Then Paul and Rose were outside again, in the same starless night.
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A MOONLESS, STARLESS SKYOrdinary Women and Men Fighting Extremism in AfricaBy Alexis Okeowo240 pp.
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So if "Starless Dreams" inspires conflicted feelings in viewers, it may be by design.
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THE STARLESS SEABy Erin Morgenstern Pastiche (alternately, homage or fan fiction) is a venerable genre.
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He's a figure shrouded in starless black, even as the light attempts to embrace him.
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A MOONLESS, STARLESS SKY: Ordinary Women and Men Fighting Extremism in Africa, by Alexis Okeowo.
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At first, Morgenstern thought "The Starless Sea" was going to be a book about books.
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The moon was just a sliver, a comma, a single eyelash in the dark, starless sky.
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This turns that notion on its head, putting massive black holes in starless regions that grew rapidly.
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Starless planets may be even more common than stars in the Milky Way, according to Mróz's team.
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There will be blind curves and detours, flat tires and overheated engines, starless nights and sunless days.
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Eight years later, her follow-up, The Starless Sea, promises to be just as twisty and fantastical.
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Now, starless and alone, it's screaming through space at 2,000 kilometers per second—and it may never stop.
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She's Graceland, and Rumours, and old, beat-up record players, and she's smoking weed on a starless night.
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In the starless void of intergalactic space, there are clouds of cosmic gas as old as the Milky Way.
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Somewhere along the way, Brian Cashman and Hal Steinbrenner began settling for wild-card contention with uninspired, starless rosters.
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He appeared on the group's albums "Larks' Tongues in Aspic" (1973), "Starless and Bible Black" (1974) and "Red" (1974).
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But for those swept away by the romance of its imagery, "The Starless Sea" will provide hours of honey-drenched bliss.
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Tonight you&aposve got 15 cities that have approved bands on plastic straws and many others are considering joining the starless societies.
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" In "The Starless Sea," Morgenstern conjures an underground world where stories are "written in books and sealed in jars and painted on walls.
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A lot of top chefs eagerly gathered in a tiny room to hear whether they received a star, lost a star, or remained starless.
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And James, at 218, carried the otherwise starless Cavaliers to the 219 finals, an estimable feat although they were swept there by the Spurs.
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The Human Rights Watch festival's most powerful film, Mehrdad Oskouei's "Starless Dreams," wrings a poignant twist on the "Sisters are Doin' It for Themselves" concept.
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Zachary Ezra Rawlins is the star of "The Starless Sea" only because he is fated to be, not because we grow to know and love him.
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Making his first start since the first-round opener against Indiana, Green scored 251 points and added eight rebounds -- the star of James&apos starless supporting cast.
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Unfortunately for Erin Morgenstern and her sophomore offering, "The Starless Sea," it is not an ideal subject for a novel — or at least, not for this one.
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Mróz and his colleagues estimate that this rogue planet is somewhere between Earth and Neptune in scale, making it one of the smallest starless worlds yet found.
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The Knicks' woes certainly run far deeper, given the state of their starless roster and the latest public-relations disaster they absorbed in the Spike Lee flap.
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The lack of distinct character voice in "The Starless Sea" seems due to the fact it is unabashed fan fiction, but not a homage to any particular individual.
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The movie's aesthetic is deeply indebted to rock n' roll: It opens to the noodling of King Crimson's "Starless," and is flooded with scarlet light and dry ice.
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Only after the painting is complete, Sonhouse lights the matches and controls the ensuing blaze to render hair that is starless black, with a sweep of soot flowing heavenward.
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This portal would have led him to the Starless Sea, a labyrinthine underground repository of stories embedded in paper, ribbons, skin, funeral shrouds and candies, to name a few media.
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When the adult Zachary reaches this wondrous realm via a literary party at the Algonquin Club, he becomes enmeshed in a lethal battle to save the Starless Sea from destruction.
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More significantly, the Milky Way's hidden starless planets are a relatively unexplored group of exoplanets, that could shed light on everything from star system evolution to the limits of extraterrestrial life.
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In several previous films (including 2016's critically acclaimed Starless Dreams), Iranian director Mehrdad Oskouei has explored the world inside Iran's prisons for teenage girls convicted of serious crimes, including murder.
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At the 3-on-3 World Cup, which dates to 2012, the United States has yet to win a men's gold while sending starless teams of players who were once midlevel collegians.
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In "The Starless Sea," the protagonist, Zachary, is unnerved to discover a story from his own childhood in a mysterious book, and sets out on a quest to save an underground, literary realm.
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The story of Eunice and Bosco is the first of four narratives that make up "A Moonless, Starless Sky," Alexis Okeowo's carefully wrought account of individual Africans in four countries across the continent.
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Inside the List GAME ON Erin Morgenstern made two important moves in preparing to work on her second novel, "The Starless Sea," which lands at No. 3 on this week's hardcover fiction list.
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On those endless nights, he would lie in his cottage alone, looking through the window, up at the starless sky, and wondering: Was there a life for him out there in the world?
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I believe I am the only one that notices when about forty yards from the execution tent the med stops its chameleon routine and rests on an unsettling black, the color of a starless night.
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"Starless Dreams" opens with a girl being fingerprinted as she enters a female juvenile detention center in Tehran; repeated glimpses of newly released inmates waving goodbye are as far from the grounds as the movie ventures.
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His lurid tragicomedies — like his futurist shocker "Mercury Fur," staged by the New Group last year — typically begin in shadow and progress steadily into a starless midnight, where any available light is often reflected in pools of blood.
