189 Sentences With "unrehearsed" | Random Sentence Generator

It's all unrehearsed, and the kids are not professional actors.

Each clip is documentary-style, with shaky camera and unrehearsed voiceover.

I'd rather get it raw and untested and unrehearsed and unsoiled.

Reality TV is theater without the script; it's the unrehearsed, real deal.

Every aspect of the performance will be unrehearsed, live, spontaneous, and uninterrupted.

We're told the DJ provided the guitar, but the whole thing was unrehearsed.

For candidates, the debate moments that endure are often unrehearsed -- for better or worse.

His presentation style is unrehearsed, which might be exactly what makes people like him.

This felt unrehearsed, and her bandmates seemed as though they were adjusting to it.

Naia narrates the film in a way that is both comfortable and reflective, unguarded and unrehearsed.

The turnover from contestant to lead requires a delicate balance between heartbroken and damaged; prepared but unrehearsed.

The newlywed couple performed a slow (but unrehearsed!) dance to "La Vie En Rose" at their reception.

It is not just unrehearsed innovation, but apt and fitting contributions to a social or collective project.

Actually, a lot of Americans find the unrehearsed and clumsy veneer of the Trump administration to be refreshing.

Trump) or a talent for insta-connections with voters in smaller, unrehearsed settings (Bill Clinton and George W. Bush).

Together, they'll also treat the audience to a live scoring of the film, unrehearsed and created on-the-spot.

It's quite another thing to make him wrestle and move like Orton, in a way that feels natural and unrehearsed.

Though Aiyegbeni hardly moved afterward, nearly every one of his teammates and coaches made the gesture in immediate and unrehearsed synchronization.

"The View" isn't the only show on TV that fuses entertainment with news and thrives off its ability to be unrehearsed.

However, he's attempting to get on stage to present an unrehearsed comedy routine about farts, which is our cue to leave.

At each performance an unrehearsed actor opens a sealed envelope and performs Soleimanpour's script, creating a meditation on intimacy and empathy.

Everything started in subway cars, because everyone who was poor converged in those spaces and found each other, unrehearsed and unfiltered.

The unrehearsed monologue was met with some boos from the audience and made the show's stars "uncomfortable," a source previously told PEOPLE.

While Mark Cuban once praised Donald Trump for his brash, unrehearsed rhetoric, the Dallas Mavericks owner seems to have changed his tune.

The unrehearsed monologue was met with some boos from the audience while making the show's stars "uncomfortable," a source recently told PEOPLE.

And that photo is actually one of my favorites in the entire collection because it was so unrehearsed and "unintentional" so to speak.

The content of these sessions was readily available on his page, but the enthusiasm was boundless for his unrehearsed witticisms and legendary charms.

Conversely, I was always impressed with the applicants who listened close enough to what I said to ask an unrehearsed follow-up question.

At each performance an unrehearsed actor breaks open a sealed envelope and performs Soleimanpour's script, creating a meditation on intimacy, empathy and exile.

Matt: One observation, as Biden wades through some of the tougher subjects under gentle questioning: As ever, he projects a very unrehearsed vibe.

Mr. Biden has lurched through uncomfortable explanations of the less-than-liberal moments in his record, despite largely avoiding extended interviews or unrehearsed settings.

On Monday night, he was bombastic, dismissive of moderation and decorum, passionate, seemingly unrehearsed, and extremely attentive to perceived insults to himself or his businesses.

At an event where extreme tact and care was required and no teleprompter was used, this famously unpolished and unrehearsed president did not emerge unscathed.

Many Americans have been yearning for someone to step forward and throw all caution to the wind in a stream of unrehearsed, spontaneous, plain-talk messaging.

Or in the interview where she starts moving a gold sheep or asking about makeup — in that interview setting, there are still telling, apparently unrehearsed moments.

Moments like "Gary from Chicago" and the amazing 2017 Best Picture snafu prove that the best entertainment arises from unexpected, unrehearsed spontaneity, not pre-scripted canned jokes.

Yang connects with them because of his approach to data, his unrehearsed — and sometimes awkward — candor, and a perceived understanding of the moral dilemmas surrounding the tech industry.

"Human interaction is raw and unrehearsed, we don't have the ability to construct what we're going to say, hit delete five times and then start fresh," Weiss explains.

Sexually, I have witnessed, observed and studied the best first hand, unrehearsed, non-laboratory sex between couples, and most other conceivable sex deviations during these past 15 years.

Chappelle, 20173, inadvertently sparked the trending topic at Sunday's Emmy Awards when he gave a shout out to Washington, D.C., public schools during an unrehearsed bit alongside Melissa McCarthy.

" In a Spin cover story, Chuck Klosterman lauded Jack White's contemporary spin on blues music as "raw and unrehearsed and imperfect," which was why it was "so fucking good.

And she leans into the intimacy of it, keeping up a run of what feels like unrehearsed chatter, bringing fan after fan up onstage for selfies and quick, goofy conversations.

It's non-traditional Warpaint in the sense that there's something unrehearsed about it—it feels less like it's loitered in a practice space for two years, and more freshly squeezed.

At the same time, unrehearsed and live onstage, my Alices were pursued by a select group of audience members, personally invited to watch from tiny children's chairs arranged around the stage.

The Shortlist WOMANISH A Grown Black Woman Speaks on Love and Life By Kim McLarin When black women gather, unrehearsed refrains are often heard, surrounded by voices of encouragement or disbelief.

In a particularly evocative suggestion of how much the annual production permeates the lives of the townspeople, Malmberg and Shellen present conversations that exist in a gray area between rehearsed and unrehearsed.

And Kara Swisher and I are excited to hear all about it when he comes to the Code Conference in May for one of our signature Red Chair interviews — unrehearsed, unscripted and on the record.

"Trump has got to balance what made him successful in the primaries — his unrehearsed, unvarnished way of communicating — with the forethought and demeanor that people still expect from a would-be president," said former Gov.

Garth Brooks proved at Wednesday's CMA Awards that he still rules the country stage, but his sweetest moment of the night was unrehearsed: a passionate smooch he gave to wife Trisha Yearwood after their duet medley.

He confects what appears to be his unrehearsed speech with references ranging from classical antiquity to popular British culture, and courts popularity-enhancing controversy with the occasional use of what are now considered British imperial anachronisms.

He confects what appears to be his unrehearsed speech with references ranging from classical antiquity to popular British culture, and courts popularity-enchancing controversy with the occasional use of what are now considered British imperial anachronisms.

In Sanders they, and viewers at home, saw a man who displays a singular level of unrehearsed honesty and a clear commitment to fighting against a wrong that troubles him (as it undoubtedly does many Americans).

Instead of constructing a narrative out of a handful of incidents, a la Trump's odd statements or Biden's flubs, observers should look for times when candidates have to speak unrehearsed at length, like in a debate.

In what she said was an unrehearsed speech, Field urged attendees of Fire Drill Fridays, Fonda's name for the Washington protests, to get out of their comfort zones and embrace drastic change to protect the environment.

In an essay in the book, curator and writer Matthew Hearn observes: Unrehearsed and irreversible, her playful reworkings of old black-and-white photographs are essentially all-in attempts to reconvene the image: to make it happen (again).

"I appreciate that OSC recognized that the statement in question was part of an off-the-cuff, unrehearsed response to an impromptu question, and that they found this resolution to be the appropriate consequence," O'Rielly said in a statement on Tuesday.

In the months since his defeat, Mr. O'Rourke himself seemed to be casting about for answers, discussing a possible run with advisers but appearing genuinely conflicted — seeking clarity at one point by making a solo road trip to meet Americans in unrehearsed settings.

"I've been sort of mystified at the notion that we should somehow ignore what are by most accounts completely unrehearsed, un-poll-tested utterances from the mouth of the person who's about to become president of the United States," Ms. Davis says.

But it's also why, on the rare occasions he's had to publicly attempt a role contrary to his nature — calling for healing from a script after a mass shooting, for instance — he sounds as stagey and inauthentic as an unrehearsed amateur doing a sitcom cameo.

Several prominent New York actors have signed on to take part in an unusual theatrical exercise in which they will each separately perform the same unrehearsed play before a live audience over a series of weeks, without the benefit of either a director or a set.

Though the firewall between performance and governance has been steadily eroding since the days of Ronald Reagan, it seems to have collapsed altogether when a United States president, famous for blowing off his daily briefings, shows up for his job proudly unrehearsed, without having read the script.

