255 Sentences With "war dance" | Random Sentence Generator

This even somewhat sparks the Targaryen civil war, Dance of the Dragons.

Ms. Garfield leads the pack in what often feels like a war dance.

Members of a Maori motorbike gang performed a haka war-dance at one site.

Everyone trudged along with banners and flags, chanting and doing a traditional war dance.

Horoom, named after a Georgian war dance, attracts up to 1,000 attendees each month.

All purr with pride at the haka, a Maori war dance that precedes international matches.

The heckling intensified after May 33, when Goodes celebrated a goal with an Indigenous war dance.

Chiefs and warriors painted their bodies, put on headdresses of macaw fathers and performed a war dance.

The festivities included a Spartan phalanx, duels, dancers performing the traditional Pyrrhic war dance, and wrestling demonstrations.

The team begins each game with a performance of the fearsome haka, an intimidating Maori war dance.

" And novelist Elnathan John said: "Am I the only one who doesn't find this Trump-Jong Un war dance funny?

Its blue metal body lurches forward, only to be yanked backward again and again—a slapstick war dance for an unwinnable war.

What better way to make an impression at an international barbershop convention than by working an ancient Máori war dance into your routine?

Here's The Rock leading a girls soccer team in "The Haka" -- a traditional Maori war dance -- during a heated match with another team.

Don't worry, The Rock's war dance was all for a movie -- "Fast 8" -- but he explained how things got super real on the set.

A number of members are doing the usual congressional war dance which breaks out when wannabe commanders-in-chief push the president to take action!

Try tango lessons in Argentina, for example, taking in a Flamenco performance in Spain, or watching a Haka, or traditional war dance, in New Zealand.

A video from the Auckland wedding of Aaliyah and Benjamin Armstrong has gone viral — moving people across the globe with the touching and beautiful war dance.

Images and sneak preview videos released ahead of the main campaign showed footage of Native Americans performing a war dance in traditional dress and also featured Depp.

While the All Blacks have brought worldwide attention to haka, it has been misconstrued as a "war dance" or challenge because it is traditionally performed before matches.

"With images saturated with colours and emotions, @c1star performs the mesmerizing Fancy War Dance that embodies all the modernity of the Native American culture," the caption reads.

"Boy" featured Waititi-drawn animation and a "Thriller"-meets-Maori-war-dance number, but just as often, Waititi's directorial flourishes served to deepen and sadden the film.

Harry and Meghan rubbed noses with Maori leaders in a traditional "hongi" greeting and were welcomed by a "haka", a centuries-old tribal war dance, to salute and honor them.

In 2001 we started a partnership with a company there and the first time I visited, some of the staff did a war dance and presented me with the club.

Wedding guests performed a haka, or traditional Maori war dance, at the reception of Aaliyah and Benjamin Armstrong, moving the bride to tears and inspiring the happy couple to join in.

They watched in horror when, as president, he sold more than $100 billion worth of weapons to the kingdom of Saudi Arabia and participated in a traditional war dance in Riyadh.

As soon as the flawed GOP Obamacare replacement narrowly passed the House of Representatives Thursday, Washington Democrats began a combination celebration/war dance as they prepared to defeat the measure in the U.S. Senate.

As a good luck gesture for Mark's fight next month in New Zealand, Jason -- as well as cast and crew and some of Hunt's training partners -- performed that country's traditional war dance ... the haka.

In a new interview with the New York Times, Momoa talked about his rather unique audition for the role, which involved his intense take on the Haka, the traditional war dance of New Zealand's Māori people.

The LVMH-owned brand started posting short "teaser" videos and photos on social media in August but was accused by some of racism and posts showing Native Americans performing a war dance appear to have been removed.

The brand posted two clips of Canku Thomas One Star, a member of the Rosebud Sioux Tribe in South Dakota, performing the Fancy War Dance wearing a colorful traditional ensemble as part of the new Dior Sauvage advertising initiative.

The haka is traditionally a war dance for the Māori people of New Zealand, but is commonly performed at funerals, events welcoming guests, and perhaps most famously as the way that the nearly invincible New Zealand national rugby team intimidates its opponents.

This year's celebration also had an antipodean air as Noah and his players and staff performed their bicep-flexing version of the haka, a Maori war dance, in the locker room on Sunday shortly after Lucas Pouille overwhelmed Steve Darcis, 6-3, 6-1, 6-0, in the fifth and final match of a 3-2 victory over Belgium.

In 1983, the Braves retired their racist mascot, Chief Noc-A-Homa, a character for whom the team went as far as to build a teepee in the left field bleachers of Fulton County Stadium; the mascot would perform what could only loosely be described as a war dance whenever a Braves player hit a home run.

War/Dance Returns is the 15-minute follow-up documentary to War/Dance. It depicts the journey back to the Patongo camp by the director of War/Dance, Sean Fine, Shine Global’s Executive Director, Susan Maclaury, and the original War/Dance film crew in the summer of 2008. Approximately 7-10 thousand people came to see the film in the Patongo camp making a lasting impression on the entire crew as well as Rose, Nancy, and Dominic. War/Dance Returns premiered on the Sundance Channel in May 2009.

Ohafia War Dance entertainers at a burial ceremony in Enugu. The Ohafia War Dance (Igbo: ikpirikpi ogu) is a popular war dance performed in several parts of Eastern Nigeria. The dance which has its roots from Ohafia is performed by a group of muscular men in commemoration of their strength in fighting and winning wars in the past.

In other cultures this dance would be seen as a "war dance".

War dance. Torturing Boone. Burning arrow lands in Indian camp. Indians become panic stricken.

The war dance usually includes a clucking vocalization, known among domestic ferret owners as "dooking". It normally indicates happiness. Although the war dance may make a ferret appear frightened or angry, they are often just excited and are generally harmless to humans.

They take a sword and shield and display a virile war dance during the performance.

I saw evidences of war-paint and a recent war-dance that forerun an Indian attack.

In full dress, and brandishing tomahawks, they danced the last recorded war dance in the Chicago area.

Cakalele war-dance of Seram. The cakelele is a male war-dance practised by the aboriginals of North and Central Maluku. Hybrid forms also exist in Sulawesi, Timor, and the Tanimbar Islands. Mentioned in native legends, it originated as a way for the warriors to celebrate after a successful raid.

This mask is used in the war dance. It is also called Mukha Khel meaning the game of masks.

Pyrrhichos (Greek: Πυρῥιχος) in Greek mythology is the god of the rustic dance. When translated literally, Pyrrhichos translates into "rustic war dance".

The famous war dance is performed during this festival. Ringui village is also known for production of films, music and plays of the Tangkhuls.

War Dance is the ninth episode of the third series of the British comedy series Dad's Army. It was originally transmitted on Thursday 6 November 1969.

Classical philologist Georg Wissowa maintained that the ritual of the Salii is a war dance or a sword dance, with their costumes clearly indicating their military origin.

A Faluaya dance or war dance of the Nias people, pre 1954. In South Nias, the locals practice a war dance called Faluaya (or Fataele) dance. In this dance, the dancers wore colorful clothing consists of black, yellow and red, fitted with a crown on the head. Like a knight in battle, dancers also carry Baluse (shields), swords and spears as a means of defense from enemy attack.

There is also one short interview video, and a couple of war dance videos on YouTube. However, there are no websites, TV shows, or radio stations in their language.

From September 12 to 16, 2004, one faction of Winnemem Wintu held a "war dance" as a protest. They claim it was the first war dance held since 1876. The Winnemem Wintu claim important sacred sites on Mount Shasta and Cold Spring Mountain. They are one of several groups of Native Americans who feel that casinos and their proceeds destroy culture from the inside out, and refuse to participate in the gaming industry.

Shine Global’s first film War/Dance tells the story of three northern Ugandan children who grew up in the war zone. It debuted at the 2007 Sundance Film Festival where it won the Documentary Directing Award and went on to be nominated for an Academy Award for Best Feature Documentary in 2008. War/Dance was produced in partnership with Fine Film Productions, Rogues Harbor Studios, and distributed by ThinkFilm and Image Entertainment.

New Zealand English has also borrowed words and phrases from Māori, such as haka (war dance), kia ora (a greeting), mana (power or prestige), puku (stomach), taonga (treasure) and waka (canoe).

In domestic ferrets the war dance usually follows play or the successful capture of a toy or a stolen object. The war dance is commonly held to mean that the ferret is thoroughly enjoying itself. The behavior consists of a frenzied series of hops sideways and backwards, often accompanied by an arched back and a frizzed-out tail. Ferrets are notoriously clumsy in their surroundings during their dance and will often collide with or fall over objects and furniture.

Papuan war dance from Yapen, Papua province, Indonesia. A war dance is a dance involving mock combat, usually in reference to tribal warrior societies where such dances were performed as a ritual connected with endemic warfare. Martial arts in various cultures can be performed in dance-like settings for various reasons, such as for evoking ferocity in preparation for battle or showing off skill in a more stylized manner. It could also be for celebration of valor and conquest.

Galliard stood as a breeding stallion in England before moving to France, and later to Germany in 1895. His offspring included Gulliver (Richmond Stakes, Hardwicke Stakes), Beowulf (Bayerisches Zuchtrennen), Griffin (Mehl-Mülhens-Rennen), War Dance (Prix de Meautry) and Black Duchess (dam of Bay Ronald). War Dance sired Perth who won the Prix du Jockey Club and the Grand Prix de Paris before becoming the Leading sire in France on three occasions. Galliard was euthanized in Germany in 1903.

Both the music and the dance originate from an ancient war dance of Béni-Snassen fighters. It is also known as Aarfa in Arabic (meaning upper) and Imdiazen in Amazigh (meaning musicians).

Cherokee Dances included the Booger Dance, Stomp Dance, War Dance, a victory dance called the Eagle Tail Dance, Ant Dance, Bear Dance, Beaver Hunting Dance, Friendship Dance, Forest Buffalo Dance and Uka Dance.

Short arm penalty See free kick Sin bin The notional area where a player must remain for a minimum of ten minutes after being shown a yellow card. In high level games, the sin bin is monitored by the fourth official. Sipi Tau Sipi Tau is a Tongan war dance performed by the Tonga national team before each of their international matches. Siva Tau Siva Tau is a Samoan war dance performed by the Samoa national team before each of their international matches.

The Salawaku may be part and parcel of the bridegroom's marriage gifts and are worn during the Cakalele (war dance) or the Hoyla (war dance during the marriage ceremony among the Tobelorese people). During the Cakalele, the Salawaku is carried in the left hand and with a spear or sword in the other. Whereas in the Hasa dance which is only performed by men, who carry the Salawaku on the left hand and a wooden machete, Barakas on the other.

War Dance was produced by the 501(c)(3) non-profit film production company Shine Global. Founded in 2005 by Susan MacLaury and Albie Hecht, it is dedicated to ending the exploitation and abuse of children through films and other media that raise awareness and inspire change. Profits from their productions go back to local advocacy organizations that help the children that Shine documents. Shine Global partnered with AMREF during the production of War/Dance to aid the people of Uganda on the ground.

An Ohafia War Dance group headed by a leader The Ohafia War Dance which is also performed to celebrate an individual's achievement is headed by a lead dancer carrying a basket full of human skulls (Igbo: oyaya) while holding a short cutlass and a small palm shoot in his mouth, while his fellow dancers dressed like fierce warriors mime the cutting off of human head while dancing to the music from the akwatankwa musical instrument thus portraying Ohafia as a land of brave warriors.

Individual recordings of the "War Dance" included an acoustically recorded Edison diamond disc, no. 80692, performed by its dedicatee, the Zoellner Quartet, and electrically recorded 78 RPM issue in which Howard Hanson led the Eastman-Rochester Symphony Orchestra, Victor red seal no. 11-8302, coupled with the "Sunrise Dance" from Part II. Thus, leaving aside questions of varying recording technology and accessibility to modern listeners, recordings have at least documented the "War Dance" in all three guises: solo piano, string quartet, and full orchestral.

