140 Sentences With "tone color" | Random Sentence Generator

The cameras can even go so far as to determine your skin tone color.

But while I couldn't really see that, I could see the True Tone color technology.

It was shown in its optional two-tone color scheme for its Boca Raton debut.

It reminds me a lot of HTC's two-tone color scheme from its 8S handset back in 26.

But in Chopin, Liszt or Rachmaninoff he had practically nothing to say about tone color, rubato or pedaling.

They also suggest that the company is moving away from the two-tone color-schemes found on previous Pixels.

All four controllers feature a subtle (or, in the case of the red camouflage, not-so-subtle) two-tone color scheme.

When you erase tone color and edit out irregularities in a classical recording, you're on your way to losing the music entirely.

It has a resolution of 3072 x 1920 and supports the P3 wide color gamut with support for Apple's True Tone color shifting.

Kaija Saariaho's "Lonh" was a stunning example of the expressive riches that electronics can produce in the hands of a master of tone color.

It normally features a two-tone color scheme—white on top and gray on the bottom—unless you bought one of Google's colored replacement bases.

Classically trained, he valued European music for what he called its qualities of "construction" — form, timbre, tone color — and incorporated them into his own aesthetic.

But Mr. Mackey's evocative titles, combining a word from the visual arts with one from music, showed how subjective the perception of tone color remains.

Even with Apple's True Tone color calibration turned on, it's always a little warmer than my XS. And there's that off-axis color shift and shimmer.

Christian Louboutin introduced two new shades to its Nude Collection on Tuesday, making a total of seven skin-tone color options for customers to choose from.

The back of the device features a similar two-tone color pattern, though this time it's piano black and white — a nod, perhaps to Android 8.0.

The diverse shade range of neutrals and plums flatters virtually any skin tone, color preference, or eye color — and the matte shades blend seamlessly across the lids.

Mr. Appleby brought nervy physicality to the part, but could seem a little blank vocally, singing with smooth and pliant tone but few variations in tone color.

But the Infiniti tries a little too hard: Its open-pore wood accents, faux-suede surfaces, and two-tone color scheme are just too gaudy for my tastes.

But in this new study that we've done, we looked at cases where people were using a skin tone color for their emoji that didn't match their actual skin color.

"Unfortunately, there are several factors to making an anaglyph image effective and the contour of the body, skin tone, color overlap, etc....negate the actual anaglyph 3-D effect," he explained. Sigh.

If the remaining program felt thin, the evening still offered plenty of evidence of Mr. Haas's uncanny command of texture and tone color and the emotional weight he wrests from subtle intonation games.

The two-tone color schemes that you can pull off are really striking, especially in a world where most smartphone designs are flat, monotone metal that then gets hidden away in a case.

In addition to his usual eloquent, communicative delivery, Mr. Scholl showed a typical care for diction in a nonnative language, delicate shadings of tone color and dynamics, lively humor and so much more.

That changed the moment I looked out of my living room window and saw a full-fledged 24,890 Range Rover Supercharged in an Aruba silver two-tone color scheme arrive in the driveway.

Certainly, the dolls and their pets and accessories are clad in the mesmerizing jewel-tone color scheme that must be kryptonite to little girls everywhere (see: Lisa Frank, Limited Too in the '90s).

Her choices of tone color constantly surprised: Describing Tannhäuser's disappearance, her sound palpably grayed; later, a single word, "jähen," was a memorably sour sneer as she told how his betrayal had destroyed her.

In addition to the optional two-tone color scheme, there are other available upgrades, including a custom Mark Levinson Surround Sound System to create "an immersive concert hall-like acoustic space in the salon."

Instead, they look almost like Toshiba simply picked up where it left off in 2016: Stylized aluminum lids, gaudy two-tone color schemes, big honking bezels, and in some cases, DVD drives and serial ports.

There are now dual skin-tone color-balancing capabilities and also an image-stabilization feature — eliminating the natural shaking that occurs when we hold the camera by hand and reducing the need for a flash.

In his review, Wong went on to note that the MacBook Air has some notable improvements over its predecessor, offering a quieter keyboard, a Retina display that supports True Tone color technology, and faster performance overall.

" It's above all a sensual approach to tone color that comes through in Third Coast's take on classic works, whether it's the relaxed warmth of the Mallet Quartet or the glistening brightness of "Music for Pieces of Wood.

Dixon recommends asking your colorist about L'Oréal Professionnel's Luo Color for your lowlights — the shades are perfectly true to color and won't grab onto dark or green tones — and the brand's Dia dyes for tone-on-tone color.

Doctors are injecting the soft tissue underneath the eye with carbon dioxide, which is said to increase the blood flow in the capillaries, and change the bluish circles back to a healthy skin tone color, a treatment called Carboxy.

It can be expressed in a variety of ways: sometimes as an explicit bias, sometimes as a subtle inflection, like the tone color in a piece of music; sometimes erupting in the heat of argument, like the revenge of the repressed.

A few of the advantages attracting me to the iPad Pro: the display, with its fast refresh rate and True Tone color adjustment; the new Apple Pencil 2, which magnetically docks to the side of the tablet and even charges wirelessly; and LTE.

The M-P Titanium shares the same hardware as the standard M-P, aside from the solid titanium construction that Leica claims reduces the weight of the camera by around three ounces (as well as giving the camera a rather nice-looking two-tone color scheme).

"Abstraction is one of the most sophisticated ways of coming to feeling, like a piece of music: You have tone, color, rhythm, so many things that touch you right inside," she said in a recent interview at her studio, where she tiptoed around in striped socks.

Each man sought to innovate by using rhythm and tone color as the basis for a new form of a pre-existing art. In the Ariettes oubliées, subtlety, nuance, rhythm and tone color (timbre) converged to create a mature compositional style for Debussy, which, in turn, gave a heightened level of understanding to Verlaine's poetry.Wintle, Catherine., Ariettes oubliées: A marriage of music and poetry (2002).

Timbre, sometimes called "color" or "tone color" is the quality or sound of a voice or instrument.Harnsberger, Lindsey. "Articulation." Essential Dictionary of Music. Alfred Publishing Co., Inc.

"'Tone-Color, Movement, Changing Harmonic Planes': Cognition, Constraints, and Conceptual Blends in Modernist Music", in Ashby, Arved Mark (ed.) (2004), The Pleasure of Modernist Music. University of Rochester Press.

Each design was carved deep into the surface of the vase to expose to the dark body beneath the white slip, creating a two-tone color effect and natural shading elements.