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First discovered in the 1960s, Smith Cloud is a starless ball of dust roughly 30 times the angular diameter of our Moon as seen from Earth—making at approximately 11,000 light years long and 2,500 light years across.
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Nevertheless, a crowd estimated at 20,85033 gathered just beyond the fence, listening with a quiet attention in the cold, nearly starless night as first FDR and then Churchill spoke from the balcony; a grainy newsreel of the two speeches is available on YouTube.
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An excerpt of "Starless," the 12-minute-long closing track from King Crimson's 1974 album Red (from which Cosmatos likely derived the name of Cage's character), opens the movie proper and its inclusion is expert curation, making the lineage from prog to metal explicit.
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The aesthetics of the dreary, starless world outside of the prince's fantasy universe seem inspired primarily by the relentlessly gray, boxed-in world of Jacques Tati's masterpiece of French cinema, Playtime, itself a hymn to the human spirit of ingenuity and individuality in a drab grown-up life.
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Photo credit: Bluman Associates The Lovell Telescope has sat in the northwest of England for nearly 60 years, searching through the depths of space and helping to discover quasars, examine pulsars and starburst galaxies, and study the cosmic microwave background, and it was the first telescope to unearth the supposed starless 'dark galaxy' VIRGOHI21.
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Rivers hasn't had a team overachieve like these starless Clippers since his rookie season on the bench with Orlando in 393-2000 when the Magic won a wholly unexpected 41 games in a season billed as a placeholder before a splashy free-agent summer that ultimately landed Grant Hill and Tracy McGrady in the Magic Kingdom.
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Whereas Layli Long Soldier Sour Heart Jenny Zhang A Moonless, Starless Sky: Ordinary Women and Men fighting Extremism in Africa Alexis Okeowo Fantasmario Javier Viveros No Time to Spare: Thinking About What Matters Ursula K. Le Guin Katalin Street Magda Szabó, translated by Len Rix Richard Nixon: The Life John A. Farrell The Butchering Art: Joseph Lister's Quest to Transform the Grisly World of Victorian Medicine Lindsey Fitzharris Ali: A Life Jonathan Eig In addition to honoring individual books, PEN also celebrated writers for their overall careers, giving grants to emerging writers and handing out several lifetime achievement awards.
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Starless Night debuted on The New York Times bestseller list at number 12. "Starless Night is good sword- and-sorcery fare and keeps a lively pace throughout."—Adam Paul Hunt of the Library Journal.
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Starless Dreams is a 2016 Iranian documentary directed by Mehrdad Oskouei.
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Myriam Ullens is publishing her first novel, "Distant Starless Nights" in February 2017.
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N.B. also for the box set, see Starless - box set for its track listing.
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On November 8, 2018, it was announced that Doubleday would publish a new novel by Morgenstern titled The Starless Sea. Entertainment Weekly described The Starless Sea as a "sweeping new novel interweaving romantic and fantastical elements." The book was released on November 5, 2019.
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Formed in 2009, Myridian released A Starless Demo, a three track EP, on 15 June 2011.
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Starless is a studio album by American post-hardcore band Shiner. It was released in April 2000.
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The final section reprises various themes from earlier in the song, and it also re-uses a bass part which was originally written for the song "Fracture". This early arrangement of "Fracture" can be heard on discs 1 and 25 of the Starless box set, as well as the standalone releases of their respective concerts. The lyrics went through several iterations, with one early verse later included by Wetton in "Caesar's Palace Blues," a song he would perform with U.K. Since the title "Starless and Bible Black" was already used for an improvisation on the group's previous album, the song's title was shortened to "Starless". On Red, "Starless" is credited to the quartet, as well as lyricist Richard Palmer-James.
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However, "Starless" was later revived, its lyrics altered and a long instrumental section (based on a bass riff written by Bruford) added to it, and performed live between March and June 1974. For the Red recording sessions, the lyrics were again altered (with contributions by Richard Palmer- James). The introductory theme, originally played by David Cross, was taken over by the guitar, with Fripp making minor alterations to the melody. As the title "Starless and Bible Black" had already been used, the original title was shortened to "Starless".
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No one thought any more of the uncourtly guest, who had come in like a shadow and vanished again into the starless night.
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The band's next album, Red, contains a song called "Starless", which contains the phrase "Starless and bible black", whereas "Starless and Bible Black" is an improvised instrumental. The title track on both the album and the compact disc is an edit of the original Amsterdam improvisation as performed at the Concertgebouw, which presumably ran several minutes longer (as improvisations of this tour often did). (The sleeve notes included with the CDs indicate that it was cut short for the 1973 album "due to the constraints of vinyl"). All currently-available master tapes contain the 9:11 version.
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As a singer, Takashima released singles and albums from 1992 to 1994. He covered the King Crimson song Starless.Starless Takashima - Starless (1993) on the B side of his 1993 single Kowarerukurai Dakishimetai (こわれるくらい抱きしめたい). On Rock Fujiyama, he was nicknamed Starless Takashima (スターレス髙嶋) because he was a King Crimson enthusiast.
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"Wish/Starless Night" is currently Olivia's highest debuting single, at #7 on the Oricon weekly charts. Total sales thus far have reached 27,854 copies.
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Starless Night is a 1993 fantasy novel by American writer R. A. Salvatore. It is the second book in his Legacy of the Drow series.
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The original chords and melody for "Starless" were written by John Wetton, who intended the song to be the title track of the group's previous album Starless and Bible Black. Event occurs at 5:15-7:01. Robert Fripp and Bill Bruford initially disliked the song and declined to record it for that album. Instead the group chose an instrumental improvisation as the title track.
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"Starless" is a song by English progressive rock band King Crimson. It is the final track on their seventh studio album, Red, released on 6 October 1974.
