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37 Sentences With "economized"

How to use economized in a sentence? Find typical usage patterns (collocations)/phrases/context for "economized" and check conjugation/comparative form for "economized". Mastering all the usages of "economized" from sentence examples published by news publications.

Instead, companies have largely economized by shifting to countries including China, Mexico and Vietnam.
It is important for Duterte to be economized in his utilization of his political capital.
Lonzo, nursing an injured finger, exuded a senior's maturity, his motion economized in a low-key scrimmage.
For this, she engages vexed histories of photography applied to parsing and regulating both economized and excessive gestures.
That is, time cannot be economized, it does not allow itself to be exchanged, and it breaks with the law of equivalence.
" The message in what he's saying is the same, but he's refined it, economized the words and subbed in "scary time" for "dangerous standard.
"One of the ways that we economized to make sure that we could fit into this much smaller budget was on the telecommunications system," Alan Stern, principal investigator of the New Horizons mission, told The Verge.
On this trip, we avoided renting cars and over-Ubering, and economized by exploring on foot, which meant long, hot walks, but also colorful bursts of graffiti and rich shops like Criminal Records, a warehouse of CDs and comic books in Atlanta's bohemian Little Five Points.
Willy Boepple. Cologne: ISP verlag, 1984. Precisely because natural resources were for a long time either non-reproducible or freely available goods (i.e. not reproducible commodities) the whole tendency in the market economy was for those resources to be plundered for private gain, rather than economized appropriately.
I wanted an actress > who was beautiful and had a great figure. Because we economized on the > amount of cloth we used in the costume... I wanted a tall actress. She does > a lot of martial arts. I couldn't have a 5-foot-1 actress beating up all > these big guys.
Suburban Theatres commissioned William George Blakey as The Garneau Theatre's architect in the late 1930s. His other extant buildings include Edmonton's Christ Church, Masonic Temple, and Roxy Theatre. It is the last modernist theatre still used for its original purpose in Alberta. Blakey's design economized by featuring a raised terrace rather than a balcony.
Producer Katzman was well known for his thrift and shortcuts. Serial producers often economized by including a "cheater" chapter, in which flashbacks to earlier chapters are shown instead of new scenes. The Adventures of Captain Africa uses four cheaters among its 15 chapters. The frequent recaps were possibly necessitated by the hasty rewrites during production.
The theatre featured 780 seats, including several red leather "two's company" seats without armrests. The space was also designed for live theatre, and featured a large stage with dressing rooms in the wings. Rather than an expensive balcony, architect William Blakey economized by incorporating a terrace which at the time was described as a "climbing mezzanine".
The route traveled over Hanoverian domain at stations #22 and #23 in Schladen and Liebenburg. Likewise, stations #23 through #28 lay in the domain of the Duchy of Brunswick. Negotiations with both governments for the acquisition of land and the construction of stations quickly met with success. Additionally, two stations were economized within the Brunswick domain by increasing the distance between stations #23, 24, and 25.
Burma, Philippines and Indonesia withdrew before the draw, so India qualified automatically. India later also withdrew because of the expense of traveling (or, according to some reports, after a FIFA ruling that players were not allowed to play barefoot). Other teams economized by sailing, rather than flying, to the tournament. FIFA decided not to invite another team, leaving the World Cup three teams short.
Dejima and Nagasaki Bay, circa 1820. The view includes two Dutch ships and numerous Chinese trading junks. At the time, it was the Saga clan's turn to uphold the policy of Sakoku and to protect Nagasaki, but they had economized by stationing only 100 troops there, instead of the 1,000 officially required for the station. The Nagasaki Magistrate, , immediately ordered troops from the neighbouring areas of Kyūshū island.
After his return Kron was employed as electrical engineer for brief periods with several companies the last of which was Warner Brothers in New York. They closed his department while he was on a continuing highly paid contract. He economized by living with his family in Romania. There he studied the mathematical tools of the general theory of relativity and conceived his method for applying tensor analysis to electrical power engineering.
From 1889 to 1890, Spaid served as the principal of Twin Township High School in Bourneville, Ohio. From 1890 to 1891, he was principal of Bourneville's graded schools. While in Bourneville he economized by residing with village school teacher E. M. Parrett. Spaid reentered college in 1891, but following the illness and death of his brother-in-law Carter Gilbert Kelso, Spaid returned to Bourneville to teach his brother-in-law's class for the remainder of the term.
The Design Note specified a virtual machine, in which the Tiny BASIC interpreter is itself run on a virtual machine interpreter. The designer's idea to use an application virtual machine goes back to Val Schorre (with META II, 1964) and Glennie (Syntax Machine). The choice of a virtual machine approach economized on memory space and implementation effort, although the BASIC programs run thereon were executed somewhat slowly. Dialects that used the virtual machine included Tiny BASIC Extended, Tom Pittman's Tiny BASIC and NIBL.
