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"coruscating" Definitions
  1. (of light) flashing
  2. (of a person) full of life, enthusiasm or humour

62 Sentences With "coruscating"

How to use coruscating in a sentence? Find typical usage patterns (collocations)/phrases/context for "coruscating" and check conjugation/comparative form for "coruscating". Mastering all the usages of "coruscating" from sentence examples published by news publications.

Chinese intellectuals have been transfixed by a coruscating, erudite essay by a Tsinghua University law professor, Xu Zhangrun.
And I was like, I am fractal, moiré, and iridescence inter/bisected by scintillating mirrors/coruscating screens, hyperdimensional, time immemorial — ∞.
I wish I could see what Mr. O'Hara, who often directs his own coruscating plays, could do with those authors.
ON THE campaign trail, Donald Trump's trade policy was an alarming mixture of coruscating complaints and fierce threats of protectionist retaliation.
We were dazzled by the coruscating metropolis of Seoul, which, the last time these men saw it, lay smoldering in ruins.
Critics of the Almeida production had a few qualms, but not about what Susannah Clapp, in the Observer , called the "coruscating" power of the writing.
His doctoral thesis in military history was a coruscating takedown of the pliant Vietnam-era military leadership, later published as a book entitled "Dereliction of Duty".
It's a masterclass in where to take a track with just a four-to-the-floor beat, some coruscating percussion and an array of delay pedals.
While Ms. Mattila's Kostelnicka (a part she first took on earlier this year) is coruscating, she does not have quite a worthy partner in this revival.
In that devastating moment, "Safe," which won the Village Voice's 1999 poll for the Best Film of the Decade, becomes a coruscating metaphor for the negative.
During a discussion at the Karachi Literature Festival, a woman in the audience stood and asked him to write another coruscating novel, like his first one.
Later works, including "Hurlyburly" in 1984, brought the same coruscating moral vision to bear on other warlike ecosystems, like Hollywood, where he often worked as a screenwriter.
Cradled by the symmetrical verde marble ledges, foliage, and coruscating pools on each side, the wide, open space of the plaza provides a calm respite from the busy sidewalk.
Here, the coruscating linguistic brilliance, the profanity and playfulness (and the deep, often irritated engagement with Jewishness) that characterizes his earlier novels rise to new — and, I would say, philosophical — heights.
For two, he created ever more space between the halves of his career — the friendly, coruscating essayist and the difficult, hermetically inclined fiction writer — so that, eventually, there was little to connect them.
There's plenty of choppy percussive elements and cinematic synth washes to be had—but the album also has its fair share of coruscating sound exercises, dotted with naturalistic field recordings and hollow clamor.
Jo Maugham, a lawyer and campaigner on the winning side of the case, said the decision was "coruscating" for the Commission, and that the main Remain campaign had not been given the same rights to make donations.
Against a field of organic forms depicting the rough and coruscating beauty of a solar event, the painter interjects — placing chevrons over organic shapes — saying to the universe "I'm here," and makes her marks affirming that presence.
A distinctive blend of conventional hand-drawn animation techniques and digital flair, "Your Name" is worth seeing for the shafts of sunshine in a dusty room, and the coruscating purple trail of a comet across the night sky.
Before the age of thirty, he had received an NEA and Guggenheim fellowship; he loved the conditions of light offered by the city, from its glistening glass skyscrapers to the coruscating dance on the waters of the Hudson River.
It was to him that she originally dedicated the coruscating installation "Strange Fruit"—discarded peels of citrus, avocado, and bananas, their bruised skins painstakingly made whole again with sinew, zippers, buttons, and thread, over the course of five years.
His influence can be seen in the glittery space boots of the Saint Laurent fall 2017 collection, the lush red velvet trousers in Anna Sui's fall 2017 show and coruscating jackets and vivid patterned flares in Balmain's spring 2017 collections.
Currently Tauba Auerbach, better known for her abstract paintings, is trying out something new: her first kinetic sculpture, solar-powered, composed of twisted, tensile wires that pull away from a soap-slicked central tube and produce coruscating but evanescent diamonds.
You could hardly glance at a newsstand's magazine rack, he pointed out, without seeing a CGI cover illustration of the brain looking like a coruscating fiber-­optic fantasia, as though we were all walking around with Times Square blazing in our heads.
