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45 Sentences With "switching channels"

How to use switching channels in a sentence? Find typical usage patterns (collocations)/phrases/context for "switching channels" and check conjugation/comparative form for "switching channels". Mastering all the usages of "switching channels" from sentence examples published by news publications.

Reynolds costarred with Turner in the 1988 movie Switching Channels alongside Christopher Reeve.
The storage will run dry quickly, and this controller isn't an optimal one for more than switching channels.
Actually switching channels is done through your router's settings page—check the router documentation if you're unsure, but this typically involves typing its IP address into your web browser and logging in.
After various makeovers over the years — Cary Grant and Rosalind Russell in "His Girl Friday"; Burt Reynolds and Kathleen Turner in "Switching Channels" — Hecht and MacArthur's work, about the framing of a white convict who killed a black policeman, has been fully restored to its naughty, bro-mantic glory.
Modern-day routers and hardware can usually operate on the same channel without any problems, and will often automatically cross several channels to provide for faster speeds, but in some circumstances switching channels can make a difference, especially if you live in close proximity to your neighbors (and their Wi-Fi).
The final screening on Monday focuses on a 20600 film of "Biped," a 215 piece that made imaginative use of computer-generated imagery and that Cunningham likened to "the feeling of switching channels on the TV." Alastair Macaulay, the former chief dance critic at The New York Times, called it "a triumphant outpouring of pure dance invention and a masterpiece of theatrical poetry," and will be on hand to introduce the film and participate in a post-screening Q. and A. 3-2212-2127, anthologyfilmarchives.
The first episode of the spin-off, "Switching Channels", features a crossover between the two shows via a TV set.
Once tuned, use of the adapter, including switching channels, was controlled via the computer. Teletext pages were displayed on the computer monitor.
Siskel & Ebert gave Switching Channels mixed results: Ebert was positive about the film and liked how the film did overall; however, Siskel expressed strong disappointment in the film and gave Switching Channels a thumbs down. Rotten Tomatoes currently lists Switching Channels with a 58% rating based on 12 reviews. Reeve, who played against type as the hapless fiancé, later expressed regret in making the film, believing he "made a fool of himself" and that he had only taken the project as a distraction from depression following a divorce. He also reportedly had to act as "referee", as costars Turner and Reynolds feuded with each other during filming.
These modified JVM Marshall amps were prototypes for a signature amp that Marshall scheduled for release in 2011. They replaced the reverb with noise gates that eliminate lag when switching channels.
Deloitte, Switching Channels: Global Powers of Retailing 2012, STORES, January 2012, G20. Amazon is the world's largest online retailer. Half of the world's 20 largest semiconductor manufacturers by sales were American-origin in 2011. Most of the world's largest charitable foundations were founded by Americans.
On January 3, 2017, the 10:00 a.m. and 11:00 a.m. ET editions of SportsCenter moved from ESPN to ESPN2, effectively switching channels with the two-hour debate program First Take, which moved from ESPN2 to ESPN. On February 6, 2017, the newly revamped 6:00 p.m.
Ransohoff had success with Jagged Edge (1985) based on a script for Joe Eszterhas. It was made by Columbia who also distributed Ransohoff's The Big Town (1987), Switching Channels (1988), Physical Evidence (1989), and Welcome Home (1989). Ransohoff's later films included Guilty as Sin (1993) and Turbulence (1997).
In 1995, Kelley entered into a five-year deal with 20th Century Fox Television to produce shows for both the ABC and FOX television networks, each agreeing to take two series. If one network passed on a project, the other got first refusal. Kelley retained full creative control.Caves, Switching Channels: Organization and Change in TV Broadcasting. p.
Switching channels can be done both via the front panel of the amp, or with the remote footswitch. It is also available in a 60 watt 2×12 combo. The 2×12 combo features 60 watts of RMS output power into 16 or 8ohms. It also features five 12AX7 preamps tubes and two 6L6GC power amp tubes.
