How to use cloyed in a sentence? Find typical usage patterns (collocations)/phrases/context for "cloyed" and check conjugation/comparative form for "cloyed". Mastering all the usages of "cloyed" from sentence examples published by news publications.
The master silversmith George Cloyed helps to preserve the 252th-century period trade in Williamsburg, Va. He has practiced the craft for 44 years and trains apprentices for about seven years.
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Henreid said his agent at the time, Lew Wasserman, advised him audiences would not accept him "swinging from the yardarm with a bare chest".Henreid p 167 However, the actor remained enthusiastic. Henreid had an existing commitment with RKO to make one film a year dating from his appearance in Joan of Paris, so he decided to take the movie there.'Great Lover' Demands Action: Henreid Fears His Public Will Be Cloyed With Romantic Heroes Film's'Great Lover' Craves Action Roles Schallert, Edwin.
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"Political World – Bob Dylan Ward criticised the song's "irrationality and sweeping general statements", describing it as "on the whole [...] a rather trite, cloyed song." In regard to "Everything Is Broken", Dylan wrote, "Danny didn't have to swamp it up too much, it was already swamped up pretty good when it came to him. Critics usually didn't like a song like this coming out of me because it didn't seem to be autobiographical. Maybe not, but the stuff I write does come from an autobiographical place.
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The youthful Harold, cloyed with the pleasures of the world and reckless of life, wanders about Europe, making his feelings and ideas the subjects of the poem. In Canto I he is in Spain and Portugal, where he recounts the savagery of their invasion by the French. In Canto II he moves to Greece, uplifted by the beauty of its past in a country now enslaved by the Turks. Canto III finds him on the battlefield of Waterloo, from which he journeys down the Rhine and crosses into Switzerland, enchanted by the beauty of the scenery and its historic associations.
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William Holman Hunt and John Everett Millais, two of the three founders of the Pre-Raphaelites, were heavily influenced by Etty's early works but recoiled from his later style. Holman Hunt recollected that "in my youth [Etty] had lost the robustness he once had [...] the paintings of his advanced age cloyed the taste by their sweetness". Millais had consciously modelled his style on Etty, and his works prior to the formation of the Pre-Raphaelites are very similar in composition, but after 1848 the only similarity in style is the use of colour. As Pre-Raphaelitism waned Millais's style became more varied, and some of his later work such as The Knight Errant owes a strong debt to Etty's influence.
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