Dye transfer is a continuous-tone color photographic printing process. It was used to print Technicolor films, as well as to produce paper colour prints used in advertising, or large transparencies for display.

Rear legroom has decreased from to . The interior design was revised, with a selection of two-tone color combinations (brick and tan two-tone), telescoping steering wheel, higher-quality materials and a twin-cowl dash design. Drag (Cd) is at 0.33.

Tone quality and tone color are synonyms for timbre, as well as the "texture attributed to a single instrument". However, the word texture can also refer to the type of music, such as multiple, interweaving melody lines versus a singable melody accompanied by subordinate chords. Hermann von Helmholtz used the German Klangfarbe (tone color), and John Tyndall proposed an English translation, clangtint, but both terms were disapproved of by Alexander Ellis, who also discredits register and color for their pre-existing English meanings . The sound of a musical instrument may be described with words such as bright, dark, warm, harsh, and other terms.

The hotel houses 496 deluxe rooms with 15 luxury suites and 30 executive king suites. The architectural design of Talking Stick Resort mirrors the Salt River Pima-Maricopa Indian Community through the use of native stones, plants and earth-tone color schemes.

The smaller wing section has bathrooms and a storage room, with the larger addition given over entirely to a classroom with pasteboard walls and simple woodwork. The flooring is carpeted fir. Walls and ceilings are plaster in a two-tone color scheme.

Monet chose an earth tone color scheme and increased the number of shades of blue to highlight reflections on the snow. Monet followed A Cart on the Snowy Road at Honfleur with a notable series of snowscapes in 1867 including Road by Saint-Simeon Farm in Winter.

Oboist Albrecht Mayer preparing reeds for use. Most oboists scrape their own reeds to achieve the desired tone and response. Most professional oboists make their reeds to suit their individual needs. By making their reeds, oboists can precisely control factors such as tone color, intonation, and responsiveness.

Makers commonly construct mouthpieces from one of two types of material, with different costs, properties, and features. Metal mouthpieces can be plated with some other metal. Some of the following assertions, especially those regarding the effect of plating on tone color, are questioned by many players and specialists.

Dutch bells have a richer, more complex tone color than American handbells common in this country – more like a tower carillon. Generous donations made it possible for St. Luke's to purchase them, and they were blessed on Pentecost Sunday, 2006. They are played frequently in worship by the Handbell Choir.

The slate color for the back panel, used in the first-generation iPad Mini, was discontinued in favor of a "Space Gray" (a lighter grey tone) color, whilst the Silver color option was kept. The change applied to first-generation iPad Mini models sold after the iPad Mini 2's announcement, as well.

One unit operated all of the time, while the other operated only under hard acceleration. The new engine delivered 125 horsepower. All cars available with a choice of axle ratios and with two-tone color combinations with 19 selections at no extra charge. A new feature was a two-way hood that could be opened from either side.

Pierre Boulez said that Debussy freed chamber music from "rigid structure, frozen rhetoric and rigid aesthetics". Debussy's quartet, like the string quartets of Maurice Ravel and of Gabriel Fauré, created a new tone color for chamber music, a color and texture associated with the Impressionist movement.Debussy himself denied that he was an impressionist. See Thomson (1940), p. 161.

The D-22 and D-33 were introduced as part of the full-vision (FV) series of microphones in the early 1950s. Its major innovation was its slim profile. Other microphones were typically large and bulky. This blocked the view of the presenter on TV. The sleek design was achieved with a precision machined "Duraluminum" case with a two-tone color scheme.

It has no painted traffic lane-marking lines, and some stretches are posted "Pass With Care". The unmarked pavement is made of rounded "river gravel" set in a concrete-mix, providing an unusual earth tone color. Despite a federal policy instituted late in the 20th century of requiring user fees at many National Parks and Monuments, the Colonial Parkway has remained toll-free.

For example, one of the cuter promos ever done – by any company – was the Austin powered 1960 American Motors Nash Metropolitan. The Metropolitan was made in a couple of two-tone color schemes – similar to the real car. A polybagged and simpler version of the Metropolitan was also made for the retail toy market. A 1:25 scale 1960 Ford wagon.

Williams, J. (2002). The Piano: An Inspirational Guide to the Piano and Its Place in History, New York: Billboard Books, 45. Edwin Good states, Beethoven took advantage of the ability of his piano to create a wide range of tone color in two of his piano works. In his Piano Concerto No. 4, Beethoven specifies the use of una corda, due corde, and tre corde.

This change of perspective elicits a different response to the image. Changing the air only by some degrees or some centimeters lines in embodiments can vary tremendously, and a distinct feeling can be transported. Straight lines are also strongly influenced by tone, color, and repetition concerning the rest of the image. Compared to straight lines, curves provide a greater dynamic influence in a picture.

The artist adds variable color shading to the eyes and particularly to the cornea to give them greater depth. Generally, a mixture of a light shade, the tone color, and a dark shade is used. Cultural anthropologist Matt Thorn argues that Japanese animators and audiences do not perceive such stylized eyes as inherently more or less foreign. However, not all anime characters have large eyes.

Since many pocket trumpet models suffer from poor design as well as cheap and imprecise manufacturing, the intonation, tone color and dynamic range of such instruments are severely hindered. Professional-standard instruments are, however, available. While they are not a substitute for the full-sized instrument, they can be useful in certain contexts. The jazz musician Don Cherry was renowned for his playing of the pocket instrument.

Consortium II also continued this emphasis on his personal application of serialism. From these works, Schwantner turned from this focus on serialism to delve into the effects of tone color in his compositions. This is clearly noticed in his extended use of percussion instruments. Examples of his use of timbre as an important compositional element are found in In aeternum (1973) and Elixir (1976).

He believes that the combination of tonality and atonality is critical to the appreciation of both. By his own admission, he is obsessed with novel variation in both tone color and texture. He has been recognized as an adept and imaginative orchestrator. He works with both acoustic and electronic instruments in order to have access to as wide a palette of raw sound as possible.

If the air stream strikes a curved "D" shaped lip, there will be slight turbulence created at the voicing mouth. This translates to extra sympathetic harmonics or "tone color". The chamfer/rounding at the end of the windway that opens on the mouth/voicing is responsible for the quality of articulation of the ducted flue instrument. It consists of one or both of the windway exit lips being rounded.

The Gallardo SE is a limited edition of 250 units introduced in 2005. It is distinguished from the regular Gallardo externally by a black-roofed two-tone color scheme as well as specially designed "Callisto" wheels. It also featured a two-tone interior further distinguishing it from the base model. All piping and stitching on the leather are executed in the same color as the bodywork of the car.

