But this time out, I definitely needed to make tracks in the same way that I needed to make tracks when I was a frustrated and slightly alienated, switched-on youngster.
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Um, why doesn't she just mind-kill him too and make tracks?
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The track is just...they don't make tracks like this any more.
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I know how to DJ and make tracks, and that's never gonna go away.
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This should make tracks sound more natural and varied — more human, in other words.
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But beyond just crashing them, you can also make tracks for them to race on.
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Now people make tracks on their phones and then go plug it up to an amp.
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They climbed trees, threw sticks, and discovered what happens when you make tracks in the snow.
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Was there a conscious decision on this record to make tracks that would be great live pieces?
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"I wanted to make tracks that became an emancipating, unifying experience for everyone listening," wrote the producer in the SoundCloud post.
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I never used to do shows but I used to go on pirate radio, make tracks in the studio and send my tapes to Logan at KISS.
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I'd started DJing around then too and was a resident at a night called 5127 in Bristol and I wanted to make tracks to make the crowd move.
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" When asked about their abbreviated stay, Ms. Chapman laughed and said that Mr. Kennedy had to make tracks back to Second Avenue, where "he is still working on the subway line there.
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The Chicago-based producer makes house tracks as Good Junk and footwork as allblack, but his stops in Greece, Norway, Sweden, and Finland weren't to play DJ gigs or even to make tracks.
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All of his tracks would just get you moving, and when I was younger I told myself I wanted to make tracks like that, and to get people to dance like his tracks did.
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First off, I get it: Anyone dealing with sticker shock in light of the potential local, state and property taxes they face under the new laws could be tempted to jump ship and make tracks for so-called "tax-free" states.
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A lot of people think I'm joking when I tell them how I make tracks but it's true—it's mostly 100 percent random with me pressing shuffle on my iTunes and then throwing things into the sampler / blinding reaching into a crate to flip something.
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But the resorts of northern Michigan have a tradition of teaching by European experts that goes back to the earliest days of skiing in the United States and a reputation for raising ski enthusiasts eager to make tracks at the larger mountain destinations of the world.
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Owen, Rob. "Railroad buffs still make tracks to Strasburg." Pittsburgh, Pennsylvania: Pittsburgh Post-Gazette, August 15, 2015.
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"Make Tracks to Big Avenue." New York Daily News, August 3, 1999. Accessed September 13, 2008. The street, itself named after Theodore Roosevelt and Franklin D. Roosevelt, provides the name for the Roosevelt Avenue / 74th Street station ( trains) in Jackson Heights.
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Brian Steele Cast! Berzerker Predator in Predators,Predators - Badass Behind-the-Scenes Video and More! and a Bigfoot in the Eduardo Sánchez horror-thriller film Exists.5 thesps make tracks to Bigfoot pic Production on 'Exists' begins next week Brian Steele has participated in multiple ultra- distance, self-supported cycling races, including the Tour Divide mountain bike race and the Trans Am Bike Race.
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Douglas was introduced to the all-night rave party scene in 1990. This inspired him to start to DJ and make tracks, and at just sixteen he began throwing the first Techno/Ambient parties in San Francisco. At the age of 17, Douglas left for Detroit to find creative freedom. While there he worked with several of his heroes; Mike Banks of the fabled Underground Resistance and the late James Stinson of Drexciya.
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Houston liked Cavanagh's project, and thus allowed him to publish Hexagon with her track "Courtesy." Several months later, Cavanagh asked Houston to make tracks for his new game Super Hexagon, an extended recreation of the original Hexagon. She again accepted, and the resulting Super Hexagon EP was published in September 2012, featuring "Courtesy" from the original game, the track "Focus" from Phonetic Symphony, and a new track called "Otis". Super Hexagon was very successful, receiving widespread praise for its design and music.
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He stayed there for two years DJing and set up a small studio to make tracks for the parties before moving to Goa, India. Over the next four years, Wisdom spent his time mostly in Goa, but starting to travel around DJing parties in other places (San Francisco, Switzerland, UK, Japan). In 1993, with his brother Miki, and Richmond, he started Space Tribe clothing in Bali. In 1995, the first Space Tribe tracks were hatched in the studio with Simon Posford (Hallucinogen/Shpongle).
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In April 2003, Sam and Ze met at a friend's studio and began making music together the following day. At first they sampled rare Brazilian records from the 1960s and 1970s to make tracks. However, what started as two crate diggers making music for the fun of it soon developed into making a record with all of their favorite musicians. Sam and Ze's idea was to bring people from different worlds together through their shared inspiration and love of music.
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The song also topped the Mirchi Top 100 charts as the song of year. "Chammak Challo" also entered the Top 10 "World Songs" list of iTunes in eight countries, reaching No. 1 at three of them. Due to the extremely positive response for the song, Akon decided to branch out and make tracks especially for Bollywood projects and wanted to have a dedicated branch to produce music for Bollywood with local talent. Subsequently, Akon received a nomination for Best Male Playback Singer at the 2012 Filmfare Awards.
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The EP has been cited as a classic release of Chicago house music, and hugely influential on the ghetto house genre. In 2015, ghetto house producer DJ Deeon listed "Computer Madness" from the EP as one of his top five ghetto house tracks. Deeon described the track as "the classic foundation and inspiration for underground music from Chicago's Southside" and recalling that "it made me want to make tracks like that". "Computer Madness" was featured on Warp 10+1: Influences, a 1999 2-CD compilation of music that influenced artists on the record label Warp.
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She took singing lessons which only enhanced her vocal talent and allowed her to make tracks for top British record producer Jonathan King, who released her singles: "I Want To Go Back There Again" and "The Big Hurt". Both received critical acclaim and cult following, but neither became hits. So she left the UK on a world tour of cabaret performances. In 1973, she returned to England, where she starred in and developed the role of Silvia, in the original London production of the rock musical Two Gentlemen of Verona, and sang on the cast recording of it.
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However, alongside other key producers in the scene, LTJ Bukem, arguably the single most influential figure behind the style, is especially noted for disliking the term, owing to the implication that other forms of drum and bass are not intelligent. From this period on, drum and bass would maintain the unity of a relatively small musical culture, but one characterised by a competing group of stylistic influences. Although many DJs have specialised in distinctive subgenres within jungle and drum and bass, the majority of artists within the genre were and remain connected via record labels, events and radio shows. It is extremely important to note that many producers make tracks in more than one subgenre of drum and bass.
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But the chemistry between these two is palpable. It reminds of when DZA’s Jet Life compadre, Curren$y, fully came out of his shell with his Pilot Talk series alongside Ski Beatz. The same might be said about DZA and Rugby Thompson, an album that not only strips him of an unfair “weed rapper” label, but is also probably the best rap album to come out of New York this year." Steve Juon of RapReviews gave the album a 6.5 out of 10, saying "The only impressions I get of Smoke DZA on Rugby Thompson are that he wants to smoke weed, fuck around, and make tracks with his friends - which when it comes to free mixtapes was perfectly fine.
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