Paris's referral to surrogates as "breeders" and "bottle-service bimbos" was bizarrely misogynistic.
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"I was always the sexy girl, not that I played bimbos," she said.
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Donald Trump calls African-Americans thugs, Muslims terrorists, Latinos rapists and criminals, and women bimbos.
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We're a dime a dozen, generally represented in popular media as vapid bimbos with half a brain.
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While plenty of other horror films portray women as useless bimbos, Zombie portrays them as mistresses of everyone's destiny.
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Yet the choice makes a thrilling kind of sense—after all, bimbos have always been women who don't quite follow the rules.
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Criticizing Gold Star parents, calling women bimbos, and mocking the appearance of opponents only alienates the same open-minded generation that he needs to entice.
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"The reason I made these films is my buddies on Wall Street said, 'These women are a bunch of bimbos,'" he told a 2011 gathering.
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The way he calls women who disagree with him "dogs" or "bimbos," and protestors who demonstrate at his rallies "terrorists," is more than merely macho.
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A 70-year person with a long track record, unbridled ambition, greedy, not transformational, with a husband still dicking bimbos at home (according to the NYP).
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"Of COURSE @realDonaldTrump -- a guy who calls women fat pigs & bimbos -- picked a VP who is famous for trying to control women's bodies," the Massachusetts Democrat tweeted.
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Even if candidates can refrain from referring to women as "bimbos" guided by their menstrual cycle, that doesn't mean that women voters will automatically flock to them.
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Trump accused the news anchor of being biased against him, citing her questioning about phrases like "fat pigs" and "bimbos" as evidence she was aiming to discredit him.
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It's interesting in a time-capsule sense, reflecting a media that was more impressed with itself than it is today and, in its frequent references to "bimbos," more sexist.
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Time and again, Hillary was a party to demonizing women as liars, bimbos, trailer trash or troubled souls when it seemed clear they were truthful about her philandering husband.
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And women are not fat slobs or bimbos, and the disabled should not be ridiculed, and congressional committees should not be unethically misused for taxpayer-financed partisan witch hunts.
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"The Bimbos and Femsas of the world all have this opportunity, to take their distribution, relationships, advantages, add some technology through partnerships or in-house, and transform their businesses," he said.
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My modest proposal is that the Clinton and Trump campaigns and their surrogates agree to a moratorium on any further discussion of vixens and bimbos and that the media do likewise.
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What would the Republican National Committee do if a black man running for president had angrily described women as fat slobs and bimbos and labeled Hispanic immigrants as rapists and murderers?
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From calling women disgusting, fat pigs, and bimbos to remarks about dropping to their knees and having a nice piece of a** on his arm, the litany of offensive comments is well-documented.
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"A 70-year person with a long track record, unbridled ambition, greedy, not transformational, with a husband still d–kng bimbos at home," a leaked email read, according to the New York Post.
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We also talked at great length about the hypocrisy of liberal feminists demeaning Republican women as brainless bimbos for their conservative beliefs, while crying "sexism" over any perceived criticism of their liberal beliefs.
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I figured the girls were dead-eyed bimbos and that taking their clothes off in front of a crowd of strangers was the last thing they wanted to do on a Monday night.
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They borrowed without hesitation from vernacular, culturally specific aesthetics: from Nuyorican girls with darkly stained lips and heavy gold nameplates; and from ultra-sexualized bimbos who wore their hair in massive platinum bouffants.
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In the '90s, they were dismissed as "bimbos" deployed in service of what Hillary Clinton called the "vast right-wing conspiracy," and with few exceptions, their stories have remained relegated to the margins of respectable conversation.
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For almost 28503 years the Clintons have attempted to convince Americans that they are victims: of "bimbos," of a "vast right-wing conspiracy," of the White House staff, of the Department of Justice, of the Special Counsel.
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Because the patriotic left offers the antithesis to the values of Trump, we would never say that women who voted for Trump are fat slobs and bimbos, as Trump has described women who met with his disfavor.
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McKay also bookends the movie with what I think of as cinema's Universal Bimbos, those young, dumb counterparts to the mean old ladies with puckered mouths whose clucking is meant to symbolize small-town hypocrisy or whatever.