A sense of dislocation defines the film, which slips from one visual format to another — from 35-millimeter color film to coruscating black-and-white to bleary hand-held video — in a way that recalls the rapidly shifting frames of a dream.
Advertise on Hyperallergic with Nectar Ads Point Break, Kathryn Bigelow's 1991 action movie, has its astonishments: an extended tribute to the grandeur of skydiving, a coruscating image of two surfers embracing in the night, that bit where Keanu Reeves glares at the whirring blades of a lawnmower.
He made his reputation with an award-winning 1983 study, "The Old Christian Right: The Protestant Far Right From the Great Depression to the Cold War," and hasn't published a proper book since — just a series of coruscating essays that frequently focus on what everyone else is getting wrong.
" And with the publication in 1973 of Ms. Birstein's "Dickie's List," another self-referential novel, this one about the wife of a book editor, the novelist Lois Gould, also in The Times Book Review, wrote of the author: "She is wry; she is witty; she is coruscating on thin ice.
Advertise on Hyperallergic with Nectar Ads If you've seen an image of a Black jazz musician, eyes closed, his head lost in rapture, face awash in sweat, his ebony skin almost becoming silhouette but for the coruscating light against the statuesque bones of his face and the monsoon over his brow, then you have seen Roy DeCarava's photography.
Palmer's title poem responds without cheer: The laughter of the Sphinxcaused my eyes to bleed The blood from my eyesflowed onto that ancient map of sandRidiculous as I am often have I been drawnto such lands The poems in this coruscating two-part collection wander there like tragicomic masks, raging at the idiocies of the world or probing how meaning is made when answers escape us.
Witte joined Black Army Jacket mid-way through the band's career, contributing to a split seven-inch, a full-length LP for BAJ guitarist Andrew Orlando's Reservoir Records and an unreleased EP. I called Witte to chat about the life and times of Black Army Jacket and discuss his own considerable legacy of brutality, which you can read below whilst blasting Noisey's exclusive stream of the band's coruscating Closed Casket collection.
This is something that the New York four-piece Conduit seem to implicitly understand, something I gathered from the first moments I stumbled upon them at a show a few weeks ago, as they scrawled oozy feedback and belligerent vocals in this nauseating swirl rendered all the more coruscating by the fact that the DIY PA set-up couldn't really distinguish all the signal they were sending through it.
There's the still-uncomfortable drama of toxic masculinity in "Carnal Knowledge" (1971), directed by Mike Nichols; the coruscating New-York-at-its-nadir satire "Little Murders" (1971), directed by Alan Arkin; Robert Altman's loose-limbed, endearing "Popeye" (1980), starring Robin Williams; and Alain Resnais's "I Want to Go Home," a super-quirky comedy from 1989 starring Adolph Green as an aging cartoonist tormented by his own Krazy Kat-like creation.
The result is a chucklesome comedy that fails to mount into a coruscating wave of laughter".T.S. "Mr. and Mrs. Smith (1941); At the Music Hall.
Newsarama In her first appearance, Rainbow Girl was able to create a pheromone field that surrounds her in coruscating light resembling a rainbow, giving her an irresistible personality to everyone.
In response to such shamefacedness, I find myself thinking longingly of Helen – the ancient rather than the modern version – of Troy, that coruscating dervish, point of all narrative and dazzling blonde light.
For putting in what was seen as a coruscating performance for Grenada against Puerto Rico, Belfon was awarded as Man of the Match and is considered one of the best goalkeepers in the Caribbean.
To a varied and occasionally coruscating CV that includes a stint at the bar, a spell in the cabinet and regular slots on the nation's airwaves, David Mellor can now make an addition: penitent groveller.
Cardus, Neville. "William Walton's First Symphony". The Manchester Guardian, 7 November 1935, p. 10 Grove says of the work that its "orgiastic power, coruscating malice, sensuous desolation and extroverted swagger" make the symphony a tribute to Walton's tenacity and inventive facility.
In 2014 it was carried out by Desire Foundation, Bhubaneswar on the coruscating day of Diwali to celebrate the festival of light in a unique style with the underprivileged. Liter of Light India was nominated for Change Maker's Award by Uttarakhand Sustainable Development Festival and for 'Young Achiever's Award' by prestigious society magazine. Liter of Light India also takes initiatives like Woman Empowerment, City Cleanliness and Education.
