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"disjuncture" Definitions
  1. the act of disjoining or the state of being disjoined; disjunction.

65 Sentences With "disjuncture"

How to use disjuncture in a sentence? Find typical usage patterns (collocations)/phrases/context for "disjuncture" and check conjugation/comparative form for "disjuncture". Mastering all the usages of "disjuncture" from sentence examples published by news publications.

But there's always some kind of disjuncture, a disjuncture that arises from photography's tendency to show only so much but to often mean much more: A photograph connotes more than it denotes.
This disjuncture is impossible to forget while watching the film, and it's very uncomfortable.
The disjuncture in these views is reflected in the clumsy coalition that runs the state.
This disjuncture makes FRIGS one of the most unique bands I've seen in a while.
Can you tell me about this disjuncture between the imagined border and the real border?
This disjuncture, the idea that these two states somehow exist separate of one another, will seem absurd.
The comments mark a disjuncture from the Department for Transport's original cooperation with Amazon on its drone testing.
ROM: When I read your comics, I sometimes feel there's a disjuncture between the appearance and the contents.
What is the source of this radical disjuncture between what people want and what our democracy gives them?
In Notes on Blindness, however, the strange disjuncture between words and action is used to much different effect.
The United States has never experienced anything quite like the economic disjuncture caused by the spread of the new coronavirus.
Attempts to make sense of the disjuncture and of what it may entail or suggest fill library shelves of exegetic prose.
Since the election, there's been a sharp disjuncture between conservatives on the one hand, and liberals and moderates on the other.
The stages of confusion and disjuncture in viewing these pieces kept me prodding further into their backstories, searching for wall labels.
The disjuncture between the creative life and the demands of conventional responsibilities is something Common Carrier tries to figure out over its 78 minutes.
That disjuncture is likely to sharpen questions about whether Democrats can maximize mobilization of their increasingly youthful coalition without a leadership that better reflects it.
The shift must've been intentional, but it does create a disjuncture between the characters and the viewer that can't entirely be explained away by their age.
But it's worth underscoring that there is no evidence of a disjuncture in views between what public health experts think and what economic policy experts think.
The disjuncture is deliberate, further underscoring the mystery of the scene One of Marcus's innovations is the way she divides the space inhabited by her subjects.
This disjuncture is also evident in the delicate paintings of Natalia Vitsina, which depict the icons, elements, and symbols of totalitarian art as a catalogue of objects.
The disjuncture between the two sets of paintings is more than a matter of size and medium: it is a quantum leap from one style to another.
As if to dramatize the disjuncture, Ryan's introduction features a gay elder who remembers almost nothing of the borough's queer history — a somewhat frustrating way to begin.
"The disjuncture in the way that this is seen abroad and at home is one of the huge problems in U.S. foreign policy," said Mr. Shapiro, who is American.
If the legitimacy of the government derives from the consent of the majority, then at some point, we will have to address this disjuncture between the popular will and our elected bodies.
"I think it's a good idea just because I think procedurally we want to make sure that basically the disjuncture between the House and the Senate rules aren't exploited in the future," he said.
What gives its foregone conclusion drama and the possibility of theatricality is the disjuncture between its subject and presentation, which is about as downbeat as a good pop act in a nice local bar.
That disjuncture raises a pointed long-term question: How long can the places that are mostly lagging in the economy dictate the terms of politics and policy to the places that are mostly succeeding?
If I were advising the Republican Party right now (and, who knows — as Dan Drezner hypothesizes, maybe they listen to political scientists), I'd get out in front of the apparent disjuncture between elites and voters.
The guy clearly hasn't figured out how to act presidential, and the disjuncture between his behavior and the social role he has taken on is painful to see, even if we would disclaim empathy for him.
He helped her shape a dissertation on the George W. Bush administration's faith-based initiative and the disjuncture between the Congressional Black Caucus, which largely opposed it on partisan grounds, and the black population as a whole, which overwhelmingly supported it.
The disjuncture between the angry, often horrible words being spoken (in Spanish, with English supertitles) and the bits of hilarious costume the characters soon started to don and change compulsively made the historical material seem almost like a pretext for fabulousness.
To me, Yassi's obsession with Donald Trump represented the radical disjuncture between the brave new world we adults came to inhabit and the innocent world of a child, where even the names of autocratic despots are reduced to lyrical rhymes.
