Mostly, it is a wellspring for a lot of talk, both seemingly idle chatter and carefully obfuscating oratories.
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Festivities for a city's patron saint sweep up citizens, churchgoers or not, and some 8,000 church-run oratories throughout Italy offer after-school programs and other activities for children.
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There are 264 Muslim places of worship in Barcelona. Barcelona endorses model oratories around the city, a formula implemented by the socialist governments that the Socialists' Party of Catalonia defends. In Barcelona, there were 126 oratories in 2015 compared to 71 in 2004, showing considerable growth.
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There are a number of ethnographic texts, legends, prayers and oratories, which lend credence to this legend.
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After the completion of his military service, he pursued his theological formation while working simultaneously in the oratories of Chioggia and Venice.
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After his resignation, Bunn returned to his home town. In 1908 he published Some After Dinner Speeches containing a collection of his oratories. Bunn died in Philadelphia on September 19, 1923.
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To the left of the church, tightly grouped in the garden, are three oratories commissioned by Cardinal Cesare Baronio at the beginning of the 17th century, as commemorations of Gregory's original monastery.
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Soon there were four 'oratories' - Panjim, Campal, Fontainhas, and Calangute.Thekkedath 2:725-727. Fr Moja was the first headmaster of the English school, which began with a little over 200 students.Thekkedath 2:728.
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There are oratories in: Vienna, Austria; Dijon, Hyères, and Nancy, France; Acireale, Biella, Bologna, Brescia, Florence, Genoa, Naples, Palermo, Rome, Verona, Prato and Vicenza, Italy; Germany (Aachen, Aufhausen, Dresden, Frankfurt am Main, Hannover, Heidelberg, Leipzig, Celle and Munich); Lithuania (Vilnius); Netherlands (Maastricht); Poland (Gostyń, Studzianna, Tarnów, Radom, Bytow, Tomaszów Mazowiecki and Poznań); Portugal (Convento e Palácio de Nossa Senhora das Necessidades), Lisboa);Spain (Barcelona, Seville, Porreras, Albacete, Vic, Alcalá de Henares, Getafe, Tudela, Soller and Palma) and Switzerland (Zurich). There are also Oratories in formation in Bratislava, Slovakia and Mikulov in the Czech Republic.
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It employed Giovanni de' Vecchi, Cesare Nebbia, Niccolò Circignani, and Cristoforo Roncalli. It was also host of musical concerts, starting in 1639, when the first performances of fifteen musical oratorios [oratories] by Giacomo Carissimi and Emilio de' Cavalieri occurred here.
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The friars appealed to the Pope in Avignon against this decision, but the pope's court eventually decided against them too, holding that papal privilege meant that "no new churches or oratories could be built in territory held in advowson by the [Torre] Abbey".
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The friars appealed to the Pope in Avignon against this decision, but the pope's court eventually decided against them too, holding that papal privilege meant that "no new churches or oratories could be built in territory held in advowson by the [Torre] Abbey".
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The grounds of the oratories also include some substructures of the Roman imperial period, that may merely have been tabernae, but one of which exhibits striking features that encourage some experts to think it is an early Christian meeting place and baptismal pool.
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The Secular Oratories are inspired by St Philip Neri and consist of a separate Men's and Women's Secular Oratory which are under the guidance of the Oratory priests. Regular evening sessions are held and include the classic model of mental prayer and religious instruction.
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On the largest of the Magharee Islands, Illauntannig (Irish Oileán tSeanaigh) are the ruins of a 7th-century monastic site founded by St Senach. On this site there are two oratories, three beehive (or Clochan) huts, and three examples of a leacht (or altar).
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Propaganda sanctioned the employment of the last-named provision in 1852. In the Province of Halifax, Canada, it was decreed in 1857 that a collection be taken up annually in October for the support of the bishops. In England, the Third Provincial Council of Westminster in 1859 placed the amount of the cathedraticum at one half pound sterling. It declared that the liability to pay this tax was obligatory on each cathedral chapter; on priests ordained for the mission, who receive salaries from churches or oratories; on those who have the cure of souls; and on all who preside over churches and public oratories unless they can prove a special exemption.
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Excavation revealed middens containing the remnants of meat, oats, seabirds and fish. Also revealed were earthen oratories and casting of fine metalwork. Up to the 20th century Illaunloughan was used as a cillín for the burial of unbaptised infants and as a graveyard by local people.
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Abu Sa'id signed a commercial treaty with Venice in 1320, while also granting them to establish oratories throughout the empire. He also improved relations with Mameluke Egypt the same year, signing a treaty. He is also known to have corresponded with Muhammad b. Tughluq of Delhi Sultanate.
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In 1933 the Spreckels heirs sold it to the Southern Pacific Railroad. In 1912 Council restrictions on soapbox oratories led to the San Diego free speech fight, a confrontation between the Industrial Workers of the World on the one side and law enforcement and vigilantes on the other.
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Alonso de Llera Zambrano was a Spanish painter, active during the Baroque period. He was born in Cádiz, flourished in that city as a painter of banners for the royal navy, and executed, in 1639, altarpieces for the oratories of four galleons dispatched in that year to New Spain.
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The church (known as tempietto, meaning "small temple", for its small size) was built in 1717–1720/21 by commission of bishop Giovanni Gambi, a relative of Pope Clement XI. It consists of a travertine façade which precedes three grottoes housing the saint's sepulture, which have been turned into oratories.
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Filippo Parodi (1630–1702) was an important sculptor from Genoa. Francesco Queirolo executed several sculptures for the Cappella Sansevero in Naples including the technically demanding ‘Deception unmasked’ (after 1750). Giacomo Serpotta was the outstanding Sicilian Baroque sculptor and known particularly for his stucco figures and decorations in several oratories in Palermo.
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There are 8th-century dry stone oratories and altars (leachta) and a gable shrine for the relics of the community's saints. These relics were decorated with quartz and scallop shells, perhaps in reference to the use of the shell on the Church of the Holy Sepulchre or the Camino de Santiago.
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He invented > shameful stories against the Mother of Churches. He persecuted monasteries > and churches, and looted houses and convents. Hating the good and loathing > justice, he overthrew the temples and oratories of the Saints and Fathers. > He made a mockery of the rituals of the churches, and overturned the > clerical orders.
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Raids by the Vikings did occur in Ui Maine itself: > 843:An expedition by Tuirgeis, lord of the foreigners, upon Loch Ribh, so > that they plundered Connaught and Meath, and burned Cluain Mic Nois, with > its oratories, Cluain Fearta Brenainn, Tir Da Ghlas, Lothra, and many others > in like manner.
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Authors who had used dignitas extensively in their writings and oratories include Cicero, Julius Caesar, Tacitus, and Livy. The most prolific user was Cicero, who initially related it to the established term auctoritas (authority). These two words were highly associated, with the latter defined as the expression of a man's dignitas.
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The religious architecture is supplemented by several chapels and oratories, both in the village and surrounding countryside. The monastic buildings have been well preserved. Their restoration, begun in 1970, is ongoing. They house the Heritage Museum "Le Vieux Valbonne", which houses numerous everyday objects representing the rural life of the village.
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Dynamic was founded in 1978 by Pietro Mosetti Casaretto and his wife Marisa. Mosetti Casaretto, a surgeon and amateur violinist, took over a small label founded by the musicologist Edward Neill. In the beginning, Dynamic was a small family business. Mosetti Casaretto and his wife recorded in local churches, oratories and villas.
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By the middle of the 6th century, Christianity had a stronger presence in the bay. By this time, Mont Tombe was populated by religious devotees – hermits (probably some Celtic monks) supplied by the curé of Astériac, who took care of the site and led a contemplative life around some oratories. The hermits Saint Pair and Saint Seubilion dedicated one of the oratories to Saint Étienne, midway through the mont, and one to Saint Symphorien, at the foot of the rock. Saint Aubert In 710, Mont Tombe was renamed Mont Saint Michel au péril de la Mer ("Mount Saint Michael at the peril of the sea") after an oratory was erected to Saint Michael by bishop Saint Aubert of Avranches in 708.
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Inside the church, which has three naves, are some well preserved paintings, one of these attributed to Matteo Rossetti, and two statues: the "Madonna with Child" in polychrome terracotta by Benedetto Buglioni, and a wooden statue of the patron saint, attributed to the sculptor Matteo Civitali. The church square at the entrance of the old town features two oratories, dedicated to the Holy Name of Jesus and the Nativity of Mary, located respectively on the left and right of the main building. The two oratories were in the past seats of various religious companies, but are currently being used as storage space. The church is dominated by a bell tower in crenellated stone with a clock, which has recently been restored with help by the community.
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Marģeris Zariņš (24 May 1910, Jaunpiebalga – 27 February 1993, Riga) was a Latvian composer and writer. He was an author of symphonic and vocal symphonic music, choir music, vocal chamber music, cantatas, oratories and operas; contemporary picaresque novels and short stories. He is considered to be the first representative of the Postmodern style in Latvian literature.