This way the ads could be not just topical but also personalized to viewers interests. DirecTV in March 2011 signed an arrangement with NDS Group to enable the delivery of such addressable advertisement. It is believed that viewers prefer to forward ads, than to switch the channel. By switching channels, viewers will have the probability of skipping the beginning of their program.
The sculpture also makes an appearance in the 1988 film Switching Channels starring Kathleen Turner, Burt Reynolds and Christopher Reeve. Today, the Chicago Picasso has become a well- known meeting spot for Chicagoans. Depending on the season and time of the month, there are musical performances, farmers' markets, a Christkindlmarkt, and other Chicago affairs which are held around the Picasso statue in front of Daley Plaza.
Kathleen Turner and Burt Reynolds had a very strained working relationship on set, and both have commented negatively on one another in years since. In 2018, Kathleen Turner said the following of her experience working with Burt Reynolds on Switching Channels: In March 2018, when he was asked by Andy Cohen who the most overrated actor of the 1970s and 1980s was, Reynolds cited Turner.
The film saw both lead actors to be nominated for the 1988 Golden Raspberry Awards for Worst Actor and Worst Actress. (These nominations were not solely on the merits of Rent-a-Cop, however; Reynolds and Minnelli were also cited for Switching Channels and Arthur 2: On the Rocks, respectively). Minnelli ended up "winning" the Worst Actress prize. The film earned under $300,000 in American ticket sales.
After the filming of Superman IV in February 1987, Reeve and Exton separated amicably with joint custody of their children and Reeve returned to New York. In a depression without his children, he decided that doing a comedy might be good for him. He was given a lead in Switching Channels. Burt Reynolds and Kathleen Turner had a feud during filming, which made the time even more unbearable for Reeve.
Connections don't have to be negotiated like circuit switching. Channels don't have to be allocated because channels do not exist in ATM, and on condition that there is an adequate amount of bandwidth to maintain it, there can be indefinite transmissions over the same facility. Cell relay utilizes data cells of a persistent size. Frames are comparable to data packets; however they contrast from cells in that they may fluctuate in size based on circumstances.
Kotcheff did a Canadian film about cults, Split Image (1982), then had his biggest success to date with the Sylvester Stallone movie First Blood (1982), the first in the Rambo series. He did another Vietnam-themed action movie Uncommon Valor (1983) then returned to Canada to make Joshua Then and Now (1985), from the novel by Mordecai Richler. Kotcheff did Switching Channels (1988) and Winter People (1989), then had a big hit with Weekend at Bernie's (1989).
It also provided notification of incoming CTCP Finger commands. Ircle included and extended this feature, "face files" to larger images. A late version of Homer reportedly allowed collaborative drawing across the network. The Internet Starter Kit for Macintosh (1994) described it as "a great program if you're interested in IRC," and noted that "Homer has a colorful and unique interface that significantly eases using IRC, since it simplifies switching channels, keeping multiple discussions going, [and] giving and taking operator privileges".
" Reynolds attempted a screwball comedy, Switching Channels (1989), but it too was a box office disappointment. Even more poorly received was Physical Evidence (1989), directed by Michael Crichton. Reynolds received excellent reviews for the caper comedy Breaking In (1989), but the commercial reception was poor.Gerry Molyneaux, John Sayles, Renaissance Books, 2000 p 182 "When I was doing very well", he said at the time, "I wasn't conscious I was doing very well, but I became very conscious when I wasn't doing very well.
The short starts out with a title card that says "Inbred Jed's Homemade Cartoons", with the character of Inbred Jed staring at the camera and cackling. The two teenagers by the name of Beavis and Butt-Head shown switching channels on their TV, watching TV commercials and laughing at a Suzanne Somers Thighmaster commercial. While blowing up insects with firecrackers in a field, Beavis and Butt-Head spot a frog and exclaim "frog baseball!"; they then proceed to play baseball with the frog.
The first season of the television series Dollhouse, premiered on February 13, 2009, on Fox and concluded its 12-episode season on May 8, 2009. The season aired on Fridays at 9:00 pm ET. Together with Fringe, Dollhouse was a part of Fox's "Remote-Free TV" initiative to keep people from switching channels during commercial breaks. Therefore, every episode of this season was 47–50 minutes long compared to a usual 40–43 minute length for regular network television.
