I've never had to be wrathful or anything like that.
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He was never wrathful, but rather perfectly clinical in his vivisections.
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Wine was tossed overboard to appease water dragons and wrathful sea gods.
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She drives Aurora away after becoming wrathful over her engagement to Prince Philip.
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I have tried to reaffirm his belief in a wrathful and terrible God.
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Cornell sings not as a lone human being but as a wrathful, righteous deity.
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The record revealed a voice that could be girlish or grizzled, teasing or wrathful.
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In this case, the desert landscape becomes a wrathful blizzard, as the battle rages on.
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He would have faced down the wrathful online barbarians who vilified any perceived anti-Dylanite.
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Perhaps they are scared of his wrathful tweets or his history of retaliating against critics.
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And really, after his depictions of how wrathful Bat-fans can be, who can blame him?
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Yousef the drill worker looked possessed, his eyes vacant and, somehow, at the same time wrathful.
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The film is brief, at eighty minutes, and all the more potently wrathful for being so restrained.
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This terrific show presents works carved from wood representing Buddhist deities, some wrathful, others exuding beatific serenity.
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Because while everything in us demands an angry and wrathful response, forgiveness requires the exact opposite – and that hurts.
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The Nazi Reich is collapsing all around them, and they, like hundreds of thousands, are fleeing the wrathful Soviet advance.
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This exhibition's most amazing sculpture represents another wrathful royal divinity: Daiitoku Myoo, or the Wisdom King of Awe-Inspiring Power.
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While I waited for her to arrive, I felt like I was being taken over by a wrathful, ancient demon.
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In the center of the stage is the giant LORD OF DEATH, with an enormous RED WRATHFUL MASK, seven feet tall.
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Perhaps she's a troubled woman who loves her son but is prone to short-lived wrathful outbursts that she can't control.
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Next to the ancient mandalas of Bodhisattvas, they frame nature as a wrathful deity who can instantly turn place into debris.
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La Llorona and Medea are indigenous women who, after experiencing deep betrayal from men, become so wrathful they no longer experience fear.
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Clinton is secretly wrathful appears in another familiar motif in these books: She's a thrower, the progenitor of her own asteroid belt.
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Gretchen was the one who had the diplomacy to get them to see their folly without incurring their wrathful boredom against me.
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"The face-off between the wrathful Mr. Kelly and the stoic Ms. King was a clash of temperaments," our TV critic writes.
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Another is to "drain the swamp" of their respective capital cities by subjecting self-serving elites to the wrathful scrutiny of the people.
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They thrash it out in the river Styx, where the wrathful struggle on the surface of the water and the sullen drown below.
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DRE NAKCHUNG, with a very wrathful black mask, dressed in black with horse bells on his ankles, leaps unto the stage thunderously, dramatically.
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The bardo is reimagined by Ganesh as a deep, cavernous space littered with wrathful deities that take monstrous forms, with a psychosexual charge.
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With the sea nowhere in sight, Noah built a ship and herded animals onto it, saving life on Earth from God's wrathful flood.
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The novel is as much about the wrathful potential of words and writing as it is about King's struggles with fatherhood and addiction.
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There was also the famous anonymous Op-Ed The Times published in September 2018, much to the wrathful chagrin of the White House.
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For example, the Dalai Lama has navigated the modern world while consulting on all matters of import with oracles possessed by wrathful deities.
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THOSE who live on America's coasts know to prepare for wrathful hurricanes in late summer—nailing plywood to their windows as the storm approaches.
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Suddenly, his retinue of seven WRATHFUL MASKED DANCERS similar to him but smaller, all wearing big bells on their feet, come unto the stage.
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"Down By the River/I shot my baby," that off-pitch, bizarre, wrathful voice hits that atavistic lever in the back of your brain.
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He wished to add his own story to the nation's "blood-written history" as clouds of "wrathful thunder and lightning" hovered over the land.
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As gales pounded the lighthouse, his logbook entries soften to poetry; he writes of the wrathful ocean and his own faint place just above it.
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Snubbed from the All-Star team and bristling at comparisons to the Warriors' Stephen Curry, he has been playing like a man possessed by wrathful demons.
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In July, he got a flurry of wrathful tweets for posting shots of the show on Instagram stories before it aired in the UK, Elle reports.
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Then there are the white roses in yes, "Alice's Adventures in Wonderland," which that wrathful matriarch the Queen of Hearts forces her minions to paint red.
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Adam Schiff on Sunday called President Donald Trump "wrathful and vindictive," adding that he thought a morning tweet by the President was intended to intimidate him.
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The lawmaker was quick to respond — through his own Twitter account, and on NBC's Meet the Press, where he called Trump a "wrathful and vindictive" president.
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Rather than just "snapping," these are wrathful men who nurse grudges and who are plagued by a sense of insufficiency and of having been slighted and exploited.
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Regardless, it has since stuck in the president's brain like a Ceti eel placed by a wrathful Khan, burrowing deeper until it consumes whatever remains of rational thought.
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We need to be vigilant that we don't conflate loftier 19th-century allegories of divine wisdom with a goddess who was jealous, capricious, and wrathful in source texts.
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This exhibition, organized by the art historian Ive Covaci and Adriana Proser, the museum's curator of traditional Asian art, offers, along with wrathful deities, numerous figures exuding beatific serenity.
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Calling themselves "Jesus Freaks," Mr. Alamo's followers preached a wrathful version of Pentecostalism, which is known for its spirited worship practices and belief in modern-day revelation and miracles.
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For "Cave of the Heart" in 143, Noguchi gave her wrathful Medea a bronze, exploding sun balanced on a snake, which transformed into a dress that doubled as a weapon.
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Airlifted to the hospital once more, and in an understandable amount of pain, the courageous guy was unable to recall if it was the same wrathful snake, biting him repeatedly.
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Anyway, like anyone logical, most teams started posting offerings to curry the BasedGod's favor: And Lil B responded with benevolence: Everyone knew their place in the world of the wrathful BasedGod.
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" He especially dreaded a recurring vision of the ocean "paved with innumerable faces, upturned to the heavens: faces, imploring, wrathful, despairing, surged upwards by thousands, by myriads, by generations, by centuries.
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In Genesis, for example, Abraham argues with a wrathful but undecided God about how many righteous inhabitants it would take to save the wicked populace of Sodom and Gomorrah from divine annihilation.
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He thought of world leaders using religion to justify their actions, but pointed to the second half of the text, which depicts a wrathful God who has more power than any king.
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Not, however...a suitably blue-blazered, short-haired, white-collar, golf-playing God but a God who had shifted over to the side of so-called barbarism, a wrathful, alien, brown-skinned deity.
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Where Michelangelo turned his brawny saints into wrathful gods, Pontormo's figures, though illuminated in godliness, are invariably human in their proportions and hushed in their emotions, even in the most tragic of scenes.
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Our attention remains focused on the physical environment — on pollution, the shortage of fresh water, the shrinkage of arable land and, of course, the great, wrathful demon that threatens all our lives, human-forced climate change.
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Ross Douthat In a little known canto of Dante's Purgatorio, the Florentine poet reaches Terrace 3½ of purgatory's mountain, a strange space halfway up the path between the levels where the wrathful and the slothful endure their purification.
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By the next morning, the corner looked like a focal point for a wrathful god's smite: All the windows in the diner were broken, dishes were smashed on the ground, furniture was loosened and overturned, the remnants of a newsstand smoldered.
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Last fall, his future clouded by a sexual assault charge, Brett M. Kavanaugh roared his way onto the Supreme Court on national TV. The face-off between the wrathful Mr. Kelly and the stoic Ms. King was a clash of temperaments.
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Monks were in the courtyard practicing choreography for an upcoming festival in which they would dance with masks depicting the wrathful form of Padmasambhava, or the Lotus Born, who is credited with bringing Buddhism to Bhutan in the eighth century.
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Asia chastised the room, herself included, for not stopping The Vixen, for not helping her, for not teaching her to doggy-paddle across her wrathful stream of race-and-class-consciousness and find her footing on their dry-witted land.
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" WASHINGTON — Representative Adam B. Schiff, the House's lead impeachment manager, accused President Trump on Sunday of trying to threaten him on Twitter and urged Republican senators to find the "moral courage to stand up" to a "wrathful and vindictive president.
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Whales were a late interest for Turner, his first known illustrations being 1830s watercolors, although he'd long been fond of shipwrecks and the wrathful destruction of the huge creatures fit with his vision of an ocean at once beautiful and dangerous.
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This episode also pushes back against one of the most persistent and insidious beliefs that has existed in Hollywood since its very beginnings: that of the temperamental, wrathful "genius," who may just need to have a few tantrums in order to make great art.
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His stylistic signature is unique even in his superhuman peer group of basketball geniuses; where his peers are known for crossovers or first steps or quick releases, Westbrook defines himself and is defined in turn by the wrathful fugue state in which he plays.
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In allowing it to happen, Republicans are demonstrating their collective lack of spine, their loss of any moral compass and their willingness to sacrifice what is best for the country at the altar of political expediency and avoidance of wrathful backlash from Trump and his base.
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If dramas of individual suffering, like that of Aylan Kurdi, are easier to sympathize with than large-scale tragedies, then perhaps the story of a single wrathful act, like the murder of Mr. Khashoggi, can more readily spark outrage than years of Saudi crackdowns and interventions.
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A good way to find your footing in a profusion of complex imagery is to keep your eye on Mahakala, a wrathful deity who reappears throughout the show, most notably in a 19th-century Bhutanese painting that pictures him with a raven's head and a blood-red consort.
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Even the history of the Dalai Lama's own sect of Tibetan Buddhism includes events like the razing of rival monasteries, and recent decades have seen a controversy centering on a wrathful protector deity believed by some of the Dalai Lama's fellow religionists to heap destruction on the false teachers of rival sects.
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As free as this fall, which he had neither intended nor chosen, this dive that had resulted from his left foot slipping off the scaffold and his body sliding out of his either loosened or broken safety harness, as though a wrathful hand had pulled the straps off him, tipped him on his side, and tossed him into the air.
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When Jamie and Julie make a break for it in her VW beetle, like outlaws, she pursues them, with the aid of Abbie and William, and what ought to be a wrathful showdown resolves into a lovely sequence, touched with Shakespearean forgiveness, as everybody snacks on Chinese takeout and dances slowly around a motel room, to a languid old tune on the radio.
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As if aware of the threat, Scott hauls us back to the ship for a final showdown, which would be a good deal punchier if it weren't such a blatant retread of the bout between Ripley and her tail-lashing pal at the close of "Aliens," right down to the wrathful jaws that snap at protective bars, like a prisoner banging against his cage.
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What drove you to fight so hard for the moral and physical purity of your countrymen, to inflict upon them your wrathful abstemiousness, and by doing so defy even the teachings of your own God and his wisest king, Solomon, who (remember, Neal?) told us in Proverbs to "Give strong drink unto him that is perishing and wine unto the distressed in soul: Let him drink and forget his misery and remember his sorrow no more"?
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', '), the wrathful Vajrasattva, the deity of purification; 6) Matarah (Tib. Mamo Botong, ') the wrathful Akasagarbha, the deity of calling and dispatching; 7) Lokastotrapuja-natha (Tib. ', ') the wrathful Ksitigarbha, the deity of worldly offering and praise; 8) Vajramantrabhiru (Tib. ', ') the wrathful Maitreya, the deity of wrathful mantras.
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', ') the wrathful Manjushri, the deity of body; 2) Hayagriva (Tib. Pema Sung, ') the wrathful Avalokiteśvara, the deity of speech; 3) Vishuddha/Sri Samyak (Tib. Yangdak Thuk, Wylie: ') the wrathful Vajrapani deity of mind; 4) Mahottara (Tib. Chem Chok, Wylie: ') the wrathful Samantabhadra, the deity of enlightened qualities; 5) Vajrakilaya/Vajrakumara (Tib.
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Pema Sung, padma gsung) the wrathful Avalokiteshvara, the deity of speech 3) Vishuddha/Sri Samyak (Tib. Yangdak Thuk, Wylie: yang dag thugs) the wrathful Vajrapani deity of mind 4) Vajramrita (Tib. Dudtsi Yonten, bdud rtsi yon tan) the wrathful Samantabhadra, the deity of enlightened qualities 5) Vajrakilaya/Vajrakumara (Tib. Dorje Phurba, phur ba ‘phrin las), the wrathful Nivaranavishkambin, the deity of action 6) Matarah (Tib.
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For Mrs. Bleecker was very wrathful, Euan, and Lana's indiscretions madded her.
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Windhorse Publications, 2004. pg 84 His wrathful manifestation is the Wisdom King Gundari.
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Mahakala statue, holding a flaying knife (kartika) and skullcup (kapala) In Buddhism, fierce deities or wrathful deities are the fierce, wrathful or forceful (Tibetan: trowo, Sanskrit: krodha) forms (or "aspects", "manifestations") of enlightened Buddhas, Bodhisattvas or Devas (divine beings). Because of their power to destroy the obstacles to enlightenment, they are also termed krodha-vighnantaka, "fierce destroyers of obstacles".Linrothe, Rob. Ruthless Compassion: Wrathful Deities in Early Indo- Tibetan Esoteric Buddhist Art, 1999, page 12.
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In Buddhism, her demeanor is in contrast to the wrathful attitudes of male personifications of the Wisdom Kings.
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Huntington p. 455 Wrathful Buddhist goddesses like Marichi, Vajravarahi, Guhyeshvari and dakinis are depicted wearing the mundamala.Donaldson pp. 304, 322Huntington p.
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They are most importantly used as wrathful psychological aspects that can be used to conquer the negative attitudes of the practitioner.
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Another example is the worship of the Bodhisattvas and various deities in Tibetan and other traditions of Buddhism, including the so-called wrathful deities.
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The self- emanated form of the wrathful Hayagriva is deified in the monastery. It belongs to the Drukpa Kagyu School of Buddhism in Bhutan.
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Wrathful Journey (, translit. Gnevno patuvane) is a 1971 Bulgarian drama film directed by Nikola Korabov. It was entered into the 7th Moscow International Film Festival.
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Vajrasatva is often depicted with various consorts: the peaceful one Vajragarvi aka Vajrasatvātmikā (Tib. Dorje Nyema), Dharmadhatvishvari, Ghantapani ("Bell Bearer"), the wrathful one Diptacakra, Vajratopa, Vajrabhrikuti, and others.
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Another type of tiger rug shows a "whole pelt", complete with legs and grinning face. In a religious context, tiger rugs are related to the tiger skin loin cloths seen in painted images of fierce (wrathful) Tibetan Buddhist gods. The tiger skin is believed to provide protection to a person engaged in meditation. Female wrathful gods sport snow leopard spot loin cloths, and old Tibetan rugs are occasionally found with leopard spots too.
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The second root is the meditational deity or yidam. The iconography of the yidam may be 'peaceful', 'wrathful' (Tibetan tro wa) or 'neither peaceful or wrathful'(Tibetan: shi ma tro), depending on the practitioner's own nature. The yidam represents awakening, so its appearance reflects whatever is required by the practitioner to awaken. The guru guides the student to the yidam appropriate for them, then gives them initiation into the mandala of the yidam.
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In Japanese esoteric teachings, Dai Itoku-Myoo is the wrathful emanation of Amida and is pictured with six faces, legs and arms holding various weapons while sitting on a white ox.
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He defended his Ph.D. thesis on April 16, 1997. His dissertation is on post- mortem visions of peaceful and wrathful deities, discussed according to esoteric traditions attributed the 14th century visionary saint Karma Lingpa.
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That's the highest, > and greatest phowa practice.Shugchang, Padma (editor); Sherab, Khenchen > Palden & Dongyal, Khenpo Tse Wang (2000). A Modern Commentary on Karma > Lingpa's Zhi-Khro: teachings on the peaceful and wrathful deities. Padma > Gochen Ling.
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The chorten depicts larger than life size images of wrathful deities with their female consorts in large numbers, and many in explicit Yab-Yum sexual poses (one count puts the number of such images at 36).
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Wrathful Deities The Herukas (Tb. khrag 'thung, lit. "blood drinker") are enlightened masculine beings who adopt fierce forms to express their detachment from the world of ignorance, such as Yamantaka, Cakrasamvara, Mahākāla, or Vajrakilaya. Dakinis (Tb.