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"Wish/Starless Night" is Olivia's 10th single, and is her second single to be released under the name Olivia Lufkin Inspired by Reira (Trapnest). It was released on CD and CD&DVD; on October 11, 2006. The two title tracks were recorded specifically for the Nana anime. "Wish" was used as the second opening theme and "Starless Night" was used as the second ending theme to the show.
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Millimeter observations from the IRAM 30m telescope provide confirmation for 46 of the starless-cores and Class 0/I protostars in the Westerhout 40 and Serpens south regions.
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In 2004, Pitchfork ranked it at number 94 in their list of the "Top 100 Albums of the 1970s." The track "Great Deceiver (Long Mix)" on the album Spiral Honey by the Japanese noise musician Merzbow features the ending chords of the track "The Great Deceiver". The Japanese band Acid Mothers Temple recorded an album entitled Starless and Bible Black Sabbath in 2006 as a double homage to Starless and Bible Black and Black Sabbath's self-titled album. The eroge PC video game Bible Black and Starless: 21st Century Nymphomaniacs were both named after the album due to their original creator, Sei Shoujo, being a fan of King Crimson, even referencing the band in Bible Black.
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This album contains an important performance in King Crimson's career, being the source of the improvisations "Trio" and "Starless and Bible Black", the Fripp instrumental "Fracture" and the intro to the song "The Night Watch", all of which were included, with some editing, in the 1974 album Starless and Bible Black. Prerecorded excerpts of (No Pussyfooting) appear at the end of "21st Century Schizoid Man" similarly to what was included at the beginning of USA.
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CCS is found in space in large quantities. This includes the Taurus Molecular Cloud in TMC-1, TMC-1c and L1521B. These are likely in young starless molecular cloud cores.
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The 1993 short story, Dark Mirror, in the Realms of Valor anthology, describes events just prior to the series. The first three books, The Legacy,The Legacy reached 10 on the New York Times bestseller list on October 4, 1992. Starless Night,Starless Night reached 12 on the New York Times bestseller list on September 19, 1993. and Siege of Darkness,Siege of Darkness reached 13 on the New York Times bestseller list on September 18, 1994.
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Starless is the fourth of the major box set releases from English progressive rock group King Crimson, released in 2014 by Discipline Global Mobile & Panegyric Records. Over 23 CDs, 2 Blu-ray audio discs and 2 DVDAs is a limited edition box set featuring studio and live recordings many previously unreleased from King Crimson's celebrated mid-1970s live line-up. It includes the 2011 stereo mix and 5.1 surround mix of Starless and Bible Black by Steven Wilson and Robert Fripp.
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Also in 2016, Thomson was confirmed as one of the main contributors to Paul McGeechan's Starless LP. In August 2020, 'Lagoon Blues', 'Sunpowder' and 'Kelvingrove Baby' were reissued through Marina Records on limited edition vinyl.
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Starless dreams is ranked above many films of prominent directors. American news and culture paper The Village Voice ranked the documentary 7th Among Village Voice Top 25 Films. Meanwhile, the movie gained 85 scores out of 100 on the metacritic movie website Oskoeui was the subject of a retrospective at New York's Anthology Film Archives, 2018. It included Starless Dreams, his medium-length films Nose, Iranian Style, The Other Side of Burka, The Last Days of Winter and It's Always Late for Freedom, and four shorts.
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"Starless" was originally written by Wetton, with the intent of it being the title track for Starless and Bible Black. At the time, the piece consisted only of the vocal section of the song, and Wetton claims that it got a "cold reception" from both Robert Fripp and Bill Bruford. Later, an introductory theme was written by Robert Fripp and performed on violin by David Cross, and two additional sections were added after the vocal, one being contributed by Bruford. Event occurs at 5:15–7:01.
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Reinkaos is also available as autographed limited first edition: CD packed in exclusive embossed slipcase, limited to 1,001 hand-numbered copies signed by the band members; including the music video for "Starless Aeon" and a sticker.
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The Starless World is a science fiction novel by American writer Gordon Eklund, set in the Star Trek universe and involving a Dyson Sphere. It contains the canonical character James T. Kirk. It was originally published by Bantam Books in 1978.
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Variations of the middle section's bassline are played under Fripp's layered and overdriven guitar parts. The saxophone returns to play a reprise of the vocal melody, then the final section is repeated with more overdubs from Fripp. Finally, the song ends with a reprise of the opening melody, played on the saxophone instead of the guitar. Though the phrase "Starless and Bible Black" serves both as the chorus for the song's vocal segment and as the title of an instrumental track on the album Starless and Bible Black, there is little apparent similarity between the two pieces.
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Bruford is featured on Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), Red (1974) and the live album USA (1975). Robert Fripp disbanded King Crimson in September 1974.Snider,Charles (2007). The Strawberry Bricks Guide to Progressive Rock (1st ed.).
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Outside the prison walls, danger is everywhere, even within their own families. Oskouei, one of Iran's most prominent directors, spent seven years securing access to this all-female facility. With incredible empathy, Starless Dreams delivers an unforgettable cinematic portrayal of restored innocence and humanity.
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Starless and Bible Black is the sixth studio album by English progressive rock band King Crimson, released in March 1974 by Island Records in the United Kingdom and by Atlantic Records in the United States. Much of the album was recorded live, but edited and blended with studio material.
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Paul McGeechan has produced a number of high profile artists and released the Starless record in 2016, a lushly orchestrated album featuring a number of guest vocalists including Paul Buchanan (The Blue Nile), Karen Matheson (Capercaillie), Julie Fowlis and Chris Thomson (The Bathers), and recorded with the Prague Philharmonic Orchestra.