What's interesting about it, though, is its structure: Waits sabotages his own rhyme scheme in the first verse, and new sections of the song seem to start without the entirety of the band being on board, the kind of unrehearsed feel that some Neil Young or Bob Dylan recordings have become famous for. 6.

He considers the aftermath of his death — "It's a short life, sadly unrehearsed/But when I die if you think of me think of me think of my best first" — in a track that's frenetically alive, zooming along with countless minimalistic layers, electronic and orchestral, from dance-floor drumbeats to hoedown fiddles all surging with major-key exuberance.

It was an artificial charade, cynically created to suggest to the viewer unrehearsed extemporisation, just as these revolting talk-shows do.

This is the 25th studio album by Peter Hammill, released on his Fie! label in 1998. There is a large variety in the compositions, ranging from the minimalism of the final song, "The Light Continent", to the rough, almost Nadir-like sound of "Always is Next", the complex "Unrehearsed" and the ballad "Since the Kids". Peter Hammill performed the song "Unrehearsed" live many times.

They address the viewer directly, acting as tourists-turned-tour guides, but are also filmed interacting with locals and discovering interesting locations in mostly unrehearsed sequences.

He toured for many years with Tracy Grammer and his accompaniment has appeared on both her solo albums. The two met for the first time at their first gig, unrehearsed. He is also a music producer and sound engineer.

He accepted and booked the yet unrehearsed band. James was in Sydney filming Return to Eden, he had available time. I called guitarist Ian Moss (Cold Chisel) who was unavailable however his housemate Harvey James (Ariel, Sherbet) was and agreed to participate.

An Unrehearsed Desire (2008) was longlisted for the ReLit Awards. Her short fiction has also been shortlisted for the CBC Literary Awards and she is the recipient of two Mid-Career Writer Sustaining grants from the Canada Council for the Arts, in 2000 and 2006.

They address the viewer directly, acting as tourists-turned-tour guides, but are also filmed interacting with locals and discovering interesting locations in (mostly) unrehearsed sequences. Globe Trekker also sometimes includes brief interviews with backpackers who share tips on independent travel in that particular country or city.

"Slip Kid" has since seen praise from critics, appearing on lists of the best Who songs and often being described as underrated. It has appeared on multiple compilation albums since its release and has been performed live intermittently throughout the Who's touring career, including an unrehearsed performance in 2016.

The next day, the track "Unrehearsed" was made free to download on RCRD LBL's website. On August 22, 2012, the track "Behemoth" premiered on CMJ's website. Sublime Currency was released on August 28, 2012, and a music video for the single "Sublime Currency" was released on September 7.

In early 2016, in the immediate wake of Bowie's death, a third performance from the Hong Kong shows appeared online. This was a live and unrehearsed cover of John Lennon’s "Imagine". The date of the last Hong Kong show was December 8, 1983, which was the third anniversary of Lennon’s murder.

But in the 16 mm. film taken by Kodak Ltd. in his own clinic the whole operation is photographed, and although now and then there may be a grimace or a hint of nervousness, there is certainly no crying or resistance. The children in the film, quite unrehearsed, behave perfectly.

The Pizza Tapes is an album by Jerry Garcia (acoustic guitar, vocals), David Grisman (mandolin), and Tony Rice (acoustic guitar). It was recorded at Grisman's studio on two evenings in 1993, and features unrehearsed performances of folk and bluegrass songs. It was released on the Acoustic Disc label on April 25, 2000.

Vinyl is often credited as Edie Sedgwick 's first appearance in film, although she actually appeared in a non-speaking role in the earlier Warhol movie Horse (1965). Sedgwick has no lines of dialogue in the entire film. Vinyl was filmed unrehearsed and was also performed live in various stage productions.Joseph, Branden.

To resolve this, in an unrehearsed panic, host Terry Wogan called back the juries to announce their favourite of the two songs. This led to extreme confusion when the scoreboard failed to keep up and some juries contradicted the results they had given earlier. Prima Donna won, with eight juries to Maggie Moone's six.

Point Break Live! is a parody by Jaime Keeling of the 1991 Keanu Reeves, Patrick Swayze action crime movie Point Break. Sometimes credited as the first-ever "reality-play", each performance features a new, unrehearsed actor in the protagonist role of Johnny Utah, reading their lines from cue-cards delivered by a production assistant.

Subtitled "with meaningful and viable scenarios at this moment in time". Recording the nonsense rampant in "on the spot" interviews beginning in the 1970s, as television news coverage went live outside the studio, leading to unrehearsed speeches which naturally tended toward currently fashionable clichés (for example, instead of "there is a siege", "we have an ongoing siege situation").

" The band's remaining tour dates in England were cancelled. After recovering from the episode, Partridge rejoined the group for their first tour of the US as a headlining act. The band played the first date in San Diego. Gregory said that they were "totally unrehearsed" during the performance because "we'd not played together for two weeks.

The Charlotte Peters Show was a weekday live variety television show. It aired at noon on KSD-TV from 1956-1964 and then on KTVI until 1970. It was unrehearsed and much audience participation was involved. While the show focused on local personalities, Peters did have celebrities on the show occasionally, including Eddie Fisher, Bob Hope, Minnesota Fats, and Alfred Hitchcock.

Young Buckethead Vol. 2 is a DVD made by Buckethead and released in 2006 by Jas Obrecht's label, Avabella. Vol. 2 includes two complete Deli Creeps concerts in San Francisco, unrehearsed backstage footage, and a rare Buckethead interview in a park. Saucy Patches appeared in one concert (9/1/90), before being replaced by Tony Black in the other concert (4/3/91).

The band played the first date at The California Theatre in San Diego on 3 April. Gregory said that they were "totally unrehearsed" during the performance because "we'd not played together for two weeks. ... It was obvious that he was ill, but exactly what it was, no-one knew." Partridge remembered feeling stomach pains again and played the entire performance on "auto-pilot".

A 60-minute improvisational comedy game show where performances are unscripted, unrehearsed, and spontaneous. Two groups of three celebrities or comedians will compete in three rounds as they tackle various improvisational scenarios. A special guest is also invited to perform with the competing groups.Betong Sumaya and Sheena Halili bring happier weekends via GMA's comedy game show Laff, Camera, Action!. gmanetwork.com.

Both singles are on the album Something's Going On, which was released on March 31, 2017, via Wheelhouse Records, and its title track became a video. On July 4, 2016, Adkins made a surprise appearance at his hometown Independence Day celebration in Sarepta, Louisiana. He joined on stage the Backbeat Boogie Band with several unrehearsed songs. In 2019, Adkins appeared on Hardy's new album, Hixtape Volume 1.

On Wednesday 29 January 1969 The Beatles performed an unrehearsed version of "Peggy Sue Got Married", which became a medley when John began singing words from "Thinking of Linking". This performance is brief and Sulphy and Schweighardt reported, 'Unfortunately, everyone seems to have half-forgotten the tune.' Towards the end of this performance the distinctive introductory guitar chords can also be heard being played.

Fat and Frantic stopped performing regularly in 1992. There was a reunion 'final gig' at Greenbelt, in 1998. A four-date mini-tour took place in July 2011. Since circa 1986/7, members of the band and others have formed a loose, expansive collective, independent of Fat and Frantic, who play unrehearsed, sometimes shambolic rock and roll covers under the title 'Rev Softly and the Residential Areas'.

On subsequent missions, extra anti-slosh baffles were added to the tanks to prevent this. Armstrong acknowledged Aldrin's completion of the post landing checklist with "Engine arm is off", before responding to the CAPCOM, Charles Duke, with the words, "Houston, Tranquility Base here. The Eagle has landed." Armstrong's unrehearsed change of call sign from "Eagle" to "Tranquility Base" emphasized to listeners that landing was complete and successful.

It was released as a promotional single for the album on 27 November 2015. On 11 November 2016 it was released digitally as the fifth single proper from the album, in a newly recorded stripped-down version inspired by Martin's unrehearsed solo performance of the song at the recent Glastonbury Festival. This version ends with a sample of Muhammad Ali's 1977 speech in Newcastle upon Tyne.

Carvel's commercials stood out and raised brand awareness primarily through their lack of sophistication. Carvel had a distinctive "gravelly" voice, lacking the "slick" sound of most professional voice-over artists, and all his narration was unrehearsed. His wording was conversational, with commercials frequently ending with the words "Thank You". Television commercials, aired primarily in the "tri-state area" of New York, New Jersey and Connecticut, began in 1971.