The album also showcased Davis' avant-garde impulses and exploration of ambient sounds. According to Greg Tate, the septet created "a pan-ethnic web of avant-garde music", while Sputnikmusic's Hernan M. Campbell said they explored "progressive ambiences" particularly within the record's second half; Phil Alexander from Mojo characterized Agharta as "both ambient yet thrashing, melodic yet coruscating", and suggestive of Karlheinz Stockhausen's electronic experiments.; ; .
Upon each of the floriated (the arms) of the cross are arranged the three alchemical principles of sulfur, salt, and mercury. The white rays issuing from behind the rose at the inner angles between the arms of the cross are the rays of the divine light issuing and coruscating from the reflected light of Kether in its center; and the letters and symbols on them refer to the analysis of the Key Word – I.N.R.I.
The Manchester Guardian, 7 November 1935, p. 10 Byron Adams says of the work that its "orgiastic power, coruscating malice, sensuous desolation and extroverted swagger" make the symphony a tribute to Walton's tenacity and inventive facility.Adams, Byron. "Walton, William," Grove Music Online, Oxford Music Online, retrieved 27 September 2015 The critic Edwin Evans wrote of the Andante con malinconia: Critics have always differed on whether the grandly optimistic finale matches the rest of the work.
The Booker Prize judges described this book as a "coruscating black comedy reflecting our alarm but also our fascination with America". The character of Vernon as a troubled teenager has drawn comparisons with the character Holden Caulfield in J. D. Salinger's The Catcher in the Rye novel. There are also significant similarities with Mark Twain's The Adventures of Huckleberry Finn. The book is written in contemporary vernacular, with the use of satirical invective and witty irony.
Glass praises Allen as "admirably open" about the provenance of the story and describes Allen's description of the downside of fame as "honest". She also says that Allen "rarely recognises her privileges", "skims over the fun" and "seems to suffer severe imposter syndrome". Miles Salter of The Press praised Allen for showing "tremendous authenticity about her own failings". Salter lauded the book for its "coruscating honesty" but criticised that cultural and political events go relatively unmentioned.
These onslaughts were critiqued and counterposed by Telford's coruscating, densely textured polyrhythms. Seagroatt moved between the two, weaving sinuous cats-cradles of fractured melody in the liminal space where metal met jazz. Live, the group was often punishingly loud (one urban myth recounts that a Red Square set drowned out Cliff Richard who was playing at a venue half a mile away!). Despite the support of luminaries such as Miles, then writing for NME, they frequently enjoyed a combative relationship with audiences.
Generally positive reviews from online critics. In a review for RogerEbert.com, Brian Tallerico wrote that the film's "overwhelming" nature and non-stop action will likely thrill fans of pop culture; while he observed narrative weaknesses, such as a lack of depth among the supporting characters, he felt that they ultimately do not hinder the film from working "on the level of technical, blockbuster mastery that Spielberg helped define". Writing for Variety, Owen Gleiberman called the film a "coruscating explosion of pop-culture eye candy", and found the sequence based on The Shining to be "irresistible".
The Wild Men of Paris, Architectural Record, May 1910. The Wild Men of Paris was partly humorous but partly serious. Burgess wrote of Matisse's 1907 painting Blue Nude (Souvenir de Biskra) in humorist fashion: > There were no limits to the audacity and the ugliness of the canvasses. > Still-life sketches of round, round apples and yellow, yellow oranges, on > square, square tables, seen in impossible perspective; landscapes of > squirming trees, with blobs of virgin color gone wrong, fierce greens and > coruscating yellows, violent purples, sickening reds and shuddering blues.
Final Crisis: Superman Beyond #2. DC Comics The Anti-Monitor, who appears monstrous, barely resembles the Monitor, who bears a physically near-human appearance. The Anti-Monitor has empty, sometimes luminous eye sockets, and a wide, wrinkled mouth, often mistaken for a mass of teeth. When his armor is destroyed by Supergirl, his form appears not dissimilar to that of the Monitor, but unstable, and surrounded by a coruscating aura of radiant energy—his life force, leaking out like water from a failing vessel, explaining the need for the armor.
MacDonald highlights the "rollicking" brass score, Starr's drumming and McCartney's "coruscating pseudo-Indian guitar solo" among the elements that convey a sense of aggression on a track he deems a "disgusted canter through the muck, mayhem, and mundanity of the human farmyard". A series of animal noises appear during the fade-out that are sequenced – at Lennon's request – so that each successive animal could conceivably scare or devour the preceding one. The sound of a chicken clucking overlaps with a stray guitar note at the start of the next track, creating a seamless transition between the two songs.
