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"nowheresville" Definitions
  1. NOWHERE: such as
  2. a location lacking identifying or individualizing qualities
  3. a place or state denoting failure or relative obscurity

33 Sentences With "nowheresville"

How to use nowheresville in a sentence? Find typical usage patterns (collocations)/phrases/context for "nowheresville" and check conjugation/comparative form for "nowheresville". Mastering all the usages of "nowheresville" from sentence examples published by news publications.

Mr. Austin came to Pioneertown when it was truly a sleepy nowheresville.
Just because you're x-y-z from Nowheresville doesn't mean you're nothing.
She called, she said she was in Nowheresville for the longest time.
The town, through Peter's eyes, is a suffocating Nowheresville peopled with losers idling their time away.
"I was no one, nobody, from Nowheresville, until I became a drag queen," she said in a 21981 interview.
Taking just a small amount of "just in case" meds can prevent emergency stops in the middle of Nowheresville.
The demotion of Rockwell's Main Street America to the Rat Pack's Nowheresville wasn't explicit, but everybody got the gist.
They came from Nowheresville, USA, to be restyled into pop product while overcoming exhaustion, stress, self-doubt, rejection and tears.
"It's like every time I'm about to hit the skids, some 80 grand check comes in from Nowheresville," he said.
Kammie has just moved to a grim crossroads she calls Nowheresville, Texas, after her family suddenly left their home in New Jersey.
The rental, Froggy Cottage, is in a nowheresville that seems to have no other businesses except a rancid strip club called Chubbys.
For each City honcho getting a daily Christmas delivery from Amazon Prime there was some poor sod out there in Nowheresville working a precarious warehouse night shift packaging stuff.
The "nobody, from Nowheresville" -- as she described herself in a 2019 interview -- moved to New York City from her hometown of Elizabeth, New Jersey, with nothing but $15 in her pocket.
Kammie is desperate to start over in a new school where no one knows who she is or how she ended up in Nowheresville, and sees a friendship with the popular girls as her big chance.
He'd wondered many times what life would have been like if he'd grown up in Washington or New York or Chicago, one of the State's major cities rather than this small squiggle of nothing land out in Nowheresville.
Karen Rivers makes a similarly trapped girl the sole narrator of her darkly humorous new middle-grade ­novel, "The Girl in the Well Is Me." ­Eleven-year-old Kammie has fallen down a well in Nowheresville (her term), Tex.
"Pachelbel was pretty much nowheresville in performance," Ms. Sisman said, until, she added, a modern edition of the sheet music was published in the 20th century, a period of rediscovery for baroque music, including that of Pachelbel and Vivaldi.
I'd always been a protesting hobbyist, so the idea of being a part of an official group of serious protesters felt like something I'd been training for my whole life: like some scrappy, cowpoke kid from Nowheresville getting recruited into the Major League.
The title character (winningly played by Kate Mara) is a restless young woman who enlists as the Iraq war is starting, mostly to escape small-town nowheresville, and then by happenstance finds herself doing kennel-cleaning duty for the bomb-sniffing dogs at Camp Pendleton.
This article originally appeared on Noisey UK. "I'm an alien, here to take over earth / Man's been doing this shit from birth," starts a kid of surely no more than 703-years-old, spitting bars straight to camera in a Lancashire accent, filmed on an industrial estate in Nowheresville, Britain.
"We won," West Coast rock critic Gina Arnold wrote when Nevermind, driven by the single "Smells Like Teen Spirit," knocked Michael Jackson's Dangerous off the top of Billboard's album chart: A scrappy, neurotic punk band from Nowheresville (the indie ethos often pits isolated American college towns or British industrial cities against huge finance-driven capitals) had toppled a corporate-rock warhorse considered to be way past his prime.
In addition to exhibition reviews in newspapers and art journals, three critical surveys of his work have been published: "Nowheresville", by Helen Molesworth, in Frieze, Jan/Feb 1999; "Space Probes", by Kathleen Magnan, in World Art, May, 1999; and "Miles Coolidge", by Nadja Rottner, in Camera Austria #76 (2001).
The Ting Tings released their debut album, We Started Nothing, on 19 May 2008. Their follow-up album, Sounds from Nowheresville, was released on 27 February 2012 in the UK, and 15 March in the United States. Their third album, Super Critical, was released on 27 October 2014.
Otherwise this is just frothy fun, which is fine—but only fine." Stephen Dalton of Uncut wrote, "With echoes of prime-time Chic, Prince and Madonna, the intent is admirable even if too many of the songs feel flimsy and pedestrian", but described the songs "Communication" and "Failure" as "unabashedly gorgeous blasts of sugardipped synth-funk hedonism." Despite stating that the album "actually isn't all that bad, and certainly marks an improvement on its disastrous predecessor, Songs from Nowheresville", the Shields Gazette commented that "there's here nothing which leaves any lasting impression." Dorian Lynskey of Q magazine noted that Super Critical "sounds less petulant but no more likely to return [the duo] to the Top 10", adding that it "would be a solid album for someone like Annie, For The Ting Tings, though, it suggests there's no way back from Nowheresville.