And his cockeyed comedic sensibility — "an unreasonable love of repetition, absurdity, narrative disjuncture and jokes that either last way too long or flit by in a short-attention-span-accommodating blink," as the New York Times Magazine described it — fit the bill exactly.
The sensibility of stoned 20-somethings at midnight, he realized — marked by an unreasonable love of repetition, absurdity, narrative disjuncture and jokes that either last way too long or flit by in a short-attention-span-accommodating blink — had significant overlap with that of little kids in pajamas, laughing themselves silly over breakfast cereal.
Similarly, the 1944 painting "Battle of Germany" functions on a system of disjuncture: though the action of the battle is suggested by the muddied patches of brown, green, and gray, and the sea and horizon are defined by large planar strokes of paint, a pale pink orb on the top left side of the painting and the white and pink strokes directly in the center of the canvas function as the punctum relative to the surrounding, chaotic blur.
In his best known work 'Disjuncture and Difference in the Global Cultural Economy' Appadurai lays out his meta theory of disjuncture. For him the ‘new global cultural economy has to be seen as a complex, overlapping, disjunctive order’."Disjuncture and Difference", Modernity at Large, 32 This order is composed of different interrelated, yet disjunctive global cultural flows,Josiah McC. Heyman, Howard Campbell (2009) "The Anthropology of Global Flows:A critical reading of Appadurai's `Disjuncture and Difference in the Global Cultural Economy", Anthropological Theory(9:2) 131-148, 133.
Historian Greg Grandin described a disjuncture between official ideals preached by the United States and actual U.S. support for terrorism. "Nicaragua, where the United States backed not a counter insurgent state but anti-communist mercenaries, likewise represented a disjuncture between the idealism used to justify U.S. policy and its support for political terrorism. ... The corollary to the idealism embraced by the Republicans in the realm of diplomatic public policy debate was thus political terror. In the dirtiest of Latin America's dirty wars, their faith in America's mission justified atrocities in the name of liberty".
Stephen Gilson is an American theorist and policy analyst who is best known for his work in disability, diversity, and health policy through the lens of legitimacy theory and disjuncture theory. Co-authored with Elizabeth DePoy, Gilson developed Explanatory Legitimacy Theory. Through that lens, Gilson analyzes how population group membership is assigned, is based on political purpose, and is met with formal responses that serve both intentionally and unintentionally to perpetuate segregation, economic status quo, and inter- group tension. Additionally, co-authored with DePoy, Gilson developed Disjuncture Theory. This theory explains disability as an interactive “ill- fit” between bodies (broadly defined) and environments (broadly defined).
Non-native criminals including sexual predators and drug traffickers have taken advantage of the unclear chain of authority on Native lands. This disjuncture between federal government jurisdiction and tribal government jurisdiction allows non-native criminals to avoid punishment while Native members are subjected to sexual and drug violence.
In Rethinking Disability, first published in 2004, and Disability as Disjuncture, currently in press, Gilson with co-author Elizabeth DePoy, takes on the essentialist nature of current diversity categories with a particular focus on disability, laying bare the value foundation and political and economic purpose of “disability category” assignment and social, professional and community response. His subsequent works, also co-authored with DePoy, include The Human Experience, published in 2007, Evaluation Practice (2008), Studying Disability (2010), and selected essays and papers. This scholarship applies legitimacy and disjuncture theories to understanding theories of human description and explanation and their purposive, political use in diverse “helping professional” worlds. Recently, Gilson, with co-author DePoy, applies design theory and practice to the analysis of diversity categories, their membership and their maintenance.
"Papa Don't Preach" is a dance-pop song with instrumentation from acoustic, electric, and rhythm guitars, keyboards, and string arrangements. It is set in common time, and moves at a moderate tempo of 116 beats per minute. The song is written in the key of F minor. The combination of key and tempo produces a disjuncture between pop and classical rhythms, underlined by the instrumentation during the introduction.
Richard, Paul. "The guerillas of art", Washington Post, Style, March 24, 1981. Through that work's emphasis on strategies of juxtaposition and disjuncture, she developed a language that has informed her work for three decades after a shift to painting. Artcritical's Deborah Garwood describes Simonian’s paintings as intuitive works which "knit luscious pictorial fields that tease cognition and the senses" and suggest the mind's "contradictory resilience and fallibility" in grasping contemporary existence.