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Generally considered a benevolent goddess, Parvati also has wrathful incarnations, such as Durga, Kali,Dehejia 1999, p. 30 Shitala Devi, Tara, Chandi, and the Mahavidyas as well as benevolent forms like Kathyayini, Mahagauri, Kamalatmika, Bhuvaneshwari, and Lalita.
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Jambhala is a Bodhisattva of material and spiritual wealth as well as many other things, especially of granting financial stability. :”Because in this world, there are all kinds of wrathful and negative emotions or bad spirits, and sometimes they will harm you and other sentient beings, Dzambhala must take on such a wrathful and powerful form to protect us from these harmful spirits and negative karma. Especially, Dzambhala helps us minimize or decrease all misfortunes and obstacles and helps us increase all good fortune and happiness.”His Holiness Gyalten Sogdzin Rinpoche.
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Fergus or Feargus is a common Scottish or Irish male given name derived from Scots Gaelic, meaning the angry (one) or the wrathful (one). Way, George and Squire, Romily. Collins Scottish Clan & Family Encyclopedia. (Foreword by The Rt Hon.
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The 2nd Dzogchen Rinpoche is key in the lineage of a number of sadhana (Sanskrit): Phurba Yangsang ("innermost secret practice of Vajrakilaya"), Lama Demchok Khorlo (Tibetan; Sanskrit: Chakrasamvara), Shinje (Tibetan; Sanskrit: Yamantaka), Trochu (Tibetan: Heruka; "ten wrathful deities"), amongst others.
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Onryō from the Kinsei-Kaidan-Shimoyonohoshi (近世怪談霜夜星) In Japanese traditional beliefs and literature, onryō (怨霊, literally "vengeful spirit", sometimes rendered "wrathful spirit") refers to a ghost (yūrei) believed to be capable of causing harm in the world of the living, injuring or killing enemies, or even causing natural disasters to exact vengeance to "re-address" the wrongs it received while alive, then taking their spirits from their dying bodies. The term overlaps somewhat with , except that in the cult of the goryō, the acting ghost is not always necessarily a wrathful spirit.
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The location had been prophesied in Tibet. In 1616, the Tibetan Shabdrung Ngawang Namgyal meditated in its cave. The self-emanated form of the wrathful Hayagriva is deified in the monastery. It belongs to the Drukpa Kagyu School of Buddhism in Bhutan.
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Later the Tusharas, Sakas and Yavanas had joined the military division of the Kambojas and participated in the Mahabharata war on the side of the Kauravas.MBH 6.66.17-21; MBH 8.88.17 Karna Parva of Mahabharata describes the Tusharas as very ferocious and wrathful warriors.
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As mentioned above, Wisdom Kings are usually represented as wrathful deities, often with blue skin, multiple arms, sometimes with many faces, and even many legs. They hold weapons in their hands and are sometimes adorned with skulls, snakes or animal skins and wreathed in flames.
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Bear is a 2010 American natural horror film directed by Roel Reiné (under the pseudonym of John Rebel) and starring Patrick Scott Lewis and Katie Lowes. The film centers on four people who become the target of an extremely aggressive and wrathful grizzly bear.
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377The Connected Discourses of the Buddha. A Translation of the Samyutta Nikaya, Bhikkhu Bodhi, translator. Wisdom Publications. Sutta 44.9 The bardo rebirth concept of Tibetan Buddhism, along with Yidam, developed independently in Tibet, and involves forty two peaceful deities, and fifty eight wrathful deities.
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Her vajra laugh bares a split tongue or a forked tongue and a single tooth. She is adorned with a skull necklace and a tiger and a human skin. She is surrounded by flames representing wisdom. When Ekajati appears to yogis in hagiographies, she is especially wrathful.
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In Tibetan Buddhism, Mañjuśrī manifests in a number of different Tantric forms. Yamāntaka (meaning 'terminator of Yama i.e. Death') is the wrathful manifestation of Mañjuśrī, popular within the Gelug school of Tibetan Buddhism. Other variations upon his traditional form as Mañjuśrī include Namasangiti, Arapacana Manjushri, etc.
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According to local legend, the location of this monastery is the holy place where Avalokiteshvara revealed himself as "the self-emanated form of the Wrathful Hayagriva". The location had been prophesied in Tibet. The acclamation of the divine nature of this place was performed by Ngawang Tenzin.
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Apollo appears often in the myths, plays and hymns. As Zeus' favorite son, Apollo had direct access to the mind of Zeus and was willing to reveal this knowledge to humans. A divinity beyond human comprehension, he appears both as a beneficial and a wrathful god.
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Tantra classifies deities as Shanta (calm), Ugra (wrathful), Prachanda (horrifying), Ghora (terrifying) and Teevra (ferocious). Pratyangira is considered as a . Pratyangira worship is strictly prohibited for people who have namesake Bhakti. Pratyangira worship is only done by the guidance of a Guru who is proficient in Tantra.
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This made Salee very jealous and wrathful. Praya Sihayotin had three wives who could not give him a child. One day Praya Sihayotin asked Ying Yaem if he can take Yen to be his fourth wife. Ying Yaem agreed and Yen became Praya Sihayotin's fourth wife.
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It includes many of Denchu's works and studies, including a bronze casting (made from the original wood-carving) of Tenshō (Reincarnation) of 1920. The statue depicts a wrathful figure with a halo of flames – perhaps the Buddhist deity Fudô-myôô – as it vomits out a tiny human figure.
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Mahakala wearing the mundamala Various wrathful deities, including the dharmapalas, wear the mundamala, a five-skull crown and human or animal skins.Huntington p. 491 Manifestations of Akshobhya are generally fearsome and are depicted wearing the mundamala as well as skulls and serpents. These include Acala, Heruka, Chakrasamvara and Yamantaka.
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His men are puzzled, until he seems to recover and then, with his men beside him, vows to fight on: (cabaletta: Que' numi furenti, Quell'ombre frementi / "Those wrathful gods, those quivering shades"). Along with Oroe, Arsace enters the tomb. He awaits his rival. Assur enters, also awaiting Arsace.
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A minature depicting Mahamayuri from the Pañcarakṣā. Despite being associated with the Wisdom Kings, Mahāmāyūrī tends to be portrayed with a benevolent expression rather than a wrathful one. She has three faces and six hands. Her origins are said to derive from an Indian goddess of the same name.
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Kurukulla sculpture from Calcutta Art gallery, 1913 Kurukulle (; also "Knowledge/magic/vidyā Woman", "Mother-Buddha Kuru[kulle]" or "Knowledge- Causing Mother-Buddha") is a female, peaceful to semi-wrathful Yidam in Tibetan Buddhism particularly associated with rites of magnetization or enchantment. Her Sanskrit name is of unclear origin.
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Mundamala (, muṇḍamālā), also called kapalamala or rundamala, is a garland of severed human heads and/or skulls, in Hindu iconography and Tibetan Buddhist iconography. In Hinduism, the mundamala is a characteristic of fearsome aspects of the Hindu Divine Mother; while in Buddhism, it is worn by wrathful deities of Tibetan Buddhism.
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In a tale attributed to the Wyandot people, seven Singing Maidens, daughters of the Sun and the Moon, who live in Sky Land, descend to Earth and dance with human children. Their father, wrathful at their disobedience, banishes them to another part of the sky.Connelley, William Elsey. Wyandot Folk-lore.
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The fifth is known as the bardo of the luminosity of the true nature. The sixth is called the bardo of transmigration or karmic becoming.Shugchang, Padma (editor); Sherab, Khenchen Palden & Dongyal, Khenpo Tse Wang (2000). A Modern Commentary on Karma Lingpa's Zhi-Khro: teachings on the peaceful and wrathful deities.
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It was believed to cause the death of his calumniators in quick succession, as well as catastrophes (especially lightning damage), and the court tried to appease the wrathful spirit by restoring Michizane's old rank and position. Michizane became deified in the cult of the Tenjin, with Tenman-gū shrines erected around him.
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Adolf von Harnack, History of Dogma, vol. 1, ch. 5, p. 269 Marcionites held that the God of the Hebrew Bible was inconsistent, jealous, wrathful and genocidal, and that the material world he created was defective, a place of suffering; the God who made such a world is a bungling or malicious demiurge.
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Sudarshana Chakra depicted as an ayudhapurusha and fierce aspect of his owner Vishnu. Treatises such as the Vishnudharmottara Purana and various Agamas describe the iconography of the ayudhapurushas. Shakti is depicted as a red-hued woman seated on a wolf. The Danda is a fearful black- complexioned man with wrathful red eyes.
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It is part of a larger terma cycle, Profound Dharma of Self-Liberation through the Intention of the Peaceful and Wrathful Ones (zab-chos zhi khro dgongs pa rang grol, also known as kar-gling zhi-khro), popularly known as "Karma Lingpa's Peaceful and Wrathful Ones." The Profound Dharma of Self-Liberation is known in several versions, containing varying numbers of sections and subsections, and arranged in different orders, ranging from around ten to thirty-eight titles. The individual texts cover a wide range of subjects, including meditation instructions, visualizations of deities, liturgies and prayers, lists of mantras, descriptions of the signs of death, indications of future rebirth, and texts such as the bar do thos grol that are concerned with the bardo-state.
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Dakini Vajravārāhī In Tibetan Buddhism, Vajravārāhī ("The Diamond Sow", Dorje Pakmo) is a wrathful form of Vajrayogini associated particularly with the Cakrasaṃvara Tantra, where she is paired in yab-yum with the Heruka Cakrasaṃvara. Judith Simmer-Brown writes that "Vajravārāhī's iconography is very similar to that of Vajrayoginī, but she often has more prominent fangs and a more wrathful expression, and she prominently displays a sow's head above her right ear." Although there are practices of Vajravārāhī in all schools of Tibetan Buddhism, she is particularly associated with the Kagyu school and is one of the main yidam practices of that school. Her tulkus, the Samding Dorje Phagmo, are associated with the Bodongpa, a little-known school of Tibetan Buddhism.
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She then leans over Jennifer, threatening her with the same fate before madly confessing that she murdered McGregor and Geiger out of fear that harm would have befallen her and her son. Suddenly, a wrathful Inga attacks Brückner and brutally kills her with a straight-razor. With the ordeal over, Jennifer and Inga embrace.
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Generally, the Wisdom Kings function as the guardians of Buddhism, and wrathful manifestations of Buddhas. More specifically, they are the protectors of the Five Wisdom Buddhas. According to the esoteric doctrine of the , whereas Buddhas represent pure concepts and bodhisattvas teach through compassion, Wisdom Kings are and teach through fear, shocking nonbelievers into faith.
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Vajrakilaya (dark purple) with consort Diptachakra (light purple). Two demons lie crushed under his feet. Vajrakilaya is a wrathful form of the Buddha Vajrasattva. His distinctive iconographic trait is that he holds the dagger called phurba (see Kīla (Buddhism)). Indeed, the word “Vajrakilaya” designated both the kīla, and its ritual use, and the deity.
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Udyogaparva of MahabharataMahabharata 5.19.21-23. says that the composite army of the Kambojas, Yavanas and Sakas had participated in the Mahabharata war under the supreme command of Kamboja king Sudakshina. The epic numerously applauds this composite army as being very fierce and wrathful. Balakanda of Ramayana also groups the Yavanas with the Kambojas, Sakas, Pahlavas etc.
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Their symbol is meant to represent both the eternal dance of death as well as perfect awareness. They are invoked as wrathful deities, benevolent protectors of fierce appearance. The dance of the Citipati is commemorated twice annually in Tibet. The citipati should not be confused with the skeleton dancers of the Tibetan Buddhist cham dance tradition.
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For example, players may encounter a wrathful dharmapala or visit Shambala. Tibet was released in July 2004. In 2009, the publishing house Maqui Edicions published two translations of the game: first (in April) into Catalan under the name Tibet, el joc de rol and then (in September) into Spanish under the name Tíbet, el juego de rol.
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All creatures of the universe are part of him. He is the infinite universe, without a beginning or an end. He contains peaceful as well as wrathful forms. Unable to bear the scale of the sight and gripped with fear, Arjuna requests Krishna to return to his four-armed Vishnu form, which he can bear to see.
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Luxemburgo in 2013 On 30 July 2013, Luxemburgo signed with carioca side Fluminense FC, that dismissed, one day earlier, Abel Braga. Luxemburgo defended his predecessor, calling him "winner", and lamented his resignation, a "culture of brazilian football". The coach, to resume, wants his players "wrathful with losses". On 12 November Fluminense FC sacked Luxemburgo after a long winless streak.
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A notable example is Guanyin's manifestation as a preta named "Flaming Face" (面燃大士). This trope is commonly employed among the Wisdom Kings, among whom Mahāmāyūrī Vidyārājñī stands out with a feminine title and benevolent expression. In some depictions, her mount takes on a wrathful appearance. This variation is also found among images of Vajrapani.
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The former is believed to be the destroyer of Agnana: born with a tall, muscular body reaching the higher heavens, he was as dark as the stormy clouds, with three burning eyes and fiery hair. He also wore a garland of skulls and carried weapons. To provide him the power, arrived Bhadrakali, a wrathful incarnation of Devi.
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Then she is sent to the house of a top class officer of that office assuring that that officer may donate her some money. In the house, the officer eventually rapes her. Discovering her mother molested, Badshah becomes wrathful and kills that officer by stabbing with a Vojaali (dagger). He and his mother is punished by 14 years imprisonment.
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At this time, Hurtado de Mendoza was despised by those he had robbed. His wrathful character and his pride gained him many enemies, including Hernando de Santillán. Santillán had established the Tasa de Santillán, which regulated Indian servitude, permitting many Spaniards to abuse the Indigenous. It planted the seeds of future rebellions, in particular that of the Huilliches.
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In 1563 there was warfare in Tsang itself; Ngawang Jigme Drakpa interfered in a conflict between Sakya and Changdakpa, and personally led his troops in the field. Meanwhile, various omens were seen. A cloud appeared in the form of the wrathful deity Rahula, causing a hailstorm that destroyed the crops. Religious sites were damaged and meteorites fell.
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Peaceful & Fierce Deities of the post-mortem intermediate state (bardo). In subsequent centuries more additions followed, including the "Profound Dharma of Self-Liberation through the Intention of the Peaceful and Wrathful Ones" (kar-gling zhi-khro) by Karma Lingpa, (1326–1386), popularly known as "Karma Lingpa's Peaceful and Wrathful Ones", which includes the two texts of the bar-do thos-grol, the "Tibetan Book of the Dead". Other important termas are "The Penetrating Wisdom" (dgongs pa zang thal), revealed by Rinzin Gödem (rig 'dzin rgod ldem, 1337–1409); and "The Nucleus of Ati's Profound Meaning" (rDzogs pa chen po a ti zab don snying po) by Terdak Lingpa (gter bdag gling pa, 1646–1714). However, the most influential of these later revelations are the works of Jigme Lingpa (1730–1798).
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General Petraeus called him "the perfect counterinsurgent" and compared him favorably to T. E. Lawrence, calling him "Lawrence of Afghanistan." By the middle of 2011, he had recruited 1,300 Afghan Local Police. At the same time, he engaged in unorthodox behavior such as ritually cutting himself and telling his soldiers that, "I believe in the wrathful God of combat. I believe in Hecate".
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Chamunda Devi is considered as the wrathful form of Durga, but at the same time, the Goddess is kind to her true devotees. The term 'Chamunda' has been derived from two words, 'Chanda' and 'Munda'. As per the mythological legends, Durga made a goddess with her power, to slay the demons, Chanda and Munda. With her immense power, the Goddess killed the demons.
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Pilgrims make ritual offerings to these beings to appease their wrathful nature, and to renew the symbolic unity that people share with them. It has been argued that this attitude indicates a sustainable approach toward land stewardship. In Nepal and Tibet around Mount Everest are the Khenbalung, Solukhumbu, Rolwaling, Rongshar, Kyirong and Nubri sacred valleys.Reinhard, Johan (1978) Khembalung: The Hidden Valley.