Unlike more mainstream philosophers such as John McDowell, who would press philosophy into service in an attempt to bring about a "re-enchantment of the world", Brassier's work aims to "push nihilism to its ultimate conclusion". According to Brassier, "the disenchantment of the world understood as a consequence of the process whereby the Enlightenment shattered the 'great chain of being' and defaced the 'book of the world' is a necessary consequence of the coruscating potency of reason, and hence an invigorating vector of intellectual discovery, rather than a calamitous diminishment".Brassier, Ray. Nihil Unbound: Enlightenment and Extinction.
At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 81% based on 9 reviews, indicating "universal acclaim". Brian Howe of Pitchfork gave the album a 7.0 out of 10, describing it as "a digest of field recordings, Moog synths, staticky samples, and scattershot drums, all waxing and waning around immovable slabs of buzzing bass." He added: "It splits the difference between the eschatological IDM of Boards of Canada's Geogaddi and Keith Fullerton Whitman's coruscating dronescapes." Jordan Harper of Riverfront Times listed it as the most overlooked album of 2005.
Critical reception towards "Stand Up Comedy" was mixed. BBC Music's Chris Jones felt the track was a classic U2 song, calling it "a rowdy, grand gesture urging you to 'stand up for love' as only U2 can." He cited the lyric "stop helping God across the road like a little old lady" as one of the best lines that Bono had ever written. Q described bassist Adam Clayton and drummer Larry Mullen Jr.'s playing as "bring[ing] forth U2's hitherto unrevealed funky side," also noting that the track was "propelled by some coruscating Edge guitar work", which was described as reminiscent of Led Zeppelin.
Wilkinson, David (2016) Post-Punk, Politics and Pleasure in Britain, Palgrave Macmillan, , p. 126 Simon Reynolds saw it as "a coruscating portrait of one of Manchester's finest sons, the hard-bitten product of five generations of industrial life...a forty-five-year-old pub stalwart who's spent three decades on the piss, ignoring the pain from his long-suffering kidneys", also speculating that Jack may be an amphetamine user.Reynolds, Simon (2012) UK Post-Punk: Faber Forty-Fives: 1977–1982 (Kindle edition), Faber & Faber, ASIN B0085MG96Y Smith stated in a Sounds interview at the time of the single's release that Jack was "the sort of guy I can see myself as in twenty years".
11 The reviewer in The Manchester Guardian called the work "a modern masterpiece" showing the composer at his freshest and most inspired, substituting for the melancholy of Walton's "great concertos of the thirties" "something more serene"."Walton's Cello Concerto: A modern masterpiece", The Manchester Guardian, 1 May 1958, p. 7 The Times, considering the Cello Concerto along with the earlier concertos, remarked that Walton was not a progressive composer but each of his works was stamped with his musical personality –"wit, coruscating and explosive energy, and a half- wistful, half-contented romantic brooding … the produce of an aristocratic mind.""Sir William Walton's Four Concertos: Composer content to be himself", The Times, 22 February 1957, p.
Jon Pareles of The New York Times stated she "always had a great big voice, a technical marvel from its velvety depths to its ballistic middle register to its ringing and airy heights". In 2008, Rolling Stone ranked Houston as the 34th of the 100 greatest singers of all time, stating, "Her voice is a mammoth, coruscating cry: Few vocalists could get away with opening a song with 45 unaccompanied seconds of singing, but Houston's powerhouse version of Dolly Parton's 'I Will Always Love You' is a tour de force." Matthew Perpetua of Rolling Stone also acknowledged Houston's vocal prowess, enumerating ten performances, including "How Will I Know" at the 1986 MTV VMAs and "The Star Spangled Banner" at the 1991 Super Bowl.