When they returned to Uganda in 2008 to film WAR DANCE RETURNS, the filmmakers donated video equipment to the new Health Education Center that Shine Global helped to fund, and also established the Patongo Scholarship Fund.

The stoat (also known as the ermine or the short-tailed weasel) reputedly mesmerises prey such as rabbits by a "dance" (sometimes called the weasel war dance), though this behaviour could be linked to Skrjabingylus infections.

Serra () is a Pontic Greek war dance of ancient Greek origin,pontosworld.com from Pontus region of the Black Sea. Its name comes from the Serra river, in the region of Trapezunda. It is also called Lazikon ().

The tribe conducted a war dance in September 2004 for the first time in 117 years in opposition of the dam and Reclamation's raising project; the event reputedly inspired many environmental groups to support the tribe's position.

Prior to independence, and under the control of Italy, Dodecanesian villages had separate rooms across from monasteries as a space to celebrate the dance. Between 1925–1940, the southern coastal village of Kattavia performed the Sousta to strengthen their social unity with emphasis on courtship. It relates to the ancient war dance of the Pyrichi group, and was implemented as a means of training and testing one's agility and stamina. The Sousta as a war dance was seen to shift the dancers close together, creating a human shield.

95; World Music Central Dagomba dance: takai – damba – jera – simpa – bamaya – tora – geena. São Tomé and Principe dance: danço-Congo – puíta – ússua. Cape Verde Dance = batuque – coladera – funaná – morna – tabanca. Kasena Dances: jongo – nagila – pe zara – war dance.

"Cherokee" (also known as "Cherokee (Indian Love Song)") is a jazz standard written by Ray Noble and published in 1938. It is the first of five movements in Noble's "Indian Suite" (Cherokee, Comanche War Dance, Iroquois, Seminole, and Sioux Sue).

Like several Pacific rugby nations, Tonga has a pre-game war dance, called the Sipi Tau. It is a form of the Kailao, which was originally a war dance that was imported to Tonga from Wallis Island. It is usually performed at both public and private ceremonies. During the 2003 Rugby World Cup in Australia, in Tonga's match against the All Blacks, the All Blacks began their traditional haka, and then Tonga answered to the haka through the sipi tau whilst the All Blacks were performing, bringing the teams within metres of one another just prior to kick-off.

A Northern style Men's Fancy Dancer at the West Valley Powwow in Saratoga, CA, 2005 Fancy dance, Pan-Indian dancing, Fancy Feather or Fancy War Dance is a style of dance some believe was originally created by members of the Ponca tribe in the 1920s and 1930s,Ellis, 111 in an attempt to preserve their culture and religion. It is loosely based on the War dance. Fancy dance was considered appropriate to be performed for visitors to reservations and at "Wild West" shows. But today, fancy dancers can be seen at many powwows across the nation and even the world.

A domestic ferret in mid-leap The weasel war dance is a colloquial term for the behavior of excited ferrets and other members of the weasel subfamily. Naturalists speculate that weasels in the wild use the dance to confuse or disorient prey.

The poet Ken Bolton has recently written that Jefferies' poems "continue to evince a kind of spiritual, slightly mystical openness or suggestibility in a language that is demotic, cool-ly neutral: epiphany with no signs of struggle or effortfulness, no rhetorical war-dance".

As West Papua consist of many tribes, there are very many traditional dances on each tribe. The most common traditional dance is the war dance. Where this dance has a meaning heroism Papua.Karena community dance shows the soul of someone who valiantly.

They remained there for some six weeks as the indigenes were friendly and the vessels could procure fresh food. The Highlanders entertained the indigenes with bagpipe music, and danced the Highland Fling; the indigenes reciprocated with a war dance involving shields and spears.

Lt. Col.(Rtd) Robert Rizal Abdullah won his PGB when he served in this battalion. The special event of the battalion is war dance, Battalion dagger/bayonet and companies pennants which is visualise the spirit of Ranger Corps in the unique way.

It was for-merly used to announce the death of a king and to accompany the preparations for burial ceremonies. A war dance, it also an-nounces the start of a conflict. The Fulbe carry out the Sinna which imitates flagellation, and the Gesegesere.

Teškoto or Teshkoto (, "the hard one"), is a folk dance from western Macedonia, specifically from the Mijak ethnographic region. It is a war dance, with origins in antique history. This folk dance has inspired many artists and poets (for example Blaze Koneski's poem Teškoto).

Another dance, the Agbadza, is traditionally a war dance but is now used in social and recreational situations to celebrate peace. War dances are sometimes used as military training exercises, with signals from the lead drum ordering the warriors to move ahead, to the right, go down, etc. These dances also helped in preparing the warriors for battle and upon their return from fighting they would act out their deeds in battle through their movements in the dance. The Atsiagbekor is a contemporary version of the Ewe war dance Atamga (Great (ga) Oath (atama) in reference to the oaths taken by people before proceeding into battle.

The festival showcases traditional wedding ceremonies, traditional clothing parade, traditional tattoo demonstrations, traditional boat making, traditional archery, tribal war dance, mass dance performance, traditional bow-hunting, traditional culinary, and other traditional Mentawai culture. Events such as surfing are included. International surfers participate in the surfing competition.

Through Shine, Hecht produced the Oscar winning short documentary Inocente and the Emmy winning and Oscar nominated documentary feature War/Dance. In 2017, Hecht joined Pocket.watch as Chief Content Officer. Pocket.watch is a new studio creating global franchises from the Youtube stars characters loved by generation alpha.

From morning till dusk the children are surrounded by educational activities. The Poumai Nagas have many dances, songs and performing arts. The most popular dances are Asah-do (prosperity dance), Rieh- do (war dance), Tahta-do (ploughing demo dance), Mate-do (seed sowing dance), and Chachu-do (harvest dance).

Miri or the fifth day is the day of farewell. The songs that are sung during Solung are the lyrics of Solung Abang that show the life of humans, animals, plants, etc. The Adi people are also known for their colorful Ponung dance and war dance called Taapu.

The image is enshrined at San Roque Church in Cavite City. Her feastday is celebrated every 2nd and 3rd Sunday of November. Traditions and fiesta celebrations include Mardicas, a war dance held in Ternate town. Karakol street dancing with a fluvial procession is usually held in coastal towns.

The main street of the village. Indian war drums may be heard, and as the curtain rises Samoset and his braves are seen finishing a war dance. The church is completely gone; other structures are burning. An Indian drags in Love Brewster; she tries to scream, but is scalped.

This war dance originated in Guria/Adjara, in southwestern Georgia, based on the numerous invasions of the country. The dance was originally performed by only a few men. However, over time it has grown. In today's version of Khorumi, 30-40 dancers can participate, as long as the number is odd.

Hoko is the tribal war dance of Easter Island, and a dance of welcome and a sign of hospitality. It is also used before sports matches in the same way that the haka is performed by the New Zealand national rugby union team and similarly in Samoa, Tonga and Fiji.

Papuan tribal war dance from Yapen, Papua. The easternmost provinces of Papua and West Papua are still affected by small scale regional conflict caused by separatist rebellion. Caution required for travelers into these provinces. Another major threat to the tourism industry are sectarian and separatist conflicts in certain provinces of Indonesia.

Tonga perform the Ikale Tahi war dance or Sipi Tau (a form of Kailao) before all their matches. Tonga used to compete in the Pacific Tri- Nations against Samoa and Fiji, which has now been replaced by the IRB Pacific Nations Cup, which now involves Japan, Canada, and the United States.

So cultural performer conducts with plate or Dish during Festival time.), Baijabah (war dance), Hadaobani, Jaubani, Jauphinbani, Ren- gnibani, Baichergi, Khunlubani, Dainselaibani, Khamauthaikhim Khaubani, Nanabairibani, Burunjala Khalaibani, Homau daobani, Hakhor Jaobani, Rong- jaobani, Dausimaikhabani, Dauyungjang, Nowaijang dainlaibani, Nah-rimbani, Rogidaw Bihimaiyadao, Maijaobani, Maishubani, Rishibani, Mishai Bonthai Jibani, Madaikhilimbani and others.

Kabasaran is a traditional Minahasan war dance from North Sulawesi in Indonesia. It is performed by several men clad in red costumes, wielding a sword or spear with a shield. The dancers are called kawasalan, which implies imitating like a pair of fighter cocks. the word kabasaran is derived from kawasalan.

Reggada is named after the Moroccan villages of Ain Erreggada and Tala-n-Areggada near Berkane. These Zenati tribes are also called Béni-Snassen and have traditional war dance and music after victory over the enemy, and thus the use of weapons and foot strikes in the rhythm of music.

1852 map of Oceania by J.G. Barbie du Bocage. Includes regions of Polynesia, Micronesia, Melanesia and Malaysia. Māori war dance, New Zealand, circa 1850 Contemporary political map of Oceania The History of Oceania includes the history of Australia, New Zealand, Hawaii, Papua New Guinea, Fiji and other Pacific island nations.

For the glow, it is given a varnish polish n the mask and decorated with sequences, foil and coloured paper. Shiknidhal mask, the other gigantic wooden mask used in the gomira dance of South Dinajpur. This mask is used in the war dance. It is also called Mukha Khel meaning the game of masks.

The Lamahalot or Solorese people are an indigenous tribe located on Flores Island, Indonesia, and some smaller islands around it (Solor, Adonara, and Lomblen). Lamaholot people speak the Lamaholot language with different dialects, the number of speakers counts between 150,000 and 200,000. Lamaholot people's famous traditional dance is a war dance known as Hedung.

All the folk dances of Nagaland require the using of legs while keeping the body in an upright position. War Dance is the most famous dance of the state. It involves a great deal of expertise as the performers go through dangerous war motions. Even a little bit of carelessness can prove highly dangerous.

War/Dance is a 2007 American documentary film written and directed by Sean Fine and Andrea Nix Fine and produced by Shine Global's Susan MacLaury, a professor at Kean University, and Albie Hecht. It was nominated for the 2008 Academy Award for Best Documentary Feature and received the Emmy Award for Best Documentary and Best Cinematography in 2010.

The war dance Pentozalis: The tradition says that before Daskalogiannis and his few men give the last battle against Ottomans danced Pentozali. The international airport of Chania (CHQ/LGSA) bears Daskalogiannis' name. A memorial statue can be seen in his hometown Anopolis. One of the regular ferries in the Crete southeast routes is named the Daskalogiannis.

At Ascot Racecourse he recorded a hat-trick of wins when he took the Prince of Wales's Stakes, St James's Palace Stakes and Triennial Stakes. He was strongly fancied for the St Leger but his racing career was ended by injury. He had some influence as a breeding stallion through his son War Dance and his daughter Black Duchess.

Kala had initially shifted to Dubai after her marriage but problems prompted her to return to Chennai and take up choreographing again. The pair got divorced in 1999, and soon after Kala and Brindha controversially made derogatory comments about Sneha's dancing ability to a magazine.Tamil movies : Dancing sisters’ war dance against Sneha. Behindwoods.com (2006-07-07).

Calinda (also spelled kalinda or kalenda) is a martial art, as well as kind of folk music and war dance in the Caribbean which arose in the 1720s. It was Brought to the Caribbean by Africans In the transatlantic slave trade and are based on native African Combat Dances. Calinda is the French spelling, and the Spanish equivalent is calenda.

Larger groups of startled guinea pigs "stampede", running in haphazard directions as a means of confusing predators. When happily excited, guinea pigs may repeatedly perform little hops in the air (known as "popcorning"), a movement analogous to the ferret's war dance. They are also good swimmers. left Like many rodents, guinea pigs sometimes participate in social grooming, and they regularly self- groom.

England continued to use bodyline tactics. Bradman was dismissed by his first ball in the first innings, bowled by Bowes. Jardine was observed to be so delighted that he clasped his hands above his head and performed a "war dance". This was an extremely unusual reaction in the 1930s, particularly from Jardine who rarely showed any emotion while playing cricket.