J&R; Plasticraft Corporation was located in Reeseville in the mid- to late 1950s. J&R; Plasticraft is best known today for the line of Glass-Jet fiberglass runabout boats manufactured in this time period. The Glass-Jet boats featured the distinctive automotive styling of the era, including tail fins and two-tone color schemes. Boat manufacturing was later taken up by a subsequent firm, Quality Plastics, Inc.

What is most notable, though, is not the tune but the orchestration. Tchaikovsky is now introducing in both texture and tone color a more unobtrusive variety into the accompaniment than would be noticed in a ballet where the attention is divided between stage and music.Brown, Man and Music, 259. #Scherzo burlesque: Vivace, con spirito #:This movement is more ostentatiously brilliant than the Valse and includes a part for a quartet of accordions.

The most basic are the elements of image interpretation: location, size, shape, shadow, tone/color, texture, pattern, height/depth and site/situation/association. They are routinely used when interpreting aerial photos and analyzing photo-like images. An experienced image interpreter uses many of these elements intuitively. However, a beginner may not only have to consciously evaluate an unknown object according to these elements, but also analyze each element's significance in relation to the image's other objects and phenomena.

Kari, in shakuhachi music, is both a property of a note and a technique. To play a note kari means to play it with raised pitch, relative to playing the note meri. In addition to sharpening the pitch, playing a note kari also modifies the tone color or timbre of a note. The usual technique to play a note kari is to raise the chin, increasing the angle and distance between the embouchure and utaguchi (blowing edge).

The shape of the feature shows similarities to the Jaguar XK120, with the feature running the length of the car in both examples. The "Riviera trim", as it was initially called, was made available on the Roadmaster convertible very late in the '49 model year. It proved so popular that by the 1951 model year it was made a standard feature on all Buicks. During the two-tone color craze of the 1950s, it separated two different color areas.

In the 20th century, quartets with four flutes experienced a renaissance. This type of arrangement, with its specific, light tone color, especially appealed to the French wind tradition. Examples of some works from the early 20th century include those of Florent Schmitt (quartet Op. 106), Josef Lauber (vision de Corse, Op. 54), Marc Berthomieu (Arcadie), Joseph Jongen (Elégie, Op. 114.3), Alexander Tcherepnin (Quatuor pour flûtes Op. 60 - 1939), and Colonial Sketches (1940) by Sol B. Cohen.

A highly detailed Marlin promotional 1/25-scale model was manufactured under license from AMC by Jo-Han for the 1965 and 1966 model years. The only differences are their grilles and removal of the Rambler name on the 1966s. A friction model was also available from Jo-Han in 1966. Although available in a variety of single and two-tone color combinations, many of these "dealer promos" were done in aqua/dark blue two-tone plastic.

This oscillation results in the "whistle sound" in ducted flue instruments. See wind instrument and flue pipe. A distinct tone color, determined by the dimensions of the instrument and the voicing mouth, is then slightly modified by the player's technique or embouchure. In instruments such as the recorder, the player can vary the pitch of the resulting musical note by opening or closing finger holes along the bore of the instrument, thus changing the effective length.

For 1952, Plymouth kept the Cranbrook Belvedere largely unchanged. The biggest alteration was to the color scheme; to further distinguish the top-level Belvedere from other Plymouths, the two tones now flowed from the roof over the beltline onto the trunk, which has been referred to as the "saddleback" treatment. Two-tone color schemes were "sable bronze" over suede, black over "mint green", and gray over blue. Overdrive was made available as optional equipment in the 1952 Plymouth.

With the resurgence of interest in early music in the late 20th century, the Wiener Oboe has emerged as an alternative to the use of hautboys or baroque oboes, retaining the tone color of the early instruments but not the significant limitations. In more recent years, as interest and use of the Wiener Oboe has slowly increased, oboes are now being made by a number of makers such as André Constantinides, Karl Rado, Guntram Wolf, and Christian Rauch.

" He notes Vladimir Ashkenazy who says that his sound "is never rough. It's very weighty but at the same time is never heavy. In his fortissimo you always feel every voice.... I have never heard so beautiful a fortissimo in an orchestra", and Daniel Barenboim says he "had a subtlety of tone color that was extremely rare. His sound was always 'rounded,' and incomparably more interesting than that of the great German conductors of his generation.

The LP 560-4 Noctis is a version of the Gallardo LP 560–4 with two-tone color schemes, for Hong Kong and Chinese markets. Available in dark grey/silver and dark blue/silver body color, 6-speed E-gear transmission, 19-inch alloy wheels, black leather, and grey Alcantara upholstery, adjustable suspension. The vehicle was unveiled at the Auto Guangzhou 2011, and later the 2012 Auto Qingdao. The Chinese version was sold for 3,980,000 yuan.

Ake (2002), p.126. Essential considerations of a style such as Charlie Parker's, including "rhythm, phrase shape and length, dynamics, and tone color," as well as "passing tones, appoggiatura, and 'blue notes'" are unaddressed. This appears to have led educators to emphasize a specific repertoire of pieces most appropriate to the chord-scale system, such as John Coltrane's "Giant Steps", while excluding others, such as Coltrane's later styles of composition, and producing generations of "pattern" players among college-educated musicians.

With great sensitivity to tone, color, and compositional balance, he would depict the same familiar bottles and vases again and again in paintings notable for their simplicity of execution. A prolific painter, he completed some 1350 oil paintings.Bell 1982 He also executed 133 etchings, a significant body of work in its own right, and his drawings and watercolors often approach abstraction in their economy of means. He explained: "What interests me most is expressing what’s in nature, in the visible world, that is".

1994–1995 Mercury Villager Nautica In 1994, Mercury introduced the Nautica special edition of the Villager. In line with Eddie Bauer-edition Ford vehicles (including the Aerostar minivan), the trim denoted the namesake clothing company. Externally denoted by a blue-and- white color scheme (with a yellow pinstripe), the Nautica was fitted with multi-color leather seats (blue with white inserts); a complimentary luggage set included Nautica-designed duffel bags. For the 1996, multiple two-tone color schemes joined the blue/white exterior.

One solid color, which was standard for the 150, could be had for the 210 or Bel Air...or nineteen different two-tone color combinations were also available. Along with a standard column-mounted three speed synchro-mesh transmission, the buyer of a '55 Chevy could specify an optional overdrive unit to go with it, or the fully automatic two-speed Powerglide transmission. Although most everything was new in 1955 for Chevrolet, the reliable Powerglide was mostly unchanged from '54.

