I really love changing channels on YouTube TV this way.
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Changing channels ... He has played God (twice), a fictional president and Nelson Mandela.
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Changing channels ... Mr. Trump enjoyed nearly wall-to-wall coverage throughout the convention.
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It's got buttons for the essentials like changing channels, volume, inputs, and picture modes.
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Up to $1.75 billion will go to broadcasters that incur costs in changing channels.
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Changing channels on Hulu needs to feel just as fast as with a cable remote.
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Changing channels … Many of the ads from Priorities USA Action, the main "super PAC" supporting Mrs.
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Changing channels … It could have been the perfect gotcha moment, a Freudian slip by the Democratic candidate.
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As quickly as changing channels, the app will launch YouTube, Netflix, Hulu, Amazon Instant Video, Google Play, MLB.
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In the same way Hnath has little use for introductions or exposition, he doesn't mind changing channels abruptly.
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Changing channels … It's rare to see a political ad that is entirely animated, given the expense and time required.
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Changing channels ... The Clinton campaign released a new ad on Friday, which presents a strong contrast with Mr. Trump's commercial.
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This includes all the critical TV controls, like volume, play / pause, start, stop, fast-forward, searching for content, and changing channels.
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Changing channels ... One by one, they chide and jest, smirk and implore: This election is the most important one of our lifetime.
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Today Americans use GPS to casually find the closest Starbucks, or in instances as complicated as plotting shipping lanes amid changing channels.
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A pair of pliers sat on top of the TV set—for changing channels since the knob for that purpose had broken off.
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Changing channels … Mr. Sanders's campaign has swapped state-specific footage for its "America" ad— featuring the Simon and Garfunkel song — for most earlier contests.
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Changing channels ... After Mr. Trump's provocative speech on immigration on Wednesday in Arizona, the Clinton campaign launched a six-figure ad buy in the state.
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Changing channels … For most of the general election, the Trump campaign's sparse advertising has featured ads depicting Mr. Trump's America and the country under Mrs.
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Changing channels ... The "Monday Night Football" theme is a Pavlovian signal to football fans to rush back from the kitchen — the game is about to begin.
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Changing channels ... A new ad from Senator Ted Cruz's campaign labels Senator Marco Rubio the "Republican Obama" over his support for immigration and carbon tax legislation.
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Way back in 2012 we tried a motion-sensing magic wand TV remote from Kymera, but it somehow made simply changing channels an act of frustration.
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Changing channels … In nearly every Republican primary, candidates vie to take the mantle of Ronald Reagan and fashion themselves in the image of the popular president.
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Changing channels … Gary Johnson, the Libertarian Party presidential nominee and former governor of New Mexico, has been hovering just below the national polling threshold for appearing in the debates.
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Changing channels … Mr. Trump's more insulting remarks about women have proved irresistible satire fodder for his Republican opponents and for Priorities USA, the Democratic "super PAC" allied with Mrs. Clinton.
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Changing channels … Kelli Ward, who is running against Senator John McCain in the Republican primary in Arizona, does not have the cash to commission an arsenal of attack ads against him.
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The F-35, America's newest and most technologically advanced fighter jet, is equipped with a voice command system that is good for changing channels on the radio, and not much else.
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Changing channels … Like a garbage truck in reverse, or a daytime showing of a Chris Rock standup comedy special, the beeps are heard constantly — nine times in 30 seconds, to be precise.
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Okay I think this is "Niggas in Paris" trying to break its way into this mixtape, but it also might be my great aunt rhythmically changing channels on her old tube television.
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So do a host of visual effects that mirror and mock the people singing or suggest that they (and you) have tumbled into a three-dimensional television set that is perpetually changing channels.
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Changing channels ... Mr. Trump's cash-poor campaign has not run television ads since last month, but a super PAC supporting him, Restoring America Now, has placed an ad that tries to undermine Mrs.
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Changing channels ... As Hillary Clinton and Senator Bernie Sanders scrap for every delegate, both campaigns were on air in the Honolulu market in the days before the state's Democratic caucuses on Saturday. Mrs.