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Philip Neri's Congregazione dell'Oratorio featured the singing of spiritual laude. These became more and more popular and were eventually performed in specially built oratories (prayer halls) by professional musicians. Again, these were chiefly based on dramatic and narrative elements. Sacred opera provided another impetus for dialogues, and they greatly expanded in length (although never really beyond 60 minutes long).
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Ritzler-Sefrin, Hierarchia catholica V, p. 112, note 1. In 1764, there were some 2500 inhabitants.Ritzler-Sefrin, Hierarchia catholica VI, p. 113, note 1. In 1913, the Diocese of Bagnorea contained 24 parishes; 106 churches, chapels, and oratories; 54 secular priests, 45 seminarians, 63 members of female religious orders, 2 schools for girls, and a population of 26,380.
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Churches were also distinguished by their comparatively small size and simplicity. They tended to be under 40 feet long, with a single tall, aisleless nave, and with a small square chancel attached. They were often oratories, rather than full churches.Sir Banister Fletcher, A History of Architecture on the comparative method (Charles Scribner's Sons, New York, 1931), p. 253.
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Caraffa was chosen the first General. The chief object of the order was to recall the clergy to an edifying life and the laity to the practice of virtue. They founded oratories (among them the celebrated Divino Amore) and hospitals, devoted themselves to preaching the Gospel, and reformed lax morals. They were exclusive, aristocratic, and formidably austere.
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Meanwhile, Dupuch helped build churches across Algeria. By 1846, he had paid for the construction of 60 new churches, chapels and oratories in French Algeria, out of his own pocket. However, he was forced to resign as bishop as he went into debt. Dupuch was the author of several books about Christianity in French Algeria and Africa.
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The Saint-Anthony vault forms part of a network of vaults, oratories and cross on the parochial territory of Bessans. It is a rectangular building built on the sandy spur which overhangs the village, parallel to the church. It dates from the beginning of fifteenth century. It was set up and decorated between 1503 and 1522.
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Orrego received his first contract at the Staatstheater Darmstadt. His repertoire contains the big oratories, as well as Gustav Mahler´s Lied von der Erde and the Symphony No. 9 (Beethoven). In Bogotá, Colombia, he took part as a soloist in Verdi´s “Messa da Requiem” under Andrés Orozco. This concert of 2007 was recorded life for a DVD.
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More recently the island was the site of Christian structures, including various cells or oratories, now ruined. The main church, Teampol Camin, located in Mountshannon, is named after the founder or patron, Saint Camin who died around 658. Danish raids took place in 834, 908 and 946. The total population in 1841 was 2,378 in 383 houses.
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Eukterion (), or eukterios oikos (εὑκτήριος οἰ̑κος), literally meaning "a house of prayer", was a term used in the Byzantine and some other Eastern Orthodox societies such as Georgia to refer to private churches—oratories and chapels—that were distinct from, or attached to, the main places of public worship (katholikai ekklesiai). The legality of chapels in private houses was a controversial issue in the Byzantine law for centuries. In order to ensure that private eukteria remained separate and did not overburden the church's structure, as well as to prevent the dissemination of heresy, the emperor Justinian I () introduced several preconditions for their construction and ordered some restrictions, including a ban on celebrating the liturgy in the oratories of private houses. The Council in Trullo in 692 extended the prohibition to baptism.
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In 2011, work towards establishing the first Australian Congregation of the Oratory of St. Philip Neri was conceived. The community- in-formation was welcomed to Brisbane by Archbishop Mark Coleridge, and is supported by the Fathers of the London, Oxford and Toronto Oratories. The Brisbane Oratory in Formation is based at Mary Immaculate Church, Annerley, in the Annerley Ekibin parish.
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The church has a processional standard with the Vergine addolorata, by the cavalier Luigi Norsini. Adjacent to this church are two paired oratories. The right pair is the Oratory of the Santissimo, with an altarpiece by Benedetto Orsi, the left pair, is the Oratory of the Virgin of the Misericordia with another Orsi painting.La patria; geografia dell' Italia, part. 2.
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New York: Robert Appleton Company, 1910. 26 Jun. 2013 The mother-house is the College of Mary Help of Christians, in Vienna, with which is connected a church. The Pious Workers teach Christian doctrine in schools, establish elementary and trade schools, build homes for apprentices and all workmen, open oratories, form associations of working men and promote the diffusion of good literature.
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One of the most important areas in a monastery is the garden, large or small. It supplied both food and a place for monks to come do penance or for spiritual retreats. The large monasteries had similarly large gardens with all kinds of facilities, from fountains, canals and wells. In some minor orders, the gardens had simply small chapels or oratories.
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The facade of the church of S. Maria in Turri, drawn from descriptions in the ancient sources. Santa Maria in Turri was an ancient church in the city of Rome, demolished in the Renaissance. It adjoined the outside atrium of the ancient Basilica of St. Peter, one of a complex of small churches or oratories that grew up around the site.
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From Perugia the phenomenon of the Disciplinantes reached Genoa thanks to Osvaldo Opizzoni from Tortona. The Disciplinantes of Osvaldo Opizzoni founded in a short time more than 10 brotherhoods who chose churches and oratories to prepare their rites. These places have been called Casazze. In 1306 a first Disciplinantes brotherhood, called the "Brotherhood of St. Nicolò lo Reale", has been founded in Palermo.
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He received his first music lessons from his organist father who died when Conrad was 17 years old and about to complete business school. He devoted himself to music and studied piano and organ with the local organist Daniel Hanssen. The young talent soon played to services and oratories. 19 years old, Baden was given organist position in Strømsgodset church.
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The nearby westbound platform features small bronze pedestals in the shapes of a "stump, capital and soapbox, suggest[ing] podiums for impromptu oratories". A utility building is adorned with stainless-steel panels etched with poems by writer Robert Sullivan on the history of the region and "great moments in Oregon free-speech history", Oregonian architecture critic Randy Gragg wrote in a 1998 review.
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Giacomo Amato (Palermo, 14 May 1643 – Palermo, 26 December 1732) was a Sicilian architect. Member of the Camillians and pupil of Paolo Amato and Carlo Rainaldi, he designed several scenographic Baroque churches in Palermo, like Santa Teresa alla Kalsa, Santa Maria della Pietà and San Mattia ai Crociferi. He also collaborated with Giacomo Serpotta in the designs of the Palermitan oratories of San Domenico and San Lorenzo.
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The Canossian Sons of Charity, (Canossian Fathers), were founded in Venice in 1831. They count today about 200 brothers and priests dedicated to the education of children and young people through cathechesis in schools, orphanages, youth centers (oratories) and other works of charity towards the poor and the least. They are present in Italy, Brazil, Kenya, Tanzania, India and the Philippines. (FdCC means "Figli della Carità Canossiani").
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The palace chapel is two stories high and richly decorated with scenes from the legend of St Wenceslas. Cabinet-maker and woodcarver Arnošt Jan Heidelberger constructed the chapel altar in 1630. Its construction marked the first Baroque monument of its kind in Prague and the beginning of the Baroque age in the Czech lands. Three oratories open on the western wall of the chapel.
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Arnaldo Morelli, Il tempio armonico. Musica nell'oratorio dei Filippini in Roma (1575-1705), Laaber, 1991, p. 191. Some of his oratories were performed at the Vallicella's oratory: La fede trionfante nella caduta di Gerosolima (1702; libretto Pietro T. Vagni); Le glorie della fede promosse da s. Filippo Neri nella compilatione degli Annali Ecclesiastici (1704; libretto Domenico De Martinis); San Lorenzo (1705; libretto Filippo Cristofari).
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Luigi Monza was born in Varese on 22 June 1898. He commenced his studies for the priesthood at the age of eighteen. In 1916 he was appointed as the prefect at the Collegio Villoresi San Giuseppe di Monza and was ordained as a priest for the Archdiocese of Milan on 19 September 1925. Monza worked in the parish of Vedano Olona with adolescents in religious oratories.
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Goodson, 2010, p.4. In addition, Paschal added two oratories to Old St. Peter's Basilica, SS. Processus et Martinianus and SS. Xistus et Fabianus, which did not survive the 16th century renovation of St. Peter's.Goodson, 2010, pp. 3-4. Paschal is also sometimes credited with the renovation of Santo Stefano del Cacco in early modern sources, but this renovation was actually undertaken by Pope Paschal II.Goodson, 2010, p.
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A new pulpit, oratories and altars were added. The view of the vault On the 22 April 1755 there was a fire in the whole convent. The damaged and destroyed roofs were renovated in 1756. In 1785 the convent was reformed into a hospital by Josef II. The substantial revival of the Gothic form of the church, that was intended in 1871–1873, was executed only in smaller part.
