The taxi driver ghost can be seen sitting inside his cab, and if you listen closely, you'll catch him channel hopping across the Ghostbusters theme song as well as soundbites from the 1984 movie.
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I remember little of the New Labour landslide, or Diana's funeral, or Dolly the sheep, but those 3 minutes and 46 seconds, stumbled across while channel-hopping one quiet Saturday afternoon seared themselves into my brain for good.
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Channel-hopping over the last two weeks was a ridiculous pleasure; every press of the blue button a guarantee of something genuinely beautiful – something that celebrated the pinnacle of human physical and mental achievement, showcasing the peak artistry of the most complex living thing known to exist in the universe.
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Time Slotted Channel Hopping or Time Synchronized Channel Hopping (TSCH) is a channel access method for shared medium networks. TSCH is used by Low-Power devices to communicate using a wireless link. It is designed for low-power and lossy networks (LLNs) and aims at providing a reliable Media access control layer. TSCH can be seen as a combination of Time division multiple access and Frequency-division multiple access mechanisms as it uses diversity in time and frequency to provide reliability to the upper network layers.
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The questions are based on television shows, film and music from up to two decades before the game's release date. Round types include a slow reveal round where question marks slowly turn into letters or the "channel hopping" round where each player's answers are briefly revealed and everyone has a chance to change their answer. There are also a rounds where the fastest player to buzz in can answer and another where the answer must be guessed from picture clues. Altogeter there are 8 round types known as "Opening Night", "Big Break", "Picture Show", "Star Turn", "Prime Time", "Typecast", "Channel Hopping" and "Final Cut".
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The Mont Saint-Michel is one of the most visited and recognisable landmarks on the English Channel. The coastal resorts of the Channel, such as Brighton and Deauville, inaugurated an era of aristocratic tourism in the early 19th century. Short trips across the Channel for leisure purposes are often referred to as Channel Hopping.
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It mirrored the channel hopping style of the show by featuring various magazine formats and comic book styles. The special was co-written by Peter Richardson, Robert Popper, the cast of the show and the magazine's editor, David Leach. It featured the artwork of - among others - Lew Stringer, David Leach and Art Wetherell. The magazine also used the same artwork for its cover that was used for the show's opening titles and subsequent video release.
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Josh Langhoff, also of PopMatters, said the album feels "cold and severe, emotionally forbidding", and cycled too quickly through its musical ideas. The Daily Telegraph reviewer Thomas H. Green called it "very British, twitchy, literate, intellectual guitar pop that would run screaming at the first whiff of any macho posturing". In her review, Kitty Empire of The Observer said Field Music "remain more impressive than lovable". Rick Pearson of Evening Standard said the brief album has so many ideas that at its worst moments, it "sounded like the musical equivalent of channel hopping".
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In order to find as many networks as possible, Kismet supports channel hopping. This means that it constantly changes from channel to channel non-sequentially, in a user-defined sequence with a default value that leaves big holes between channels (for example, 1-6-11-2-7-12-3-8-13-4-9-14-5-10). The advantage with this method is that it will capture more packets because adjacent channels overlap. Kismet also supports logging of the geographical coordinates of the network if the input from a GPS receiver is additionally available.
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ARH sprang out of the techno culture of the early nineties. Initially, the project was embraced by techno media. In reviewing ARH's first international release, Dom Phillips of Mixmag wrote, > imagine techno, yet constructed with burps, old samples and rocking through > a gallery of strange voices, cut-ups, '70's elevator music run > backwards...the lot....crazy channel hopping mish-mash, yet it all works! Diane Lowry, then editor of Electronic Musician, named the same disc Best Electronic Album for May 1997 > Techno dance group ARH approaches the editing of samples and tape loops the > same as MTV cuts videos: fast and furious.
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Lennon described "Revolution 9" as "an unconscious picture of what I actually think will happen when it happens, just like a drawing of revolution". He said he was "painting in sound a picture of revolution", but he had mistakenly made it "anti- revolution". In his analysis of the song, MacDonald doubted that Lennon conceptualised the piece as representing a revolution in the usual sense, but rather as "a sensory attack on the citadel of the intellect: a revolution in the head" aimed at each listener. MacDonald also noted that the structure suggests a "half-awake, channel-hopping" mental state, with underlying themes of consciousness and quality of awareness.
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A range of live-action idents showing everyday activities from unusual perspectives appeared in 2002. The 2003 to 2007 idents showed channel hopping viewers with their TV set "off stage" being brought to a halt by the appearance of a golden light accompanied by the channel's ident jingle. This new identity also featured a series of shifting yellow, orange and red blocks which suggested a gold bar at the centre of the screen. On 4 April 2007, UKTV Gold unveiled a new on-air identity centred around a branded golden space hopper, playing to contemporary trends toward 1970s nostalgia, and emphasising the station's re-run content.
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Cutler wanted it to question the nature of music and how listening to music has changed. He wanted to "pit acoustic sounds and the classical music tradition", two grand pianos, against "electronic timbres and the contemporary sound world", amplified turntables, electric guitar, computer generated sounds and real-time processing. He also wanted to contrast the difference between "early 20th century concert listening and the channel-hopping aesthetic of the fin de siecle '90's". The pianists were instructed to play "a few small sections from the classical repertoire", in any way and at any tempo, while the other musicians were free to, according to Rick Anderson of AllMusic, "romp around them wreaking gleeful havoc".
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It uses channel hopping to avoid interference -- the packets between TSMP devices get sent on different radio channels depending on time of transmission. TSMP distinguishes itself from other time-slotted mesh-based protocols, in that time-slot timing is maintained continuously and enables a network to duty-cycle on a transmitter-receiver pair-wise basis, as opposed to putting the entire network to sleep for extended periods of time (as is done in a beacon-based protocol, such as DigiMesh). Dust Networks' underlying time synchronized mesh networking technology has been standardized by the HART Communications Foundation with the WirelessHART protocol, the International Society of Automation ISA100 standard and in internet protocol standards, such as IEEE802.15.4E MAC layer, and IETF 6TiSCh.
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