In 2017, due to the FCC's 2016 incentive auction, WKUW filed for a construction permit for its digital subchannel to relocate to digital UHF channel 28 due to spectrum re-packing. Channels will be changing over a transition period, which will take place between September 7, 2019, and October 18, 2019. However, on October 19, 2018, WKUW went off the air temporarily to prepare for the transition and relocation to UHF channel 28.WKUW-LD 40 is Off the Air and Switching Channels - nashvilledtvnews.
Switching Channels is a 1988 American comedy film remake of the 1928 play The Front Page, the 1931 film of the same name, and the 1940 film His Girl Friday. It stars Kathleen Turner as Christy Colleran, Burt Reynolds as John L. Sullivan IV, Christopher Reeve as Blaine Bingham, Ned Beatty as Roy Ridnitz, Henry Gibson as Ike Roscoe, and George Newbern as Sigenthaler. The film was notorious for its harsh infighting between Reynolds and Turner during filming. The film was a box office failure and received mixed reviews from critics.
Trittipo established the opening format for the show by designing an opening "look" setting, which, after the Host introduction and musical segment opened the program, the original set would transform—on camera—into a new stage setting for the next performer and act! By not going into a commercial break, sometimes the second act and setting would transform into a third act altered stage set transformation. This became the novelty for the variety hour. And made the audience stick with the tube by not switching channels during the normal network scheduled commercial break.
In addition to this film, the play has been adapted on several other occasions. CBS radio turned it into a one-hour episode of Academy Award Theater with O'Brien and Menjou, a June 28, 1937 episode of Lux Radio Theater with Walter Winchell and James Gleason, and a May 9, 1948 episode of the Ford Theatre starring Ed Begley and Everett Sloane. The story was adapted for Howard Hawks's comedy His Girl Friday (1940); a 1974 remake of The Front Page starred Jack Lemmon and Walter Matthau; and another version was made as Switching Channels (1988) with Burt Reynolds, Kathleen Turner and Christopher Reeve.
Sherwood has appeared in feature films, including; Race (2015), Star Spangled Banners (2013), Honey (2003), Hostile Takeover (1988), Deadbolt (1992), Undue Influence, Switching Channels, Eddie & the Cruisers II: Eddie Lives, Closer and Closer, Crimes of Fashion, Terror Train, Too Close to Home, Free of Eden, Ultimate Deception, Both Sides of The Law, Mail To The Chief, Threshold, Physical Evidence and Guilty as Sin (1993). In 2009, Sherwood returned to the stage performing in the role of Marty in the musical Dreamgirls at the Grand Theatre in London, Ontario. In 2015, he performed the leading role in the Shakespeare play, Othello for Ale House Theatre.
Vancouver Sun, February 20, 2003. She appeared in minor supporting roles in the films Switching Channels, Ernest Goes to School, Hard Core Logo, Better Than Chocolate, and Best in Show. On television, she is best known for her role as Rachel Lynde in the 2017 version of Anne, and has voiced characters in the animated series Beverly Hills Teens, Babar, and The New Adventures of Madeline. In 2017, it was announced that Koslo would voice the role of Emma in Corner Gas Animated, following the death of original Corner Gas performer Janet Wright."Corrine Koslo to voice Emma Leroy in ’Corner Gas’ animated series".
And when Marshall sneaks into a real-life house that looks like the dollhouse, he realizes that he's shrinking. What's the connection between all this and the peculiar new girl in school who looks just like Syndi's doll? #They Say (Mike Ford) (July 1998) : Marshall and Simon help an old woman who tells them about The Gathering of They, a secret society behind the myriad of generalizations, advice, and superstitions in society. #Switching Channels (Mike Ford) (August 1998) : In an adaptation of the series premiere of Eerie, Indiana: The New Dimension, two boys named Mitchell and Stanley find their television tuned into another dimension, where two boys named Marshall and Simon are looking for a portal into another reality.
