Hollanden approached them with the blithesome step of an untroubled man.
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He had instant opportunity for an exhibition of all his blithesome qualities.
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And again, the holiday makers were not the blithesome creatures of her imagination.
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There is little that is blithesome and cheerful, but much that is melancholy.
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And the parsons of the past were also a blithesome set of individuals.
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I am on my way to the Capucines, he explained, in his blithesome stutter.
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He is not quite so much inclined to be gay and blithesome as he was going.
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There was a song in her soul and the blithesome days of yore were rippling in her veins.
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My first meeting with the blithesome house-finch of the west occurred in the city of Denver, Colo.
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The blithesome tapestry-makers, albeit adepts in form, grace and harmony, could not touch the subjectiveness of existence.
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In place of a blithesome fairy and a being of enchantment, what was it that suddenly appeared before them?
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They were all yawny, and some were grumpy, but I had washed my being in the sunrise and felt as blithesome as the day.
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Yea, and if thou wilt also eat of the good herb thy dear mother put before thee at meat, thou also shalt be as blithesome and quicksome as thy little Bessie.
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Because this strategy for discouraging smoking has been building for decades, beginning with the first tepid warning labels in 1966, it is easy to forget the blithesome way cigarettes used to be presented to the public.
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The owl hoots gaily from its brake, The blithesome bat's a-wing. Come, soar to yonder silent clouds, The other teems with peopled shrouds: We’ll fly the lightsome spectre crowds, Thou cloudy, clammy thing! The opera also includes and parodies elements of melodrama, popular at the Adelphi Theatre.
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Beginning in 1945, Lipton Tea sponsored the series, pairing first Raymond and then McGrath with cheery commercial spokeswoman Mary Bennett (aka the "Tea Lady"), whose blithesome pitches for Lipton Tea contrasted sharply with the macabre themes of the stories. She primly chided the host for his trademark dark humor and creepy manner.
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Anna Gertrude Sanborn was a reporter for The Milwaukee Journal from 1915 to 1917. Her first two books were Blithesome Jottings: A Diary of Humorous Days (1918) and I, Citizen of Eternity: A Diary of Hopeful Days (1920). Each were published by the Four Seas Company, a Boston publishing house that released the works of many important modernist writers such as Gertrude Stein and William Faulkner. In I, Citizen of Eternity, Sanborn penned an optimistic riposte to Mary MacLane's 1917 memoir I, Mary MacLane.
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Having a rebellious nature and much unlike Faridi, Hameed is non-serious, blithesome, jovial, and temperamental, but, on the other hand, his qualities of courage and fearlessness, intelligence and astuteness, at times, surprise Faridi. Due to the romantic bits within him, he loves flirting women, but abstains from sexual or serious relationships. One of Captain Hameed's unique interests is to train unusual pets like a mouse, a goat (Bughra Khan – بغرا خان), a Myna (مینا ) and others. He is expert at playing musical instruments: violin and mouthorgan.
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Claus presents the first one to Bessie Blithesome, a local noblewoman, after consulting with Necile and the Queen of the Fairies about whether he should give toys to wealthy children. Later dolls resemble Bessie herself; and later still, counterfeit infant girls. The Awgwas, evil beings who can turn invisible, steal the toys that Claus is giving to the children, because the toys are preventing the children from misbehaving. This leads to Claus making his journeys by night and descending through chimneys when he is unable to enter the locked doors.
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The Mike Young production, which also uses an ampersand for the title, features Robby Benson as "Nicholas", who plays a bigger part in this film than in the earlier version. Claus at his very oldest is portrayed by Jim Cummings. While the Rankin-Bass production made the sequence with the Awgwas a centerpiece, in this film, they become running villains, and the story is structured around the upcoming battle. Some of the more fairy tale-oriented names are changed—Bessie Blithesome becomes "Natalie" (Kath Soucie) and Weekum becomes "Ethan" (Brianne Siddall).
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Flavian falls ill during the Festival of Isis and Marius tends him during his long death-agony (end of 'Part the First'). Grown to manhood, Marius now embraces the philosophy of the 'flux' of Heraclitus and the Epicureanism (or Cyrenaicism) of Aristippus. He journeys to Rome (166 AD), encountering by chance on the way a blithesome young knight, Cornelius, who becomes a friend. Marius explores Rome in awe, and, "as a youth of great attainments in Greek letters and philosophy",Pater, Marius the Epicurean, Chapter XIII is appointed amanuensis to the Emperor Marcus Aurelius.
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It was recorded at the same session that produced "You Win Again" and has a similar theme, albeit in a more blithesome tone, that probably reflects Hank's bitterness towards his ex-wife Audrey Williams (Hank and Audrey were legally divorced the day before the session). As Colin Escott notes, "Even though it's to be a lighthearted song, Hank seems vindictive, even spiteful." It was recorded at Castle Studio in Nashville with Jerry Rivers (fiddle), Don Helms (steel guitar), and Harold Bradley (rhythm guitar), while it is speculated that Chet Atkins played lead guitar and Ernie Newton played bass.
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