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The number of Shinto shrines in Japan today has been estimated at more than 150,000. Single structure shrines are the most common. Shrine buildings might also include oratories (in front of main sanctuary), purification halls, offering halls called heiden (between honden and haiden), dance halls, stone or metal lanterns, fences or walls, torii and other structures. The term "National Treasure" has been used in Japan to denote cultural properties since 1897.
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The Assisi Diocesan Museum, in the city of Assisi, was founded in 1941 by bishop Giuseppe Placido Niccolini to preserve the most important works of art of the Assisi Cathedral and of several oratories of Assisi's confraternities. The museum is located underneath the piazza of the cathedral and has a collection consisting of about 300 works of which 100 are on display, exhibited in the museum's nine sections.
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In R In 2017, Pope Francis issued a decree establishing the Congregation of the Oratory of St. Philip Neri in the Archdiocese of Cincinnati. The Oratory is based at Old St. Mary's Church in the Over-the-Rhine neighborhood of Cincinnati. :Other congregations are found in ; Monterey, California ; Pharr, Texas ; Pittsburgh, Pennsylvania ; Philadelphia, Pennsylvania A number of Oratories have associated with the congregation, a community of lay people called the Secular Oratory.
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Di Stéfano grew up playing street football, in oratories and in neighbourhood teams such as the Barracas "Unidos y Venceremos", and the Imán of the Flores district. People already had noticed his talent. But, in 1940 his family moved to the countryside and Di Stéfano started working with his father and playing football with his brother Tulio in the Club Social y Deportivo Unión Progresista until 1943, when the family returned to Buenos Aires.
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Jerusalem Church () is one of the churches of the Evangelical Congregation in the Friedrichstadt (under this name since 2001), a member of the Protestant umbrella organisation Evangelical Church of Berlin-Brandenburg-Silesian Upper Lusatia. The present church building is located in Berlin, borough Friedrichshain-Kreuzberg, in the quarter of Friedrichstadt. Jerusalem Church is fourth in rank of the oldest oratories in the town proper (except of suburbs incorporated in 1920, which are partly older).
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Memorie istoriche delle chiese di Ferrara e de' suoi borghi, by Giuseppe Antenore Scalabrini, (1773) page 176. During the Erculean Addition patronized by Ercole I d'Este, the church was reconstructed in a Renaissance-style by the architect Biagio Rossetti. In 1570, an earthquake razed the roof and collapsed part of the facade, and led to its present reconstruction. To the left of the brick facade were the Oratories of San Sebastiano and della Concezione.
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The hall, with its chapel and all outbuildings, was developed into residential flats, a restaurant and a leisure centre but a few years later it was converted into a residential nursing home for old people. In 1957 the Sacred Heart Fathers built a new chapel on the former tennis courts to sit 150 boys, holding seven separate oratories and a spacious sacristy. In 1988 this chapel was converted into an adjunct of the medical centre of the residential home.
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By Royal Decree of 10 January 1724 he was honored with the Collar of the Fleece, which was given to him by King Louis I of Spain (1707–24). Nicolás Fernández de Córdoba endowed many of his estates with churches, chapels and oratories. On 7 May 1727 he gave a license for the establishment of the Capuchin Order in El Puerto de Santa María. He ordered construction of the granaries of Montilla and Aguilar de la Frontera.
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The graceful ciborium over the high altar, which looks out of place in its present surroundings, dates from 1369. The stercoraria, or throne of red marble on which the Popes sat, is now in the Vatican Museums. It owes its unsavory name to the anthem sung at previous Papal coronations, "De stercore erigens pauperem" ("lifting up the poor out of the dunghill", from Psalm 112). From the 5th century, there were seven oratories surrounding the archbasilica.
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01 from the Metropolitan Archdiocese of Ravenna, and exchanged territory with the Metropolitan Archdiocese of Ferrara Exchanged territory again on 1819.03.09 with Diocese of Padova The diocese had in the early 20th century, for a population of 190,400: 80 parishes, 300 churches, chapels and oratories; 250 secular priests, 72 seminarians, 12 regular priests and 9 lay-brothers; 90 confraternities; 3 boys schools (97 pupils) and 6 girls schools (99 pupils). Renamed on 1986.09.30 as Diocese of Adria–Rovigo.
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In the late Roman period (4th century) one of the first Christian oratories outside the city of Verona was established in the hamlet of Saint Justina(S.Giustina). It became a center of evangelization, sending missionaries to all the eastern province of Verona. The early Middleage belltower of the religious complex can still be seen. After the fall of Rome (476), the Lombards conquered most of Italy: some remains (jewelry, weapons) were found in the village of Cellore.
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Wreckovation is a portmanteau term coined by some Catholics to describe the style of renovations which historic Catholic cathedrals, churches, and oratories have undergone since the Second Vatican Council (Vatican II) and which they oppose. As seen by these opponents, some post Vatican II renovations of older churches are similar in nature to the iconoclastic modifications of churches that took place in Northern Europe during the Reformation in the 16th century or the Byzantine Iconoclasm in the 7th century.
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Gestures have been studied throughout time from different philosophers. Marcus Fabius Quintilianus was a Roman Rhetorician who studied in his Institution Oratoria on how gesture can be used on rhetorical discourses. One of his greatest works and foundation for communication was the "Institutio Oratoria" where he explains his observations and nature of different oratories. A study done in 1644, by John Bulwer an English physician and early Baconian natural philosopher wrote five works exploring human communications pertaining to gestures.
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Berger had a prolific career as a composer. Among his numerous compositions were 24 symphonies, 21 string quartets, oratories, sonatas, concertos, and organ and mass pieces, a number of which garnered him notable awards. He won the Prince Rainier III Composition Award in Monaco for a violin sonata in 1964, and First Prize in Liège in 1965 for his Sixth String Quartet. One of his violin concertos earned him the First Prize in Brussels in 1966.
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His work is scattered across multiple archives including the Ciudad Real Cathedral, the National Library of Madrid and the Orihuela Cathedral, Valencia. He composed more than seventy pieces of sacred music (oratories, psalms, Holy Week lamentations) and sonatas and fugues for organ, plus a string quartet. His well-known Organ Sonata de Primo Tono has been acclaimed as an example of the Age of Romanticism. In Béjar, there is a square in honor of this illustrious citizen.
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In addition to its oratories in the United States and missions in Africa, the institute also has apostolates in France, Spain, Belgium, Italy, Germany, Austria, and Switzerland. The institute is especially active in the domain of education, running schools in France (Montpellier, Lille and Versailles), Belgium (Brussels International Catholic School), and Africa. During its yearly ordinations week in Italy, the institute has had visits by Cardinals Raymond Leo Burke, Antonio Cañizares Llovera, Darío Castrillón Hoyos, Giuseppe Siri and Archbishop Camille Perl.
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The church has a fine ivory crucifix from Portuguese India. After the arrival of Europeans, ivory carvings of western religion themes were produced in large numbers in the 17th and 18th centuries, mainly for the metropolitan market where they were installed in many private oratories of wealthier people. Some of these made their way to the Algarve and some of those came into the possession of various churches, often through pious donations. The crucifix in this church is 54 x 52 cm.
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20 November 2015 Peter of Morone (later Pope Celestine V), their founder, built a number of other small oratories in that neighborhood. About the year 1254, Peter of Morone gave the order a rule formulated in accordance with his own practices. In 1264 the new institution was approved as a branch of the Benedictines by Urban IV; however, the next pope Pope Gregory X had commanded that all orders founded since the prior Lateran Council should not be further multiplied.
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23, 2015, Bishop R. Walker Nickless granted permission to the Ministry Institute of Christ the Servant to identify as a Catholic institute.Letter of Bishop Nickless to Brandon Harvey, November 23, 2015 The Ministry Institute is affiliated with Briar Cliff University. In 2016, the Diocese announced plans to consolidate forty-one parishes due a shortage of priests and decreased attendance at Mass. Parishes being consolidated would become oratories for prayer services, funerals, and weddings but weekly Masses would not be held.
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The columns of the two side altars and the six statues are made from white marble, carved at Genoa. The side altars are based on designs by Hildebrandt and were painted in 1752 by Tiepolo (Assumption of Mary to the south, War in Heaven to the north). The high altar is made from stucco created to look like marble by Antonio Bossi. Above the altar is a matroneum with a statue of the Immaculate Conception in the centre and oratories on both sides.
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Oratories seem to have found their origin in chapels built at the shrines of martyrs, for the faithful to assemble and pray on the spot. The oldest extant oratory is the Archiepiscopal Chapel in Ravenna (c. 500). The term is often used of very small structures surviving from the first millennium, especially in areas where the monasticism of Celtic Christianity was dominant; in these cases it may represent an archaeological guess as to function, in the absence of better evidence.
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Previously, canon law distinguished several types of oratories: private (with use restricted to an individual, such as a bishop, or group, such as a family, and their invited guests), semi-public (open under certain circumstances to the public), or public (built for the benefit of any of the faithful who wish to use it). (1917 Code of Canon Law, canon 1223). The term is used for instance in the Rule of St Benedict (chapter 52) for the private communal chapel inside monasteries.