During the pilot episode, the show received fairly negative reviews from the viewers emphasizing the design of the infamous red chairs, and set. The show was also observed having longer commercial loads ending up to a huge gaps per show. The coaches' opening performance was also deemed unrehearsed. Pooled reviews from novices of the franchise stated that the coaches were found to be a bit exaggerated on television.

The third official single "Up&Up;", was released on 22 April 2016. The fourth official single, "A Head Full of Dreams", was released on 19 August 2016, with an accompanying music video. A newly recorded, stripped-down version of "Everglow" – inspired by Martin's unrehearsed solo performance of the song due to a technical mishap at Glastonbury Festival – was released on digital outlets as the fifth single on 11 November 2016.

Phideaux decided to make an "album in a day". On March 13, 2004, Phideaux musicians converged in Los Angeles for an unrehearsed recording session. During that day, they composed and recorded 13 songs, but the sessions were shelved until after Chupacabras was released. In 2005, Phideaux and Gabriel Moffat polished up the recordings, and on March 13, 2006, released the album 313 (named for the date upon which it was recorded).

During the pilot episode, the show received fairly negative reviews from the viewers emphasizing the design of the infamous red chairs, and set. The show was also observed having longer commercial loads ending up to a huge gaps per show. The coaches' opening performance was also deemed unrehearsed. Pooled reviews from novices of the franchise stated that the coaches were found to be a bit exaggerated on television.

In the early 1980s, Rickles began to perform with Steve Lawrence in concerts in Las Vegas. In 1983, the duo co-hosted Foul-Ups, Bleeps & Blunders, an imitation of TV's Bloopers & Practical Jokes. In 1985, when Frank Sinatra was asked to perform at Ronald Reagan's Second Inaugural Ball, he insisted Rickles be allowed to perform and do it unrehearsed. Rickles considered this performance the highlight of his career.

During the pilot episode, the show received fairly negative reviews from the viewers emphasizing the design of the infamous red chairs, and set. The show was also observed having longer commercial loads ending up to a huge gaps per show. The coaches' opening performance was also deemed unrehearsed. Pooled reviews from novices of the franchise stated that the coaches were found to be a bit exaggerated on television.

Upton released Key of David in 2000. It was recorded live in Virginia Beach that year and was produced by Upton's own Key of David Ministries. Over half of the album consisted of unrehearsed, spontaneous songs and declarations. Later in 2000, Upton appeared at a National Day of Prayer and Fasting event called "The Call D.C." On August 14, 2001, Upton released his second album, Faith, which was recorded live and released on 40 Records.

Laurel later said, "Oliver Hardy and I were always planning to do something on TV. But we never dreamed that we would make our television debut on an unrehearsed network program...I was damned if I was going to put on a free show for them." In 1993, Angie Dickinson refused to appear on a retrospective show. One of the show's subjects was Rev. Kiyoshi Tanimoto, a survivor of the atomic bombing of Hiroshima.

In the game proper, two sets of groups with three contestants will compete. They will play an unscripted, unrehearsed, and spontaneous comedic role play with different scenes given by various ComeDirectors each week. At the end of the show, the MapanghusGANG will give comments regarding to their performance and will decide who will be the winner of the week.Direk Caesar Cosme, Gladys Guevarra at Sef Cadayona ang mga judges sa Laff, Camera, Action!. gmanetwork.com.

Live From Daryl's House is a critically acclaimed webcast started by Hall in late 2007. The show features Hall and his band, including Lewis, playing live, unrehearsed songs with guest artists such as veterans Smokey Robinson, Todd Rundgren, and Rob Thomas, and new acts like Fitz and the Tantrums, the Dirty Heads, and JOHNNYSWIM. Lewis is the only member of the Live From Daryl's House band (besides Hall himself) who has played on every episode.Jennings, Thom (June 5, 2014).

One of the most dramatic techniques was to ambush politicians and other figures at their homes or on their way to work and ask them difficult questions. Many leading figures at these unrehearsed interviews. The show was also instrumental in news coverage of the Munsinger Affair, a 1966 sex scandal involving former federal Minister of Defence Pierre Sévigny. When Zolf showed up on Sévigny's doorstep in pursuit of the story, Sévigny whacked Zolf on the head with his cane.

Dylan appeared on Late Night with David Letterman on March 22, 1984. He performed with Quintana, Holiday (introduced by Letterman as "Justin Jesting"), and bassist Tony Marsico. Performing three songs with his band of post-punk musicians, the Plugz, Dylan delivered what many consider to be his most entertaining television performance ever. The combo first performed an unrehearsed version of Sonny Boy Williamson's "Don't Start Me to Talking", then a radically different arrangement of "License To Kill".

Barrymore travelled around the country in his customised sports car visiting shopping centres, where amateurs performed on a stage for the programme unrehearsed. Some acts were simply shown performing together with the audience reaction, whereas others were interviewed by Barrymore or shown inter- dispersed with footage of Barrymore to the side of the stage engaged in foolish behaviour in order to get reactions from the audience. Often, Barrymore would join the act on stage and continue the tomfoolery.

From there the music develops with melodies overlaying one another, including Foster's Massa's in the Cold Ground and My Old Kentucky Home. These fade in and out of view, with In the Sweet By and By circulating around the music, never explicitly quoted. Only at the climax, when Ives depicts the crowd's impromptu singing, does the orchestra unequivocally state the hymn – or rather a representation of it in the unrehearsed, completely sincere form Ives recollected from that day.

Francks composed songs and played trombone, drums, and flute. He performed in jazz clubs such as George's Spaghetti House in Toronto and the Village Vanguard in New York City, where he recorded the album Jackie Gleason Says No One in This World Is Like Don Francks (Kapp, 1963). In New York City he recorded Lost...and Alone (Kapp, 1965). In August 1962 his avant-garde jazz group Three debuted unrehearsed at the Purple Onion coffeehouse in Toronto, Canada.

That conference concept continues today in the form of their Code Conference. Mossberg and Swisher also co-edited the All Things Digital web site, which included his columns, her blog and other posts. On May 30, 2007, Mossberg and Swisher conducted a historic, unrehearsed, joint onstage interview with Steve Jobs and Bill Gates. The next month, Mossberg was one of only four journalists provided with advance access to the first iPhone in order to review it.

It sounds unrehearsed but it was that loose...For Sound, we rehearsed four to five days per week...It took us two recording days to do Sound and it went well." Wadada Leo Smith commented: "It's no accident that Roscoe called that important piece of his Sound. Sound - not pitch - that's the difference." According to Mitchell, "[t]he musicians are free to make any sound they think will do, any sound that they hear at a particular time.

In March 2008, it was confirmed that Coogan would return to doing stand-up comedy as part of his first stand-up tour in ten years. The tour, named "Steve Coogan as Alan Partridge and other less successful characters", saw the return of some of his old characters including Paul Calf and Alan Partridge. Reviews of the tour were mixed. Much of the criticism focused on the apparent unrehearsed quality of some of the performances and on Coogan's nervous stage presence.

Dark Magus features four two-part compositions with an average length of 25 minutes each. The album's music was unrehearsed and eschewed melody for improvisations around funk rhythms and grooves. The rhythms, colors, and keys "would shift and change on a whim from Davis", as AllMusic's Thom Jurek said. The trumpeter eschewed his previous performances' keyboardists in favor of a three-guitar line-up of Reggie Lucas, Dominique Gaumont, and Pete Cosey, who had a penchant for guitar wails and pedal effects.

Although unrehearsed, and spoken in the particular circumstances of the game, the words echoed to an extent those of German commentator Herbert Zimmermann - "It's over! Over! Over! Germany are the World Champions" - when West Germany won the 1954 World Cup against Hungary. In the seconds leading up to Hurst’s goal Wolstenholme himself had twice anticipated the match being “all over” as the referee checked his watch and, at one point, put his whistle in his mouth as he waved play on.

Keresman said some of the pieces sound like "the soundtrack to a movie thriller yet to be made". On "Evidence" Frith and Anderson produce notes that "build and release tension" like "an Ennio Morricone film score". Georges Tonla Briquet remarked on the Belgian jazz website, JazzHalo that the only thread linking the collection's diverse tracks is that the music is completely unrehearsed and improvised. He said while there is plenty of noise and unusual sounds, there are many quiet and delicate sections.

The Santa Cruz Hemp Allstars are a super-jam group put together by Poco Marshall, featuring members of Sound Tribe Sector 9, Estradasphere, Netwerk:Electric, The Disco Biscuits, The Slip, The Living Daylights, and DJ Logic. The first show was held at Palookaville in Santa Cruz, California on April 20, 2001 as a Santa Cruz Hemp Fest afterparty. The group plays totally unrehearsed improvised jam sessions. There have only been a total of seven appearances ever by the Santa Cruz Hemp Allstars.