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" Scott Dunn, a city council member in Richardson, TX, a suburb of Dallas, responded to one of Ocasio-Cortez's tweets, using his personal account to write, "The embarrassment is to have bimbos like you with nothing between your ear.
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He questioned the motives of women like Flowers and Jessica Hahn, who accused the televangelist Jim Bakker of sexually assaulting her, for exploiting themselves in the media — Hahn posed for Playboy — while defending themselves from the very charge that they were bimbos.
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My parents are voting for Trump, not because they want to "build a wall" or because they think it's okay to call women "pigs" and "bimbos," but because they're concerned that the very thing they fled is slowly following them into the United States.
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They remained silent as the White House and Hillary ClintonHillary Diane Rodham ClintonThe exhaustion of Democrats' anti-Trump delusions Poll: Trump trails three Democrats by 10 points in Colorado Soft levels of support mark this year's Democratic primary MORE attacked these women as "bimbos" and losers.
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" As one of her aides told me, "She doesn't look at her life as a series of crises but rather a series of battles...she would much rather play the woman warrior -- whether it's against the bimbos, the press, the other party, the other candidate, the right-wing.
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The fact is, you can't be simultaneously outraged at the T.I. video and still justify voting for a man who calls female journalists bimbos and dogs, attacks his female critics as fat and ugly and has bragged about sexually assaulting women (and is accused of doing just that).
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If all you ever knew of the country derived from the clownish antics of its prime minister or cultural slag like the Canale 5 television show "Uomini e Donne" — featuring hypertrophied himbos and Sunkist-colored bimbos competing to snare them — it would be hard to believe that La Dolce Vita had ever existed.
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"Red or black hair is usually reserved for the strongest superheroine around, or the one with the most flamboyant personality — see, for example, Phoenix, Red Sonja, or Wonder Woman — while blondes are still mostly treated as glorified bimbos, regardless of their powers," she explains, pointing to Supergirl and Smallville as examples of the latter.
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Feminists looked the other way when Hillary hatchet men plotted to paint Lewinsky either as a malicious stalker or a friendly fantasist — just as they looked the other way in 1992 when Betsey Wright shot down what she called "bimbos" and "gold diggers" in Arkansas with the help of intimidating private investigators poking around in the lives of women who had been involved with Bill.
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While women should be perfectly free to be ring girls if they so choose without being dismissed or insulted as bimbos, sluts, or whatever insult is thrown at women who are seen as having a purely ornamental role in our society, the fact is that their role was created to be pure eye candy in an age when only men were stepping into the ring or the cage.
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Following this cacophony of chaos and fratricide engulfing GOP leaders in Congress, the battle for the Republican presidential nomination features a bully, who gave a sick impersonation of a disabled person and has a history of calling various women fat slobs and bimbos, battling against one of the most despised senators in Republican history, who launches attacks against his own party's leaders and whose only claim to legislative fame was causing a government shutdown.
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Assault of the Killer Bimbos is a 1988 American comedy film starring Elizabeth Kaitan, Christina Whitaker, and Tammara Souza.
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Pride of the Bimbos is the first novel by American author and filmmaker John Sayles, published in 1975. The book is about a midget who is a traveling baseball player who dresses in drag and plays local teams. The baseball is always played without comedy and the traveling team (the Bimbos) almost always wins. As the book unfolds the reader learns about the midget named Pogo in flashbacks.
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Macho Women with Guns is set in a near-future America where society has collapsed due to the misdeeds of the Reagan administration. Taking advantage of the earthly chaos, Satan has dispatched her female minions, the Batwinged Bimbos From Hell, to rebuild society in a form she approves of. The Vatican has responded to Satan's plans by dispatching its elite group of warrior nuns, The Sisters of Our Lady of Harley-Davidson to combat the bimbos. The two groups of women compete (sometimes violently) to rebuild civilization by vanquishing post-apocalyptic menaces and male chauvinism.
