How to use vernacularism in a sentence? Find typical usage patterns (collocations)/phrases/context for "vernacularism" and check conjugation/comparative form for "vernacularism". Mastering all the usages of "vernacularism" from sentence examples published by news publications.
We also welcome papers that analyze any aspect of literary discourse in relation to black vernacularism.
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Some architects and scholars of architecture have sidestepped this question and chosen instead to experiment with vernacularism.
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As with MacDiarmid, Hart detects a regional cosmopolitanism at work in Bunting's writing, a quality he connects to synthetic vernacularism.
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This was due to class and linguistic politics dictated in the mid- nineteenth century by the British Raj, who had replaced Persian with Urdu as the official language. Combined with Pakistan's own tendency to privilege Urdu over indigenous languages a dichotomy was created in the country whereby Urdu is associated with urbanity, power, privilege and sophistication, while other Pakistani languages such as Punjabi, Sindhi and Pashto were considered "crass vernacularism". Although the genre has grown considerably in recent years, it is still considered fringe and underground by the older generation who tend to stick to traditional Pakistani music or Pakistani pop music.
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Some words have parallel forms from other declensions with a little change in a meaning: dukra, dukros; sesė, sesės; palikuonis, -io, palikuonė, -ės. The forms sesė and dukra are more like unformal, than duktė, -ers and sesuo, -ers. For the word moteris the form motera were existent in dialects, but it is, differently from dukra, sesė cases, only a formal shift of declension without a meaning variation and such word would be perceived as a vernacularism and obsolete. The forms from the two more declensions sometimes occur in a speech for the masculine words of the fifth declension: of the third and of the first declensions.
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Looking at the rustic surface textures, the palettes of smoky and sometimes vibrant colours and the simplicity of the irregular shapes thrown by Doherty, the vessels exhume transient visceral qualities reminiscent of the Japanese aesthetics of Wabi- sabi and Shibui, no doubt having been influenced by the work of the late modernist Bernard Leach (Doherty being the previous lead potter of The Leach Pottery), as well as the politics of work as laid out by John Ruskin. Vernacularism as a cultural phenomenon thus plays a large part in the work of Doherty, and it can, therefore, be seen as a product of the Arts and Crafts movement and, associated with it, the writings of William Morris.
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