Scholars have noted several themes in the film, such as glorification of violence, conformation to feudal ethos, debate between social order and mobilised usurpers, homosocial bonding, and the film's role as a national allegory.For glorification of violence, see Wimal Dissanayake, Malti Sahai, Sholay: A Cultural Reading (Delhi: Wiley Eastern, 1992), 115-19. ; for feudal ethos, see Hrishikesh Ingle, "Regionalist Disjuncture in Bollywood", in Vikrant Kishore et al., eds.
New classical economics has also pioneered the use of representative agent models. Such models have received severe neoclassical criticism, pointing to the disjuncture between microeconomic behavior and macroeconomic results, as indicated by Alan Kirman. The concept of rational expectations was originally used by John Muth, and was popularized by Lucas. One of the most famous new classical models is the real business cycle model, developed by Edward C. Prescott and Finn E. Kydland.
In Remix, Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy".Lessig, Lawrence. 2008. Remix: making art and commerce thrive in the hybrid economy.
In distinguishing themselves from their German counterparts, Turkish hip hop culture in Germany creates a diasporic Turkish community essential to the nature and success of a Turkish youth subculture. In Global Culture, Appadurai describes diasporic communities as a type of ethnoscape. He defines ethnoscapes as, “the landscapes of persons who constitute the shifting world in which we live: tourist, immigrants, refugees, guest-workers and other moving groups and persons”Appadurai, A. (1990). “Disjuncture and difference in the global economy.
Of the 23 slabs of the Ionic frieze 11 depict Greeks fighting centaurs and 12 represent Greeks fighting Amazons. Cooper and Madigan make a further distinction of the Trojan and Heraklean Amazonomachies following on from their determination of the blocks' arrangement. Yet contrary to customary practice these three scenes are not on separate sides of the building, but run continuously around the entablature with the only clear disjuncture at the northwest corner. This description follows Cooper and Madigan's reconstruction.
Exhibitions, happenings, and symposia were organised at the Village, and collaborations were embarked upon with the then-National Museum Art Gallery and the National Arts Council's Singapore Festival of Arts. In 2008, the Singapore Art Museum held the retrospective, The Artist Village: 20 Years On, a 20th anniversary exhibition that sought to examine the "tensions, disjuncture and collision of the individual and collective memories of TAV" as a collective that had "engendered radical shifts in contemporary art throughout the 80s and 90s".
Most scholars consider the third book to be highly technical; according to Goold it "is the least poetical of the five, exemplifying for the most part Manilius's skill in rendering numbers and arithmetical calculations in hexameters".Manilius & Goold (1997) [1977], p. 161. A similar but less favorable sentiment is expressed by Green, who writes that in this book, "the disjuncture between instruction and medium is most obviously felt [because] complex mathematical calculations are confined to hexameter and obscured behind poetic periphrasis".Green (2014), p. 57.
The German term griechische Liebe ("Greek love") appears in German literature between 1750 and 1850, along with socratische Liebe ("Socratic love") and platonische Liebe ("Platonic love") in reference to male-male attractions. Ancient Greece became a positive reference point by which homosexual men of a certain class and education could engage in discourse that might otherwise be taboo. In the early Modern period, a disjuncture was carefully maintained between idealized male eros in the classical tradition, which was treated with reverence, and sodomy, which was a term of contempt.
In this role, he drew attention to the HIV/AIDS crisis and convinced leaders and the public that they have a responsibility to respond. He has been widely praised for his effectiveness in this role. In 2005 he adapted his Massey Lectures in a book titled "Race Against Time", where he describes the disjuncture between what the international community promises and their actions in responding to the pandemic in Africa. In May 2006, Lewis joined the Faculty of Social Sciences at McMaster University as a Scholar-in-Residence.
Women had little or no place in the workshop or factory before the 1860s. "Their entry into design education and practice coincided with their emergence as patrons, clients and customers at the turn of the century."Anscombe, "A Woman's Touch" Social-cultural anthropologist Arjun Appadurai comments that "...women are forced to enter the labor force in new ways on the one hand, and continue the maintenance of familial heritage on the other."Appadurai, Modernity at Large: Cultural Dimensions of Globalization, "Disjuncture and Difference in the Global Cultural Economy".