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After closing FUN, Patti then moved to Hollywood where she acted in, wrote and produced Get Tux'd starring Ice-T in one of his first movie roles and the crowd-pleaser Assault of The Killer Bimbos awarded by People magazine "Trash Pick of The Week".
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The Matis people (also called Nutioy, Bimbos, Mikitbo, and Mushabo) are an indigenous people of Brazil. The Matis are commonly named as the Jaguar people. They live in two separate villages with total population of roughly 290. They live in the far west of Brazil, in the Vale do Javari Indigenous Territory, an area covering .
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The full title of Williams' painting is "An Allegory of Contradictions Revealing Serendipity Purveyors of Mirth Presenting a Tableau of Blood and Grease Paint in a Circusian Clash to the Death", while the colloquial title is "Duelling Bimbos." This album completed the band's contract with IRS Records, and they disbanded for good by mid-1988.
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The surfing scenes in particular are majestically powerful, even awe-inspiring. Bigelow's picture is a feast for the eyes, but we watch movies with more than our eyes. She seduces us, then asks us to be bimbos." Rolling Stone magazine's Peter Travers wrote, "Bigelow can't keep the film from drowning in a sea of surf-speak.
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" Reviewer Gord Lacey of TVShowsOnDVD.com "found her rather annoying." Reviewer Doug Anderson of The Sydney Morning Herald wrote that Tessa was "too arty and sympathetic to serve any purpose other than an emotional spur for the hero's vengeance." Joanne Ostrow of The Denver Post wrote that "Paul and Vandernoot don't look like typical American TV-style bimbos and hunks, and for good reason.
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The exhibit, which centered around the artwork of sex workers and their allies, featured Frances's watercolor works. Her first solo show, Motivational Bimbos, was on exhibit summer 2019 at Body & Pole in Manhattan. Frances consulted on and portrays the role of Jackie in the 2019 film Hustlers, written and directed by Lorene Scafaria. Frances is the designer of Strippers Forever, an apparel line that celebrates sex workers.
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The university was in turn criticised by radio host Eileen Cha for choosing Chau for a seminar series entitled Knowledge Unlimited.Lau, Nickkita (23 October 2009). "Beauty and the beasts" The Standard In 2010, veteran Hong Kong actor Anthony Wong openly criticised and ridiculed pseudo-models, specifically Chrissie Chau, several times, calling them brainless and "bimbos". The related controversy led to pseudo-models being banned from a book-fair.
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MissBimbo.com (now bimbo.land) is an online fashion game and a social networking site with a mainly female audience. Players look after a 'Bimbo' character as she progress through life. Tasks in the game include gaining Bimbo Attitude (BA) and IQ points, participating in fashion duels and challenges against other players, acquiring boyfriends, making various changes in the Bimbos appearance (such as with plastic surgery, hairstyles and costumes) and training for careers.
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The original Macho Women with Guns was designed in 1988 by Greg Porter, owner of BTRC, in a period of less than two-weeks. The 12-page booklet was published in August of that year, and became BTRC's most popular product. The following year, BTRC released two supplements written by Porter. The first, Batwinged Bimbos From Hell (), introduced key background details of the Machoverse, as well as rules for aerial movement.
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" Gradere was more critical of the phenomenon, saying that boys trying to 'dumb down' or use their sexuality to get attention or financial support was no better than girls doing the same thing." "We understand the value of women taking on more masculine roles and men assuming what were once considered more traditional female roles. However, somewhere along the way, himbos have warped this idea and turned it into a free ride at the expense of women, which is disrespectful and manipulative."Girls Can Be Bimbos, Can Guys Be Himbos? Today, 2006, retrieved January 23, 2017 Lauren Bans of GQ Magazine discussed the rise of the himbo character in entertainment in her 2012 article, "Bimbos with Balls", noting the proliferation of "a new breed of buffed up hollow men" was replacing female bimbo characters in shows like New Girl, Cougar Town, and Parks and Recreation, 30 Rock, as well as movies like Magic Mike and Showgirls.
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After college, Sayles moved to Boston where he worked a variety of blue-collar jobs while writing short stories for The Atlantic. These writings culminated in his first novel, The Pride of the Bimbos, published in 1975. Like Martin Scorsese and James Cameron, Sayles began his film career working with Roger Corman. In 1979, Sayles used $30,000 he earned writing scripts for Corman to fund his first film, Return of the Secaucus 7.