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He is mentioned in many Rigvedic hymns, such as 7.86–88, 1.25, 2.27–30, 8.8, 9.73 and others. His relationship with waters, rivers and oceans is mentioned in the Vedas. Vedic poets describe him as an aspect and one of the plural perspectives of the Agni, one of the Primary deities. Further, both have wrathful-gracious aspects in Indian mythology.
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While Āṭavaka was away with an assembly of yakṣas in the Himalayas, the Buddha was greeted by his doorkeeper Gadrabha. Gadrabha warned the Buddha of the demon's wrathful nature, but the Buddha fearlessly entered Āṭavaka's abode and sat upon his throne. Gadrabha traveled to the Himalayas to inform Āṭavaka what had happened. Meanwhile, the Buddha was teaching Dharma to Āṭavaka's womenfolk.
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Bay responds that the three "Wrathful Goddesses" of Tibet, Remati, Vajrayogini and Ekajati took their powers in return for their protection. She says that, with the use of a group of magical scrolls, the goddesses can be summoned through anger. Buffy and Willow perform the required ritual, causing the earth to crack open and the three giant goddesses to appear.
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In Tibetan Buddhism, Lakshmi is an important deity, especially in the Gelug School. She has both peaceful and wrathful forms; the latter form is known as Palden Lhamo, Shri Devi Dudsol Dokam, or Kamadhatvishvari, and is the principal female protector of (Gelug) Tibetan Buddhism and of Lhasa, Tibet. Goddess Vasudhara in Tibetan and Nepalese culture is closely analogous to goddess Lakshmi as well.
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Dr. Claw himself is the most menacing figure among them. At the end of episodes, Dr. Claw's wrathful and intimidating voice is heard, threatening to "get" Inspector Gadget when their paths next cross. Besides the main cast of the series, the episodes feature another recurring character, Chief Quimby. Chief Quimby informs Inspector Gadget about his assignments through self-destructing paper messages.
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The daughter's wrathful spirit terrifies Jim, and Ginger mistakenly believes Jim is not fond of her. She throws him out of the apartment. Back at his room, Jim is contacted by Amy, who learns Jim released Katie's spirit. She realizes the daughter's vengeful spirit will now kill him and his friends unless he sells the box, which has returned to his room, back to her.
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He does, however, call up four wrathful fairies who pinch and torture him for touching Endymion. The fairies chase him offstage, and Cynthia enters, accompanied by the lords Zontes and Panelion, returned from Greece and Egypt. To aid the Queen, Zontes has brought Pythagoras, the mathematician and philosopher, and Panelion has brought a soothsayer named Gyptes. Corsites returns, covered in welts, and explains that Tellus tricked him.
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In some regions, for example in Laos and Thailand, these are distinct but share related iconographic conventions. According to Jamgön Kongtrül in his commentary on the Hevajra Tantra, the ornaments of wrathful deities and witches made of human bones (Skt: ; ) are also known as mudra "seals".Kongtrul, Jamgön (author); (English translators: Guarisco, Elio; McLeod, Ingrid) (2005). The Treasury of Knowledge (shes bya kun la khyab pa’i mdzod).
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Following an investigation, the court of inquiry returned an indictment against Col. Coit, charging him with manslaughter in the incident. McKinley then called upon Daugherty to shoulder the politically unpopular job of defending Coit at trial, in the face of a wrathful Fayette County citizenry which sought his conviction. Daugherty accepted the Coit case, and on March 5, 1895, won his acquittal of manslaughter charges.
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She lures Apsyrtus into a trap with promises of rewards. Jason murders him and the body is dismembered to avoid retribution from the Erinyes. The leaderless Colchians are easily outwitted and, rather than return home empty-handed to a wrathful Aetes, they disperse and settle around the nearby coast. Indignant at the brutal murder, Zeus condemns the Argonauts to wander homeless for a longer term.
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Esmeralda awakens and Quasimodo rushes her to safety. He then fights the wrathful Frollo, who taunts him with the truth about his mother. Both fall from the balcony, but Phoebus catches Quasimodo and pulls him to safety, while Frollo falls to his death. Quasimodo is finally accepted into society by the citizens of Paris as they celebrate Frollo's death and the liberation of the city.
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The fifth circle, illustrated by Stradanus The Barque of Dante by Eugène Delacroix In the swampy, stinking waters of the river Styx – the Fifth Circle – the actively wrathful fight each other viciously on the surface of the slime, while the sullen (the passively wrathful) lie beneath the water, withdrawn, "into a black sulkiness which can find no joy in God or man or the universe".Dorothy L. Sayers, Hell, notes on Canto VII, p. 114 At the surface of the foul Stygian marsh, Dorothy L. Sayers writes, "the active hatreds rend and snarl at one another; at the bottom, the sullen hatreds lie gurgling, unable even to express themselves for the rage that chokes them". As the last circle of Incontinence, the "savage self- frustration" of the Fifth Circle marks the end of "that which had its tender and romantic beginnings in the dalliance of indulged passion".
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However, it has been confounded with the similar glyph (हूं ), prompting some commentators to mistakenly identify Acala with other deities. This symbol is called a "seed syllable" (bīja), and is written using the Siddham script. Some of the other transliterations and variants to his name are Ācalanātha, Āryācalanātha, and Ācalavidyārāja. The Nepalese and Tibetan form of this Buddhist deity is also known as or "the violent-wrathful" one.
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The eight Herukas (Wylie: sgrub pa bka’ brgyad) of the Nyingma mahāyoga tradition (and their corresponding sadhanas) are said to have been received by Padmakara from the Eight Vidyadharas (Tib. Rigdzin), or Eight Great Acharyas: Manjushrimitra, Nagarjuna, Vajrahumkara, Vimalamitra, Prabhahasti, Dhanasamskrita, Shintamgarbha and Guhyachandra. They were proficient in the practices of, respectively, 1) Yamantaka (Tib. Jampal Shinje, ’jam dpal sku) the wrathful Manjushri, the deity of body 2) Hayagriva (Tib.
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They are most importantly used as wrathful psychological aspects that can be used to conquer the negative attitudes of the practitioner. Historians note that Chinese painting had a profound influence on Tibetan painting in general. Starting from the 14th and 15th century, Tibetan painting had incorporated many elements from the Chinese, and during the 18th century, Chinese painting had a deep and far-stretched impact on Tibetan visual art.McKay, Alex.
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On the other hand, Saheb, Khyapa and Hero visited the brothel and came across all the facts that happened with Seema. Saheb, who became extremely wrathful on hearing what happened with the innocent couple, decided to save Seema from Baburam by killing him. Meanwhile, Rajesh came to know about the real incident and his mistake. He became furious upon realizing that Saheb was still alive in the brothel.
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Fierce deities are a notable feature of the iconography of Mahayana and Vajrayana Buddhism. These types of deities first appeared in India during the late 6th century with its main source being the Yaksha imagery and became a central feature of Indian Tantric Buddhism by the late 10th or early 11th century.Linrothe, Rob. Ruthless Compassion: Wrathful Deities in Early Indo-Tibetan Esoteric Buddhist Art, 1999, page x, 12.
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A protector of Buddhist dharma is called a dharmapala. They are typically wrathful deities, depicted with terrifying iconography in the Mahayana and tantric traditions of Buddhism. The wrathfulness is intended to depict their willingness to defend and guard Buddhist followers from dangers and enemies. The Aṣṭagatyaḥ (the eight kinds of nonhuman beings) is one category of dharmapālas, which includes the Garuda, Deva, Naga, Yaksha, Gandharva, Asura, Kinnara and Mahoraga.
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In Vajrayana iconography and thangka depictions, dharmapala are fearsome beings, often with many heads, many hands, or many feet. Dharmapala often have blue, black or red skin, and a fierce expression with protruding fangs. Although dharmapala have a terrifying appearance, they only act in a wrathful way for the benefit of sentient beings. The devotional worship of dharmapālas in the Tibetan tradition is traceable to early 8th-century.
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Gautama was considered a form of Mahavairocana, the eternal Buddha and dharmakāya. The major Buddhas of the esoteric pantheon are the Five Tathagatas. Other Buddhist deities in Chinese esotericism included Bhaisajyaguru, Avalokiteśvara (especially the thousand armed form), Hayagrīva, Tārā, Vajrapāṇi, Vajrasattva, Samantabhadra, Mañjuśrī and Cundī. The cult of Acala, the wrathful Vajrapani was very influential during the Tang, while the Cundī cult was very important during the Song period.
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The king and the man returned to the place where the skull was mounted; the skull remained silent. The king then commanded that the man be beheaded, and ordered that his head be mounted in place of the skull. In Vajrayana Buddhist iconography, skull symbolism is often used in depictions of wrathful deities and of dakinis. In some Korean life replacement narratives, a person discovers an abandoned skull and worships it.
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In the Buddhist Tantras, Buddhas and Bodhisattvas often manifest in unusual and fierce forms, which are used in tantra as yidams or meditation deities.Wrathful Deities While some of these deities have a hideous and fierce appearance,Wrathful Guardians of Buddhism - Aesthetics and Mythology they are not personifications of evil or demonic forces. The ferocious appearance of these deities is used to instill fear in evil spirits which threaten the Dharma.
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The move brought them just two hours from the Dalai Lama's residence in McLeod Ganj. They were granted of land and named it Tashi Jong, which is Tibetan for "Auspicious (or Happy) Valley". The area is an historically holy part of Northeast India known as Ngalen gyi Yul. It is said that when he visited Tashi Jong, the 8th Khamtrul Rinpoche had a vision of the peaceful and wrathful Manjusri.
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A Modern Commentary on Karma Lingpa's Zhi-Khro: teachings > on the peaceful and wrathful deities. Padma Gochen Ling. Source: (accessed: > December 27, 2007) Evans-Wentz describes Tibetan Dream Yoga in his book Tibetan Yoga and Secret Doctrines (London: Oxford University Press, 1935) as one of the six subtypes of yoga elaborated by the Tibetan guru Marpa and passed down by his disciple Milarepa. The author describes six stages of dream yoga.
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The Santa Ana winds are strong, extremely dry down-slope winds that originate inland and affect coastal Southern California and northern Baja California, and are infamous for fanning regional wildfires. The winds are commonly portrayed by writers of creative works as being responsible for a tense, uneasy, wrathful mood among Angelenos. On occasion they are referenced as Santana Winds, devil winds (a translation of Santana), or the fire winds.
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In Tibetan Buddhism and Bön, Zhitro () is the name referring to a cycle or mandala of 100 peaceful (zhi) and wrathful (khro) tantric deities and of a genre of scriptures and associated tantric practices which focus on those deities which represent the purified elements of the body and mind. These hundred peaceful and wrathful deities are believed to manifest to a deceased person following the dissolution of the body and consciousness in the intermediate state, or bardo, between death and rebirth. The best-known, though by no means only, example of this genre of texts and practices is commonly known as the Kar-ling Zhitro cycle after Karma Lingpa, the tertön who (re)discovered or revealed this collection of texts. The text which is well known in the west as "Tibetan Book of the Dead" (though more properly called "The Great Liberation by Hearing in the Intermediate State") forms one section of Karma Lingpa's Zhitro cycle.
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Elaine G. Breslaw (New York University Press, 2000), 244–245. Willard went on to give several powerful sermons in the village of Salem during the Salem Witch Trials in 1692, as well as discredited evidence of conviction for several women during the trials, stating that the trials should be held in a "fair and legal way".Stephen L. Robins "Samuel Willard and the Spectres of God's Wrathful Lion." New England Quarterly 60, no.
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The Black Jambhala is also known as the Hindu God of Wealth, Kubera. Originated in ancient India, he manifested from the waters of the river and gave the transmission of generating wealth to a king whose kingdom was undergoing extreme financial difficulties during that time. He also benefits the poor and those in solitary retreat that have a virtuous mind. Popularized by Shakyasribhadra, holding a skullcup and mongoose, naked and wrathful in a standing posture.
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For discouraged or lazy practitioners, she is committed to being "an arrow of awareness" to reawaken and refresh them. For defiant or disrespectful practitioners, she is wrathful and threatening, committed to killing their egos and leading them to dharmakaya, or the ultimate realization itself. She holds in her right hand the eviscerated, dripping red heart of those who have betrayed their Vajrayana vows.Dakini's Warm Breath: The Feminine Principle in Tibetan Buddhism By Judith Simmer-Brown.
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Back in the small village of Locksley, Marian is captured and sent to the Sheriff's dungeon, where she is given an ultimatum: marry DeLacey or find herself charged with witchcraft. She is rescued by Robert, who arrives with his friends to free her. Just as they are about to be arrested by a wrathful Prince John, whose money has been stolen by the outlaws, King Richard arrives unexpectedly, allowing Robert and his associates to escape.
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Donnchad's reputation was mixed. The Félire Óengusso, written at Tallaght in the borderlands of Leinster, apparently includes him among the oppressive secular rulers whom the authors dismissed as at best unimportant and at worst wicked. It does, however, confirm the apparent record of the annals, that Donnchad was a warlike ruler quite unlike his father, referring to him as "Donnchad the wrathful, ruddy, chosen".Charles-Edwards, Early Christian Ireland, pp. 469–470.
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A central feature of Buddhist Tantra is deity yoga which includes visualisation and identification with an enlightened yidam or meditation deity and its associated mandala. Another element of Tantra is the need for ritual initiation or empowerment (abhiṣeka) by a Guru or Lama. Some Tantras like the Guhyasamāja Tantra features new forms of antinomian ritual practice such as the use taboo substances like alcohol, sexual yoga, and charnel ground practices which evoke wrathful deities.
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The story opens with a peasant preparing to plow a field. Having gone without breakfast, he is careful to hide his dinner, a small crust of bread, under his coat. After plowing the field the peasant is hungry and ready for his dinner, but when he picks up his coat he sees that the bread is gone. It had been taken by a little devil, who was convinced that the peasant would become wrathful.
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Tefnut was connected with other leonine goddesses as the Eye of Ra. As a lioness she could display a wrathful aspect and is said to have escaped to Nubia in a rage, jealous of her grandchildren's higher worship. Only after receiving the title "honorable" from Thoth, did she return. In the earlier Pyramid Texts she is said to produce pure waters from her vagina.The Ancient Egyptian Pyramid Texts, trans R.O. Faulkner, line 2065 Utt. 685.
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Nuflo must know where Riolama is, so a wrathful Rima demands that Nuflo guide her to Riolama under threats of eternal damnation from her sainted mother. Old, guilty and religious, Nuflo caves in to the pressure. Abel pays a last visit to the Indians, but they capture him as a prisoner, suspecting that he is a spy for an enemy tribe or consorts with demons. Abel manages to escape and return to Rima and Nuflo.
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The stoning of Saint Stephen provides an example of wrath, as well as of meekness, its opposite virtue. Painting by Rembrandt, Canto 15. On the terrace of the wrathful, which the poets reach at 3 PM,Purgatorio XV.1–6 examples of meekness (the opposite virtue) are given to Dante as visions in his mind. The scene from the Life of the Virgin in this terrace of purgation is the Finding in the Temple.
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The Hare of Inaba legend emphasizes the benevolence of Ōnamuchi, who was later enshrined at the Izumo-taisha. Japanese scholars have traditionally interpreted the struggle between the kind Ōnamuchi and his wrathful eighty brothers as a symbolic representation of civilization and barbarism in the emergent Japanese state. The version of the Hare of Inaba legend told in the Kojiki has been compared to similar myths from Java in Indonesia, Sri Lanka, and India.
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Babylonian Talmud Megillah 23b. Rabbi Simeon ben Yohai compared the words of , "Shall one man sin, and will You be wrathful with all the congregation?" to the case of men on a ship, one of whom took a borer and began boring beneath his own place. His shipmates asked him what he was doing. He replied that what he was doing would not matter to them, as he was boring under his own place.
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Machig Labdron is depicted as white in color with three eyes and a pleasing countenance. She wears the Six Bone Ornaments of the charnel grounds, and stands on a lotus. Above Machig Labdron is Buddha Shakyamuni and mahasiddhas and the Chod lineage masters, while specific teachers and lineage holders are on either side. Below her is a tantric deity holding a Chod bone trumpet and swinging skins, while Gesar and a wrathful tantric dakini are on either side.
