Increasingly, designers face the challenge of differentiating themselves in a marketplace surfeited with labels.
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"Although cinema patrons may be surfeited with underworld tales, this particular effusion has the distinct advantage of being endowed with originality and suspense and also of being exceedingly well directed," Mordaunt Hall wrote in The New York Times.
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The thinkpiece-industrial complex has already descended on this skimpy, mostly just fine movie and picked its bones clean; only for a public so surfeited with superheroes that Christopher Nolan seems like the vanguard of thematic and aesthetic ambition would Joker be received as a challenging, appointment-viewing surfacing of toxic white male misery.
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For example, Atrahasis OB III, 30–31 "The Anunnaki, the great gods [were sitt]ing in thirst and hunger" was changed in Gilgamesh XI, line 113 to "The gods feared the deluge." Sentences in Atrahasis III iv were omitted in Gilgamesh, e.g. "She was surfeited with grief and thirsted for beer" and "From hunger they were suffering cramp." These and other editorial changes to Atrahasis are documented and described in the book by Prof.
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" Towards the end of the second quatrain, Vendler begins to question some of the metaphors and figurative language that Shakespeare has used: "Does the learned's wing need added feathers? Coming after the first soaring of the speak, the heavy added feathers and given grace seem phonetically leaden, while later the line arts with thy sweet graces graced by suggest that the learned verse has become surfeited with elaboration." Another author, R.J.C. Wait, has a contrasting view of the learned wings. "The learneds wings represents another poet to whom Southampton has given inspiration.
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The Liberation Rite of Water and Land (), also commonly known as the Waterland Dharma Function is a Chinese Buddhist ritual performed by temples and presided over by high monks. The service is often credited as one of the greatest rituals in Chinese Buddhism, as it is also the most elaborate and extremely rare service. The ceremony is attributed to the Emperor Wu of Liang, who was inspired one night when he had a dream which a monk advised him to organize a ceremony to help beings in the lower realms to be surfeited from their suffering. The ritual itself was compiled by the Chan Buddhist master Bao Zhi.
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" As to "that there is no recompense of good works and punishment of crime" he responds that "no one whatever is seen that has come... from death back to life, and it is not possible to say so." Further, Mardan-Farrukh invokes what he calls in humankind "the manifestation of the maintenance of a hope for a supreme inspection over mankind, and indeed, over wild animals, birds, ad quadrupeds."E. W. West (SBE 24) at 146-147 (SGV VI: 7-8, 9-10), and at 148-149 (SGV VI: 27, 25, 34). The sophist may argue that no distinctions can be made, as honey is sweet, but "bitter to those abounding in bile" or that bread is both pleasant "to the hungry and unpleasant to the surfeited.
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In the United States, the term "enemies list" has come to be used in contexts not associated with Richard Nixon. For example, satirist P. J. O'Rourke's 1989 "A Call for a New McCarthyism" in The American Spectator has a hybrid blacklist and enemies list, suggesting that, contrary to the spirits of these lists, the subjects there should be overexposed, not suppressed, "so that a surfeited public rebels in disgust." In Philip Roth's Our Gang, which was published in 1971, two years before the list was first mentioned in public, the Nixon parody character Trick E. Dixon begins to compile a rudimentary list of five political enemies. It includes Jane Fonda and the Black Panthers who were on the real-life expanded master list, The Berrigans (who were not) and Curt Flood.
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See Castelli The intended audience is uncertain, though it was apparently all-male, as they are addressed as "gentlemen" (andres). In Oration 1, On the Rich Man and Lazarus,Online English text he objects to richly decorated clothes: > through vain devices and vicious desires, you seek out fine linen, and > gather the threads of the Persian worms and weave the spider's airy web;This > is hyperbole, built upon the preceding periphrastic description of silk and > going to the dyer, pay large prices in order that he may fish the shell-fish > out of the sea and stain the garment with the blood of the creature,See > Tyrian purple. \----this is the act of a man surfeited, who misuses his > substance, having no place to pour out the superfluity of his wealth. For > this in the Gospel such a man is scourged, being portrayed as stupid and > womanish, adorning himself with the embellishments of wretched girls.
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Writing for The New York Times, Conrad Knickerbocker praised Capote's talent for detail throughout the novel and declared the book a "masterpiece" — an "agonizing, terrible, possessed, proof that the times, so surfeited with disasters, are still capable of tragedy." In a controversial review of the novel, published in 1966 for The New Republic, Stanley Kauffmann, criticising Capote's writing style throughout the novel, states that Capote "demonstrates on almost every page that he is the most outrageously overrated stylist of our time" and later asserts that "the depth in this book is no deeper than its mine-shaft of factual detail; its height is rarely higher than that of good journalism and often falls below it." Tom Wolfe wrote in his essay "Pornoviolence": "The book is neither a who-done-it nor a will-they-be-caught, since the answers to both questions are known from the outset... Instead, the book's suspense is based largely on a totally new idea in detective stories: the promise of gory details, and the withholding of them until the end."Wolfe, Tom: "Mauve Gloves & Madmen, Clutter & Vine", pp. 163–64.
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