Tausig sat motionless at the piano and abhorred what he called Spektakel. While his fingers were working miracles at the keyboard without any digital errors, the only sign of tension from Tausig would be a slight tightening of one corner of his mouth.Schonberg, pp. 256–59. Until his untimely death, some critics surmise that Tausig may not have had a pianistic equal, combining Liszt's force and range of tone color with the intellectuality of his fellow pupil Hans von Bülow.

The only known biographical detail about Camilla is her Roman citizenship. She always signed the title pages of her manuscripts as Romana, or a woman of Roman descent. Rossi composed four oratorios for solo voices and orchestra, all of which were commissioned by Emperor Joseph I of Austria and were performed in the Imperial Chapel in Vienna. All of Rossi’s surviving works demonstrate an intimate knowledge of stringed instruments and, as Barbara Garvey Jackson describes, "a keen interest in tone color".

GO green was the color used for the brand of GO Transit, the regional commuter service in the Greater Toronto Area. A GO Transit train on the Lakeshore West line in Toronto, Canada Between 1967 and 2013, the brand and color that has adorned each of its train, buses, and other property generally remained unchanged. It also matched the shade of green used on signs for highways in Ontario. In July 2013, GO Transit updated its look to a two-tone color scheme.

Spectrogram of the first second of an E9 suspended chord played on a Fender Stratocaster guitar. Below is the E9 suspended chord audio: File:9577 Guitarz1970 Clean E9 Guitar Chord (Mike Tribulas).ogg In music, timbre ( , ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone. Timbre distinguishes different types of sound production, such as choir voices - and musical instruments; such as string instruments, wind instruments, and percussion instruments.

Basic reed measurements are as follows: tip, wide; lay, long (distance from the place where the reed touches the mouthpiece to the tip); gap, (distance between the underside of the reed tip and the mouthpiece). Adjustment to these measurements is one method of affecting tone color. Most clarinetists buy manufactured reeds, although many make adjustments to these reeds, and some make their own reeds from cane "blanks". Reeds come in varying degrees of hardness, generally indicated on a scale from one (soft) through five (hard).

A characteristic of Brunette Models music is that it homes in on the dominant tone color, as a fundamental aesthetic value, which is a trait of synesthetes. For the past few years he has not officially published pressed albums. He withdrew from the world and focused on music only, without promotion, A&R;, PR and without even connection to the internet. In his artistic manifesto he motivated this asceticism, that today's world looks more at the name of the composer, than at the music.

Though modulation generally refers to changes of key, any parameter may be modulated, particularly in music of the 20th and 21st century. Metric modulation (known also as tempo modulation) is the most common, while timbral modulation (gradual changes in tone color), and spatial modulation (changing the location from which sound occurs) are also used. Modulation may also occur from a single tonality to a polytonality, often by beginning with a duplicated tonic chord and modulating the chords in contrary motion until the desired polytonality is reached.

Bronisław Huberman (19 December 1882 - 16 June 1947) was a Jewish Polish violinist. He was known for his individualistic and personal interpretations and was praised for his tone color, expressiveness, and flexibility. The Gibson ex-Huberman Stradivarius violin which bears his name was stolen and recovered twice during the period in which he owned the instrument. Huberman is also remembered for founding the Israel Philharmonic Orchestra (then known as the Palestine Philharmonic) and thus providing refuge from the Third Reich for nearly 1,000 European Jews.

In 1948, the Hudson Motor Car Company made a detailed in-house promotional model of its "step down" 4-door Commodore for exclusive use by their dealers. The model was exceptionally well done, and came in four authentic two-tone color combos, but sadly, was never available on the retail market. Some sources erroneously insist this model was made by Marx (Automotive News 1948), but in fact, it was Hudson's own production effort, manufactured, produced and assembled in Hudson's main factory.Daniel 2013; Model Cars 1979, pp.

The main entrance opens on a small vestibule with a staircase to the upstairs gallery on the west and a bathroom on the east. Another pair of doors leads into the sanctuary, a square space with high ceiling floored in carpeted fir with plaster walls and ceiling in a two-tone color scheme. It has a traditional Orthodox layout, with a centrally located bimah surrounded on three sides by theatre-style pews with individually upholstered fold-down seats. The pews and bimah are dark stained pine.

After his return to Egypt, he was promoted at the Cairo Conservatoire to assistant professor in 1989 and to associate professor in 2003. Abdelfattah is a multidisciplinary artist combining many fields in his compositions such as: poetry, painting, photography, and cinema montage, and presents them simultaneously and unconventionally using computer technology. He mixes the tone color of Egyptian traditional melodies with sound effects of machines, tools, and the sounds of daily life. He presented his first experimental and acoustic music concert in Egypt at the Cairo Opera House on November 22, 1999.

Thom Jurek of Allmusic said "Tears of Joy is a Don Ellis classic. The sheer musical strength of this ensemble is pretty much unparalleled in his career. The trumpeter/leader had backed off—a bit—from some of his outlandish and beautifully excessive use of strange and unconventional time signatures, though there is no lack of pioneering experimentalism in tone, color, arrangement, or style. ...Ultimately, Tears of Joy stands as a singular achievement in a career full of them by a musical auteur whose creativity seemingly knew few if any bounds".

For his later works with Hofmannsthal, Strauss moderated his harmonic language: he used a more lush, melodic late-Romantic style based on Wagnerian chromatic harmonies that he had used in his tone poems, with much less dissonance, and exhibiting immense virtuosity in orchestral writing and tone color. This resulted in operas such as Der Rosenkavalier (1911) having great public success. Strauss continued to produce operas at regular intervals until 1942. With Hofmannsthal he created Ariadne auf Naxos (1912), Die Frau ohne Schatten (1919), Die ägyptische Helena (1928), and Arabella (1933).

The Xbox 360 E, restyled with design traits of the Xbox One At Microsoft's E3 press conference on June 10, 2013, another hardware revision of the Xbox 360 known as Xbox 360 E was unveiled for immediate availability. It is a revision of the S model with a new Xbox One-inspired casing, carrying a more rectangular appearance and a two-tone color scheme. It has one fewer USB port and no S/PDIF, YPbPr component or S-video connections. Its internal hardware is otherwise similar to the S model.