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Dudbridge, pp. 20–21 As can be seen, the complete version of Journey to the West anonymously published in 1592 borrowed liberally from tales concerning Shensha shen. The character of Sha Wujing was given his monstrous appearance and dress. The skulls of the nine Buddhist monks hanging from his head recalls both the demon skulls worn by the spirit, and the skulls of Tang Sanzang's past incarnations worn by his wrathful counterpart from the Kōzanji version.
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A surprising aspect of Tantric Buddhism is the common representation of wrathful deities, often depicted with angry faces, circles of flame, or with the skulls of the dead. These images represent the Protectors (Skt. dharmapala) and their fearsome bearing belies their true compassionate nature. Actually their wrath represents their dedication to the protection of the dharma teaching as well as to the protection of the specific tantric practices to prevent corruption or disruption of the practice.
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A visual aspect of Tantric Buddhism is the common representation of wrathful deities, often depicted with angry faces, circles of flame, or with the skulls of the dead. These images represent the Protectors (Skt. dharmapala) and their fearsome bearing belies their true compassionate nature. Actually, their wrath represents their dedication to the protection of the dharma teaching as well as to the protection of the specific tantric practices to prevent corruption or disruption of the practice.
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Lhakang contains a massive collection of Buddhist paintings and iconography, said to rival those of any Tibetan Buddhist monastery. The ground floors holds the Five Buddhas of Meditation and forms of Avalokiteshvara, Guru Rinpoche and Thangton Gyelpo. On the second floor are depictions of Mahakala on the outer wall with hundred peaceful and wrathful deities and Bardo on the interior wall, the intermediary state between death and rebirth. On the third floor of Dungtse Lhakang are Tantric deities.
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After negotiations fail, Barbossa frees Calypso with the Pieces of Eight and the wrathful sea goddess creates a maelstrom, in which Barbossa captains the Black Pearl in a duel with the Flying Dutchman. During the fight, he officiates the marriage of Will Turner and Elizabeth Swann. Some time later, he sails away with the Black Pearl, planning to use Sao Feng's map to find the Fountain of Youth. However, Jack has stolen the map from him.
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But at that time a thunderclap is heard and walls of the palace are parted. Seven messengers of the population appear and give the Shah a crook and cloak showing him that he has to abdicate and leave the country. Suddenly Aysha appears, saying the Shah that she loves not him, but a hunter and is ready to go with him if he abdicates. Wrathful Bahram strikes a girl with a fatal blow of the sword.
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Other early tantras include the Mahāvairocana Abhisaṃbodhi and the Guhyasamāja (Gathering of Secrets).Wayman, Alex; The Buddhist Tantras: Light on Indo-Tibetan Esotericism, Routledge, (2008), page 19. The Guhyasamāja is a Mahayoga class of Tantra, which features new forms of ritual practice considered "left-hand" (vamachara) such as the use of taboo substances like alcohol, sexual yoga, and charnel ground practices which evoke wrathful deities.Williams, Wynne, Tribe; Buddhist Thought: A Complete Introduction to the Indian Tradition, page 212.
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Gender variant representations of some bodhisattvas, most notably Avalokiteśvara, has prompted conversation regarding the nature of a bodhisattva's appearance. Chan master Sheng Yen has stated that Mahāsattvas such as Avalokiteśvara (known as Guanyin in Chinese) are androgynous (Ch. 中性; pinyin: "zhōngxìng"), which accounts for their ability to manifest in masculine and feminine forms of various degrees. While bodhisattvas tend to be depicted as conventionally beautiful, there are instances of their manifestation as wrathful and monstrous beings.
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Yamantaka, 13th century, Japan. In Buddhism, Yama (Sanskrit: यम) is a dharmapala, a wrathful god or the Enlightened Protector of Buddhism that is considered worldly, said to judge the dead and preside over the Narakas ("Hell" or "Purgatory") and the cycle of rebirth. The Buddhist Yama has, however, developed different myths and different functions from the Hindu deity. In Pali Canon Buddhist myths, Yama takes those who have mistreated elders, holy spirits, or their parents when they die.
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The Wisdom King Gundari is a manifestation of one of the Five Buddhas, Ratnasambhava/ Hōshō Nyorai. The Wisdom Kings (Vidyârâjas) were initially divinities of Esoteric Buddhism but were then later adopted by Japanese Buddhism as a whole. These Gods are equipped with superior knowledge and power that give them influence on internal and external reality. These Kings became the object of personification, either peaceful in the case of female personifications, and wrathful in the case of male personifications.
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En route at Tashiling, a new Potala Lhakhang could be seen alongside a wrathful statue of Guru Rinpoche. The Potala Lhakhang was built in 2005 and is housing a high statue of Chenresig. Arriving at the head of the valley brings a spectacular view of the very large white Trashi Dzong. From Thimpu, the capital city on the west, the journey is by road, of about 7 hours, passing through mountain ranges on the east and west directions.
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After the churning of milky ocean, sage Durvasa was upset due his own wrathful nature which led to the whole incidents. He sought advice of his father, lord Shiva who directed Durvasa to lord Brahma for getting the knowledge of Parabrahmam. Brahma advised the same as he did to Samudradeva and asked him to worship the Lord. Durvasa along with 63 disciples reached the Earth and found a suitable place and named it as Mallikavanam (forest of jasmines).
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Yogambara is mentioned in the Vajravali manuscript, a Buddhist tantric text (c. 1100 CE) Yogambara (Tibetan: nam khai nal jor), is a tutelary deity in Tibetan Buddhism belonging to the Wisdom-mother class of the Anuttarayoga Tantra. Yogambara is mentioned in the Vajravali Buddhist tantra text by Abhayakaragupta and through the tradition of Marpa and Ngok Loden Sherab. Semi-wrathful in appearance, he is dark blue in colour, and has three faces, blue, white and red.
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In Mangyan and Negrito folklore, Manaul was a wrathful king who was imprisoned by King Tubluck Lawi. When Manaul escaped, he later revolted against all gods and spirits and was punished by Kaptan by throwing in rocks onto him. The rocks missed Manaul, and created islands, where Manaul rested and lived in peace.The Robertson Translations of the Pavon Manuscripts of 1838-1839 D. “Stories of the Indios of the Olden Time and of Today,” pp. 3-4.
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He also tried to protect Grant from men who would "lead him away from the straight and true." One of Rawlins' colleagues said "he had blunt, wrathful words of objurgation for those who put in Grant's way temptations that he knew to be dangerous." John Aaron Rawlins Soon after Rawlins' death in 1869, efforts were under way to erect a statue honoring him. Interest in the project waned until 1872 when Grant wrote a letter to Congress to address the delay.
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For this festival, monks create a special torma, which is a statue made of barley flour and butter, and is worshipped by villagers. #Gyalwe Jabstan: Held after the Chonga Chodpa, this festival involves a puja for the long life of the 14th Dalai Lama. #Jigched Lhachusum Ceremony: This ceremony is held between the end of March and the end of May or the beginning of June. #Initiation of Vajrabhairava: This festival is for the worship of Vajrabhairava, the most wrathful form of Manjushri.
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Juliusz was born into a prominent Warsaw family of Jewish origin which had converted to Lutheranism. The father of Juliusz, Piotr or Pierre Wertheim (1850-1922), was a stepbrother of Carl Tausig and a successful banker in Warsaw, though also a short, eccentric and wrathful man. The mother, Aleksandra Klementyna, was the daughter of Ferdinand Leo, editor of the Gazeta Polska, and she was a singer of some accomplishment.Harvey Sachs, Arthur Rubinstein - A Life (Phoenix Paperback, London 1997), 57-66.
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Canto VIII Phlegyas reluctantly transports Dante and Virgil across the Styx in his skiff. On the way they are accosted by Filippo Argenti, a Black Guelph from the prominent Adimari family. Little is known about Argenti, although Giovanni Boccaccio describes an incident in which he lost his temper; early commentators state that Argenti's brother seized some of Dante's property after his exile from Florence. Just as Argenti enabled the seizing of Dante's property, he himself is "seized" by all the other wrathful souls.
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A.D. 100-325. Marcion and his School by PHILIP SCHAFF Marcion believed that Jesus was the savior sent by God, and Paul the Apostle was his chief apostle, but he rejected the Hebrew Bible and the God of Israel. Marcionists believed that the wrathful Hebrew God was a separate and lower entity than the all-forgiving God of the New Testament. Marcionism, similar to Gnosticism, depicted the God of the Old Testament as a tyrant or demiurge (see also God as the Devil).
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There was one exception, however, the wicked deeds of Dhritarashtra from the match of dice, did not disappear from the heart of Bhima. Vrikodara secretly did many acts that were disagreeble to the old king & through deceitful servitors caused the commands of his uncle disobeyed. The wrathful Vrikodara, recollecting his foes, one day secretly, mocked him with harsh words reminding him how he dispatched all his mighty sons to the other worlds. Hearing these words, king Dhritarashtra gave way to cheerlessness and sorrow.
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This satiated the hunger of Durvasa and his disciples, as the satisfaction of Krishna (portrayed here as the Supreme Being who pervades the entire universe) meant the satiation of the hunger of all living things. The sage Durvasa and his disciples then quietly left after their bath, without returning to the Pandavas' hermitage, for they were afraid of facing what they thought would be the Pandavas' wrathful reaction at their impolite behaviour of refusing the food that would be served to them.
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The Mañjuśrī-Nāma-Saṃgīti () (hereafter, Nama-samgiti) is considered amongst the most advanced teachings given by the Shakyamuni Buddha. It represents the pinnacle of all Shakyamuni Buddha's teachings, being a tantra of the nondual (advaya) class, along with the Kalachakra Tantra. The Nama-samgiti was preached by Shakyamuni Buddha for his disciple Vajrapani and his wrathful retinue in order to lead them into buddhahood. The essence of the Nama-samgiti is that Manjushri bodhisattva is the embodiment of all knowledge.
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The vase was made by the wrathful deity Damchen Gar-bgag and sanctified by Guru Padmasambhava himself by performing the "Sadhana of Yidam Chuchig Zhal (meaning tutelary deity of eleven heads)". On this occasion, heavenly deities appeared in the sky and thereafter merged into the holy water contained in the vase. The vase then overflowed and the water dispersed in "all directions in the form of rays." This ritual was immediately followed by an earthquake, which was considered an auspicious sign.
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1970, this statement is found on p. 1022. The Anglican theologian and biblical scholar Austin Farrer, writing a quarter century after Dodd, argued that Paul's words in Romans 3 should be translated in terms of expiation rather than propitiation: "God himself, says St Paul, so far from being wrathful against us, or from needing to be propitiated, loved us enough to set forth Christ as an expiation of our sins through his blood."Farrer, Austin (1960). Said or Sung: An Arrangement of Homily and Verse.
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Energy moves (and cycles) between forms as does dance. The 'wheel' (Sanskrit: chakra, mandala) in all its permutations and efflorescence is a profound Dharmic cultural artifact enshrining the energetic dance of the Universe. This is particularly applicable in the iconography of Nataraja and the 'wrathful deities' (Sanskrit: Heruka) of Vajrayana which are depicted with a flaming aureole, a flaming wheel. This resonates with the deep symbolism of the mystery rite and folklore and folk custom and high culture of circle dances which approaches a human cultural universal.
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In fact, gyalpo spirits often have both white (peaceful) and red (wrathful) forms. It is believed one can be protected against gyalpo spirits by means of appropriate rituals. In religious meditation instructions texts attributed to Padmasambhava, he warns his disciples against magical displays of this class of spirits. p. 85 Some gyalpos are believed to be bound by oath by Padmasambhava, for example Gyalpo Pehar is believed to be the main guardian of Samye, built at the time of Padmasambhava and King Trisong Detsen.
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The battle was fought for two days, one week after the Orthodox Easter celebration. The first day, 13 April 1205 On the 13th of April Kaloyan sends the Cuman cavalry to scout and for a "test attack" against the knights. The Cumans land a surprise attack on Emperor Baldwin I and the wrathful knights strike a skilful counter-attack, to which the cavalry immediately turns around and "apparently flees". Thus begins a long chase, with which Kaloyan successfully lures the knights out of their camps.
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Chapter 26 of the Lotus Sutra includes a dialogue between the Buddha and a group of rakshasa daughters, who swear to uphold and protect the Lotus Sutra. They also teach magical dhāraṇīs to protect followers who also uphold the sutra.Lotus Sutra, chapter 26, Burton Watson translation In The Lotus-Born: The Life Story of Padmasambhava, recorded by Yeshe Tsogyal, Padmasambhava receives the nickname of "Rakshasa" during one of his wrathful conquests to subdue Buddhist heretics. In Chinese tradition rakshasa are known as luocha (罗刹).
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These influences are reflected in the rise of subtle body practices, new pantheons of wrathful and erotic Buddhas, increasingly antinomian rhetorics, and a focus on death- motifs within the new Dzogchen literature of this period. These influences were incorporated in several movements such as the "Secret Cycle" (gsang skor), "Ultra Pith" (yang tig), "Brahmin's tradition" (bram ze'i lugs), the "Space Class Series," and especially the "Instruction Class series" (Menngagde), which culminated in the "Seminal Heart" (snying thig), which emerged in the late 11th and early 12th century.
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She was described at first as having no real shape or form; she had eyes of fire, and a fanged mouth that was shrouded in a smoky or cloudy mass. As time went on further, her form was exposed as being massive, with a long scaly body whose natural armor was almost impenetrable. Her eyes burned with wrathful hunger, her claws were like iron, and her voice raged like thunder rolling in the clouds. Whoever looked upon her will become blind or go insane.
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Years ago, in the ruined temple of Atal'Hakkar, loyal priests of the Blood God Hakkar the Soulflayer attempted to summon the wrathful deity's avatar into the world. But his followers, the Atal'ai priesthood, discovered that the Soulflayer could only be summoned within the Gurubashi tribe's ancient capital, Zul'Gurub. Newly reborn in this jungle fortress, Hakkar took control of the Gurubashi tribe and mortal champions of the trolls' mighty animal gods. The Soulflayer's dark influence was halted when the Zandalari tribe recruited heroes and invaded Zul'Gurub.
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Depictions of "wrathful deities" are often depicted very fearsomely, crushing their foes, with monstrous visages and wearing memento mori in the form of skulls or bodily parts. Such deities are depicted in this way as sometimes great wrath is required to overcome great ignorance and adharma. As is common in Buddhism, the lotus is used in Vajrayana. A lotus may appear fully blossomed, starting to open or still a bud to represent the teachings that have gone, are current or are yet to come.
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The three speeches of Bildad are contained in Job 8, Job 18 and Job 25. For substance, they were largely an echo of what Eliphaz, the Temanite, had maintained, but charged with somewhat increased vehemence because he deemed Job's words so impious and wrathful. Bildad was the first to attribute Job's calamity to actual wickedness, albeit indirectly, by accusing his children (who were destroyed, Job 1:19) of sin to warrant their punishment (Job 8:4). His third speech marked the silencing of the friends.
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Sera Je Tretsang (College) or Zhekong, the largest college in Sera complex, measured an area of . It was initially a three storied building; a fourth floor was added in the 18th century by strengthening the building with a total of 100 columns. It had a statue of the Hayagriva (said to have been sculpted by Lodro Rinchen himself in gilded copper), also known popularly as Avalokiteśvara, which was considered the protective deity of the monastery. This wrathful deity was worshipped as dispeller of obstacles with healing powers.
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In the poem Þrymskviða of the Poetic Edda, Þrymr, the king of the jǫtnar, steals Thor's hammer, Mjölnir. Freyja lends Loki her falcon cloak to search for it; but upon returning, Loki tells Freyja that Þrymr has hidden the hammer and demanded to marry her in return. Freyja is so wrathful that all the Æsir’s halls beneath her are shaken and the necklace Brísingamen breaks off from her neck. Later Thor borrows Brísingamen when he dresses up as Freyja to go to the wedding at Jǫtunheimr.
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Afterwards Ushio promised to find a place for the siblings to live, but Juurou, believing that such a place did not exist, attacked Ushio causing him to kill Juurou on reflex and he died, finally at peace. Afterwards Raishin and Kagari became staunch allies of Ushio and Tora, defending them against the wrathful demons of Tono. Juurou is revived during the final battle with Hakumen no Mono fighting alongside his siblings one last time. ; : :A zashiki warashi spirit imprisoned by the Takatori family in order to ensure the family's prosperity.