This is the opposite of the War Dance. It tells the story of a beautiful, gentle girl who dances like a rice plant waving in the wind. The dancers, all women, wear Dayak traditional clothing and hold five eagle feathers in each hand; each feather represents one finger. The dance derives its name from the location: it is usually performed near a gong.

The dance has ten steps. The Pentozali is a war dance, vigorous, with high jumping movements and allows for much improvisation. It starts at a moderate pace and accelerates progressively. The dancers hold each other by the shoulders and form an incomplete circle, which rotates counterclockwise very slowly, or sometimes not at all, because most of the lively steps are semistationary.

Monroe and Martha lived in Red Rock, Oklahoma. Besides painting, Tsatoke also farmed, sang at Kiowa ceremonials and participated in fancy war dance. Tsatoke was diagnosed with tuberculosis and joined the Native American Church. He painted about his religious experiences and is credited with creating stylized representations of symbols associated with the Church, such as the water, birds, and feathers.

Jonathan makes his escape and motivates the local downtrodden but peaceful Indians into an uprising through teaching them a torrid war dance. The Indians use their only "weapons", their lassoes, to capture the former soldiers who are now bandits. Don Balthazar challenges Jonathan to a duel with swords but Jonathan employs his dancing skills and his umbrella to defeat and capture the Don.

It lasted, perhaps, 40 minutes. Mars appears with his soldiers and performs a war dance. Venus is shown surrounded by the Graces and displays her allure in a sensual passacaille, but when Vulcan arrives she quarrels with him in a dance ‘of the pantomimic kind’. Vulcan retires to his smithy to devise revenge with the help of his workmen the Cyclops.

Enggano women plays the role of the peacemaker dancers in the Enggano war dance. Today, the Enggano people; due to prolonged cultural isolation, is on the verge of extinction. They are alien to the neighboring peoples, for example, unlike the Batak people in recent decades, the appearance and growth of ethnic self-awareness are prevalent, especially among the mainstream Indonesians.

Black-footed ferret performing a weasel war dance The black-footed ferret is solitary, except when breeding or raising litters. It is nocturnal and primarily hunts for sleeping prairie dogs in their burrows. It is most active above ground from dusk to midnight and 4 am to mid-morning. Aboveground activity is greatest during late summer and early autumn when juveniles become independent.

On February 25, 2020, No Age announced the release of their new album, along with the first single "Turned to String". On March 30, 2020, they released the second single and music video "Feeler", directed by Kersti Jan Werdal. The third single "War Dance" was released on April 23, 2020. On May 18, 2020, their fourth single "Head Sport Full Face" was released.

He eventually became a member of the War Dance Society of the Quapaw tribe. After high school, Ballard continued to pursue music while at college. He began studying at the University of Oklahoma in 1949, and then transferred to Northeastern Oklahoma A&M; in 1951. In 1954 he received a bachelor's degree in music theory and a bachelor's degree in music education at the University of Tulsa.

Bagpa dance is a mask dance which is a part of tantrik Buddhism. It was conceptualised by Guru Padmashambhava. Bagpa is called Bagchham by the Buddhist guru lamas of Tamang. This dance is also known as Lama dance in the Himalayan region of Bengal. It’s a war dance based on the theme of the destruction by evil and for the well-being of humanity.

In War Dance, Mainwaring claims to have been very vexed at Mrs Mainwaring and gave her a "good dressing down" when she burnt some sausage rolls. He turns and it is revealed he has a black eye. Mainwaring claims he did it on the wardrobe door, but it was obviously done in a domestic dispute. Walker later jokes, asking if Mrs Mainwaring has a rolling pin.

The Cibi () is a Fijian meke of Bauan origin and war dance, generally performed before or after a battle. It came to prominence in the rugby field in 1939 when it was performed by the Fiji national rugby union team before the match. It is also known as TeivovoFiji RUgby Union>>Rugby House Fijian Rugby Union Team Performing the Cibi before a 2007 Rugby World Cup game.

Their son was a year old at the time of filming, causing them to stay in separate parts of Uganda during filming due to the dangers involved.Benjamin Crossley-Marra, Interview Ion Cinema, official website. November 8, 2007. Retrieved December 26, 2010 He was nominated for an Academy Award for Best Documentary Feature in 2007 for War/Dance, which he produced with his wife, Andrea Nix.

They remained there for some six weeks as the indigenes were friendly and the vessels could procure fresh food. The Highlanders entertained the indigenes with bagpipe music, and danced the Highland Fling; the indigenes reciprocated with a war dance involving shields and spears. The Indiamen arrived at Mocha on 4 December. They then sailed out of the Red Sea and reached Bombay on 6 March.

Key dances include the courtship dance (salidsid) and war dance (pala-ok or pattong). The Kalinga belief in a Supreme Being, Kabuniyan, the creator and giver of life, who once lived amongst them. They also believe in numerous spirits and deities, including those associated with nature (pinaing and aran), and dead ancestors (kakarading and anani). The priestess (manganito, mandadawak, or mangalisig) communicate with these spirits.

Hubbard took the Laubins to local Indian events, taught them songs and dances, and helped them purchase props and costumes for their show. A highlight of the trip was a visit to Cheyenne Frontier Days. There, the Laubins watched an Indian parade and war dance, but the performance by Native Americans disappointed the couple. At the same event, an Indian woman criticized Laubin's dancing.

Khru is the Thai form of the Sanskrit word guru meaning 'teacher'. Ram is the Thai word for dancing in classical style, and muay means 'boxing'. The full term can therefore be translated as 'war-dance saluting the teacher', but Thai speakers generally shorten it either to wai khru or ram muay. The ram muay shows respect and gratitude to the boxer's teacher, parents, and ancestors.

There is a scuffle but her uncles arrive and intervene. Gunfire ensues and one of the Indians is left dead. The other Indian returns to the tribe to inform them and aroused by "savage hatred" they go into a war dance. Meanwhile, a tearful Sally has persuaded a friendly hand to build a secret door in the cabin so she can bring the puppies inside at night.

The meetuupaki (mee tuu paki: dance standing [with] paddles) is an ancient Tongan group dance, already reported by early European navigators like captain Cook. This dance has been traditionally designed for men although women may take part if there are not enough men. The (mee tuu paki resembles a kind of war dance; albeit, it is done with little symbolic paddles as opposed to arms.

As of 2011 India census, Boleng had a population of 5,776. Males constitute 51.3% of the population and females 48.7%. Boleng has an average literacy rate of 79%, higher than the national average of 59.5%: male literacy is 53.6%, and female literacy is 46.4%. Boleng is predominantly inhabited by the Adi people who are known for their colourful Ponung dance and war dance called Taapu.

Little of Skilton's music appears to have been recorded. Some of his piano pieces, including a solo piano arrangement of the "War Dance" from "Suite Primeval," (possibly the arrangement by Carl A. Preyer referenced in the full score of Suite Primeval) may be found in two compilations of Indianist music released by Naxos Records on the Marco Polo label. During the acoustic era, Columbia Phonograph Company issued Part I of the suite, "Deer Dance" and "War Dance," played by a house orchestra on A6131; the orchestral score of the Suite Primeval indicates that Pathé Freres Phonograph Company published an acoustic orchestral recording of the same movements and that Columbia published the "Flute Serenade" as well. Part I would again appear on record during the mono LP era as recorded by the Philharmonia Orchestra of Hamburg conducted by Hans-Jurgen Walther on MGM E-3141.

For Frontline Combat he wrote "War Dance!" and "Belts n' Celts" (both illustrated by Severin) and "Wolf!" (illustrated by Wally Wood). He later wrote scripts for the line of war comics published by DC Comics, including Star Spangled War and Our Fighting Forces. DeFuccio teamed with artist Mart Bailey to create a superhero newspaper comic strip, "The Owl" (not to be confused with the comic book character The Owl from 1940).

Most pet ferrets in the US are sold descented (anal glands removed). In many other parts of the world, including the UK and other European countries, de-scenting is considered an unnecessary mutilation. If excited, they may perform a behavior called the "weasel war dance", characterized by frenzied sideways hops, leaps and bumping into nearby objects. Despite its common name, it is not aggressive but is a joyful invitation to play.

The group of nineteen men, who were led by Teterisa, performed a traditional Moluccan war dance and then unfurled the secessionist flag of the banned South Moluccan Republic (RMS). Teterisa and the other protesters were immediately arrested. Presidential aides to Yudhoyono described the President as "livid" over the flag waving protest. The Indonesian military and government blamed the National Intelligence Agency (BIN) for not anticipating a possible protest at the ceremony.

A group of blacks then performed a "war dance" at the site a day or two later. This caused outrage and a white "posse" of hundreds to form. At some point, Joseph Isom, one of the white men in the posse, was reportedly killed by Waverly Pike, a black man. On December 23, at least five blacks were killed by the posse, in the alleged pursuit of tracking down Pike.

In 19681969, conductor and composer Antal Doráti arranged eight of Pettersson's Barefoot Songs as full-scale orchestral songs. Choreographer Birgit Cullberg produced three ballets based on Pettersson's music. Rapport (1976, Symphony No. 7), Vid Urskogens rand (1977, Concerto No. 1 for String Orchestra), Krigsdanser (War Dance) (1979, Symphony No. 9). The four orchestral sketches "'" (1991) by Peter Ruzicka are a tribute to the life and work of Pettersson.

The mbeedya phoko is a sword that shows leadership and a symbol for both paramount and regional chiefs. It is a broad double-bladed sword with a pointed metal hilt and an unusually shaped sheath. It signifies the powers, visible and invisible, of life and death. During ceremonies, it is welded during Lunda war-dance that recalls legendary battles and is finished by pointed toward the land of origin.

Aydın is the home of the Zeybek folk art. This involves a special type of war dance which is performed in a ring to resemble birds. The Zeybek is performed to sounds of the Kiteli and other Turkish folk instruments. The folk songs of Aydın are famously short, indeed a popular saying in the Aegean region to get someone to stop talking, is Keep it short, make it an Aydın tune.

Kabasaran performer Kabasaran is a Minahasan war dance from North Sulawesi, performed by several men clad in red. Kabasaran dancers were traditionally farmers or guards who served as waranei (warriors) when the village was attacked. The waranei status along with their weapon is inherited from father to son. The basic structure of the dance consists of nine dance moves (jurus) using either the sword (santi) or spear (wengkouw).

The booing of Goodes intensified in the months after the war dance. Goodes took indefinite leave from the game in August of the 2015 season. Many clubs and players in the AFL supported Goodes in the week of his leave. He returned the following week and played for the remainder of the season after an outpouring of support from fans, actors, politicians, celebrities and teammates, including two spontaneous standing ovations.

A Kabasaran war dance, performed at a parade, 2006 Kabasaran is the fierce and famous Minahasan wardance which reminds of the old Minahasa warrior societies. The dancers wear red garments which in the old times was a color exclusive for the accomplished headhunter. This dance is similar to the Moluccan Cakalele wardance.The Minahasa - Sociale Struktuur - De Kabasaran Dans Another famous dance is the katrili dance that’s still widely performed in minahasa.

"Adam Goodes' war dance must provoke conversation, not confrontation", The Age. Retrieved 25 January 2016. However, some spectators were offended by the perceived aggressive nature of the spear-throwing gesture, and many considered it retaliatory against the booing he had received in previous weeks. It divided opinion among News Corp commentators, with many viewing it as inflammatory to the situation which had received particularly wide media coverage during the previous week.

The booing of Goodes intensified in the months after the war dance, leading further public debate and to Indigenous Affairs Minister Nigel Scullion calling the booers "ignorant". Goodes was surprised by the attention and negative reaction to his dance, and later apologised for any offence, saying that because he was depicting an "Aboriginal warrior" and the ceremony was a "war cry" it needed to be directed at the opposing team's players.

A korakora (large outrigger) from Maluku, and soldiers performing cakalele (war dance), 1669. Dissatisfaction with Mandar Syah's dependence on the Company soon led to open opposition from the influential House of Fala Rahi and the various Bobatos (chiefs) of Ternate. In August 1650 they elected his brother Manilha, supposedly a mentally unstable person, as Sultan in opposition. They believed that Manilha would be more sensible to Ternatan community leaders.