A Man Called E is Mark Oliver Everett's 1992 major-label debut album, and the first on which he used the pseudonym "E". (As Mark Everett, he had previously self-released the limited edition LP Bad Dude in Love in 1985.) "Hello Cruel World" was released as a one-track single in 1992 on CD on Polydor Records. "Nowheresville"/"Strawberry Blonde" in March of that year.
Their follow-up album, Sounds from Nowheresville, was released on 27 February 2012 in the UK, and 15 March in the United States. In 2014, White told the Daily Record that comments by internet trolls had previously caused her to stop writing songs for six months. In 2015, she sustained a tendon injury to her left hand that caused the band to cancel its U.S. tour.
The song peaked at number eight on the Australian Singles Chart and was certified gold by the ARIA. "Shut Up and Let Me Go", the album's fourth single, peaked at number one on the US Billboard Hot Dance Club Play chart and was certified platinum by the Recording Industry Association of America (RIAA). The Ting Tings' second studio album, Sounds from Nowheresville, was less successful. It peaked at number 23 on the UK Albums Chart, and reached number 87 on the Billboard 200.
Suicide Season was written and recorded in Arboga, an isolated Swedish village with producer Fredrik Nordström. Lead vocalist Oliver Sykes described Arboga as "Nowheresville".Metal Hammer "Bring Me The Horizon Exclusive" article Sykes considered the isolation Arboga provided as ideal in comparison to the constant activity in Birmingham, the recording location of their first album: "We recorded Count Your Blessings in the middle of Birmingham and it was very easy to get distracted. Arboga is a village with nothing in it apart from a tiny shop and that was it".
They performed new material from the album in July 2011 at DCode Festival in Madrid. The video for the single "Hang It Up" premiered on YouTube in October 2011, followed by a video for the song "Silence" (remixed by Australian electro-house duo Bag Raiders) in November 2011. The album's third single, "Soul Killing", premiered on the internet in early February 2012; a video was filmed but never released. The album, Sounds from Nowheresville, was released in the same month and reached number 24 on the UK Albums Chart.
Reed would stay with McFarlane Toys until May 1996. Caliber expanded in the mid-1990s with titles such as David Mack's Kabuki, Brian Bendis' A.K.A. Goldfish and Jinx, Mark Ricketts' Nowheresville, Mike Carey and Michael Gaydos on Inferno, and in 1995, Caliber launched the sub-imprint of New Worlds. New Worlds' titles were loosely connected, and included Raven Chronicles, Helsing, Seeker, Saint Germaine, Red Diaries, Black Mist, and others. Although not an actual shared universe, the settings and characters could cross over with each other and often did.
Ricketts got his break in 1990, when Gary Reed of Caliber Comics agreed to publish his first book "Warpwalking". Ricketts created many original comics under the Caliber banner, but dropped out of the comics scene in 1996 to pursue other interests. In 1999, longtime friend Brian Michael Bendis encouraged Ricketts to continue making comics and showed his work to Jim Valentino, then Image Comics publisher. In 2000, Image published the graphic novel Nowheresville– a mystery set in 1950s Greenwich Village that combines Beat Generation culture with hard-boiled pulp crime fiction.
Harris made a guest appearance as vocalist on Tiësto's song "Century" on the Dutch producer's album, Kaleidoscope. Harris also produced and mixed the English duo The Ting Tings' single Hands which was released on 18 August 2010. The song was originally set to become the first single of the duo's second studio album, but they cancelled the album plans and the song was added as a bonus track on the deluxe edition of Sounds From Nowheresville. On 14 November, Harris invaded the stage of the UK's The X Factor during a performance by Irish duo Jedward, holding a pineapple on his head.
" Ed Potton of The Times found Super Critical to be "breezier and more coherent [than Sounds from Nowheresville], sticking mainly to the kind of insouciant disco-funk-pop that [The Ting Tings] do so well." Sputnikmusic's Raul Stanciu viewed the album as "a short and rather sweet effort that might not launch them to the top of the charts once again, but at least confirms us they're not yet ready to fade into obscurity", while commending The Ting Tings for "creating a consistent record that not only manages to mend the damage done by its faulty predecessor, but also create a coherent, fun atmosphere." Virgin Media's Matthew Horton felt that "what Super Critical misses is one really great tune. The closest it comes is 'Green Poison's soulful grind, strangely reminiscent of Stock Aitken & Waterman's 'Roadblock', yet no cigar.

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