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A centrally placed large wooden carving covers all three levels, behind the shrines; a large number of wooden carvings mostly depict wrathful looking protective deities. The roof of chorten is accessed from the second level and a protective railing covers the terrace on the third floor. The second floor is dedicated to teachings of the Drukpa Lineage of the Kagyu school to subdue eight varieties of evil spirits and the top floor is dedicated to the teachings of Lama Gongdü (). Combined, these three floors form the esoteric teachings of the Nyingmapa sect.
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The two groups joust, using as weapons great weights which they push with their chests. In the fifth circle, anger, in the swamp-like water of the river Styx, the wrathful fight each other on the surface, and the sullen lie gurgling beneath the water, withdrawn "into a black sulkiness which can find no joy in God or man or the universe." Gustave Doré's original painting of Lucifer from the Divine Comedy. The lower parts of Hell are contained within the walls of the city of Dis, which is itself surrounded by the Stygian marsh.
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Donaldson, 59 A growing number of images of "wrathful deities", that is, fierce "aspects" of enlightened Buddhas, Bodhisattvas or Devas (divine beings), may be taken as evidence of a turn towards esoteric Buddhism. Examples include Heruka.Reichle, 217–218 Two small scenes, now difficult to interpret, seem to show erotic activity combined with the cutting of hair.Reichle, 231 These are very rare, and may relate to the practice, described in some Hindu Tantric texts but no known Buddhist ones, of offering both semen and cut hair to a deity (Kali especially).
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The spiritual method for those practicing with a prayer wheel is very specific (with slight variations according to different Buddhist sects). The practitioner most often spins the wheel clockwise, as the direction in which the mantras are written is that of the movement of the sun across the sky. On rare occasions, advanced Tantric practitioners such as Senge Dongma, the Lion-Faced Dakini, spin prayer wheels counterclockwise to manifest a more wrathful protective energy. As the practitioner turns the wheel, it is best to focus the mind and repeat the Om Mani Padme Hum mantra.
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Dumville, "Félire Óengusso." 26, 36. What would have been instructive, the year of Óengus's death, is unknown, but his education by Máel Ruain (d. 792) must at least mean that he did not outlive the 9th century.Dumville, "Félire Óengusso." 28. The one thing that is usually accepted is that it was written no earlier than 797, when one of the rulers described in the prologue as having deceased, Donnchad mac Domnaill, king of Tara, died.Donnchad dric ruad rogdae "Donnchad the wrathful, ruddy, chosen", Félire Óengusso 221; Dumville, "Félire Óengusso." p. 25.
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While serving at Novospassky Monastery, Nikon became a member of the circle of the Zealots of Piety. This was a group of ecclesiastical and secular individuals that started in the late 1630s, gathering around Stefan Vonifatiyev, the confessor of tsar Alexei. In the wake of the Time of Troubles, the members believed the problems of the time were the manifestation of a wrathful God, angry with the Russian people's lack of religiosity. The group called for the rebirth of the Russian Orthodox faith, and a renewal of the religious piety of the masses.
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In the first reading (, aliyah), Moses pleaded with God to let him cross over and see the other side of the Jordan River. But God was wrathful with Moses and would not listen, telling Moses never to speak of the matter again, and Moses blamed his punishment on the Israelites. God directed Moses to climb the summit of Pisgah and look at the land. And God told Moses to give Joshua his instructions and imbue him with strength and courage, for Joshua was to lead the people and allot to them the land.
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King Jigme Singye Wangchuck was born here on 11 November 1955, but makes his residence at the Samteling Palace (Royal Cottage). ;Tango Monastery Tango Monastery in Thimphu The Tango Monastery is located to the north of Thimphu near Cheri Mountain. It was founded by Lama Gyalwa Lhanampa in the 13th century and built in its present form by Tenzin Rabgye, the 4th Temporal Ruler in 1688. According to local legend, the location of this monastery is the holy place where Avalokiteshvara revealed himself as "the self-emanated form of the Wrathful Hayagriva".
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Wisdom Publications. Sutta 44.9 The bardo rebirth concept of Tibetan Buddhism, along with yidam, developed independently in Tibet without Indian influence, and involves 42 peaceful deities, and 58 wrathful deities. These ideas led to mechanistic maps on karma and what form of rebirth one takes after death, discussed in texts such as The Tibetan Book of the Dead. The major Buddhist traditions accept that the reincarnation of a being depends on the past karma and merit (demerit) accumulated, and that there are six realms of existence in which the rebirth may occur after each death.
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The portrayal depicts Pele striding through the lava flow in the forest with her digging staff Pã'oa, which she used for excavating while searching for a home that she finally found at Halemaʻumaʻu, in her left hand. Her right hand holds an egg containing her unborn sister goddess Hi'iaka, which she carried on her journey from Tahiti. The painting represents a more native view of Pele, who is regarded by Native Hawaiians not as a wrathful deity but as a benevolent, life-giving goddess who creates new land with her lava. Plate 5.
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A record of the Upper Shrine's regulations or taboos (物忌み monoimi) originally enforced in 1238, the Suwa Kamisha butsuki (or: monoimi no) rei no koto (諏訪上社物忌令之事), lists 'Fujishima Daimyōjin' as the first of thirteen middle- rank auxiliary shrines of the Kamisha (中十三所 Chū-jūsansho) and identifies its god as a manifestation of the wrathful Wisdom King Acala (aka Fudō-Myōō).Takei (1999). p. 135. Nowadays, the shrine is instead considered to be dedicated to the goddess Konohana-Sakuya-Hime.Miyasaka (1992). p. 91.
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As White Tārā she expresses maternal compassion and offers healing to beings who are hurt or wounded, either mentally or psychically. As Red Tārā she teaches discriminating awareness about created phenomena, and how to turn raw desire into compassion and love. As Blue Tārā (Ekajati) she becomes a protector in the Nyingma lineage, who expresses a ferocious, wrathful, female energy whose invocation destroys all Dharmic obstacles that engender good luck and swift spiritual awakening. Within Tibetan Buddhism, she has 21 major forms in all, each tied to a certain color and energy.
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In Phoenician Mythology, the goddess Astarte turned herself into a golden fish in Yammoune lake to escape from the vengeance of Adonis's wrathful brother Typhon. The lake is filled from a water cavern to the west of the temple has only one outflow, through a big hole and Robert Boulanger suggested that it might dry up entirely at the end of summer. The valley of Ouyoun Ergush leads from Yammoune towards Marjhine. A network of rock-cut irrigation channels and watercourses lead from Lake Yammoune to provide irrigation for the region of the Beqaa Valley around Baalbek.
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Instead, Paracelsus urged doctors to learn medicine through an observation of the natural world, although in later work he also began to focus on overtly religious questions. His work would gain significant support in both areas over the following centuries. One of those influenced by Paracelsus was the German cobbler Jacob Böhme (1575–1624), who sparked the Christian theosophy movement through his attempts to solve the problem of evil. Böhme argued that God had been created out of an unfathomable mystery, the Ungrud, and that God himself was composed of a wrathful core, surrounded by the forces of light and love.
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A famous Japanese wooden Kongorikishi (Agyō) statue at Tōdai-ji, Nara (World Heritage Site). It was made by Busshi Unkei and Kaikei in 1203 or are two wrathful and muscular guardians of the Buddha standing today at the entrance of many Buddhist temples in East Asian Buddhism in the form of frightening wrestler-like statues. They are dharmapala manifestations of the bodhisattva Vajrapāṇi, the oldest and most powerful of the Mahayana Buddhist pantheon. According to Japanese tradition, they travelled with Gautama Buddha to protect him and there are references to this in the Pāli Canon as well as the Ambaṭṭha Sutta.
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At the time when she was sent to investigate Inugami's scar, Ryuuko admits to being raped when she was younger because she "knows her own kind" (hinting at knowing Ms. Aoshika was also raped). She often follows Haguro's commands because she is bored, but becoming intrigued by Inugami's loner behavior, she becomes lustful for him and often daydreams about eventually having sexual intercourse with him. When Haguro betrays her and intends to torture her to lure Inugami out, she gave him Ms. Aoshika. Ryuuko becomes wrathful and envious when she finds out Inugami will only have sex with her to save Ms. Aoshika.
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A recurring theme is the story of two priests named "Aamund" and "Kettil": the first three full-length albums feature a rather short but fierce song about the two men who constantly get themselves into trouble with the trolls, only to get beaten up and mutilated over and over again by the wrathful followers of Rivfader. To date, the band's discography includes six full-length albums, a live album and two EPs. Their newest studio album Blodsvept was released on March 22, 2013. In 2014, the band released the live album Natten Med De Levande Finntroll ("Night of the Living Finntroll").
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The croft was hosted by Johan Ezekiel Aspelin. At that time, Malmelin had begun dating Edla, the croft's daughter, but when she had not consented to be Malmelin's wife, wrathful Malmelin killed the entire croft's people in retaliation on 10 May 1899, using an axe as a weapon.Russie , Journal de Gèneve (May 13, 1899) – Ett oerhördt brott, Hufvudstadsbladet (May 11, 1899) – Seitseman hengen murhasta Nurmijarvella, Päivälehti (May 13, 1899) – Massmördaren gripen, Västra Finland (May 27, 1899) – Faststälda domar, Borgåbladet (September 9, 1899) Three of the victims were women and two were children. Malmelin was arrested a couple of weeks later.
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She is the only female among the traditional 'Eight Guardians of the Law' and is usually depicted as deep blue in colour and with red hair to symbolise her wrathful nature, crossing a sea of blood riding side-saddle on a white mule. The mule has an eye on its left rump where her angry husband's arrow hit it after she killed her son (who was destined, and being raised to be the one to finally put an end to Buddhism) and used his skin as a saddle blanket. She has three eyes and is often shown drinking blood from a human skull.
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The Santa Ana winds are commonly portrayed in fiction as being responsible for a tense, uneasy, wrathful mood among Angelenos. Some of the more well-known literary references include the Philip Marlowe story "Red Wind" by Raymond Chandler, and Joan Didion's Slouching Towards Bethlehem. The Santa Ana winds are personified in The CW musical series Crazy Ex-Girlfriend as a prankster narrator responsible for main characters and enemies Rebecca and Nathaniel kissing for the first time. A song titled 'Santa Ana Winds' is sung in a doo-wop style, which educates the viewer on the winds itself.
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Vajrayoginī is a female deity and although she is sometimes visualized as simply Vajrayoginī, in a collection of her sādhanās she is visualized in an alternate form in over two thirds of the practices. Her other forms include Vajravārāhī ( "Vajra Sow") and Krodikali (alt. Krodhakali, Kālikā, Krodheśvarī, Krishna Krodhini, Tibetan Tröma Nakmo; , "Wrathful Lady", "Fierce Black One").The Forms of Vajrayoginī Himalayan Art Resources In her form as Vajravārāhī "the Vajra Sow", she is often pictured with a sow's head on the side of her own as an ornament and in one form has the head of a sow herself.
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Bhairava Ashtami, also known as Bhairavashtami, Bhairava Jayanti, Kala- Bhairava Ashtami and Kala-Bhairava Jayanti is a Hindu holy day commemorating the birthday of Bhairava (lit. "terrible"), a fearsome and wrathful manifestation of the god Shiva. It falls on the eighth lunar day (ashtami) in the fortnight of the waning moon (Krishna paksha) in the Hindu month of Kartik (per the South Indian Amavasyant calendar, every month ends with a new moon) or Margashirsha (per the North Indian Purnimant calendar, every month ends with a full moon). By both schemes, Bhairava Ashtami falls on the same day in November–December-January.
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Manuscript of the Bardo Thodol. The Bardo Thodol (, "Liberation Through Hearing During the Intermediate State"), commonly known in the West as The Tibetan Book of the Dead, is a text from a larger corpus of teachings, the Profound Dharma of Self-Liberation through the Intention of the Peaceful and Wrathful Ones, revealed by Karma Lingpa (1326–1386). It is the best-known work of Nyingma literature. The Tibetan text describes, and is intended to guide one through, the experiences that the consciousness has after death, in the bardo, the interval between death and the next rebirth.
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Rodrigo Plá wrote the screenplay with his wife, commenting on the story and themes as follows: > The primary idea is generated from the reading of the philosopher Søren > Kierkegaard, particularly where it accounts for daily life. Kierkegaard's > father lived with the conviction that God would punish him by taking away > their children prematurely for a sin he had committed. > The existence of Kierkegaard was marked by the guilt and the image of a > vengeful and wrathful God. This essence is preserved in the film, but we > decided to change the original context, Protestant and Danish, to Mexican > and Catholic.
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Conker and Berri developed an apparently strong relationship as boyfriend and girlfriend, as they soon began living together. Berri began to get frustrated with Conker's habit of constantly staying out late at a bar with his friends, until one fateful night, he never returned to his home. A very drunk Conker stumbled out in the opposite direction of his home, ending up in an entirely unfamiliar area ruled by the wrathful Panther King. A series of very bizarre and unfortunate events ensued until he was ultimately reunited with Berri, as well as with a massive quantity of money.
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From 1962 to 1964, Apostolidis served as a collaborator with the Directorate-General of the National Radio Foundation. In the parliamentary elections of 1963 he participated as a candidate under Spyridon Markezinis, while already since 1961 had written for the periodical of the youth of the Progressive party. In the municipal elections of 1964 descended as candidate for municipal consultant in Athens's municipality in the line up of Georgios Plytas. In 1964, Apostolidis was the head of an wrathful crowd of extreme Right-wings who entered the Parliament with the slogan Traitor Papandreou, Karamanlis, Papandreou Imposter.
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The Zealots of Piety (Russian: Кружок ревнителей благочестия) was a circle of ecclesiastical and secular individuals beginning in the late 1630s in Russia at the time of church schism, which gathered around Stefan Vonifatiyev, the confessor of tsar Alexei Mikhailovich. The impetus to the group's formation was the Time of Troubles. The members believed the massacres and conflagrations of the time to be the manifestation of a wrathful God, angry with the Russian people's lack of religiosity. In response, the group called for the rebirth of the Russian Orthodox faith, and a renewal of the religious piety of the masses.
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Between the character's stint as Parallax and his return to DC Comics as a heroic Green Lantern once more, the character also briefly served as the Spectre, a supernatural character in DC Comics stories who acts as God's wrathful agent on Earth. Outside of comics, Hal Jordan has appeared in various animated projects, video games and live-action. Jordan's original design in the comics was based on actor Paul Newman, and the character is ranked 7th on IGN's in the Top 100 Comic Book Heroes in 2011. In 2013, Hal Jordan placed 4th on IGN's Top 25 Heroes of DC Comics.
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Upon opening the exit door and seeing the silent Atoner, with his tall cross/staff, looming in front of him, Willis asks, "Who are you? What do you want? Is this a joke?" and subsequently, after realizing that pleading with Billy Joe not to take the money for the mission is ineffective, says to him, "God will punish you hoodlums". Those words incite Billy Joe into a wrathful fury as he shouts accusations of apostasy at Willis and then adds, "but I got the power — the Lord give it to me to deal with false prophets".
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Their number is usually left indeterminate. Virgil, probably working from an Alexandrian source, recognized three: Alecto or Alekto ("endless"), Megaera ("jealous rage"), and Tisiphone or Tilphousia ("vengeful destruction"), all of whom appear in the Aeneid. Dante Alighieri followed Virgil in depicting the same three-character triptych of Erinyes; in Canto IX of the Inferno they confront the poets at the gates of the city of Dis. Whilst the Erinyes were usually described as three maiden goddesses, the Erinys Telphousia was usually a by-name for the wrathful goddess Demeter, who was worshipped under the title of Erinys in the Arkadian town of Thelpousa.
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With both awaiting execution, Shinobu tries to talk to the tyrant, warning him that the god of the mountain's curse will befall him should he continue his evildoing ways. Samanosuke, refusing to heed Shinobu's words, kills her and orders the idol demolished. With her dying breath, Shinobu curses Samanosuke to die a harsh, merciless death and declares that if he attempts to destroy the idol, the wrathful Arakatsuma sealed inside it will come out. The crew that travels up the mountain to smash the idol accidentally discovers Kozasa and Take-bō, and force them to take them to the statue.