Euless is notable for having one of the largest concentrations of Tongans outside of Tonga, with a community of 3,000 - 4,000 people.A Tongan War Dance Enlivens Football In Euless, Texas - WSJ.com The first Tongans to settle in Euless were either Siupeli Netane, an American Airlines employee, and his wife Halatono or the brothers Sione and Tevita Havea, students at the University of Texas at Arlington, depending on sources.

Another example of a mimetic dance is the tahing baila, which imitates the movement of a fish (Tiongson 1991:236). At weddings, the tumahik or war dance is to be performed by the groom as well as male relatives of both the groom and the bride. Dressed in Yakan finery, the dancer uses a spear and a shield to fight an imaginary enemy to the music of the kulintangan.

Lexová set out classifications for the various dances of the period: the purely movemental dance, the gymnastic dance, the imitative dance, the pair dance, the group dance, the war dance, the dramatic dance, the lyrical dance, the grotesque dance, the funeral dance and the religious dance. Dance scholar and performer Elizabeth "Artemis" Mourat also categorized dances into six types: religious dances, non-religious dances, banquet dances, harem dances, combat dances and street dances.

Lobengula's courage in the battle led to his unanimous selection as King. The coronation of Lobengula took place at Mhlanhlandlela, one of the principal military towns. The Mthwakazi nation assembled in the form of a large semicircle, performed a war dance, and declared their willingness to fight and die for Lobengula. A great number of cattle were slaughtered, and the choicest meats were offered to the Mlimo, the spiritual leader, and to the dead Mzilikazi.

After the Zabarma were defeated, their weapons were collected as relics of war and kept in Fiisa which has a shrine in Sandema. Slaves under Babatu were freed by the Builsa. The Feok Festival is celebrated every year in the third week of December to mark their victory and encounter with the slave raiders and also the War dance after it became a public event in 1972. The festival means abundance of food.

Perhaps because of the military connotations of the term the Gourd Dance has often been mistaken for a "veteran's dance". However, leaders of all three of the earliest Kiowa- established gourd dance organizations agree that this is not a requirement to become a member of the societies. Dances from two of the other presently- existing societies, Pòlá:hyòp ("Pah-Lye-Up" or "Rabbit Society") [pʰo.laː.hyop] and Óhòmà:gàu ("Ohomah" or "War Dance Society"), [o.ho.mɔː.

She mastered dances like Bushasche a war dance and Fanga which were common to African cultural life. When Primus returned to America, she took the knowledge she gained in Africa and staged pieces for the Alvin Ailey American Dance Theatre. In 1974, Primus staged Fanga created in 1949 which was a Liberian dance of welcome that quickly made its way into Primus's iconic repertoire. She also staged The Wedding created in 1961.

The Indiamen were carrying the 2nd Battalion of the 42nd (Highland) Regiment of Foot. They remained there for some six weeks as the indigenes were friendly and the vessels could procure fresh food. The Highlanders entertained the indigenes with bagpipe music, and danced the Highland Fling; the indigenes reciprocated with a war dance involving shields and spears. The Indiamen arrived at Mocha on 4 December.Asia's log book puts her at "Qishm" on 5 December.

While at the fort, many of the prisoners had to camp in tents, as there was not sufficient space for them. At least 24 Apaches died as prisoners and were buried in North Beach.Brad D. Lookingbill, War Dance at Fort Marion: Plains Indian War Prisoners, p. 200Herbert Welsh, The Apache prisoners in Fort Marion, St. Augustine: 1887 Apache prisoners at Ft. Marion In 1898, over 200 deserters from the Spanish–American War were imprisoned at the fort.

Soccio got his start in disco when Montreal producer Pat Deserio called him and asked if he would play keyboards and help compose for the Kebekelektrik album."The 30 Best Disco Songs That Every Millennial Should Know". SPIN, June 18 2019 Prior to this, Soccio was working as a local session musician. The Kebekelektrik album helped to launch Soccio's career, as his composition "War Dance" became a hit on U.S. dance floors, a song Soccio himself had deemed "filler".

Initiatives to raise international awareness for these children included the "GuluWalk" and the work of the Resolve Uganda. Night commuters are also the subject of documentaries such as Stolen Children, War/Dance, and Invisible Children. The Invisible Children documentary sponsored the Global Night Commute, an event similar to GuluWalk. On 29 April 2006, over 80,000 youths from around the world converged on urban centers in 130 major cities around the world in solidarity with displaced Ugandan children.

There are approximately 80,000 registered players from a total population of around 950,000. One obstacle for Fiji is simply getting their rugby players to play for the national team, as many have contracts in Europe or with Super Rugby teams where the money is far more rewarding. The repatriated salaries of its overseas stars have become an important part of some local economies. The cibi (pronounced ) war dance is performed by the Fiji rugby team before each Test match.

Gbedzimido is a war dance mostly performed by the people of Mafi-Gborkofe and Amegakope in the Central Tongu district of Ghana's Volta Region. Gbedzimido has been transformed into a contemporary dance and is usually seen only on very important occasions like the Asafotu festival, celebrated annually by the Tongu people around December. The dance is also performed at the funerals of highly placed people in society, mostly men. Mafi-Gborkofe is a small farming village near Mafi-Kumase.

According to Bishop Diego de Landa groups of men and women danced separately and had particular musical ceremonies in which they specialized. De Landa described a dance in which two men led the steps. One hurled reeds at the other man for him to catch, while they both performed complicated dance steps. Landa also witnessed a sacred war dance, in which as many as 800 men carrying small banners followed a complex pattern of steps in perfect unison.

Agbadza is an Ewe music and dance that evolved from the times of war into a very popular recreational dance. It came from a very old war dance called Atrikpui and usually performed by the Ewe people of the Volta Region of Ghana, particularly during the Hogbetsotso Festival, a celebration by the Anlo Ewe people. In addition, it is also performed by Togolese and Beninese of Ewe descent. The dance has five movements in performing it, 1.

Hiddlestone chose to lead the Welsh team in a responsive "War-dance", which was seen as offensive and mocking towards the New Zealand team. During the game the Wales captain, Jack Wetter, took a heavy blow from George Nepia and was forced to play the end of the game, out of position, in the pack. Hiddlestone was pushed out as an extra-back to cover his captain. New Zealand outclassed the Welsh team, winning 19-0, and Hiddlestone never represented Wales again.

What little is known about her can be gleaned from internal clues in her ledger drawings. She is known to have depicted the post-contact world, as one of her drawings contains a depiction of the American flag. Her pictures show rituals from the Plains Indian tribes; at least one is suspected to show a Cheyenne ritual, probably a War Dance, as the men illustrated wear headdresses typical of that tribe. Another work depicts the moving of an Indian camp.

Statue of Sriram Chandra Bhanj Deo, ruler of Mayurbhanj State He was a great patron of Oriya art and culture. The famous Chhau dance of Orissa or "war- dance" was presented by him for a show in 1912 in Calcutta in honor of George V, the British emperor, who was impressed by its beauty and splendour. He was also a patriot and great patron of the Odia language and presided over the first meeting of Utkal Samilani held on 3 December 1903.

A poster advertising an Anti-War Dance at the Dill Pickle Club during 1918. The Dil Pickle Club or Dill Pickle Club was once a popular Bohemian club in Chicago, Illinois between 1917 and 1935. The Dil Pickle was known as a speakeasy, cabaret and theatre and was influential during the "Chicago Renaissance" as it allowed a forum for free thinkers. It was founded and owned by Wobbly John "Jack" Jones and was frequented by popular American authors, activists and speakers.

Ghumura dance has evolved from a war dance to a dance form for cultural and social activities. The dance is associated with social entertainment, relaxation, love, devotion and friendly brotherhood among all class, creed and religion in the present days. Traditionally this dance is also associated with Nuakhai and Dasahara celebration in Kalahandi and large parts of south western Odisha. Ghumura dance is still hidden in the village level in south western Odisha and some parts of bordering Andhra Pradesh and Chhattisgarh.

Hoskins specifically accused Australian and New Zealand referees saying "Australia and New Zealand need to look at their referees when it comes to games involving South Africa. There is a genuine bias against South African teams." Among the policies that Hoskins has promoted and encouraged is the development of a South African Haka based on some kind of traditional Zulu or Xhosa war dance. This, Hoskins noted, would help more of the South African population to identify directly with the sport.

Within the week, the children join forces with the Mongols, having apparently learned their language, and expressing anger at their parents' irresponsible and irrational behavior. The Mongols then move on the wall again, where Mr. Kim is dressed for battle. He then does his "war dance", but while he is doing this, the children wheel a large cart laden with explosives in behind him and blow up the wall. The parents arrive to investigate the explosion, and are reunited with their kids.

Almost every month festivals are celebrated by different villages and towns. The chief festivals of the Tangkhuls are Luira (seed sowing festival), Mangkhap (resting feast), Thisham (feast for the departed), and Thareo (harvest festival). Longpi village is known for its authentic Tangkhul cuisine during the Luira festival. While Ringui village is known for its celebration of Luira festival, during the festival the village comes alive with the traditional dances (bridal dance, parade of the virgin dance, festive dance and war dance) and songs.

The next track "Thok De Killi" is sung by one of Rahman's most trusted singers Sukhwinder Singh and is a fast and peppy number. Guitar is the major instrument used and it ends in a frenzy and uses Arabic esque phrases here and there. The song is picturised as a war dance by Abhishek Bachchan and his gang (consisting of Ravi Kishan, Ajay Gehi etc.). Aishwarya Rai is also featured in the music video, as watching Beera dance from a distance.

He described an indigenous people who were friendly toward the Spanish, but warlike and combative within their own group. Massanet described a tribal war dance, deerskin clothing, and practice of stealing horses and women from other groups. He said the Payaya were adept at learning the Spanish language, and had a fondness for Spanish clothing. Massanet portrayed the Payaya as having a respectful attitude towards a higher spiritual power, and noted they had erected a wooden cross in their village.

In the episode "War Dance", he brings twin sisters as his dates to a dance Mainwaring is hosting. Walker also has a recurring girlfriend named Shirley/Edith (played by Wendy Richard), who is seen in several episodes. In the platoon, he mostly associates with Lance Corporal Jones, Pike and Frazer. Despite merely being a Private, Walker clearly has some form of influence over the platoon, not least due to his black-market dealings which have got them out of (and into) numerous scrapes.

Kabyai Creek, USGS Map Name: Bollibokka Mountain, CA, from topoquest.com accessed June 6, 2013 The village site is among those of the Winnemem Wintu being threatened with being submerged by Shasta Lake if the proposed raising of Shasta Dam occurs. Brian Melley, Tribe dances to protest Shasta Dam expansion, Wednesday, Seattle Times, September 15, 2004, from seattletimes.com accessed June 6, 2013 Peter Fimrite, Winnemem Wintu tribe stages war dance as protest, San Francisco Chronicle, Saturday, May 26, 2012, from sfgate.

The Samoan-born North Melbourne star attended most of the games involving Samoa in person during the 2008 cup, although he was not allowed to represent Samoa under the AFL International Cup criteria. While Samoa began the cup with a strong win over India, Samoa's 2008 cup hopes were dashed after a drubbing at the hands of the Japan Samurai before being solidly defeated by the New Zealand Falcons. The team performs the Siva tau (war dance) before each game.

No Age released An Object on August 19, 2013 on Sub Pop. On January 26, 2018, they released their fourth album on Drag City, entitled, Snares Like a Haircut. On February 24, 2020, they released the single, "Turned to String" and announced their fifth studio album, Goons Be Gone which was released on June 5, 2020. From the same album they released the singles "Feeler", "War Dance" and "Head Sport Full Face" prior to the release of the full album.

