Here, we see that the contra-internet will be playful and tantalizing, an archipelago of parties that emancipates us from technological domination.
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"Really, I wanted to recount the epiphany of a provincial boy who comes to the capital and who emancipates himself from his milieu," Besson said.
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When the evening comes to an end, he promises the slaves that they won't have to work on Good Friday and emancipates an elderly man — a small penance to make his shame subside.
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In special circumstances, minors can be freed from control by their guardian (ie., emancipated) before they reach the age of majority. In some states, marriage automatically emancipates a minor. In some states, membership of the armed forces may also automatically emancipates a minor, for example, in California and Vermont.
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Later it became the district of São José do Norte. On the 26th of December 1963, the district emancipates itself. On 11th of April 1964, Executive, Legislative, and Judiciary branches were established. Regarding the name Mostardas, there is no documented explanation.
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Rancière also calls this "Enforced stultification" (7). The emancipatory master, on the other hand, teaches students only that he has nothing to teach them. This emancipates students from their dependence on explicators. However, this does not mean no master is necessary (12).
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Lee's series, Machinic Vision, was featured in the anthology and textbook, "Reframing Photography: theory and practice". In a documentary video for the release of the textbook, Lee was invited to provide an overview of his series of his early works, which "...emancipates the image from real-world capture by rendering digital images exclusively with computer technology." according to Routledge.
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He continued to protect what he saw as the play's, and Eliza's, integrity by protecting the last scene. For at least some performances during the 1920 revival, Shaw adjusted the ending in a way that underscored the Shavian message. In an undated note to Mrs. Campbell he wrote, > When Eliza emancipates herself – when Galatea comes to life – she must not > relapse.
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His numerous organ compositions are oriented towards Paul Hindemith, whom he greatly admired, and towards the new French school, and represent a tonal language that clearly emancipates itself from . Weber was a member of the Reichsverband der katholischen Kirchenangestellten e. V. in Essen. Together with this association, Weber organized a study trip to Paris in 1956, where he gave the members the opportunity to meet Marcel Dupré and Rolande Falcinelli and to gain insight into the French organ art.
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In some states, marriage automatically emancipates a minor or increases his or her legal rights beyond allowing the minor to consent to certain medical treatments. Emancipated minors are theoretically considered adults, so that they may be able to file for a restraining order, get a divorce, and benefit from social services in certain states, though these laws are not universal.Family Code § 7002, also known as the Emancipation of Minors Law, enacted by Stats. 1992, Ch. 162, § 10.
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However she falls in love, power fades away step by step and Namme slowly becomes unable to cure people. She faces the dilemma: private life or sacralized traditions of family that can help people, finally she emancipates from the background and lets the fish go. In one of the latest shot she walks on water and fades away with the fog and maybe becomes the part of the universe, maybe she continues her private and non-mystic life, that’s on the decision of the audience.
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It is an essential characteristic of finite mind (man) to produce things, to express itself in objects, to objectify itself in physical things, social institutions and cultural products. Every objectification is of necessity an instance of alienation: the produced objects become alien to the producer. Consciousness emancipates itself from alienation by overcoming objectivity, recognizing that what appears as an external object is a projection of consciousness itself. Hegel sees freedom as consisting in men's understanding that their environment and culture are emanations from Spirit.
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Nick Lowe of Clash complimented it for not sounding forced despite its versatility, writing that Kesha "searches deep and emancipates the embodiment of sheer delight". Writing for DIY, Elly Watson defined the album as an "overwhelmingly triumphant pop offering that sees Kesha back at her best and having shit tons of fun while doing it". The Guardian Aimee Cliff recognized the album as derived from the singer's early works with a "new sense of underlying self- awareness". Focusing on the same topic, Rob Sheffield of Rolling Stone praised Kesha's return to her party persona.
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In contrast, Mahadevan interprets the text as glorifying eight syllable mantra, in the form "Sri Ramah, sa-ra-nam ma-ma" or "Sri Rama is my refuge". The single syllable Ram signifies the supreme reality Brahman, whereas split into two syllables "ra – ma", it emancipates according to the text. The Upanishad text has verses that relate to dhyana or the contemplation of Rama. The text, states Dalal, asserts that the "rahasya" or secret of "energising the body" (Nyasa) is to recite Rama mantra it discloses while touching different body parts.
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Analyzing the differences and similarities between the two great humorous traditions, Jewish humor and British humor, Gérard Rabinovitch throws light on the conditions that make humor possible and analyzes its civilizing effects and how it emancipates us with its lucidity. Through his research which seeks to articulate radical psychoanalytical anthropology with the recurring problems of classical political philosophy as posed by thinkers like Leo Strauss and Claude Lefort, Gérard Rabinovitch sets out new epistemological and ethical bases for us to assume our responsibilities as human subjects in the world.
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Tie Me Kangaroo Down, Sport sheet music cover The fourth verse caused some controversy in 1964 because of its use of the word "Abo", an offensive slang term for Aboriginal Australians. The lyrics of this verse (not found on Rolf Harris's official website) were as follows: :Let me Abos go loose, Lou :Let me Abos go loose: :They're of no further use, Lou :So let me Abos go loose. The stockman thus emancipates his indigenous offsiders at his death, when they are "of no further use" to him. This verse does not feature in 21st- century versions of the song and, in a 2006 interview, Harris expressed regret about the racist nature of the original lyrics.
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In the next book (Ratnaprabha) Naravahanadatta marries Ratnaprabhā a Vidyadhari who was prophesized to be his bride; the wedding is celebrated at the palace of her father Hemaprabha, on one of the snow-crowned summits of the Himalaya. When the married couple return to Kosambi the young bride persuades her husband to throw open the doors of the inner quarters, and allow free access to his friends and associates. “The honour of women,” she affirms, “is protected by their own principles alone; and where these are corrupt, all precautions are vain.” This arrangement not only emancipates the women from jealous restraint, but also triggers a subsequent series of tales, with the prince's companions as narrators.
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The city changed names three times in history. Before the Italian immigration began, the place where the city downtown is located today was crossed by horsemen, and since there was well known north-south trail with a little wooden cross at the place, the name "Cruzinha" was used to name this region. After a decree of the effective governor of the province in 1870 decade, settlement Colônia Dona Isabel was named after the Brazilian princess Isabel de Bragança. At 1890, Colônia Dona Isabel emancipates from Montenegro, 45 years after the end of the Farroupilha Revolution, what makes the government at the time to give the name Bento Gonçalves to the city, named after Bento Gonçalves da Silva the main leader of the Farroupilha Revolution.
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Recent writers, in the post-modern and post-structuralist traditions (including, particularly, feminist writers) have prescribed a very broad form of subversion. It is not, directly, the parliamentary government which should be subverted in their view, but the dominant cultural forces, such as patriarchy, individualism, and scientism. This broadening of the target of subversion owes much to the ideas of Antonio Gramsci, who stressed that communist revolution required the erosion of the particular form of 'cultural hegemony' within society. Theodor Adorno argued that the culture industry and its shallow entertainment was a system by which society was controlled through a top-down creation of standardized culture that intensified the commodification of artistic expression; in 1938 he said that capitalism has colonized every aspect of life so much that "every pleasure which emancipates itself from the exchange-value takes on subversive features".
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