A cover of Ella Fitzgerald's "Summertime" was her first performance in a live band and totally unrehearsed, she performed one more time there at the age of thirteen. Deva went on to write her own lyrics and later recorded a demo on her friend's 8-track console. Her first band was called Mad Dog, a punk group in which she was co-vocalist. She only did one show with the band, in Tunbridge Wells, Kent, supporting legendary punk band 999.

Leonard Bernstein, who had made his historic, unrehearsed and spectacularly successful debut with the Philharmonic in 1943, was Music Director for 11 seasons, a time of significant change and growth. Two television series were initiated on CBS: the Young People's Concerts and Leonard Bernstein and the New York Philharmonic. The former program, launched in 1958, made television history, winning every award in the field of educational television. Bernstein continued the orchestra's recordings with Columbia Records until he retired as Music Director in 1969.

The type of music that is created at these event varies from old-style retro Berlin School to new contemporary electronic music (EM). Musicians and fans usually have to make an effort to reach the exotic locations. Once there, the setting and atmosphere allows fans and musicians to live in a communal setting for a few days (usually a week) to inspire/create/enjoy electronic music. All music created at each event is live, unrehearsed, and improvised - and captured in one take...

Maria Hayward, Stuart Style (London, 2020), p. 45. When Killigrew visited Stirling Castle in June 1574 he met Annabell Murray on the road and passed on Queen Elizabeth's messages of good will. He saw the eight-year old king speaking French and Latin, translating from the Bible, Buchanan and Young showed him that James could do this for any passage, unrehearsed, and then they made the king dance for him.Calendar of State Papers Scotland, vol. 5 (Edinburgh, 1907), p. 13.

His channels have a combined total of more than 2.6 billion views. He was a contestant on the 22nd and 24th seasons of The Amazing Race, and has appeared in a handful of short films as well as creating and hosting Escape the Night, an unscripted, unrehearsed web series, distributed by YouTube via its paid-subscription service YouTube Premium. He appears in all four of the seasons with several other YouTubers, including Liza Koshy, Shane Dawson, Colleen Ballinger, and Rosanna Pansino.

Much of the voice recording was done with multiple actors in the recording booth at one time. This was a new method for Edwards, and he explained that he did it to "allow for those messy, unrehearsed moments that can happen when the actors 'bump into each other' a little more." Mark Keefer, who had previously collaborated with Edwards on Hoodwinked!, served as the sound designer and re- recording mixer on the series, while Josh Greene served as the sound engineer.

The series featured a guest describing events leading up to a critical moment in their life. At the major turning point in the story, the guest's story was stopped, and professional actors who did not know the outcome of the event, would act out the rest of the guest's story as they imagined it might have been resolved. The actors worked unrehearsed and without scripts. After the scene was acted out, the guest would return to explain what actually happened.

Music theorist Daniel Harrison writes: "Party was an exercise in minimalistic production ... The performances seem unrehearsed, the instrumental support is minimal (acoustical guitar, bongo drums, tambourine), and fooling around (laughing, affected singing, background conversation) pervades every track." It was Wilson's first exploration in "party tracks", a form of music which includes the sounds of people shouting and making noises as if at a party. He would continue this approach with Smiley Smile in 1967. Several other songs were also recorded, but not put on the album.

Washington is known for her tambourine playing in support of Southern Jaguars football and LSU Tigers football games where she performs unrehearsed in the crowd along with the cheerleaders and marching band. Videos of her tambourine enthusiasm at football games went viral on Facebook in November and December 2017, leading to a profile about her on ABC News. In addition to playing music, Washington like to write poetry and to sketch. She works occasionally as a substitute teacher, and as a parking lot attendant at the Superdome.

It is a hand-held camera, or given the appearance of being hand-held, and in many cases shots are limited to what one photographer could have accomplished with one camera. Shaky cam is often employed to give a film sequence an ad hoc, electronic news-gathering, or documentary film feel. It suggests unprepared, unrehearsed filming of reality, and can provide a sense of dynamics, immersion, instability or nervousness. The technique can be used to give a pseudo-documentary or cinéma vérité appearance to a film.

Wang coined the term freeism to describe his artistic practice. According to Q. Wang, Freeism means creating through an associative unrehearsed process, spontaneously using colors shapes, tones and brushwork without any real adherence to the objective world or naturalism. The contemplative, introspective tone and intent of Q. Wang's work merges styles of Contemporary Art and Chinese Culture. Because of the idiosyncratic nature of the artist's work, he can also be considered as an outsider artist,Colin Rhodes, Outsider Art: Spontaneous Alternatives, Thames and Hudson, 2000.

Within several weeks of starting to play as Reverend Horton Heat, Heath began recruiting local musicians to play with him, sometimes unrehearsed. The very first show by Reverend Horton Heat with a band consisted of Heath, Jack Barton, Peter Kaplan and Tim Alexander. As Tim Alexander had a full-time gig with Asleep at the Wheel, the band became a trio. However, Tim Alexander played piano, organ and accordion on many Reverend Horton Heat albums as well as playing organ in Heath's side project Reverend Organ Drum.

Nabors asked the band leader what key they were going to play, and it was not until that moment that he was informed he was going to be singing "Back Home Again in Indiana". A surprised Nabors quickly jotted the lyrics down on a sheet of paper, climbed up on a ladder, and performed the song unrehearsed. Although some contemporary accounts vary, it was nevertheless the beginning of a 36-year tradition that would see Nabors perform the song at Indianapolis nearly every year through 2014.

In June of the following year the Board of Governors came down with full force on religion: 'questions about religion were in future to be excluded from the Brains Trust programmes'.Howard Thomas, With an Independent Air, London : Weidenfeld and Nicolson, 1977, 81–82. The conversation was free-wheeling, unscripted and unrehearsed, relying on the skills of the presenters to fashion cogent responses in the time available. This produced an 'edge-of-the-seat' feel to the performance which did much to add to its popularity.

"Giant Steps" was composed and recorded during Coltrane's 1959 sessions for Atlantic Records, his first for the label. The original recording features Coltrane on tenor saxophone, Paul Chambers on double bass, Tommy Flanagan on piano, and Art Taylor on drums. John Coltrane was known for coming into the studio with unrehearsed songs, and "Giant Steps" was no exception. On the original recording, Flanagan played a choppy start-stop solo where it sounds like he is struggling to improvise over Coltrane changes without adequate preparation.

Oddly for an instrumental piece, "Nathan's Reel" simply fades out. The most peculiar decision was the inclusion of an unrehearsed version of "Camptown Racetrack"; years later Maddy Prior remarked, "I can't think what we were thinking of with that." This was the band's ninth album in five years, and many feel that their exhaustion is evident. Peter Knight has said that the band was being pressured to write and adapt music for the commercial market, which led to considerable dissatisfaction among the band members.

313 is the fourth album released by composer Phideaux Xavier. Xavier and his band of musicians had done three well rehearsed, well conceived albums, and decided to make an "album in a day". On March 13, 2004, all of Phideaux Xavier's musicians met in Los Angeles for an unrehearsed recording session. During that day, they composed and recorded 13 songs; however, the final results were deemed to be nothing more than embryonic, and those sessions were shelved until after the album Chupacabras was released.

Graham breaks up with her as he leaves for his African photo shoot, wishing that she did not feel the need to hide him from her parents. However, her "faux-beau" diversion was still in effect, and in "Frenemies" Evan is taken to meet her parents. When her father blindsides them by taking them to a year-round hunting grounds, Evan's inadequacy leads to his suffering a minor injury. After realizing Evan's dedication to her, and hearing his heartfelt, unrehearsed speech on her own dedications, she decides to take him out for dinner.

John Trudell, John Trudell Archives Re-releases The Critically Acclaimed Aka Grafitti Man, March 21, 2017 In the spring of 1987, the Graffiti Band performed with Taj Mahal at the Palomino Club in North Hollywood, California. At this show, George Harrison, Bob Dylan and John Fogerty got up from the audience to join Davis and Mahal in an unrehearsed set which included Fogerty's "Proud Mary" and Dylan's "Watching the River Flow", as well as classics such as "Blue Suede Shoes", "Peggy Sue", "Honey Don't", "Matchbox" and "Gone, Gone, Gone".