Ghumura Dance (or Ghumra Dance) is one of the most sought and leading folk dance form in Odisha. It is classified as folk dance as the dress code of Ghumura resembles more like a tribal dance, but recent researchers argue different mudra and dance form present in Ghumura bear more resemblance with other classical dance form of India. The timeline of Ghumura dance is not clear. Many researchers claim it was a War dance in ancient India and used by Ravana in Ramayana.

A man performing Sagayan at the 14th Annual Fil-Am Friendship Celebration at Daly City, California Sagayan is a Philippine war dance performed by both the Maguindanao and Maranao depicting in dramatic fashion the steps their hero, Prince Bantugan, took upon wearing his armaments, the war he fought in and his subsequent victory afterwards. Performers, depicting fierce warriors would carry shield with shell noisemakers in one hand and double-bladed sword in the other attempting rolling movements to defend their master.

The Tonga national rugby union team is nicknamed Ikale Tahi (Sea Eagles). Like their Polynesian neighbours, the Tongans start their matches with a war dance – the Sipi Tau. They are members of the Pacific Islands Rugby Alliance (PIRA) along with Fiji and Samoa. Tonga achieved a historic 19–14 victory over France in pool play in the 2011 Rugby World Cup, but with a 2-2 record in pool play, were unable to achieve what would have been their first ever presence at the quarterfinals.

For the 2000, 2008 and 2013 World Cups, the Bati were captained by Lote Tuqiri, Wes Naiqama and the legendary Petero Civoniceva respectively. Fiji have also produced stars like Akuila Uate, Jarryd Hayne, Kevin Naiqama, Semi Tadulala, Marika Koroibete, Apisai Koroisau, Sisa Waqa and the Sims brothers Ashton Sims, Tariq Sims and Korbin Sims. The Cibi (pronounced Thimbi) war dance was traditionally performed by the Fiji rugby team before each match. It was replaced in 2012 with the new "Bole" (pronounced mBolay) war cry.

Castellanos in 2013 Teo Castellanos is the founder and Artistic Director of D-Projects, a contemporary Dance/Theater company. D-Projects original work fuses world culture, religion and music, examining social issues through performance. D-Projects has toured South America and China and is currently touring in the U.S. with Scratch & Burn, a peace ritual, based on the war and funeral rituals of the Zulu tribe of South Africa using elements of Butoh, Maori war dance, Tibetan Buddhism, Yoruba chants and hip-hop vocabulary.

229–230 in Sebesta The twelve Salii ("leaping priests" of Mars) were young patrician men, who processed through the city in a form of war-dance during the festival of Mars, singing the Carmen Saliare. They too wore the apex, but otherwise dressed as archaic warriors, in embroidered tunics and breastplates. Each carried a sword, wore a short, red military cloak (paludamentum) and ritually struck a bronze shield, whose ancient original was said to have fallen from heaven.Smith, William; Wayte, William and Marindin, G. E. (1890).

In 1939, when Fiji prepared for its first-ever tour of New Zealand, the captain, Ratu Sir George Cakobau, thought his team should have a war dance to match the All Blacks' haka. He approached Ratu Bola, the high chief of the warrior clan of Navusaradave in Bau,Fiji Rugby Union >> History who taught them the Cibi which has been adopted as Fiji’s pre-match ritual ever since and went on to become the only team to remain unbeaten on a full tour of New Zealand.

Shine Global Inc. is a 501(c)(3) non-profit media company that was founded in 2005 by Susan MacLaury, a licensed social worker and former health professor at Kean University, and her husband, Albie Hecht, an entertainment executive and founder of Worldwide Biggies and current head of HLN (TV channel). Shine Global has produced or helped produce 7 films including War/Dance, a 2008 Academy Award Nominee for Best Documentary and Inocente the Academy Award Winner for Best Documentary Short Subject in 2013.

Sean Fine is an American cinematographer and film director whose film Inocente won the 2013 Academy Award for Best Documentary (Short Subject).Inocente wins Academy Award for Best Documentary (Short Subject) He directs his films with his wife, Andrea Nix Fine. The Fines' first feature-length film War/Dance about child soldiers was nominated for an Academy Award for Best Documentary Feature in 2007. Their latest film, Life According to Sam won both a Peabody Award and an Emmy Award for Exceptional Merit in Documentary filmmaking.

Jo Mihaly started as a dancer in 1923. In 1933 she was well known for an anti-war dance she had devised with the World War I military boots, sword and helmet. She belonged to the German expressionist dancers of the 30s, along with Mary Wigman, Rudolf von Laban, Gertrud Bodenwieser and Gret Palucca. She was an opponent of the persecution of Jews, fleeing Germany for Zürich in 1933 to escape being taken to a concentration camp like so many of her activist socialist friends.

Today, national competitions are held where groups are judged to find the best performers; these draw large crowds. The common expression "" is, strictly speaking, a tautology. The – an action chant, often described as a "war dance", but more a chant with hand gestures and foot stomping, originally performed by warriors before a battle, proclaiming their strength and prowess by way of abusing the opposition. Now, this procedure is regularly performed by New Zealand representatives of rugby and rugby league teams before a game begins.

Through their dance, they express their labours, rejoicings and sorrows. Handur Basu their pseudo-war dance expresses their strength and solidarity. From a broader point of view, the different tribal dance forms, as they would be classified in the context of territory are: Andhra Pradesh Siddi, Tappeta Gundlu, Urumulu (thunder dance), Butta Bommalata, Goravayyalu, Garaga (Vessel Dance), Vira Ntyam (Heroic Dance), Kolatam, Chiratala Bhajana, Dappu, Puli V esham (Tiger Dance), Gobbi, Karuva, and Veedhi Bhagavatam. Arunachal Pradesh Ponung, Sadinuktso, Khampti, Ka Fifai, Idu Mishmi (ritual) and Wancho.

In November Chavis began wrestling on house shows under his given name. Soon after, he took on the ring name "Tatanka". After wrestling in tryout matches at house shows, Tatanka made his television debut as a fan favorite on the February 1, 1992, episode of Superstars, defeating Pat Tanaka in his debut match. As Tatanka, Chavis performed a war dance to the Lumbee tribal war cry that preceded his entrance to the ring, and had a red stripe dyed in the middle of his hair.

The high-profile of the All Blacks, and their use of the haka has led other Pacific teams to use similar dances from their own cultures, such as the Cibi, Kailao, and Siva tau. Other teams from the Pacific and elsewhere however have performed the "Ka Mate" or "Kapa o Pango" haka. For instance, the "Kapa o Pango" haka was used by the University of Hawaii Warriors in 2006, before they created their own war dance, the "Haa", in the Hawaiian language with original movements.

Since thousands of years Ghumura dance has evolved from a war dance to a dance form for cultural and social activities. The dance is associated with social entertainment, relaxation, love, devotion and friendly brotherhood among all class, creed and religion in the present days. Traditionally this dance is also associated with Nuakhai and Dasahara celebration in Kalahandi and large parts of South Western Odisha. Ghumura dance is still hidden in the village level in South Western Orissa and some parts of bordering Andhra Pradesh and Chhattisgarh.

War/Dance ... has all that and more ... [it] is as irresistible as the rhythms of African music on its soundtrack."Los Angeles Times review In Variety, John Anderson called the film "well-intentioned but a victim of its own high cinematic values" and added, "The young black faces are too beautiful, the landscapes too pretty, and the personal stories of slaughter too scripted ... The formal devices of the film, and the lack of spontaneity in the children's words, do little to sell the message of the movie ... While the pic may be targeting Westerners who want to feel less awful about genocide and global negligence, it's hard to imagine War/Dance appealing to that crowd – or any other."Variety review Rachel Howard of the San Francisco Chronicle wrote, "Visually, the film is anything but gritty, and some might say the cinematic beauty – and the children's controlled, likely coached interviews – glosses reality. But the tension of a brutality that can hardly be imagined let alone depicted, and the dignity of these precociously adult children as they must press on with their lives with little room for mourning or self-pity, is the point.

Systema draws upon breathing and relaxation techniques, as well as elements of Russian Orthodox thought, to foster self- conscience and calmness, and to benefit the practitioner in different levels: the physical, the psychological and the spiritual. Some martial arts in various cultures can be performed in dance-like settings for various reasons, such as for evoking ferocity in preparation for battle or showing off skill in a more stylized manner, with capoeira being the most prominent example. Many such martial arts incorporate music, especially strong percussive rhythms (see also war dance).

There he observed that the natives were dancing, apparently a war dance in preparation for a major scouting expedition. One news report claimed that Rogers learned that this expedition was to look for the unknown British force that might be in the area. Rogers was not the only one of his party to enter the village. According to Abenaki oral tradition, a strange native identifying himself as a Mahican (as the Stockbridge Indians were also known) entered the village and circulated warnings that it was about to be attacked.

Andrea Nix Fine is an American documentary film director whose film Inocente won the Academy Award for Best Documentary (Short Subject) in 2013. She directs her films with her husband, Sean Fine. The Fines were also nominated for the Academy Award for Best Documentary Feature in 2007 for War/Dance, a story about the power of music to heal and transform the lives of children living in Uganda’s war zone, and their 2013 HBO documentary Life According to Sam was honored with a Peabody and Emmy award. Nix is a 1991 graduate of Colby College.

In 1925, Jenkins was awarded 1st place in the Holstein Prizes donated by Casper Holstein via Opportunity magazine for his piece, African War Dance and also 2nd place for his Sonata in A minor for violoncello. In 1925 in Belgium, his work Carlestonia, a rhapsody for orchestra--noted for its "Negro" themes--was performed. In London, Charlestonia: Negro Symphony was performed in 1919. His career which included jazz/dance band recordings (London: 1921) and in Europe was ended by an early death in Paris where he had settled in 1924.

Takalo is the performing of a traditional Niue war dance by an individual warrior or group of warriors. The dance was traditionally performed prior to engaging the enemy with traditional war clubs. In modern times, the takalo is often performed prior to a rugby game or winning a game of some sport code. The takalo is also performed to welcome dignitaries after they land in Niue, persons of high status like prime ministers, presidents and governors general – it signifies that the dignitaries' arrival is for the purpose of peace and harmony.

Then at around 3 pm, two events took place: the athletic games at the ancient stadium (in which students in various disciplines participated by practicing the ancient pentathlon along with sports teams from the cities of Thessaloniki and Desfina) and the ancient Pyrrhichios war dance performed by 'warriors'dancers dressed in armors, under the guidance of Athanasios Veloudios to the sounds of the music composed by Constantine Psachos. At 7 p.m. a dinner followed and at 8 p.m. a performance of Byzantine choir music at the Ancient Theatre concluded the day.

Williams played drums in the New York-based CBS Radio orchestra in the early 1930s, and achieved stardom as drummer for the Raymond Scott Quintette from 1936 to 1939. Despite the name, the band was a sextet. Formed by Scott from the ranks of the CBS orchestra, the Quintette was an overnight sensation at the end of 1936, thanks to Scott's eccentric approach to jazz and idiosyncratic titles (e.g., "Dinner Music for a Pack of Hungry Cannibals" and "War Dance for Wooden Indians," both of which showcase the drummer's virtuosity).

In 2013, DeWitt composed the score for Academy Award-winning documentary short film Inocente, directed by Sean & Andrea Fine (War/Dance). In the same year he would also attend the Sundance Film Festival with 2 films. The first, This Is Martin Bonner by Chad Hartigan, was the winner of the NEXT Audience Award, and the second Life According to Sam was produced in conjunction with HBO to air in the fall of '13. 2014 saw DeWitt taking two films to Sundance for a second year in a row.

" For the amusement of Alexei the Indians staged exercises of horsemanship, lance-throwing and bow-shooting. Then there was a sham fight, showing the Indian mode of warfare, closing up with a grand war dance. It was noticed that Alexei paid considerable attention to a good-looking Indian maiden. Concerned that his mother, Empress Maria Alexandrovna, might receive reports of his flirtations, he wrote her from St. Louis: "Regarding my success with American ladies about which so much is written in the newspapers, I can openly say, that this is complete nonsense.