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Changing channels, where better than LA to center the burgeoning e-sports world, which has its roots in an apartment in West Hollywood where the team behind Riot Games created League of Legends.
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Changing channels ... Mr. Trump's dispute with the Muslim parents of an Army captain killed in Iraq has faded from the headlines, but VoteVets, a veterans' group, and Priorities USA, the super PAC supporting Mrs.
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Changing channels ... Even as Democrats have begun attacking Republican congressional candidates by linking them to their presumptive presidential nominee, the National Republican Senatorial Committee released a brutal new digital ad tying Democratic candidates to Hillary Clinton.
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Changing channels … Mr. Trump may pledge to build a wall along our southern border, but a new ad from the political action committee of the Service Employees International Union posits another wall: the Latino vote Mr. Trump has estranged.
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Changing channels ... The Trump campaign has yet to run a Spanish-language advertisement, but in sensing a new pocket of support among Indian-Americans, the candidate himself speaks Hindi, or at least tries to, in a new ad targeting them.
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Changing channels … Hours before Thursday's Republican debate, in which Senators Marco Rubio and Ted Cruz seemed at times like tag-team wrestlers going after Donald J. Trump, the "super PAC" supporting Mr. Rubio aimed its cannons at Mr. Trump for the first time.
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Changing channels ... Senator Ted Cruz's campaign did not know it at the time, but the actress hired to deliver the money line in a negative ad against Senator Marco Rubio — calling him "just a pretty face" — had starred in soft-core pornographic films.
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Changing channels ... Senator Bernie Sanders's campaign apparently did not learn its lesson after he was criticized in Iowa for conveying the impression that The Des Moines Register had endorsed him, when its editorial page had actually come down in favor of Hillary Clinton.
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So poor, according to its report, that it was able to take over complete remote control of the TVs from Samsung and TCL's branded Roku TV, which included changing channels, upping the volume, installing new apps and playing objectionable content from YouTube.
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See, as far as I ever understood it, Nilay's lifelong grudge against IR blasters was never about IR. It was the fact that a dumb IR blaster can lose its place when switching sources and changing channels, and therefore its carefully programmed commands become nonsense.
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They all will have Fire TV built in, so you can take advantage of all the regular Fire TV features, like access to streaming services such as Netflix and Hulu, and using Alexa to control things like changing channels and looking for TV shows.
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Today the company announced that its series 4 (Premiere), 5 (Roamio), and 6 (Bolt) DVR boxes are receiving an update that will let customers instruct an Alexa-enabled device in their living room to perform core functions like changing channels, launching a streaming app, skipping commercials, and more through voice commands.
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"Given the FCC's announcement that 957 stations will be involuntarily changing channels and that 30 more will be voluntarily moving to a VHF channel in return for an auction payment, the TV industry and its viewers are about to see a level of technical disruption that may be unprecedented," the lawyers wrote.
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Changing channels ... In a two-minute introductory web video, the former governors Gary E. Johnson and William F. Weld, who are running on the Libertarian Party ticket, take turns onscreen and mug for laughs with eye rolls, shrugs and arched eyebrows, while bragging about their records and asserting why they would be different from "Clintrump," as they call the major-party rivals.
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Hart, Marla. "Changing channels: WVVX is WXXY. Why? Because...", Chicago Tribune.
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The Explorer 8300DVB has been criticised for having blurred menus when set to 1080i, inability to record radio and its slow response to changing channels.
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Changing Channels is the fourth solo album by dobro player Jerry Douglas, released in 1987 (see 1987 in music). It was his second release on the MCA label.
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After changing channels several times over the years, the show's current incarnation (entitled Kalkofes Mattscheibe Rekalked) is broadcast on Tele 5. Kalkofe's Media Meltdown For Deutsche Welle, Kalkofe has also picked up some international productions that he parodies in English.
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The original callsign from 1984 was W04BR on channel 4. It was briefly assigned W59CZ in 1995 or 1996 while changing channels to 59. It became WSKC-LP after that and still identified itself as such, though its suffix was changed with the upgrade to class A in 2005, making it WSKC-CA. It carried Korean programming from South Korea.