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The second mode—the heart of the game—is the career mode. This puts the player in the shoes of a pilot doing various jobs around the city. The game is notable for being the debut of the Simlish language. The game gained controversy when a designer inserted sprites of shirtless "himbos" (male bimbos) in Speedo trunks who hugged and kissed each other, who appear in great numbers from time to time.
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Krystine first published her comics in punk zines published out of San Francisco. She moved to Los Angeles in 1991. She has been published in Weirdo, Raw, Wimmen's Comix, Tits & Clits Comix, The Narrative Corpse, Comix 2000, Snake Eyes, Art Forum, Buzzard, and Twisted Sisters. Her relationship with Dori Seda is chronicled in the story "'Bimbos From Hell," originally published in Weirdo #22 (Last Gasp, Spring 1988).Noomin, Twisted Sisters, p. 84.
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Scanlon toured North Africa, Cyprus, Malta and Germany entertaining US troupes stationed there. He also performed in Bimbos, a famous nightclub in San Francisco and then left the US for more work in the UK. He also entertained the troupes in Vietnam. During that engagement, he performed with other artists including Lucky Starr. Scanlon was awarded a certificate of appreciation from General William Westmoreland, the General of the United States army in 1967.
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Madness performing live at Bimbos in 2005 In 2004, the band played a series of low-key concerts as The Dangermen, performing covers of classic reggae and ska songs. A lot of the songs were those played by the band when they were first forming,Long, Chris. and the band performed the songs as a celebration of their 25th anniversary. This led to the release of the album The Dangermen Sessions Vol. 1 on V2 Records in August 2005.
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To the leaders of the high school, headed by the frivolous Antonella, daughter of Bianca, Patito is, an ugly duckling, and direct at her all their mockery and tricks. Here she meets her prince, Mateo. Patito becomes the leader of Las Populares (The Populars), sensible young ladies who do not want to be "bimbos" like Las Divinas (The Divines) who only care about power and appearances. The fight gets serious when the high school decides to participate in an intercollegiate musical contest.
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Ryan Leger (pictured in 2013) was the band's drummer from 2009 to 2015. He was succeeded by Daniel Davison, formerly of Norma Jean, and in 2017, joined Norma Jean, replacing Clayton Holyoak, who is ETID's current drummer. In January 2012, Every Time I Die released their video for "Underwater Bimbos from Outer Space", from their album Ex Lives, which was released on March 6, 2012. On February 23, the band released the second single and music video off the album for "Revival Mode".
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The series was described in the Chicago Tribune as portraying nursing students as women who "don't spend much time studying...[but] do hang around in their underwear a lot". Nightingales was criticized for "demeaning the nursing profession...by portraying five student nurses as lusty bimbos", and the American Nurses Association initiated a letter-writing campaign that prompted several of the show's sponsors to withdraw their advertising. The series was cancelled after 13 episodes. Aaron Spelling briefly revived it in syndication as the 1995 series University Hospital.
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Kirkus Reviews said "it might be the unlikeliest book you ever thought to like", with its bizarre plot and "hugely funny scenes", and concluded that "Mr. Sayles is a writer with more talent in the knuckle of his little finger than we've met in many a long season--full of spit and humor and affection."Review of Pride of the Bimbos, Kirkus Reviews (accessed 2012-10-30). In 1988 Alida Becker of the Chicago Sun-Times called the book a "rollicking examination of masculine self-esteem".
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Harper supports Little Kids Rock, a national nonprofit organization that works to restore and revitalize music education in disadvantaged U.S. public schools. In 2013, he donated items to their San Francisco Bay Area benefit concert. On December 11, 2016, he played an acoustic benefit concert at Bimbos in San Francisco supporting New Light India's "Boys Home Project". Founded in 2000 by Urmi Basu, New Light India provides shelter, educational opportunities, recreational facilities, healthcare and legal aid for the girls and women in Kalighat, notorious for its red light district.