"The Pi Man" was a finalist for the 1960 Hugo Award for Best Short Story.1960 Hugo Awards, at TheHugoAwards.org; retrieved May 6, 2018 Kirkus Reviews considered it to be a "chilling masterpiece",VIRTUAL UNREALITIES: THE SHORT FICTION OF ALFRED BESTER, reviewed at Kirkus Reviews; published November 14, 1997; retrieved May 6, 2018 and John Hertz has lauded it as "coruscating, gripping, (and) strange".Hertz: Time for Tea, by John Hertz, at File 770; published December 20, 2013; retrieved May 6, 2018 The Encyclopedia of Science Fiction has posited that Marko's abilities were the basis for the similar abilities of the protagonist in Bester's 1981 novel The Deceivers,BESTER, ALFRED, by Peter Nicholls; at the Science Fiction Encyclopedia (edited by John Clute, David Langford, Peter Nicholls, and Graham Sleight.
The debacle surrounding the production of The Magnificent Ambersons (1942) ended with the expulsion of the Mercury team from the RKO lot. Endfield signed on as a contract director at MGM where he directed a variety of shorts (including the last films in the long-running Our Gang series), before freelancing on low-budget productions for Monogram and other independents. He served in the Army during World War II. It was with the film noir The Underworld Story (1950), a United Artists independent production, that Endfield first received significant critical and studio attention. The film was a major leap from anything he had previously produced in regards to budget and social commentary, constituting a coruscating attack on press corruption which could equally be taken as a wider attack on the McCarthyite ideology of the times.
Metal Box is now considered a post-punk classic, and is highly acclaimed. Andy Kellman of AllMusic gave it a five star rating, saying "PIL managed to avoid boundaries for the first four years of their existence, and Metal Box is undoubtedly the apex" and that it "hardly [sounds] like anything of the past, present, or future". He also compared it to the works of Captain Beefheart and Can. Drowned in Sound also gave it a perfect score, with reviewer Mark Ward stating "it tears away from Lydon's sweaty punk roots and into the cold chambers of dub evoked by Can, the more outré electronics of Bowie's Berlin years and the coruscating post-punk sound that guitarist Levene was in the process of pioneering" and that "if you don't yet have a copy, you really should".
Many of the musical relationships he established during the 1970s have continued to the present. These include a quartet with pianist John Taylor, bassist Chris Laurence, and drummer John Marshall; duets and other projects with Norwegian singer Karin Krog; and duets and other projects with American drummer/pianist Jack DeJohnette. His relationship with ECM Records has also been continuous from the late 1970s to the present, as Surman has recorded prolifically for the label playing bass clarinet, recorders, soprano and baritone saxophones and using synthesisers, both solo and with a wide range of other musicians. In recent years he has composed several suites of music that feature his playing in unusual contexts, including with church organ and chorus (Proverbs and Songs, 1996); with a classical string quintet (Coruscating); and with the London Brass and Jack DeJohnette (Free and Equal, 2001).
Guitars, flutes and horns that appear to be played on Kurzweil and Yamaha keyboards appear throughout, as well as similarly electronic-sounding bells, chimes and ambient pads that, according to Nick James Scavo of Tiny Mix Tapes, set an Appalachian scene. Philip Sherburne, writing for Pitchfork, described American Drift as artistically evoking "a hillside that's been worn away by erosion to reveal a sedimentary record of the millennia". He also commented on the album's use of 'woodblock rhythms', "trap chants" and "coruscating organs", praising them, as elements of the record, as being 'overwhelming in the best way.' Nick James Scavo, writing for Tiny Mix Tapes, commented that 'the beauty of Crampton's art is that it gorgeously describes a drifting, transitional nature — to pin it down is to forget its essence, to rob it of movement.' Scavo also stated that the album artistically "evoke[s] the biologically self- queering nature of the "sublime" [and] approaches the "opening" of Crampton’s sound as a trans-ontology".
Jonathan Lethem, author of Motherless Brooklyn, wrote: "Read Vernon God Little not only for its dangerous relevance, but for the coruscating wit and raw vitality of its voice." The Times wrote: "A satire brimming with opprobium for.. [the] demi- culture of reality television, fast food and speedily delivered death... a bulging burrito of a book." John Carey, Merton professor of English Literature at Oxford University, and chairman of Booker judges in 2003 said: "Reading [Pierre's] book made me think of how the English language was in Shakespeare's day, enormously free and inventive and very idiomatic and full of poetry as well." Theodore Dalrymple wrote that the novel "was a work of unutterably tedious nastiness and vulgarity" that "manifested itself even in its first sentence, and grew worse as the first paragraph progressed"; Dalrymple described the author as "a man with no discernible literary talent whose vulgarity of mind was deep and thoroughgoing".

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