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Interactive television represents a continuum from low interactivity (TV on/off, volume, changing channels) to moderate interactivity (simple movies on demand without player controls) and high interactivity in which, for example, an audience member affects the program being watched. The most obvious example of this would be any kind of real-time voting on the screen, in which audience votes create decisions that are reflected in how the show continues.
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Stephen Chao was born to a Chinese American family, and raised in Ann Arbor, Michigan, moving to New Hampshire when he was eight years old. His maternal grandfather was a prominent official in pre-revolutionary China, once serving as the nation's economic minister to the United States. Los Angeles Times: Changing Channels Chao is the nephew of Zao Wou Ki, a well-known Chinese impressionist painter. Chao attended Fay School and later, the Phillips Exeter Academy in Exeter, New Hampshire.
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A formerly popular consumer application of ultrasound was in television remote controls for adjusting volume and changing channels. Introduced by Zenith in the late 1950s, the system used a hand-held remote control containing short rod resonators struck by small hammers, and a microphone on the set. Filters and detectors discriminated between the various operations. The principal advantages were that no battery was needed in the hand-held control box and, unlike radio waves, the ultrasound was unlikely to affect neighboring sets.
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Butler recorded separately from the rest of the band in a purpose-built lounge. There was a TV in the lounge and Butler can be heard tuning the TV at the beginning of "The Asphalt World". At the end of the song, Butler can be heard changing channels and picking up a section of dialogue from Lauren Bacall from the film Woman's World. Buller also talked of the impromptu recording of Butler playing the intro to "The Wild Ones" on a dobro outside as he sat on the roof of his car.
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An 8-track cartridge provides four pairs of stereo tracks, whereas the later quadraphonic cartridges had two sets of four tracks. The ends of the tape were spliced with a thin strip of metal that would trigger a solenoid that would cause the playback heads to automatically jump to the next set of channels. Both types of players also provided a button for manually changing channels. Due to the design of the endless loop tape, which fed from the reel in only one direction, there was no rewind control.
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Loudness monitoring of programme levels is needed in radio and television broadcasting, as well as in audio post production. Traditional methods of measuring signal levels, such as the Peak programme meter and VU meter, do not give the subjectively valid measure of loudness that many would argue is needed to optimise the listening experience when changing channels or swapping disks. The need for proper loudness monitoring is apparent in the loudness war that is now found everywhere in the audio field, and the extreme compression that is now applied to programme levels.
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The most common reaction reported by residents was to seek confirmation of the emergency by changing channels; other common reactions were looking outside or consulting neighbors, and only one percent of persons surveyed who heard the broadcast actually attempted to flee Connecticut. The most common reasons given by people for not following the evacuation orders were because no specific threat was described in the broadcast, because no specific area was mentioned other than "the entire state of Connecticut", and because there was no observable activity indicative of an emergency.
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Also that year, it was reported that MobiTV's technology powered Comcast's mobile television offering in Portland and Boston. MobiTV's subscriber base surpassed 4 million in 2008, and the company announced a unicast/multicast system for their service, which decreased time lag between changing channels. On June 3, 2009, MobiTV announced that their live television service has upwards of 7 million subscribers, and the service was available on 350 handheld devices and through 20 different carrier networks. MobiTV saw a 49 percent increase in daily viewership in 2009, which it attributed to the growth of live events available to viewers through its service.
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The team cut ties with WJXT after the 2002 NFL preseason and moved its preseason games to WTEV-TV in 2003.Changing channels; Jaguars to drop TV-4, near deal with TV-47 , The Florida Times-Union, March 6, 2003. WJXT does not entirely follow the same "Local" branding scheme as its Graham Media sister stations, although it uses the on-air slogan "The Local Station", and in 2014, the station adopted a slanted logo similar to Detroit NBC affiliate WDIV-TV, but with elements of its previous boxed 4, alongside changing its news branding to News4JAX.