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They were 6000 in numbers and mentioned as supporting Shikhandi at (7,151). They were an elite group in the Pandava army (5- 48, 199). This army is mentioned as allies of the Pandavas at (6,112), (7- 159, 182), (8- 12, 22, 30, 48, 49, 56, 67), (9- 7, 11, 15, 27). Karna slew 770 foremost of warriors among the Prabhadrakas initially (8,48). He then slew 1700 of them (8, 67). A group of Prabhadrakas is mentioned as battling against Dhristadyumna at (7,92):- The chief of the Avanti Kingdom (Mahabharata), with the Sauviras and the cruel Prabhadrakas, resisted wrathful Dhrishtadyumna.
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Four-armed, four-headed Vishnu Vaikuntha Chaturmurti, Kashmir, 9th century CE The name of the fourth head as Kapila is interpreted in two ways. Taking the literal meaning of kapila as red, it is interpreted as meaning fierce or angry. The epithet kapila is associated with the fire god Agni and the solar deity Surya in early canonical texts.Desai pp. 39–40 Another theory relates to Vishnu's sage avatar and founder of Samkhya philosophy, Kapila, who is described as having a wrathful nature and cursing the sons of Sagara to turn into ashes for insulting him.
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For a week, Danville served as capital of the Confederacy, until word came of Lee's surrender at Appomattox Court House. With no army to shield the Confederate government, it would be captured by Union forces within days, so Davis and his Cabinet, including Benjamin, fled south to Greensboro, North Carolina. Five minutes after the train passed over the Haw River, Union cavalry raiders burned the bridge, trapping the trains that followed Davis's. Greensboro, fearing wrathful reprisal from the Union, gave the fugitives little hospitality, forcing Benjamin and the other Cabinet members to bunk in a railroad boxcar.
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Marcionism, regarded as heresy by contemporary mainstream Christianity, was an Early Christian dualist belief system that originated in the teachings of Marcion of Sinope at Rome around the year 144. Marcion asserted that Paul was the only apostle who had rightly understood the new message of salvation as delivered by Christ. Marcion believed Jesus was the savior sent by God, and Paul the Apostle was his chief apostle, but he rejected the Hebrew Bible and the God of Israel. Marcionists believed that the wrathful Hebrew God was a separate and lower entity than the all-forgiving God of the New Testament.
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When his sickness returned in September, Darwin had a day visit to Malvern, then recuperated at home. In June 1850 after losing time to illness (without vomiting) he spent a week at Malvern. Later that year he wrote to Fox about the credulity of his "beloved Dr Gully" whose daughter had been ill, and had treated her with a clairvoyant girl to report on internal changes, a mesmerist to put her to sleep, John Chapman as homœopathist and himself as hydropathist, after which Gully's daughter recovered. Darwin explained to Fox his wrathful scepticism about clairvoyance and homeopathy.
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The three terraces they have seen so far have purged the proud ("he who, through abasement of another, / hopes for supremacy"Purgatorio, Canto XVII, lines 115–116, Mandelbaum translation.), the envious ("one who, when he is outdone, / fears his own loss of fame, power, honor, favor; / his sadness loves misfortune for his neighbor."Purgatorio, Canto XVII, lines 118–120, Mandelbaum translation.), and the wrathful ("he who, over injury / received, resentful, for revenge grows greedy / and, angrily, seeks out another's harm."Purgatorio, Canto XVII, lines 121–123, Mandelbaum translation.). Deficient and misdirected loves are about to follow.
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His first major role came in 1958, when he played in Kazimierz Kutz's Krzyż Walecznych. The same year he also appeared as one of the main characters in Andrzej Wajda's Ashes and Diamonds and Aleksander Ford's The Eighth Day of the Week based on a short story by Marek Hłasko. From then on Cybulski was seen as one of the most notable actors of the Polish Film School and one of the "young and wrathful", as his generation of actors were called at the time. His most famous films, apart from Ashes and Diamonds, include Wojciech Has' The Saragossa Manuscript.
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In Tibet, she is known as the Goddess of Music (), or the Tara of Music (), considered the consort of Mañjuśri, Buddha of Wisdom, she is one of the 21 Taras. Saraswati is the Divine Embodiment & bestower of Enlightened Eloquence & Inspiration, patroness of the arts, sciences, music, language, literature, history, poetry & philosophy, all those engaged in creative endeavours in Tibetan Buddhism. She is considered the peaceful manifestation of Palden Lhamo (Glorious Goddess). In the Gelugpa tradition, Palden Lhamo is known as Magzor Gyalmo (the Queen who Repels Armies) and is a wrathful emanation of Saraswati while being a protector.
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His sense of justice means he cannot ignore weak people being abused by the strong, especially women and children. Ironically, he was programmed to be wrathful over the actions of Hakuto Kunai and his Grand Empire and is a declared enemy, not knowing they are now one and the same. After his first stunt saving Killer Queen and Luna from the Satanists and their miasma, he became the object of Queen's undying affection, and word of his actions spread. He became a target of concern for the Satanists and others due to being a half-dragon hybrid.
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The dancers wear monastic robes and wooden masks with features of animals, both real and mythical. The musicians play "cymbals, trumpets and drums, including the bang nga, a large cylindrical drum, the lag nga, a small hand-held circular flat drum, and the nga chen, a drum beaten with a bent drumstick." They first perform a prayer dance in the soeldep cham, the main shrine, before appearing one by one in the courtyard of the monastery. The dance has two parts: a calm, contemplative part to represent the peaceful deities, and a rapid, athletic part for the wrathful ones.
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Also in the manner of Homer, the story proper begins in medias res (into the middle of things), with the Trojan fleet in the eastern Mediterranean, heading in the direction of Italy. The fleet, led by Aeneas, is on a voyage to find a second home. It has been foretold that in Italy he will give rise to a race both noble and courageous, a race which will become known to all nations. Juno is wrathful, because she had not been chosen in the judgment of Paris, and because her favorite city, Carthage, will be destroyed by Aeneas's descendants.
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Hayagriva, known as Batō Kannon in Japan. In his simplest form Hayagriva is depicted with one face, two arms and two legs, and a horse head above his head. Everything about him is wrathful - a scowling face with three glaring eyes, a roaring mouth with protruding fangs, a pose of warrior’s aggressiveness, a broad belly bulging with inner energy, a sword raised threateningly in his right hand (poised to cut through delusion), his left hand raised in a threatening gesture and snake ornaments. This terrifying aspect expresses compassion’s fierce determination to help us overcome inner egotism and outer obstructions.
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Most Christians believe the incarnation of God is an exclusively New Testament idea, but in The Suffering of God: An Old Testament Perspective, Terence E. Fretheim argues that incarnation has always been God's standard method of interaction with humanity. Through exegesis and a literary and philosophical approach to Scripture, Fretheim draws the elusive God of the Old Testament close. Indeed, the author seeks to balance the common images of God as wrathful judge or cold lawgiver with an image of God in relationship with humanity. According to Fretheim, God suffers because He has completely and intimately bound Himself in relation to the created world, especially His people Israel.
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Dylan is the subject of a eulogy entitled Marwnad Dylan Ail Don attributed to the bard Taliesin: > One God Supreme, divine, the wisest, the greatest his habitation, > when he came to the field, who charmed him in the hand of the extremely > liberal. > Or sooner than he, who was on peace on the nature of a turn. > An opposing groom, poison made, a wrathful deed, > Piercing Dylan a mischievous shore, violence freely flowing > Wave of Iwerdon, and wave of Manau, and wave of the North, > And wave of Prydain, hosts comely in fours. > I will adore the Father God, the regulator of the country, without > refusing.
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Trump repeatedly used Twitter to attack and threaten U.S. Representative Adam Schiff, the chairman of the House Intelligence Committee, who led the investigation into the Trump–Ukraine scandal and served as the lead House impeachment manager during Trump's Senate trial.Catherine Kim, Trump says Schiff has "not yet paid the price" for his impeachment role, Vox (January 26, 2020).Sheryl Gay Stolberg, Schiff, Calling Trump 'Wrathful and Vindictive,' Sees Tweet as a Threat, New York Times (January 26, 2020). In a September 30, 2019 tweet, Trump suggested that Schiff be arrested for treason.Quint Forgey, Trump suggests arresting Adam Schiff for 'treason', Politico (September 30, 2019).
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David H. Watters argues that the Primer was built on rote memorization, the Puritans' distrust of uncontrolled speech, and their preoccupation with childhood depravity. By simplifying Calvinist theology the Primer enabled the Puritan child to define the "self" by relating his life to the authority of God and his parents.David H. Watters, "'I Spake as a Child': Authority, Metaphor and the New England Primer," Early American Literature, Dec 1985, Vol. 20 Issue 3, pp 193-213 Emory Elliott argues that the Primer was part of the transformation that turned Puritans away from an angry and wrathful God the Father to the embrace of the gentle and loving Jesus Christ.
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The fighting was at a hiatus due to winter weather and the Duke of Cumberland was in London in February 1746. Handel composed the Occasional Oratorio hastily in January and February 1746, "borrowing" and re- arranging some movements from previous compositions, and premiered it immediately on 14 February 1746 with Willem de Fesch, Élisabeth Duparc, Elisabetta de Gambarini, John Beard (tenor), and Thomas Reinhold at Covent Garden Theatre. It contains 44 movements split over three parts. Part One, generally speaking, concerns the miseries of war and the vengeance of a wrathful God, Part Two the blessings of peace, and Part Three a thanksgiving for victory.
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In Yunnan, some of the Yi have adopted Buddhism as a result of exchanges with other predominantly Buddhist ethnic groups present in Yunnan, such as the Dai and the Tibetans. The most important god of Yi Buddhism is Mahākāla, a wrathful deity found in Vajrayana and Tibetan Buddhism. In the 20th century, some Yi people in China converted to Christianity, after the arrival of Gladstone Porteous in 1904 and, later, medical missionaries such as Alfred James Broomhall, Janet Broomhall, Ruth Dix and Joan Wales of the China Inland Mission. According to missionary organization OMF International, the exact number of Yi Christians is not known.
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During the expedition of Mark Antony in Armenia, the statue was broken to pieces by the Roman soldiers. Pliny the Elder gives us the following story about it: The Emperor Augustus, being invited to dinner by one of his generals, asked him if it were true that the wreckers of Anahit's statue had been punished by the wrathful goddess. "No!" answered the general, "on the contrary, I have to‑day the good fortune of treating you with one part of the hip of that gold statue." The Armenians erected a new golden statue of Anahit in Erez, which was worshiped before the time of St. Gregory Illuminator.
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Orgyen Kusum Lingpa consistently referred to himself as one of the 1000 or more 'servant treasure revealers' who follow the 108 great treasure revealers, the last of whom was Orgyen Chokgyur Lingpa in the 19th century. The principal Guru sadhana cycles he discovered were of Guru Rinpoche in the form of Vidyadhara Acarya Padma with a mandala of the eight great vidyadharas of the Ka Gye lineages of India and Tibet; and the Rigden King, Wrathful Holder of the Iron Wheel. His many Yidam sadhana cycles feature Hayagriva, Tara, Vajrapani, Yamantaka and Jambhala. His Dakini cycles include extensive sadhanas of Yeshe Tsogyal and Mandarava.
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A strong gust of wind lifts kite, crate, and passengers into the sky; Jam is on his way to Oz. Kite and crate thump down the next day, in the purple landscape of the Gillikin Country. Jam is amazed to find that his animals can now talk; the guinea pigs call themselves Pinny and Gig, while the white rat introduces himself as Percy. Jam meets some of the inhabitants, who inform him of local conditions. This remote valley of Oz is dominated by a wrathful giant, fifty feet tall, called Terp the Terrible, who enslaves the common people to work in his vineyards and his jam-making factory.
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Märchen comes to a church and senses a restless spirit in the statue of Saint Solicitous, asking her to tell him her tale. Solicitous explains she was once a noblewoman named Elizabeth whose devotion to her faith was strong to the point of vowing before God that she would never marry anyone. Her brother, attempted to marry her off before he decided to have her crucified. Though Märchen sought to give Elizabeth a wrathful conclusion to her tale, she expresses having not intention for revenge and is only glad to see Märchen again as she reveals herself to be the childhood friend of his true self: März.
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Similar effects continued to occur, windstorms and so forth being attributed to the presence or wrathful deities and spirits manifesting their power and intent. In support of the tantric rites, the thousands of monks of the three great monasteries and others, provided with tea and rations by the government, recited the sutras. Other rites, both tantric and sutric, are described by Lobzang Gyatsho as taking place elsewhere, all aimed at propitiating a peaceful resolution to the conflict. All this must have created a tremendous amount of gossip and speculation amongst the superstitious populace as they wondered about what would happen to the rebels under this tremendous onslaught of destructive rituals.
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The track became increasingly popular throughout 2016. YG called his summer tour to promote Still Brazy the "Fuck Donald Trump Tour" and the song was remixed by G-Eazy and Macklemore, featuring new verses criticising Trump's comments on banning Muslims from the US. Following the election, which saw Trump become president-elect, YG performed the song as the closing number in his set at the 2016 Camp Flog Gnaw Carnival to a positive reception. The Los Angeles Times described "FDT" as, "the most prophetic, wrathful and unifying protest song of 2016." In early 2019, YG announced he planned to record another Trump-related diss song as a follow up.
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As belief in deities spread, humans may have attributed anthropomorphic thought processes to them, leading to the idea of leaving offerings to the gods and praying to them for assistance, ideas which are seen in all cultures around the world. Sociologists of religion have proposed that the personality and characteristics of deities may reflect a culture's sense of self-esteem and that a culture projects its revered values into deities and in spiritual terms. The cherished, desired or sought human personality is congruent with the personality it defines to be gods. Lonely and fearful societies tend to invent wrathful, violent, submission-seeking deities (or God), while happier and secure societies tend to invent loving, non-violent, compassionate deities.
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The art of Indian Religions esp. Hindus in its numerous sectoral divisions is governed by sacred texts called the Aagama which describes the ratio and proportion of the icon, called taalmaana as well as mood of the central figure in a context. For example, Narasimha an incarnation of Vishnu though considered a wrathful deity but in few contexts is depicted in pacified mood. Although iconic depictions of, or concentrating on, a single figure are the dominant type of Buddhist image, large stone relief or fresco narrative cycles of the Life of the Buddha, or tales of his previous lives, are found at major sites like Sarnath, Ajanta, and Borobudor, especially in earlier periods.
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SubGenius leaders note that Jehovah 1 is wrathful, a quality expressed by his "stark fist of removal". The Church teaches that they are part of the Elder Gods, who are committed to human pain, but that Jehovah 1 is "relatively good" in comparison. Yog- Sothoth, a character from H. P. Lovecraft's Cthulhu Mythos, is the Elder Gods' leader. In her 2010 study of the Church of the SubGenius, religious scholar Carole Cusack of the University of Sydney states that Lovecraft's work is a "model for the Church of the SubGenius's approach to scripture", in that aspects of his fiction were treated as real by some within paganism, just as the Church appropriates aspects of popular culture in its spirituality.
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Debauched, violent, wrathful, sadistic, bloodthirsty and occasionally murderous, barely within the bounds of sanity, and incredibly arrogant, not least on account of his rank, which gave him gross impunity as a royal prince, Charles, Count of Charolais, never ceased to appear in the news of his time. Heredity may have played a part, as his father Louis was popularly known as le Singe Vert, or the Green Monkey, to his contemporaries because of his ugliness and depravities. Perhaps unsurprisingly given his rank, overwhelming police reports about Charles de Bourbon were long kept secret. These relate, among other appalling depravities, Charles's kidnap and detainment of women and girls for use in sadistic orgies he arranged with other debauchees.
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To distinguish them from the proper Panchala army or from other Prabhadrakas, they were mentioned as Prabhadraka-Panchalas (7,151). They were 6000 in numbers and mentioned as supporting Shikhandi at (7,151). They were an elite group in the Pandava army (5- 48, 199). This army is mentioned as battling on the side of Pandavas at (6,112), (7- 159, 182), (8- 12, 22, 30, 48, 49, 56, 67), (9- 7, 11, 15, 27). Karna slew 770 foremost of warriors among the Prabhadrakas initially (8,48). He then slew 1700 of them (8, 67). A group of Prabhadrakas is mentioned as battling against Dhristadyumna at (7,92):- The chief of Avanti, with the Sauviras and the cruel Prabhadrakas, resisted wrathful Dhrishtadyumna.