Cooper's first album, Pretties for You (released in 1969), was eclectic and featured an experimental presentation of their songs in a psychedelic context. Alice Cooper's "shock rock" reputation apparently developed almost by accident at first. An unrehearsed stage routine involving Cooper, a feather pillow, and a live chicken garnered attention from the press; the band decided to capitalize on the tabloid sensationalism, creating in the process a new subgenre, shock rock. Cooper claims that the infamous "Chicken Incident" at the Toronto Rock and Roll Revival concert in September 1969 was an accident.

The performances were unrehearsed, and it was said that Travis could start and stop anywhere he chose in order to meet the time constraints.Liner notes by Rich Kienzle Keeping his eye on the clock as he played, Travis drew on his rich repertoire of Muhlenberg County guitar licks, blues, old standards and gospel songs. Some songs were untitled when they were recorded and were only given titles by Capitol later. These songs were still lying in the vaults when Travis' fame as a guitarist began to reach a wider public in the 1950s.

This can be done as an impromptu event or – perhaps for a special occasion – with elaborate planning involving fantasy wear, music, special lighting, practiced dance moves, or unrehearsed dance moves. Striptease involves a slow, sensuous undressing. The stripper may prolong the undressing with delaying tactics such as the wearing of additional clothes or putting clothes or hands in front of just undressed body parts such as the breasts or genitalia. The emphasis is on the act of undressing along with sexually suggestive movement, rather than the state of being undressed.

The program was produced on a low budget funded by Seeger and his co-producer, Sholom Rubinstein. Seeger's wife, Toshi Seeger, given the title "Chief Cook and Bottle Washer" in the closing credits after each show, actually functioned as the director by dint of the fact that she continually made suggestions to Rubinstein that he passed along to the camera operators. Eventually the cameramen simply followed her instructions without waiting for Rubinstein to repeat them. The shows were unrehearsed and there was no studio audience even though Seeger's metier was leading his audiences in song.

On October 3, at the end of her second song, a cover of Bob Marley's song "War", musical guest Sinéad O'Connor created controversy by holding up a picture of Pope John Paul II, exclaiming, "Fight the real enemy", and tearing the picture to pieces. According to the book Live From New York, this was unrehearsed, and condemned by Michaels and the SNL crew, who refused to light the applause sign after O'Connor's performance; likewise, guest host Tim Robbins, who was raised Catholic, did not thank O'Connor during the closing.

Russell and John appeared on The David Frost Show with Fillmore owner Bill Graham at this time. "Leon Russell and Friends" recorded the "Homewood Sessions", broadcast as an "unscripted and unrehearsed" one-hour TV special on KCET (Los Angeles) that aired in December 1970 and was later re-broadcast several times on the Public Broadcasting Service. Leon performed on The David Frost Show on December 3, 1970. During the 1970s and 1980s, Russell owned The Church Studio on 3rd Street (renamed Leon Russell Road in 2010 by the Pearl District Association) in Tulsa.

Erlewine, Stephen Thomas (November 1, 2001). [ Review: Miles Smiles]. Allmusic. Retrieved on 2010-11-03. Erlewine viewed that the quintet "really began to hit their stride, delving deeper into the more adventurous, exploratory side of their signature sound ... all their strengths are in full bloom", and elaborated on the music's accessibility: Down Beat complimented its "simpler, drier, more austere sound" and stated "the unrehearsed, rough Miles Smiles holds up so well simply because it was more of a jazz record ... Davis' exquisite waltz, `Circle,' showcases his lyrical, muted-trumpet playing".

"Cueing Up: Situating Power on the Tahitian Stage" Yearbook for Traditional Music Vol 36 (2004): 116 The drummers are able to add some flexibility to the rigidness of the Tahitian drum dancing performances. The drummers have to be able to communicate well (through cues) with the dancers because they often make spur of the moment changes to the music. For example, sometimes they choose to repeat previously used material or add unrehearsed music to the performance. The performers are trained to listen closely in order to follow the changing shape of the performance.

However, he was able to make it through "Pinball Wizard" and "I'm One" despite his rough sounding voice. "Eminence Front", which had been featured in all of the shows, was dropped in favor of the unrehearsed and rarely played "Slip Kid" due to Townshend's hoarse voice. For most of the 2016 tour dates in North America, British band Slydigs performed a four-song opener for The Who, though the band's final North American concert in Las Vegas, Nevada at the Colosseum at Caesars Palace did not feature an opening act.

Scratch Messiah, Royal Albert Hall 2015 A Scratch Messiah, People's Messiah, Come Sing Messiah, Sing-it-yourself Messiah, Do-it-yourself Messiah (DIY Messiah), or Sing along Messiah (the first two British and Australian usage, the last three common in North America) is an informal performance of Handel's Messiah in which the audience serves as the unrehearsed chorus, often supported by a carefully prepared core group. Orchestra and soloists are usually professionals, though their services are often donated for charity benefits. The "scratch" name derives from the idea of cooking or building from scratch.

Sutton, April 1962 Lee's breakthrough came in February 1955, when she turned down $30 to appear on a Swainsboro radio station in order to see Red Foley and a touring promotional unit of his ABC-TV program Ozark Jubilee in Augusta. An Augusta disc jockey persuaded Foley to hear her sing before the show. Foley did and agreed to let her perform "Jambalaya" on stage that night, unrehearsed. Foley later recounted the moments following her introduction: On March 31, 1955, the 10-year-old made her network debut on Ozark Jubilee in Springfield, Missouri.

36, The Art of Action and Reaction, Dennis Kirby Techniques in San Soo are made up of Chin Na leverages, throwing, choking, joint-locking, strangling, strikes, and quick takedowns.Black Belt, Sep 1995, p.39, Wing Chun vs San Soo Kung Fu, John Bishop Targets include the eyes, nose, throat, base of the skull, neck, liver, spleen, kidneys, testicles, and knees, and for this reason, most San Soo practitioners do not engage in full contact competition/sport fighting. Techniques are commonly practiced in unrehearsed 'freestyle workout' sessions with carefully controlled contact.

Ya Ho Wha 13 and The Source Family Founded in 1973 in the Los Angeles area, Ya Ho Wha 13, otherwise known as Ya Ho Wa 13 or Yahowha 13, is a psychedelic rock band fronted by Father Yod, spiritual leader of a religious cult/commune called the Source Family. Ya Ho Wha without the vowels and spaces reduces to YHWH, the tetragrammaton. The band recorded nine LPs full of their extreme psychedelic sound with tribal drums and distorted guitars, some of which were completely unrehearsed jam sessions, others which contained more conventional rock songs.

They only won the UK heat A Song For Europe after a countback after the initial regional voting had placed them joint first with Maggie Moone. In an unrehearsed panic, host Terry Wogan asked each of the fourteen regional juries to cast a single vote for which of the songs they preferred. Some juries voted against the way they had earlier in the show and with the scoreboard unable to keep up, the entire process descended into farce. Regardless, Prima Donna were declared the winners and went forward to Eurovision.

"Boredom" was placed at number 11 in Mojo magazine's list of "100 Punk Scorchers" in 2001. The 1980s indie band Orange Juice mentioned "Boredom", used a line from it and adapted the guitar solo on their 1982 single "Rip It Up". The early 2000s Letterkenny garage band, The Black Dahlias, covered the song on their album Live & Unrehearsed. The self- publication of Spiral Scratch is cited as an event which led to the rise of independent record labels and ultimately resulted in the name "indie" being used to describe a style of music as well as a publishing model.

She and Parravicini also starred in "Ocho en línea" at the Corrientes Theater, but the reviews were scathing. El Mundo reported that "the show seemed unrehearsed" but praised Bence saying, "Newcomer ... , managing with grace and efficiency". In "Conde de Chantenay", which had a short run due to Parravicini's health, Bence was rated by the press as "demure, competent and pleasant" and in "De mí no se ríe nadie", which was directed by León Zárate, she appeared in 200 performances. In 1937, Bence took a more serious role in Luis Saslavsky's drama La fuga, in which she supported Tita Merello and Santiago Arrieta.

Two US tours followed, and the 2004 tour included an unrehearsed guest appearance by Oleta Adams at the Kansas City show for a performance of "Woman in Chains". The song "Who Killed Tangerine?" was used in the movie Fever Pitch. Everybody Loves a Happy Ending was released in the UK and Europe in March 2005 on Gut Records, shortly after the comeback single "Closest Thing to Heaven" became the first Tears for Fears UK Top 40 hit in a decade. The promo video for the single was a colourful fantasy that featured Hollywood actress Brittany Murphy riding in a hot air balloon.