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ILPS 9275 (UK), Atlantic Records cat. no. SD 7298 (United States). include the lyrics to "The Great Deceiver," "Lament" and "The Night Watch" on the album's inner sleeve. The phrase "Starless and Bible Black" is a quotation from the first two lines of poet Dylan Thomas's play, Under Milk Wood.
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Spiral Honey is an album by the Japanese noise musician Merzbow. The track "Great Deceiver (long mix)" samples the ending chords of the track "Great Deceiver" from the album Starless and Bible Black by King Crimson. The album was used on Jim O'Rourke's track "House of Kaya" on the Merzbow remix album Scumtron.
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They also recorded a full version of "Starless" for the album, which was originally considered for their previous album, Starless and Bible Black (1974), but never fully written, and performed during concerts throughout 1974. Red is a progressive rock album with a noticeably heavier sound than their previous albums; it was later called one of the 50 "heaviest albums of all time" by Q. This was achieved with the rhythm section of performances by band members John Wetton (bass guitar, vocals) and Bill Bruford (drums, percussion). The production of the album is also significantly more layered, including more guitar overdubs. The album also marks the return of heavy saxophone usage in their music, with other instruments such as the cello, oboe, and cornet appearing throughout as well.
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In 1995 KosMoBob changed its name to Dead Music, but soon returned to KosMoBob. In the 2000s Kostarev started performing solo and gained popularity as one of the most important Russian progressive rock figures. In 2003 the band KosMoBob decided to change its name to Kostarev's Group. In 2003 the Kostarev Group first album was released by Starless Records.
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Washington, D.C.: Federal Writers' Project, 1942. Federal Bridge, a sturdier structure, was built over Rock Creek in 1802. However, from the early 19th century to the early 20th century, Georgetown residents claimed to see a silent stagecoach race down Bridge Street on starless nights, and then disappear in the center of the new span.Peter, Grace Dunlop.
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This gives an additional challenge over the "starless" route, as players must execute difficult glitches while also obtaining the fastest (and in many cases, most difficult) stars in the game. The record for this category is held by Japanese runner akki, with a time of 14 minutes, 59 seconds, and 330 milliseconds. Completing Super Mario 64 100%—i.e.
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Erin Morgenstern (born July 8, 1978) is an American multimedia artist and the author of two fantasy novels. The Night Circus (2011) was published in more than a dozen languages by 2013 and won the annual Locus Award for Best First Novel. She is a 2012 recipient of the Alex Awards. Her second book, The Starless Sea, was published in 2019.
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Olivia continued to release Nana-related material throughout 2006. The next opening and ending theme songs used were both by Olivia. The single "Wish/Starless Night" was released in October and peaked at number seven. Following the success of these releases, Olivia's first US appearance was scheduled for the Asian entertainment convention Pacific Media Expo held in Los Angeles, California in October 2006.
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In a review of the album for BBC Music Magazine, Chris Parker wrote: "Tracey’s startlingly percussive, eccentric piano style and his close rapport with tenorman Bobby Wellins do bring Thelonious Monk and Charlie Rouse to mind, but the cogent pungency of the compositions (in catchy mid-tempo tunes or in haunting ballads like ‘Starless and Bible Black’ and the title-track) is all his own". In a series of articles for The Guardian newspaper titled "50 great moments in jazz", John Fordham wrote of the album: "Under Milk Wood was an evocative collection of sparky themes inspired by the Dylan Thomas radio play (it's sometimes performed with a narrator reading the parts). And thanks to Tracey's sparing piano and Wellins's softly hooting sax, the rippling tone-poem 'Starless and Bible Black' is widely acclaimed as one of the great jazz performances".
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Recorded cover versions of Starless include those by: Neal Morse, Mike Portnoy, and Randy George;The Official Website of Bill Bruford and Bill Bruford's Earthworks Craig Armstrong, on his album As If to Nothing as "Starless II"; Banco de Gaia, on their album Memories Dreams Reflections; The Unthanks, on their 2011 album Last; the Crimson Jazz Trio, on their album King Crimson Songbook Volume One (2005). The song has been covered live by Asia, a supergroup of which John Wetton was a founding member; 21st Century Schizoid Band, a group made up of earlier members of King Crimson (save for Jakko Jakszyk, who would later join King Crimson); After Crying, a Hungarian symphonic rock band, with guest vocals by Wetton;Progarchives U.K., one of whose members was once again Wetton; and District 97, yet again featuring vocals from Wetton.
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As well as traditional material, the album included a song written by band member Adrian McNally ("Last"), and versions of songs by Jon Redfern ("Give Away Your Heart"), Tom Waits and Kathleen Brennan ("No One Knows I'm Gone"), King Crimson ("Starless") and Alex Glasgow ("Close the Coalhouse Door"). "Last" was also issued as a single, edited for radio play; this was released on 13 June 2011.
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This source is the driving source of the jets and it is a class I protostar with a luminosity of about 25 . This protostar is embedded in a 30 cloud core. The dynamical age of the complex is only 800 years. Near the central source an ammonia feature called NH3-S was found, which is a starless core with a turbulent interior induced by HH 111.
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Islands is the fourth studio album by English band King Crimson, released in December 1971 on the record label Island. Islands would be the last King Crimson studio album before the group's trilogy of Larks' Tongues in Aspic, Starless and Bible Black and Red. It is also the last album to feature the lyrics of founding member Peter Sinfield. The album received a mixed response from critics.