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Interactive television represents a continuum from low (TV on/off, volume, changing channels) to moderate interactivity (simple movies on demand without player controls) and high interactivity in which, for example, an audience member affects the program being watched. The most obvious example of this would be any kind of real-time voting on the screen, in which audience votes create decisions that are reflected in how the show continues. A return path to the program provider is not necessary to have an interactive program experience. Once a movie is downloaded, for example, controls may all be local.
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A scene where Hugo is shocked three times by telephone wires and climbs up a brick wall to find, through a window, a man changing channels on a television was cut from the dub. Another scene where Rita spits at the floor where Hugo is standing as a sign of displeasure was also cut. The dub also toned down the original's language and removed some of Izabella's racial remarks about an Indian character, and the scene near the end of the film when Izabella becomes insane with her obsession was cut. In the second film, most edits were limited to dialogue alterations, but two scenes where Conrad is seen grabbing the buttocks of Sensuella/Barbie Turner were cut.
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Bridging is the practice of discouraging the audience from changing channels during the "junctions" between specific programs. This can be done, primarily, by airing promos for the next program near the end of the preceding program, such as during its credits,Ellis, J. (2000) Seeing Things: Television in the Age of Uncertainty, London: I.B. Tauris. or reducing the length of the junction between two programs as much as possible (hot switching). The host of the next program may similarly make a brief appearance near the end of the preceding program (sometimes interacting directly with the host) to provide a preview; in news broadcasting, this is typically referred to as a "throw" or "toss".
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The music video was directed by Frank W. Ockenfels and depicts a man, played by game show host Ken Ober, channel surfing through late-night television. He first watches a beauty pageant whose contestants lip-synch the song as the host interviews them, then a Charles Foster Kane-type politician doing the same at a campaign rally. The band appears in each of these segments, then plays the bridge of the song in the man's apartment, with John Popper taking his place on the couch. During the final portion of the song, the man starts changing channels quickly, often returning to see Paul Shaffer lip-synch the lyrics and play keyboard with the band.
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In July 1994, CBS and Westinghouse Broadcasting (Group W) agreed to a long-term affiliation deal that saw longtime ABC affiliate WJZ-TV in Baltimore and longtime NBC affiliates KYW-TV in Philadelphia and WBZ-TV in Boston become CBS affiliates. Westinghouse's other two stations, KDKA-TV in Pittsburgh and KPIX- TV in San Francisco, were already longtime CBS affiliates. That November, NBC traded KCNC-TV, which was the network's owned-and-operated station at the time, to CBS in return for CBS' former O&O; in Philadelphia, WCAU-TV, as a result of a complex ownership deal between the network, Westinghouse and NBC.CBS, NBC Changing Channels, South Florida Sun-Sentinel, November 22, 1994.
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Group W/CBS and NBC also swapped the transmitter facilities—and by association, channel frequencies—of their respective stations in Miami, WCIX (now WFOR-TV) and WTVJ.CBS, NBC Changing Channels, South Florida Sun-Sentinel, November 22, 1994. A shot of the Denver7 (KMGH-TV) studios, taken from East Speer Boulevard. At the same time, McGraw-Hill had struck an affiliation agreement with ABC, due partly to the fact that its stations in San Diego and Indianapolis had already been aligned with the network (Bakersfield sister station KERO-TV was also involved in the deal between McGraw-Hill and ABC; however, that station had to wait for its affiliation contract with CBS to expire in March 1996, before it could finally switch to ABC).
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Even though the station did not come on the air until March 1967, WMET-TV's construction permit was issued more than 13 years prior in December 1953, as WTLF on channel 18. The channel specified on the permit was changed from 18 to 24 in 1961, as part of a four- way shuffle that primarily served to cluster the operating TV channels in the Harrisburg, Pennsylvania, area, by changing channels 55 and 71 there to 21 and 33. Activity was minimal for most of the first decade. In 1962, United turned its efforts to constructing WOOK-TV, channel 14 in Washington, D.C., and noted that it hoped to put WTLF on the air within six to twelve months of signing on WOOK-TV.