The film received excellent reviews, prompting Columbia to ask for three more. Porter left Metro-Goldwyn- Mayer, which was downsizing, to sign with Katzman. The three musicals were Little Miss Broadway (1947), Sweet Genevieve (1947) and Two Blondes and a Redhead (1947). Katzman and Dreifuss then made two films with singer Gloria Jean, who had been a star at Universal Pictures. Katzman was so pleased by I Surrender Dear (1948) that he devoted more time to it, and economized on her other picture, Manhattan Angel (1949).
Ruff and Reddy, as one of the first original animated series produced for television, pioneered the technique of limited animation. Limited animation would require far fewer drawings, and, by extension, less inking and painting. This method was employed by necessity, as higher budgets had been the cause for the collapse of the theatrical cartoon business. Hanna, in a six-page memo, had attempted to convince his superiors at MGM to employ economized techniques in order to reduce the cost of their short films, but received no response.
In 1806, Tucker relocated his family, including newborn daughter Maria, to the Carters' home in Frederick County, Virginia, and attempted to put his financial house in order. Business required his frequent return to Richmond, and on one occasion he was arrested there for a delinquency owed to a loan company. The immediate problem was solved with the intervention of St. George. Tucker economized for two years, living a rural life with the Carters and other family members and was able to purchase a home near the Dan River.
Republic serials are noted for outstanding special effects, such as large-scale explosions and demolitions, and the more fantastic visuals like Captain Marvel and Rocketman flying. Most of the trick scenes were engineered by Howard and Theodore Lydecker. Republic was able to get the rights to the newspaper comic character Dick Tracy, the radio character The Lone Ranger, and the comic book characters Captain America, Captain Marvel, and Spy Smasher. Republic's serial scripts were written by teams, usually from three to seven writers. From 1950 Republic economized on serial production.
Vehicles rolled on a "relay" basis, moving mostly at night to avoid American air power, and the trail was plentifully supplied by jungle-like camouflage at all times. Way stations were generally within one day's travel from each other. Trucks arriving at a station were unloaded, and the cargo shifted to new trucks, which carried out the next segment of the journey. Having plenty of both time and manpower, this "relay" method economized on wear and tear upon the valuable trucks, and maximized hiding opportunities from prowling US aircraft.
Ritchie's actions did not go unnoticed, and he was nominated to be Attorney General of Maryland in 1915, a position he served in from December 20, 1915, to December 20, 1919. In the primary election, Ritchie defeated challenger William Milnes Maloy, who would later challenge him for governor, by 20,000 votes. In the general election, Ritchie defeated his Republican rival, Albert Doub, by 25,000 votes. As Attorney General, Ritchie economized the state government by having the state law department assume the legal activities of nearly every department, with the exception of the Public Service Commission, thus eliminating the need for other departments to hire outside legal counsel.
It is performed by McLain. The writers found they needed another character to play off of Portal 2's Cave Johnson during his recordings; instead of hiring a voice actor for a few lines, they economized by reusing McLain to play Caroline, Cave's assistant. This led naturally to providing a backstory for the creation of GLaDOS, who is revealed in-game to be Caroline who was put into GLaDOS. This later led the writers to develop a full story arc for GLaDOS where she would come to recall her past, learn from it to solve the dilemma and then subsequently delete it and reset herself.
The Pyramid of Nyuserre (in ancient Egyptian Men-sut Ni-user-re, meaning Enduring are the places of Nyuserre) is a mid 25th century BC pyramid complex built for the Egyptian pharaoh Nyuserre Ini of the Fifth Dynasty. During his reign, Nyuserre had the unfinished monuments of his father, Neferirkare Kakai, mother, Khentkaus II, and brother, Neferefre, completed, before commencing work on his personal pyramid complex. He chose a site in the Abusir necropolis between the complexes of Neferirkare and Sahure, which, restrictive in area and terrain, economized the costs of labour and material. Nyuserre was the last king to be entombed in the necropolis, whilst his successors chose to be buried elsewhere.
New leadership was called for. In 1915, a powerful new Ministry of Munitions under David Lloyd George was formed to control munitions production.Bentley Gilbert, David Lloyd George: Organizer of Victory 1912–1916 (1992), pp 209–50 The Government's policy, according to historian and Conservative politician J. A. R. Marriott, was that: : No private interest was to be permitted to obstruct the service, or imperil the safety, of the State. Trade Union regulations must be suspended; employers' profits must be limited, skilled men must fight, if not in the trenches, in the factories; man-power must be economized by the dilution of labour and the employment of women; private factories must pass under the control of the State, and new national factories be set up.
Sinn writes in his abstract that: "[Demand reduction strategies] simply depress the world price of carbon and induce the environmental sinners to consume what the Kyoto countries have economized on. Even worse, if suppliers feel threatened by a gradual greening of economic policies in the Kyoto countries that would damage their future prices, they will extract their stocks more rapidly, thus accelerating global warming." Sinn emphasises that a condition for the green paradox is that the resource be scarce in the sense that its price will always be higher than the unit extraction and exploration costs combined. He claims that this condition is likely to be satisfied as backstop technologies will at best offer a perfect substitute for electricity, but not for fossil fuels.