Reeve later stated that he made a fool of himself in the film and that most of his time was spent refereeing between Reynolds and Turner. The film did poorly, and Reeve believed that it marked the end of his movie star career. He spent the next years mostly doing plays. He auditioned for the Richard Gere role in Pretty Woman but walked out on the audition because they had a half-hearted casting director fill in for Julia Roberts.Reeve, Christopher (1998), pp 225–231 Five months after separating from Gae Exton and after filming Switching Channels, he went back to Williamstown with his children, Matthew and Alexandra, who were seven and three, respectively.
His Girl Friday and the original Hecht and MacArthur play were later adapted into another stage play, His Girl Friday, by playwright John Guare. This was presented at the National Theatre, London, from May to November 2003, with Alex Jennings as Burns and Zoë Wanamaker as Hildy. The 1988 film Switching Channels was loosely based on His Girl Friday, with Burt Reynolds in the Walter Burns role, Kathleen Turner in the Hildy Johnson role, and Christopher Reeve in the role of Bruce. In December 2017, Montreal Canada based independent theatre company, Snowglobe Theatre's Artistic Director Peter Giser adapted the script for the stage, expanded some characters and made the play more accessible to modern audiences.
"TV Talkback." Toronto Star, April 20, 2002, p. S8. Throughout the late 1980s well into the 2010s, Royal has worked steadily, appearing in productions that were made in the US and several that were made in Canada, such as the 1988 film Switching Channels, a remake of the 1931 movie classic Front Page, which was filmed in Toronto. "People." Maclean's magazine, April 13, 1987, p. 24. In addition, he was in several made-for-TV movies, including a role as John Sculley in the 1999 production Pirates of Silicon Valley, and the role of Mark Roberts in the 1999 production of "Crime in Connecticut: The Story of Alex Kelly" (later renamed "Cry Rape").
Cold opens sometimes employ a segment known as a "teaser" or "tease". A memorandum was written by Gene Roddenberry on 2 May 1966, as a supplement to the Writer–Director Information Guide for the original Star Trek series, describing the format of a typical episode. This quotation refers to a cold open, commonly known as a teaser: The "hook" of the teaser was some unexplained plot element that was alluded to in the teaser, or cold open, which was intended to keep audiences interested enough in the show to dissuade them from changing stations while the titles and opening commercial roll. In television series, a similar technique called a cliffhanger is often employed before commercial breaks, to keep the audience from switching channels during the break.
Two years later, he became a member of the cast of the CBS educational children's television show Mr. I Magination. In 1950, he appeared on the short-lived CBS variety show Joey Faye's Frolics. He was later featured on The Red Buttons Show in the 1950s, and was the second "Captain Jet", host of the children's show Space Funnies in the late 1950s. He played the husband of star Lee Grant's character on Fay in the 1975-1976 season. His film credits include Diary of a Bachelor (1964), Move (1970), Rhinoceros (1974), The Apprenticeship of Duddy Kravitz (1974), Shivers (1975), Rabid (1977), You Light Up My Life (1977), Crash (1978), Boardwalk (1979), Deathtrap (1982), Almost You (1985) and Switching Channels (1988).
In the middle of the 1980s, Beatty appeared in the comedy film Restless Natives (1985), directed by Michael Hoffman. By the end of the 1980s, Beatty appeared in another comedy film, as the academic "Dean Martin" in Back to School (1986), starring Rodney Dangerfield. He played a corrupt cop in the 1987 American neo-noir crime film The Big Easy, directed by Jim McBride and starring Dennis Quaid, and continued with a spy drama, The Fourth Protocol (1987), opposite Michael Caine and Pierce Brosnan. In 1988, Beatty appeared with the main character Thelonious Pitt in Shadows in the Storm, reunited with Burt Reynolds and Christopher Reeve for the 1988 comedy film Switching Channels, his fifth time in a movie with Reynolds.