In 1954, color telephone sets were available in ivory, green, dark gray, red, brown, beige, yellow, and blue.AT&T;, Colored Station Sets, Bell System Practices Section C30.011, Issue 6, December 1953.AT&T;, Telephone Sets, 500-Type, Colors, Bell System Practices Section C14.002 Issue 1 July 1955 Gray, blue, yellow, and red sets were initially assembled with black dials, until the colored parts became available by 1955. So called two-tone color varieties were available, which consisted of a black set having the housing substituted with a color plastic part.

In the second of his two challenges with melody and sonata form, Tchaikovsky was very far from alone. Romantic composers on the whole were more focused on self- expression and the illustration of extra-musical content in their pieces than their Classical-age predecessors. Out of this concern came a widened palette of tone color, a greatly widened field of harmony and a similarly expanded development of orchestration. Most importantly, melody took on a new and very different significance than it had occupied with Haydn, Mozart or Beethoven.

Georg Ohm applied Fourier's theory to sound in 1843. The line of work was greatly advanced by Hermann von Helmholtz, who published his eight years worth of research in 1863. Helmholtz believed that the psychological perception of tone color is subject to learning, while hearing in the sensory sense is purely physiological. He supported the idea that perception of sound derives from signals from nerve cells of the basilar membrane and that the elastic appendages of these cells are sympathetically vibrated by pure sinusoidal tones of appropriate frequencies.

However, in some cases, he also uses rubato to establish a certain mood at the beginning of a piece. The Nocturne Op. 15 No. 3 is one of the examples of rubato being used for setting up a mood. In the Nocturne Op. 15 No. 3, Chopin marked Languido e rubato in the first bar, as a general suggestion of the work's comprehensive way of delivery. The rubato in a languid manner would affect the tempo, tone color, touch, and dynamics, which influence performers to set the mood at the beginning of the piece.

Schmied (1996), p20 The pleated curtains of the backdrop are rendered transparent, and seem to fall through the Pope's face.Peppiatt (1996), p148 Italian painter Giorgio Morandi was an important 20th-century early pioneer of Minimalism. Born in Bologna, Italy, in 1890, throughout his career, Morandi concentrated almost exclusively on still lifes and landscapes, except for a few self-portraits. With great sensitivity to tone, color, and compositional balance, he would depict the same familiar bottles and vases again and again in paintings notable for their simplicity of execution.

Hauer was born in Wiener Neustadt and died in Vienna. He had an early musical training in cello, choral conducting, and organ, and claimed to have been self-taught in theory and composition. In 1918 he published his first work on music theory (a tone-color theory based on Goethe's Theory of Colours). In August 1919 he published his "law of the twelve tones", requiring that all twelve chromatic notes sound before any is repeated. This he developed and first articulated theoretically in Vom Wesen des Musikalischen (1920), before the Schoenberg circle’s earliest writings on twelve-tone technique.

Orchestras continued to use noise in the form of a percussion section, which expanded though the 19th century: Berlioz was perhaps the first composer to thoroughly investigate the effects of different mallets on the tone color of timpani.Hast, Cowdery, and Scott 1999, 149. However, before the 20th century, percussion instruments played a very small role in orchestral music and mostly served for punctuation, to highlight passages, or for novelty. But by the 1940s, some composers were influenced by non-Western music as well as jazz and popular music, and began incorporating marimbas, vibraphones, xylophones, bells, gongs, cymbals, and drums.

This is the loudest and most profound part of the piece, and is described in the score as Sonore sans dureté (Sonorous but without harshness). Following the grand entrance and exit of the organ, the cathedral sinks back down into the ocean (measures 62–66) and the organ is heard once more, but from underwater. To attain these effects that reflect images of the castle, most performers use specific techniques with regards to pedaling and articulation to affect tone color. For example, some performers use their full body weight to depress keys to create a rich sound.

This means that the performer sees particular notes but hears different pitches when he or she plays, which can be both confusing and demanding to perform . Biber uses scordatura primarily to manipulate the violin's tone color, while the creation of otherwise impossible chords and textures are a welcomed, but secondary opportunity . Through the progression of the sonatas, the difficulty of the scordatura tuning rises and falls, with the peak of difficulty located in the Sorrowful Mysteries . The Joyful Mysteries depict episodes from the early life of Jesus, from the Annunciation to the Finding in the Temple.

Accessed June 26, 2015. The Austin High Gang came definitely and immediately under the influence of the Rhythm Kings, and tried to emulate the same steady, compelling rhythm, contrapuntal improvisations, tone color, a similar economy of notes and ease of melodic interpretation. Their pre-professional training was almost complete when they heard Gennett records made by Bix Beiderbecke and the Wolverines, and they drew further inspiration from their style of New Orleans music. Having heard records, they went out to hear the bands themselves and discovered King Oliver’s Creole Jazz Band, rounding off their identity with New Orleans jazz.

Her tone was characterized as, "full and [with the] musical phrasing of the French School with her own vigorous rhythmic interpretation and an individual use of tone color." Blaisdell also held summer masterclasses, where she reached even more aspiring flutists. She also served on the executive board of the National Flute Association, who named her an honorary member in 1992 and awarded her their Lifetime Achievement Award in 1994. The New York Flute Club held an 80th birthday celebration for Blaisdell in 1992, where internationally renowned flutist and pedagogue Jean-Pierre Rampal made a surprise appearance to introduce her.

Such a flat and rectangular voicing however, produces a less-than-sweet tone and offers far less dynamic flexibility (pitch bending) than a flute embouchure. The recorder voicing was designed to limit pitch bending for a more stable tone with variations in breath pressure. Typically, a shallow ramp instrument, such as a tabor pipe, will allow faster register changes, pitch bending and "flutey" tone, while an instrument with a deeper ramp will limit fast register changes, pitch bending and produce a more "reedy" tone. Some modern recorder makers now produce curved labium lip voicings to add harmonic tone color.

1928 LaSalle Series 303 Phaeton 1930 LaSalle Series 340, photographed in Perth, Western Australia Built by Cadillac to its high standards, the LaSalle soon emerged as a trend-setting automobile. Earl was then placed in charge of overseeing the design of all of General Motors' vehicles. The LaSalle was offered in a full range of body styles, including Fisher and Fleetwood Metal Body-built custom designs. The open cars could also be ordered in tri-tone color combinations, at a time when dark colors like black and navy blue were still the most familiar colors produced by manufacturers.

The tenor bugle was a popular voice in drum corps from the 1920s through the 1950s. These instruments were the same bore size and length as a soprano bugle, however they featured a larger bell and could be played with an alto horn mouthpiece. The tenor bugle was designed to play with a more open tone in the lower register of its range and had a tone color closer to a Flugelhorn than a trumpet. The tenor bugle fell out of favor in the 1950s, but was supplanted by the Flugelhorn and alto horn bugles in more modern ensembles.