Some of the musical instruments are tingteila (violin), tala (trumpet), pung (drum), mazo (woman's mouth-piece), sipa (flute), and kaha ngashingkhon (bamboo pipe). Corresponding to the rhythmic composition of the songs, the dances of the Tangkhuls are also rhythmic and these are eventful and vigorous. There are also some special occasional dances, like the Kathi Mahon, a dance for the dead; Laa Khanganui, a virgin dance during Luira Festival; and Rai Pheichak, a war dance. Rewben Mashangva, a member of the Tangkhul community, is instrumental in popularising the music of the community to the world.

In ancient China. Chinese dance was divided into two types, civilian and military. In the Shang and Zhou period, civilian dance, dancers held feather banners in their hands, symbolizing the distribution of the fruits of the day's hunting or fishing. Military dance involved brandishing of weapons, for example it was recorded that the Han founding Emperor Liu Bang was fond of the war dance of the Ba people, and large scale performances of the dance involved the brandishing of various weapons to the accompaniment of drums and songs in the Ba language.

The big, nearly black colt was bet down to the 5–2 favorite. He gave the public its first look at what was later called his "war dance" (his habit of tiptoeing on the track before his races) and won by five lengths. He followed up in seven-furlong allowance race on October 5, 1976, winning by lengths. On October 16, Taylor stepped the colt up in class to enter the Grade I Champagne Stakes, then the most important race for two-year-olds in the United States.

Archaeological findings and classical dances bear testament to the myriad of weapons that were once used in Thailand. Some of them are no longer found in the country's martial arts today, such as the kris (dagger), hawk (spear), trishula (either long or tekpi "short-handled trident"), daab (straight sword) and vajra. Entire dances were built on individual weapons, and calisthenics used by the modern Thai military are still based on these dances. The weapons, their design and the pre-fight war dance in krabi-krabong show evidence of Indian derivation combined with Chinese characteristics.

Somewhere between 1,500 and 5,000 people attended, making it the largest intertribal protest to date. Traditional dances were performed on the steps of the state capitol, organizers gave speeches, and in front of the governor's mansion, one group held a war dance. Clyde Warrior declared that the fish-in protesting was establishing "the beginning of a new era in the history of American Indians". In the end, the fish-ins of March 1964 did not bring about immediate change, but they attracted members of more than 45 tribes, helping build a pan-Native American movement.

The Tonga national rugby union team represents Tonga in men's international rugby union it's nicknamed Ikale Tahi (Sea Eagles). Like their Polynesian neighbours, the Tongans start their matches with a war dance – the Sipi Tau. They are members of the Pacific Islands Rugby Alliance (PIRA) along with Fiji and Samoa. The Ikale Tahi achieved a historic 19–14 victory over France in the 2011 Rugby World Cup, but having lost to New Zealand and Canada, were unable to achieve what would have been their first-ever presence at the quarter- finals.

A Caci warrior and his whip, Ruteng, Flores, Indonesia, 2007. Manggarai people also have a traditional folk sport and war dance called , a form of whip fighting where fighting and parrying each other using a whip and a shield is usually performed by two young men in a large field. performance usually begins with dance performances, before the warriors display their abilities to hit and parry in the competition. The dance is commonly referred to as Tandak Manggarai, a dance performed on stage to predict the outcome of the competition.

They were forced to keep a low profile and their success came from word of mouth instead of through traditional publicity. Clegg himself was arrested and beaten up by the police on several occasions for his activities and also for the band's lyrics. For some commentators, Juluka were the band that had the greatest success in challenging the racial separateness of Apartheid. When performing, both black and white band members would appear on stage in traditional Zulu dress and perform the traditional Zulu war dance together while singing in Zulu and English.

Wrestling in England and Scotland, Two Rivers gained fame due to his First Nations heritage. He wore a feathered headdress, had a Mohawk hairstyle, and performed a war dance during some of his matches. He has stated that he was a "journeyman" wrestler rather than a major star, and that people wanted to see him because he was "an attraction". He was successful, however, and his time in the United Kingdom, where Paul LeDuc has stated that Two Rivers was "treated like a God", helped him become an "international star".

Leach (2012), page 56. The squad consisted of BVC Troopers A.J. Petrie, J.J. Gill, Wild, and T.J. Botha. Trooper Christie watched as the Lobedu lifted Visser out of the cape cart in a blanket and laid him down twenty yard away in a sitting position with his back to the firing squad. Leach (2012), page 56. Trooper Powell further alleged that the Lobedu danced "the war dance before Visser before he was shot." Leach (2012), page 55. A volley rang out and Visser fell backwards from his sitting position.

Her trap captures the Magic Knights by mistake, so she ponders whether to stretch their cheeks or boil them in a big pot, again wearing a feathered headdress and doing a war dance. In the anime series, she is killed by one of Ascot's beast summons. This death happens only in the anime, and unfortunately created a plot hole for the second season when Presea becomes a necessary character in the manga counterpart. In order to fill this plot hole, her twin sister, Sierra, is created to pose as her.

Scott controlled the band's repertoire and style, but he rarely took piano solos, preferring to direct the band from the keyboard and leave solos and leads to his sidemen. He also had a penchant for adapting classical motifs in his compositions. The Quintette existed from 1937 to 1939 and recorded bestselling discs such as "Twilight in Turkey", "Minuet in Jazz", "War Dance for Wooden Indians", "Reckless Night on Board an Ocean Liner", "Powerhouse", and "The Penguin." One of Scott's popular compositions is "The Toy Trumpet", a cheerful pop confection that is instantly recognizable to many people who cannot name the title or composer.

Geller stayed there for three years and then accepted a contract to play lead alto and also arrange for the big band of NDR in Hamburg. Here he was engaged for 28 years and made Hamburg his home. During this time the NDR big band developed from a post-war dance orchestra into a leading modern jazz ensemble. The endless list of participating musicians ranged from Don Byas, Joe Pass, Slide Hampton, Bill Evans, Red Mitchell, Art Farmer, Georgie Fame and Chet Baker to avant-garde musicians and rock/fusion, and included nearly all the big names of European jazz.

The Usos began performing the Siva Tau, a traditional Samoan war dance, as part of their ring entrance, using the dance to display their strength and energize themselves. They performed this entrance until they turned heel in 2016. On the July 29 episode of SmackDown, The Usos challenged David Otunga and Michael McGillicutty for the WWE Tag Team Titles, but were defeated. The Usos at the 2012 WWE Hall of Fame ceremony inducting their cousin Yokozuna The Usos then began appearing on the fifth season of NXT in September 2011, by delivering post-match attacks on the team of Darren Young and JTG.

He learned of men having sex with other men through stories passed around by ranch hands, telling him of violent assaults on miners who attempted to touch men with whom they shared quarters. Hay told the story that in 1925 he was invited to a local gathering of Natives, where he met the Ghost Dance prophet WovokaShively, from Bronski, p. 173 Hay's family did have a documented, bloody connection to Wovoka and the Ghost Dance movement. In 1890, a misinterpretation of the Ghost Dance ritual as a war dance by Indian agents led to the Wounded Knee Massacre.

Kampilan are mentioned in ancient Filipino epics, including the Hiligaynon Hinilawod from the Visayas; the Ilocano Biag ni Lam- Ang from Luzon; and the Maranao Darangen of Mindanao. The kampilan also plays a central part in the Maranao and Maguindanao traditional war dance of Sagayan, which depicts a scene from the Darangen. Unlike other common precolonial Filipino bolo weapons which were based on agricultural implements, the kampilan is specifically made for warfare, used either in small skirmishes or large-scale encounters. According to Philippine historical documents, the kampílan was widely used by chieftains and warriors for battle and as a headhunting sword.

The "Gong Mo" Dance was later known as the Scarf Dance (巾舞). The dance is performed with a long scarf held in each hand, and is similar to today's Long Silk Dance. Liu Bang was also said to be fond of the war dance of the Ba people, called the Bayu (巴渝) dance and known in later eras in various names such as Zhaowu (昭武) in the Eastern Wu period and Xuanwu (宣武) during the Jin dynasty. Large-scale performances of this dance involved brandishing weapons to the accompaniment of drums and songs in the Ba language.

The operetta contains numerous ethnic stereotypes, including an "Injun" war dance, a German character named Lim Burger, African American characters who are enslaved by Dyer, dancing gypsies, and an English lord with a speech impediment. The battle of the frogs is introduced in the last half of the third act as a mysterious noise. Colonel Dyer is convinced by a parson that the noise is God's way of telling him that he shouldn't stop his daughter from marrying the person she loves. The Frogs of Windham was performed throughout Connecticut in the late 1800s and early 1900s.

On 17 July 1951, at Wonsan harbor, shore batteries opened on O'Brien, and from three sides in an attempt to drive UN vessels from the harbor. The ships went at once into the "War Dance", an evasive maneuver in which ships steamed in an ellipse at firing on batteries in each sector as their guns came to bear. This four and a half hour engagement became known as the Battle of the Buzz-saw. In July and August O'Brien provided covering fire for LSMR bombardment, and coordinated rescue operations which saved three downed Navy pilots and one Air Force pilot.

World Premieres of In Pursuit of the English and Hangover Square at The Lyric Hammersmith. He worked with English experimental company Lumiere and Son in War Dance and then performed in Italy with the avant-Garde La Zattere Di Babele in Tamburlaine. Further classical work saw him perform Hamlet for the Oxford Stage Company, Richard the Third for the Stafford Festival and Macbeth in London. For the International New Writers Festival in Birmingham he appeared in Akos Nemeth's Car Thieves and also a platform performance of A Day in the Death of Joe Egg at The Royal National Theatre.

This is harder to execute but gives the tackler's side a gain in territory. Cibi The cibi is a Fijian war dance performed by the Fiji national team before each of their international matches. Conversion If a team scores a try, they have an opportunity to "convert" it for two further points by kicking the ball between the posts and above the crossbar - that is, through the goal. The kick is taken at any point on the field of play in line with the point that the ball was grounded for the try, parallel to the touch-lines.

" Entertainment Weekly's Bill Wyman called the album a "kaleidoscopic, highly intelligent collection of off-kilter pop craft that goes on a bit too long. At its best, however, it’s a witty and engaging White Album-ish collection of fairy tales and funny stories." David Hepworth of Q wrote that "Nonsuch contains 17 dense, melodic, intelligent and occasionally irritating pop songs," while commenting that "[t]he level of XTC's invention is evidenced by the arrangements of the guitars and the layers of backing vocals." However, he criticised the album's "tendency to underscore the lyrical message of tunes like ['War Dance'] which is sometimes tiresome.

"Hermans Hermits 1965 Album", accessed August 2011 Champion was mentioned twice in a 1969 episode of Dad's Army in the Series 3 episode "War dance", first when music is being selected and again when Lance Corporal Jones performs various impressions of music hall artistes of the pre-First World War era but says that he cannot do an impression of Champion.Webber, p. 86 "Ginger You're Barmy" which was the title of Champion's 1910 song was used as the title of a book written by the author (not to be confused with the actor of the same name) David Lodge in 1962.

The first test ended in a 3–3 draw, the second an 11–5 win for the Fijians and the Māori won the final test 6–3 to square the series. Fiji team in 1939 In 1939 Fiji toured New Zealand for the first time. Fiji's captain for that tour, Ratu Sir George Cakobau, decided that his side should have a war dance to rival the haka. He approached Ratu Bola, the high chief of the warrior clan of Navusaradave in Bau, who taught them the cibi which has been Fiji's pre-match ritual ever since.

Ritualistic and combative dances that imitated epic deeds and martial skills were a familiar feature in Scottish tradition and folklore. The earliest reference to these dances in Scotland is mentioned in the Scotichronicon which was compiled in Scotland by Walter Bower in the 1440s. The passage regards Alexander III and his second marriage to the French noblewoman Yolande de Dreux at Jedburgh on 14 October 1285. :At the head of this procession were the skilled musicians with many sorts of pipe music including the music of bagpipes, and behind them others splendidly performing a war-dance with intricate weaving in and out.