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Here she found Ambrose and through him she ultimately saw Augustine convert to Christianity after 17 years of resistance. In his book Confessions, Augustine wrote of a peculiar practice of his mother in which she "brought to certain oratories, erected in the memory of the saints, offerings of porridge, bread, water and wine."Confessions 6.2.2 When she moved to Milan, the bishop Ambrose forbade her to use the offering of wine, since "it might be an occasion of gluttony for those who were already given to drink".
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Peter Gonsalves (Matunga, Bombay: Province Information Office, Don Bosco Provincial House, 1998) 37-39. There a new saga of six years, with a group of volunteers who followed him, began. He started with the Oratory and a Portuguese primary school, followed by a technical school and English High School; two other festive and daily oratories in town; a technical school in Valpoi; he even bought a plot in Panjim, the capital, and built a chapel that soon became a centre of devotion for hundreds.Thekkedath 2:717-760.
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The wall is 9.1 km (about 5.65 miles) long and is roughly ovate with a pointed northeast corner. The ceremonial center of the site is located in Square Q of the city's grid in the center of the wider western half of the walled enclosure. The ceremonial center has a tightly packed cluster of temples, colonnaded halls, oratories, shrines, sanctuaries, altars, and platforms (for oration, dancing, or stela display). A.L. Smith, an archeologist with the Carnegie Institute, estimated 10–12,000 people lived within the walled city.
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In the area near the Neretva river, a hellenized Illyrian tribe, the Daorsi, spread cultural influences from Greece. Their capital Daorson on Oršćani near Stolac is today the most significant center of antic culture in Bosnia and Herzegovina. The complex of the terraced shrine near Gradac near Posušje, built in 183, was dedicated to a dead Roman Emperor, Marcus Aurelius. Late Roman art in Bosnia and Herzegovina was characterized by the building of vilas, Christian mausoleums, basilicas and oratories like Vila "Mogorjelo" near Čapljina (early 4th century).
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Barbot was born and raised in a Puerto Rican family in Brooklyn, New York where he attended Regis High School, a Jesuit High School. In his Church History course he found a "window into Catholicism," later inspiring his work Infallibility. Barbot began to write and perform in high school, including original oratories as both a Freshman and Sophomore. Barbot received degrees in Creative Writing and Theater at Franklin and Marshall College in Lancaster, PA and an MFA from Columbia University School of the Arts.
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Furthermore, apart from her commitment to being a young mezzo-soprano, Gabriela applies herself to opera particularly the mass and oratories of Bach, Handel, Mozart and Haydn. At the beginning of 2005 she sang, in Switzerland, under the direction of Urs Stäuble and with the Württembergische Philharmonic Orchestra, in Le Laudi of Hermann Suter. In spring 2006, she sang the “Second Lady” in the Magic Flute, directed by in Dornach (Switzerland). Since September 2006, she has been a member at the international Opernstudio in Zurich.
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In 1295, Pope Boniface VIII promulgated the papal bull Cupientes cultum which approved the style of community life of the tertiaries and the pastoral ministry they offered to the people. He permitted the brothers of penitence (Tertiaries) of northern Germany, to live in community and have oratories in their houses in order to celebrate the divine office. The aim of these fraternities was normally that of taking care of hospitals. By the fifteenth century tertiary communities of men and women existed in different parts of Europe.
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The London Oratory ("the Congregation of the Oratory of St Philip Neri in London") is a Catholic community of priests living under the rule of life established by its founder, Philip Neri (1515-1595). It is housed in an Oratory House, next to the Church of the Immaculate Heart of Mary (Brompton Oratory) in the Brompton Road, Royal Borough of Kensington and Chelsea, London, SW7. There are four other Oratories in the UK, the Birmingham Oratory, the Manchester Oratory, the Oxford Oratory and the York Oratory.
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The interior is peculiar, and consists of three oratories linked by corridors and stairs. One of these stairs, is meant to be a replica of the Scala Santa in Rome. A rectangular-shaped church is placed at the front portico; a second, circular Rotonda is designed with two tiers of colonnades placed one on top of the other, decorated with stucco statues of saints and a central altar. Finally, the crypt or Sotterranea was meant to be a replica of the sepulchre of Christ.
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Next to the diocesan museum and inside the space of the cathedral are the curial archives of Gallipoli, made up of about 4310 archival units. These contain archives and historical works from the 16th century to the present. Unfortunately, no document before 1500 has survived, since everything prior was destroyed by the Venetians in the historic battle of 1484. The archives include manuscripts related to pastoral visits, diocesan synods, bishops, excommunications, criminal trials, marriages, curial legislation, parishes, confraternities and monasteries, ordinations, patrimonies, charity, and private oratories.
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He was tried again there, apparently having persisted in his heretical views, and was sentenced to perpetual imprisonment. A book of his was also publicly burnt. The Church renewed its persecutions in the 1680s, the group having had "maintained a secret existence for over twenty years", spreading beyond its original location to include oratories promoting mental prayer "in Brescia, Verona, Vincenza, Treviso, Padua, Pesaro, Lucca and countless other places." By 1680, Agosto was free from prison and living under the supervision of the vicar general.
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On March 12, the Assembly of Quebec Bishops cancelled all masses during the pandemic. Following this news, the Archbishop of Montreal, Monseigneur Christian Lépine, held masses in camera the following Sunday from the crypt of Saint Joseph's Oratory. However, on March 20, the Archdiocese of Quebec ordered the closure of all churches, chapels of worship and public oratories until further notice. On March 13, the Canadian Council of Imams asked all mosques to suspend services for the duration of the pandemic; more than 25 mosques are located in the territory of Montreal.
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Meaning: Constructed during: Post-Classic (1200-1650 AD) Location: Northwest of the entrance to the ruins The Plaza Group consists of 6 buildings arranged in a square around a central altar platform. Several of these buildings once had roofs made of timber and thatch, which have since rotted away. Others had roofs of wood beams and poured mortar, while a few had rooms constructed of corbeled arches. All were public buildings and included temples, oratories, altars, and a building used to house visitors who came to participate in religious events taking place in the plaza.
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The Irish Classroom The Irish Classroom is the smallest of the Nationality Rooms. The limestone room is designed in Irish Romanesque style, which flourished from the 6th to the 12th centuries and is similar in type, size, and materials to oratories first built on the west coast of Ireland. Adapted from Killeshin Chapel in County Carlow, the triangular doorway gable is carved with human and animal masks against a background of zig-zag and beaded designs. The blackboard frame's pendental arches are carved with foliage, images of wolfhounds, and stylized cat masks.
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On July 26, 2019, hundreds of people attended the Feast of Saint Anne, celebrated by Bishop Edgar daCunha, ordinary of the diocese, in the church's lower crypt church shrine in its first Mass since the closure. The Preservation Society is actively working to open the upper part of the church by 2029. The Lower Crypt shrine is the largest Catholic indoor votive candle shrine in Southern New England. There is the capacity to hold over 3,000 wax votive candles that are strategically placed around the various side chapels and oratories.
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In addition to protection against invaders the ribat was dedicated to prayer, containing eight mosques with qibla and mihrab oratories where warrior monks prayed, as well as a minaret, a madrasa and accommodation. These structures were built in mud on stone foundations, with floors mostly of beaten earth, with wood coverings and straw roof tiles. A building located in the north- eastern part of the necropolis provided a bench, storage for water, and a basin dug in the soil. The floor and walls were well-coated with lime.
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At times, contests became raucous affairs, with oratories punctuated by yells of objection from the crowd, like "I'd like to know on what basis?" The contest topics includes serious discussions like "Does belief in moral truth necessarily incite to fulfilling moral obligation?," causing some of the more droll members to propose non-nonsensical topics, like "Could a chimera ruminating in a vacuum devour second intentions?." Future Copperhead Congressman Clement Vallandigham and future Chief Justice of the Supreme Court of Pennsylvania Ulysses Mercur famously debated the question of succession, with Mercur being declared the victor.
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The items are selected by the Ministry of Education, Culture, Sports, Science and Technology based on their "especially high historical or artistic value". This list presents 40 entries of national treasure shrine structures from 12th-century Classical Heian period to the early modern 19th-century Edo period. The number of structures listed is actually more than 40, because in some cases groups of related structures are combined to form a single entry. The structures include main halls (honden), oratories (haiden), gates, offering halls (heiden), purification halls (haraedono) and other structures associated with shrines.
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The Bahandi Singers [Official Name] (Sometimes commonly referred to as CPU Bahandi Singers, a short broadened term of Central Philippine University Bahandi Singers or Bahandi Singers) is a professional ten to thirty-member male and female Gospel, folk songs, classical oratories, contemporary music singing group. The group has been officially independently free-to-join (and self-directing) since 1978. The Bahandi are considered as one of the oldest professional singing group at Central Philippine University. The Bahandi Singers perform at a number of concerts, in various churches, invitational concerts and performances.