Spectrogram of the first second of an E9 chord played on a Fender Stratocaster guitar with noiseless pickups. Below is the E9 chord audio: File:9577 Guitarz1970 Clean E9 Guitar Chord (Mike Tribulas).ogg Timbre, sometimes called "color", or "tone color," is the principal phenomenon that allows us to distinguish one instrument from another when both play at the same pitch and volume, a quality of a voice or instrument often described in terms like bright, dull, shrill, etc. It is of considerable interest in music theory, especially because it is one component of music that has as yet, no standardized nomenclature.

An overtone is any partial above the lowest partial. The term overtone does not imply harmonicity or inharmonicity and has no other special meaning other than to exclude the fundamental. It is mostly the relative strength of the different overtones that give an instrument its particular timbre, tone color, or character. When writing or speaking of overtones and partials numerically, care must be taken to designate each correctly to avoid any confusion of one for the other, so the second overtone may not be the third partial, because it is the second sound in a series.

The second phase, begun after World War I, was exemplified by attempts to create a systematic means of composing without tonality, most famously the method of composing with 12 tones or the twelve-tone technique. This period included Berg's Lulu and Lyric Suite, Schoenberg's Piano Concerto, his oratorio Die Jakobsleiter and numerous smaller pieces, as well as his last two string quartets. Schoenberg was the major innovator of the system. His student, Anton Webern, however, is anecdotally claimed to have begun linking dynamics and tone color to the primary row, making rows not only of pitches but of other aspects of music as well .

Limited Edition In 2003, Lincoln offered a Limited trim; having Limited badges on the C-pillar, fog lights, heated and memory seats, as well as arden inserts in the rims and grille. For 2005, the Limited offered two-tone paint schemes (in addition to two-tone seats) with Limited badges on the C-pillar as well, but no fog lights. Pro Series Offered in 2004, a special Pro-series badge was placed on the C-pillars; having the background of a golf course. This badge was stitched onto the front seats, in addition to having chrome 9-spoke rims and a two-tone color scheme.

The kinds of sheng currently used are the products of changes made since the early 20th century that enhanced its sound and volume as well as increasing its range. Early changes were made by Zheng Jinwen (鄭覲文, 1872–1935) who increased the number of pipes to 32, expanding its range and allowing it to play harmony and chords. The air chamber and size of the pipes were also enlarged, changing the tone color of the instrument. Later various changes were also introduced by players such as Weng Zhenfa (翁鎮發) and particularly Hu Tianquan (胡天泉), with different variants of the instrument produced.

He thought of the single tone color of the all-string soundtrack as a way of reflecting the black-and-white cinematography of the film. The strings play con sordini (muted) for all the music other than the shower scene, creating a darker and more intense effect. Film composer Fred Steiner, in an analysis of the score to Psycho, points out that string instruments gave Herrmann access to a wider range in tone, dynamics, and instrumental special effects than any other single instrumental group would have. The main title music, a tense, hurtling piece, sets the tone of impending violence, and returns three times on the soundtrack.

For 1978, the 258-cubic-inch six remained standard, but the became the only V8 engine available. The "Barcelona Package" option that was previously exclusive to the Matador Coupe was extended to the four-door sedan. This special interior and exterior trim included individual reclining seats in velveteen crush fabric with woven accent stripes, custom door trim panels, unique headliner, vinyl roof, and 15-inch wheels color-matched to a choice of two two-tone color schemes: Golden Ginger Metallic with Sand Tan, or Autumn Red Metallic on Claret Metallic. The AMC Buyer Protection Plan for 1978 changed back to 12-months/12,000 miles across the entire AMC range.

Shades of gray produced by FM screening. Magnified version of the same image. Stochastic screening or FM screening is a halftone process based on pseudo- random distribution of halftone dots, using frequency modulation (FM) to change the density of dots according to the gray level desired. Traditional amplitude modulation halftone screening is based on a geometric and fixed spacing of dots, which vary in size depending on the tone color represented (for example, from 10 to 200 micrometres). The stochastic screening or FM screening instead uses a fixed size of dots (for example, about 25 micrometres) and a distribution density that varies depending on the color’s tone.

The front bonnet is higher, as is the wing profile, with finned rear wings and with rear lights that are unique to the Weinsberg. The cars benefited from some equipment upgrades in character with a luxury version: a sunroof instead of a folding roof, bug ornament, special bumpers, standard two-tone color and wheel covers, ashtray in the dashboard, better upholstery fabrics and wide pockets in the doors. The luggage space is greater, made possible by the fact that the higher bonnet allows the spare wheel to be placed on the tank. The first version side trim was soon replaced by a contrasting colour side stripe.

Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between different instruments of the same type based on their varied timbres, even if those instruments are playing notes at the same fundamental pitch and loudness. The physical characteristics of sound that determine the perception of timbre include frequency spectrum and envelope. Singers and instrumental musicians can change the timbre of the music they are singing/playing by using different singing or playing techniques.

When the Sachsenring "Trabi" (Trabant) became the symbol of the fall of the Berlin Wall in 1989, Vitesse quickly jumped at the chance to produce it in miniature and sell it across a unified Germany and an emotional Europe. A unique American issue was the 'Carrera Panamericana' version of its 1953 Cadillac Type 62, whose two-tone color treatment included detailed race decals. With Vitesse there was rarely the feeling of 'just another Lamborghini Diablo', though it did offer its own Porsche 911 and Ferrari 308 GTB both of which have been offered by about every other diecast company on the planet (Vitesse 1993). One rather fragile offering was the 1956 Ford Fairlane police car.

The addition of a horizontal brushed-chrome strip that ran along each side of Continental, along with plentiful two-tone color combinations, gave it a more conventional appearance in comparison to the Cadillac. Coinciding with the introduction of the two-door Continental Mark VII, the Lincoln Continental was given a styling update for the 1984 model year. The body was fitted with flush-fitting front and rear bumpers and revised taillamps. While not fitted with the composite headlights of the Mark VII, the front fascia of the Continental was revised with an angled grille flanked by recessed quad headlamps and larger wrap- around marker lights incorporating cornering lamps, which made it more aerodynamic looking.