As a part of the traditional Scottish intangible heritage, the performance of the Sword Dance has been recorded as early as the 15th century. It is normally recognised as the war dance with some ceremonial sense in the Scottish Royal court during that period. The old kings and clan chiefs organised the Highland Games as a method to choose their best men at arms, and the discipline required to perform the Highland dances allowed men to demonstrate their strength, stamina, and agility. The earliest reference also mentioned that the dance is often accompanied with the music of bagpipes.

The younger Bell continued his previous interest in the study of the human voice, and when he discovered the Six Nations Reserve across the river at Onondaga, he learned the Mohawk language and translated its unwritten vocabulary into Visible Speech symbols, a written scientific vocabulary invented by his father. For his work Alexander Graham earned the tribe's friendship and was awarded the title of Honorary Chief and participated in a ceremony where he donned a Mohawk headdress and performed traditional dances. Thereafter Bell would break into a Mohawk war dance if he became intensely excited.Groundwater 2005, p. 35.

It is classified as folk dance as the dress code of Ghumura resembles more like a tribal dance, but recent researchers argueLoka Nutrya Ghumura, edited by Parameswar Mund, Mahabir Sanskrutika Anusthan, June 2002 different mudra and dance form present in Ghumura bear more resemblance with other classical dance form of India. The timeline of Ghumura dance is not clear. Many researchers claimThe Heroic Dance Ghumura, Edited by Sanjay Kumar, Mahabir Sanskrutika, 2002 it was a war dance in ancient India and used by Ravana in Ramayana. Ghumura dance is depicted in Sun Temple of Konark confirming this dance form is since the medieval period.

After this, the negotiating families proceed with the Al Akhd, a marriage contract agreement. The bride goes through the ritual of a “bridal shower” known as Laylat Al Henna, the henna tattooing of the bride's hands and feet, a service signifying attractiveness, fortune, and healthiness. The Al Aadaa follows, a groom-teasing rite done by the friends of the bride wherein they ask compensation after embellishing the bride with henna. The ceremonial also involves a family procession towards the bride's home, a re-enactment of a war dance known as Al Ardha, and the Zaahbaah or the displaying of the bride's garments and the gifts she received from her groom's family.

On August 18, 1835, two years after the Potawatomi natives signed the treaty agreeing to be moved to a reservation beyond the Mississippi River in northwestern Missouri, they selected 800 braves to perform their last war dance parade on a path that passed in front of the hotel. In 1835, a Mr. Davis assumed control of the hotel, which subsequently had a series of proprietors. The building briefly served as Chicago's first theater, and hosted the first Chicago Theatre company in November 1837 in an abandoned dining room. By 1839, it returned to service as a hotel, but was destroyed by fire in 1851, and subsequently torn down.

Stoats regularly climb trees to gain access to birds' nests, and are common raiders of nest boxes, particularly those of large species. The stoat reputedly mesmerises prey such as rabbits by a "dance" (sometimes called the weasel war dance), though this behaviour could be linked to Skrjabingylus infections. The stoat seeks to immobilize large prey such as rabbits with a bite to the spine at the back of the neck. The stoat may surplus kill when the opportunity arises, though excess prey is usually cached and eaten later to avoid obesity, as overweight stoats tend to be at a disadvantage when pursuing prey into their burrows.

Their modern costume is completely reliant on materials that would have been difficult or impossible to obtain in Bermuda during the Seventeenth and Eighteenth Centuries, including the tailfeathers of the Asian peacock that adorn the head dress. Feathers of native birds perhaps once were used to adorn a simpler, but still colourful costume. Their dance was clearly once a war dance, using tomahawk and bow and arrow, and the steps were recognised by Wampanoag dancers after the Wampanoag and Pequots began a series of Reconnection festivals with Bermudians in 2000.In the steps of long-lost kin: Bermudian dancers and the Mashpee Wampanoag connect at Pow Wow.

Seen from the perspective of the War of 1812, and the larger conflict between Britain and France which precipitated it, this was a very small and brief battle, but it ultimately had larger consequences in the territory. Arguably, for the Native Americans, it was an example of "winning the battle but losing the war": the U.S. later pursued a policy of removing the tribes from the region, resulting in the Treaty of Chicago, which was marked at its culmination in 1835 by the last great Native American war dance in the then nascent city. Thereafter, the Potowatomie and other tribes were moved further west.

She also asked him to be "a choreographer and to maintain the right rhythm" ("I was maintaining the rhythm on my own, with a drum," he writes in a text) and also teach the steps and the kinesiology of the ancient war dance to young people (teenagers, members of the "City Scouts" and "Soldiers that I "'borrowed" from the Royal Hellenic Army, "as Veloudios remembers regarding the participants in the dance groups). The initial success of the first "Amphictyony" (as he is referring to them, incorrectly remembering – in one case- 1928 as their chronology) of Angelos Sikelianos led to the resumption of the teaching and presentation of the pyrrhic dance in 1930 by him.

The word mani (or accented maní in Spanish to indicate stress on the final syllable) is said to mean 'war', in an indeterminate African language, and is not a reference to 'peanuts', which the word maní can also refer to in Cuban Spanish. Detailed interview with a contemporary instructor. Its longer Spanish names, juego de maní, ('game of mani' or 'maní game') and baile de maní ('dance of mani' or 'maní dance') would thus mean 'war game' or 'war dance', respectively, when fully translated from both languages. An even longer name recorded is juego de maní con grasa (loosely, 'maní greased game' or 'war game with grease') because of its smooth and slippery qualities.

Black Elk recalled Queen Victoria speaking respectfully to the indigenous performers and their families later in his Black Elk Speaks, but Victoria describes them in their roles in "The Drama of Civilization" as "rather alarming looking, [with] cruel faces." Among the dancers and a young teenager at the time, Black Elk says of Victoria that she "was little but fat and we liked her, because she was good to us." To Queen Victoria the War Dance they danced, "to a wild drum & pipe, was quite fearful, with all their contortions & shrieks, & they came so close." The success of this command performance for the Queen — her first appearance at a public performance since Prince Consort Albert died in 1861Moses, p.

The origin of Chief Illiniwek dates to 1926, when Ray Dvorak, assistant director of bands at the University of Illinois, conceived the idea of having a Native American war dance performed during halftime of Illinois football games. The first performance occurred on October 30, 1926 at Memorial Stadium during the halftime of a game against the University of Pennsylvania. At the conclusion of his performance, Illinwek was met at midfield by a drum major dressed as the University of Pennsylvania's Quaker mascot, offered a peace pipe, and walked off the field arm in arm. Student Lester Leutwiler, an Eagle Scout, created the original costume and performed the dance based upon his experience as a Boy Scout.

A kapa haka performer Kapa haka, (kapa meaning 'rank' or 'row' and haka referring to a Māori dance), is the 'cultural dance' component of traditional Māori Performing Arts. Kapa haka is an avenue for Māori people to express their heritage and cultural identity through song and dance. It has undergone a renaissance, with national competitions held yearly and kapa haka used in many state occasions. The haka (often mistaken as always being a war dance or ritual challenge) has become part of wider New Zealand culture, being performed by the All Blacks as a group ritual before international games and by homesick New Zealanders of all races who want to express their New Zealandness.

The trip also included a visit to the Pamunkey Indian Reservation, and conducted interviews with historians at Old Dominion University. Following the research trip, Custalow-McGowan served as a consultant traveling to the Disney studios three times, and while Custalow- McGowan offered her services for free, Disney paid her a $500 daily consulting fee plus expenses. Ultimately, when it came to light that historical accuracy was not being pursued to the extent she had hoped, McGowan has voiced her feelings of shame she felt in conjunction with her work on the film, saying, "[she] wish[ed her] name wasn't on it". Additional Native American consultants were brought in to authenticate the clothing and war dance choreography.

The basic rule requires the dancer to cross two swords on the ground in an "X" or "+" shape and to dance around and within the 4 quarters of it. The earliest reference to these dances in Scotland is mentioned in the Scotichronicon, compiled in Scotland by Walter Bower in the 1440s. The passage regards Alexander III and his second marriage to the French lady Yolande de Dreux at Jedburgh in Roxburghshire on 14 October 1285. > At the head of this procession were the skilled musicians with many sorts of > pipe music including the wailing music of bagpipes, and behind them others > splendidly performing a war-dance with intricate weaving in and out.

The film centers on three children – Nancy, a 13-year-old choir singer; Rose, a 14-year-old dancer; and Dominic, a 14-year-old xylophone player. They are members of the Acholi ethnic group, living in the remote northern Uganda refugee camp of Patongo, which is under military protection from the Lord's Resistance Army, a terrorist group that has been rebelling against the government for the past two decades. In 2005, the camp's primary school won its regional music competition and headed to Kampala to participate in the annual National Music Competition. War/Dance focuses on three of the eight categories: Western choral performance, instrumental music, and traditional dance, where the students perform the Bwola, the dance of the Acholi.

The traditional music of Adjara in Western Georgia includes an ancient war-dance called Khorumi, which is in quintuple meter. The cyclically repeating fixed time cycles of Carnatic and Hindustani classical music, called tālas, include both fast and slow quintuple patterns, as well as binary, ternary, and septuple cycles. In the Carnatic system, there is a complex "formal" system of tālas which is of great antiquity, and a more recent, rather simpler "informal" system, comprising selected tālas from the "formal" system, plus two fast tālas called Cāpu. The slow quintuple tāla, called Jhampā is from the formal system, and consists of a pattern of beats; the fast quintuple tāla is called khaṇḍa Cāpu or ara Jhampā, and consists of beats.

Anderson then fought Australian Ben McCraken the bout was stopped in the 2nd round on the 20 point rule, Anderson defeated Adura Olalehin of Nigeria (23-19) in the final of the 2006 Commonwealth Games. Anderson is the most successful amateur boxer bar Dick McTaggart MBE to come out of Scotland winning 8 international gold medals and a host of silver and bronze. After those Games Anderson revealed he psyched himself up for his fights by watching Braveheart and reciting the Haka, the traditional Māori war dance which is performed by the New Zealand All Blacks rugby team before matches. He also stated his desire to remain an amateur and fight for Great Britain at the 2008 Olympic Games in Beijing, China.

During a match against in May 2015, again during the AFL's annual Indigenous Round, Goodes celebrated a goal by performing an Indigenous war dance in which he mimed throwing a spear in the direction of the Carlton cheer squad. Goodes said after the incident that the dance was based on one he learned from under-16s Indigenous team the Flying Boomerangs, and that it was intended as an expression of Indigenous pride during Indigenous Round, not as a means of offending or intimidating the crowd. The "symbolic act" has been compared favourably to Nicky Winmar lifting his guernsey during the 1993 AFL season and Cathy Freeman running with both the Australian and Aboriginal flags at the 1994 Commonwealth Games.Martin Flanagan (5 June 2015).

Mainwaring often chastises Wilson to handle either Mrs Pike or Frank whenever they cause problems for him (usually revolving around Mrs. Pike's complaints to Mainwaring of how he treats her son, who she views as overly delicate). Wilson's response to this is usually a mix of nonchalance and exasperation, though in the episode "War Dance", he finally displays his irritation at Mainwaring's butting into his personal life; when Mainwaring refers to him as "Peter Pan" due to his reluctance to act as a father figure to Pike, Wilson drops his normal air of deference to his boss and platoon leader, and angrily replies "My god, Mainwaring, you can hit pretty low when it suits you!" Despite their conflicts, however, Wilson and Mainwaring do share a respectful, if somewhat formal, sort of friendship.

In the episode "Boots, Boots, Boots", Mainwaring tells Wilson that he considers him a friend and that he actually admires how Wilson handles the men "quietly and subtly". In the episode "Something Nasty in the Vault", Mainwaring and Wilson bond during their time trapped in the bank's vault while holding an unexploded (and potentially unstable) German bomb that was dropped during an air raid, with Mainwaring even going so far as to scratch Wilson's nose for him when it began to itch and Wilson couldn't reach it. And at the end of the episode "War Dance", a drunken Mainwaring bonds again with Wilson, as they both have been kicked out of their homes by their respective partners that evening and are forced to sleep in Mainwaring's Home Guard office at the church.