On 11 May 1997, Deep Blue became the first computer chess-playing system to beat a reigning world chess champion, Garry Kasparov. The super computer was a specialized version of a framework produced by IBM, and was capable of processing twice as many moves per second as it had during the first match (which Deep Blue had lost), reportedly 200,000,000 moves per second. The event was broadcast live over the internet and received over 74 million hits. In 2005, a Stanford robot won the DARPA Grand Challenge by driving autonomously for 131 miles along an unrehearsed desert trail.

2006 is an album released in 2004 by Manfred Mann with Manfred Mann’s Earth Band. Manfred Mann preferred to point out that this is rather his solo album. His explanation for this is given in the sleeve notes, where he says that some of the tracks ('Mars', 'Two Friends', 'Two Brides', ' Slave', 'Frog' and 'Get Me Out of This') were recorded in a more unrehearsed and experimental way than the others. Because of this, Mann preferred to present this outside the normal Earth Band context, as representative only of his personal tastes and not those of his Earth Band colleagues.

Connolly is an original member of the alternative band the Ape Drape Escape The Ape Drape Escape's website and played drums on their debut E.P. 'The Fracture Clinic', which received four 'K's from Kerrang magazine (from reviewer Camilla Pia) on 25 October 2003. He left the band but continues to make music with the comedy punk band the Friends of Batman, The Friend's of Batman's website in which he is a co- singer/songwriter. They have been labelled 'ramshackle' by Sandman Magazine for their unrehearsed and drunken performances. Jim is also an occasional magazine article writer and comic book enthusiast.

Its largely unrehearsed, nighttime recording session found the singer improvising with Trio Mocotó's groove-oriented accompaniment while experimenting with unconventional rhythmic arrangements, musical techniques, and elements of soul, funk, and rock. Ben's lyrics explore themes of romantic passion, melancholy, sensuality, and – in a departure from the carefree sensibility of past releases – identity politics and elements of postmodernism. A commercial and critical success, Fôrça Bruta established Ben as a leading artist in Brazil's Tropicália movement and pioneered a unique sound later known as samba rock. In 2007, Rolling Stone Brasil named it the 61st greatest Brazilian music record.

The major locations they filmed in include all of the first season's except Reykjavík, and the following new ones: Amsterdam, Argyll, Chippenham, Los Angeles, Malta, Positano, Redwoods, and São Paulo. Production start for the main unit of the second season was given an expected date of March 2016, but a separate shoot involving the principal actors began on December 30, 2015, in Berlin, to capture footage during the Christmas holidays. Main unit filming resumed in Berlin in the middle of March 2016. In São Paulo, they filmed unrehearsed in front of a crowd of millions in its 20th Gay Pride Parade.

Following up with what was described as "a palpable hit," Bond directed Ian McKellen's one-man show, Shakespeare, Tolkien, Others & You, a fundraiser for the theatre that ran for eleven performances in July 2017. The McKellen show and other fundraising strategies having permitted Park Theatre to produce more in-house productions each year, 2018 saw Bond direct Robert Schenkkan's post-Trump dystopia Building the Wall. In July 2019, he will direct Whodunnit [Unrehearsed], a fundraiser written by himself and actor Mark Cameron, in which celebrity actors will star in a murder mystery with a script unknown to them until the moment of performance.

They were under instructions to outperform the Concorde display by all means. During the unapproved, and therefore unrehearsed manoeuvres, the stability and control augmentation system was not operating normally. If it had been it would have prevented the loads that caused the port wing to fail. A popular Russian theory for the crash was that the Tu-144 tried to avoid a French Mirage chase-plane that was attempting to photograph its canards, which were very advanced for the time, and that the French and Soviet governments colluded with each other to cover up such details.

Gordon Brown caused controversy during September and early October 2007 by letting speculation that he would call a snap general election continue. The Labour Party launched an advertising campaign, Not Flash, Just Gordon, which was seen largely as pre-election promotion of Brown as Prime Minister. Following the negative reaction to his visit to British troops in Iraq during the 2007 Conservative Party Conference, an unrehearsed conference speech made by David Cameron and an opinion poll showing Labour 6% behind the Conservative Party in key marginal seats, Brown announced that there would be no election in the near future. He was subsequently accused by his political opponents as being indecisive.

It's Nice Up North is a 2006 comedy documentary made by comedian Graham Fellows as his alter ego John Shuttleworth. It was filmed by photographer Martin Parr and edited by Fellows on his laptop on a very low budget. In the film, Shuttleworth travels to the Shetland Islands to test his theory that the further north in Great Britain you go the nicer people are, Shetland being the most far north part of the UK. He meets various Shetland people in unrehearsed situations. Many assume him to be a real person and not a comic creation, though some scenes are acted, particularly parts with famous local tour guide Elma Johnson.

The Naked Bunyip is a sex documentary and a blend of fact and fiction; "[it] incorporates the fictionalizing of the 'real' that had been a feature of tendencies in French 'new wave' and the American avant-garde narrative cinema." Graeme Blundell plays a shy young man who works for an ad agency, and the agency hires him to survey about sex in Australia. The film consists of "unrehearsed and unscripted" interviews as Blundell's character investigates a variety of sexual experiences, all except for the "normal" heterosexual experience. Among the people interviewed are Dame Edna Everage, Jacki Weaver, Aggy Read, Harry M. Miller, and Russell Morris.

The special suffered from many technical problems (including microphone gaffes and communication issues), featured scenes described as being "surreal", the very New Year being counted in too late and spontaneously ended with an impromptu fight breaking out on stage over the credits. Based on the montage, several media outlets declared First Night to be the "worst New Year's Eve special ever". Kennedy defended the special in an interview with The New York Times, by claiming that First Night was an "anti-New Year's Eve show" which was intentionally unrehearsed and unpredictable. The A.V. Clubs Nathan Rabin would praise the special for meeting Kennedy's stated goal.

Pegg, Bruce. Between 1966 and 1969 Berry released five albums for Mercury Records, including his second live album (and first recorded entirely onstage), Live at Fillmore Auditorium, in which he was backed by the Steve Miller Band. Although this period was not a successful one for studio work, Berry was still a top concert draw. In May 1964, he had made a successful tour of the UK, but when he returned in January 1965 his behavior was erratic and moody, and his touring style of using unrehearsed local backing bands and a strict nonnegotiable contract was earning him a reputation as a difficult and unexciting performer.

Lansburgh was the son of architect G. Albert Lansburgh. His first wife, Janet Martin,Unrehearsed Cougar 'Steals' TV Scene, by Steven H. Scheur, in the Charleston Gazette, April 23, 1959, p 7 was originally Disney's publicist.as explained in the 2008 documentary Walt & El Grupo He was a fervent equestrian,The Tattooed Police Horse, by Rob Nixon, at Turner Classic Movies magazine; retrieved October 8, 2018 and served as a judge at the American Royal Horse Show, where he met his second wife Olive.Olive Boyd Beaham Lansburgh, at the Mail Tribune; published April 6, 2017; retrieved October 8, 2018 He died on his ranch in Eagle Point, Oregon.

The 1838 coronation of Queen Victoria, Edward VII's mother and predecessor, had been an unrehearsed and somewhat lacklustre event in the Abbey, though the newly extended street procession and celebrations around the country had been a great popular success. The success of Victoria's Golden and Diamond Jubilees had created the expectation that Edward's coronation would be an expression of the nation's status as a great imperial power. In December 1901, an Executive Coronation Committee was formed, whose leading member, Viscount Esher, worked closely with the King to set the agenda for the event.Cowgill, Rachel and Rushton, Julian (2006) Europe, Empire, and Spectacle in Nineteenth-century British Music, Ashgate Publishing Limited, (pp.

In September 1952 he travelled to the Federation of Malaya to entertain British troops in a series of concert parties, before returning to the UK to appear in the Royal Variety Performance in November. He finished the year in South Africa, as Honourable Idle Jack in Dick Whittington, which finished in January 1953; he considered the pantomime to be "so tatty and unrehearsed it was pathetic". In June 1953 Terry-Thomas broadcast the pilot episode of the radio show, Top of the Town; the show was successful and the BBC commissioned a series of 16 episodes, which ran between November 1953 and February 1954.

On the walk from the dressing room to the stage, Stuart commented to Charlie Cushman that he "hated being thought of as an unrehearsed, half-assed bluegrass band", to which Cushman replied "Why don't we just go out there and play music and not worry about calling it anything?" The concert proved to be a success, and after leaving the stage, Les Banks handed Stuart two CDs and told him that he should listen to it. Stuart was amazed to find that his performance that evening had been recorded. Upon listening to it, he knew that it was a special performance, and consequently the concert was released as a live album.