This results in a rather buzzing timbre that is vaguely harmonica-like and in terms of sound spectrum very typical of free- reed instruments. As successively higher notes are fingered, the upper harmonics are gradually extinguished; the even harmonics are disproportionately affected, resulting in an odd-harmonic-dominated sound in the upper range similar to the clarinet both in terms of spectrum characteristics and subjective tone color. The underblown notes are close to the fundamental frequency of the reed, but the overblown notes are slightly sharp of the fundamental frequency of the air column, suggesting relatively complex acoustics. The player can initiate sound by either inhaling or exhaling, similar to the sheng.

The influence of Haydn's chamber writing suggested similar possibilities for winds, and advancements in the building of these instruments in that period made them more useful in small ensemble settings, leading composers to attempt smaller combinations. It was Anton Reicha's twenty-four quintets, begun in 1811, and the nine quintets of Franz Danzi that established the genre, and their pieces are still standards of the repertoire. Though the form fell out of favor in the latter half of the 19th century, there has been renewed interest in the form by leading composers in the 20th century, and today the wind quintet is a standard chamber ensemble, valued for its versatility and variety of tone color.

Faroudja Video Optimized is a calibration and logo branding program available to TV and Set-Top Box manufacturers who use STMicroelectronics system-on-chip (SoC) solutions with integrated Faroudja video processing algorithms. The program helps properly initialize the video signal processing and optimize the LCD panel to produce an accurate picture. The program includes programming and calibration tools. Calibration steps include adjusting contrast, brightness, gamma levels, color temperature, sharpness, noise reduction filters and backlight levels, as well as Faroudja Adaptive Contrast Control (ACC2) and Active Color Management (ACM3D), to insure extended dynamic range and accuracy in shadow details, as well as natural tone (color quality). The calibrated settings are stored in a video mode called “Faroudja Movie”, optimized for high-end TVs and Blu-ray HD sources.

While the work of the 1950s and ‘60s referred to large issues of contemporary culture and existential anxiety, Kerslake’s works of the 1970s began to take on a more personal tone. Color and the use of photomechanical reproduction also take precedence in the prints of that decade. Kerslake credited his colleague Todd Walker, a professor in photography and printmaking at the University of Florida, with awakening his interest in the use of photo processes in printmaking. In “The Magic House of the Heart's Desire”, Kerslake combined images of a historic mansion located in his hometown of Mt. Vernon; twin images of his wife and children (located in rondels below the central image) and an all-seeing (protective) eye that hovers above all.

However the frets may be removed entirely—this, unfortunately, makes in-tune fingering of many chords exceedingly difficult, due to the construction and mechanics of the human hand—and the tuning of most complex chords in just intonation is generally ambiguous. Some composers deliberately use these wolf intervals and other dissonant intervals as a way to expand the tone color palette of a piece of music. For example, the extended piano pieces The Well-Tuned Piano by LaMonte Young and The Harp Of New Albion by Terry Riley use a combination of very consonant and dissonant intervals for musical effect. In "Revelation", Michael Harrison goes even further, and uses the tempo of beat patterns produced by some dissonant intervals as an integral part of several movements.

Likewise, the "cut" (referring to the depth of the shallot and the shape of the opening) and the closed-end shape (whether the closed end of the shallot is flat, domed, or Schiffschen) determine whether the tone is more Baroque or more Romantic. In addition, the type of block (whether a standard shape or a French "double-block") in which the reed assembly is set has an effect on the sound. Scaling is important when determining the final tone color of a reed pipe, though it is not of primary importance as it is in flue pipe construction. This is because reed pipe resonators simply reinforce certain partials of the sound wave; the air column inside the resonator is not the primary vibrator.

His first opera, Il reo per amore ("Guilty for love"), was put on in Naples in 1820 with some success. Like Rossini, Niedermeyer settled in Paris (at the age of 21, in 1823); and there, in later years, four more of his operas were staged, though with little success: La casa nel bosco ("The House in the woods"' 28 May 1828), Stradella (3 March 1837), Marie Stuart (6 December 1844) and La Fronde ("The Fronde"' 2 May 1853). Niedermeyer also collaborated with his friend Rossini on the assembly of Robert Bruce (1846), Rossini's third and last pastiche; Niedermeyer "provided the all- important French texts with their characteristic tone color and harmonies".Records international note on Robert Bruce on Records International.

The inharmonic ringing of the instrument's metal resonator is even more prominent in the sounds of brass instruments. Human ears tend to group phase-coherent, harmonically-related frequency components into a single sensation. Rather than perceiving the individual partials–harmonic and inharmonic, of a musical tone, humans perceive them together as a tone color or timbre, and the overall pitch is heard as the fundamental of the harmonic series being experienced. If a sound is heard that is made up of even just a few simultaneous sine tones, and if the intervals among those tones form part of a harmonic series, the brain tends to group this input into a sensation of the pitch of the fundamental of that series, even if the fundamental is not present.

Chromotypograph refers to any number of obsolete graphic arts or printing processes which used cold and warm rinse etching baths to create surfaces by which color images could be relief printed from zinc plates in the letterpress manner. Such processes, as pioneered by Firmin Gillot represent a prototyping and experimental stage between the manual and process printing eras and are characterized by their utilization of various hand-originated textures and photographically transferred tones or outlines, which when combined with other color plates produced in a like manner could produce continuous tone color images unlike those found in similar technologies such as chromolithography. Chromotypograph is the preferred description for a number of process which include but are not limited to photo color relief, gillotage, chromotype, color relief etching, zincography, chromoxylography, color line block, glyptotype, Dallastint, Dallastype.

Acoustic violins may be used with an add-on piezoelectric bridge or body pickup, or a magnetic pickup attached to the fingerboard end. Alternatively, an electrodynamic pickup can be installed under an acoustic violin's fingerboard avoiding interference with any tone-producing parts of the violin, and therefore keeping its acoustic resonances and tone intact. A traditional acoustic violin and a modern electronic violin from Marc Capuano To avoid feedback from the resonances of the hollow body under high amplification on stage, many instruments have a solid body instead. The timbre (tone color) of a standard unamplified violin is due in large part to these resonances, however, so depending on how the signal is picked up, an electric violin may have a "rawer" or "sharper" sound than an acoustic instrument.

Some shopping areas revolved around a motif; Georgetown on the third floor and Via Rialto on the ground floor, which were recreations of the urban districts in Washington and Venice. The latter was a block of shops and restaurants stretching from the center court to the main entrance facing Rockvile Pike where Bertucci's and Cheesecake Factory later stood. Both Georgetown and Restaurant Row, home to Intermission Nightclub and Dining Disco in the late 1970s, the first shopping mall disco in the country, were replaced by Dave & Buster's in 1996. Other restaurants and fast food vendors populated the mall including the food court The Eatery, which went from a darker earth tone color motif to bright neon in the 1980s as well as the third-floor loft overlooking the center court.