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In it, he shows clips from German TV and humorously comments on them or parodies them. In 1996 he was awarded the Adolf-Grimme- Preis for the show. After changing channels several times over the years, the show's current incarnation (entitled Kalkofes Mattscheibe Rekalked) is broadcast on Tele 5. At least since the beginning of the Mattscheibe show, it's Kalkofe trademark to use many various humorous pseudonyms and puns based upon his real last name often mispronounced or misremembered by people and the fact that it involves the syllable Kalk, which is the German word for "chalk" or "lime", and at times these puns also show conscious interplay with the German verb verkalken ("to calcify", "to fossilize", "to ossify", "being a fossil").
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Months later, he calls Sam to him, where he tries to drive in a point: the two brothers continually sacrificing themselves for one another would bring no good, and when people die, their survivors just have to learn to accept it and live with it. However the Trickster gives Sam what he wants, lamenting the whole situation had become boring months ago for him anyway. In the season 5 episode "Changing Channels", he lures the Winchesters to him with a case that makes it obvious he is involved. He traps Sam and Dean in an endless thread of television shows where they must play out their roles to survive, while ignoring their attempts at having him in them in the apocalypse.
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Not only do the seasons conclude with cliffhangers, but almost every episode finishes at a cliffhanger directly after or during a highly dramatic moment. Commercial breaks can be a nuisance to script writers because some sort of incompleteness or minor cliffhanger should be provided before each to stop the viewer from changing channels during the commercial break. Sometimes a series ends with an unintended cliffhanger caused by a very abrupt ending without a satisfactory dénouement, but merely assuming that the viewer will assume that everything sorted itself out. Sometimes a movie, book, or season of a television show will end with the defeat of the main villain before a second, evidently more powerful villain makes a brief appearance (becoming the villain of the next film).
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A Motorola FRS radio Most personal walkie-talkies sold are designed to operate in UHF allocations, and are designed to be very compact, with buttons for changing channels and other settings on the face of the radio and a short, fixed antenna. Most such units are made of heavy, often brightly colored plastic, though some more expensive units have ruggedized metal or plastic cases. Commercial-grade radios are often designed to be used on allocations such as GMRS or MURS (the latter of which has had very little readily available purpose-built equipment). In addition, CB walkie-talkies are available, but less popular due to the propagation characteristics of the 27 MHz band and the general bulkiness of the gear involved.
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Which aspects of cultural practices are (deliberately) kept in the shadows of official historiography and why? Ault's and Beck's projects have been exhibited internationally, including the show Installation at Secession (Vienna, 2006), Social Landscape at the Weatherspoon Art Museum (Greensboro, NC, 2004) and Outdoor Systems, indoor distribution at the Neue Gesellschaft für Bildende Kunst, Berlin, 2000. Together they also have produced numerous exhibition designs, including over two dozen shows for the International Center of Photography in New York between 2001 and 2004; X-Screen: Film Installations and Actions of the 1960s and 1970s (2003) and Changing Channels: Art and Television 1963–1987 (2010) for Mumok – Museum Moderner Kunst Stiftung Ludwig, Vienna; Projekt Migration (2005) at Kölnischer Kunstverein, Cologne; and Jim Hodges: Give More Than You Take (2014) at the Hammer Museum, Los Angeles.
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On July 14, 1994, as a result of an affiliation agreement between the E. W. Scripps Company and ABC that was spurred by Fox's affiliation deal with New World Communications, CBS and Westinghouse Broadcasting (Group W) agreed to a long-term affiliation deal that saw longtime ABC affiliate WJZ-TV in Baltimore and longtime NBC affiliates KYW-TV in Philadelphia and WBZ-TV in Boston become CBS affiliates. Westinghouse's other two stations, KDKA-TV in Pittsburgh and KPIX-TV in San Francisco, were already longtime CBS affiliates. That November, NBC traded KCNC-TV, which was the network's owned-and-operated station at the time, to CBS in return for CBS' former O&O; in Philadelphia, WCAU, as a result of a complex ownership deal between the network, Westinghouse and NBC.CBS, NBC Changing Channels, South Florida Sun-Sentinel, November 22, 1994.
