And Dr. Goldbogen and his team hope to plumb other unfathomed depths.
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Great expanses of the Earth were beckoning the intrepid to put their footprints on untrodden ground, scale unclimbed mountains, peer into unscrutinised forest canopies, plumb unvisited caves and dive into unfathomed seas.
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According to Ford and Couper-Kuhlen (2004), Local's work 'has been seminal in founding a phonology for conversation. ... his studies have revealed dimensions of patterned sound production in talk-in-interaction hitherto unfathomed' (2004:13).
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While attending one such match which Prosun arranges for Chotu, an accident happens and Chotu is left physically disadvantaged for life. The unfortunate incident fills Prosun with unfathomed guilt, and to get rid of this guilt he attempts to achieve the impossible. He attempts to step into his brother's shoes.
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Unfathomed Japan. New York, 1928. pp 141-2 leading to the founding of in 1876 by William S. Clark with the help of five faculty members and a first class size of 24 students. In September 1907, set up the faculty of Agriculture in Sapporo. Tohoku Imperial University ceded the Faculty of Agriculture to on April 1, 1918.
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This spiritual effulgence is the ultimate destination of the impersonalists known as Vedantists. The brahmajyoti is also described as anantaparam, unlimited and unfathomed. When Lord Krsna and Arjuna reached this region of the brahmajyoti, Arjuna could not tolerate the glaring effulgence, and he closed his eyes. Lord Krsna's and Arjuna's reaching the brahmajyoti region is described in Harivamsa.
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In August 1651, Witherings died on his way to worship in Hornchurch church. He was buried in the chancel and the inscription on his tablet recorded he was "second to none for unfathomed poilesicy, unparallelled sagacius and devining Genius; witness his great correspondence in all parts of ye Christian world". He left his estates at Nelmes to his nephew William Witherings.
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Ringham was born in Woolwich, London. Her parents were both musical, as were two uncles and several male cousins. Having taught herself the basics of how to play the euphonium at the age of 6 she began to study the trombone at the age of 10 with her father as her first teacher. A year later, she took part in a Divisional Young People's Festival in Ipswich, giving an impromptu performance of "Unfathomed Love".
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Tales of Creation is the fourth album by Swedish doom metal band Candlemass released in 1989 and reissued in 2001 with a bonus CD. Some of the material from this album ("Dark Reflections", "Under the Oak", "Into the Unfathomed Tower", "Somewhere in Nowhere" and "A Tale of Creation") were originally recorded in 1985 by one of the earliest incarnations of Candlemass. "Under the Oak" is actually a remake of a song from their 1986 debut Epicus Doomicus Metallicus. The cover art is a modified Gustave Doré's work "The Creation of Light". Tales of Creation was also the last to feature vocalist Messiah Marcolin for 15 years until he (temporarily) came back.
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It was captioned "The Radio Detective Who Unfathomed the Famous 'Nauen Buzz'" and the description read: > During the early days of the World War the incredibly rapid and > undecipherable radio signals between the most powerful broadcasting station > in Germany and the station of the "Telefunken Company" at Sayville, Long > Island, N. Y., aroused the attention of the U. S. officials. But it was > radio amateur, Charles E. Apgar of Westfield, N. J., who finally found the > solution by means of amplifiers that recorded these signals on wax > phonograph cylinders. By this means the messages were de-coded – and the > Long Island station was promptly seized. This picture shows Mr. Apgar > operating the same apparatus which he used on that historic occasion.
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The following description of the birthplace of the monster Geryon, preserved as a quote by the geographer Strabo,Strabo 3.2.11 = Stesichorus S7 = PMG 184. is characteristic of the "descriptive fulness" of his style:Charles Segal, "Archaic Choral Lyric" in The Cambridge History of Classical Literature: Greek Literature, P. Easterling and B. Knox (eds.), Cambridge University Press (1985), page 188 ::::: ::::: < ::::: > ::::: ::::: :::::Stesichorus (S7 Loeb): D.A. Campbell (ed.), Greek Lyric Vol 3, Loeb Classical Library (1991) page 64 A nineteenth century translation imaginatively fills in the gaps while communicating something of the richness of the language: :::::Where monster Geryon first beheld the light, :::::Famed Erytheia rises to the sight; :::::Born near th' unfathomed silver springs that gleam :::::'Mid caverned rocks, and feed Tartessus' stream.
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Thus, for instance, Empson remarks in the first few pages of Some Versions of Pastoral that: > Gray's Elegy is an odd case of poetry with latent political ideas: :Full > many a gem of purest ray serene :The dark, unfathomed caves of ocean bear; > :Full many a flower is born to blush unseen :And waste its sweetness on the > desert air. What this means, as the context makes clear, is that eighteenth > century England had no scholarship system or carrière ouverte aux talents. > This is stated as pathetic, but the reader is put into a mood in which one > would not try to alter it. ... By comparing the social arrangement to Nature > he makes it seem inevitable, which it was not, and gives it a dignity which > was undeserved.
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And thus his gentle ode has run, Since time his annual course begun; And thus shall pour his lucid wave To where old Ocean's billows lave; 'Till time shall cease his swift career, And man and being disappear; Immersed in the unfathomed sea, Of boundless, vast eternity. Now on his bank, lo beauty's form. With soul enshrined, and feelings warm, Delights the sparkling wave to trace, And catch each wild surrounding grace; O'er the clear tide behold her bend; While Naiads on her steps attend; And in the Mirror of the stream Sees all her blushing beauties beam; The rosy cheek, the sparkling eye; The lips where Loves in ambush lie; The snow white neck, the clustering hair, Each valued charm reflected there: Proud she exalts with conscious power And reigns the sovereign of the hour. Or haply in some pensive mood, She pauses o'er the chrystal flood.
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