Bergman made a speech of acceptance that praised his films and the "compassion that marked all his works" as well as his teaching of both young filmmakers and audiences. Although she had been nominated for Best Supporting Actress, she considered her role in Murder on the Orient Express to be quite minor and did not expect to win. When her award was announced, in her surprised and unrehearsed remarks, she remarked to the audience that Valentina Cortese should have won the award for her role in Day for Night, by Truffaut. Bergman and Cortese spent the rest of the evening in each other's company, and were the subject of many photographs.

The response to the State of the Union address is a rebuttal speech, often brief, delivered by a representative (or representatives) of an opposition party following a presidential State of the Union address. When the president is a Democrat, the rebuttal is typically given by a Republican, and vice versa. The practice began in 1966 when Republican U.S. Senator Everett Dirksen (Illinois) and U.S. Representative Gerald Ford (Michigan) appeared on TV to offer a response to the address by Democratic President Lyndon Johnson. The opposition party's response has varied in format, ranging from a prerecorded 45-minute TV program in 1970 to a call-in show in 1972 where a panel of congressmen answered unrehearsed questions from callers.

Colloquial terms such as "let's play it by the ear", "take it as it comes", and "make it up as we go along" are all used to describe "improvisation". The simple act of speaking requires a good deal of improvisation because the mind is addressing its own thought and creating its unrehearsed delivery in words, sounds and gestures, forming unpredictable statements that feed back into the thought process (the performer as listener), creating an enriched process that is not unlike instantaneous composition [with a given set or repertoire of elements].The Speech Chain: The Physics and Biology of Spoken Language (paperback), Peter B. Denes and Elliot N. Pinson. 1966. Worth Publishers; Second Edition (15 February 1993).

Since the screenplay was sparse, missing details were often addressed during shooting, and Coppola allowed a significant amount of improvisation in dialogue, especially from Murray. One example includes the scene in which Bob is being photographed for Suntory whisky; Coppola encouraged Murray to react to the photographer spontaneously as she whispered names for the man to repeat to Murray as unrehearsed dialogue, such as "Roger Moore". While key crew members were Americans that Coppola invited to Tokyo, most of the crew was hired locally. This proved to be challenging for the production, as most of the Japanese crew could not communicate with Coppola in English, so both sides relied on translations from a bilingual assistant director and a gaffer.

In a session of psychodrama, one client of the group becomes the protagonist, and focuses on a particular, personal, emotionally problematic situation to enact on stage. A variety of scenes may be enacted, depicting, for example, memories of specific happenings in the client's past, unfinished situations, inner dramas, fantasies, dreams, preparations for future risk-taking situations, or unrehearsed expressions of mental states in the here and now. These scenes either approximate real-life situations or are externalizations of inner mental processes. Other members of the group may become auxiliaries and support the protagonist by playing other significant roles in the scene, or they may step in as a "double" who plays the role of the protagonist.

A vox pop interview American television personality Steve Allen as the host of The Tonight Show further developed the "man on the street" interviews and audience-participation comedy breaks that have become commonplace on late- night TV. Usually the interviewees are shown in public places, and supposed to be giving spontaneous opinions in a chance encounter – unrehearsed persons, not selected in any way. As such, journalists almost always refer to them as the abbreviated vox pop. In U.S. broadcast journalism it is often referred to as a man on the street interview or MOTS. The results of such an interview are unpredictable at best, and therefore vox pop material is usually edited down very tightly.

The Bob Grant Show consistently dominated the ratings in the highly competitive afternoon drive time slot in New York City and at one point the radio station aired recorded promos announcing him as "America's most listened to talk radio personality." The gravel-voiced Grant reminded listeners during the daily introduction that the "program was unscripted and unrehearsed". On September 15, 1991, a roast honoring Grant for twenty one years of radio in New York City was held in West Orange, New Jersey. Freddie Roman was the Master of Ceremonies, and Grant was roasted by New York Senator Al D'Amato, comedian Pat Cooper, Soupy Sales, Rush Limbaugh, comedian Joe Piscopo and Lynn Samuels, among others.

The second category is more appropriately called "guerrilla magic" It is a relatively recent style of performing magic illusions where the magician performs a single trick or two in a public space (such as on a sidewalk) for an unpaying audience. The desired effect of this "hit and run" style of magic is to give the audience a feeling that what they are seeing is impromptu, unrehearsed, and experimental. This style of "street magic" is associated with David Blaine (who popularized the term) and more recently, Criss Angel, Derren Brown and Cyril Takayama. The format was developed to play well on television beginning with the 1997 ABC television special David Blaine: Street Magic.

The line-up had such good chemistry that Eaton invited them to join the band permanently. At only their third meeting, they travelled to the House of Miracles to record The World Was Hell to Us with Andy Magoffin, with songs that were entirely unrehearsed and mostly recorded live from the floor as first takes. The following year the band invited violinist Fiona Stewart from Reflectiostack to join them. Persisting in their strategy of never rehearsing, they played a monthly residency at the Tranzac Club, where Eaton gradually introduced into the band's repertoire a series of new songs about six-legged robotic horses struggling with their identities in the aftermath of a war between humans and angels.

Participating in the event was a late decision taken by Lana two days before the Parade began, as the production had previously abandoned their plans for the location due to scheduling conflicts. When Lana realized she could make it fit, they flew to São Paulo and filmed in the event in front of a crowd of millions, unrehearsed. Filming in Chicago began on June 5, and wrapped up on June 15, then moved to the United Kingdom, in London, Cambridge (Chippenham Park), and Scotland (Ardkinglas Estate and Castle Stalker, for 9 days), and wrapped on July 4. Then, filming moved to the Netherlands, in Amsterdam, The Hague, and Utrecht, for about two weeks, up to July 19.

Sumac frontman Aaron Turner first saw Keiji Haino perform live nearly 20 years before the recording sessions for American Dollar Bill – Keep Facing Sideways, You're Too Hideous To Look at Face On. Turner was a fan of Haino's music and personal image, and reached out to Haino after some of his friends encouraged him to email his manager. All members of Sumac entered the studio with Haino in June 2017 to record "a series of unrehearsed, completely non-premeditated sessions". By Haino's request, the group performed two improvised sessions: one practice session and a second, entirely different session that would become an album. They recorded over an hour's worth of music across three tracks (two of which were separated into two parts) that became American Dollar Bill.

Mohan veena performer Vishwa Mohan Bhatt in 2006 A Meeting by the River was recorded in September 1992; it features Cooder solely on slide guitar and Bhatt on the Mohan veena, a stringed instrument he created. Allmusic's Daniel Gioffre described the instrument as a hybrid between a guitar and a vichitra veena; it is played with a metal slide moving across steel rods along the neck. Cooder had heard a recording of Hindustani classical music performed by Bhatt and was impressed by his playing and the "haunting clarity" of the Mohan veena. Cooder and Bhatt met for the first time less than one hour before recording began; they improvised much of the set; the album's liner notes state, "this recording was unplanned and unrehearsed".

Gene Johnson's alto sax then > emitted oriental-like jazz phrases. By accident, Afro-Cuban jazz was > invented when Bauza composed "Tanga" (African word for marijuana) that > evening. Thereafter, whenever "Tanga" was played, it sounded different, > depending on a soloist's individuality. In August, 1948, when trumpeter > Howard McGhee soloed with Machito's orchestra at the Apollo Theatre, his ad- > libs to "Tanga" resulted in "Cu-Bop City," a tune which was recorded by > Roost Records months later. The jams which took place at the Royal Roots, > Bop City and Birdland between 1948 - 49, when Howard McGhee, tenor > saxophonist Brew Moore, Charlie Parker and Dizzy Gillespie sat in with the > Machito orchestra, were unrehearsed, uninhibited, unheard of before jam > sessions which at the time, master of ceremonies Symphony Sid called Afro- > Cuban jazz.

In addition, there are six bonus tracks: the title-song to the obscure film of the same name, "Thomasine & Bushrod", a 22-minute interview with Lee in 1974, three live performances from 1974, and Arthur Lee and Ventilator's tune, "L. A. Blues". Stephen M. Deusner of Pitchfork magazine wrote the Love line-up "sounds perfectly rough and unrehearsed, generating a tense energy", while also noting that "Lee sounds engaged and invigorated, forgoing the bitterness that had rankled the band for a slightly more hopeful outlook". In a four-star review for Record Collector, Jason Draper considered that Black Beauty "picked up on Hendrix's late-period R&B;", and had praise for the 1974 interview which produces the "fullest picture we’ll ever have of this once-lost chapter in Lee’s red book".

