uncanny empathy with their inhabitants and rapport with the imaginative hinterland of their psyches. His series of the Holy Family's flight to Egypt was highly praised by Redon, who thought it Bresdin's best work, and by de Montesquiou.
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Often the infirmity is preceded by some form of the Dolorous Stroke, in which the king is injured tragically for his sins but kept alive by the Grail. In Chrétien de Troyes' Perceval, the Story of the Grail, the Fisher King has been wounded in a misfortune that is not revealed in the incomplete text, and his land suffers with him. He can be healed only if the hero Perceval asks the appropriate question about whom the Grail serves, but warned against talking too much, Perceval remains silent. In the First Continuation of Chrétien's work, the anonymous author recounts how Gawain partially heals the land, but is not destined to complete the restoration.
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First, in November 1815, he took support to general Daumesnil, besieged at Fort de Vincennes by occupying Prussian troops. Impressed on their meeting by his courage and determination, Rochechouart intervened at the ministry in Daumesnil's favour. As commander of Paris, Rochechouart was entrusted with a much more dolorous task, that is, organising the execution of marshal Ney, a decision of which he disapproved, writing later > Not only was I forced to assist in his death, my duties obliged me to > execute the decree of the Court of Peers as regarded this unjust victim of > our reactionary policies. He put a piémontais officer at the head of the execution squad, to avoid giving this duty to a French soldier.
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Blessed Anne Catherine Emmerich (also Anna Katharina Emmerick; 8 September 1774 – 9 February 1824) was a Roman Catholic Augustinian Canoness Regular of Windesheim, mystic, Marian visionary, ecstatic and stigmatist. She was born in Flamschen, a farming community at Coesfeld, in the Diocese of Münster, Westphalia, Germany, and died at age 49 in Dülmen, where she had been a nun, and later become bedridden. Emmerich experienced visions on the life and passion of Jesus Christ, reputed to be revealed to her by the Blessed Virgin Mary under religious ecstasy.Emmerich, Anna Catherine: The Dolorous Passion of Our Lord Jesus Christ page viii During her bedridden years, a number of well- known figures were inspired to visit her.
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The reader is introduced to the character of Dr. Lysvet 'Liv' Alverhuysen at the Koenigswald Academy, where she has taught for years. A letter has come for her dead husband, a plea to come west to the edge of the world and the House of Dolorous, a hospital who takes in all wounded, regardless of which side of the war they were injured on. She begins her difficult journey with the help of the school janitor, a brain damaged but extremely large man who wants nothing more than to protect her. John Creedmore is relaxing on a ferryboat, enjoying being out of the war, when his masters, the Gun, summon him to take on a new mission.
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Montgomery Schuyler, in a column titled "Architectural Aberrations" in Architectural Record, stated that the house was “an appropriate residence for the late P. T. Barnum.” He felt the tower was “meaningless and fatuous”; the rounded rustication on the first floor suggested the prototype of “a log house.” At the time, the French style had gone out of fashion and the ornamentation was no longer in vogue. Schuyler wrote that “a certified check to the amount of all this stone carving hung on the outer wall would serve every artistic purpose attained by the carving itself.” The editor of The Architect called the place “The House of a Thousand Cartouches” and despised the “dolorous and ponderous granite” chosen.
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Just prior to his departure, his destiny is sealed by the arrival of a mysterious damsel bearing a sword that only the "most virtuous" knight in Arthur's court will be able to draw; Balin draws this sword easily. His adventures end when Balin and his brother Balan destroy each other in single combat, fulfilling an earlier prophecy about the destiny of the bearer of the damsel's sword. Prior to his tragic end, this ill-fated knight contrives to inflict a "Dolorous Stroke" with the spear that pierced Christ upon the Cross, thus setting the scene for the Post-Vulgate version of the search for the Holy Grail. Merlin tells Arthur Balin would have been his best and bravest knight.
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In the German poet Friedrich Gottlieb Klopstock's Christian epic The Messiah (published in installments from 1748 to 1773), Pilate's wife (called Portia) is visited by Mary, Mother of Jesus to warn her husband not to sin by executing Jesus. Portia then has a dream of the pagan philosopher Socrates, who also warns her not to execute Jesus. The Dolorous Passion of Our Lord Jesus Christ According to the Meditations of Anne Catherine Emmerich (1833), supposedly a transcription of visions experienced by the German nun Anne Catherine Emmerich but in fact composed by German romantic poet Clemens Brentano, greatly increased popular awareness of Pilate's wife (called Claudia Procles) in the West. The text portrays Claudia Procles as a major character who has several dreams rather than one.
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Creedmoor tricks his way into the House of Dolorous because his usual method of killing is impossible in the House, which is protected by a guardian who will kill anyone who kills. Liv arrives at the same time, after a difficult journey. She unwittingly picks the General as one of her two psychology subjects to study and attempt to cure, and when Creedmore springs his trap, distracting the guardian with the pain and suffering of all the patients at once, she is carried along with the General as they head west, the only place where they can escape the Line. The soldier of the Line follow, but the going is much rougher for them in the wild west, because they are dependent upon their technology which has not yet stretched this far.