The Munitions of War Act 1915 ended the shell crisis and guaranteed a supply of munitions that the Germans were unable to match. The government policy, according to J. A. R. Marriott, was that, > No private interest was to be permitted to obstruct the service, or imperil > the safety, of the State. Trade Union regulations must be suspended; > employers' profits must be limited, skilled men must fight, if not in the > trenches, in the factories; man-power must be economized by the dilution of > labour and the employment of women; private factories must pass under the > control of the State, and new national factories be set up. Results > justified the new policy: the output was prodigious; the goods were at last > delivered.
The writers also attempted adding GLaDOS lines that would make the players attempt to compete against each other, such as the awarding of meaningless points, but playtesters did not respond well to these lines. The writers found they needed another character to play off of Cave during his recordings; instead of hiring a voice actor for a few lines, they economized by reusing McLain to play Caroline, Cave's assistant. This led naturally to providing a backstory for the creation of GLaDOS, who is revealed in-game to be based on Caroline's personality. This later led the writers to develop a full story arc for GLaDOS where she would come to recall her past, learn from it to solve the dilemma and then subsequently delete it and reset herself.
The great practical advantage of tape for studios was twofold – it allowed a performance to be recorded without the 30-minute time limitation of a phonograph disc, and it permitted a recorded performance to be edited or erased and re-recorded again and again on the same piece of media without any waste. For the first time, audio could be manipulated as a physical entity, and the recording process was greatly economized by eliminating the requirement for a highly trained disc-cutting engineer to be present at every recording session. Once a tape machine was installed and calibrated, there was no need for any attendant engineering, other than to spool or replace the tape being used on it. Daily maintenance only consisted of cleaning and occasionally demagnetizing the heads and guides.
The Munitions of War Act 1915 was a British Act of Parliament passed on 2 July 1915 during the First World War. It was designed to maximize munitions output and brought private companies supplying the armed forces under the tight control of the newly created Ministry of Munitions, under David Lloyd George. The policy, according to J. A. R. Marriott, was that: : No private interest was to be permitted to obstruct the service, or imperil the safety, of the State. Trade Union regulations must be suspended; employers' profits must be limited, skilled men must fight, if not in the trenches, in the factories; man-power must be economized by the dilution of labour and the employment of women; private factories must pass under the control of the State, and new national factories be set up.
This is also the first Macintosh to use the PCI standard, with six PCI slots available -- one of which must be used for a graphics card. Infoworld's Anita Epler noted that "Because most multimedia developers don't use the onboard video found on previous Mac models, Apple wisely economized by simply leaving it out. Users can purchase their own PCI graphics card or opt for Apple's 64-bit accelerated PCI video board with 2 MB of VRAM as an optional accessory." The 9500 is also the first computer from Apple to support 168-pin DIMM memory modules, and the 512KB of on-board 128-bit-wide cache utilizes copy-back instead of write- through, offering faster speeds than prior Macintosh models, as well as the ability to install single modules.
One hallmark was that many titles were shot in color Kodachrome a few years ahead of competing classroom film companies. Production costs were kept under control by making both color and black and white prints available and charging a much lower fee for the latter. However, many school educators economized so fewer color prints are viewable today. After David Smart’s death in 1952, his brother John, and Jack Abraham took over. Coronet’s output had surpassed in quantity that of the classroom film industry’s leader, Encyclopædia Britannica Films (initially ERPI Classroom Films), with an eleven-minute or longer film completed practically every week. While their biggest rival strove to be more “cinematic” with very creative takes on science and geography subjects to make them as entertaining for students as possible, the 1950s and 1960s Coronet films often had a dry, lecture-like tone to their commentary.
Many were filmed in color, but usually exist today in black and white since educators generally economized with the cheaper format available. Most were made prior to David Smart’s passing in 1952, but a few more were added as late as the 1970s, such as Beginning Responsibility: A Lunchroom Goes Bananas. Since most were produced early in the post-war film boom; they were typical of the quality, production values, and content of media of the period and were subsequently often considered humorous in the context of the post mid-1960s sexual revolution. After the earliest films entered the public domain (a large percentage of the library is still privately owned), the films of Coronet were recognized by many as notable kitsch, especially after a few became shorts for Pee-wee's Playhouse & the cable TV show Mystery Science Theater 3000 (MST3K) which mocked the films' production values and underlying messages.
The first cornerstone was laid on 9 November under the direction of Manuel Caetano de Sousa (with a secondary project under the supervision of German Xavier de Magalhães). It was conceived as a Baroque- late Rococo building, but the construction was interrupted shortly after. As of 19 May 1796 the project was supplied by the masons Francisco António and Joaquim Baptista, who brought in stone from Monsanto (Idanha-a-Nova), sand from Alfeite, calcium oxide cooked in Alcântara, tile from the Alhandra, with limestone provided from Pêro Pinheiro, Belas, Vila Chã and Monsanto. The intervention of many architects resulted in a royal decree (9 December 1801) that stated that alterations to the project could only be made in agreement with Manuel Caetano de Sousa, Joaquim de Oliveira, José da Costa e Silva and/or Francisco Xavier Fabri (as long as it economized on the project costs).

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