Pras Rajagoparan of Exclaim! said Hunting Ghosts sounds like a "multi-decade mash-up of pop styles feels warm, inviting and unrehearsed" and characterized the band's self- described "pop as fuck" sound as "an affable collection of songs that could more accurately be termed 'twee as fuck.'" The New Yorker's Shoko Wagner found that the album "may well appeal to indie music fans with a taste for the lighthearted, and, of course, hip bookworms who can appreciate the group’s eclectic assortment of literary shout-outs," noting literary references in titles like "Kundera On The Dance Floor" and "Things We Stole From Vonnegut's Grave," nods to Milan Kundera and Kurt Vonnegut, respectively. Lyrics also refer to works by said authors, such as The Unbearable Lightness of Being and Slaughterhouse-Five, as well as Franz Kafka.

Due to the band's long-standing objection to the Metro as a venue – alluded to in a 1993 interview with bassist Zamost – the show was moved to a smaller club, the Double Door. Initially agreeing to fill out the original lineup for what promised to be a compelling show, guitarist Letiecq pulled out within weeks of the show and just prior to the event posted a note on the Riot Fest website declaiming against the endeavor and vowing for unstated reasons never to perform with the original members again. Without their guitarist, the remaining band members withdrew from the show rather than appear as an unrehearsed and falsely billed original line-up. John Kezdy is the older brother of Naked Raygun bassist Pierre Kezdy. The Effigies can be seen in You Weren’t There, a 2007 film about the Chicago punk scene from 1977 through 1984.

The tactics – dispersed marking – were untried and unrehearsed, and therefore would require expertise from the controller and markers.. The announcement that Gibson would be the controller was met with general incredulity. It was assumed it would be regular controller from No. 54 Base Flight or a qualified one from No. 627 Squadron. Some suspicion started to circulate that the proposed complexity may have come from Gibson and his lack of experience in marking techniques.. As Gibson did not have a regular navigator, one had to be found to fly with him. The first choice was ill, so Squadron Leader Jim Warwick was selected.. He was the Station Navigation Officer and therefore screened from operations.. There was also no serviceable Mosquito available at Coningsby for Gibson to use, so it was decided to use the reserve aircraft of No. 627 Squadron, located at RAF Woodhall Spa.

From Series 2 to Series 8, the show featured an interview segment called "Mystery Guest", which was always unrehearsed. In it, Howard was never told by his crew who he was meeting and interviewing, only that the guest he had was recently in the news during the week the episode was aired in; the story either featured in a national paper, a local/regional one, or a news website. As such, he had to guess what exactly they were in the news for, based upon clues provided by the guest and the crew, after which Howard would interview them, usually on their skills, hobbies, background, and why they performed something in the story they featured in. Often in most instances of this segment, his guest either did a demonstration of their abilities, or taught Howard something new, with the latter having seen him receive emergency rescue training, pick up new dance moves, play sports, and learn different fighting styles, amongst other things.

In later series, a VIP guest was arranged by the crew for the series finale, who was famous in either TV, Film, or Sports and was someone Howard admired a lot; like other guests, Howard had to guess who they were thanks to clues given. Such guests were interviewed as always when identified, and some gave Howard something special to do with them; in one instance, the actor of Boba Fett from Star Wars performed a parody version of "Mastermind", asking Howard questions on the movie franchise. Because these segments were unrehearsed, Howard was not often prepared for what would occur on stage, especially if he was to be taught something physical, and in some cases it led to issues. In an episode that was broadcast for Series 5, Howard had been taught how to do a series of simple stunts that he would use in a mocked fight scene with his guest.

Guerrero is the founder and host of the KSBR Birthday Bash, one of Southern California's leading contemporary jazz festival events. Guerrero founded the event in 1988. Beginning in a small room at the former Dana Point Resort, this unique concert (the headlining artists come without their bands and play each other's music in an unrehearsed jam session format organized by Guerrero) has grown to an audience of thousands and has attracted contemporary jazz artists like Joe Sample, Larry Carlton, Tom Scott, Chris Botti, Patti Austin and many more over the years. The event is a fundraiser for KSBR 88.5fm, a listener-supported jazz station based out of Saddleback College in Mission Viejo, CA. From 1999 through 2010 Guerrero served as the Director of Creative Arts and/or Music Director for Saddleback Church (Rick Warren, pastor) where he oversaw hundreds of musicians, singers and artists in everything from weekly services to concerts and productions.

In February 2016, one year after the band released its debut album, Sumac announced they had signed to Thrill Jockey for the release of their second studio album. The new album, titled What One Becomes, was released on June 10, 2016 and is said to examine Turner's "internal and personal struggles with anxiety." On December 9, 2016 the band released 4-track EP titled Before You I Appear which featured remixes of songs from What One Becomes by such artists as Samuel Kerridge, Bleed Turquoise, Endon and Kevin Drumm. In November 2017, Sumac announced the release of a collaborative album with Japanese multi-instrumentalist Keiji Haino titled American Dollar Bill – Keep Facing Sideways, You're Too Hideous to Look at Face On. The album was recorded in summer 2017 in Tokyo’s Goksound recording studio as "a series of unrehearsed, completely non-premeditated sessions" and was released on February 23, 2018. A live album recorded at Brian Turner’s WFMU radio show was released on February 2, 2018 through SIGE Records as cassette edition limited to 200 copies.

The end – and beautifully unrehearsed – result is a temporary six piece, sax and flute and guitars and drums, that quite honestly asks questions of all our established and revered leaders. Why is everyone else so sober? We're working on a smale scale here; in a Shepherd's Bush pub with people being silly, playing sloppily but with undeniable width, stamina, ingenuity. Mikel (Presumed Dead) sings and dances, spins tinny guitar in the path of writing saxophone (Dave, Presumed Dead) and more jarring, clashing guitar (Sam, presumed drunk) while the conglomorate stagger from number to number: "Q-Tips" and "Catholics", "Kill the Postman" and "Change Gear". There’s even a ska-like destruction of "Sugar Sugar", where everything is so bad but brilliant – guitars out of tune, vocals all over the shop – but the actual point of TPD lies not in their affected clumsiness but in transforming clever and demanding music into a touching, entertaining sort of hobby.”Record Mirror review of 1980 Transmitters Presumed Dead concert at The Trafalgar by Chris Westwood – hosted on The Transmitters' homepage.

Returning to the US, Shuster moved to New York to join McGraw-Hill’s BusinessWeek magazine, then the world’s leading global business news weekly publication. He became the founding Editorial Director of McGraw-Hill's worldwide business event development organization, BusinessWeek Executive Programs. Reporting directly to company scion James H. McGraw IV, Shuster pioneered a new TV-talk-show style corporate meeting format. Eschewing the norm of slide-supported speeches by business executives, which he viewed as dated, Shuster insisted that the norm at BusinessWeek events be live, unrehearsed interviews, always with the potential for audience questioning of the executives on stage. Scott Shuster chaired all BusinessWeek events worldwide for 17 years further developing the all-discussion format at top-tier events including BusinessWeek’s forums of chief executive officers, chief financial officers, chief information officers, and other corporate leaders. He interviewed hundreds of business executives before audiences of their peers across the US, and as BusinessWeek’s international events footprint expanded to include the newly- open international business environments of China, Russia and Latin America, Scott brought the live interview business event format to Europe, Latin America and Asia.

With local children interacting with the models in an unrehearsed way and a first-come, first-served seating arrangement, according to Business of Fashion, "the critics loathed it. The industry loved it." Continuing to stage catwalks in unusual places, in spring 1992 a show in an abandoned Paris metro station featured models walking down staircases lined with candles, and according to The Independent, other settings have included round dining tables arranged in neglected warehouses, stairwells of old town houses, and disused subway cars. Although the house has a reputation for avoiding booking celebrity models, for spring of 1993 models such as Cecilia Chancellor and Kate Moss showcased "minimalism paired with Victoriana." 1993 also saw a show with models weaving among a brass band on the runway, and in 1994 the label staged a collection based on what Barbie’s wardrobe would look like full size. Models sat amongst the audience in 1995, and on another occasion, in 1997 the company used a map to invite the fashion press to a street corner in France, and then had the models and a Belgian brass band showcase the newest collection after disembarking from a Routemaster bus.