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Another instance of Lancelot temporarily losing his mind occurs during his brief imprisonment by Camille, after which too he is cured by the Lady. The motif of his recurring fits of madness (especially "in presence of sexually charged women") and suicidal tendencies (usually relating to the false or real news of the death of either Gawain or Galehaut) returns often through the Vulgate and sometimes also other versions. He also may harbor a darker, more violent side of character that is usually suppressed by the chivalric code but can become easily unleashed during the moments of action. Lancelot Brings Guenevere to Arthur, an illustration for alt= Eventually, Lancelot wins his own castle in Britain, known as Joyous Gard (a former Dolorous Gard), where he learns his real name and heritage.
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Emmerich, Anna Catherine: The Dolorous Passion of Our Lord Jesus Christ page viii It has since been visited as the House of the Virgin Mary by Roman Catholic pilgrims who consider it the place where Mary lived until her assumption.Frommer's Turkey by Lynn A. Levine 2010 pages 254-255Home of the Assumption: Reconstructing Mary's Life in Ephesus by V. Antony John Alaharasan 2006 page 38The Ancient Traditions of the Virgin Mary's Dormition and Assumption by Stephen J. Shoemaker 2006 page 76Mary's House by Donald Carroll (20 April 2000) Veritas, The Gospel of John states that Mary went to live with the Disciple whom Jesus loved, identified as John the Evangelist. Irenaeus and Eusebius of Caesarea wrote in their histories that John later went to Ephesus, which may provide the basis for the early belief that Mary also lived in Ephesus with John.
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An early medieval writer Theophilus Presbyter, believed to be the Benedictine monk and metalworker Roger of Helmarshausen, wrote a treatise in the early-to-mid-12th century that includes original work and copied information from other sources, such as the Mappae clavicula and Eraclius, De dolorous et artibus Romanorum. It provides step-by-step procedures for making various articles, some by lost- wax casting: "The Copper Wind Chest and Its Conductor" (Chapter 84); "Tin Cruets" (Chapter 88), and "Casting Bells" (Chapter 85), which call for using "tallow" instead of wax; and "The Cast Censer". In Chapters 86 and 87 Theophilus details how to divide the wax into differing ratios before moulding and casting to achieve accurately tuned small musical bells. The 16th-century Florentine sculptor Benvenuto Cellini may have used Theophilus' writings when he cast his bronze Perseus with the Head of Medusa.
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Sir Balin stabbing the Fisher King in Lancelot Speed's illustration for James Knowles' The Legends of King Arthur and His Knights (1912) The Dolorous Stroke is a trope in Arthurian legend and some other stories of Celtic origin. In its fullest form, it concerns the Fisher King (King Pellehan or Anfortas), the guardian of the Holy Grail, who falls into sin and consequently suffers a wound from a mystical weapon (often the Spear of Destiny from Christian eschatology). He becomes the Maimed King, and his kingdom suffers similarly, becoming the Wasteland: neither will be healed until the successful completion of the Grail Quest. The stroke is usually described as being to the king's thighs: this has been taken as a euphemism for the genitals, which are explicitly stated to be the location of Anfortas's wound in Wolfram von Eschenbach's Parzival.
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It was claimed that from 1802 until her death, she bore the wounds of the Crown of Thorns, and from 1812, the full stigmata, a cross over her heart and the wound from the lance. Clemens Brentano made her acquaintance in 1818 and remained at the foot of the stigmatist's bed copying her dictation until 1824. When she died, he prepared an index of the visions and revelations from her journal, The Dolorous Passion of Our Lord Jesus Christ (published 1833). One of these visions made known by Brentano later resulted in the actual identification of the real House of the Virgin Mary in Ephesus by Abbé Julien Gouyet, a French priest, during 1881. However, some posthumous investigations in 1923 and 1928 made it uncertain how much of the books he attributed to Emmerich were actually his own creation and the works were discarded for her beatification process.
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A broader metrical sense of "weak position" can arise in any language, either from a formal poetic meter (such as iambic pentameter or the Latin hendecasyllable) or from the use of parallel structure in prose for rhetorical effect. The prevailing rhythm of the poem or speech leads the listener (or reader) to expect a certain pattern of stressed and unstressed syllables. The consequences of violating that expectation may be illustrated with a line from John Milton's Paradise Lost: :: Rocks, caves, lakes, fens, bogs, and shades of death Here rocks, lakes, and bogs are all stressed syllables in weak positions, resulting in a dramatically slow and dolorous line among the surrounding blank verse. (This reading of one of Milton's most famous lines is familiar but not uncontested; see Bridges' analysis of Paradise Lost.) In the linguistics literature, this usage of "weak position" originated in Halle and Keyser (1966).