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On the ground floor, images of the Buddhas of the 3 times similar to the ones in Magadha, Vajrasana and Yangpachen are deified. Next to these are the images of 4 other Buddhas, the 8 Noble Sons, the Great Teacher; wrathful form of Hayagriva, and Vajrapani flank them. The Assembly Hall has Jangchub Tungsha and offering goddesses. While at the sides of the entrance are the Kings of the 4 directions namely, “the Mandala of Cyclic Existence, layout of Mt. Meru according to the sutras and tantras, Zangdog Pelri and the Pureland of Shambala.” The first floor is where the successive Trilkus have lived, which has three shrine rooms of the Dharmapalas and the Treasury with the Namsey Phodrang.
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In November of the same year Teardrop Explodes manager Bill Drummond released yet another Teardrops album, Piano, which compiled all of the early Zoo Records singles. Cope’s response to the 1990 albums was mixed (and, in the case of Piano, wrathful), although he would subsequently concede that Everybody Wants to Shag... The Teardrop Explodes "(wasn’t) as crap as it seemed in September 82." In all cases the press reception was highly positive. In August 1992, Cope was able to work on a retrospective under his own terms with the release of Floored Genius: The Best of Julian Cope and The Teardrop Explodes which featured twenty tracks personally selected by Cope, including six by The Teardrop Explodes.
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In the main prayer hall ( area), the Dukhang or Lakhang, the main temple, which has colourfully painted doors and windows, depict Tibetan designs. The main statue of Padmasambahva (also known as Guru Rinpoche who revived Buddhism in Tibet and was also the propagator of Vajrayana or tantric form of Buddhism ) seen here is in his wrathful form as Dorje Bhurpa Vjarakila with multiple heads and arms. The monastery, which overlooks the Rabdantse ruins, has well manicured gardens within its compound where the residential accommodation for the monks is also located. Entrance to Pemangytse Monastery The first floor of the monastery has a notable collection of ancient Buddhist antique idols, scriptures as well as sculptures and decorated paintings.
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Painting depicting the life of Tsongkhapa, the largest image on the left showing the dream he had of the great Indian scholars like Buddhapalita. It was at this early age that he was able to receive the empowerments of Heruka, Hevajra, and Yamantaka, three of the most prominent wrathful deities of Tibetan Buddhism, as well as being able to recite a great many Sutras, not the least of which was Mañjuśrīnāmasamgīti. He would go on to be a great student of the vinaya, the doctrine of behaviour, and even later of the Six Yogas of Naropa, the Kalachakra tantra, and the practice of Mahamudra. At the age of 24, he received full ordination as a monk of the Sakya school.
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Origen rejects many of Celsus's accusations against Christianity as false or inapplicable. In many cases, while ostensibly refuting Celsus, Origen is also refuting the ideas of fellow Christians whom he regarded as misinformed. For instance, in the act of denying Celsus's charge that Christians believed that their God was a wrathful old man who lived in the sky, Origen was also confronting Christians who actually believed this. He defends statements in the Bible promising that the wicked will be punished with fire by insisting, "...the Logos, accommodating itself to what is appropriate to the masses who will read the Bible, wisely utters threatening words with a hidden meaning to frighten people who cannot in any other way turn from the flood of iniquities".
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Krishna then told her to bring the Akshaya Patra to him. When she did, he partook of the lone grain of rice and piece of vegetable that he found stuck to the vessel and announced that he was satisfied by the "meal". This satiated the hunger of Durvasa and his disciples, as the satisfaction of Krishna (the Supreme Being who pervades the entire universe) meant the satiation of the hunger of all living things. Sage Durvasa and his disciples then quietly left after their bath, without returning to the Pandavas' hermitage, for they were afraid of facing what they thought would be the Pandavas' wrathful reaction at their impolite behaviour of refusing the food that would be served to them.
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The Dorje Shugden Controversy reappeared in the Gelug school by the publication of the Yellow Book in 1976, containing stories about wrathful acts of Dorje Shugden against Gelugpas who also practiced Nyingma teachings. In response, the 14th Dalai Lama, a Gelugpa himself and advocate of an "inclusive" approach to the teachings of Tibetan Buddhism, started to speak out against the practice of Dorje Shugden in 1978. The controversy has attracted attention in the West because of demonstrations held in 2008 and 2014 by Dorje Shugden practitioners. A 2015 Reuters investigation determined "that the religious sect behind the protests has the backing of the Communist Party" and that the "group has emerged as an instrument in Beijing's long campaign to undermine support for the Dalai Lama".
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JHVH-1. Jehovah 1 or JHVH-1 (also known as Woden, Ra, etc.) is a God-like entity important in the mythology of the Church of the SubGenius, and the opposite number of the Satan-like entity NHGH. This "wrathful alien space god from some corporate sin galaxy" is considered to be identical with the God of the Abrahamic and most other patriarchal religions. According to SubGenius dogma, JHVH-1 contacted J. R. "Bob" Dobbs in 1953 through a television set of Dobbs' own construction. The many things told and shown to "Bob" during his Divine Emaculation were written down in the Prescriptures, the most sacred texts of SubGenius tradition, excerpts of which were publicized in the Book of the SubGenius.
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'''''''''' Cyrus claimed to be the legitimate successor of the ancient Babylonian kings and the avenger of Marduk, who was assumed to be wrathful at the impiety of Nabonidus, who had removed the statues of the local gods from their ancestral shrines to his capital Babylon. This act, combined with Nabonidus' clear favoring of Sîn over Marduk, had facilitated strong resentment towards the king, and Cyrus' conquest was welcomed by the Babylonian populace. The invasion of Babylonia by Cyrus was doubtless facilitated by this general distaste for Nabonidus, as well and the presence of foreign exiles such as the Jews. Accordingly, one of Cyrus' first acts was to allow these exiles to return to their homelands, carrying with them the images of their gods and their sacred vessels.
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Thence he came after many a > turn to the Point of Nar, son of Edliuc,and possessed, as his special > portion, the mountain whose name derives from Blod. A valiant man who used > to wage battle died at Sliab Bladma–vast renown even Blad, son of Bregon, > with troops of warriors, died of disease in the monster-haunted Sliab Blod. > Or, it is from the son of Bregon the wrathful that it is named Sliab Bladma, > with onsets of women their increase is not far from the cattle was the > mountain where it happened through strong Blad. Or the monsters of the sea > that was not calm, beasts–ruisenda was their name–came throughout the land > of the tribes, so that from them is named Sliab Bled.
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The Pancharatra text Jayakhya-Samhita mentions that Vaikuntha Chaturmurti has four faces: Vaikuntha, Narasimha, Varaha and Kapila and four arms holding the usual attributes of Vishnu: shankha (conch), chakra, gada (mace) and padma (lotus). In the Vishnudharmottara Purana, Vaikuntha Chaturmurti is described as having eight arms and four faces, human (nara – human or saumya – mild or purusha – man) facing the East (front), lion (Narasimha – the lion-headed avatar of Vishnu) on the South (his right head, left), boar (Varaha – the boar avatar of Vishnu) on the North (his left head, right) and demonic (kapila or raudra – fierce/wrathful or rakshasa – demon) facing the west (rear).Gail pp. 297–300, 306 In one of earliest Vaikuntha Chaturmurti images dating from the Gupta era – c.
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Whether this indicates that Mark survived the death of the Ra-Man body or that his death has been retconned is unknown. Batman speaks highly of Merlin's former detective skills and seeks his aid in a case involving the actor-turned-supervillain, the Charlatan. In Grant Morrison's Seven Soldiers of Victory, Zatanna met a floating fakir-like pale green-skinned, balding and big-headed being known as King Ra-Man in the process of investigating the coming Sheeda menace. It is unclear if he is the same person as Prince Ra-Man or another more alien entity from his home dimension which is now referred to as the Interreality of Ra. He vowed that he would assume his 'Wrathful Battle Aspect' and fight the Sheeda.
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The souls of the wrathful walk around in blinding acrid smoke, which symbolises the blinding effect of anger:Dorothy L. Sayers, Purgatory, notes on Canto XVI. > Darkness of Hell and of a night deprived > of every planet, under meager skies, > as overcast by clouds as sky can be, > > had never served to veil my eyes so thickly > nor covered them with such rough-textured stuff > as smoke that wrapped us there in Purgatory; > > my eyes could not endure remaining open;'Purgatorio, Canto XVI, lines 1–7, > Mandelbaum translation. The prayer for this terrace is the Agnus Dei: Agnus Dei, qui tollis peccata mundi, miserere nobis ... dona nobis pacem ("Lamb of God, you who take away the sins of the world, have mercy upon us ... grant us peace").
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On the eve of the Earth-pig New Year (1659) there had been severe disruption to the end-of-year rites by spirits and Lobzang Gyatso wrote that it presaged the coming conflict with Norbu and his associate Ngodrup.Karmay 2014, p. 391 In the 9th month of 1659-1660, he consulted Nojin Chenpo ('), the wrathful spirit which had been oath-bound and installed at Samye Monastery by Padmasambhava (') 800 years before. The spirit warned him: “If you do not care about Norbu, it will be as if you fail to act when the goat is in its enclosure; you will not catch it, [he will be] like a musk deer running away on the rocks.” In the 10th month, the plot began to thicken.
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The latter empowered the Namgyal Monastery monks to perform the rite of Nojin Begtse ('), the originally pre-Buddhist female wrathful deity and lord of war of the Mongols that wears a coat of mail, and began to perform its destructive rite himself. This involved hurling the wind wheel and the torma, which moved like a malevolent torma, repeatedly flashed, spontaneously burst into flames and produced various other remarkable signs of success. Lobzang Gyatso now invoked Nojin Chenpo again and the spirit responded through its oracle to declare that they, the eight categories of arrogant deity-demons, wanted to go to Nyangme (') [the lower valley of the Nyang Chu, i.e. Shigatse area] for the battle and that an auspicious sign, ritual armour, weapons and musical instruments were needed.
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Karma Lingpa was born in southeast Tibet as the eldest son of Nyida Sanggyé, a great Vajrayana practitioner. At an early age, Karma Lingpa engaged in esoteric practices and achieved many siddhi. When he was fifteen years old, he discovered several terma texts on top of Mount Gampodar, including a collection of teachings entitled "Profound Dharma of Self-Liberation through the Intention of the Peaceful and Wrathful Ones" (zab-chos zhi khro dgongs pa rang grol, also known as kar-gling zhi-khro), which includes the two texts of bar-do thos-grol, the so-called "Tibetan Book of the Dead". According to Chogyam Trungpa, Karma Lingpa was a Nyingma teacher, but all of his students belonged to the Kagyu school.
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Interviewed by Tom Weaver in "Western Clippings" magazine (May–June 2000), Hart revealed that he met actress Beryl Braithwaite when she played a role in an episode of the series; they married just days later, with "Hawkeye" co-star Lon Chaney, Jr., the best man at the wedding. In 1965 Hart made two brief appearances on the TV series Perry Mason, including the role of title character and murder victim Jamison Selff in "The Case of the Wrathful Wraith." In the 1970 film The Phynx, Hart played the Lone Ranger alongside Jay Silverheels as Tonto, spoofing their characters. Hart's last theatrical film appearance was in 1981's The Legend of the Lone Ranger in which he appeared as a newspaper editor.
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Some of it just happened to be the stone unforgiving truth." In describing Clein he wrote "Jailings never stopped him, street-corner pummelings never stopped him, a blast of dynamite didn't stop him..." He further explains, "Reubin's "Miami Life" was a plain-speaking, four-page broadsheet, one that assumed its readers weren't fools and knew full well that the woods were full of thieves and nitwits." His printing plant was blown up twice and his house once, in 1965, which is when he closed his paper, as described in the Tropic, "The fires came and they avenged, wrathful fires that cleansed and purged and howled like angels. Ruebin Clein, beaten, kicked dolefully through the smoking crucible of what had been his home as the investigators did their work.
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The Australian government responded by rejecting the idea that it was in some way delaying Watson, and on October 20, 2009 issued visas to Watson and Hammarstedt. Paul Watson said to Discovery Channel the Dalai Lama sent a letter of support for Sea Shepherd's volunteers accompanied by a wrathful, scowling statue of the deity Hayagriva, which expresses compassion and determination in overcoming obstacles. In 2010 during a visit to Japan, the Dalai Lama said that while he agrees with the goal of stopping Japan from hunting whales, they should stop using violent methods to achieve that goal. The ships of the fleet have flown the flags of different nations and the opinion of several governments that the vessels are engaged in inappropriate activities has several times led to registration issues for Sea Shepherd vessels.
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287 The writer Kurt Gänzl sums up the failure: :...the setting of the lyrics proved rather too much for Grossmith, whose musical talent, though tuneful and amusing, was definitely on the small scale. The songs added nothing to the play and indeed, by breaking down the plot and slowing the pell-mell pace of the action, exposed the improbability of the situations. After a first night which evoked some wrathful comments from a disappointed audience, Haste to the Wedding survived only twenty-two performances.Gänzl, p. 435 At Chichester (1975) and Exeter (1976), an adaptation was created using Gilbert's The Wedding March as a starting point, adding the lyrics and music from Haste to the Wedding, as well as additional original lyrics written to music adapted from Jacques Offenbach’s Barbe-Bleue.
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The premise of Marcionism is that many of the teachings of Christ are incompatible with the actions of the God of the Old Testament. Focusing on the Pauline traditions of the Gospel, Marcion felt that all other conceptions of the Gospel, and especially any association with the Old Testament religion, was opposed to, and a backsliding from, the truth. He further regarded the arguments of Paul regarding law and gospel, wrath and grace, works and faith, flesh and spirit, sin and righteousness, death and life, as the essence of religious truth. He ascribed these aspects and characteristics as two principles, the righteous and wrathful God of the Old Testament, who is at the same time identical with the creator of the world, and a second God of the Gospel who is only love and mercy.
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The Dorje Shugden is a controversy over Dorje Shugden, also known as Dolgyal, who some consider to be one of several protectors of the Gelug school, the school of Tibetan Buddhism to which the Dalai Lamas belong. Dorje Shugden has become the symbolic centre-pointThe Dorje Shugden conflict: Interview with Thierry Dodin of a conflict over the "purity" of the Gelug school and the inclusion of non-Gelug teachings, especially Nyingma ones. In the 1930s, Pabongkhapa Déchen Nyingpo, who favoured an "exclusive" stance, started to promote Shugden as a major protector of the Gelug school, who harms any Gelug practitioner who blends his practice with non-Gelug practices. The conflict reappeared with the publication of the Yellow Book in 1976, containing stories about wrathful acts of Dorje Shugden against Gelugpas who also practiced Nyingma teachings.
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The father had been thrown from his horse and his son had stayed to tend to him. Pringle was ready to kill the men on sight, but the Captain of the Dragoons suggested that the men may have some valuable information and so James Pringle was asked to house them in the dungeon of Buckholm Tower for the night while the Dragoons went back to town to update their commanders, promising that someone would come to escort the prisoners the next day. After the Dragoons left, Pringle dined alone, drinking heavily, and becoming more and more wrathful as a result. Eventually he got up and headed for the dungeon, as he got there, he was met with several of his servants, many of whom had been disturbed by cries of distress from within.
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The concerto was inspired by poetry Lieberson had read in the preceding years, particularly works by the Chilean poet Pablo Neruda (Lieberson would later further explore the works of Pablo Neruda in his 2005 song cycle Neruda Songs). The composer was first drawn to Neruda's poem "Leviathan," which depicts "a huge iceberg floating on the dark Arctic sea, illuminated by flashes of soft fluorescent light." Describing the language of the poem as "passionate and wrathful," Lieberson then decided that the concerto should be cast in five movements, each to be inspired by a different poem by a different poet. Lieberson initially decided that the first movement would be inspired by the Canticle to the Sun of St. Augustine, but discovered halfway through its composition that the music was more fit for a second, slow movement.