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The chapel has been restored by the British charity Venice in Peril, which also restored Palladio's facade in the 1990s. The chapels of the church house masterpieces that both were made for this church or were moved here mainly in the 19th century from shuttering churches, oratories, and monasteries. They belong to some of the most prominent aristocratic families in Venice. Among the chapels, and works therein, are the following (starting from the entrance):The Rizzoli Art Guides, text by Antonio Manno, Photographs by Massimo Venchierutti and Piero Codato, 2014.
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They were replaced by flags of the now defunct Prussian regiments. The role of the Garrison Church, long known for fostering church music, had been neglected and was reestablished in the 20th century largely by Professor Otto Becker, who served as organist and performed on the carillon and organ from 1910 until 1945. During this period over 2000 carillon and organ concerts, oratories, religious concerts and chamber music concerts were performed in the Garrison Church. Prof. Becker also served as organist in Potsdam's synagogue from 1915 until 1933.
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Thenceforth Marinus withdrew from communion with those Arians who followed Dorotheus and, with a group of followers who grew numerous enough to be considered a distinct sect of Arians, maintained a rival network of churches and oratories. The sect held, in contrast to the Arians under Dorotheus, that 'the Father had always been the Father, even when the son was not.'Socrates Scholasticus, Church History, book 5.23. Those who sided with Dorotheus remained in possession of their churches while those who sided with Marinus had to build new ones.
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As a result, in the Roman-Rite Mass the priest usually faces the people. This is not obligatory: the ad orientem position is used either by choice, especially for the Tridentine form, or by necessity, due to the position of the altar as in small chapels or oratories. The rubrics of the Roman Missal now prescribe that the priest should face the people at six points of the Mass. The priest celebrating the Tridentine Mass was required to face the people, turning his back to the altar if necessary, eight times.
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The oval dome space is made of composite pilasters lined with four spiral staircases behind its eastern and western corners. In the south are the oratories and in the north the pipe organ. A large group of statues can be seen in the building of the altarpiece, symbolizing the Great Church in Jerusalem: Saint Anne, Joachim, priest Zacharias, Elizabeth and King David presenting the child Mary in the church. The group of statues were made between 1771 and 1773 by its creator Károly Bebo, who also carved the pulpit.
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After Albizzi's report reached Church authorities, a resolution was passed on March 1, 1657 for the Pelagian oratories in Valcamonica to be destroyed and that Marc Antonio Recaldini and seven of his associates were to be banned from Valcamonica and "held in places far from the said valley." Cardinal Ottoboni was charged with the execution of these orders. Ottoboni's execution of these orders, however, did not prevent the continued popularity of "Quietist" circles of lay mystics in Italy. Giacomo Filippo di Santa Pelagia does not appear to have ever have been condemned himself.
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"" is the French form of recitative, a style of musical declamation that hovers between song and ordinary speech, particularly used for dialogic and narrative interludes during operas and oratories. An obsolete sense of the term was also "the tone or rhythm peculiar to any language." Both of these definitions suggest the story's episodic nature, how each of the story's five sections happens in a register that is different from the respective ordinary lives of its two central characters, Roberta and Twyla. The story's vignettes bring together the rhythms of two lives for five, short moments, all of them narrated in Twyla's voice.
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The cult of Panacea was widespread since the beginning of the fifteenth century, mainly in the local area, getting confirmation from the Catholic Church only in 1867. At the beginning of the fifteenth century were built as early as two oratories dedicated to her, one at the place where she died. The center of devotion to Panacea is the church in Ghemme, where her body now lies in a glass case, in the crypt designed by the architect Alessandro Antonelli. It remains a place of pilgrimage, particularly on the first Friday in May, especially by pilgrims from Ravenna.
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These before long were incorporated into the church. The devotion of visiting these oratories, which was maintained through the Mediaeval Ages, gave rise to the similar devotion of the seven altars, still common in many churches of Rome and elsewhere. Of the façade by Alessandro Galilei (1735), the cliché assessment has ever been that it is the façade of a palace, not of a church. Galilei's front, which is a screen across the older front creating a narthex or vestibule, does express the nave and double aisles of the archbasilica, which required a central bay wider than the rest of the sequence.
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Hilarius erected several churches and other buildings in Rome, for which the Liber Pontificalis, the main source for information about Hilarius, praises him. He also erected a chapel of the Holy Cross in the baptistery, convents, two public baths, and libraries near the Basilica of St. Lawrence outside the Walls. He built two oratories in the baptistery of the Lateran, one in honor of John the Baptist, the other of John the Apostle, to whom he attributed his safe escape from the Council of Ephesus, thus satisfying the question as to which saints the Lateran had been dedicated.
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On December 14, 1875, the first 10 Salesians came to Argentina. Since then, in every city settled, they created works and activities for youth. The Salesians in Argentina turned the whole society "donboscana way to the formation of youth", concretized through the Holidays oratories, which were characterized by joy, Christian upbringing instilled slowly through techniques such as the classic "Goodnight Salesian "and many others, combined with various means of attraction: small works of theater, craft workshops, walks with his classic bands to attract people to the Mass. The work of the Salesians continued to grow in the formation of Oratorios.
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Stone carving of the Gobán Saor The Gobán Saor was a highly skilled smith or architect in Irish history and legend. Gobban Saer (Gobban the Builder) is a figure regarded in Irish traditional lore as an architect of the seventh century, and popularly canonized as St. Gobban. The Catholic Encyclopedia considers him historical and born at Turvey, on the Donabate peninsula in North County Dublin, about 560. In literary references, he was employed by many Irish saints to build churches, oratories, and bell towers, and he is alluded to in an eighth-century Irish poem, preserved in a monastery in Carinthia.
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Francis of Assisi himself in his travels through the center of Italy had spent time in this region, and by 1217 was said to have founded four oratories, which subsequently became sanctuaries respectively: Fonte Colonna, Greccio, Poggio Bustone and della Foresta. He also putatively founded the Convent at Labro.Notizie storiche sopra il tempio cattedrale, il capitolo, la serie dei vescovi, ed i vetusti monasteri di Rieti, by Paolo Desanctis, Tipografia Trinchi, Rieti (1887); page 118. The initial construction of this church, attached to a hospital, was noted by a bull of Pope Innocent IV in 1245.
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It had a rectangular chancel and a nave with four bays for side altars. On the first and the second floors two oratories opened into the chancel and a two-storey high gallery was situated above the entrance. In 1777–78 a new door was opened in the first side bay to give access to the new chapel of the Holy Right. An engraving from 1771 to 1780 shows the original interior design in its completed form: double pilasters, windows with segmental arches, stucco and false marble decoration, double oratory windows and a doorway with a stucco veil drawn aside by flying putti.
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The Sanctuary of Fonte Colombo, or Santuario di Fonte Colombo is one of a local cluster of four sanctuary-monasteries, The other Franciscan sanctuaries of the Rieti Valley are Santuario di Greccio, Santuario della Foresta, and Santuario di Poggio Bustone. originally based on rural oratories founded in the Rieti Valley by Francis of Assisi in the Rieti valley, province of Rieti, region of Lazio, Italy. This sanctuary is located on the slopes of Monte Rainiero, and near the town of Contigliano. In 1223, Francis of Assisi occupied a hermit cave, the Sacro Speco, located along the stream below the present monastery.
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He also published a column in the archdiocesan weekly newspaper, the Saint Louis Review. In both La Crosse and St. Louis, Burke established oratories for those desiring to worship according to the traditional form. As he had done in La Crosse, he invited the Institute of Christ the King into his diocese and ordained priests for the group both in the U.S. and abroad. His ordination of two ICKSP priests on June 15, 2007, in a Solemn Pontifical High Mass marked the first time in 40 years that the Tridentine rite of ordination had been used in the Cathedral Basilica of St. Louis.
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Futuna and Alofi (photo: NASA) Two kings, elected from the local nobility every few years, rule the population in conjunction with French authorities. They are the king of Sigave, the western province, and the king of Alo, the eastern province including Alofi. Except for Poi all villages are along the southwest coast, and they are from west to east: Toloke, Fiua, Vaisei, Nuku, and Leava (capital with the wharf) in Sigave, and Taoa, Malae, Ono, Kolia and Vele (at the airstrip) in Alo. As on Uvea, all Futunans are deeply religious Catholics and the number of churches, chapels and oratories is overwhelming.
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Examples of this focus include oratories and liturgical dramas such as Ubal, Jabal, Kar og kjerring, Noahs draum, and Angeli, 18 englebilder. Major choir works in Habbestad’s list of works includes 3 Cantica (Magnificat, Nunc Dimittis and Benedictus Dominus) , Nox Praecessit, Stabat Mater dolorosa for male vocal quartet and men’s choir, Ego Clamavi, Apal, Kverni and Sju vindar. Habbestad served as a member of the board for the Norwegian Society of Composers from 1987 to 1996, as deputy director for the organization from 1990 to 1996 and as leader of NSC’s advisory committee from 1996 to 2002.