He has since guest-starred on television in such series as Providence, Chicago Hope, Friends, Bull, CSI, Medium, Ghost Whisperer, Touched by an Angel, Criminal Minds, and Private Practice. He has a recurring role as a former CIA operative in Scandal. He starred as Neal Morris, father of Melissa Morris (Emily Osment), in the 2009 Disney Channel movie Dadnapped, and portrayed Apollo 14 astronaut Stu Roosa in the HBO mini-series From The Earth To The Moon. Film credits include Adventures in Babysitting (1987) with Elisabeth Shue; Double Switch (1987); Switching Channels (1988) with Kathleen Turner, Burt Reynolds and Christopher Reeve; and Father of the Bride (1991) and its sequel Father of the Bride Part II. In 2009 he appeared in Locker 13.
On orders from Bischoff, Nitro announcer Tony Schiavone gave away this previously taped result on a live Nitro and then sarcastically added, "That's gonna put some butts in the seats", consequently resulting in over 600,000 viewers switching channels to Raw Is War to see the underdog capture the WWF Championship. This was also the night that Nitro aired a WCW World Heavyweight Championship match in which Kevin Nash laid down for Hollywood Hogan after Hogan poked him in the chest. On June 28, 2000, Viacom won the landmark deal with the WWF to move all of its WWF programs stemming from the lawsuit action against WWF from USA Network. The new television contract and the subsequent purchase of competitor WCW led to many changes in WWF's programming content.
The 1990s saw Davro switching channels to the BBC, appearing on television shows such as Public Enemy Number One and the talent show The Heat Is On. During the filming of Public Enemy Number One he suffered a broken nose when the pillory he was placed in, not being secured vertically, toppled over projecting him face- first onto the studio's concrete floor. This incident was not televised but was used in a BBC safety video. On the short-lived show Rock with Laughter, Davro made another attempt at the comedy sketch-show format that had proved so successful for him in the 1980s. He replaced John Eccleston as co-presenter on the game show Run the Risk with Peter Simon: this featured on the BBC's Saturday morning children's show Live & Kicking.
The original script by James Guidotti, Attack of the Aliens, was conceived as a B-movie spoof. "It's a little like sitting home and watching TV late on a Saturday night, all the while switching channels from 5 to 9 to 11 and to 13," Guidotti explained. "On channel 5 they're airing an old Beach Party movie; on 9 one about alien invaders; on 11 a film about a mad, homicidal maniac on the loose; and on 13 a rock 'n roll program." When Guidotti's script was spotted by executives at the production company Inter Planetary Curb, Vice President of Development Edward Gold and consultant Charles Hairston polished the script, turned it into a musical, and the film went into production under the title Attack of the Rock 'n' Roll Aliens.
The album is loosely organized around the idea of an ape randomly switching channels on a television, but explores numerous political and social themes, including critiques of the First Gulf War in "The Bravery of Being Out of Range" and "Perfect Sense." The first track, "The Ballad of Bill Hubbard," features a recording of the voice of World War I veteran , a member of the Royal Fusiliers who describes his account of finding fellow soldier William "Bill" Hubbard, to whom the album is dedicated, severely wounded on the battlefield. After failed attempts to take him to safety, Razzell is forced to abandon him in no-man's land. The tale is continued at the end of the title track, at the very end of the album, providing a coda to the tragic story, with Razzell describing how he finally found peace.
Fast Forward was noted for its fast-paced satirical comedy which particularly lampooned the media, in particular film and TV, with its parodies of well-known television shows (such as Kung Fu, Lost In Space, The Munsters, and A Current Affair), personalities (such as Clive James, Jana Wendt, Derryn Hinch and Geoffrey Robertson) and commercials (such as for American Express and Nescafé). Its subjects were also Australian politics, which it attacked through various political impersonations (including John Howard and Paul Keating), and also using the political puppets, Rubbery Figures, previously seen in small segments on the ABC, based on Peter Nicholson's political cartoons. Another key distinguishing feature was the use of simulated channel surfing to switch from sketch to sketch, often in the middle of a sketch, sometimes after the punchline. Particularly a sketch would abruptly switch to a momentary segment of static, followed by another sketch, simulating the effect of the viewer repeatedly switching channels.

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