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E-harassment is not the sole form of harassment. In 1999, Juno Online faced two separate suits from former employees who alleged that they were told that they would be fired if they broke off their ongoing relationships with senior executives. Pseudo Programs, a Manhattan-based Internet TV network, was sued in January 2000 after male employees referred to female employees as "bimbos" and forced them to look at sexually explicit material on the Internet. In India, HR managers admit that women are discriminated against for senior Board positions and pregnant women are rarely given jobs but only in private.
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Las tontas no van al cielo (, English title: Dumb Girls Don't Go to Heaven, Lit: Bimbos Don't Go to Heaven) is a Mexican telenovela produced by Rosy Ocampo for Televisa in 2008. On 11 February 2008, Canal de las Estrellas started broadcasting Las tontas no van al cielo weekdays at 8:00pm, replacing Yo amo a Juan Querendón. The last episode was broadcast on 22 August 2008 with Un gancho al corazón replacing it the following day. Jacqueline Bracamontes, Jaime Camil and Valentino Lanús starred as protagonists, while Karla Álvarez, Fabiola Campomanes and Sabine Moussier starred as antagonists.
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Original cast players Nicole Sullivan and Debra Wilson introduced new characters, playing Latina bimbos Lida and Melina together, while Wilson performed Bunifa, a fast-talking ghetto fabulous girl. Alex Borstein frequently appeared as Ms. Swan and Rosie O'Donnell; Pat Kilbane appeared as the Coffee Guy and the spokesman for Spishak, and performed his Howard Stern impersonation; Will Sasso frequently impersonated famous people such as Bill Clinton, Kenny Rogers, and Steven Seagal and Aries Spears did several impersonations of popular African-American celebrities. Season four was marked by one notable controversy. During the February 6, 1999 episode, Bret Hart appeared in a sketch with Will Sasso.
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The music video featured a prologue with a convenience store clerk observing various customers, including a newlywed couple arguing about a hotel room; a weasel-type played by Pete Angelus flanked by blonde bimbos, an obese woman screaming that her doctor says she needs to take a laxative, to which he replies, "Not in my store you don't!"; a woman he tries to hit on, as he notices she is buying breath mints; and finally, David Lee Roth in a tribal costume, who says, "Give me a bottle of anything...and a glazed doughnut...to go," and cuts to the start of the song.
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" Writing in New York magazine, David Denby found the film to have "some moments of warmth in its portrait of gaudy neighborhood bars and dance halls, gangsters, bimbos, and hangers-on, but the movie is so hyperbolic and synthetic you don't believe a minute of it." John Gault of Maclean's wrote: "The climactic wrestling sequence is so derivative of 'Rocky' you almost start humming 'Gonna Fly Now'. But 'Rocky' did what every good fairy tale does: it temporarily suspended disbelief, made the implausible plausible. That works only if there is a high degree of consistency in plot and characterization, and 'Paradise Alley' doesn't have it.
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Throughout the stories, Bertie learns literary quotations from Jeeves and renders them with informal language. One of the quotations Bertie learns from Jeeves is "all his men looked at each other with a wild surmise, silent upon a peak in Darien" (from "On First Looking into Chapman's Homer"), which Jeeves first mentions in the first chapter of Thank You, Jeeves. Bertie references this quotation many times, as in chapter 19 of Aunts Aren't Gentlemen, when he sees the stolen cat wandering in while Cook and Plank are on the premises: "I looked at it with a wild surmise, as silent as those bimbos upon the peak in Darien".Thompson (1992), p. 301.
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The next day, Barney gets Lily to come over to his apartment and confides that he is in love with Robin. She agrees to help him if he will stop having one-night stands with bimbos. He tries to call Robin but panics and leaves a high-pitched gibberish voice mail instead, followed by another awkward, unsuccessful phone call. Lily sets Barney up on a dinner date with Robin, where he behaves quite unlike himself: not taking advantage of opportunities to make sex jokes, ignoring their waitress April's generous cleavage, and being interested in the goings-on of Robin's day, especially when she admits her insecurities about possibly applying for a potentially better job at a rival news station.