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The cover art on all Dark Star releases up to I Am the Sun in 2000 was by Tom Phillips, an artist from Peckham, South London. The images he used were based on his work A Humument, an illustrative and textual reworking of an 1892 Victorian novel. Phillips had previously contributed similar artwork for the sleeve of the King Crimson album Starless and Bible Black.
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In Starless Night, Drizzt decides to return to Menzoberranzan in an attempt to keep the evil drow from launching another attack on Mithral Hall. He gives Guenhwyvar to Regis and tells him not to tell anyone where he went. When Cattie-brie later questions Regis about Drizzt's disappearance, and she makes Regis tell the truth. Regis then gives her Guenhwyvar and she decides to follow Drizzt .
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False visual reference illusions may cause the pilot to orient the aircraft in relation to a false horizon; these illusions can be caused by flying over a banked cloud, night flying over featureless terrain with ground lights that are indistinguishable from a dark sky with stars, or night flying over a featureless terrain with a clearly defined pattern of ground lights and a dark, starless sky.
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These "walk-ons" are reproduced here, and indexed as separate tracks. Three recordings from this box set were previously available on other King Crimson albums, albeit in slightly altered forms. An abbreviated version of "We'll Let You Know" appears on the Starless and Bible Black album, released in 1974. Similarly, an abbreviated version of "Providence" was included on the Red album, also released in 1974.
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He kneels next to him and holds his hands. “Toward midnight the bell began ringing, calling the Christians to the church to see Christ born. One by one the doors opened and the Christians hastened toward the church, shivering with cold. The night was calm, icy, starless.” “Priest Fotis listened to the bell pealing gaily, announcing that Christ was coming down on earth to save the world.
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A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott's recording studio, Great Western Record Recorders in Tolono IL and released by DeSoto Records. Shiner broke up in 2003 after more than a year of touring behind The Egg.
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The Croats and other irregulars set fire to the village. Daun's battle plan took the Prussians completely by surprise. The east side of Frederick's line was the first to be attacked. Using the starless night and fog as cover, and grouped into small shock units for easier control and stealth, the Austrians fell on the Prussian battery when the church bell signaled 5:00, catching the Prussians completely off guard.
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By the end of the season he had started to form an effective combination with Nick Evans. The combination was a positive in the Highlanders' poor start to the Super 14 competition. When Evans returned to the Blues in 2008, Cowan was left once again with an starless, inexperienced backline. Over the next three years Cowan was a feature in a poor Highlanders side becoming captain in 2009.
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According to the album's liner notes, Joe Pisapia contributed guest vocals on "Jesus on the Radio" and Ben Kweller did the same on "I Hope Tomorrow Is Like Today". Pisapia officially joined the band in 2003. The track "Red Oyster Cult" refers to the name of the American rock band Blue Öyster Cult. A UK re-release included two bonus tracks, "Say That To My Face" and "Starless Heaven".
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Thelonious Monk: The Life and Times of an American Original. Free Press, 2009 In November 1973, King Crimson performed a set at the Volkshaus which included the instrumental recording for song "The Mincer". John Wetton would later overdub vocals for the song on the album Starless and Bible Black. Kraftwerk performed at the venue during a European tour on 3 October 1976 and during their The Mix tour on 26 November 1991.
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"'Lysistrata Jones' to Close", The New York Times, January 3, 2012 According to Playbill, "The usually powerful chief critic of the New York Times raved about it downtown and uptown, penning a genuine "money" review for its commercial transfer, but, ultimately, there was not enough box-office interest to support the starless musical."Jones, Kenneth. "'Lysistrata Jones', the Broadway Musical That Borrows From Ancient Greece, Will Give It Up on Jan. 8" Playbill.
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The live performance of "21st Century Schizoid Man" on CD Two was issued in 1975 as part of the album USA, featuring overdubbed violin from Eddie Jobson. Many of the recordings on this album are band improvisations. "The Law of Maximum Distress" appears in two sections, as the tape ran out in the middle of the song. Much of the missing material seems to be used on "The Mincer" from Starless and Bible Black.
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In 2019, she filmed her first big-screen film Sitt Kar, alongside Nay Toe, Kyaw Kyaw Bo, Nay Htoo Naing and Aye Myat Thu. The same year, she was cast in the big-screen film Kyal Ma Shi Tae Kaung Kin (Starless sky ), where she played the main role with Phupoom Pongpanu, Nay Toe, Sai Sai Kham Hlaing, Tun Tun, Emi Takei, Aye Myat Thu and Moe Set Wine. The film is the collaboration with Thailand.
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David Cross (born 23 April 1949 in Turnchapel near Plymouth, England) is an English electric violinist and keyboardist best known for playing with progressive rock band King Crimson from 1972–1974. (He appears on the albums Larks' Tongues in Aspic and Starless and Bible Black). He also plays on numerous live recordings from his time in the band that have been released in the decades since by Robert Fripp's Discipline Global Mobile label. After King Crimson, Cross traveled extensively.
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Beginning in 2005, Devil's Due Publishing began releasing comic book adaptations of the Drizzt novels, covering each book in a three-issue mini-series along with a trade paperback collection. To date, Homeland, Exile, Sojourn, The Crystal Shard, Streams of Silver, The Halfling's Gem, The Legacy, and Starless Night have been released. The character has appeared in several video games. He is part of the story and a party member in the 1994 SSI game for PC Menzoberranzan.
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His ship, Vingilot, was placed in the heavens, and he sailed it "even into the starless voids", but he returned at sunrise or sunset, glimmering in the sky. The Valar marched into the north of Middle-earth and attacked the Throne of Morgoth in the War of Wrath. Morgoth set loose a fleet of winged dragons, which drove the Valar back. Eärendil in Vingilot attacked, with Thorondor and his great eagles, and killed Ancalagon the Black, greatest of the dragons.