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The use of former Original Oratory speeches in Declamation has become quite widespread in recent years. Some see this practice as unfair or undermining the category's original purpose, as these speeches were originally written for the purpose of winning in forensic competition, and not necessarily conveying an important message. At the beginning of 2003–2004 season, the NCFL enacted a ban on all former high school competitive oratories, effective as of the 2005 Grand National Tournament. However, at the beginning of the 2004–2005 season, the restriction was removed, and thus, the ban never truly came into effect.
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It is impossible to speak of the Lordship of the Lake without recalling that between 1740 and 1742, there was the setting up of the seven oratories that constitute the famous Calvary of Oka, work of the Sulpicians. Francois dit Belleville (who arrived in Nouvelle-France in 1754) was the author of the bas-reliefs of the chapels of this pilgrimage site, which is the oldest in America. The missionary Louis-Urgel Lafontaine (1895-1930) was the last to preach in Iroquois [language] at the location. The Calvary was built by the Indians and only for them in order to evangelize them.
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He received his ordination to the priesthood on 20 September 1851 in the Church of the Visitation from Monsignor Giovanni Domenico Ceretti; the latter also made Murialdo a subdeacon (21 September 1850) and a deacon (5 April 1851). He celebrated his first Mass at San Dalmazzo church with abbot Maximo Pullini and canon Lorenzo Renaldi co-celebrating alongside him. Murialdo's first focus after his ordination was to work in the poor Vanchiglia neighbourhood close to the Oratorio dell'Angelo Custode which his cousin Roberto Murialdo managed. It was one of the first oratories in Turin to minister to poor and abandoned children on the fringes of living.
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Helens), St. Theona (Tean) and the > Island called Nutho (possibly Nut Rock and land surrounding, where remains > of hedges etc. between it and Sampson are still to be seen underwater) with > their Appurtenances and all Churches and Oratories built throughout the > Islands of Sully, with the Tenths and Offerings, etc., and two pieces of > digg’d ground in the Island of Agnes, and three pieces in the Isle of Ennor > (St. Mary’s). In 1367 King Edward III took the Priory under his special protection as the monks had complained that it was almost destroyed and impoverished by mariners, and in 1351 pirates had destroyed most of the Abbey property.
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Abbey of St Wandrille—Fontenelle Abbey Besides the chief basilica Saint Wandrille built seven other churches or oratories both inside and outside the monastic enclosure. All of these have either perished in the course of time, or been replaced by others of later date, except for the chapel of St Saturnin, which stands on the hillside overlooking the abbey. It is one of the most ancient ecclesiastical buildings now existing and, though restored from time to time, is still substantially the original construction of Saint Wandrille. It is cruciform, with a central tower and eastern apse, and is a unique example of a 7th-century chapel.
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The Italian Reformation collapsed after only about 70 years of existence because of the quick and energetic reaction of the Catholic Church. In the summer of 1542 the Italian Inquisition reorganized itself in order to fight Protestants in all Italian states more effectively. Diarmaid MacCulloch states that Italy was less inclined to the ideals of the Reformation to begin with, and lack the anti-clerical sentiment that was present in other parts of Europe. He states that this might have been in part due to the heavy participation of the laity in the religious life (such as religious guilds, Confraternities and Oratories) which rendered the clerical monopoly on religion less strong.
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In 1991, the bicentenary of Mozart's death, Kundlák sang the Requiem with the Philadelphia Orchestra under Riccardo Muti at the Carnegie Hall and at the Academy of Music (Philadelphia). He also sang diverse Masses and Oratories at the Vienna Concert Hall, in Stuttgart, Milan and Salzburg. He voiced the role of Belmonte in Mozart's opera Die Entführung aus dem Serail at the Deutsche Oper Berlin and at the Bavarian State Opera in Munich. Subsequently, he added new roles to his repertoire, such as Alfredo in La traviata, Fenton in Falstaff, Faust in Gounod's Faust and Boito's Mefistofele, Lensky in Eugene Onegin and Werther in Jules Massenet's eponymous opera.
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Bertoni served as the chaplain to the Daughters of Charity, founded by Magdalene of Canossa,Kempf SJ, Constantine. The Holiness of the Church in the Nineteenth Century: Saintly Men and Women of Our Own Times, translated from the German by Father Francis Breymann, SJ, 1916] while also serving as the spiritual director of the seminary. He was also one of the leaders to offer prayers and support for Pope Pius VII when he was imprisoned by Napoleon Bonaparte. His pastoral work was marked with the establishment of the Marian Oratories and the devotion to the Five Wounds of Christ and establishment of schools to the poor.
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There are nearly 12,000 square meters of paths covering the renovated parts of the Hospital. Some of the places of interest a museum-goer today can explore are the Pellegrinaio, the Cappella del Manto (Chapel of the Mantle), the Sagrestia Vecchia (Old Sacristy), the Cappella della Madonna (Chapel of the Virgin Mary), and the Oratories of the Compagnia di Santa Caterina della Notte and of Santa Maria sotto le colte. The ravaged sculptures by Jacopo della Quercia from the Fonte Gaia are displayed here, as well as drawings and models for the 1858 restoration. A video animation charts the various states of the fountain through the centuries.
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He established a range of after- school care programs for girls and also catered for women's religious instruction in his parish. In 1852 he tried to open a centre for adolescents under the care of the Canossians but it didn't quite work so he tried to look into female oratories as a possible alternative. Agostini also instilled devotion to Saint Angela Merici among his female parishioners and even established a religious congregation devoted to her. The Rule for that order - the Pious Union of Sisters Devoted to Saint Angela Merici - received diocesan approval from the Bishop of Verona Benedetto Riccabona de Reinchenfels in 1856.
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Macdara is an Irish first name that originates from a Christian saint, Macdara, who lived off the western coast of Ireland on a remote island over 1,500 years ago. His own first name was Sinach. According to a 1999 article in the New York Times, St. MacDara's Island "was home in the sixth century to St. Macdara, Connemara's most respected saint, who built a one-room chapel here" which is "considered one of the finest early Christian oratories in Ireland".Daryln Brewer Hoffstot, "Where Legends Outnumber People", New York Times, 1 August 1999 Today in Ireland, the name Macdara is quite rare as a first name.
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In Delia Bacon's work, "Shakespeare" was represented as a group of writers, including Francis Bacon, Sir Walter Raleigh and Edmund Spenser, whose agenda was to propagate an anti-monarchial system of philosophy by secreting it in the text. In 1867, in the library of Northumberland House, John Bruce happened upon a bundle of bound documents, some of whose sheets had been ripped away. It had comprised numerous of Bacon's oratories and disquisitions, had also apparently held copies of the plays Richard II and Richard III, The Isle of Dogs and Leicester's Commonwealth, but these had been removed. On the outer sheet was scrawled repeatedly the names of Bacon and Shakespeare along with the name of Thomas Nashe.
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St. Philip Neri The Congregation of the Oratory of Saint Philip Neri is a pontifical society of apostolic life of Catholic priests and lay-brothers who live together in a community bound together by no formal vows but only with the bond of charity. They are commonly referred to as Oratorians (Oratorian Fathers). This "Congregation of the Oratory" should not be confused with the French Oratory, a distinct congregation, the Society of the Oratory of Jesus (Société de l'Oratoire de Jésus), founded by Pierre de Bérulle in 1611 in Paris. Founded in Rome in 1575 by St. Philip Neri, today it has spread around the world, with over 70 Oratories and some 500 priests.
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Other sources evoke the devastation committed by the men of the North during this initial offensive. (Geste des Toulousains by Nicolas Bertrand (1515)Alexandre Du Mège, Histoire générale du Languedoc, 1830, Tome 2, Notes, p. 70., Cartulaire de BigorreJean Justin Monlauzun, Histoire de la Gascogne, 1847, Not only did they exterminate men by sword and hunger, but they dismantled the towers and defensive walls, set the basilicas, oratories, and the humblest chapels ablaze, overthrew the altars, desecrated the tombs of the saints, and scattered their bones.” p., tome VI, p. 310., Charte de Mont- de-Marsan, known as the Lobaner CharterJean-Justin Monlezun, Histoire de la Gascogne, 1847, Tome 1, p.441.).
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Mørk Karlsen was also active as an organist throughout his professional career, retiring from the post as Asker Church organist in 2011. Karlsen´s early works are characterised by an ecclesiastical liturgical-musical traditional rooting, while later works display an evolving tonal spectrum and a gradual introduction of dissonance, bringing the composer closer to contemporary styles while retaining traditional musical elements. Following a pivotal year of studies in 1983-84 with Finnish composer Joonas Kokkonen, Mørk Karlsen emerges as a symphonic composer, having penned a number of symphonies and oratories. Mørk Karlsen´s sonatas and string quartets are also cornerstones of his compositional output, displaying the composers predilection for classical chamber music formats.