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Ah Beng () is a stereotype applied to a certain group of young Chinese men in Southeast Asia, particularly Singapore and Malaysia, who display common characteristics such as having dyed hair, wearing loud fashion and being less educated. The female equivalent of an Ah Beng is an Ah Lian ().Beng Huat Chua (2003) Life is not complete without shopping for bimbo products: consumption culture in Singapore, Singapore University Press A stereotypical Ah Beng would be someone who is not highly educated, is loud and unsophisticated, and operates within secret societies and street gangs. Ah Lians on the other hand are regarded as bimbos, and are stereotyped as anti-intellectual, superficial, materialistic, and shallow.
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The songs uses the term "bimbo" is used to describe an island girl of questionable virtue. The 1929 silent film Desert Nights uses it to describe a wealthy female crook, and in The Broadway Melody, an angry Bessie Love calls a chorus girl a bimbo. The first use of its female meaning cited in the Oxford English Dictionary is dated 1929, from the scholarly journal American Speech, where the definition was given simply as "a woman". In the 1940s, bimbo was still being used to refer to both men and women, as in, for example the comic novel Full Moon by P. G. Wodehouse who wrote of "bimbos who went about the place making passes at innocent girls after discarding their wives like old tubes of toothpaste".
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In American politics, the word was used in the 1990s during Bill Clinton's sexual misconduct allegations, leading to the invention of the term "Bimbo eruptions" to refer to political sex scandals.Grant Barrett, Hatchet Jobs and Hardball: The Oxford Dictionary of American Political Slang , Oxford University Press, Apr 21, 2006 The expression was also used in a 2014 report in which Colin Powell explained his reluctance to vote for Hillary Clinton in light of her husband's continued affairs with "bimbos". After the first 2015 Republican Presidential Debate, Donald Trump re-tweeted a message calling debate moderator and Fox News host Megyn Kelly a "bimbo" via Twitter. This took place after Kelly asked Trump a question that referenced his television show The Apprentice from season 6 in 2005.
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Eve during a WWE house show in November 2011 As part of the 2011 Supplemental Draft on April 26, 2011, Phoenix returned to the Raw brand. On the August 1 episode of Raw, Phoenix won a battle royal to become the number one contender to the WWE Divas Championship, and afterward attacked champion Kelly Kelly to provoke a feud and turning heel in the process. Phoenix later declared that she was tired of the "perky bimbos" that comprised the rest of the Divas division, and was on a mission to make a mockery of the other Divas, and was joined by Natalya to form The Divas of Doom. Phoenix went on to unsuccessfully challenge Kelly for the championship at SummerSlam.
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Their first product was the light- hearted microgame Geriatric War, a fast-paced game where "characters battle over a few pension checks that survive the Social Security collapse of 2018". Tucholka then created and published more serious RPGs such as Fringeworthy, the first RPG about dimensional travel, Bureau 13, the first horror RPG, and FTL: 2448, a space opera RPG. Given the more serious tone of these works, the company name was changed from Tacky Tack Games to the more professional- sounding Tri Tac Games in 1983. Tucholka continued to create new games for Tri Tac, including Bureau 13, Hardwired Hinterland, Monster Squash, Pterroductyl, The Viral Vegetable Wars, Drive By, War on High, Escape From Westerville State, Baby Boomer, Duck Trooper, Beach Bunny Bimbos with Blasters and HOLES.
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She is afraid of growing up, and loathes blonde bimbos (vide a cartoon in which she insinuates that Tim is nothing more than a replaceable penis for his new blonde-bimbo girlfriend). Her fear of growing up is reflected in her appeal to readers through her childlike qualities and innocence, as well as her sense of fun. Nemi has great difficulty keeping down a job due to her inability to sleep at a decent hour and wake up in the morning; her most steady form of employment is babysitting for her responsible and grown-up friends. Not surprisingly, childlike Nemi gets along very well with children but her dark sense of humour and grim fairy tales often traumatize them (although, it is more common that the parents are traumatized when hearing what the children have been allowed to read).