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The ring in our solar system is two AU from the orbit of Uranus, and passing through it leads to a hub of starless space approximately one million kilometers across, with more than 1,300 other rings, each with a star system on the other side. In the center of the hub, which is also referred to as the "slow zone", an alien space station controls the gates and can also set instantaneous speed limits on objects inside the hub as a means of defense.
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In 2010, Oskouei received the lifetime achievement in documentary making from the Iranian Documentary Filmmakers Association at the House of Cinema awards ceremony. In January 2015, The Gilan province Islamic Cultural Center awarded him for his archival research and pictorial history of their province. Oskouei directed the Iranian Cultural Special Documentary Committee from 2004 until 2008. His film The Last Days of Winter was screened in France in 2013 and his latest film "starless dreams" was screened in France, England, Switzerland, United States and Japan in 2017 and 2018.
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The two expanded the story into a full-length novel of the same title, published in 1977. Eklund's Star Trek novel The Starless World was the first Star Trek story about a Dyson sphere. In his teens, Eklund was a member of a Seattle SF fan club, The Nameless Ones, and in 1977, Eklund was a guest of honor at the 1977 SF convention Bubonicon 9, in Albuquerque, New Mexico. The Cushing Memorial Library of Texas A&M; University has a "Gordon Eklund Collection" housing the typed manuscript of the story "The Stuff of Time".
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A haunting portrait of stolen childhood, Starless Dreams plunges the viewer into the lives of seven young teenage girls sharing temporary quarters at a rehabilitation and correction center on the outskirts of Tehran. As the New Year approaches, the girls bond and reveal with disarming and often playful honesty the circumstances and acts that resulted in their incarceration. One girl killed her father; another robbed a bank; another was arrested for carrying 651 grams of cocaine. The girls' sisterly bond brings them to sing and dance with hope and allows them to share their tears.
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The song has been well received by critics. Chris Jones, in his review for the BBC, felt that the version by Plant and Krauss is "completely improved" from the original track. Thom Jurek wrote for Allmusic: "Slow, plodding, almost crawling, Krauss' harmony vocal takes it to the next step, adds the kind of lonesome depth that makes this a song whispered under a starless sky rather than just another lost love song." The song features in the closing moments of the final episode of the USA TV show The Riches.
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The Reapers are a highly advanced machine race of synthetic-organic starships, and the overarching antagonists of the original Mass Effect trilogy. The Reapers reside in dark space: the vast, mostly starless space between galaxies. They hibernate in a dark space and remain dormant for a cycle of fifty thousand years, before returning to the Milky Way galaxy. The Reapers' origins began more than one billion years before the events of the Mass Effect series, when the Milky Way galaxy were controlled by a species called the Leviathans.
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In this story, a schooner at sea ("becalmed in the Northern Pacific") is approached in the middle of "a dark, starless night" by a small rowboat. The passenger aboard the boat, who refuses to bring his boat close alongside and requests that the sailors on the schooner put away their lanterns, tells everyone a disturbing tale. Begging food for his fiancée, he receives some rations, floated to him in a wooden box. Later that same evening, he returns to report that his fiancée is grateful for the food, but will soon die, and he tells the sailors his full story.
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After baking dozens of pies, Very Long expresses that he always wanted to be a baker, but never believed he could do it and was afraid he could not change from being a pirate. Jackie prompts him to make this change, and Very Long expresses his gratitude to Jackie and Puff. They continue their journey until they reach the starless sky, where jealous clouds block out the brightness of the stars. One of the stars falls, and Puff instructs Jackie to take the small star to the sky with the boat, which Puff gives butterfly wings.
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King of Ravka Nikolai Lantsov attempts to rebuild get his country after the Ravkan Civil War and get it in order to fend off threats from neighboring nations Shu Han and Fjerda while dealing with the demons the Darkling infested him with. Zoya Nazyalensky, his friend and a powerful Squaller, is desperate to help him. They also run into the Cult of the Starless Saint, who worship and claim loyalty to the Darkling. Meanwhile, Nina Zenik is disguised as a woman named Mila Jandersdat as she, Leoni, and Adrik help Grisha flee Fjerda, where Grisha are oppressed and even hunted.
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Sid Smith, for BBC Music, said that "Proving once again that sad songs are very often the best, their fourth album is brimming with material that is as haunting as it is beautiful." Writing in NME, Anthony Thornton said that the album "proves the mix of Rachel and Becky’s voices to be one of the true wonders of 21st-century music". As well as traditional material, the album included a song written by band member Adrian McNally ("Last"), and versions of songs by Jon Redfern ("Give Away Your Heart"), Tom Waits and Kathleen Brennan ("No One Knows I'm Gone"), King Crimson ("Starless") and Alex Glasgow ("Close the Coalhouse Door").
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After the release of the Earthbound live album, Fripp rebuilt King Crimson again in July 1972 with the additions of former Family bassist and vocalist John Wetton, violinist and keyboardist David Cross, former Yes drummer Bill Bruford, and percussionist Jamie Muir. After the first of two live shows scheduled upon completion of the group's new album Larks' Tongues in Aspic, Muir abruptly left King Crimson to pursue Buddhism. The remaining four-piece issued Starless and Bible Black in March 1974. By the time the group began recording the follow-up Red in July 1974, King Crimson were a trio following Cross's departure at the end of the previous tour.