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The Ducal Palace of Guastalla The Ducal Palace of Guastalla (Palazzo Ducale di Guastalla or Palazzo Gonzaga di Guastalla) is an urban Renaissance-style palace in the town of Guastalla, a municipality in the Province of Reggio Emilia, Emilia-Romagna, Italy. It was built on the site of a 15th-century palazzo of the Conti Torelli family, and rebuilt in the next century by Francesco Capriana (Francesco da Volterra), under commission to the Count of Guastalla, Cesare I Gonzaga. Neglected for years, it is currently a museum of the city. It contains art works from antique Roman cemeteries, paintings from deconsecrated chapels and oratories, as well as an exhibit of the modern watercolor painters Mario Bolzoni.
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Illustration by Peter Newell for the poem "The Sycophantic Fox and the Gullible Raven" in Fables for the Frivolous, by Guy Wetmore Carryl The charge of sycophancy against a litigant was a serious matter, and the authors of two surviving oratories, "Against the Grain Dealers" (author Lysias), and "Against Leocrates" (author Lycurgus) defend themselves against charges that they are sycophants because they are prosecuting cases as private citizens in circumstances where they have no personal stake in the underlying dispute. In each instance, the lack of personal involvement appears to have been the crux of the accusation of sycophancy against them, the merits of the cases being separate matters from whether they had a right to bring them.
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The Augustinian historian Onofrio Panvinio (1529–1568) describes four oratories or small churches that still existed in his time, around the Basilica of St. Peter. They were built in the four porticoes that surrounded the paradiso (atrium) of the basilica complex. S. Maria in turri was located at the left of the entrance; at the right in the corner, S. Apollinaris; then beyond those two, facing them in the portico immediately in front of the basilica, S. Vincentius, which lay immediately to the right of the corner; and S. Maria de febre, situated to the left where the ancient secretarium was, which was also called oratorium S. Gregorii ("oratory of Saint Gregory") because of its proximity to his tomb.
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He may depute others to give these. To bishops belongs the privilege of blessing abbots at their installation, priests at their ordination and virgins at their consecration; of blessing churches, cemeteries, oratories and all articles for use in connection with the altar, such as chalices, vestments and cloths, as well as military standards, soldiers, arms, and swords, and of imparting all blessings for which Holy Oils are required. Some of these may, on delegation, be performed by inferiors. Of the blessings which priests are generally empowered to grant, some are restricted to those who have external jurisdiction, like rectors or parish priests, and others are the exclusive prerogative of persons belonging to a religious order.
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This room contains objects from the oratories of the confraternities of Assisi and a few processional banners, the oldest of which dates to 1378 and belonged to the Confraternity of St. Francis of the Stigmata. The frescoes in this room recount the story of Christ's passion, and were removed from the oratory of the Confraternity of San Rufinuccio and were painted by Puccio Capanna and Pace di Bartolo. Of particular historical interest is the banner painted by Orazio Riminaldi (1593-1630) for the Confraternity of Santa Caterina that depicts on one side the martyrdome of St. Catherine and on the other side the figures of St. James and St. Anthony the Abbot.
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No foreign army was able to cross the Conwy, nor raiders from across the hills, that might disturb Gwynedd's peace. The stability provided by Prince Gruffudd allowed for a generation of Gwyneddwyr to settle and plan for the future without fear that their homes and harvests would "go to the flames" from invaders, according to Lloyd. The Gwyneddwyr "planted orchards and laid out gardens, set up fences and dug out ditches; they ventured to build in stone and, in particular, raised stone churches in place of the old timer oratories", wrote Lloyd paraphrasing the Life of Gruffydd ap Cynan.The lack of stone structures, and stone churches in particular, was one of the defining reasons the Norman's gave for subjecting the Welsh, according to historian John Davies.
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The club was founded in 1966 under the initiative of Don Gino Borgogno, a salesian priest, who regrouped all the different oratories (Christian youth social clubs) practising basketball in Turin under one organisation, Auxilium Torino, based in the Agnelli oratory. The club was promoted to the fourth-division Serie C in 1970 and moved up to the Serie B in 1972. At the same time another local side, Libertas, based in Asti and sponsored by Saclà, was moving quickly up the divisions, reaching the second division in 1971 and the first division Serie A in 1972. However Saclà Asti wanted to move to a bigger arena and market, transferring to Torino in 1973 which meant the city had two clubs in the national divisions.
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Big prehistoric settlements on mountain date back to 1100 B.C. On the way of the Linzergasse to the monastery are standing 13 oratories with the way of the cross, which were built up between 1736 and 1744, a memorial place for Wolfgang Amadeus Mozart and the old Paschinger Schlössl, known as the former house of Stefan Zweig. The different old artillery bastions from 1629, which are distributed around the mountain, the military tower of the Felixpforte and the long military walls with their small fortified towers (Auslug) also were built in the time of the Thirty Years' War, and are majority are kept well. On the crest of the mountain, attainable with a drawbridge, there stands the Franziskischlössl. Today it is a small restaurant.
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The quatrefoils of the dado arcade were painted with scenes of saints and martyrs and inset with painted and gilded glass, emulating Limoges enamels, while rich textiles hangings added to the richness of the interior. Above the dado level, mounted on the clustered shafts that separate the great windows, are twelve larger-than-life-sized sculpted stone figures representing the twelve Apostles (six of these are replicas—the damaged originals are now in the Musée du Moyen Age). Each carries a disk marked with the consecration crosses that were traditionally marked on the pillars of a church at its consecration. Niches on the north and south sides of the chapel are the private oratories of the king and of his mother, Blanche of Castile.
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Saint Defendens of Thebes () is venerated as a martyr by the Catholic Church. Venerated as a soldier-saint, Defendens was, according to Christian tradition, a member of the Theban Legion, and thus martyred at Agaunum. Particular veneration for Defendens was widespread in Northern Italy; evidence for this cult dates from as early as 1328. His feast day was celebrated in the cities of Chivasso, Casale Monferrato, Novara, and Lodi on January 2, and oratories, altars, and confraternities were dedicated to him. He also enjoyed veneration in Marseilles; the Catholic Encyclopedia states that “several saints belong in a particular way to Marseilles: the soldier St. Victor, martyr under Maximian; the soldier St. Defendens and his companions, martyrs at the same time...”The Catholic Encyclopedia (Encyclopedia Press: 1913), 717.
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"Vater Abraham, erbarme dich mein, SWV 477 (Dialogus divites Epulonis cum Abrahamo)", a work by Heinrich Schütz, is a setting of the dialog between Abraham and the rich man dating to the 1620s. It is notable for its virtuosic text-painting of the flames of hell, as well as being an important example of the "dialog" as a step towards the development of the oratorio. "Dives Malus" (the wicked rich man) also known as "Historia Divitis" (c. 1640) by Giacomo Carissimi is a Latin paraphrase of the Luke text, set as an oratorio for 2 sopranos, tenor, bass; for private performance in the oratories of Rome in the 1640s. Mensch, was du tust a German sacred concerto by Johann Philipp Förtsch (1652–1732).
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After Constantine I's Edict of Milan, granting freedom of worship to the Christian religion, and especially after the Council of Nicaea, there was a great development in the liturgy of the Church. It was only natural that for some time after the foundation of the new religion, its liturgy should contain only the essentials of Christian worship, and that in the course of time it should develop and expand its ritual according to the needs of the people. Moreover, the first period was an age of persecution and hence the ceremonial was necessarily curtailed. While gold, silver, incense and precious clothes for the ministers had their origins in the earliest time of the Church, they became increasingly more expensive, like the churches and chapels became large edifices instead of home or graveyard oratories.
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The Well of St. Keyne; by Thomas Creswick Keyne was one of the 12 daughters of the Welsh king King Brychan of Brycheiniog in what is now South Wales (A different source, De Situ Brecheniauc, says that he actually had 24 daughters, all of whom were saints). Although she was a great beauty and received many offers of marriage, Keyne took a vow of virginity and pursued a religious life (hence her Welsh name, Cain Wyry, or Keyne the Maiden). Her vita reports that she traveled widely, and is said to have founded several oratories, including Llangeinor in mid Glamorgan, Llangunnor and Llangain in Dyfed, and Rockfield (Llangennon) in Runston, Gwent. Eventually she is said to have crossed the Severn into Cornwall, where she resided as a hermitess for many years.
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He painted some lesser works for the monastery in the Escorial. In 1570, for the church of the Escorial, he painted seven large canvases pairing the following saints: Cosme and Damián; Sixto and Elias; Cecilia and Barbara; Bonaventure and Thomas of Aquinus; John Chrisostom and Gregory Nazarene; Ambrosius and Nicolas of Bari; Leander and Isidore. He also decorated two oratories in the cloister of the Evangelists in which he represented the Baptism of Christ, the Adoration of the Magi, the Announcement to Shepherds, the Cirucumcision, and Wedding at Cannae. In 1591 Carbajal painted in Toledo, along with Blas del Prado, in the convent of the Minims, and worked with other painters in the Pardo Palace, as well as in 1615 in the chapter hall of the cathedral of Toledo.