As a child growing up in Lawton, Oklahoma, she was often teased by others for wearing leggings and braids instead of trying to conceal her Native American heritage. She attended high school and college in Oklahoma. After graduation, she worked with the Bureau of Indian Affairs and then moved to the allotment land granted to her grandmother in Red Stone, OK. She and her first husband built an earth lodge on this Kiowa spiritually-significant property, which she uses as a studio and also makes available to the tribe for various cultural activities. In addition to her grandmother, another major influence in Jennings' life has been her participation in the O-Ho-Mah Lodge Society, a Kiowa war dance society with which her family has been involved for several generations.

Over the following years, and particularly in 2015, Goodes was repeatedly and loudly booed by opposition fans at most matches. The motivation for, and acceptability of, the booing generated wide public debate, which dominated media coverage from both sports and political commentators for weeks at a time. During a match against in May 2015, again during the Indigenous Round, Goodes celebrated a goal by performing an Aboriginal war dance, in which he mimed throwing a spear in the direction of the Carlton cheer squad. Goodes said after the incident that the dance was based on one he learned from under-16s Indigenous team the Flying Boomerangs, and that it was intended as an expression of Indigenous pride during Indigenous Round, not as a means of offending or intimidating the crowd.

The ships sail back to New Zealand, where some natives in Hawke's Bay perform a war dance for them. A storm hinders them from passing west through Cook's Strait, and they have a terrible night, in which most of the beds are under water and the Forsters hear the curses of the sailors "and not a single reflection bridled their blasphemous tongues". They lose sight of the Adventure, but finally manage to pass through Cook's Strait and return to Queen Charlotte's Sound on South Island. Forster describes various trades and excursions, and comments on the treatment of women: A shipmate buys the head of a victim of a recent fight, and takes it on board, where other natives proceed to eat the cheeks, proving the existence of cannibalism in New Zealand.

Over the following years, and particularly in 2015, Goodes was repeatedly and loudly booed by opposition fans at most matches. The motivation for, and acceptability of, the booing generated wide public debate, which dominated media coverage from both sports and political commentators for weeks at a time. During a match against in May 2015, again during the Indigenous Round, Goodes celebrated a goal by performing an Aboriginal war dance, in which he mimed throwing a spear in the direction of the Carlton cheer squad. Goodes said after the incident that the dance was based on one he learned from under-16s Indigenous team the Flying Boomerangs, and that it was intended as an expression of Indigenous pride during Indigenous Round, not as a means of offending or intimidating the crowd.

As harsher United States practices of slavery replaced the more lenient French colonial style, the gatherings of enslaved Africans declined. Although no recorded date of the last of these dances in the square exists, the practice seems to have stopped more than a decade before the end of slavery with the American Civil War. Dance in Congo Square in the late 18th century, artist's conception by E. W. Kemble from a century later In the late 19th century, the square again became a famous musical venue, this time for a series of brass band concerts by orchestras of the area's "Creole of color" community. In 1893, the square was officially named “Beauregard Square” in honor of P.G.T. Beauregard, a Confederate General who was born in St. Bernard Parish and led troops at the Battle of Fort Sumter.

The dance immediately became popular in the province for stage performances and social dancing. Later, Mr. Antonino Arreza, a native of Cantilan and a grandfather of Prospero Pichay, Jr. was believed be the one who compose the lyrics of Itik- itik. Below is original version of Itik-itik in native Cantilangnon dialect: Itik-itik (original version) Itik-itik di-in kaw gikan Itik-itik sa Pandagitan Itik-itik nag uno didto Itik-itik nagpupasiyo Itik-itik unoy taghinang Itik-itik naglangoy-langoy Itik-itik unoy tagkita Itik-itik suban-ong isda Itik-itik hain kaw singod Itik-itik ay magpahuway Itik-itik unoy hingtungdan Luja na an ak' kalawasan Other popular dances who are known to have originated in Cantilan and Surigao provinces are Sumyajaw, or Monkey Dance, Manujo-Panujo or Manobo courtship dance, the Sirong war dance.

As part of a deliberate campaign to revive Māori music and culture in the early 20th century, Āpirana Ngata invented the "action song" (waiata-a-ringa) in which stylised body movements, many with standardised meanings, synchronise with the singing. He, Tuini Ngawai and the tourist concert parties of Rotorua developed the familiar performance of today, with sung entrance, poi, haka ("war dance"), stick game, hymn, ancient song and/or action song, and sung exit. The group that performs it is known as a kapa haka, and in the last few decades, competitions within iwi (tribes) and religious denominations regionally and nationally, have raised their performances to a high standard. In 1964, The Polynesian Festival (which became the Aotearoa Traditional Māori Performing Arts Festival and is now known as Te Matatini), was founded with the express purpose of encouraging the development of Māori music.

You're something that can be commodified and bought and sold. An opinion article at The Daily Revelle notes the problem of depicting Native Americans in this way: "Disney has always been there to teach proper morals ... from an early start, Americans are fed these ideas, and the topic is never properly taught to correct them ... If you're teaching American history, put the time and effort into respectfully educating others on the extraordinary people that were here first." TOR argues that the "cartoon war dance" and song go even further than Barrie's play by "stat[ing] that the Indians are not just savages, but sexist savages, who force Wendy to go fetch firewood while the other boys have fun". Wired says the "really awkward scene" features a "thoroughly appalling song, arguably more racist than anything in the notorious Song of the South".

It is, inevitably, a war dance (spiritual), a confrontation between light and darkness, with victory in Christ, when this dance is totally directed by the Holy Spirit. There are tangible and noticeable fruits and effects, such as healing and spiritual liberation, mass conversions, the fruit of the arrival of the Kingdom of God in the locality, city or country. Dance prophets (in prophetic dance): they wage spiritual warfare and prophesy through worship the union of the Bridegroom with His Church, spontaneously expressing what God wants to minister at the moment or what He wants to reveal to people and the local church. Dance evangelists (evangelistic dance): it is the one who makes the Son of God known, seeks to reach the hearts of people through his dance, showing the need to receive Christ and to follow Him.

It is a war dance that Spanish missionaries introduced in Mexico to tell how the Apostle Santiago led the Spanish struggle against the Moors eight centuries. Flying pole dance, it is in the mountainous area of the Gulf of Mexico and the Sierra de Puebla, This ceremony reached its height in ancient times as an important part of the solar cult and calendrical that took place throughout Mesoamerica. When it does not rain, there is a person in charge of the ceremony of the motion of rain. The procession worships the "collateral sir," and followed by much of the population, full of color as community offerings that are designed by the eight districts that make up the municipality are used, this procession is a very important element of cohesion and solidarity the municipality, as well as serving to preserve traditions and spirituality.

This accusation has been useful in galvanizing Muslims to fight (Laskar Jihad), and the situation has not been aided by the fact that some diaspora Moluccan Christian groups have taken up the RMS banner. In the Moluccas, the Malino II Accord was signed to end conflict and create peace in the Moluccas, asking Moluccans "to reject and oppose all kinds of separatist movements, among others the Republic of South Moluccas (RMS), that threaten the unity and sovereignty of the Unitary State of the Republic of Indonesia". However, during the visit to Ambon of the Indonesian president in the summer of 2007, RMS sympathisers disturbed ceremonies by performing the Moluccan war dance and hoisting the RMS flag.Dutch television report Since 1999, a new organization known as the Maluku Sovereignty Front (FKM) has operated in Ambon, stockpiling weapons and flying the RMS flag in public places.

Illustration of Anzac troops after the fighting at Gallipoli during the First World War The development of a New Zealand identity and national character, separate from the British colonial identity, is most often linked with the period surrounding the First World War, which gave rise to the concept of the Anzac spirit. However, cultural links between New Zealand and Great Britain are maintained by a common language, sustained immigration from the UK, and the fact that many young New Zealanders spend time in Britain on "overseas experience", known as "OE". New Zealanders also identify closely with Australians, as a result of the two nations' shared historical, cultural and geographic characteristics. A Māori war dance, called a haka The New Zealand government promotes Māori culture by supporting Māori-language schools, by ensuring the language is visible in government departments and literature, by insisting on traditional Māori welcomes (pōwhiri) at government functions and state school award programs, and by having Māori run the welfare services targeted at their people.

The production notes explain that the children felt more comfortable telling their stories directly to the camera than to an interviewer, but you still have an uneasy sense of being manipulated ... Having voiced these qualms, let me say that War/Dance, in spite of its slickness, is an honorable, sometimes inspiring exploration of the primal healing power of music and dance in an African tribal culture ... The film draws out the suspense as best it can until the inevitable African- style American Idol moment. If that finale is genuinely exhilarating, you are still uncomfortably aware that this ecstatic conclusion doesn't mean the end of the strife or the refugees' troubles. It is a blip of light on a dark canvas."The New York Times review Kenneth Turan of the Los Angeles Times wrote, "To make a memorable documentary ... that can't be forgotten once seen, you have to be more than gifted, you need an instinct for an unusual story and, frankly, you must have luck on your side.

From 1767 to 1774, the theatre was operated by the American Company, who gave New York its first performances of The Merchant of Venice, Macbeth, King John and Every Man in his Humour, as well as contemporary plays. The theatre was also the first to introduce "Blackface" performances to the United States, with Lewis Hallam Junior's blacked-up portrayal of Mungo in The Padlock, which premiered at John Street on 29 May 1769. A party of nine Cherokee chiefs attended a performance of Richard III at the theatre on 14 December 1767 and were so pleased with the civility of their reception that they offered to perform a traditional Cherokee war-dance for a future audience: the offer was accepted, although the management, in their advertisements, requested that the audience behaved with proper decorum "as the persons who have condescended to contribute to their entertainment are of rank and consequence in their own country".A History of the American Theatre: Dunlap The theatre was forced to temporarily close in 1774 when the Continental Association banned the performance of stage plays, considering them to be "extravagance and dissipation".

Squamish Nation Chief Joe Mathias was amongst the Canadian dignitaries who were invited to attend her coronation in London the following year. In 1959, the Queen toured Canada and, in Labrador, she was greeted by the Chief of the Montagnais and given a pair of beaded moose-hide jackets; at Gaspé, Quebec, she and her husband, the Duke of Edinburgh, were presented with deerskin coats by two local Indigenous people; and, in Ottawa, a man from the Kahnawake Mohawk Territory passed to officials a 200-year-old wampum as a gift for Elizabeth. It was during that journey that the Queen became the first member of the Royal Family to meet with Inuit representatives, doing so in Stratford, Ontario, and the royal train stopped in Brantford, Ontario, so that the Queen could sign the Six Nations Queen Anne Bible in the presence of Six Nations leaders. Across the prairies, First Nations were present on the welcoming platforms in numerous cities and towns, and at the Calgary Stampede, more than 300 Blackfoot, Tsuu T'ina, and Nakoda performed a war dance and erected approximately 30 teepees, amongst which the Queen and Duke of Edinburgh walked, meeting with various chiefs.

Damage was light, and, swiftly twisting around the harbor in the maneuver which came to be called "the war dance", Helena delivered rapid continuous fire that destroyed seven enemy gun positions and an ammunition dump. After a short respite at Yokosuka, she returned again to the Task Force, but was soon detached for special duty supporting a massive air strike on supply depots and rail road marshalling yards at Rashin, acting as radar picket. Helena's accurate gunnery was next sought by the Eighth Army, for whom she fired at 13 targets along the bombline in aid of advancing infantry. Her support to ground forces continued with missions fired for United States Marines and Republic of Korea Army units. On 20 September 1951 she returned to Yokosuka. Here, at a ceremony on her decks, President Syngman Rhee of Korea presented to Task Force 95 the first Korean Presidential Unit Citation awarded to a naval unit. Helena received the award for her operations in the fall of 1950. After rejoining the Task Force, Helena was ordered to duty as fire support vessel in the Hungnam-Hamhung area.