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Phillips has provided cover art for music albums including Starless and Bible Black by King Crimson (1974), Another Green World by Brian Eno (1975), and one of the sixteen portraits that form Peter Blake's design for Face Dances by The Who (1981). His cover art for Dark Star's Twenty Twenty Sound used the same technique as The Humument, but using the album's lyrics as the source material. Phillips provided four illustrations for The Oresteia of Aeschylus, translated by Jeffrey Scott Bernstein and published by Carcanet Press in 2020. He has also produced books about art including Music In Art and a study of African art.
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The Herschel Space Observatory has made a map of this region of the sky in mid- and far-infrared wavelengths. The molecular cloud at these wavelengths is traced by emission from warm dust in the clouds, allowing the structure of the clouds to be probed. Wavelet analysis of the molecular clouds in the approximately 11 square degree Herschel field of view breaks up the clouds into numerous filaments, mostly in and around the Westerhout 40 region. A number of possible "starless cores"—over-dense clumps of gas that may gravitationally collapse to form new stars—are also noted in this region, mostly studded along the molecular filaments.
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" Dan Kois of The Washington Post praised Edgerton brother's and said that "the debut feature of Nash and Joel Edgerton, Australian actors-turned- filmmakers, calls to mind another great darkly comic debut, the Coen brothers' Blood Simple. Like that movie, The Square uses the trappings of film noir to explore a moral universe in which connivers and crooks are their own worst enemies. And like Blood Simple, The Square suggests an exciting future for a pair of brothers with a dark view of pitiless fate." Lou Lumenick of the New York Post in his review said that "A starless but highly effective Aussie noir that marks the auspicious feature debut of stuntman and music-video director Nash Edgerton.
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He has also recorded and toured with a wide variety of other musicians, including Lydia Lunch (both solo and as the band Big Sexy Noise), French alternative rock group Ulan Bator, Barry Adamson, and as a member of legendary Krautrock band Faust, and recording and performing with PJ Harvey. Johnston has contributed scores to numerous film and television projects, the play The Nest, working together with PJ Harvey, and most recently All About Eve stage play, again with PJ Harvey. He has collaborated with Ken Russell and acted for Olivier Assayas in his award-winning film Clean. Johnston released a solo album, The Starless Room, in November 2016 which was produced by Johann Scheerer.
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However, the pace of these interlocking parts is often slower than in the '80s, with Belew and Fripp often trading just single notes back and forth in hocket. As such, it presents a different twist on the gamelan approach of the '80s era. The album also harks back to previous eras, presenting sequels to old pieces. "Larks' Tongues in Aspic – Part IV" continues a series of instrumental pieces forming a cross-album suite, primarily recalling motifs from part II. "FraKctured" began as a fifth entry in the "Larks" suite, but was later in the process considered closer "in lineage" to "Fracture", the final track from 1974's Starless and Bible Black, and thus renamed.
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Much of the material on Red has origins in improvisation. Motifs that would eventually be used for "Fallen Angel" were first played by Robert Fripp in 1972, as part of improvs performed with the quintet lineup that would record Larks' Tongues In Aspic. These improvisations are documented as "Fallen Angel" and "Fallen Angel Hullabaloo" in the Larks' Tongues in Aspic: The Complete Recordings box set, as well as standalone releases of their respective concerts. The distinctive introduction to "One More Red Nightmare" was also deployed by John Wetton and Robert Fripp in various improvs throughout 1974, which can be heard in the Starless (box set) and The Road to Red box sets.
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Both of these orbs are starless and move with the diurnal motion, but the tenth orb moves in the plane of the celestial equator while the ninth orb moves around poles that are inclined 24° with respect to the poles of the tenth orb. The ninth is also divided into twelve parts which are named after the zodiacal constellations that can be seen beneath them in the eighth orb. The eight and ninth orbs move around the same poles, but with different motion. The ninth orb moves with daily motion, so that the 12 signs are static with respect to the equinoxes, the eighth Orb of the Fixed Stars moves 1° in 100 years, so that the 12 zodiacal constellations are mobile with respect to the equinoxes.
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Besides theology, Neckam was interested in the study of grammar and natural history, but his name is chiefly associated with nautical science. In his De utensilibus and De naturis rerum (both written at about 1190), Neckam has preserved to us the earliest European notices of the magnetized needle as a guide to seamen and the earliest European description of the compass. Outside China, these seem to be the earliest records. It was probably in Paris that Neckam heard how a ship, among its other stores, must have a needle placed above a magnet (the De utensilibus assumes a needle mounted on a pivot), which would revolve until it pointed north and thus guide sailors in murky weather or on starless nights.
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In his stead, the band brought back several contributors to past albums: Robin Miller on oboe, Marc Charig on cornet, Ian McDonald and Mel Collins on saxophone, as well as an uncredited cellist. Red sees King Crimson follow in the direction established by their previous two albums, Larks' Tongues in Aspic and Starless and Bible Black, but in contrast to those albums, Red features more layered production with several guitar overdubs on certain tracks, as well as the return of earlier instrumentation such as saxophone. Red having a heavier tone was largely due to the influence of the rhythm section of John Wetton and Bill Bruford, which Fripp has referred to as "the flying brick wall". During the recording of the album, Fripp took a "backseat" when making large decisions.
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The north ecliptic pole (Běijí , represented by a red dot which does not correspond to any astral body since the north ecliptic pole is starless, Wújí, "without pole") coiled by Draco (Tiānlóng ), which slithers between the Little Dipper and the Big Dipper (Great Chariot), respectively representing yin and yang, death and life. As the symbol of the "protean" primordial power which contains yin and yang as one, the dragon is the curved line in-between yin and yang in the "diagram of the Supreme Pole" ( Tàijítú, of Tàijí) → 20px. Small seal script form, from the Shuowen Jiezi, of k: qì (pneuma, "breath", "matter–energy", "power" of Heaven). Because all beings are considered coalescences of it, some scholars have employed the term "(poly)pneumatism", first coined by Walter Medhurst (1796–1857), to describe Chinese spirituality.