The album received a mixed reception. The AllMusic review by Scott Yanow states, "The originals, none of which contain much of a melody, never get beyond setting mysterious moods, most of them not assisted by the inappropriate rhythms from the notable supporting cast... If Osby's solos could have been isolated from the "backing," or if the drumming were a lot freer, this music would be quite intriguing. But as it came out, the results are consistently annoying and difficult to sit through".Yanow, S., Allmusic Review accessed October 1, 2014 Los Angeles Times critic Don Snowden wrote "the rhythm section leaves enough holes for the sound to veer clear of mechanical funk and the arrangements are spacious enough to effectively showcase Osby's darting alto bursts and tone color-conscious approach to soprano".

Within this overall concept of juxtaposition, Tchaikovsky employed his second solution. While Maes calls this answer a "structure" and Zhitomirsky an "independent and structurally complete episode," it could actually be described as a system in which melody, harmony, rhythm and tone color become interrelated elements functioning together like the working parts of a clock, each part moving independently but also as part of an overall action serving one purpose. With a clock, that purpose is indicating the time. With a symphony of the kind Tchaikovsky strove to craft, that purpose is two-fold: to resolve the overall tonal and emotional conflict introduced at the beginning of the work and to relieve the tensions produced as a by-product of that conflict, which keep the listener's attention as that conflict progresses.

Instead of a single layer of fiberglass, as is common in other kit cars, the Bernardi body tub (the portion between the passenger compartment and the frame or road) and other body components used a composite sandwich consisting of one layer of fiberglass, one of stiff plastic foam, and finally a second layer of fiberglass.Blakely Auto Works, "Product Information Guide" The result is a heavier body than usual for kit cars, but one with reputedly greater stiffness and sound absorption than the single-layer approach. The colors for the visible parts of the body are molded into the fiberglass body parts as Gelcoat and the cars often appear with two-tone color schemes where the body color contrasts with the fenders and running boards. The factory attached the body's doors, windshield, hood, and trunk lid before shipping the kit to the buyer.

Although he used twelve-tone technique, he avoided orthodoxy by occasionally using triads and octaves; he also liked to use the row melodically, giving the successive pitches in the same tone color (many other composers of 12-tone music split the row between different voices). In the third style period Kokkonen wrote the music that made him internationally famous: the last two symphonies, the ...durch einen Spiegel for twelve solo strings, the Requiem, and the opera The Last Temptations (1975) (Viimeiset kiusaukset), based on the life and death of the Finnish Revivalist preacher Paavo Ruotsalainen. The opera is punctuated with chorales which refer back to Johann Sebastian Bach, and which are also reminiscent of the African-American spirituals used for a similar purpose in Michael Tippett's oratorio A Child of Our Time. The opera was staged at the Metropolitan Opera in New York in 1983.

The frequency modulator in the 'EFFECTS' section can be used with the VCF envelope for pitch envelope control. A triangle wave can be used as a sub-oscillator to beef up the bass of the other oscillators: set a widespread chord in chord memory and then use the arpeggiator, and then switch back and forth between poly/chord memory. The Mono/Poly can be used as a rhythm machine, by setting the instrument in 'Poly' and setting the different footages of the oscillators and the different waveshapes (triangle actually works best), and then using the ring modulator/frequency modulators with the Arpeggiator; adjust the envelopes accordingly to percussive settings and fiddle with the cut-off and noise from time to time to add tone color, and finally, set the LFO to pitch and set it at a considerable amplitude. Further, the pedal inputs can be routed from synths like the Korg MS-20 so that external oscillators can further modulate above what's already available.

In the early '80s, there was a drastic change in sound within the band as Mizutani had hired more musically competent musicians and replaced the rhythm guitarist with second lead guitarist Fujio Yamaguchi, whose much more bluesy and melodic delivery added tone color to the group that hadn't been heard before. This time period is documented on "Double Heads", a comprehensive six-disc box set that documents three separate concerts from 1980 to 1981. In mid-1981, Yamaguchi left the group which was now downsized to a trio, which they would stay for the most part until they would break up in 1996. At this point their sound was much more sparse and atonal, as the bass was the sole melodic instrument in the group. Their mid-’80s to mid-’90s sound bears many similarities to Ornette Coleman's mid-'60s work with his trio. After 1987, for unknown reasons, their performances became much more sparse with most of their available ’90s recordings and film footage originating from 1993, 1994 and 1996.

The "thema regium" appears as the theme for the first and last movements of Sonata No. 7 in D minor by Friedrich Wilhelm Rust, written in about 1788, and also as the theme for elaborate variations by Giovanni Paisiello in his "Les Adieux de la Grande Duchesse de Russies," written in about 1784, upon his departure from the court of Catherine the Great. The "Ricercar a 6" has been arranged on its own on a number of occasions, the most prominent arranger being Anton Webern, who in 1935 made a version for small orchestra, noted for its Klangfarbenmelodie style (i.e. melody lines are passed on from one instrument to another after every few notes, every note receiving the "tone color" of the instrument it is played on): The opening of Webern's arrangement of "Ricercar a 6" Webern's arrangement was dedicated to the BBC music producer and conductor Edward Clark.Vienna: Universal-Edition A. G. OCLC 461971074 Another version of the Ricercare a 6 voci was published in 1942 by C. F. Peters in an arrangement for organ by the musicologist Hermann Keller, then based in Stuttgart.

U47 Tube At the end of the 1950s, the Telefunken VF 14 vacuum tube on which the circuitry of the U 47 and U 48 had been based, was discontinued, so Neumann came under pressure to develop a successor. They decided to offer all three of those two models' directional patterns in a single microphone. In the meantime, the rock 'n' roll era had begun and some engineers were recording loud vocals with singers singing directly into microphones at very close range; when the U 47 or U 48 were used in this way, the result was considered by many engineers at the time to sound unacceptably harsh. (This could be considered ironic, since the U 47 and U 48 have a cult following today specifically for use in close-up vocals, with some engineers seeming to fancy that they are re-creating a "vintage" sound—whereas in fact, they are creating a sound quality that was specifically abhorred by many of the "golden ears" of the era—notable exceptions being Beatles producer George Martin and engineers Norman Smith and Geoff Emerick.) The result was the U 67, a microphone with less emphasis in its upper midrange response, giving it less of a "forward" tone color.