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"I have frequently charged you ... to act as my representative ... to relieve the poor in their distress ...." and "... I hold the office of steward to the property of the poor ...." In Gregory's time, the Church in Rome received donations of many different kinds: consumables such as food and clothing; investment property: real estate and works of art; and capital goods, or revenue-generating property, such as the Sicilian latifundia, or agricultural estates. The Church already had a system for circulating the consumables to the poor: associated with each of the main city churches was a diaconium or office of the deacon. He was given a building from which the poor could apply for assistance at any time.Later these deacons became cardinals and from the oratories attached to the buildings grew churches.
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The oratory of the Cathedral Church of Saint Matthew, Dallas, Texas In the sacramental law of sacred places, an oratory is a structure other than a parish church, set aside by ecclesiastical authority for prayer and the celebration of Mass. It is for all intents and purposes another word for what is commonly called a chapel, except that a few oratories are set up for the Divine Office and prayers but not Mass. Oratory of Santa Maria Annunziata in Borgo, Rome The distinctions between public, semi-public, and private have been eliminated in the 1983 Code of Canon Law in favor of new terminology. Oratory now means a private place of worship for a group or community which could be opened to the public at the discretion of the group's superior.
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In this chapter Francis underlines the importance of the parish, which "can assume quite different contours depending on the openness and missionary creativity of the pastor and community", and asks oratories, ecclesiastical movements, prelatures, and other communities in the Church to join the activities of the local parish. He shows the responsibility that bishops have for the missionary activities in their own diocese. In this context, in paragraph 32 the Pope says, "Since I am called to put into practice what I ask of others, I too must think about a conversion of the papacy", and that he is, as he notes Pope John Paul II had been, "open to suggestions which can help make the exercise of my ministry more faithful to the meaning which Jesus Christ wished to give it and to the present needs of evangelization".
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Just as the episcopal residence was integral within the complex of cathedral buildings, so too there was no distinction between episcopal, diocesan and cathedral property and endowments. In principle, all diocesan income was paid into a common fund, and divided into four fixed shares for each main area of expenditure; the Bishop himself; the cathedral clergy; the fabric and lighting of cathedral and city churches; and charitable donations. Many diocese already held substantial endowments, but income increased enormously with the Peace of the Church; partly due to imperial subsidies in kind, but mainly from private bequests and regular private benefactions (often called 'first fruits'); although at this date, tithe was never paid to the church. In addition, many individual landowners supported private chapels and oratories on their own property; and endowed independent charitable institutions, and eventually monasteries and nunneries too.
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The government tried to settle the matter and sent an imperial minister - who was a relative - to him to urge him not to meddle too much in the affairs of the lodges since the bishop had no power over them. On 28 December 1872 he issued his first statement asking the priests to inform all Christian fraternities to expel those Masonic members who refused to abjure their affiliation to lodges. He took further action on 19 January 1873 when he issued an interdict against those fraternities who did not listen to his previous statement which also forbade those fraternities not to celebrate the sacraments in their chapels or oratories. Those fraternities appealed to the imperial government the next month with the allegation that the matter was not just a spiritual matter which meant an imperial review could be undertaken.
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The Institute does not at present possess any buildings or community houses. At the time of its foundation, representatives of the Institute were formally received by the Roman Catholic Cardinal Archbishop of Buenos Aires Jorge Mario Bergoglio, who expressed his appreciation, but as the Institute is not canonically recognised by the Vatican, its clergy cannot operate in any of Argentina’s thousands of churches. The celebration of the sacraments and liturgical acts take place in a variety of small oratories, privately erected chapels, homes and public places, especially in the poorer areas of the city. The homely, direct style of the Institute’s Charismatic Missionary Priests has won them the affection of some of Buenos Aires’ poorest inhabitants, including members of the semi–legal immigrant communities from poorer parts of Latin America, who might conceivably feel intimidated by the imposing splendour of the country's colonial–era Roman Catholic churches.
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Monsignor Richard W. Woy, Chancellor of the Archdiocese of Baltimore issued a decree declaring the visions of Talone "constant de non supernaturalitate" and prohibiting any public activities relating to the alleged apparitions in the churches, oratories, or other property of the Archdiocese. This was issued in spite of strong defenses of the authenticity of these events by some of the most notable Marian and mystical theologians in the world: Fr. Rene Laurentin,First Letter to Cardinal William Keeler 1996; Second Letter from Fr. Laurentin to Cardinal William Keeler, August 15, 2001; Our Lord and Our Lady in Scottsdale, Faith Publishing Company, 1992,p.134; Dictionary of the Apparitions of the Virgin Mary, Artheme Fayard Library, 2007, pp 1426Fr. Edward O'Connor, CSC [Letter to Cardinal William Keeler, September 9, 2003],, Listen to My Prophets Divine Mercy and Divine Justice, 2011 and Fr. Kieran Kavanaugh,OCD; [Eucharistic Reign of the Child Jesus], ; Fr. Jacques Daley,O.
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A parish church building may be transferred from the juridic person of a suppressed parish to another parish so that divine worship may continue there under the pastoral ministry of another parish. In some cases, when the parish has been closed, the church building and grounds become the responsibility of a neighboring parish, because the church building as such is legally distinct from the juridic personality of the parish, and so can be transferred to another juridic person. It usually would not have regular liturgies scheduled, but the oratory can be made available for special liturgical functions, including weddings, funerals, holidays, holy days of obligation, the feast day of the church's patron Saint, and other liturgical celebrations. Recently many churches have been revitalised as oratories for the Tridentine Mass in the United Kingdom and in the United States, institutions such as the Institute of Christ the King Sovereign Priest have done extensive restoration jobs in those temples.
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The Tridentine Mass was the normative usage of the Roman Rite Mass from the time of the Council of Trent until the liturgical reforms of the Second Vatican Council. When the Mass of Paul VI, the newer usage of the Roman rite of Mass, replaced the Tridentine Mass, the older usage of the Roman rite of Mass, , but prior to ', celebrets were issued by the Holy See to some priests permitting them to licitly celebrate the older usage, but bishops complained about this approach. In 1971 Pope Paul VI permitted, in what is known as the Heenan or the Agatha Christie indult, local bishops in the Catholic Bishops' Conference of England and Wales to permit the occasional celebration of the older usage according to the 1967 modifications to the 1965 edition of the Roman Missal. In 1984, the Congregation for Divine Worship and the Discipline of the Sacraments issued an indult to diocesan bishops, in ', which permitted the diocesan bishops to grant indults, under certain conditions, to churches and oratories permitting celebration of the older usage in Latin according to the 1962 edition.
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Frederick Haldimand, Governor of Quebec, who issued the Haldimand Proclamation in 1784 During the course of the American Revolution, First Nations assisted King George III's North American forces, who ultimately lost the conflict. As a result of the Treaty of Paris, signed in 1783 between King George and the American Congress of the Confederation, British North America was divided into the sovereign United States (US) and the still British Canadas, creating a new international border through some of those lands that had been set apart by the Crown for First Nations and completely immersing others within the new republic. As a result, some Indigenous nations felt betrayed by the King and their service to the monarch was detailed in oratories that called on the Crown to keep its promises, especially after nations that had allied themselves with the British sovereign were driven from their lands by Americans. New treaties were drafted and those Indigenous nations that had lost their territories in the United States, or simply wished to not live under the US government, were granted new land in Canada by the King.
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Marta Fuchs in rehearsal for Der Rosenkavalier at the Staatsoper (1937) Marta Fuchs with Heinz Tietjen and Ivar Andresen at the Bayreuther Festspielen, 1936 Marta Fuchs (January 1, 1898 - September 22, 1974) was a German concert and operatic soprano. Marta Fuchs grew up in an artistic family, her father being a painter, member of the board of the guild and a city councillor. In later years he put his efforts into managing his daughter's career. Marta attended the Königin-Katharina-Stift High School in Stuttgart and studied at the Hochschule für Musik und Darstellende Kunst, the College of Music in Stuttgart. In 1923 at the age of 25, she began her career as a soprano singing concerts and oratories. After undergoing further voice and drama training in Stuttgart, she made her debut as an operatic soprano at the state theatre in Aachen in 1928 with Gluck's Orpheus, Azucena in Verdi's Troubadour and with Carmen. Marta Fuchs became an active member of the Christian Community and from 1924 a member of the Anthroposophical Society.Marta Fuchs - Article by Johannes Lenz Forschungsstelle Kulturimpuls - Biographien Dokumentation In 1930 she was engaged by the Staatsoper in Dresden.
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