However, communication technology may act not only to fill the field of local cultural significance and identity which corroded by deterritorialization, but also to establish global cultural politics. Politics of deterritorialization and the displacement of sociological will lead the struggle between state and nation. One important new feature of global cultural politics, tied to the disjunctive relationships among the various landscapes which proposed by Appadurai, is that state and nation are at each other's throats, and the hyphen that links them is now less an icon of conjuncture than an index of disjuncture.
The EDC went for ratification in the French National Assembly on 30 August 1954, and failed by a vote of 319 against 264. By the time of the vote, concerns about a future conflict faded with the death of Joseph Stalin and the end of the Korean War. Concomitant to these fears were a severe disjuncture between the original Pleven Plan of 1950 and the one defeated in 1954. Divergences included military integration at the division rather than battalion level and a change in the command structure putting NATO’s Supreme Allied Commander Europe (SACEUR) in charge of EDC operational capabilities.
Breastfeeding is also seen as a cultural practice that helps create a social bond between mother and child. However, there is a disjuncture between PMTCT policy's infant feeding guideline and what is considered to be good mothering behaviour. The PMTCT policy promotes replacement feeding because it is believed to prevent the risk of transmission of HIV. However, adhering to such guidelines are difficult for mothers in resource-limited settings who believe that not breastfeeding one's child would be harmful to their health and survival, as well as threaten the “development of close bodily and emotional bonds between mother and child”.
Some of his most important works include Worship and Conflict under Colonial Rule (1981), Disjuncture and Difference in the Global Cultural Economy (1990), of which an expanded version is found in Modernity at Large (1996), and Fear of Small Numbers (2006). In The Social Life of Things (1986), Appadurai argued that commodities do not only have economic value; they have political value and social lives as well. He was elected a Fellow of the American Academy of Arts and Sciences in 1997. His doctoral work was based on the car festival held in the Parthasarathi temple in Triplicane, Madras.
Riaz has also studied the relationship between state and society and has written extensively on this topic. His co-authored book, Paradise Lost? State Failure in Nepal (2007) examines the relationship in Nepal while his book Unfolding State; The Transformation of Bangladesh (2006) looks at Bangladesh's structural transformation in the first 25 years. Paradise Lost demonstrates that the nature of the state, disjuncture between the state and the society, and the rupture of the ideological hegemony of the ruling class of Nepal have created a situation where existing institutional frameworks are disintegrating and the state is rapidly unraveling.
Gilson has applied legitimacy theory and disjuncture theory to the analysis and enactment of health policy and practices related to access and to illness prevention. Along with DePoy, Gilson has implemented his vision of socially just policy based on universal access principles through the creation of a web portal that renders existing illness prevention information accessible to individuals across diversity category boundaries. Gilson has received invitations to keynote at national and international conferences on disability studies and distinguished lectures at University of Illinois at Chicago, University of Michigan at Ann Arbor, Smith College, NYU, University of North Carolina, Ono Academic College, Research Institute for Health and Medical Professions, and others.
The Country Music Reader said the song was one of several that "expressed the anger of many hawkish Americans" and "presented country music as the voice of the conservative, pro-war right." Academic writers have used the song to illustrate specific elements of historical and political concepts. Discussing the war in Iraq, Gerard Toal writes that the song helps explain the "disjuncture between prevailing international sentiment and majority American opinion: 'Some say this country’s just out looking for a fight/After 9/11, man, I’d have to say that’s right.'" Writing in the collection Country Music Goes to War, Randy Rudder addressed listener confusion around the song, saying that Worley would win the CMA Award for "Most Misunderstood Artist" if such a category existed.
However, both groups preferred the act and the institutions it created to the Quebec Act which it replaced. The Act of 1791 is often seen as a watershed in the development of French Canadian nationalism as it provided for a province (Lower Canada) which the French considered to be their own, separate from English-speaking Upper Canada. The disjuncture between this French-Canadian ideal of Lower Canada as a distinct, national homeland and the reality of continued Anglo-Canadian political and economic dominance of the province after 1791 led to discontent and a desire for reform among intellectual segments of the French and English of Lower Canada. The frustration of French and English Patriots over the nature of Lower Canadian political and economic life in the province fuelled the Lower Canada Rebellion of 1837–38.