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Though this was initially thought to have been motivated by an onstage injury caused by a gong landing on his foot, it was later revealed that Muir had gone through a personal spiritual crisis, and had withdrawn to become a monk. With Muir gone, the remaining members reconvened in January 1974 to produce Starless and Bible Black, released in March 1974 and earned them a positive Rolling Stone review. Though most of the album is formed of live performances from the band's late 1973 tour, the recordings were painstakingly edited to sound like a studio record, with "The Great Deceiver" and "Lament" the only tracks recorded entirely in the studio. The album reached No. 28 in the UK and No. 64 in the US. Following the album's release, the band began to divide once more, this time over performance.
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"We'll Let You Know" was an entirely improvised piece recorded in Glasgow. "The Mincer" was another improvised piece, originally recorded in concert at the Volkshaus in Zürich but overdubbed with Wetton's vocals in the studio; The track was the edited-out middle section of a longer improvisation, the other parts released on The Great Deceiver as "The Law of Maximum Distress". "Trio", "Starless and Bible Black" and "Fracture" (the last of which Robert Fripp has cited as one of the most difficult guitar pieces he has ever played) were recorded live at the Concertgebouw in Amsterdam. Also recorded at the Concertgebouw was the introduction to "The Night Watch" (the band's Mellotron broke down at the start of the next section, meaning that the remainder of the song needed to be recorded in the studio and dubbed in later).
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These included Faust & Omar Rodríguez López, Gallon Drunk, Bosnian Rainbows, The Ape and Léonore Boulanger. His 2012 productions included the debut album of Berlin artists ALLIE and the first album for Omar Rodríguez López’s new band Bosnian Rainbows, which was released in May 2013 by Clouds Hill. In this year Scheerer also was executive producer of the “Los chidos” Movie,Executive producer of the “Los chidos” Movie Variety Magazine, March 18, 2012. a Rodríguez López Production in association with Sargent House. In 2014, he met Peter Doherty, who asked him to produce his solo album, and who later summarised their working together simply with “the guy saved my life”. The Scheerer label Clouds Hill released a limited 12” single which included an exclusive song from Peter Doherty and James JohnstonJohann Scheerer Producer of “The Starless Room” Blurt November 18, 2016 for Record Store Day 2016.
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The play first premiered in June 2016 in the basement of Maggie Mae's Pub in Queens, NY. In spring 2019, Walker produced a second full-length run of the play in a small cabin in his back yard at his home in Charlotte, NC, where he moved shortly after the play's initial premiere. It was there the play began to receive attention and received its first critical review by Charlotte based publication, QC Nerve. The publication described the play as "[a] comic, eloquent and upsetting rumination on a meaningless universe where even death will not relieve the pain of living." and cited Walker's "distinctive voice" as "poetic, profane and dark as a starless night." In October, 2019 The Wake of Dick Johnson returned to New York at Performance Space 122, this time Walker incorporated a live score composed by Ashville, NC based musical duo Okapi (Lindsey Miller, Scott Gorski).
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" Stephen Hunter of The Washington Post praised the film as "a riveting, even inspirational account of an American feat of arms about which few know but about which many more should." He said the film was made more in the style of movies from the 1940s, with the hero being the unit involved in the action instead of individuals, a technique which is rarely used today and explains the "essentially starless" cast drawing mainly from television or film supporting roles. He praised its accuracy, saying, "The war stuff is first-rate all the way through. A great deal of effort has been made to achieve a level of anthropological correctness: The weapons are right, the uniforms are right, the equipment is right...The raid itself is a dynamo of action filmmaking, exactly like what the real thing must have been – swift and brutal, with a lot of shooting and no prisoner-taking.
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In mid-August 1957, USS Wantuck (APD-125) got underway from San Diego for Hawaii on the first leg of a voyage to Japan. She was about 180 nautical miles (333 kilometers) from San Diego on a moonless and starless night when at 0318 hours on 15 August 1957 Lenawee rammed her on the port side between the No.1 boiler room and No. 1 engine room, almost tearing Wantuck in half, the impact being powerful enough to bring her forward momentum to an immediate stop and shove her laterally to starboard. Wantuck suffered two men killed—one who drowned in the flooding engine room and another scalded by high-pressure steam—and five injured, all burned. The submarine rescue ship USS Florikan (ASR-9) and fleet ocean tug USS Cree (ATF-84) came to Wantuck 's aid, while Lenawee took some of Wantucks injured men aboard and proceeded to Pearl Harbor.
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Fripp was listed as the sole composer of the band's music during this time, which built on the first album's blueprint but progressed further into jazz rock and free jazz while also taking form from Sinfield's esoteric lyrical and mythological concepts. In 1971, Fripp ousted Sinfield and took over de facto leadership of King Crimson (although he has always formally rejected the label, preferring to describe his role as "quality control" or "a kind of glue"). From this point onwards, Fripp would be the only constant member of the band, which in turn would be defined primarily by his compositional and conceptual ideas (which drew on avant-garde jazz and improvisation mixed with a variety of hard rock and European influences, in particular the music of Béla Bartók). With avant-garde percussionist Jamie Muir, violinist David Cross, singing bass player John Wetton and former Yes drummer Bill Bruford now in the ranks, King Crimson produced three more albums of innovative and increasingly experimental rock, shedding members as they progressed: beginning with Larks' Tongues in Aspic, progressing with Starless and Bible Black and culminating in the benchmark avant-power trio album Red.
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