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The Dolorous Passion of Our Lord Jesus Christ. Anvil Publishers, Georgia, 2005 pages 49-56 (Note: the hard copy of this book has a wrong ISBN printed within its frontmatter, but the text (and the wrong ISBN) show up on Google books as published by Anvil Press)Winfried Hümpfner, Clemens Brentanos Glaubwürdigkeit in seinen Emmerick-Aufzeichnungen; Untersuchung über die Brentano-Emmerick- frage unter erstmaliger Benutzung der tagebücher Brentanos Würzburg, St. Rita- verlag und -druckerei, 1923 (in German) By 1928, the experts had come to the conclusion that only a small portion of Brentano's books could be safely attributed to Emmerich. At the time of the Emmerich's beatification in 2004, the Vatican position on the authenticity of the Brentano books was elucidated by priest Peter Gumpel, who was involved in the study of the issues for the Congregation for the Causes of the Saints: "It is absolutely not certain that she ever wrote this. There is a serious problem of authenticity".
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"How I Hate the Night", also known as "Marvin's lullaby", was published in the book Life, the Universe and Everything, where it is described as "a short dolorous ditty of no tone, or indeed tune." The first verse of "Marvin's Lullaby" appears close to the end of the episode "Fit the Seventeenth", and the second verse soon after the start of "Fit the Eighteenth" as listed below: :Now the world has gone to bed :Darkness won't engulf my head :I can see by infra-red :How I hate the night :Now I lay me down to sleep :Try to count electric sheep :Sweet dream wishes you can keep :How I hate the night The line "try to count electric sheep" is a reference to Philip K. Dick's novel Do Androids Dream of Electric Sheep?, which inspired the movie Blade Runner. According to Don't Panic, Douglas Adams wrote a guitar tune for the lullaby, and thought it should have been released.
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At the beginning of the 19th century, Anne Catherine Emmerich, a bedridden Augustinian nun in Germany, reported a series of visions in which she recounted the last days of the life of Jesus, and details of the life of Mary, his mother.Emmerich, Anna Catherine: The Dolorous Passion of Our Lord Jesus Christ page viii Emmerich was ill for a long period of time in the farming community of Dülmen but was known in Germany as a mystic and was visited by a number of notable figures.Vatican Biography An 18th century drawing of Anne Catherine Emmerich One of Emmerich's visitors was the author Clemens Brentano who after a first visit stayed in Dülmen for five years to see Emmerich every day and transcribe the visions she reported.Clemens Brentano by John F. Fetzer 1981 page 146 After Emmerich's death, Brentano published a book based on his transcriptions of her reported visions, and a second book was published based on his notes after his own death.
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In 2003 actor Mel Gibson brought Anne Catherine Emmerich's vision to prominence as he used Brentano's book The Dolorous Passion as a key source for his movie The Passion of the Christ.Jesus and Mel Gibson's The Passion of the Christ by Kathleen E. Corley, Robert Leslie Webb 2004 pages 160-161Mel Gibson's Passion and philosophy by Jorge J. E. Gracia 2004 page 145Movies in American History: An Encyclopedia edited by Philip C. DiMare 2011 page 909 Gibson stated that Scripture and "accepted visions" were the only sources he drew on, and a careful reading of Emmerich's book shows the film's high level of dependence on it. In his review of the movie in the Catholic publication America, Jesuit priest John O'Malley used the terms "devout fiction" and "well-intentioned fraud" to refer to the writings of Clemens Brentano. In 2007 German director Dominik Graf made the movie The Pledge as a dramatization of the encounters between Emmerich (portrayed by actress ) and Clemens Brentano, based on a novel by Kai Meyer.
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Cartoon by Busoni of his 1904 US tour, drawn for his wife: "Map of the West of the United States showing the long and dolorous Tour, the anti-sentimental journey of F.B., 1904, Chicago" Busoni was at the Berlin premiere of Giuseppe Verdi's opera Falstaff in April 1893. The result was to force on him a re-evaluation of the potential of Italian musical traditions which he had so far ignored in favour of the German traditions, and in particular the models of Brahms and the orchestral techniques of Liszt and Wagner.Dent (1933), pp. 115–117. Busoni immediately began to draft an adulatory letter to Verdi (which he never summoned the courage to send), in which he addressed him as "Italy's leading composer" and "one of the noblest persons of our time", and in which he explained that "Falstaff provoked in me such a revolution of spirit that I can ... date the beginning of a new epoch in my artistic life from that time."Beaumont (1987), pp. 53–54.
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It can be read as one of Stevens's poems about the transfiguring power of poetic imagination, which in this case need not accept the night of the dolorous criers, but instead find in it qualities, like a sheaf of brilliant arrows or the nimblest motions, that make it the delight of the secretive hunter. Buttel finds this poem noteworthy for its connections to Whitman. Like Whitman, Stevens prized the lyrical qualities of American place names and animal names, and the title of this poem is one of Buttel's examples.Buttel references Whitman's "Starting from Paumanok" to document this shared affinity: > The red aborigines, Leaving natural breaths, sounds of rain and winds, calls > as of birds and animals in the woods, syllabled to us for names, Okonee, > Koosa, Ottawa, Monongahela, Sauk, Natchez, Chattahoochee.... He reads "Stars at Tallapoosa" as partly a refutation of Whitman's "Out of the Cradle Endlessly Rocking" yet at the same time a variation on the mood and theme of that poem, even displaying some of Whitman's tone and manner, as in the lines about wading the sea-lines and mounting the earth-lines.
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