The imagination is now central to all forms of agency, is > itself a social fact, and is the key component of the new global > order."Disjuncture and Difference", Modernity at Large, 31 Appadurai credits Benedict Anderson with developing notions of imagined communities. Some key figures who have worked on the imaginary are Cornelius Castoriadis, Charles Taylor, Jacques Lacan (who especially worked on the symbolic, in contrast with imaginary and the real), and Dilip Gaonkar. However, Appadurai's ethnography of urban social movements in the city of Mumbai has proved to be contentious with several scholars like the Canadian anthropologist, Judith Whitehead arguing that SPARC (an organization which Appadurai espouses as an instance of progressive social activism in housing) being complicit in the World Bank's agenda for re-developing Mumbai.
The journal also responded to post Cold War U.S. policy in Latin America, including the disjuncture between rhetoric and reality under president Obama. The LAP editorial collective issued a critical statement on Obama’s Latin American policy “Dangerous Complacencies: Obama, Latin America, and the Misconceptions of Power” in a special issue on Obama and Latin America in July 2011. Although LAP had published pioneering issues and articles on women and culture in the 1970s, these themes became more prominent in recent years. The journal’s content on women expanded to a broader consideration of gender and sexuality and there was increased attention to the arts and media in issues on documentary film, culture and memory, narco-culture, and on the arts, performance and cultural resistance. The journal’s increased attention to art included its own format, which introduced covers with color photographs in 2007.
Financescape is one the five aspects of global cultural flows that renowned globalization theorist Arjun Appadurai proposed in his article Disjuncture and Difference in the Global Cultural Economy that he claims can be used to distinguish the various disjunctures or disconnections between economy, culture and politics, within the overall global economy. Appadurai poses that when considering the financescape framework, we must consider how global capital today moves in an increasingly fluid and non-isomorphic manner, thus contributing to an overall unpredictability of all the five aspects of global cultural flows as a whole. The four other aspects Appadurai mentions in his article are ethnoscapes, technoscapes, mediascapes and ideoscapes. Appadurai further states that despite disjunctures having always existed between the flows of people, machinery, money, ideas and images, the world is at a crossroads where this is happening to a larger extent; pointing to the importance of studying the "-scapes".
A common critique of the Gold Coast ARPS was that its members sought to garner greater financial and political gain for the African bourgeoisie and elites, rather than for the common people. Part of this critique lay in a disjuncture between the espoused values of cultural nationalism by the Gold Coast ARPS that advocated a fight for the indigenous peoples given the connection that the Gold Coast ARPS had with the British colonial government. Specifically, many of the members of the Gold Coast ARPS had been educated abroad and were part of the elite class that would take over the rule of the Gold Coast should the British colonial rulers leave and thus hold similar power to that of the colonists over their indigenous brethren. Moreover, in the attempts by the Gold Coast ARPS to engage globally with other anti-imperialist and pan-Africanist movements, the Gold Coast ARPS required large sums of money to fund their trips, which they often acquired by charging tribal heads of local communities disproportionate fees to become members of the Gold Coast ARPS.
Globally circulating sexual identifiers therefore risk being reductive or generalizing the geopolitical and cultural specificities of gender and sexuality. Attention must also be given to gioi tinh, the local gender/sex construct that shapes les linguistic, subjective self- determination. Unlike globally translatable, and hence accessible, labels like ‘LGBT’ or ‘lesbian’, Newton writes that gioi tinh “is more complex than either “gender” or “sexual orientation,” and holds contradictory, “multiple meanings.”Natalie Newton, “A queer political economy of ‘community’: Gender, space, and the transnational politics of community for Vietnamese lesbians (les) in Saigon” (PhD diss., University of California, Irvine, 2012), 175-6. Moreover, its discrepancies and contestations are “not a problem of translation,” but “reflect a broader conceptual disjuncture between Western and Vietnamese conceptions of gender/sex,” where the former model cannot simply be mapped onto the latter.Newton, “Queer political,” 198. As Newton discovered through her fieldwork, gioi tinh is “a complex combination of both gender and sexuality,” comprising four categories that will be briefly introduced here.Newton, “Queer political,” 183-4. Firstly, gioi tinh can refer to “biological sex [male/female] or heteronormative social gender [man/woman].”Newton, “Queer political,” 184.

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