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Ninja Academy is the tale of the struggle between two ninja dojos for adults, Chiba's (played by Okamura) located out in the woods in Topanga Canyon and Chiba's former classmate Addleman's (Seth Foster) Beverly Hills Ninja Academy in Beverly Hills, California. Attending this session at Chiba's dojo are stereotypical characterizations of a mime (Robinson), a James Bond-like secret agent (David), a Gung-ho military enthusiast (Factor), a klutz (Jack Freiberger), an immature rich college student named Josh (Egan), and two bimbos (Kathleen Stevens and Lisa Montgomery) who had selected the school because it had been rated number one by a martial arts magazine. Addleman and his students seek revenge on Chiba for stealing their number one ranking and the new students must defend the school while Josh romantically pursues his teacher, Chiba's daughter Gail (Randall). As with many Mastorakis films, there is one scene that includes brief full frontal nudity.
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Citing even earlier himbo appearances in Seinfeld and Friends, Bans theorizes that the 21st century has spawned a "Golden Age of himbodom", based on a new Hollywood vision of women as "crass sexual aggressors" who "need subjects to crassly sexually aggress".Lauren Bans, "The Rise of the Himbo: Bimbos with Balls," GQ, May 9, 2012 In the chapter "Let's Hear it for the Boy Toy" of their book The Hookup Handbook: A Single Girl's Guide to Living It Up, authors Jessica Rozler and Andrea Lavinthal describe a variety of himbo 'types' such as actors, bartenders, models, and personal trainers, as well as identifying features of different kinds of "Himbo Hookups", including The Beauty and The Beast Complex, the Sugar Mama, and so on.Jessica Rozler, Andrea Lavinthal, The Hookup Handbook: A Single Girl's Guide to Living It Up, Simon and Schuster, Jun 15, 2010 In 2016, Christian Toto criticized the himbo trend as a kind of 'reverse objectification' for men, setting a double standard in which it has become more acceptable for men to be sex objects than women.
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Another contributor to the magazine, Jim Schumeister, proposed a comic called Charlie's Bimbos, in which "a bevy of strippers champion liberty in the face of Puritan oppression". This proposal sparked the idea for Omaha. The character debuted in The Adventures of Omaha, which was published in Vootie in 1978. The first chapter of "Omaha" the Cat Dancer was published by Kitchen Sink Press in Bizarre Sex No. 9 in 1981. A five-page untitled story appeared in Bizarre Sex No. 10 in 1982, as a followup to the first chapter. In 1983, a one-page parody strip starring Omaha, titled "Hotsizz Twonkies", was published in E-Man No. 5 by First Comics. Another five-page untitled story, identified as "Shelly and Omaha" in The Collected Omaha Volume 1, appeared in Dope Comix #5; it was reprinted in Bizarre Sex Series No. 5. In 1991, the Omaha story "A Strip in Time" appeared in Munden's Bar Annual No. 2, published by First Comics. In 1984, SteelDragon Press published the first issue of "Omaha" the Cat Dancer, which featured the second chapter of the story.
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The film's storyline has a young man rearing his head in Montreal's club milieu, claiming not to remember a thing about his past or who he is. Discovered by local drag diva Sheena Hershey (played by Brian Charbonneau, aka Brian C. Warren) and scenestress Scarlet VJ (played by Karen Simpson), this young amnesiac is soon dubbed "Sean" and taken under wing by the club-junkie duo. Hoping to jar his memory, they take him on a tour of Montreal's club scene, introducing him to various characters along the way; Touma's cast includes numerous authentic night life figures, among them drag fixtures Mado and Madame Simone. The press kit describes it this way: "Saved by the Belles" stars fags and hags, blonde bimbos, label whores, sugar daddies, club kids, biceps builders, leathers and feathers, funky junkies, freaks and geeks, sex addicts, chupa chicks, lube monsters, pimply pimps, weight watchers, nympho virgins, mingle singles, glowstick ravers, cheap strippers, wannabe actors, guestlist leftovers, glittery debutantes, kinky grannies, impotent hustlers, baggy-eyed scenesters, size queen cupids, self-taught porn stars, air miles jetsetters, showgirls, smoking players, bendable bisexuals and mama's toys.
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