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Abandoned by her parents at an early age, Paradox's life was saved in the past by Dragon Shiryu, which led her to become a Saint. Similarly as her predecessor, Gemini Saga, she is afflicted by split personality, one of which manifests as a gentle, refined and loving young woman, who calls herself the , and the other manifests as a wrathful embodiment of hate, calling herself the . She is challenged by Dragon Ryuhou, to which she replies peacefully, but after Ryuhou's refusal to accept Paradox's amoral perspective on her allegiance to Mars, both engage each other in battle with Ryuhou emerging victorious after awakening his Seventh Sense. Paradox survives the battle and is imprisoned until she is rescued by the Primary Pallasite Gallia and returns to confront Ryuhou as a Secondary Pallasite, armed with a staff known as the .
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Apart from all these, like all god fearing human beings, they always invoke the term for ever-presence and formless god Khothakrang / Rangkhothak for its guidance and protection. Mukloms traditionally never used to worship any 'formed' spirit or practiced going to any building structure specified as for a god. But, very recently, a completely new form of religion named Rangfrah was created and introduced into the Muklom society in line with that of the Hindu religion with an idolised god called Rangfrah. Some of the Mukloms have now adopted Christianity in order to stop their traditional practice of appeasing malevolent spirits, which when the ritual practice is not done or done properly, keep interfering with their daily lives and also to redeem the wrathful consequences of the practice of enemy head collection as trophies during wars in olden days.
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Dorothy L. Sayers, Hell, notes on Canto XI, p. 139 Sinners punished for incontinence (also known as wantonness) – the lustful, the gluttonous, the hoarders and wasters, and the wrathful and sullen – all demonstrated weakness in controlling their appetites, desires, and natural urges; according to Aristotle's Ethics, incontinence is less condemnable than malice or bestiality, and therefore these sinners are located in four circles of Upper Hell (Circles 2–5). These sinners endure lesser torments than do those consigned to Lower Hell, located within the walls of the City of Dis, for committing acts of violence and fraud – the latter of which involves, as Dorothy L. Sayers writes, "abuse of the specifically human faculty of reason". The deeper levels are organized into one circle for violence (Circle 7) and two circles for fraud (Circles 8 and 9).
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As it is seen at the beginning of the film, the priest who invoked the spirit of Araromire drowns in the river after seven years of coming in contact with her: "Araromire becomes wrathful, unleashing terror and destruction on whoever has her in custody. It is unfortunate that even the priest couldn't escape the adverse side of the deity", Femi Owolabi comments. Itua Otaigbe Ewoigbokhan of Africa Magic describes the tale of Araromire as a modified version of Joseph's interpretation of Pharaoh's dream about Egypt from the Bible. In the present day of The Figurine world, Mona is still disturbed after getting to know about the folktale of the statue her husband has placed in their home; Sakari Maatta interprets this to mean that even though such old myths and beliefs have not been given too much weight in the film's society, they still live in the subconscious of the people.
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While Juvenal's mode of satire has been noted from antiquity for its wrathful scorn toward all representatives of social deviance, some politically progressive scholars such as, W. S. Anderson and later S. M. Braund, have attempted to defend his work as that of a rhetorical persona (mask), taken up by the author to critique the very attitudes he appears to be exhibiting in his works.According to Braund (1988 p. 25), Satire 7 – the opening poem of Book III – represents a “break” with satires one through six – Books I and II – where Juvenal relinquishes the indignatio of the “angry persona” in favor of the irony of a “much more rational and intelligent” persona. In any case it would be an error to read the Satires as a literal account of normal Roman life and thought in the late first and early second centuries AD, just as it would be an error to give credence to every slander recorded in Suetonius against the members of prior imperial dynasties.
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Nicephorus Callistus' description of the painting: > Either Christ himself came down from heaven and showed the exact traits of > his face to [the painter] or else the famous Eulalios mounted up to the very > skies to paint with his skilled hand Christ's exact appearance. Nicholas Mesarites' description of the painting: > [The dome] exhibits an image of the God-man Christ looking down, as it were, > from the rim of heaven towards the floor of the church and everything that > is in it. . .His head is in proportion to his body that is represented down > to the navel, his eyes are joyful and welcoming to those who are not > reproached by their conscience, but to those who are condemned by their own > judgement, they are wrathful and hostile. . .The right hand blesses those > who walk a straight path, while it admonishes those who do not and, as it > were, checks them and turns them back from their disorderly course.
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Hazlitt 1930, vol. 11, p. 44. Hazlitt finds that "the ground work of his compositions is trashy and hackneyed, though set off by extravagant metaphors and an affected phraseology ... without the turn of his head and wave of his hand, his periods have nothing in them ... he himself is the only idea with which he has yet enriched the public mind!" John Kinnaird suggests that in this essay, Hazlitt, with his "penetration" and "characteristically ruthless regard for truth", in his reference to Irving's "portentous obliquity of vision" insinuates that "one eye of Irving's imagination ... looks up to a wrathful God cast in his own image, 'endowed with all his own ... irritable humours in an infinitely exaggerated degree' [while] the other is always squinting askew at the prestigious image of Edward Irving reflected in the gaze of his fashionable audience—and especially in the rapt admiration of the 'female part of his congregation'".
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The term later become a low-ranking clergy title. Plautus, in his play Bacchides (written approximately 194–184 BC), mentions a "large and powerful" doorman / bouncer as a threat to get an unwelcome visitor to leave. Tertullian, an early Christian author living mainly in the 1st century AD, while reporting on the casual oppression of Christians in Carthage, noted that bouncers were counted as part of a semi-legal underworld, amongst other 'shady' characters such as gamblers and pimps.De Fuga in Persecutione – Quintus Septimius Florens Tertullianus, via The Cambridge Ancient History, Volume XI, Second Edition, Page 393, Cambridge University Press, 1970 Within Buddhist lore, the Nio, the twin guardian statues who decorate the entrances of temples, dojos, and various places related with religious importance, are believed to be the embodiment of wrathful deity bodhisattvas such as Vajrapani, Mahasthamaprapta, Vajrasattva, Acala, or various figures within Buddhist legend who accompanied Gautama Buddha during his journeys to spread his teachings to protect him and aid in cases needing justified force.
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Cyrus now claimed to be the legitimate successor of the ancient Babylonian kings and the avenger of Bel-Marduk, who was assumed to be wrathful at the impiety of Nabonidus in removing the images of the local gods from their ancestral shrines to his capital Babylon. The Chaldean tribe had lost control of Babylonia decades before the end of the era that sometimes bears their name, and they appear to have blended into the general populace of Babylonia even before this (for example, Nabopolassar, Nebuchadnezzar II and their successors always referred to themselves as Shar Akkad and never as Shar Kaldu on inscriptions), and during the Persian Achaemenid Empire the term Chaldean ceased to refer to a race of people, and instead specifically to a social class of priests educated in classical Babylonian literature, particularly Astronomy and Astrology. By the mid Seleucid Empire (312–150 BC) period this term too had fallen from use.
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Darwin explained to Fox his wrathful scepticism about clairvoyance and worse, homeopathy, thinking the infinitesimal doses were against all common sense and should be compared against the effects of no treatment at all. Gully had pestered Darwin to subject himself to clairvoyance, and when he saw the clairvoyant, he tried to test her by asking her to read the number on a banknote he had in an envelope, but she scornfully said this was something her maidservant did and proceeded to diagnose horrors in Darwin's insides, a tale he recounted for years afterwards.Letter 1352 — Darwin, C. R. to Fox, W. D., 4 Sept 1850 Darwin Correspondence Project, accessed on 11 April 2019. When Darwin's own young daughter Annie had persistent indigestion, he confidently took her to Gully on 24 March 1851 and after a week, left her there to take the cure but a fortnight later was recalled by Dr. Gully as Annie had bilious fever.
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Another key figure was Karma Lingpa (1326–1386), who wrote down an important work called "Profound Dharma of Self-Liberation through the Intention of the Peaceful and Wrathful Ones" which includes the two texts of the bar-do thos- grol, the "Tibetan Book of the Dead".Fremantle, Francesca (2001), Luminous Emptiness: understanding the Tibetan Book of the dead, Boston, MA: Shambhala Publications, Lochen Dharmaśrī (1654–1717) wrote important commentaries on the Guhyagarbha tantra and his brother Terdak Lingpa (1646–1714) was the founder of the Mindrolling Monastery in 1670, one of the six major Nyingma monasteries. A later seminal figure in the development of the Nyingma system was Jigme Lingpa (1730-1798) "the greatest treasure finder of the eighteenth century", whose Longchen Nyingthig ("The Heart-essence of the Vast Expanse") is a systematization of the path which is one of the most widely used Nyingma Dzogchen teachings today.Buswell, Robert; Lopez, Donald S. Jr., eds.
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Rakta Yamari with Svabha-Prajna, 15th century, Museum of Fine Arts, Boston Painted 17th century Tibetan 'Five Deity Mandala', in the center is Rakta Yamari (the Red Enemy of Death) embracing his consort Vajra Vetali, in the corners are the Red, Green White and Yellow Yamaris, Rubin Museum of Art Rakta Yamari (Tibetan shin je she mar in, Wylie: gshin rje gshed dmar "the Red Enemy of Death") is a Tantric Buddhist meditational deity which is a wrathful form of bodhisattva Manjushri or Yamantaka. Yamari deities have two forms: red (rakta) and black (krishna), and are part of the Anuttarayoga Class of Tantric Buddhism. > The Ngor Mandala collection of the Sakya tradition alone lists eight > different forms/lineages of the blue/black buffalo-faced Vajrabhairava > (which include the two Gelug ones) and four of red Rakta- or blue Krishna- > Yamari (all without the buffalo head). All the former are yidams > (meditational deities) whereas Yamaraja (sometimes also called Dharamaraja) > is a Dharma protector.
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Wittkower who subscribed to the view this was a reenactment of Virgil, was satisfied that this gesture was Neptune, with an "angry look towards the water", calming the waves with his trident.; John Pope-Hennessy pointed out the defect that Bernini did not include the nereid if he was reenacting Virgil's passage, and suggested a quote from Ovid as basis; it was then counter-argued that this Ovid passage too was defective in failing to mention the trident explicitly. Collier pointed out it was peculiar that Neptune should wear a wrathful expression calming the sea, and suggested a different passage from Ovid where Neptune was in wrath, but this too was flawed as it did not mention Trident. Collier also remarked that if Virgil was the source, Neptune might not have been waving the trident at the sea, but rather using the instrument to dislodge the ships from the rocks, as stated in the poem.
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Uncanny X-Men #473 Disrupting their attempt to give the First Fallen full access to Earth, Betsy and the X-Men were pulled into his realm, the Singing City, where Betsy's immunity to his mental control allowed her to free the City's residents, including the Foursaken, from his dominance. As a wrathful First Fallen turned on them, Jamie sent the X-Men home while he held the entity back, apparently sacrificing himself.Uncanny X-Men #474 Returning to the UK to tell Brian of Jamie's fate, Betsy learned that Shadow Xavier, leader of the Shadow X-Men, had taken over the minds of his jailors in Crossmore Prison, and was demanding to see her. Accompanied by Excalibur, Betsy visited the prison, where Xavier revealed his true identity as the Shadow King, and tried to take revenge, having Excalibur attack Brian so that Betsy could witness his death; however, immune to his control, Betsy telekinetically induced a stroke in Xavier's body, freeing Excalibur.
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McCargo first entered acting as a supporting player on such popular television shows as Perry Mason (in 1964 she played murder victim Sibyll Pollard in "The Case of the Latent Lover"; and in 1965 she played defendant Louise Selff in "The Case of the Wrathful Wraith".) Her other television show appearances included: Hawaii Five-O, Hogan's Heroes, Voyage to the Bottom of the Sea, Mannix, Gomer Pyle, USMC, and The Man from U.N.C.L.E..Marian McCargo - IMDb - Filmography Retrieved 2015-07-09 McCargo made her feature film debut in the crime comedy Dead Heat on a Merry-Go-Round in 1966, which was also the debut film of Harrison Ford. Subsequent film roles included: Buona Sera, Mrs. Campbell in 1968 (playing opposite Peter Lawford, Gina Lollobrigida, Shelley Winters, Telly Savalas, and Phil Silvers); The Undefeated in 1969 (with John Wayne and Rock Hudson); and Doctors' Wives in 1971. McCargo also became known for her television role as Harriet Roberts on the nighttime soap, Falcon Crest.
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In From Homer to Harry Potter: A Handbook on Myth and Fantasy, Matthew Dickerson and David O'Hara argue that the Beowulf poet added the figure of the dragon to "the pot...that is ladeled out of by most modern fantasy writers"; they argued that both numerous works with villainous dragons, as well as literature with benign dragons like the My Father's Dragon books and the Pern series by Anne McCaffrey, were influenced by Beowulfs dragon. Dickerson and O'Hara further elaborated that through its dragon, Beowulf turned the "notion of having a monstrous evil (and not mere human foes) as the enemy" into "a hallmark of modern fantasy" present in C. S. Lewis' Narnia books, Ursula K. Le Guin's Earthsea books, and the Thomas Covenant series by Stephen Donaldson. J. R. R. Tolkien used the dragon story of Beowulf as a template for Smaug of The Hobbit; in each case, the dragon awakens upon the hoard being disturbed by one stealing a chalice and goes into a wrathful rampage until slain by another person.Clark, p.
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Bhakti (called bhatti in Pali language) has been a common aspect of Buddhism, where offerings and group prayers are made to images such the images of the Buddha and the Bodhisattvas,Donald Swearer (2003), Buddhism in the Modern World: Adaptations of an Ancient Tradition (Editors: Heine and Prebish), Oxford University Press, , pages 9-25Karen Pechelis (2011), The Bloomsbury Companion to Hindu Studies (Editor: Jessica Frazier), Bloomsbury, , pages 109-112 or to deities such as wrathful deities. Karel Werner notes that Bhakti has been a significant practice in Theravada Buddhism, and states, "there can be no doubt that deep devotion or bhakti / bhatti does exist in Buddhism and that it had its beginnings in the earliest days".Karel Werner (1995), Love Divine: Studies in Bhakti and Devotional Mysticism, Routledge, , pages 45-46 According to Sri Lankan scholar Indumathie Karunaratna, the meaning of bhatti changed throughout Buddhist history, however. In early Buddhism, such as in the text Theragāthā, bhatti had the meaning of 'faithful adherence to the [Buddhist] religion', and was accompanied with knowledge.
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The Dalai Lama had not agreed to this attack and at first he refused to help, making various excuses and pointing out that Rapten did not approve of magic rituals, having earlier curtailed his studies of them under Zur. Perhaps sardonically, he suggested Sonam Rapten should do the Gelugpa rite of Yamantaka, the wrathful form of Manjushri. Losing patience, Sonam Rapten pointed out that the practice of Yamantaka had failed to prevent the disastrous attacks on Lhasa by the Tsangpa forces in 1618. He expressed his contempt for Nyingma practices telling him curtly: “So practise Nyingma, then! The proverb says: ‘If it heals the wound, even dog fat is fine!’” On this, the Dalai Lama comments wryly in his Dukula: “Another proverb says: ‘When one needs stone, it is the Lord of Stone; when not, it is merely a lump of rock!’” In any case he relented, consulted Zur and performed an elaborate rite, which seems to have been successful. The Bonpo King was duly defeated and executed and all his prisoners released.
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An Eighteenth Dynasty burial artifact from the tomb of Tutankhamun (), an alabaster cosmetic jar topped with a lioness representing Bastet — Cairo Museum Herodotus, an ancient Greek historian who traveled in Egypt in the fifth century BCE, describes Bastet's temple at some length:Herodotus, Book 2, chapter 138. This description by Herodotus and several Egyptian texts suggest that water surrounded the temple on three (out of four) sides, forming a type of lake known as, isheru, not too dissimilar from that surrounding the temple of the mother goddess Mut in Karnak at Thebes. These lakes were typical components of temples devoted to a number of lioness goddesses, who are said to represent one original goddess, Bastet, Mut, Tefnut, Hathor, and Sakhmet, and came to be associated with sun gods such as Horus and Ra as well as the Eye of Ra. Each of them had to be appeased by a specific set of rituals. One myth relates that a lioness, fiery and wrathful, was once cooled down by the water of the lake, transformed into a gentle cat, and settled in the temple.
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