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The QUBE remote was a book-size box with 18 buttons on it that sent signals across a long tether cable to a box with no display, but otherwise similar in size and function to modern cable set-top boxes. The remote had feet for tabletop use, but could be hand-held (probably two hands) and passed around the room, which was significant since many TVs at the time had no remotes for changing channels. The buttons were split up on the remote, with ten buttons numbered 1 - 10 down the left-hand side, five larger buttons down the right hand side, each with a corresponding red LED indicator, and three buttons across the bottom of the remote. The three big buttons across the bottom chose which category of channel the viewer would watch: pay-per-view, broadcast, or community broadcasting.
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It felt like a different television show, almost like an alternate universe, where the visceral, gut-wrenching horror of the first two seasons stuck around, and softened gradually, instead of slipping away in the middle of the night." Samantha Highfill of EW stated: "Supernatural fans know the importance of Dean's Impala, and they also know the show's history of taking unorthodox ideas and somehow making them work within the show's universe, whether it be 'Changing Channels,' 'The French Mistake,' 'Fan Fiction,' or any number of episodes. But what we didn't know until tonight was how well those two things would go together. There are very few shows on television that can have as much fun with format as Supernatural, and tonight was another example — one of the best, in my opinion — of the great storytelling that can come out of such rule-bending.
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Next, she goes to a bar and seduces the second man in a bathroom stall, where she bludgeons him to death, leaving spatters of blue paint dripping from the walls. Finally, she seduces a third unlucky suitor (who was foretold by the same occult fortune teller that it was his unlucky day) by inviting him to a motel and then uses a baseball bat to kill him, "showering the room in a mist of red confetti". The video ends with Aguilera washing off the red confetti splattered all over herself while looking in the mirror at her reflection and as the confetti goes down the drain, shows Aguilera in her trailer eating cereal while changing channels on her television set, settling on "The Lucy Show" before smiling and turning off her television. The video features several cultural influences, including the old NES Advantage, the psychic site Oranum.
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WCIX moved to channel 4 on September 10, 1995, becoming WFOR-TV. This logo was used from September 1995 to April 1999. On July 14, 1994, Westinghouse Broadcasting (Group W) signed a long-term affiliation deal with CBS, part of which resulted in three Westinghouse-owned stations (WBZ-TV in Boston, WJZ-TV in Baltimore and KYW-TV in Philadelphia) becoming CBS affiliates. As a sidebar, a subsequent deal between NBC and a new joint venture between Group W and CBS was reached in November 1994, with CBS selling the channel 6 transmitter facility and license to NBC as compensation for the loss of Westinghouse-owned NBC affiliates KYW-TV and WBZ-TV.CBS, NBC Changing Channels, South Florida Sun-Sentinel, November 22, 1994. In return, Group W/CBS received the stronger channel 4 transmitter facility, license, and cash as compensation for the loss of Philadelphia's WCAU-TV, which was being acquired by NBC.
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On July 14, 1994, CBS and Westinghouse Electric Corporation agreed to a long-term affiliation deal that would result in three of Westinghouse's television stations (longtime ABC affiliate WJZ-TV in Baltimore and longtime NBC stations KYW-TV in Philadelphia and WBZ-TV in Boston) become CBS affiliates, joining the company's two longtime CBS affiliates (KDKA-TV in Pittsburgh and KPIX in San Francisco). The deal initially called for CBS to sell its owned-and-operated Philadelphia station WCAU; however, CBS later discovered that if it sold WCAU in order to affiliate with KYW-TV, it would have had to pay hefty capital gains taxes on the profit of the transaction. To alleviate this problem, in November 1994, NBC decided to swap ownership of KCNC-TV and KUTV in Salt Lake City (which NBC had acquired the month before), along with the VHF channel 4 allocation and transmitter in Miami to CBS in exchange for WCAU and the VHF channel 6 allocation and transmitter in Miami, which for legal purposes made the deal an even trade.CBS, NBC Changing Channels, South Florida Sun-Sentinel, November 22, 1994.
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